How do you manage to write smut that's like, actually arousing? What's the secret?
Well, first of all thank you! I'm glad you enjoy it, I really am. Happy to hear from you here as well 💜
Also, I'll let you in on my secret — I can't stand almost anything I write after it's posted. I see nothing but the flaws, grammatical choices, and technical foibles. This extends triple, quadruple, to smut. So if you're feeling the same kinda way, that your writing feels somehow off, then just know you're not alone.
I could give some pointers, but I don't really know how much benefit anyone will get hearing these from me of all people. But in my opinion it's a lot of the non-smut aspects that highlight the smut and make it shine. So here ya go.
Keep it in-character. I'm not out here talking as an authority on anyone's characterization, nor am I saying I'm some master of it and there are plenty of people out there with differing opinions, so take this with a colossal mountain of salt. But you should focus on making the voices, internal thoughts, and prose in keeping with the POV character. This is something called "POV control" and it's a very useful skill. Be able to flow in and out of a character's POV as the need arises. How Shadowheart interacts with sex is very different from Karlach is different from Orin, for example.
Strong focus on dialogue. This is a sorta addendum to the first point. Characters shouldn't suddenly turn silent when they're having sex. That is, unless that's the point of the story! They should also be speaking in-character even (or especially) during sex. Also, "porn dialogue" is something that gets brought up a lot in writing, and I think we all know it when we read it. That being said, people in the real world do say things during sex that, out of context, are hilarious. So it's a balancing act.
Fitting descriptions. This is actually one of the more important ones! If a scene is very romantic and meant to be light and fluffy, maybe avoid words for genitals altogether and focus entirely on simple visual aesthetics (how moonlight plays on a body, to give an example). If it's meant to be rough and focused on bodies or the mechanics of the scene, ham it up on those words. This also isn't a binary. Things flow back and forth all the time.
Firm language. I don't mean, like, power dynamics "firm." I'm talking about a willingness to use the words that fit the descriptions and sticking to it. Some people despise certain words, but other people will find the alternatives hilarious and completely tone-breaking. Find the words you like and stick to them; consistency gives your voice strength.
Don't try to appease everybody. You just can't. You have to write what you personally enjoy reading/writing/doing/thinking about, and go with it. If you try to cater to everyone's whims with any of the above, you'll wind up with a beige platter of nothingness. That doesn't mean you can't explore other tones or flavors, but don't try to do too much in one story.
Focus on emotions. Emotions could mean anything from love to lust to anxiety to fear to uncertainty and so on and so forth. My strategy is to center a fic on a theme/emotion that resonates with the characters involved and then I explore the smut around that central point. Revisit the idea between the action. Show how the characters' feelings around the theme change or how they're reaffirmed.
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something i've been thinking about:
Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like
first of all, thats an npc. second, nearly everybody else has severe main character syndrome
but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment
Wally, despite being described as Thee character, is borderline background.
& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue
I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?
but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.
of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.
in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend
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