#except for arthur's lines | Explore Tumblr Posts and Blogs

fangirl-dot-com · 6 months

Text

Incorrect Quotes - Part 2

All of these were taken from Pinterest - again, I am not this funny

Special thank you to @sinfully-yoursss for asking for another one!

Max: Do you ever do anything except whine like a little bitch? Y/n: Sometimes I whine like a BIG bitch

Arthur (propping his feet up on a table): So, I heard you like bad boys Y/n: What? No??? Arthur (immediately taking his feet off the table): Oh thank God, that felt terrible

Christian: Where’s Y/n and the child? Toto: Y/n is teaching him how to drive Christian: Y/n never learned to drive??????

*Meanwhile*

Y/n: So there’s two pedals. Sometimes three but you can ignore the left one Kimi: I don’t think…. Y/n: the lines on the road are more like suggestions than anything, like the speed limit Kimi: Are you positive that… Y/n: I’m not sure how to turn on the blinkers. Ready? Kimi: Uhhhhh Y/n (shouting): GO GO GO GO Kimi (screaming) *floors it*

Nurse: I’m sorry sir, we can only allow family to see Miss L/n at this time Christian: bold of you to assume I won’t legally adopt her right now Y/n (sleepy, inside the hospital wing): you tell ‘em dad!

Max: Your honor, my client is ready Judge: And what does the defendant plead? Max (mouthing the words): not guilty Y/n (squinting at Max): hot milky Max (facepalms): take her away

Y/n: Deck the halls with crippling depression Charles: Fa la la la la, la la la la Y/n: ‘Tis the season for emotional suppression Arthur: Fa la la la la, la la la la Max (passing through): what???

Y/n (on the phone): Hey Lance, can Arthur and I borrow $5000? Lance: Why the hell do you need $5000?! Y/n: For an escape room. Lance: What kind of escape room costs 5 grand?? Y/n: Y/n: Jail.

Max (answers phone): hello? Y/n: It’s Y/n Max: What did she do this time Y/n: no, it’s me, Max Max: what did you do this time

Y/n (on the floor): Go on…without me! Lando (crying while kneeling beside her): No! We can get through this together, just like we always do! Y/n: There’s no time! You must defend our honor. Don’t let my death be for nothing! Lando (sobbing): I can’t do this without you! Y/n: Goodbye, old friend….(goes limp) Oscar (whispering to Max): They do realize this is just a dodgeball game, right? Max (aiming at Lando): Oscar, this is war. Show no mercy.

Oscar: One day, someone will think about you for the last time in eternity. You will be forgotten by the world Y/n: not if I eat the Mona Lisa

Yuki: I’m small but knowing Y/n: You don’t be knowing what the top shelf looks like Yuki: Y/n: Yuki: Bitch

Y/n: Go big or go home! Vito (tears in his eyes): I am begging you, Y/n. For once in your life, go home. Just this once. Go. Home. Y/n: I’m gonna go big

Y/n: I will do a lot of thing. But admitting I’m cold to Max after he told me to bring a jacket isn’t one of them

Max: I sleep with a knife beside my bed Carlos: I have a machete under my bed Logan: I have a gun under my pillow Arthur: Weak. Pathetic. All of you Max: And what deadly weapon do you sleep with? Arthur (putting on shades): Y/n

Arthur: I will speak French between your legs Y/n: That is the hottest thing I’ve ever been told Lando: I’m just imagining someone screaming “Bonjour” to a dick Daniel: SACRE BLEAU MADEMOISELLE HON HON HON TITTY CROISSANTS Logan (wheezing): TITTY CROISANTS Max: None of you should ever be having sex

Y/n: Hey do you know anyone who can teach me how to play the trumpet? Alex: Why? Y/n: I wanna wander around the paddock and annoy Esteban Logan: Technically, you don’t actually need to know how to play it for that Y/n: You have opened my eyes Logan

Max (not looking up from his book): what did he do now? Y/n: HE SMILED Max: At you? Y/n: No, at Oscar and Ollie but HE LOOKS LIKE AN ANGEL Max: go away Y/n: shut up, I watched you pine over Charles for months – let me have this Max: carry on

Arthur: I came up with a brilliant idea for a prank Y/n: Ooh, what is it? Arthur: We should kiss. Y/n: …I don’t get it Arthur: Think about it! Imagine Max and Charles come into the garage, only to find us making out, hands all over each other. You can sit in my lap and we’ll really just go to town. Max will be like “WHAAAAAAA” and Charles might even faint! Y/n: Oh, that’s hilarious! We totally should

Esteban: The math problem isn’t so hard, it’s just a simple repetition of- Y/n (frustrated): You’re a simple repetition Esteban: Y/n: Charles: Did Y/n really just hurt Esteban’s feelings Max: I’m so freakin proud

Y/n (googling): snake bite leg what to do Google: elevate and apply pressure Y/n (lifting the snake really high): apologize or else

Y/n: with all due respect Y/n: Y/n: which is none

Toto: If you took a shot for every time you made a bad decision, how drunk would you be? Kimi: Maybe a little tipsy? George: Drunk. Y/n: Wasted. Lewis: Dead.

Esteban: Could you at least try to be nice? Y/n: You’re still breathing. That’s me being nice.

Oscar: Hey do you have a bag I can borrow? Zhou: The only bags I have are the ones under my eyes, and they’re specifically designed to carry the burden of my existence Oscar: Literally all you had to do was say no

Max (at Y/n’s funeral): Can I have a moment alone with her? Arthur: Of course *leaves* Max (leaning over the coffin): Now listen, I know you’re not dead Y/n: no duh

Y/n: Ow! Oscar: You dislocated your shoulder. Want me to pop it back in? Y/n (grimacing): Yeah…okay Oscar: All right, on 3….0, 1 *pops shoulder back in* Y/n: MOTHERFU- WHO THE HELL STARTS AT 0

Yuki: Hey Y/n, did you eat all the powdered donuts? Y/n: …No? Yuki: Then what’s that white powder on your pants Y/n (panicking): cocaine

Y/n: Max, I think you should play the role of my father Max: I don’t want to be your father Y/n: That’s perfect. You already know your lines

Lando: Can I be frank with you guys? Y/n: I don’t know how changing your name is going to help us here, but sure? Charles: Wait, can I still be Charles? Oscar: Shh, let Frank speak.

Lewis: I have a bad feeling about this. Y/n: What do you mean? Lewis: Don’t you ever have that little voice in your head that tells you if something is going to get you in trouble? Y/n: no Lewis: That explains so much

Y/n: What do you call a fish with no eye (i)? Oscar (not looking up from his book): myxine circifrons Y/n: Y/n: fsh

George: Do you have any skeletons in your closet? Y/n: Figuratively or literally? George: Y/n, honestly, the fact that I have to specify

Mitch: I know you took the last Red Bull Y/n Y/n (internally): play dumb Y/n: Who’s Y/n? Y/n (internally): not that dumb!

Y/n: Big mood Fernando: What does that mean…big mood? Y/n: Uh well, it kind of means like, me too, I guess Fernando: Thanks

*1 week later before a race in the rain*

Oscar: I’m kind of worried about this race guys Fernando: Big mood, Piastri, big mood Oscar: Y/n what did you do?

Charles: What’s worse than a DNF at a home race? Y/n: realizing that dragons can’t blow out their birthday candles Charles: Charles: mate

Y/n: You know what? Underneath it all, you’re actually quite nice Max: Repeat that disgusting slander and you’ll be hearing from my lawyers

Carlos: Now that I have explained the answer to this problem to you for ten minutes, do you understand? Y/n: Yes. Carlos:…Are you lying to me? Y/n: Yes.

Christian: Y/n, it’s your turn to give the pre-race talk Y/n (claps hands): Fuck shit up, hit some barriers, run Charles off the road, don’t die Max (proudly): succinct and informative

Max: The FIA really seems to hate us Charles: Maybe they’re homophobic Max: We’re not a couple Charles Charles: We’re not Y/n: You’re not?

Vito: Why is Y/n in the bathroom on the floor crying? Max: She’s drunk Vito: And? Mitch: She heard that Arthur has a girlfriend Vito:…but she is Arthur’s girlfriend Max: Yeah, we know that

Max (wears lighter skinny jeans and a brighter blue Red Bull polo) Y/n: I see you’re busting out the spring colors

Oscar: How do you two normally get out of these types of messes? Lando: We don’t. Y/n: We just make a bigger mess that cancels out the first one

*Valentines Day*

Arthur (reading Y/n’s texts): Y/n just said she’s going to give me 102 minutes of pleasure tonight Max: Oh wow

*Later watching Cars 2*

Y/n: You look disappointed

Y/n: Chillax! Oscar: that’s not a word Y/n: Sometimes the ones who deny “chillax” are the ones who need to chillax the most

Y/n: You know, water is pretty crazy. It can boil you to death, freeze you to death, drown you, or spin your car out of control, throw you into the barriers and kill you. But you still need it to survive Max: Y/n, I love you, but its 3 AM

Christian: Y/n, a word. Y/n: BALLOON

Max: I have the sharpest memory! Name one time I forgot something Y/n: You left Charles in a Walmart like three weeks ago Max: I did that on purpose, try again

Vito: Y/n isn’t answering her phone Arthur: I’ll call Vito: Max and I have both tried, along with everyone else on the grid. What make you think she’ll answer? *Calls her anyway* Y/n: Hello?

Y/n: Oi, where’s your boyfriend? Max: Who? Y/n: Charles, where is he? Max: He’s not my boyfriend Y/n: Have you told him that?

Fan: Max, what motivates you? Max: My ambition and desire to push forward no matter what Fan: Y/n, what about you? Y/n: An unhealthy mix of spite, pettiness, the thirst for vengeance, and pure, relentless rage. That and a Red Bull in the morning

TAG LIST: @fionaschicken @glitterquadricorn @laura-naruto-fan1998 @treehouse-mouse @sam-is-lost @kagatinkita @fangirl125reader @megatrilss1885 @myxticmoon @angsthology @cmleitora @fly-me-away @graciewrote @ashy-kit @slutofmultifandom @aexitizen-ln4 @sugarvibez @vellicora @thatgirlthatreadswattpad @33-81 @hoetel-manager @xcharlottemikaelsonx @jayda12 @ilove-tswizzle @justme2042 @itsjustkhaos @nikfigueiredo @stopeatread @cha-hot @sadg3 @iloveyou3000morgan @s4turnsl0ver @alessioayla @torchbearerkyle @leptitlu @awekbachira @shreks-sugar-daddy @v1naco @stan-josie @mellowarcadefun @badassturtle13 @beskardroids @callisposts @poppyalice2001 @juniper-july19 @lizzypiastri

1K notes · View notes

pluckyredhead · 11 months

Text

What the heck is going on in Batman/Gotham War?

I know a lot of people in fandom are confused and/or upset about what's been going on in Gotham War - why is Bruce acting like this, what is Selina doing, why are the Batkids taking sides. So I figured I would fill you all in on what's been happening in Batman and Catwoman since Chip Zdarsky took over with Batman #125, because it has been BONKERS and I have been enjoying the hell out of it.

Below, the quickest summary I can manage while still being comprehensive:

[Content warning: mental illness, abuse, suicide (...ish), LOTS of violence.]

The first arc, "Failsafe," starts with Batman and Robin (Tim, in this case) in pursuit of the Penguin, who is on a killing spree. In the very first issue, Tim gets shot in the neck. Bruce has to take him to the hospital, but first he has to strip him out of his costume and put him in civilian clothes to preserve their secret identities, triggering memories of when he had to do the same to Jason's dead body. There is LITERALLY NO PURPOSE TO ANY OF THIS EXCEPT WHUMP (Tim is back in action with a fucking BAND-AID on his neck very quickly), which is how I knew this was going to be good. Beat Tim up! Make Bruce cry about Jason! I want these men to suffer! (There is also SO much to be said about Tim's own Poor Mental Health Decisions throughout the entirety of Zdarsky's run so far, but that's for a separate meta post.)

Anyway. Bruce leaves Tim in the hospital and goes to confront Penguin, who turns out to be dying of mercury poisoning. He kills himself and makes it look like Batman did it, forcing Bruce to flee. (Penguin actually faked his death and is alive elsewhere under an alias, but that's not important right now.)

In the Batcave, a massive robot called Failsafe emerges. Failsafe attacks Bruce, who usually eats killer robots for breakfast, but he can't seem to get the upper hand on this one. Duke, Cass, Steph, and Dick show up to help, but Failsafe beats them all too, while Tim gets an injured Bruce away and to the Batcave.

In the Batcave, Bruce puts on a weird purple and red Batman costume and a new personality takes over: the Batman of Zur-En-Arrh. Now, Zur has a very complicated history going back to 1958, but for the purposes of this story, all you need to know is that when he was younger, Bruce decided it would be good to hang out in a sensory deprivation chamber until his mind created a secondary personality, Zur, who is essentially Batman without Bruce. Zur is pure efficiency who does not care about anything but the mission. He created Failsafe, for one purpose: to kill Bruce if Bruce ever crossed the line and killed someone. And right now, Failsafe believes that Bruce killed Penguin.

Failsafe nearly kills Tim, which Zur is okay with writing off as an expendable soldier's death, but this causes Bruce to take control of the body back because "Tim isn't my soldier...HE'S MY SON!" (Tim Nation, why are you not ALL OVER this story? It's catnip.)

Babs calls in the JLA (SuperBat fans, you will also want to read Bruce's adoring description of Clark when he shows up), but of course Failsafe has kryptonite, which it stabs Clark with. The League dumps Clark and Bruce into the JLA jet and distracts Failsafe while Tim flies Clark and Bruce to the Fortress of Solitude. Bruce tells Tim he's a good boy and jumps out of the jet and into the ocean so that Tim and Clark will be safe from Failsafe. He's rescued by Arthur, who takes him to Atlantis to heal. THIS HAS ALL ONLY BEEN FOUR ISSUES SO FAR.

Two weeks later, Bruce wakes up to discover that Failsafe has taken over Gotham. He teleports up to the JLA Watchtower on the moon to lure Failsafe there, then blows the Watchtower up, hoping to catch a ride on one of the Javelins. But Failsafe has already destroyed them, so Bruce RIDES A BOOSTER ROCKET BACK TO EARTH, OXYGEN MASK CLAPPED OVER HIS FACE. The whole thing has some powerful Scooty-Puff Jr energy.

The only tricky part is reentry, when Bruce starts to burn up - his costume is fireproof, of course, but his chin is exposed. SO HE TAKES OFF HIS LITTLE BAT-PANTIES AND PUTS THEM OVER HIS HEAD. I swear to god this happened in a real comic book and the entire "Bruce falls off the moon and survives" sequence is utterly delectable goofy nonsense and I truly cannot recall a time I've had more fun reading a comic book.

Anyway, Bruce lands directly outside of the Fortress, BECAUSE OF COURSE HE DOES, and runs inside to find Clark and Tim. While Clark keeps Failsafe distracted, Bruce and Tim program nanobots to inject compassion into Failsafe. I SWEAR TO GOD. They zap him with the nanobots, but Failsafe pulls a high tech space gun out of the Fortress and shoots Bruce with it anyway, apparently disintegrating him. Tim falls to his knees in the snow, weeping. TIM NATION, WAKE UP, THIS RUN IS CANDY FOR YOU.

But of course Bruce isn't dead! That wasn't a killing gun, it was a "zap you into another dimension" gun!!! THAT was the compassion!

So Bruce finds himself in a dystopian alternate Gotham, and I'll be honest, I didn't love this arc ("The Bat-Man of Gotham") as much as I loved "Failsafe," but it has its moments. In this Gotham, Bruce Wayne is dead, so Regular Bruce is like "Oh boy, time to Batman this place up." Also he's plagued by hallucinations of a skeleton version of Jim Gordon who is still wearing a trench coat AND A MUSTACHE. Like I said, it has its moments.

This Gotham is controlled by Arkham, and anyone who is diagnosed as "crazy" is locked up. A new villain, Red Mask, is in charge, and Selina and a Venomed-up Harvey Dent work for him. Bruce teams up with an orphan kid (of course) named Jewel and goes after Red Mask, who turns out to be some guy named Darwin Halliday and ALSO...the Joker. Well, he's the Joker who hasn't been Jokerized yet. But one time he breathed in some chemicals that let him see into the main reality of the DCU (???) and glimpsed Regular Joker and now he wants to build an interdimensional machine to mentally connect with Regular Joker across universes which he assumes will make him insane, NATURALLY.

Bruce attacks Red Mask, who sics a Venomed-up Ghost Maker on him. Ghost Maker cuts off Bruce's right hand. Bruce cauterizes it with an electroshock machine and ties some spikes on it (SERIOUSLY) and goes after Red Mask again. Meanwhile Red Mask mentally connects with an alternate dimensional Joker...but instead of it driving Red Mask insane, he's what drives the Joker insane. Desperate to become the Joker somehow, anyhow, he jumps into the interdimensional portal, and Morally Dubious Alternate Universe Selina kicks Bruce in after him.

Meanwhile, Tim is in full "I KNOW I SAW HIM DIE BUT HE'S NOT DEAD" mode, which: bless. So he teams up with Jon Kent, which...gosh, what an astonishingly boring duo. I love Jon, I love Tim, they're perfectly nice and normal around each other, I'm falling asleep. Anyway Tim fights Toyman for a while and then makes a VERY stupid costume where the entire torso is a giant light-up R, because "I want him to see that Robin is coming to save him." GET A THERAPY, TIM.

Bruce finds himself first in the Michael Keaton Batman universe, then the Red Rain universe, BTAS, Batman Beyond (yes I know they're the same universe but I guess he goes there twice), Silver Age, Kingdom Come, Gotham by Gaslight, and more. Adam West gives him a utility belt. The Dark Knight Returns Bruce builds him a robot hand.

Finally Bruce and Red Mask reach the end of the multiverse, which is a Gotham asteroid floating in space, surrounded by giant Jokerized sharks. LUCKILY BRUCE HAS BAT-SHARK REPELLANT IN HIS ADAM WEST UTILITY BELT!!! Honestly this whole arc was worth it for that moment.

Bruce knocks Red Mask out, but now he's stuck. He has a device from Batman Beyond Bruce to get home, but it's only good for one person, and he can't leave Red Mask there to die. Of course, that's when Tim shows up in his stupid giant glowing R costume and they hug it out, thereby fulfilling but also compounding all of Tim's issues since 1989.

Anyway things are fine now, right? Sure, Bruce is hallucinating that his family is on fire, and the Zur personality is not going neatly back into the box where it's been all these years, and he still has a robot hand (Damian, hilariously, immediately announces that he wants one too), but he's FINE. He is a little bit mad at Selina, because she broke out of jail (she was in jail because she killed her fuckbuddy because he was trying to kill Bruce), and also because she didn't tell him Penguin was alive and that would have stopped Failsafe, and also because Other Selina kicked into another universe. Selina, very fairly, is like "Well I'm not responsible for Other Selinas and also maybe don't build robots to kill yourself with and not tell anyone about them???"

THEN we got Knight Terrors, the summer event in which a villain called Nightmare caused everyone to fall asleep and, uh, have nightmares. Bruce, specifically, had a nightmare that he met an eight-year-old version of himself that vomited up a man-sized bat with a gun for a head. I laughed SO HARD. Bruce also had his body borrowed by Deadman for the duration of the event, so while he endured the psychological toll of nightmares like everyone else, he also endured the physical toll of everything Deadman was doing PLUS the mental toll of being aware of what was happening in the waking world even though he couldn't control his body. As soon as the event was over, he lapsed into a coma so that his body could get some damn rest.

Okay. Now we're up to Gotham War.

(I know, I know. But for all of you who are like "How could Bruce do this???" about Gotham War...*points up* THAT'S HOW. HE IS NOT WELL.)

Bruce awakens from his coma and IMMEDIATELY decides to Fight A Crime even though Babs is like "Maybe don't?" But he can't find any crime, which is...weird. His kids confirm that Gotham's been super quiet since he's been out.

Selina hears that Bruce is awake and is like okay, time to pay the piper. She calls all of the Bats to a meeting and explains that she's the reason crime has been down. See, villains like Joker and Two-Face always have goons, right? But what if the goon supply dried up because the goons have better jobs? So Selina has trained All The Goons In Gotham to be...cat burglars. No violence, no stealing from anyone who can't afford it. More importantly, no helping Scarecrow or whoever commit mass murder.

All of the Batkids are like "Hmm...I feel uncertain about this, but it's working...I don't know what to think..." except for Jason, who thinks it's hilarious and is instantly Team Selina, and Damian, who is staunchly Team Bruce. Bruce, meanwhile, is like "No! NO! THIS IS CRIMES, AND CRIMES IS BAD!" and Selina's like "I mean, robbing from the rich is basically a victimless crime" and Bruce screams, I swear to god, "MY PARENTS WERE 'RICH'!" Inexplicable scare quotes and all. I laughed so hard.

Anyway this is the basis for Gotham War and it is endlessly hilarious to me because everyone in the Batfamily is supposed to be a genius and yet not one single character has pointed out that:

There are jobs the goons could be doing that AREN'T illegal. It's not just violent crime vs. nonviolent crime. There are in fact many other jobs! I am POSITIVE Gotham needs construction workers and hospital orderlies. (Yes, I know it's hard for people with records to get jobs. That isn't addressed.)

Being Batman is SUPER ILLEGAL.

They are all so stupid.

Selina's plan doesn't even work, because one of her thieves gets killed by a rich person defending their home, and Bruce is like "See? This is why crime is bad!" and like...pretty much snaps. He's particularly fixated on Jason, even (rhetorically) threatening to kill him, which is when the other kids jump into the fray on Jason's side, all except for Damian, who like I said is firmly Team Bruce. (This makes complete sense to me, Damian has been dealing with severe trauma and isolation pretty much nonstop since 2018 and he and Bruce have finally made a tenuous peace, so I can understand why he wouldn't want to lose that.)

Also, Vandal Savage buys Wayne Manor. It's so random and SO funny.

OKAY BATMAN #138. Bruce has kidnapped Jason and injected him with a variation on fear toxin which will be triggered whenever Jason's adrenaline spikes, the idea being that Jason is no longer capable of killing - but in practice, Jason is no longer capable of even getting up off the floor, he's so terrified. I want to be really, really clear here: Bruce is like 90% Zur here, and the only reason he goes this route and doesn't kill Jason is because the remaining 10% that's still Bruce loves Jason and is trying to help him. He's just incapable of good or humane help because Zur literally can't do feelings.

Dick knows something is up and is sneaking around Bruce's Secret Other House We've Never Heard Of to figure out what it is. Damian attacks him to protect Bruce. Tim attacks Damian so that Dick can do what he needs to do, and handcuffs Damian to a parking meter:

THERE IS SO MUCH TO UNPACK HERE!!! TIM GO TO THERAPY! DAMIAN GO TO THERAPY! EVERYONE GO TO THERAPY!!!!!

Dick figures out what Bruce did to Jason (it's on the computer, for...some reason?) and absolutely loses his shit on Bruce, beating the crap out of him, which tbh is the only thing that felt off to me in this run because frankly I don't think Dick likes Jason that much. BUT WHATEVER.

Tim pulls Dick off of Bruce. Bruce leaves them both tangled in a net and flees as the cops approach. Zur's like "Good, fuck 'em" in Bruce's head, because the cops will expose Dick, Tim, and Damian's secret identities and Bruce will be free of the dead weight of a family, but the little bit of Bruce still in there throws Dick a batarang so he can free them all in time.

Then Bruce leaves. Damian is devastated.

I WILL NEVER RECOVER FROM THIS PAGE. Damian really thought he could have Bruce's love and loyalty if he turned on everyone else! Tim is going to be a therapy dog to a Wayne even if he has to settle for the one he doesn't like! That unresisting, blank hug made me SCREAM when I turned the page. Incredible. (Also the art fucking S L A P S, god bless you Jorge Jimenez.)

ALSO it turns out that Selina's second in command has been Vandal Savage's daughter Scandal Savage the whole time and they are turning Selina's cat burglar army into their own personal army WHOOPS. (This also feels very OOC for Scandal but at this point I trust Zdarsky with my life so let's see where things go.)

SO THAT'S WHAT'S GOING ON IN GOTHAM WAR. TL;DR:

Bruce is unhinged because he nearly died like 19 times in a week and it unlocked the smaller, meaner purple Batman that lives inside him.

Selina is unaware that you can get money legally.

Tim is going to have a nervous breakdown if he can't fix someone, ANYONE.

Damian needs a hug but ideally from someone he actually likes this time.

Jason is so scared.

THE END.

#batman #bruce wayne #gotham war #meta #i can't believe how long this is

2K notes · View notes

dduane · 2 months

Text

Rehoming Holmes

So here's the current interesting problem: You discover that you're in the process of writing a cozy mystery. And then you discover that the lead sleuth in this work is going to be Sherlock Holmes. (And of course Dr. John Watson is there too.)

The big question, therefore, becomes: when?? And secondarily, where?

(Inserting a break here, because this goes on a bit. Caution: contains World War I, railway lines, chronic illness, unrealistic attempts to be a hermit, and [what did you expect?] bees.)

Wedging the cozy mystery concept into Sherlock Holmes's schedule is inevitably going to be a dicey business. Because Holmes, in Canon—right up until after the events of "His Last Bow," in the collection of the same name—is a really busy man... too busy by far to be doing the cozy thing, be he ever so retired.

We don't know a whole lot about the details of that retirement except for what Watson tells us in the preface to the collection.

The friends of Mr. Sherlock Holmes will be glad to learn that he is still alive and well, though somewhat crippled by occasional attacks of rheumatism. He has, for many years, lived in a small farm upon the Downs five miles from Eastbourne, where his time is divided between philosophy and agriculture. During this period of rest he has refused the most princely offers to take up various cases, having determined that his retirement was a permanent one. The approach of the German war caused him, however, to lay his remarkable combination of intellectual and practical activity at the disposal of the Government, with historical results which are recounted in His Last Bow.

Now, when you start looking into some other details surrounding this retirement, there are some points that immediately start to be troublesome. ...Well, for me, anyway.

First of all: that picture up at the top is of the house to which he's supposed to have retired. Various Holmesians who've looked into the situation over the years seem to have settled on this spot, in East Dean in Sussex. And it has acquired a blue plaque stating that that's where Holmes wound up... which is all very well.

But for the purposes of my own storytelling, I've got concerns.

We know from various comments dropped by Watson in Canon that he and Holmes haven't seen each other for some years, and that Holmes has been living "the life of a hermit" on his farm with his bees.

What I'm not sure about is how you live like a hermit in a house which is (and then was) sited directly on the East Dean village green, with the village pub right across the green from you. It seems like a spot poorly chosen, and maybe chosen in haste. (And how big can that "farm" be, with the village around it? Honestly.)

There's another problem, though, that it astounds me never occurred to Arthur Conan Doyle when he initially chose to retire Holmes to that neck of the woods. The whole area near Eastbourne, sited as it is really close to the south coast of England, is (relatively speaking) an exposed and frequently chilly, damp area routinely exposed to coastal gales. Having just retired Holmes there, that Doyle could then in the next sentence describe Holmes as suffering more or less chronically from rheumatoid arthritis gives me all kinds of trouble. Because I sure know what my arthritis does to me in cold damp weather! And the first thought I had on reading that line in the wake of wanting to tell a story realistically based further along in Holmes's retirement period was "Wow, I need to get him the hell out of there."

Yet here, as has happened at other happy writing moments, I find that a kindly Universe has put what I need right into my hands. Because I invite you to take a closer look at that blue plaque on the house in East Dean.

Some Holmesian who was a stickler for accuracy (or tight adherence to Canon) refused to date this retirement any further along than 1917, the date of "His Last Vow." The story itself implies that Holmes and Watson—now reunited in (covert) government service—have much more to do after '17. And then, after 1918, when WWI ends... then what?

Well, soon enough Holmes goes back into official retirement. But he does it somewhere else... because Watson's with him again.

First of all, the location changes because that little house above might have been all right for one "hermit". For two men, though? They'll need a bit more room... and maybe also a little more privacy.* ...It should be noted here in passing that as of LAST, Watson appears to have mislaid the wife mentioned in BLAN ("The Blanched Soldier"). Is it his first wife or his second...if there was a second? Who the hell even knows, at this point? (The jury's apparently still out on the subject, and some investigators suggest there might have been as many as six wives. ...But I digress.)

Anyway, the ensuing scene between Holmes and Watson, as Holmes's Doctor explains to him how things are going to be from now on since they're together again, is so easy to imagine that I'm not sure I need to do anything about it in the cozy mystery proper but allude to it in passing. The laying down of the law. The inevitable "I don't need to be coddled" bullshit. The suggestion that Holmes, for a comfortable retirement, needs a house that's sited in better-protected countryside.

Also, due to the inevitable fallout from Holmes's wartime exploits, they're going to need a house that's sited closer to a decent rail connection to London, with a telegraph office just a mile or two away if Holmes needs it... or if a client needs to come see him. (And there also needs to be a handy telephone exchange, annoying though it'll be that Lestrade's or Dimmock's successors can just ring him up and whinge at him.) Holmes will also need a place where he can at least get a decent wireless signal so he can listen to the concerts from the Continent, and closer. (Because if I wind up positioning the cozy in 1922, as seems likely, this newfangled thing called the BBC has just come online: and canonically speaking, Holmes has always been an early adopter.)

Most importantly, though—so Watson will claim—Holmes needs a rural home that will be better for the bees. The Eastbourne area isn't really great for them, being too exposed and right on the borderline of where bees can locally thrive. Fifteen or twenty miles north or so would be far better, putting less stress on the bees and therefore being less likely to skew Holmes's observational results. With this outcome particularly in mind, the two housemates-to-be can look around for a house sheltered by the Downs' low hills, with nearby fields of arable crops—very likely hops—where the bees can do their work untroubled by excessive salt air. And Holmes can tend to and study his charges in more clement conditions that won't periodically leave him immobile and in anguish due to a less forgiving climate's exacerbation of his arthritis.

Will Holmes buy into this hilariously misdirected argument without realizing (or admitting that he's realized) what Watson's trying to pull? Who can say. Holmes, as per usual, is going to put up every kind of resistance he can to avoid revealing that this outcome is absolutely what he wants more than anything. Watson, of course, will receive Holmes's fake-cranky temporizing with his usual patience... and start writing to estate agents in villages convenient to the main north-south rail line. And on the day Holmes cracks and formally agrees, Watson will telegraph the most likely agent and set up a viewing for a week or so later... of a house something like this.

The frontmost part with the peaked roof is an oast house—a structure originally built for drying hops. They're scattered all around the Surrey countryside, many having been converted over the decades into parts of homes. This one stands in the middle of a small farm where Holmes can rent out the farm's surrounding grazing to other local farmers, while attending to the only part of the farm that really interests him: the hives. And the upstairs windows, in good weather, give onto a view through the surrounding rolling countryside, downhill toward the distant haze-veiled blue of the Channel.

So now I've finally nailed down what was missing before I could really start work: a decent spot where a "a tall, gaunt man of sixty" (well, sixty-five, at this point) and his shorter, slightly stockier chronicler can settle in and get comfortable, and take on the occasional cozy case on which the fate of the free world doesn't depend. ...Insert here the sound of a writer sighing with relief.

And now back to plotting.

*But there could be all kinds of reasons for that. :)

#Sherlock Holmes #Dr. John Watson #cozy mystery #locations #research

270 notes · View notes

mccoyquialisms · 5 months

Text

Incredible things from the london D20 live show in no particular order (straight from memory so may not be totally accurate or have much context at all):

First of all the line up was incredible. Kugrash, Pete, Sundry Sydney, Skip, Fabian and Adaine. What a terrible combination of personalities, it was so funny

Btw everyone looked so good. They looked really good, those fits <3. Murph striped button up/polo? shirt and Lou grandpa sweater you will always be famous

When Siobhan rolled Adaine everyone was so excited. Lou (who had already rolled for Fabian) hugged her, picked her up and spun her around on stage ❤️

Everyone was so excited to have a buddy ❤️

The setting was rolled as a crown of candy, after Brennan literally said “wow we happened to have a few people from the same place, wouldn’t it be hilarious if we got a crown of candy or neverafter or something?”

Everyone arrives and are doing introductions and the first thing Fabian says is “[tearfully] Adaine is that a giant rat?” Cue the whole atrium losing it.

Sydney then proceeds to minor illusion Kugrash as “sexy.” After some deliberation and when prompted by Brennan, Murph decided this means he looks exactly the same except for giant veneers

Beardsley: Can I distract the guard?

Brennan [flabbergasted, as the rest of the party was doing INSANE shit around this]: Sure, the DC is 500.

Beardsley: If I crit will you let it happen

Brennan [indulgently]: sure

Beardsley: [rolls a nat 20]

Brennan: [despair], cast: [running around in circles on stage and jumping], fans: [losing it]

And that’s how they accidentally start a revolt in Candia within minutes of arrival by Pete the Chosen Outsider with the peppermint tooth and prophesied king of candia. But it’s cool because in the next few minutes Kugrash teaches them about democracy.

So many little references to past campaigns and character one liners. Way too many for me to list but the cast was clearly enjoying dropping them

Sundry Sydney hitting King Calroy with 3 grenades ON SIGHT

A Hasted Kugrash doing an opposed athletics against Calroy and Brennan rolls a Nat 1. The dice wanted that motherfucker DEAD.

Kugrash to Calroy: “I eat from the trash, and I’ve never seen a cake as shitty as you!’ And then proceeds to 300-style kick him off the castle wall (as acted out by human man Murph)

Sooo much PVP though really most of that was between Pete and Fabian as they fought over the crown of candia

Sundry Sydney successfully seduced and awakens personhood in Adaine’s identify spell. His name is ANUS now. (Another use…)

Skip is quangled out and replaced by Lapin (played by Zac) and tries to keep the party on track. He fails many times. He takes up smoking from the stress. Adaine does as well.

At some point Pete’s wild magic turns his hands into rock candy, which he uses to deal 2d20 damage to Fabian during a fight

Emily as Sydney, whenever crazy shit happens: this is canon! [raises cannon arm]

All of them (except Pete) have some bad baby milk and do kublacaine. Cue a small detour for more pvp between Pete and Fabian

Arthur Aguefort is released from captivity in a castle full of/made from eggs. He and Lapin may or may not know each other biblically. They met on an app for old magical men, don’t worry about it.

Bill Seacaster is the pirate prince of the dairy lands and has the quangle. They get into his castle with Operation Fancy Perfume Part 2 except Emily rolled a nat 1 for her assist, so first poisonous perfume takes out most of the party and everyone inside the castle. I think Emily may have been crying she was laughing so hard.

They sort of defeat Bill by giving him pleasure putty (which he USES behind a curtain in front of EVERYONE) and then has to go take a nap, so they sneak into the rest of the castle to find the quangle. I am never going to forgive Brennan for making it canon that he goes “yar har har YO HO HO” when he gets off. I WILL NEVER UNHEAR THIS.

Pete Conlan somehow gains the power of flight from Bambi LeRoux (Sydney brought her) singing the Reading Rainbow theme song. He does a flying ribbon dance out the window, where she stops singing and he falls and takes max fall damage. He’s still up, so Fabian jumps out the window with Feather Fall and shoots him with a laser gun until he actually dies lmao. He gets injured too somehow but I forgot how. They both get healed and everyone continues on like nothing happened.

Emily took her dice that rolled a Nat 1, kissed it, and threw it into audience with a cheeky expression. I’m in love with her I fear

The time quangle is an entire pool of lemon yogurt. At the bottom of the pool is a completely naked Gilear Faeth

Kugrash eats all the yogurt despite knowing it will kill him in order to end the quangle. His farewell speech has as a backdrop Gilear’s giant hog (played by Brennan’s arm, as he got out of his chair to stand behind Murph the ENTIRE time he was talking). Kugrash then ascends to the big bodega in the sky.

Sydney also seduces Annabelle Cheddar (EDIT: fuck it was like 12 AM forgive me) Primsy Coldbottle, who is explicitly 29 in this version of time. Both her and Anus join Sydney in returning to AnarchEra. I cannot emphasize enough how horny this live show was

Everyone gets sent back to their respective universes, except Arthur. He’s going to hang out in Candia for a bit to be Lapin’s “roommate.”

Fabian’s last line is that he has to call his banker because he has a new nemesis

Lapin: “That was the worst group of people I have ever met.”

God that was so funny, I really hope these live shows are getting recorded and will be released somewhere later. I need everyone to experience the epic highs and lows of this d20 session.

#dimension 20 live #dimension 20 #dropout #dimension 20 spoilers #d20 live #my musings #time quangle

297 notes · View notes

nthspecialll · 2 months

Text

A line that I, as probably the only one, find quite sad is "sure, anyone but him," which makes no sense if not given context and for this one it is Achibald asking Dutch if anyone can handle explosives and Arthur replies "sure, anyone but him(Bill)."

Ever since chapter one with that failed explosive Bill is constantly being mocked for it, even though it was Arthur, the player, who set it, and if it was just that with no deeper meaning then it wouldn't matter as much, but since Bill's abilities with explosives is the one thing that he prided himself on, it breaks my heart.

Bill is not above average in much, Bill isn't the greatest shooter, he isn't a good scam artist, he isn't a perfect equestian, he is average in most things, however in a camp where exceptional is average, his average becomes bad, which sucks because he is quite talented. However, there was one thing that he could always pride himself on, his abilities with explosives, it was the one thing he could do the others couldn't. He was an explosives expert in the military. He has skills, good skills, yet because Morgan made one mistake that he wouldn't even be bashed for because "it is just one of them things" Bill got the one thing he is good at stripped away from him.

Let me repeat, because Arthur would not take the blame for one mistake he made, which would not have affected him, Bill got stripped of the one thing that made him stand out and which he could use to impress the person he adores the most in the world.

#rdr2 #rdr2 community #red dead redemption 2 #arthur morgan #rdr2 arthur #red dead redemption community #red dead redemption two #red dead fandom #rdr2 bill #bill williamson #rdr2 dutch #dutch van der linde #nthspecialll

110 notes · View notes

tongjaitongjai · 1 year

Text

CrypticGod!Merlin and Worshipper aka fanboy Mordred CRACK AU - Part 3

Part 1 | Part 2 | Part 3

Merlin learns that being a god in semi-mortal form is very difficult when having a strong follower like Mordred.

Mordred, like many who pray to their god as some kind of anchor, will often pray something along the lines of ‘Emrys, give me strength and courage’ or ‘Emrys, please be with me through this difficult time’ unconsciously.

Except, unlike the normies, his commitment and belief are EXTREMELY STRONG, so when he prays strong enough, HIS GOD ACTUALLY SHOWS UP:

Arthur, charging him during sparring: Come on, Mordred! You can do better than this!!

Mordred: (anxiously praying) Emrys helps me

Merlin, suddenly appears between Arthur and Mordred, with Arthur about to smash him with the sword: THE FUCK—

Obviously, he is banned from praying during sparring, but occasionally Merlin will still pop up out of nowhere when he is anxious, and the knights eventually have to get used to it:

Arthur: Today, the neighbouring kingdom’s knights will join us for the practice, and there will be some competitions. I hope all of you are ready to protect and uphold the honour of Camelot’s knights. Any defeat is unacc—-

Arthur:

Arthur: any defeat is understandable, for one must lose before learning true victory, so please don’t get too stressed, especially you, Mordred.

Mordred: How do you know I am stressed?

Gwaine, carrying Merlin, who pop up above his head the moment Arthur said ‘defeat’, on his neck : Yeah, I wonder how

As their relationship improves, the power of Mordred’s prayer gets stronger. Not only can Merlin feels his emotions and more in-depth thoughts through the prayer, it also affects Merlin’s power, in both endearing and also straight-up ridiculous ways.

Lancelot, whispers: You are very upset because of that Lord Asshole’s shitty comment toward the Druids, aren’t you.

Mordred, calm and composed: No, I am a knight of Camelot and a grown man, I will not be bothered by something so trivial. I am not upset at all.

Lancelot: You aren’t praying to Merlin now are you.

Mordred: How is that relevant?

Merlin: *BARGING INTO THE MEETING* *SHOOTING FIRE BEAMS FROM HIS EYE, DESTROYING THE PATH AS HE WALKS* *GRABBING LORD ASSHOLE BY A COLLAR THEN PROCEEDS TO GERMAN SUPLEX HIM ON THE TABLE*

Arthur, watching this happens for the third time this week:

Arthur: Mordred, we talked about this, you have to express your thoughts and feelings verbally, not by praying to Merlin

Merlin: Don’t force him Arthur! He will talk when he is ready!

Arthur: STOP SPOILING HIM YOU ARE JUST HAPPY YOU GET TO PUNCH NOBLES

Also, when he is extremely happy, he prays to Merlin as well, like ‘Thanks Emrys for all the good fortunes that happen to me today’

Elyan: Arthur complimented Mordred at training today didn’t he? Maybe saying something like ‘you are going to be one of Camelot finest knights soon’

Percival: How do you know??? you were not there today????

Elyan, watching Merlin’s skin glows, not even in an oh so beautiful ethereal way but like a radioactive sun way: It’s .. hard to miss…

The first time Mordred wins a tournament, Merlin radiates for three days straight. His voice also sounds godly with all the weirdly smooth echoes and harp melody complimenting his every word. Mordred is exhilarated. Arthur is going insane. Merlin finally officially bans Mordred from praying to him.

#cryptic god!merlin and no1worshipper!mordred au #i dont think mordred will stop praying tho #mordred wont stop praying until his emrys can fight the sun with barehands #merlin #bbc merlin #merlin crack #mordred #sir mordred #arthur pendragon #merlin bbc #merlin au #bbc mordred #incorrect merlin quotes #merlin shitpost #crack post #i just love it when things could have been good then the good escalate into chaos #i jsut had a martini and tipsy me was like yes Merlin crack au i don’t understand how my brain work ok?#my post

1K notes · View notes

springsylph · 8 months

Text

WITCHING HOUR, CH. 1/3 — [18+]

(18+) - MARKED FOR EVENTUAL SMUT, MINORS DNI!

fem!reader x arthur morgan

summary: most people in the area had issues with coyotes. yours wore a cowboy hat, but you let him in anyways. tags: marked 18+ for smut in later chapters, reader has a backstory kinda (but also not kinda), referred to as lady/ma’am/etc, arthur doesn’t know how chickens work, i really don’t know my farm lore

word count: 5.5k

a/n: setting this pre-chapter 2 ish and post chapter 1, except it’s winter for realsies, Because I Can. and please no questions about chicken logistics or I Will Cry.

you can find a link to the playlist here!

read on ao3 here | masterlist

The fictitious “stranger,” by all accounts, was possessed.

Possessed by an air so overwhelming, so sure, that it incited perversity in even the most upright.

He was an outlaw, by the cut of the whispers. The story went that he’d rolled in like a heavy fog, altogether quiet and unassuming, though still carrying the foreboding quality that preceded the raising of hackles. Mothers kept watchful eyes over their daughters, and more notably, the fathers brandished their guns.

And yet—that maddening yet—the mothers seemed to care little for their own warnings, and even the fathers were envious of a man dripping with exploits they didn’t have the luxury of entertaining.

Luxuries and lack thereof aside, the fickleness of those who spoke of him had not gone entirely unnoticed; it lent no plausibility, no substance to the dream-like tales they’d crafted in their drunken stupors. The most substance you’d seen had been spewed into the shadowy corners of Valentine, pissed into not-quite pristine patches of snow, foul stench leaking out onto already foul streets before it followed you back to the farm.

It stunk.

It stunk, and it loitered, and it’d been stealing from you.

Which is exactly why—when he shows up on your rickety porch just as winter has begun to bleed out into spring—you take up the mantle of digging your loaded barrel right into his sternum.

—

The front door tremors behind you.

The stranger shifts on his feet.

You shift with him, and gloved hands inch toward the stars in surrender not long after.

Amorphous mass comes to your mind first, rather than man. You can only discern the more essential points of his appearance: the gloves, the satchel, the rifle slung over his back. Knives are stashed somewhere you can’t see—if he’s worth his salt—but everything else blends into the dark line of trees behind him. You swallow a rather painful yawn.

His hat, evidently beaten to hell and back several times over, sits low enough on his forehead to cast shadows over his features—though not low enough to completely obscure the faint outline of a face from your view. The rest of him only falls into place once you crane your head to find his eyes.

As is customary in situations concerning your immediate safety, your throat constricts, and the second yawn you feel crawling up your throat nearly succeeds in asphyxiating you.

Petty crimes would have granted him a slighter frame, but no petty crime you can think of could have afforded him the sturdy chest, the buckling of the air around him, the crooked line of his nose, clearly less cared for than his battered clothing. He’s still a little blurred—largely from a lack of sleep on your end, and the protection of his hat on his. Even so, the hard set of his gaze offers nothing other than the tale of cruelty lived and the promise of cruelty to come.

There was no doubt. This had to be him.

(You might think him handsome, if not for the fact that it’s a quarter past three in the morning.)

The first breach in his stony composure that you catch is paper thin. Fleeting. And he’s quick to recover; any indication of surprise is sequestered with a blink. The second is an awkward shifting of his stubble-shrouded jaw, and you note with a squint that his bandana still hangs feebly off the jut of his chin.

He admits defeat after a few clumsy seconds. Cracks a wicked smile, bright as the moon peeking out from behind the crown of his hat. But it falls away quickly. Somewhere in the distance a tree branch creaks, tiny shards of ice scattering to the ground and tinkling like bells.

He was calm. Entirely too calm, considering where he stood. His hands haven’t budged, and nothing in his stance hints at an intent to attack. If you didn’t know any better, you’d say he looks more annoyed by your presence than you are by his.

You try not to think about his eyes. There’s something else in there, too. Apart from the agitation that radiates from them, that is. It lurks deep beneath the blue and wades through the slight dilation of his pupils; it urges him closer—or, is it you?—like the distance between the two of you isn’t sustained by the twitchy arms of a jittery woman holding a rifle.

But there’s an abrupt wind that fiddles with the cotton threads of your chemise, and you’re suddenly struck with the realization that no, your hunting rifle isn’t loaded, and in your haste to confront him you’d forgotten your boots and shawl.

The nighttime chill, ever the tyrant, lodges itself where the wooden boards scratch eagerly at your bare feet. You were cold, so cold that it ached, and you were tired. But it’d do you no good to show your hand this early. So like the hiss of a rattlesnake, you keep your voice low, and you keep it lethal.

The stranger is named by the venom falling from your tongue.

“You’ve got ten seconds to convince me not to unload this lead into your chest, Morgan.” You track the added prod of the gun to ground yourself, eyelids still heavy with sleep.

It doesn’t do much, as far as threats go. Morgan’s ever steady breathing still accents the now stagnant winter wind, a stark contrast to the throb of your heart striking your ribs. But a small scar, carved into the flesh of his right cheek, has made an almost imperceptible shift. The rest of his features take far more liberties with their movement—

—and he’s scowling.

Your heart strikes louder.

God, the shit you would shovel to be able to read minds. Animals have always been more your speed; people were a hassle—far too unpredictable, and they tended to reap fewer rewards.

In your mind's eye, Arthur lies silently amongst the fallen snow, red unfurling behind him like wings. You’d hate to have to kill him, you really would. But there was nothing more dangerous than indecisiveness: it killed, and often relentlessly.

Only, you’ve been staring too long. It’s long enough to rouse Morgan from whatever state he’d been in before you’d spoken. He’s smart enough to keep his palms facing you, and he dips his head with the same mildness that one might use to soothe a startled mare. The scowl is tamped down, smile returning to him like water running through a scraggly creek.

“Evenin’, Miss.” He drawls.

And it works. You hate that it works. There’s a dull heat that seizes your lungs at the low timbre of his voice, something akin to fire.

No. No, nothing like it. It was more like the cheap whiskey you’d downed that first night working as a farmhand, all those months ago. It’d numbed your tongue, tumbled down your throat like sun-warmed stone, and simmered in your stomach. You hadn’t dared take another swig after that. Too dangerous. But it’s easy enough, passing your shudder off as a trick of the cold and cocking your head incredulously.

“Showing up uninvited, and you can’t do me the courtesy of knowing my name?” One push of the rifle sends him back with surprising ease—away from the cabin, and away from that damned moonlight. “Ma’am will do you just fine,” you spit.

His smile fractures. Not enough to truly frighten, but enough to make your fingers clench. “You talk to all your guests like that, Ma’am?”

You steel yourself. “Only the sneaks.”

At this, Morgan stills. Shuts his eyes.

Did he really think you wouldn’t notice?

The farm had more issues with coyotes than crooks; that’s what you’d been hired to take care of, more or less. Your employers—the Campbells—were getting on in their years, and were in desperate need of someone to help keep watch during the nights. So imagine the surprise when you’d found not a coyote, but a wanted man sliding through the shadows.

It’d angered you, that first time he’d gotten away. You’d only recognized him long after he’d left. But after that night, you’d made a show of firing off rounds into the nearby woods and roaming the perimeter of the grounds under the guise of a late-night hunt.

From what you knew, he hadn’t come back to steal, but you knew you’d seen him lingering. Felt him watching. Waiting for something—but you’d made sure that every pop of your rifle drove him further and further from whatever it was that he’d been aiming for. And now Arthur Morgan is here.

He furrows his eyebrows, purses his lips, and they disappear for a moment when he goes to wet them before he speaks again, a little less amused. “Now you know I mean no offense—”

“No offense? Well, I’d kill to see what you and your ilk consider offensive.”

The wind slams the front door shut.

“My ilk?”

You wonder if it’d been your goal all along, trying to rile him up like this. Accusations slide out of your mouth and into the night air far too easily for it not to be. But the thought of anything other than catching him red-handed occupying your head unnerves you, sending you another two steps forward and into the powdery snow.

“Jesus, woman! Alright, alright.” Morgan’s eyes finally leave you, darting between where your feet dig into the cold ground and the muzzle of the gun pressed to his chest. He slumps his shoulders and looks up to the sky, still an ugly grey-black from the thin dusting of snow the night before.

“Look,” he starts, hands fighting the urge to pinch the bridge of his nose, “I don’t mean no harm. I swear it. I’m—just give me a minute to explain, will you? One minute, and I’ll be out of your hair.”

There’s a please somewhere in there, left unsaid yet still ever so loud. You think it might have left him in the puff of breath that still hangs above your heads; hot and heavy in his mouth, but turned to nothing but vapors once it misses its chance to solidify.

You eye him warily. This could be over and done with in a matter of seconds, and you might be able to knock that godawful mustache clean off of Sheriff Malloy’s face. You kill him—or turn him in so long as he didn’t bleed out, whichever came first—and get whatever bounty was nailed to his head. Use the money to get out. Get your freedom. Stop biding your time, and get revenge.

And yet.

“…You lying to me, Morgan?”

His shoulders straighten out, suddenly very tense. “‘Course not. You think me the lyin’ sort?”

Your voice flattens. “I figured that much was obvious.”

“Ouch, lady. Not willing to pull your punches for little old me?”

“You’d rather the lady use the gun?”

“Neither, thank you. And, speaking of which–” His chest deflates a bit, putting space between the two of you without having to step back. “—quit swingin’ that thing around. You’ll take someone’s eye out.”

Exhaustion mounting, you lower your rifle slowly. You keep your eyes trained on a pebble that’s escaped the snowfall relatively unscathed, not trusting yourself to look anywhere else. Conceding with a sniff, you toss your head toward the front door. It’s quiet, now.

“Get in, before I change my mind—and no funny business, neither. Guns, knives, whatever else you’re hiding, drop ‘em. Right here.”

Too groggy to note the stalling of movement, you wait for the clinking of metal to stop. His boots retreat from your peripheral far more reluctantly than you expect. There’s a telltale groaning of wood, and you turn to find Morgan gazing down at you with an outstretched hand from where he’s hopped onto the porch. He murmurs with a reverence that you’re sure is misplaced, so quiet that you have to watch his lips to catch even a smidgen of what he says.

“Yes, ma’am.”

This was a game to him. You knew games. And so when you go to place your hand in his it’s to eye him down, back him into whatever corner would hold him and keep him there till you knew why he’d spent the last month haunting your lodgings like a ghost.

Calloused fingers wrap around your hand like a vice, and when he’s guiding you and your icy feet up the stairs it strikes you that maybe—just maybe—your assessment of your situation had been far too impetuous. Arthur’s touch is surprisingly clinical, but even through the leather of his gloves, it was warm. Too warm.

Ghosts weren’t warm. Or, at least you didn’t think they were. And Morgan, looking like the very paragon of the West, all bright eyes and honeyed words, had given you a glimpse of something far too beguiling not to investigate. It’s when he presses the back of his free hand to your wind-bitten cheeks that you wonder what your father might think.

“Chilled, right to the bone.” It isn’t so much a mutter as it is a rumble, reverberating somewhere deep in his throat and traveling up to where the two of you have made contact. You’re avoiding his eyes again, but you’re close enough now to be able to see his muscles working his neck.

His smell overtakes you much like the cold has. The freshness of the pine needles still stuck to his coat makes up most of what you’re able to distinguish. A little bit of horse, too—he’d ridden here. Where exactly he’d hitched his horse was a mystery. But with the proximity of his sleeve to your nose, you can make out the faintest hints of a potent musk. It’s everywhere: in your nose, your mouth, under your skin. Every inhale turns your muscles into piteous liquid. There’s no hiding your shudder, this time.

Morgan suddenly yanks his hand back as if scorched, and schools whatever expression he’d been wearing prior into one of indifference. He hums. Frowns.

“Let’s…uh, get you inside.”

You offer a tight nod and turn away, but Morgan is quick to the draw; he whispers a quick “pardon me,” and goes to retrieve the weapons he’d dropped in your stead.

Oh. You’d forgotten. It seems he’d forgotten too, brushing the mixture of dirt and snow away and mumbling something about keeping his guns warm. You’re left standing dazed on the porch, skin still blistering from where his fingers had met your skin.

Morgan has the decency to look at least a little troubled when he returns. He places what he’s collected into your arms before opening the front door, and gestures for you to enter. You offer one last look to the moon before following him inside.

Your judgment on Morgan—Arthur, now—was still up for debate. But your punishment for rushing to catch him had been doled out almost immediately.

For your feet, a numbness that the fireplace had been bullied into chipping away at. Your hands are still tight from the cold, and they sit tucked underneath your thighs with the added protection of a few blankets that’d been placed over your shoulders. Your eyes flick over from the fire to Arthur, and your chest tightens.

He’s found his seat across from you: coat and satchel on the back of a chair he’s pulled from the dining table, big hands tapping away absentmindedly at his knees. With the coat set aside, there’s nothing to hide the first few buttons of his shirt that hang open, pitch black and rolled up to his forearms to account for the warmth of the fireplace. His hat remains, hair still tucked away and settled at the nape of his neck.

You’d both been sitting in silence for the last half hour, despite Arthur’s insistence on “one minute,” letting the cold of the outdoors thaw out before saying anything that might get the rifle pulled again. You did gain a bit of satisfaction at the slight tinge of red in Arthur’s ears; it seemed the cold had gotten to him, too.

You watch as his eyes wander over the furnishings of your cabin. Thankfully, the door to your bedroom is only slightly ajar, and the knot in your chest lessens. It wasn’t often (or ever) that you had visitors over, which meant that most of your things were tucked haphazardly into corners or set on kitchen counters.

The Campbells—generous as they already were—had insisted you take up residence in a cabin on their property that once belonged to a daughter of theirs. She’d long since moved out, but the light in their eyes at the thought of it being occupied again was undeniable. It wasn’t much, but it was yours. And Arthur was seeing all of it.

“Don’t get too comfy.” You frown. “…Arthur.” He beams, and suddenly there’s something incredibly interesting lingering right by your foot.

His name still feels foreign when it leaves you. At first, you’d taken it as a show of good faith; he’d sworn to keep his mud-caked boots off of your rug in exchange for keeping his feet from becoming bullet-ridden by the time the sun came up. Arthur, feeling like he’d gotten the shitty end of the stick, had joked that you may as well call him by his first name. The last person with the guts to threaten him with a shotgun had, so what was one more?

It was a weak threat, if one at all. You knew, and he knew, that you were just about the only person this side of the Grizzlies who was vaguely aware of who he was. You’d seen it in his face when you’d called him by name. It’d be an insult to call it fear; an expectation of an inconvenience would be more accurate.

Luckily for him, you didn’t care. Not right now, at least. Imposing as he was, you refused to be cowed into going along with whatever it was that he'd planned.

Your heel messes with the leg of your chair. “Don’t you go forgetting why I brought you here in the first place.”

“Not quite sure if I’d use that wording—“

“Can it, Morgan.”

His jaw clicks shut this time, but he’s still got that goofy grin smeared onto his face when you chance a peek at him. You’ll let it slide, for now. You’ve stalled long enough.

“So. My eggs. You gonna tell me, or do I need to start pulling teeth?”

“No need,” Arthur assures, “shouldn’t be stickin’ your pretty little fingers in just anybody’s mouth, Ma’am.”

An outlaw and a flirt, to boot. Wonderful. You’re wondering how long it might take to chuck the nearest inanimate object at him when he pipes up again.

“You piss in somebody’s cigarette box, lady?”

“Did I piss—Morgan, quit it!”

This seems to reign him in a bit, and his smile dips.

“I’ll be frank, since you asked so kindly.” Arthur leans back in his chair, flexes his palms. “You had people tailin’ you.”

You quirk a brow. Ah, that’s right. He didn’t know, couldn’t have. But just as you attempt to explain, Arthur holds out a hand to stop you and shakes his head.

“Killers.”

The hand fussing with the material of your blanket falters.

“...I beg your pardon?”

“Hired guns, Ma’am. Out for you. You’re real…fortunate, I’d been passing by when I was.” A rueful look clouds his face. “Not much to hire once I was through with ‘em, though.”

The quiet that follows isn’t entirely unfamiliar. He’s an outlaw, you muse. Things like this are to be expected. But it doesn’t occur to you to ask who they were, what they looked like, what they wanted. Because Arthur didn’t know, didn’t need to know, and you aren’t sure if you want him here when you wrap your mind around the sobering fact that your long-held suspicions now bear fruit. So, you settle for the obvious.

“You kill ‘em?”

His jaw twitches. “Nothin’ gets past you, Ma’am.”

“...‘Suppose I should be thanking you, then.”

“Got my thanks when I checked their pockets.”

“But—”

Arthur gives a grunt of protest.

Jackass.

Though your concerns about theft were long gone, it doesn’t seem like he wants to talk about this any more than you do, so you do your best to set the conversation back on track.

“Well, uh…the eggs, then?”

The tension in his jaw lessens. Arthur unfurls a long leg, digs the heel of his boot out in front of him, and rocks his foot back and forth.

“You know these winters. I can tell you do—despite all the…” he trails off, nods the brim of his hat toward your newly cultivated relationship with the fireplace, and you flush. “So, I uh, started out sneaking a few off, along with some other things for my people back at camp. Snagged some extra rations. Kept an eye on you. Two birds, one stone.”

“So it wasn’t just the eggs you’d been stealing, then?”

“It’d behoove me to tell the truth and shame the devil, Ma’am. Not that he and I are unacquainted.”

So that was a yes.

The part about “keeping an eye” on you is tacked on rather reluctantly, but at the mention of camp, your brows raise. It was true, then. The tales you’d heard during your trips to Valentine, the new faces you’d noticed in corners and back alleys, they were all real.

There was a time when you thought you might be able to find your place sleeping under the stars, free to do as you wished and go where you pleased, so long as the law kept their greasy mitts to themselves. But circumstances had seen to it that your dream went unfulfilled.

You muster up what you hope is a sympathetic smile, and Arthur takes it stiffly.

Even so, something else with his phrasing catches your attention.

“Hold on now, you said ‘started.’ There something else you’re not telling me?”

A hand, previously settled on his knee, finds its way to the back of his neck and rubs.

“Uh, y’see,” he starts, looking damn near ready to wring his own neck, and you have to laugh, because what on God’s green earth could have Arthur Morgan this bothered? But instead of finishing his sentence, he turns his gaze toward the small sliver of moonlight coming in through the curtains and poses a question:

“You know anything about chickens?”

You blink.

“Arthur Morgan,” your eyes shut, and your mouth hangs open. “I work on a farm.“

“That you do.”

“And you’re asking me if I know about chickens?”

“That I am.”

He’s looking mighty sheepish; his hands return to their places on his knees and begin to tap again, with the added scrunch of a nose. You stifle a snort and oblige him.

“Yes, I’m well versed in chickens. Now tell me what the hell is up.”

And tell he did. Turns out, one of the eggs he’d snatched had somehow been fertilized, and hatched. Arthur, of all people, had been far too mortified to go and ask one of his own for help, so he’d spent the last two months slinking around to find out if his luck might earn him another to keep the one he already had some company.

He’d named it and everything, so eating it (Marlene, he corrects gruffly) was completely off the table. By the time he’s finished his story, you’ve spent an exorbitant amount of energy fighting off several fits of laughter, and you’re fighting off your ninth when Arthur interrupts.

He leans forward, as if to confirm something, then settles himself back into his chair once he finds what he’s looking for. “You ain’t from around here, are you.” It’s a statement when it leaves Arthur’s mouth, not a question.

Observant. Observant, and deflective.

Chewing at the inside of your cheek, you pocket the uneasy feeling in your chest for later.

“Long story,” you offer. And a difficult one, at that. It wasn’t one you liked to revisit.

Arthur replies almost instantly. “Shoot.” For a moment his face pinches, like he’s dropped his last cent down a splinter-ridden nook he can’t reach. He deliberates, for a bit. But the money is long gone now. “Got a full audience right here,” he continues, a tad slower. “I’ve got…time. Why the hell not?”

There’s no smile, but there’s a genuine curiosity that creeps into his voice. It wafts over the crackling of the fire, blows fresh wind underneath wings long forgotten.

This wasn’t good. Not one bit.

You cast a skeptical glance toward the bottle of whiskey on the table. It’d been set out on instinct when you’d let him in, a habit formed from a time long gone. Would Arthur want some, maybe? He seemed like the type. And you weren’t too pissed about the eggs now, anyways. So you wrap a blanket around yourself, stand, and turn to the cupboards to find a glass. But something stops you from making it over, and you instead choose to wrap a hand around the bottle and offer it to him.

If Arthur is as confused as you are, he doesn’t show it. He mutters a word of thanks as he takes the proffered bottle. But you don’t miss the way his eyes rake over your bare legs like hot coals. Or the slight twitch of his fingers—now free of their gloves—at the light brushing of your hand over his as you pass the bottle to him.

You follow the bobbing of his throat for what feels like a lifetime as he takes down gulp after gulp. Amber liquid slips from the corner of his mouth; it catches the firelight on its trek down, and steals your air along with it when Arthur moves to wipe it away with the back of his hand.

It startles you, how quickly you’ve become accustomed to cataloging his movements. You’ve met him before, you’re almost certain of it now. If not in the fields here, then maybe somewhere in Valentine, or the woods. But somewhere. He felt too familiar to be new, too invigorating. A part of you wants to pinch yourself for giving in so easily. Maybe…maybe the folks in town had been right? Maybe Arthur Morgan was possessed? It was either that, or you were an idiot. You sincerely hoped it was the former.

The sound of the glass bottle hitting the table is what snaps you out of your trance. Blinking rapidly, you chance a peek at his eyes again, only to find them peeking right back. You do your best not to turn away. That thing you’d seen lurking out on the front porch is still there, submerged in the depths of his pupils. Still waiting.

You pull the top off of the bottle, take a quick swig, and return to your chair with an inhale and newfound resolve in tow.

Blabbering seems to come unfortunately easy with Arthur. He sits, silent and attentive throughout the entire retelling—save for the occasional grunt of approval, disapproval, whichever was appropriate. You tell him of your mother, young and hungry, and how she’d made herself available to the highest bidder—your father. Some wealthy businessman from God knows where. Twenty years your mother’s senior, it’d been no secret what exactly he’d gotten out of their short-lived union: a wild young thing to look after his progeny and keep his bed warm.

He was nice enough, for a time. Or at least nice enough for your mother to be able to tolerate. But something had sent her fleeing from that big, big house. She’d kept you in her arms and her heart till you’d found somewhat of a safe haven in the Grizzly Mountains.

“Safe” had been a bit of a stretch, though. Anyone with half a brain knew exactly what the Grizzlies were like. Arthur agreed. But your mother had been raised there, just as you would be, if only for a little while. You’re only able to remember a short split of time—just before your mother passed, and before your father had come to take you away from her.

By then your mother had already taught you most of what you’d needed to survive: reading, writing, hunting, flattery, the works. The only thing she’d left out was how to survive without her.

Your father had come to find you only a few days after, bearing news of his intentions to turn you into a “proper lady.” He made no mention of your mother or where she’d been buried.

Polite society hadn’t taken too kindly to a daughter hailing from unsavory origins, and it was safe to say that you hadn’t taken too kindly to polite society either. So, you’d spent the last decade or so making your father’s life a living hell and warding off any potential suitors.

But it became clear stunt after outrageous stunt that he had no intention of cutting ties. Rather than cutting you off, he’d settled for the next best thing: manual labor. Your father was old friends (though “friends” was a bit dubious) with the Campbells, and deemed it an appropriate enough punishment for your wrongdoings. He’d relied on your aptitude for hunting to pawn you off on them, and with the help of some expertly feigned resistance, you’d gotten him to plant you exactly where you’d wanted to be.

Away, and alone.

“Threw a wrench in my plans, but…life here has been peaceful, I reckon.” You pick at the beds of your fingernails, head bowed.

Peaceful.

Peaceful and quiet, save for the occasional moo.

Though, now that you thought about it, you’d have to tally it up to several wrenches if you counted the hitmen. But you could open that barrel of horse shit later.

The creaking of wood alerts you to a shift in Arthur’s positioning, and his voice barrels down at you from the ceiling; he must be looking up.

“You don’t seem all too ‘at peace,’ if you ask me.”

“I ain’t ask you.”

“Tuh.”

The two of you fall into yet another bubble of silence. It’s comfortable enough, though still laced with the slightest bit of awkwardness.

You couldn’t get a read on Arthur. Just about every decision he’d made tonight—or told you he’d made—had been a contradiction. It didn’t make a lick of sense. But now that you’ve had more time to ruminate, it didn’t seem like it made much sense to him, either. His body language divulges as much.

The quiet agitates you, now. Itches. You need to know more. Understand more. But you can’t do that without retracting your fangs and reigning in your apprehension. Finger beds picked raw, you test the waters.

“Not at peace, hm?” You mutter. “…How you figure?”

You hear him shrug. “Dunno.”

Silence.

You wait for him to continue, but it’s not until you look up at him that you realize he’s been waiting for you to look back. Arthur’s voice cuts through the silence once you can meet his eyes without squirming.

“Met enough people to know who’s livin’, and who ain’t.” He crosses an ankle over his knee, and gives an exhale when he puts his hands behind his head. “I’m in no place to be dealing out life advice, but you seem awfully dead, Miss.”

“Ma’am,” you correct.

Arthur makes a face, and you bark out a laugh at the sheer absurdity of it all. Some stranger he was, telling you off like this.

Your eyes crinkle, smile working its way from the inside out. “Takes one to know one, I assume?”

He blinks at you. “Yeah. Yeah, somethin’ like that, I suppose.”

More silence.

“Do you think—”

“I ought to be heading out, now.” The dream is cut short. Arthur is standing suddenly, intercepting before you have the chance to say something incredibly, incredibly stupid. He tugs on his coat, fingers closing the buttons with frightening efficiency before he gathers up his gun and whatever else he’s brought with him and heads for the door.

You're scrambling up out of your chair before your brain has a chance to process.“Arthur,” you say, half to him and half to the floor, “Arthur, wait a damn minute!”

The spurs on his boots cease in their clinking. He’s got one hand wrapped around the doorknob, squeaky and now half-turned.

“…Got business to take care of.”

“At three in the morning?”

He glances at the small pocket watch you’d left open on the table. “Half past four, actually.”

“Didn’t realize you could tell time.”

He hums.

And Arthur stares at you for a moment, unabashedly. It’s unreadable at first. But then scars are shifting, and he’s leveling you with a look so bitter that it nearly has you reaching for your rifle again.

“Goodbye, Ma’am.” Arthur waves a noncommittal hand at your feet as he turns the knob. “And…go and see about those feet of yours, will you?”

He sweeps out the door.

He’s left it open.

It’s only after the faint sound of hoofbeats is nothing more than a whisper that you realize he isn’t in the cabin anymore. But somewhere between the shutting of the door and the hanging of your rifle, the faint impression of his parting words is pressed into your palm.

You look down, a bright sting and the sight of red specks on the floorboards making themselves known rather insistently.

“Oh.”

—

next chapter >>

#arthur morgan x reader #arthur morgan x female reader #arthur morgan x you #arthur morgan #red dead redemption 2 #rdr2 #rdr2 fanfic #ao3 #archive of our own #fanfiction #I literally put off two essays to write this #plz be kind this wasn’t supposed to be this long #witching hour

266 notes · View notes

nayziiz · 4 months

Text

Witness | CL16

Summary: In the shadowy world of Monaco's elite, the Leclerc family reigns supreme. Charles Leclerc, the charming middle son, maintains their pristine public image—until one rainy night, during a fit of rage, Charles does the unthinkable. A young woman witnesses his actions, and her terrified eyes haunt him. Consumed by guilt and fear of exposure, Charles embarks on a desperate search to find her before she can destroy his family’s legacy. As he delves deeper into Monaco's underbelly, Charles must confront his own darkness and the lengths he will go to protect his family.

Pairing: Charles Leclerc x OC (name to be revealed)

Warnings: Violence, blood, angst

Masterlist

CHAPTER 3

The youngest Leclerc brother, Arthur, was the wildest one. Known for his insatiable appetite for adventure and thrill, he thrived in the vibrant nightlife of Monaco. He had a habit of dragging Charles to parties, clubs, and casinos when Charles would have preferred a peaceful night in with a glass of wine and a good book. Arthur’s energy was infectious, his charm undeniable, and he revelled in the attention their family name commanded.

Tonight was no exception. It was a Saturday, which meant the city was alive with the promise of excitement, and Arthur had already set his sights on the night’s itinerary. He burst into Charles’s apartment, grinning from ear to ear, a spark of mischief in his eyes.

“Come on, Charles! You can’t hide away tonight,” Arthur declared, his voice bubbling with enthusiasm. “I’ve got us on the guest list at the hottest club in town. Everyone’s going to be there!”

“Arthur, I really don’t feel like going out tonight. I had a long day, and I just want to relax,” Charles sighed, switching on his television and clicking on one of the motorsport channels.

“Relax? You can relax when you’re old and grey. We’re young, rich, and Leclercs! The world is our playground, brother,” Arthur rolled his eyes dramatically, grabbing the remote from Charles’s hands and tossing it onto the couch.

Despite his reluctance, Charles couldn’t help but smile at Arthur’s infectious enthusiasm. It was a losing battle, as it always was when Arthur set his mind on something. Resigned, he stood up and grabbed his jacket, knowing there was no point in arguing.

“Alright, alright. But just for a few hours,” Charles conceded. “I have some business to take care of tomorrow.”

“That’s the spirit! Trust me, you’ll thank me later. There’s nothing like a night out in Monaco,” Arthur clapped him on the back, his grin widening.

Arthur kicked the night off with a rented limo, already downing shots like nobody's business. The air inside the limo was filled with the sound of laughter and clinking glasses as Arthur entertained himself, his spirits high. Charles, ever the responsible one, watched his brother with a mix of amusement and mild concern, knowing how wild Arthur’s nights out could get.

The limo took them to a restaurant, an upscale place known for its gourmet cuisine and sophisticated ambiance. The plan was to have a meal before diving into the night's festivities. As they arrived, Arthur, already a bit tipsy, made a beeline for the bar. Charles sighed, resigning himself to a quiet meal alone.

Charles found a quiet table and ordered a hearty meal, intending to line his stomach properly for whatever the night would bring. The restaurant's dim lighting and soft music provided a stark contrast to the wild energy Arthur radiated at the bar. Charles watched his brother from across the room, seeing him animatedly talking to strangers, charming everyone in his vicinity.

Charles savoured his meal, enjoying the brief moment of solitude. The rich flavours of the food helped to ground him, a small comfort amidst the chaos Arthur had undoubtedly planned for the night. He glanced occasionally towards the bar, where Arthur continued to entertain, his laughter echoing through the restaurant.

As Charles finished his meal, he reflected on how different he and Arthur were. Arthur's zest for life and adventure often pulled Charles out of his comfort zone, dragging him into nights filled with unpredictability. Yet, despite the exhaustion these nights brought, Charles couldn't deny the bond he felt with his brother, a bond that often made him go along with Arthur’s wild plans.

Once Charles was done, he walked over to the bar, where Arthur was still in high spirits, flirting with the bartender and regaling a small group with some exaggerated story. Charles placed a hand on his brother’s shoulder, giving him a look that conveyed both amusement and readiness for the next part of the night.

“Ready, big brother? The night’s just getting started!” Arthur grinned, downing another shot before clapping Charles on the back.

“Lead the way, Arthur. Let’s see what you’ve got planned,” Charles nodded, a smile tugging at his lips.

The night was still young, and Charles knew better than to underestimate Arthur’s knack for creating unforgettable experiences. From there, Arthur dragged Charles and his friends to his favourite casino, a lavish establishment with opulent décor and a vibrant atmosphere. As they entered, the group filtered through the other guests and diplomats to the bar, the clinking of glasses and low murmur of conversations adding to the casino’s lively ambiance. Some of Arthur's friends gravitated towards the slot machines, their excited chatter blending with the mechanical sounds of the games. Others headed for the roulette table, eager to test their luck.

Charles, however, remained withdrawn from the main group. He slowly made his way around the casino, observing the scene with a detached curiosity. He watched as some fools gambled away their trust funds, their faces a mix of hope and desperation with each spin of the wheel or roll of the dice. The flashing lights and the cacophony of sounds seemed to create a world of their own, one where fortunes could change in an instant.

Occasionally, Charles would take a seat at one of the tables, nursing a drink and simply watching the guests move about the dimly lit room. The casino was a microcosm of Monaco’s elite, a place where power and money intersected in a dance of chance and skill. Despite the bustling activity around him, Charles felt a sense of isolation, his thoughts drifting back to the incident and the woman he was desperate to find.

As he continued to observe, he felt a tug of responsibility and protectiveness towards Arthur. His younger brother thrived in this environment, effortlessly charming everyone around him, but Charles knew the dangers that lurked beneath the surface of their glamorous lifestyle. He needed to keep an eye on Arthur, ensuring that he didn’t get into too much trouble.

Arthur, meanwhile, was in his element, moving from group to group with an easy confidence. His laughter echoed across the room, drawing people to him like moths to a flame. Charles couldn’t help but smile at his brother’s antics, even as he felt a pang of worry. Arthur’s reckless nature was both his greatest asset and his biggest flaw.

She had perfected the art of the serene smile, a mask she wore to hide the turmoil churning inside her. Her hands moved deftly, expertly shuffling and dealing the cards with practised ease. The table was surrounded by a mix of regulars and tourists, their faces a blend of hopeful anticipation and steely determination.

“Place your bets, please,” she announced, her voice steady despite the nervous flutter in her stomach. She swept her gaze over the players, taking in their expressions, their tells. She had learned to read people well in this job, to see beyond the surface.

The cards were dealt, and she watched as the players assessed their hands. A middle-aged man in a tailored suit tapped his fingers on the table, a subtle signal for another card. Next to him, a young woman with a wide-brimmed hat and oversized sunglasses nervously bit her lip before deciding to stand. The tension was palpable, each decision a potential turning point in their fortunes.

As she revealed the next card, a murmur of excitement rippled through the crowd. The man in the suit smiled triumphantly, his pile of chips growing with his win. She congratulated him with a nod, keeping her expression neutral. The casino's glamour masked the desperation that often lurked beneath the surface, and she was all too aware of the fine line between triumph and ruin.

Her shift progressed in this rhythm of bets and deals, wins and losses. She maintained her composure, but the memory of that fateful night lingered at the edges of her mind. Every face in the crowd was a potential threat, every moment a chance for her past to catch up with her.

A sudden shout from across the room jolted her from her thoughts. A commotion at the roulette table drew the attention of the patrons, and for a brief moment, the blackjack table was deserted. She took a deep breath, allowing herself a moment of respite. The noise of the casino faded to a distant hum, and she felt the tension in her shoulders ease slightly.

But it was a fleeting reprieve. As the players returned, she resumed her role, her eyes scanning the crowd with renewed vigilance. She couldn’t afford to let her guard down, not when the threat of being discovered loomed so large.

A new player approached the table, a tall man with a confident stride and an easy smile. She forced herself to meet his gaze, her heart pounding in her chest. For a split second, she feared it was him, the man she had seen that night. But it wasn’t. Just another stranger in a city full of them.

“Good evening,” she greeted, her voice betraying none of her inner turmoil. “Care to try your luck?”

The man nodded, taking a seat and placing his bets. As she dealt the cards, she couldn't shake the feeling that her time in Monaco was running out. The sense of being hunted, of danger lurking just out of sight, was ever-present. But for now, she had a job to do, a role to play in the glittering spectacle of the casino.

She watched as the players made their decisions, her mind drifting slightly as she mechanically performed her duties. The table was busy tonight, a mix of regulars and tourists, their expressions ranging from confident to anxious.

As the night wore on, Charles’s attention was drawn to the excitement at the blackjack table in the corner of the room. The dealer, a young woman with an air of calm professionalism, skillfully handled the cards, her movements precise and practised. Something about her seemed familiar, but Charles couldn’t quite place her. He decided to approach, drawn by a sense of curiosity and an inexplicable pull. As he got closer, the woman looked up, their eyes meeting for a brief moment.

Her heart skipped a beat, a faint sense of unease creeping in, but she dismissed it as the usual paranoia that had plagued her recently. Charles took a seat at the table, his gaze fixed on the dealer. There was something about her, a nagging feeling that tugged at his memory. He watched as she dealt the cards, her hands moving with practised grace. The way she moved, the set of her shoulders, it all seemed so familiar.

“Place your bets,” she repeated, her voice steady but her pulse quickening.

She sensed his eyes on her, a penetrating gaze that made her skin prickle. She focused on the cards, trying to shake off the feeling. Recognition flickered in her gaze, and suddenly, it all clicked in her mind.

Charles studied her face, the way she focused intently on the game. And then, like a flash of lightning, it hit him. Her face. It was her. The woman from that night. The memory of her terrified expression, her wide eyes frozen in shock, came rushing back. His breath caught in his throat, his heart pounding as recognition settled in.

“Hit or stand?” she asked, her voice wavering slightly as she met his eyes again. The look in his eyes made her stomach drop. It was a mix of shock and realisation, a look she had seen before, in a dark alley under the rain. Charles swallowed hard, struggling to maintain his composure.

“Stand,” he said, his voice rough with the weight of his discovery. He couldn’t tear his eyes away from her, the woman he had been searching for, now standing right in front of him.

She dealt the next card with trembling fingers, her mind racing. He recognized her. She could see it in his eyes, feel it in the tension that now crackled between them. Her carefully constructed world began to crumble, the walls of safety she had built around herself now seeming paper-thin.

The game continued, but the atmosphere at the table had shifted. The other players sensed something was off, casting curious glances at Charles and the dealer. She forced herself to focus, to complete the hand, but her mind was spinning with fear and uncertainty.

While she was frightened, he was overwhelmed. He wasn't sure how to approach the subject with her without scaring her any further. He wasn't a horrible person and he hated the fact that she caught him at such a brutal moment in his life. He kept watching her, his mind racing with thoughts of how to handle the situation. He couldn't speak to her openly about it in front of so many people, so when the game ended and she quickly rushed towards the staff rooms, he caught up with her.

“Excuse me, Miss,” he called after her.

She stopped and hesitantly turned around. Her eyes were wide with fear, and she seemed ready to bolt at any second.

“I'm not quite sure how to go about this, but I would appreciate a moment to speak with you…privately,” he tried to keep his voice as gentle and non-threatening as possible, aware of the tension in the air.

She looked around, clearly nervous about being seen talking to him. Her mind was a whirlwind of conflicting emotions—fear, curiosity, and a sliver of defiance. She had seen him at his worst, and now here he was, confronting her in a way she hadn't anticipated.

“Why should I?” She asked, her voice shaky but with an edge of determination.

“Please,” Charles said, lowering his voice even further. “I just want to explain. I need you to understand that what you saw was not who I am.”

Before she could answer, her manager strolled by and spotted Charles and her.

“Mr. Leclerc!” Her manager bellowed, interrupting the two.

She had to stop her jaw from falling to the ground when she heard his last name. Leclerc? The realisation sent a shiver down her spine, and the pieces of the puzzle began to click into place. This man, the one who had haunted her nightmares for days, was one of the notorious Leclerc brothers.

“Is there something Marie or I can assist you with?” the manager asked, his tone shifting to one of eager politeness.

“Marie?” Charles repeated, turning to look at her with a mixture of surprise and recognition.

“Yes, sir,” she nodded.

“No, thank you. I, uh, was just looking for the restroom,” he lied, his voice steady despite the tension radiating from him.

“Right this way, sir. Marie, you can return to your station.” The manager smiled, oblivious to the undercurrents in the exchange.

Charles gave her a lingering look before following the manager down the hall. She watched them go, her heart pounding in her chest. The shock of his identity and the suddenness of the encounter left her reeling. She took a deep breath, trying to steady herself before heading back to the blackjack table.

As she resumed dealing cards, her mind raced with the implications of what had just transpired. Charles Leclerc now knew her name, and she knew his. The stakes had just gotten infinitely higher. She had seen a side of him that no one else had, and now he was aware of her existence in a way that made her feel exposed and vulnerable.

She had to figure out what to do next. Reporting the incident seemed even more complicated now, knowing the power and influence the Leclerc family wielded. But staying silent felt like a ticking time bomb. She was caught in a dangerous game, and she had no idea how to play it.

For Charles, the encounter left him equally unsettled. As he walked towards the restroom, guided by the manager, he couldn't shake the feeling of fate's cruel irony. The girl from that night was named Marie, and now she worked in a place he and his brothers frequented. He needed to speak to her, to explain himself properly, but the opportunity had slipped away.

Once he was alone, he splashed cold water on his face, staring at his reflection in the mirror. He had to find a way to reach her again, to make her understand. The fear in her eyes haunted him, and he couldn't let things remain as they were. Not knowing how she might react, not knowing if she might go to the police, was a risk he couldn't afford to take.

He returned to the casino floor, his mind made up. He would find Marie again, and this time, he would make sure they had the conversation he so desperately needed. The game had begun, and he was determined to see it through, no matter the cost.

----------------------------

Taglist: @headinthecloudssblog

132 notes · View notes