What’s up with this table scene in Deep Cover? (And another theory on colour symbolism and that final scene)
In this one scene where she’s eyeing the chess peices of Kazui, Amane and Mikoto is really confusing to me. This scene (and the one after) depicts only these three. Like I can understand as Kazui was the one who stopped Kotoko from fully beating up Fuuta, and Amane and Mikoto were the guilty prisoners she wasn’t able to fully inflict pain on but it’s interesting how she’s only eyeing these three here.
And when the camera starts spinning there’s no chess pieces for the other prisoners, only indescribable rubble that doesn’t match up with the pieces (I’ll get to that later). And even Fuuta’s and Mahiru’s pieces aren’t here, but when it keeps spinning it goes back to Kazui, Amane and Mikoto’s pieces still on the table. So what’s up with this? And there’s no sign of Kotoko’s throne which would be right next to Mikoto’s chair. But interestingly enough her chair is back not long later when she’s standing on the table?
This is really interesting but I don’t know exactly what to make of this. All other prisoners that aren’t Kazui, Amane or Mikoto have been completely removed from this scene, and Kotoko’s chair as well. Instead she’s sitting on the other’s chairs instead of her own. Although it seems that may not be the case for Amane, as it looks like she’s sitting on the table there. Or maybe she’s just sitting sideways, it’s hard to tell.
There’s also how in the scene right after this where there’s only one Kotoko, and she’s standing between Amane and Mikoto’s chairs.
She’s eyeing Mikoto’s broken piece, smiling and laughing, representing her overblown hate for him.(which I still don’t exactly know why she really wants to kill him so badly? Some of the things she’s said makes me think it may be ableism but I don’t think it’s just that.)
And unlike the others who’s chess pieces are in front of their own chairs, his piece is broken in front of her, perhaps even with the likely guilty verdict she may try to attack him again.
There’s also the colours here, where the purple and blue colours often show when she’s breaking the chess pieces or other violent scenes, which is just a little detail I really like. But it also makes the thumbnail scene interesting as that has the more normal grey palette? Thinking about it perhaps this colour scheme represents her desire to take everyone down, as Amane and Mikoto’s pieces are broken here but she only really attacked Fuuta and Mahiru in real life. But that’d make it interesting considering Kazui’s piece is not broken here but at the end it is.
So going back to the rubble thing I mentioned earlier, there appears to be shattered pieces of stone all around the table that do not look like the broken prisoner chess pieces, as this rubble is more broken and doesn’t have any colour.
It’s interesting as this rubble has just appeared out of nowhere, and replaced the other prisoners chess pieces in this scene as well. And it surrounds Kazui’s piece despite it not being broken. And in the scene where she’s on the table, the remains of the guilty prisoners and the other rubble swirl around her in a ring.
And this is where I want to talk about the layout of the chairs and the rubble more as this shot is incredibly confusing to me.
So right off the bat there’s something really strange here. Again there’s rubble all over the table but this time it’s in weird clumps. There appears to be 3 maybe 4 clumps on the table, in a position where it looks like it could represent the guilty prisoners perhaps, but if you look closely they do not match up with where the prisoners seats would be, and they’re just everywhere, and it doesn’t seem like the individual chess pieces are here either.
But in the end, the table has been completely destroyed and the entire mindscape has been engulfed in the bright blues and pinks, which I mentioned could represent her violent desires. The innocent prisoner’s chess pieces have been destroyed with blood all over them and the guilty ones nowhere to be seen. And Kotoko’s piece, the only one intact is the only one that remains, and is covered in blood.
Ok so just going to go off topic here but I just thought about this final scene while writing. If the pink and blue colours represent her desires, perhaps the overly saturated colours represent her desires going out of control and killing everyone. This could explain why Kazui’s chess piece wasn’t broken in the table scene with these colours but it is now.
Perhaps this final scene isn’t exactly what Kotoko wants, but is what she is scared she will become if she doesn’t try to stop herself. She’s struggling at the beginning to hold herself together and gives up, with the shadow of the werewolf emerging from her. The wolves are Kotoko’s representation of her justice, this werewolf is the violent justice that destroys. She’s afraid of what she could become here, that’s why she’s so horrified at the end. She doesn’t exactly want this outcome, she doesn’t want to kill all the prisoners. But she’s scared that how far she’s been going into her extreme ideologies could lead her down this path.
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1) Opens up drafts with my head empty, ready to be flooded, not knowing where I'll go.
2) 30 seconds later: Okay but I will go feral any day of my life over Perilous Trail, and the fierce dichotomy of Xiao and Yelan. While they're far from being 'the same', they both view themselves as soldiers in one way or another (it's a very difficult word to use for Yelan, so I'm using it very liberally and very loosely), they have both suffered losses on the 'battlefield' and carry the burden thereof in their own ways. And yet they stand so firmly in opposition throughout the entirety of that questline up until the very end of the 'the end of the line' conclusion of the quest. Yes, I know that she offers him her gratitude in its aftermath and it is genuine, but she still never agrees with him and the decision that he made moments earlier. It simply 'worked out' because of Zhongli's interference, he's the only reason it worked out. And it's because of that, that she doesn't give him a hell of a hard time (obviously she can't go down there, but imagine the inner frustration of severe extents; when you condemn someone who you can't even see anymore). In the same way that she would do to anyone who would sacrifice themselves for others, but in this case, I think it's 'beautiful' that it's to Xiao; the one who seems most adamant to do so (which honestly, fits into the contract that the Yakshas chose to sign with Morax; 'the ultimate sacrifice' to protect for Liyue; 'for Liyue', and Liyue has always centered itself around its people), the one who everyone reveres (and so does she, as she notes in her voiceline, 'if I ever have the honor to fight alongside') and respects for good reason, she stands against him, because in that moment, regardless of his status, he makes a call that she considers wrong. And he doesn't even... fight her on it very fiercely, and that's what actually hurts me the most, it's as if the following line hit the nail directly on the head?
"Besides, if you were really so determined to end it all, you wouldn't have given us the opportunity to share our opinions."
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did you ever watch fargo? it has similar story beats to true detective, at least, season one (it’s another anthology type series, crime focused) there’s a dude in there who i think you’d get a kick out out of… very much quietly intensely batshit insane and Off™️ but somehow presents himself as the sanest one in the room. he’s rust cohle, in a way, but murderer, not detective
Thanks for the rec! Watched S1 over the past week or so. Was good but it frustrated me. Billy Bob Thornton Serial Killer was the highlight, you were right! He was very fun. What a weirdo.
I don't know if it was that I grew up in an area with accents like theirs so I was like, hyper aware They Are Doing An Accent, or that it was based on Coen Brother's work, but a lot of the characters felt... rather like caricatures? I don't know, something about it had a wall between me and it, where I wasn't immersed so they felt like We Are Actors On A Set Delivering Lines Really Well rather than I was in the moment, if that makes any sense. Maybe it was the monologues, Flannigan series can have the same affect to me.
Still, was a really good cast. I needed Martin Freeman to get his comeuppence like three episodes sooner, my god that man could just wiggle out of everything (SPOILER he sent his wife to get shot???? what the fuck is wrong with him. I was screaming SPOILER OVER). I always like it when Colin Hanks pops up in things. Allison Tolman and Billy Bob Thornton fucking carried the whole thing, they were the only two I didn't really get the I Am Delivering Lines With Emotion And This Thick Minnesotan Accent feeling.
Writing was generally tight, too. Good full circle moments and Chekov's guns, pieces came together in satisfying ways. Was fun to be rooting for Molly to catch her killers and for Billy Bob to fucking get Martin Freeman. I think it could have been one episode shorter, or skipped the time jump, to give the police a modicum more competence, they were killing me.
Idk if I'll watch the other seasons, I did enjoy it overall. Might check out the newest one because I'm a slut for Jon Hamm.
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Your gentle reminder that fandom will survive. We've survived necessary platform shifts before, and will again when it's time. Will everyone survive the shift? No, some people will fade away. Will it look the same? Nope, never, nothing will ever match this moment in time, and sites that match features 1:1 don't have the same pull (see LJ to DW). But there will be another site that fandom migrates to, and it will rise again in a slightly different form.
Tumblr's moment in time will end. Not today, and probably not anytime immediately soon, but it will end, and fandom will be okay. One moment ends, and another begins. The only things you can do is save what you want to save, know how to contact the people you want to contact, and wait and see what happens next.
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