Cristobal Balenciaga: Purple Velvet Evening Coat, Autumn/Winter 1949
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George Barbier, Manteau de Soir en velours frappe Garni de Soir brochee d'argent (Evening coat in striking velvet Trimmed with silver brooch), Costumes Parisiens, Le Journal des dames et des mode, 1914
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US Vogue September 1, 1950
Jean Patchett in blue silk velvet day evening coat. By Nettie Rosenstein. Frust Bros. Pill Box in blue velvet, blue veil, from Mr. John. Brilliant addition: a pair of blue rhinestone clips and pecado sap phires. Elizabeth Arden's "Burnt Sugar" lipstick.
Jean Patchett en manteau de soirée de jour en velours de soie bleue. Par Nettie Rosenstein. Pilulier Frust Bros. en velours bleu, voilé bleu, de Mr. John. Ajout brillant : une paire de clips bleus en strass et phires de sève pecado. Le rouge à lèvres "Burnt Sugar" d'Elizabeth Arden.
Photo Horst P. Horst
vogue archive
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More 1914 Fashion -
1914 Prinsessan Margareta by Oscar Björk (Kungliga Slotten - Stockholm, Sweden). From kungligaslotten.se/ur-arkivet/bernadotteportratt/2018-02-14-prinsessan-margareta-1882-1920.html; enlarged one quarter 706X1353.
1914 Prince Oskar & His Bride Countess Ina Marie von Basseewitz. From eBay; fixed spots & flaws, esp. upper rt. corner, removed mono-color tint, & increased contrast 913X1498.
1914 Regla Manjón, Countess of Lebrija by Joaquín Bastida y Sorolla (private collection). From the-athenaeum; fixed spots w Pshop 1280X949.
Left 1914 Real Automóvil-Club de Cataluña. Copa Tibidabo by Ramon Casas (Museu Nacional d'Art de Catalunya - Barcelona, Catalunya, Spain). From atsandculture.google.com 1970X2704.
Center 1914 Robe du soir par Beer. From castaroundlesmodes.tumblr.com/post/68582843613/robe-du-soir-par-beer-1914?is_related_post=1 729X1135.
Right 1914 Waiting for the results. From messynessychic.com/2018/04/27/lovely-ladies-in-lace-at-the-paris-races; removed print and filled in lower 2/3 of left edge with Photoshop 924X1280.
1914 Society Beauty by Friedrich August von Kaulbach (for sale at Brady Hart Gallery). From their Web site; fixed flaws & bigger spots w Pshop 2500X3333.
1914 Costumes Parisiens…, Manteau de Soir en velours frappe Garni de Soir brochee d'argent by George Barbier. From tumblr.com/mote-historie/732065935834398720/george-barbier-manteau-de-soir-en-velours-frappe?source=share&.
1914 Woman at the Piano by Nathan Altman (State Tretyakov Gallery - Moskva, Russia). From arthive.com/artists/1711~Nathan_Isaevich_Altman/works/10728~The_lady_at_the_piano 647X1400. This shows art deco influence.
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Evening Cloak
Jeanne Paquin
Spring/Summer 1920
National Gallery of Victoria
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Black Silk Evening Coat, 1888-1890, French.
Designed by Emile Pingat.
Met Museum.
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yk when you see someone share a finished handmade item that they clearly spent a lot of time and money on and it's just. The absolute tackiest thing you have seen in your life. And then you ask yourself why someone would waste all those resources on such an eyesore.
(no, of course you can't relate to that because you're a much nicer person than me)
In any case.
BEHOLD!
A wool coat!
The top fabric is handwoven and handspun, the whole thing is sewn by hand, too.
Leftovers. Barely anything, all things considered, which is very satisfying.
This thing took me well over 3 years to make, on and off. And now I'm done.
Thank you for your attention.
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The farmer I buy hay (and some firewood) from hasn't had time for deliveries yet, and he texted me yesterday to ask what I needed most urgently, hay or wood. Selflessly, I said hay.
That /is/ the gate for hay deliveries! Great memory, Pirlouit. I see what are the important spots in your mental map.
I hope you realise that I'm sacrificing myself for you. By telling our neighbour to prioritise your food over my comfort.
But even if I didn't, I would prioritise you and your hay because I love you. I would freeze to death to ensure you are fed
Would you share your hay with me, though?
I see.
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Pierre Balmain Haute Couture Collection Fall/Winter 1954-55. Marie-Thérèse wears a lamé brocaded frock coat with Persian designs of small pink, green and gold palmettes on a white wool, silk, acetate and metal background from Staron lined with brown mink, brown velvet toque and mink of the same tone.
Pierre Balmain Collection Haute Couture Automne/Hiver 1954-55. Marie-Thérèse porte une redingote en broché lamé à dessins persans de petites palmettes roses, verts et or sur fond blanc laine, soie, acétate et métal de Staron bordée de vison marron, toque en velours marron et vison de même ton.
Photo Mark Shaw.
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