#except for the main character who’s a vampire because (????)

[agnimybeloved]

my interests always regress so bad during finals so i’ve been reading the rest of the simon snow series after rereading carry on and its kind of just bad (shocker). i’m gonna read the third book though because i really want to know whether they decide racism is good or bad 🤨

[black-rose-writings]

Things I have gathered about Danny Phanton without having ever watched the show (from posts and fanfics):

There's ghosts and they're kind of assholes, but they're also all friends and have christmas parties. Their presence is treated as a mild annoyance by everyone except the ghost hunters.

The main character is a dead 14yo. Sometimes. He's also trans.

There are adult professional ghost hunters around. Literally all of them seem like they are just taking out their serial killer urges on ghosts. "Man is the real monster" trope in action. At least some of the ghost hunters are a Men In Black parody.

The dead 14yo actually the most competent at removing ghosts from the mortal plane.

There is another 14yo who is not dead and also hunting ghosts. She's somehow also more competent at it than the adults.

The MC's parents are ghost hunters and want to torture him into perma-death. That is somehow not the biggest problem with their parenting.

(Like, I get that adults in kids' media need to be kinda dumb and immature for the premise of the show/book/movie/whatever to work, but I'm getting the feeling the adults in this show cross the line of 'plot necessary dumbass' into 'fucked up and abusive' territorry.)

One of the ghosts is tiny, piloting a giant mecha suit and dedicated to skinning the MC and hanging his skin on his wall. He somehow also has a cool rocker girlfriend and thinks this will impress her. Jury's out on whether or not that's a good strategy.

There is a ghost called the Box Ghost, who demands to be taken seriously. Nobody takes him seriously.

The MC's nemesis is another dude who is sometimes dead. He looks like a vampire and swears in food. He also wants to kill the MC's dad (for mostly valid reasons) and bang his mom (for no good reason at all) and adopt the MC as his son(mostly because of his hangups around the parents, not because said parents suck at being parents). In a villainous and fucked up way, because he's the main antagonists. He's also a billionaire, has a cat, and is weirdly obsessed with american football (IDK jack shit about american football, but the level of obsession is treated as not normal by the characters so I will assume it is weird and just how americans be like).

There were 3 seasons, but half of the fandom is convinced the third one may have been a fever dream because it's so bad.

There was a finale that everyone pretends didn't happen because it sucked.

There is at least one time travel fix it episode and the time travel ghost wears way too many watches.

The MC has two living friends - Wade from Kim Possible, but thinner and leaves his house, and a jewish goth vegan.

The MC has a clone and she's a baby and a gremlin.

The ships all have the weirdest fucking names.

Somehow half the named characters being dead is not the angstiest part of the show.

I kinda want to know how someone came up with it and what drugs they were taking. IDK if I want to try some or avoid them, but it would be good to know either way.

[raisedbythetv89]

The writers I think mostly completely by accident with the assistance of James charming his way into becoming a main character created the perfect storm to ensure people who love spike would reach absolute peak levels of being completely obsessively deranged about him forever

Season 2:

He’s a punk rock villain with killer cheekbones, enchanting eyes, and an absolutely DEVILISH smile - who’s an incredibly dedicated and dangerous fighter who specifically seeks out challenging fights he’s not guaranteed to win (brave and reckless - normally traits seen in heroes) hates everyone except his mentally ill physically sick wife (the statistics of men who leave their wives when they get sick in the US is horrifying like nurses literally have to warn married women who get sick it happens so often) who he’s hopelessly devoted to and unbelievably soft with and always listens to her while also exuding a psychotic amount of sex appeal and is just F U N he loves being a vampire and he loves fighting and it makes it so much fun for the audience. While still showing how much he respects and admires his enemy for her skill, strength, resourcefulness, and intelligence - NEVER underestimating her just because she’s a tiny blonde girl - and instead of destroying the world for love he SAVES the world for love - a villain doing good to get the love of his life back who essentially dumped him for her ex????????? D E V O T E D and shockingly extremely trustworthy??? And has amazing chemistry with our heroine and is there for a pivotal moment in her life and is the only one there for her when she has no one else????? *enemies to lovers girlies ENTER THE CHAT*

Season 3:

He shows he fucking MEANS IT when he says Dru is the love of his life when he shows up in Sunnydale because he blames Angel not Buffy or Drusilla but the man actually responsible for all their problems and he is the most pathetic mess we’ve ever SEEN!!!! He’s crying and drunk all the time and he’s so sad he goes to Buffy’s mom TO TALK 💀😭 our pathetic sensitive little self admitted lover boy who KNOWS he’s love’s bitch and he won’t be pretending he’s anything otherwise who shows how clearly he sees and understands other people and the depths of his emotional intelligence so much so Buffy herself admits she can’t fool Spike she can fool her friends BUT NOT SPIKE OR HERSELF EXCUSE ME MA’AM WHAT???????

AND Spike doesn’t just uselessly MOPE forever he gets some perspective and is like I know what I’m gonna do to her back and I’m gonna go do that now! 😁👍🏻 showing he never stays down for long and is always gonna get back up to keep fighting for his love while BOTH he and Buffy still honor the truce even though he’s broken it by coming back??? While Buffy’s all “I violently dislike you” YEAH OK GIRL WHATEVER YOU SAY *enemies to lovers girlies chomping at the bit intensifies*

Season 4:

CLEARLY heartbroken about Drusilla (DEVOTED!!!) but it’s turned into anger and resentment directed at Harmony who how bizarre looks nothing like Drusilla but A LOT like Buffy…… hmmmmmmmmmmmmm HOW INTERESTING *enemies to lovers girlies are vibrating with anticipation that turns into a full blown combustion when something blue happens*

Spike doesn’t pretend to love Harmony in order to get what he wants from her (shown in direct contrast to Parker) he’s ironically very honest despite being a villain - he’s showing he’s STILL loyal to Drusilla in ONLY loving her even after she’s dumped him... again!

We see Spike treat Buffy the EXACT same way he treated Drusilla during something blue reaffirming THIS IS HOW THIS MAN LOVES WHEN HE LOVES YOU. He’s extremely affectionate, helpful, protective, caring - D E V O T E D - and is truly just the most certified lover boy we’ve ever fucking seen

Season 5:

SURPRISE HE’S SECRETLY A LOVESICK MAMA’S BOY POET AT HEART UNDERNEATH THE BAD BOY PERSONA AND A PROTECTIVE BIG BROTHER AND NOW BUFFY AND HER FAMILY’S MOST LOYAL DEFENDER AND IS WILLING TO DIE NOT JUST FOR BUFFY BUT FOR ALL THE SUMMERS WOMEN AND HE KNOWS AND SEES BUFFY SO DEEPLY AND INTIMATELY AND CAN HOLD SPACE FOR HER PAIN LIKE NO ON ELSE CAN AND SHOWS THE DEVOTION THAT ONCE BELONGED TO DRUSILLA NOW BELONGS TO BUFFY AND IT IS GOING NOWHERE EVEN WHEN SHE DIES AND WE'VE SEEN IN HIM CRY BEFORE BUT NEVER HAVE WE SEEN HIM BREAK DOWN LIKE HE DOES AT THE SIGHT OF BUFFY'S BODY!!!!!!!!!!!

*all of us screaming, crying, throwing up, climbing the walls and generally just losing our minds*

Season 6:

No soul, his love is so great for Buffy as is his loyalty and devotion to her, he now helps all of his dead love’s friends fight evil and is raising her sister and dreams of saving her every night for 148 nights 🤚🏻😭 don’t even fucking talk to me I can’t take it

Forgive the absolute 180 in tone change here:

Dick game is FIRE - his touch is the only thing that makes Buffy feel alive AND SHE WAS IN HEAVEN BRO SHE KNOWS WHAT IT FEELS LIKE TO BE IN HEAVEN AND SPIKE IS THE ONLY THING KEEPING HER GOING like damn girl yes YOU FUCK THAT HOUSE DOWN!!! Also he is now just naked 50% of the time just to drive us all even FURTHER out of our minds and somehow has just gotten even hotter as the seasons have gone on like this is what’s been hiding under the leather jacket all this time! Enjoy!

And THE MOST unintended consequence of jw’s vindictive writing:

SPITE

He clearly didn’t want us to love Spike and tried to manipulate us into hating him in such a blatant and clumsy ooc attempt all that did was weed out the weakest amongst the Spuffy/Spike fans until all that remained were us:

The most devoted and stubborn fans who REFUSED to have the thing they loved ruined or taken away from us and were smart enough to see through his bullshit manipulation attempt in the first place.

Genuinely they created the equivalent of supersoilder strength level fans with this absolutely lethal combination of events 💀

AND THEN as if all that wasn't enough he goes and gets his soul on purpose for Buffy so he can be the man she deserves and she can love him without hating herself for loving him despite the immense pain it will cause him which is the most selfless thing we have ever seen anyone do for Buffy only to be topped when he sacrifices himself to destroy the hellmouth, save the world and free her from Sunnydale!!! Plus ya know once he gets the soul even though he did it for her he never tries to use that as leverage to get anything from her like he truly expects nothing from her at all but still wants to help her and James delivers the most devastating performances we've ever fucking seen, finally tells her friends off which has needed to happen for 5 seasons, the "you're the one speech" him being a dad to all the potentials with Buffy giving us supernatural parent core who made it through their rough patch with their first kid in season 6 with Dawn and now are just the beautiful team with their found family and Buffy finally has someone who can truly carry her burdens with her and just all the tenderness and devotion they both deserve after so many years of pain and fighting. Basically giving the audience the message that even if you have a metric ton of pain and trauma there are people out there who see you and understand you and there is a chance for you to heal both together and separately to build your own version of a more normal and stable life. It's a message of such hope and I personally know several people, including myself who watched what Spike and Buffy have and it inspired us to look at the relationships we were in and realize we deserved SO MUCH MORE than what we were getting and in my case it turned out I was being emotionally abused and manipulated that entire time!! Much like Buffy was by both Riley and Angel. So it isn't an exaggeration to say Spuffy saved my life in a lot of ways both in being there for me at such a dark time and helping me draw a map of how to get out. Not to mention loving them in fandom spaces has helped me connect with so many people just like me who share very similar experiences and have helped me feel so much less alone and has helped me heal in so many ways 🖤

Spuffies get "hOw cAn yOu liKe sPiKe aFtEr wHaT hE dId" all the fucking time and truly the better question is how can you NOT like Spike???? HAVE YOU BEEN PAYING ATTENTION AT ALL??? DO YOU EVEN KNOW WHAT GOOD RELATIONSHIPS NEED TO WORK?? BECAUSE AT THEIR CORE SPUFFY HAS THEM ALL!

It's jw writing so NOTHING will escape his toxic bullshit but Spike - because he was hated by jw for so long - so much of the time when he tried to make Spike less popular he just kept making him better and more complex and more and more targeted to the female gaze which is exactly why he snapped and made the choices he literally forced everyone else to go along with despite their protests with that scene to make it the most traumatizing scene in all of Buffy history not just for the audience but for the actors as well because yes it is incredibly horrific and upsetting to watch (which is why I skip it on rewatches) but I still am able to see if for what it is which is a narcissist lashing out at people he hates because he hasn't been able to control them and too bad for him I refuse to be manipulated by his bullshit so it failed completely and made so many of us that much more stubbornly protective of Spike and his and Buffy's relationship not just from other fans but from the creator himself 🙃🖕🏻like he basically just trauma bonded us to Spike and Buffy which has led to the creation of one of the most devoted, loyal, intelligent fanbases who is absolutely unhinged (affectionate) with their love of this character and his relationship which is why we are all still creating and writing about this character 25 year later and show absolutely zero signs of slowing down or stopping 💀

[madwomansapologist]

doubt comes in | bg3 companions

Meet Kind!Druid!Tav | More Weirdos | AO3

synopsis: You knew exactly what would welcome you back to camp. The alluring smell of Gale's cooking, the awful noises of Lae'zel working on a sword that don't need to be sharpened, Wyll practicing his dance moves. You clearly weren't expecting to see yourself. Or to be forced into fighting the companions you swore to never harm in order to prove Orin was playing with their minds. [3.4K]

warnings: orin being orin. well, you, actually. "prove who's the real you" trope. i mean imagine the level of anxiety that scenario induces because you want me to act like me? kitten, mommy don't fucking know who she is. bg3 level of violence. a lot of blood. body horror should be a tag? tav suffers slashing damage, but orin suffers psychic damage. angst. happy ending. shadowheart x tav x halsin. companions (lae'zel, astarion, gale, wyll, karlach, jaheira, minsc). camp followers (yenna, scratch, grub). background (orin, gortash, mizora, shar, cazador, silvanus).

Reaching Baldur's Gate didn't made life easier, but Gods did it helped. Danger is near, sometimes closer than a kiss, but this city is still your home. They can try, but no one can take that away from any of you.

Mizora can bargain and dissemble, but no lie coming from her burning lips will ever change the fact Wyll would do anything for this city. He had his first kiss in one of those bars. Gortash is a threat, but did he started counting his days? Karlach is coming for him, and he had it coming. She can still remember the vinegar taste on her mouth after her first spree.

Shar had her time to mess with Shadowheart's memories, to turn goodness into fear and desires into guilty. Shadowheart is learning how to swin. Long ago, before Cazador could even think of looking at him, Astarion walked on those streets. Cazador can see him as a walking corpse if he so desire, something that fell into decay, but Astarion is alive and free forever and evermore.

The world is a freaking mess, but so be it. That won't stop you from living. That won't stop any of you.

"Soldier! Over here," Karlach called for you, up on The Blushing Mermaid's balcony. You dodged the drunkards and ran upstairs to their table. They saved a seat for you. They always do. "What took you so long?"

They're always teasing you for being so controlling with their gold. That was an act of survival, to save for what matters, but now that you reached the city... You're still controlling it, Silvanus knows Astarion would waste it all without noticing, but you can allow your party some luxury from time to time.

You put the bags under the table, careful to not let them see what was inside them. "Just lost track of time," you sat between her and Minsc. "Did I miss much?"

You turned around, looking for a waiter, but a glass was dragged from across the table towards you. Halsin, sitting across from you at the round table, had already ordered your favorite drink. He always knows what you want even before you say it.

Your smile was subtle, the glass already rising to hide your mouth. You didn't use words to thank him, but your foot met his under the table. You dragged it along his leg, a hidden affection. A secret between you two.

"Oh, yes, Boo. Minsc agrees, her smile really seens different," Minsc whispered. Boo moved on his shoulder, sniffing around. "What are you hiding, my gentle friend?"

Perfume of night orchids, clothes fit for a vampire or whatever Astarion means by that, a recently released tome of evocation, instruments to improve weapons, a music box for a dancing hero, owlbear cub plush, new whittling knifes, a book about adventures Jaheira wasn't part of but is still somehow the main character, and stone sculpture of a certain miniature giant space hamster. "Nothing," you answered.

Halsin chuckled. "There is nothing you can't do, my heart. Except by lying, I must add."

"I just bought a few presents," it sounded almost defensive. Alright, maybe you really were a bit too controlling of the gold. Just a bit. "I'll give them after dinner."

Karlach chocked on her beer. "Are you feeling well, soldier? Have anyone forced you to waste your precious gold?"

"There is a hero coming through to help you, my friend," Minsc hit the table with closed fists. Your drink almost fell on your lap. "Tell Minsc who forced you and his boot shall find your wrongdoer!"

Karlach and Minsc tried to see what were in the bags during the walk back to camp, and you protected them with your life. They started a game of guessing what you had bought, never realizing you weren't participating on it.

Halsin took the bags from you, and with his free hand caressed yours. He kissed your knuckles, then your forehead. You melted against his touch. "Is it duck related?"

You chuckled, eyes still closed. "Fuck off, Bear."

Finally at camp, Halsin followed you to your tent .You saw when Wyll walking out of his tent, hair dripping wet, and smiled at him. Karlach and Minsc sat by the bonfire, still arguing about the possibility of receiving an ax as a gift.

You told Halsin to close his eyes so you could hide everything. "Alright, done."

You walked towards the bonfire, but Halsin grabbed your hand and pulled you closer. You linked your arms around his neck, ready to stand on tiptoe. "It's on your black chest, isn't it?"

You sighed, walking away from him. He tried to stop you, but you dodged Halsin easily. "Of course not," you lied. And he could tell.

You used a branch to stir the fire. You had the feeling it would be a cold night. Yenna was near it, stroking Grub's fur, and smiled at you. So young, so innocent. So unfair.

Lae'zel and Jaheira carried pans with food to the large table Gale conjured, and nodded on your direction. "Fifteen minutes, cub," said Jaheira. "Weren't you on watch?"

You denied with a movement of your head. Jaheira isn't the one to get confused with watches, neither are you. After all, you both organized all shifts.

"Are you hungry?" You stroke Yenna's hair, ignoring Grub in order to not scare him away. Kneeled in front of her, you threw the branch far away. Scratch ran to catch it. "I have strawberry and hon..."

"What the fuck is that?!"

You turned to Karlach, your sword suddenly so heavy on your side. She looked perfectly fine. Following her gaze, you understood it.

Shadowheart had her spear on hands, back from first watch to supper. And besides her, with a hand on the half-elf's waist, stood you.

One thing you can't deny Orin: that bitch is creative. You admit, it was smart. Half of the party left with you, half stayed at camp. It was only a matter of chosing the right moment to appear, making sure to say only the right words, and everything would work on her favor.

Smart, until she wasn't anymore. Because instead of aiming your companions quietly without raising doubts, you are back now. She is surrounded by the enemy. Cornered by her own actions.

You smiled to Yenna, her scared eyes shone upon you. "I need you to close your eyes. Can you do that for me?" As she put her tiny hands in front of her face, you raised from the floor. The smile was still there. "Orin."

She was behind you, but you knew Karlach made Nyrulna find a way to her hands. He's not on your vision field, but you promise Silvanus you'll kill yourself right then and there if Minsc and Boo aren't ready to fight and die beside you. The golden light on your periphery in theory could be from anything, but you knew it was Halsin waiting for your command to transform and attack.

The things you couldn't see didn't surprised you. Quite the opposite.

Jaheira's eyes shone, and without hesitation she turned into a fire myrmidion. Wyll, before careless, casted an armor on himself. Lae'zel had her sword on her back, but her movements showed she was nothing but ready.

They were looking at you.

As easy as that you understood. You're always thinking on the great scheme of things, careful about every movement and choice so at the end nothing will stop you from defeating the Absolute, but this isn't a game of Go. Orin didn't proposed a bet, one where all moves matter and any choice could change the final outcome. No. This is as simple as tic-tac-toe. The results depends only on doing the right first movement.

Orin isn't surrounded here.

You are.

Shadowheart hesitated, the spear uncomfortable on her hands, her skin paler. She gazed at you, at that thing, and you could almost see the doubt replacing the new found glow in her eyes.

"You finally decided to show up again," Orin said. She could immitate your voice perfectly. Even the words were something that could've been said by you. "Now we don't need to hunt you down."

You kept on staring at Shadowheart, ignoring her stained words. "Lua, you know who I truly am." You drew your sword, the golden glow illuminating your face within the light of the setting sun. "Fight beside me, my love. Like you have always done."

"Don't fall for her theatrics," replied Orin. If you didn't knew better, even you would fall for her tricks. "She is playing with your mind. Trying to control it like many attempt to before. Don't allow it."

In a quick motion, her spear cut through Orin's torso. Orin, you, stumbled back. You stood in front of Shadowheart, protecting her with your body from the changeling's response.

All Orin did was to add pressure to the cut. "Get away from her!" A necrotic energy came from her fingers, the same you are so used to control. You shouldn't have left your shield on your tent. "My love, she'll only hurt you."

Jaheira aimed at you, lava dripping from her transformed hand, but didn't attack because of how close Shadowheart was of you. Karlach got further away, now with a better view of camp. Minsc had his sword in hands, just as Wyll had a cloud of darkness aiming at him. Lae'zel was in front of Orin, eyes filled with determination.

They moved faster than you wanted to. The board getting new possibilities, and you worst problems to deal with. What strategy can overpower hers?

"On sight, soldier," Karlach screamed from distance. You could picture the spear on her hands, ready to be throw right in Orin's eyes. "One word."

"Ckh. Enough," ordered Lae'zel. "Pull yourself together before I pull you apart."

"That changeling is playing tricks with your mind, Lae'zel," said Shadowheart. Light came from her fingers. "Don't let her fool you."

"I know my leader," was her response. "You should know too, cleric."

"Can't any of you see her true goal?" Your voice echoed through the camp. "She isn't just trying to end me. She could've done this before, we all now she had chances. Orin wants you to fight one another, to break our bonds and divide us. Stay still, stay alert, and she won't have a choice but to end her disguise and attack with her own claws. Patience: that's the only thing she does not have."

With the noise, Gale and Astarion came out of the kitchen. "Who is..." Astarion didn't even had time to finish.

"It's me," you yelled. You had even forgot about them. Just more players for a game that should be won alone. "For Silvanus, I even said goodbye to each and every of you befo..."

You swear you saw a smirk on your duel's face. She fooled you too. "You fucking bitch."

You barely had closed your mouth when red strings of energy passed right beside you. Shadowheart's illuminated fingers were surrounded by darkness now. Gale's work, you knew.

"She is right," Lae'zel's words made you breath easier. It was more than just a smart move, it was a great plan, but Orin won't suceed for a very simple reason: her main goal is to hurt, and yours is to prevent it. Lae'zel stepped closer, her longsword in hands and eyes on Orin. "The wizard shouldn't have aimed at the Shadowheart, neither was she supposed to fight."

A sign of trust coming from her of all people could convince them all. Lae'zel cares, deeply, and wouldn't do something without being sure of it. You glared at the others, hoping Lae'zel's words had calmed them down. And it did. Their eyes were softer towards you. But those weren't the eyes you should've been watching closely.

You didn't saw when she moved. Didn't noticed the smell of danger floating on the air so near you. Didn't heard anything that would've warned you to defend yourself.

But you felt as Lae'zel rip your chest apart.

So much blood. You never would've guessed a mortal vessel could carry so much blood. It stained the silver, dripping from the longsword, splashed her face. It ran down your body, penetrated the ground and its roots, fed the plants..

Red. It was all you could see. All you could think about. Your lungs only had space for it. They burned. Your trembling hands moved towards your ripped belly, your insides staining them, and held the sword. It cut your palms.

"Bloodlust won't solve our problems," someone said. You knew that voice. Was it yours? Lae'zel forced the sword down, then pulled it out of you. "The changeling's is all we need to spill."

You were on your knees. Did you fell? Were you kicked? Are you praying? You must be. You probably were. Who do you pray to? Have you ever prayed before?

Kneeled beside you, a woman talked to you. Her mouth moved, a red liquid dripping from her face and hands. Her touch was warm. She felt like home. Shadowheart. Her eyes reflected a golden light, but they dissapeared so quickly.

"Let me go!" She tried to fight Lae'zel's hold, but the warrior was stronger. "She'll die because of you. She'll die and I will never ever forgive you for that, you damned gith!" The screams turned into cries. "She saved me, let me save her!"

"It's me," the doppelgander said. She held Shadowheart by the cheeks, trying to get her to calm down. "Lua, love, it's me. Just me."

"Get out of me," Shadowheart spat on her face. Lae'zel pushed her away, trying to prevent Shadowheart from doing something she would regret. "Why no one here listen to me?!"

"Stop squirming," Lae'zel hissed. "Look into her eyes. Look and tell me you don't see our leader."

Shadowheart eventually stopped fighting, her body exausted from crying. The changeling was in front of her, you were in front of her. She smelled like you. Talked like you. Felt like you.

"Is that really you?"

"Of course it's me," lied Orin. "Please, look into my eyes. We were together all day. You know I haven't left camp. Please, please, trust me."

Spikes grew, surrounding Orin. She hissed, the ivy twining around her legs and tearing the skin open. Halsin were throw to the ground before he could end the healing spell.

"Halsin!" Shadowheart screamed. She almost escaped Lae'zel's hold. "No!"

"She was with us all day, Halsin," Wyll said as he paralised the druid. "We know it's her. Don't fight back."

That didn't stop Karlach from throwing her spear near the Blade's feet. "You fucking idiot!"

Mizora clapped, enjoying the show.

Jaheira burned Mizora before losing her wild shape. She will come back, she always does, but that never stops Jaheira. At least they will have some moments of respect.

She wandered towards Minsc. He kneeled on the floor, and for a moment she feared something happened to him when she wasn't paying attention.

"She told me not open my eyes," cried Yenna. "I can't open they yet. She told me not to."

"Have you ever seen my miniature giant space hamster?" Yenna didn't react to him. "No, Boo, she nee..."

Jaheira kneeled beside him, her hand resting on his shoulder. "You did well, cub," she forced herself to laugh. "You were so brave. Let's get you and your red cat something to eat, alright?"

A dry sound reached their ears, stopping every and each one of them. You fell to the ground, as firm as an empty sack, whimpers leaving your mouth as you slipped into unconsciousness.

No fighting. No yelling. A quiet end. A peaceful one.

So easy.

Astarion grabbed Gale's shoulders, whispering so the others wouldn't notice. "It smells like her," Astarion swallowed hard. "I know it."

"Are you really sure of that?" Gale watched you, saw all your blood spreading through the ground, and looked into his eyes again. "Because if you're not, if your guess is wrong, then it will be our guts on the ground. Do you really trust your nose that much?"

Astarion gave him a smirk, but Gale could see the fear he was trying to hide. "Will you cover me, darling?"

"What's your plan?"

"Please. If you think I have one, then you don't know me at all."

As the spike dissapeared, Orin held Shadowheart's face again. "Think of everything we faced together. The nautiloid, the grove, the shadows. Wasn't I beside you all this time? Have I ever turned my back on you?"

"No." That Shadowheart knew the answer. "Never."

She looked up to the moon, praying for assistance. When her eyes fell down, she saw the body on the floor. And what surrounded it.

Scratch sad down beside you. He nudged your shoulder with his nose, waiting for you to stop with that game. He didn't like it. It wasn't fun like the others. But as he moved your body, she saw something reflecting the sunset. A flask. Concentrating, Shadowheart saw the contour of something. Of Astarion's body.

Gale had blue rays of light coming out of his eyes.

"Exactly, my love," her cheeks were pinched. The long nails digged on them for so long. "I've never turned on you. Not when you tried to kill Lae'zel. Not when you lied to me again and again. Or when you showed us how low you would go for your goddess. Remember the fear on the Nightsong's eyes? Remember how I pretended not to know all you would do to her if I wasn't there? A cleric who doesn't know where to lay her faith, a torturer so easily deceived, a coward unable to make the right decisions. That's why you never turned on me, right? Because I make the decisions you can't. I carry all the guilty for you. Because it's easier when I control everything. Don't you like it? That you don't need to use your brain when I am around? Wouldn't you give your memories to me if I asked? I know you would. I know you will."

Your head fell. The bone cracking, the skin stretching. They could hear as it moved, as it turned into something else. The shoulders falling, elbows breaking in half, the spine bending until it touches the bloody ground. The last snap, deep and long.

And from a thin cloud of dust, Orin appeared.

"Look at it. Crawnling under my fe..."

Nyrulna wasn't near Wyll, deep on the ground, neither did it came back to Karlach's hands. With accurate aim, the trident pierced Orin's ribs. Her blood joined yours, and the pale body fell where yours once lay.

Taking your time, you walked towards her. Stepping on the changeling's stomach, you ripped the trident from her insides. "I will give you a glorious death," you growled. "I'll make Bhaal wish I was his chosen."

You kneeled beside her, pressing the trident against her neck, then lowered your face until her ear. "I'll make him regret ever settling for you," you whispered.

Her eyes shone. "How... you know," she could barely say anything. "My... sib..."

You squeezed her cheeks, shutting her up. Then you caressed it, getting her skin dirty with your blood. "I know shit about you," you replied. "But I can tell you would never be anyone's first choice."

Orin can believe she escaped, if it's that what she desires. That you were too slow to stop her from teleport to wherever she deemed safe. That you were all bark and no bite. The truth is that she was wrong about you from the start.

You like the hunting.

You dropped Nyrulna to the ground, and threw yourself into Shadowheart's arms. “She lies,” you whispered. "She deceives and hurts and maims. Nothing was true. You're nothing that she said."

Quietly, Shadowheart hugged you. She breathed in your scent, felt your touch, heard your voice. You, you, you. She cried against your body. You.

Looking at the rest of your party, you breathed in. "We need a code," you said. "If we ever get into this sort of situation again, we need to say..."

You bite your lips, trying to think of something. Something you wouldn't use in another situation. Something that would be unique, impossible to confuse the meaning.

"Gold," you chose. "Or the rest of us are allowed to go for the kill."

Lae'zel cleared her throat. "Fair enough."

if you enjoyed, please reblog! i promise it makes a difference ♡

BALDUR’S GATE 3 TAGLIST: @citrusbunnies

@ madwomansapologist.tumblr.

[graffitibible]

genuinely confused wdym by gerard way white saviorism

you asked me this about 3 weeks ago, and i'm sorry it took me so long to get to it. i had to think very hard about how i was going to answer this one, because i want to be transparent in just how frustrating i find this issue without drawing a lot of fire from really pissed off my chem fans who hate the idea of my daring to speak up against their perfect white fav (which has happened often, and continues to happen often. fortunately i'm pretty immune to this by now but i do find it very annoying)

i want to be very transparent in that i think that pretty much everyone can benefit from the idea that their favs are flawed. i'm very aware of the flaws and missteps that people i admire, both personally and professionally, have committed in their lives, and it is down to my own sense of morality over whether that's a dealbreaker for me. i don't like the idea of calling out bad behavior for the sake of clout or whatever. but i do care about not people being spoken over when they point out a legitimate criticism, and that is the bottom line here.

below the cut, i'm going to be discussing some very heavy topics: racism of all flavors is the most prevalent one, but i'm also going to touch (briefly) on topics such as antisemitism, incest, and abuse.

and i am also, in general, going to be saying a lot of very unkind things.

when it comes to criticisms of the scene, of narrative writing, of mistakes that people make...my chemical romance, and gerard way in particular, are consistently rendered immune. when we discuss misogyny in the scene in the early and mid aughts, my chem's name never comes up (despite the fact that bullets, their first album, most certainly has lyrics that certainly evoke the same violent misogyny present in a lot of works from that era). when we discuss racism within the scene, my chem is never really discussed at length except perhaps to point out that ray toro is a latino man who is either ignored or sexualized (or both) by a deeply racist fanbase. there is a tendency, within these spaces, to give my chem the benefit of the doubt where the same grace is not extended to others.

this is what i mean by "white saviorism." because gerard way's whiteness in particular protects them from a lot of this. and i say this because of all the things that has made it deeply uncomfortable to interact with broad swathes of my chem's fanbase, the racism has unquestionably been the number one deterrent. there is a very unique brand of racism present within my chem spaces - and i know i am not the only person of color who feels this way, because i've spoken to many who can say the same - that is particularly violent, particularly virulent, and particularly ingrained. experiences with this, along with my own growing distaste for gerard way as a writer, has soured my experience with the music so tremendously that i can no longer really interact with it at length.

i am not, however, above citing my sources. so. let’s talk about racism in gerard way’s writing, shall we?

i have always been up front about the fact that i do not find gerard way to be a particularly inspired, interesting, or good writer. i find most of their work to be aggressively mediocre and highly derivative. but my own personal opinion of their work has very little bearing on the extremely racist rhetoric that upholds a distressing amount of it. here is where i'm going to link a pretty informative twitter thread that outlines a lot of these instances in detail, but it is by no means exhaustive.

it's in the umbrella academy comics, wherein the main characters are all white despite being children taken from "all over the world." it's in the orientalist racist caricatures of the vampire viet cong group that the heroes square up against. it's in the casual instances of slurs that have cropped up several times in their works without any understanding of the impact those words have (an anti-indigenous slur in the umbrella academy comics, an anti-romani slur in the killjoys national anthem comics - which, i should state, came out in 2020). it's in the appalling writing decision to, in national anthem, make the sole black character the character with "animal powers" who rips out adversary's throats on all fours. it's in the frequent and persistent sexualization of women of color, particularly asian women. it's in the colorism involved in the interplay between mike milligram (a white man), code blue (a latina woman), and jaime ramirez (their mixed child), wherein jaime's skin tone shifts at the drop of a hat depending on which of his parental figures is in the frame (code blue is dead by the time the story picks up properly, but her sister, code red, effectively raises him...and he ends up staying with his father).

and it is unquestionably, overwhelmingly present in danger days. this is a danger days blog so this is the area in which i have the most research, so i want to be very clear when i say this:

racism is an insidious, incontrovertible, and inextricable foundation of the very conceptual underpinnings behind danger days and all its associated works.

the orientalism is baked into the very aesthetic of the album. better living industries is a japanese mega-company that takes everything over, the big bad of the franchise. the asian "aesthetic" is all over the canon in the music videos and comics: non-asian characters are seen wearing it, it's in all the marketing and even present on the album itself, wherein a woman is clearly heard speaking japanese on the "party poison" track. there was also the baffling inclusion of the "clown monk" character that was cut from the music videos back in 2010, wherein a white man is wandering around wearing buddhist robes (they inexplicably liked this concept so much that they brought it back for the national anthem comics which, again, i will reiterate: came out in 2020).

this is not surprising. danger days is deeply derivative in concept (up to and including the name itself), and because most of its influences come from cyberpunk dystopia fiction from the 80s, most obviously the 1980s film blade runner. works of fiction in that vein frequently draw from the idea of "yellow peril," and are rooted in the extremely racist and xenophobic rhetoric that western civilization will be invaded and dismantled by the evil, scary asians. the end result is a concept of a "dystopia" that is mired in the very stereotypical fears of the time: fears of an east asian surveillance state invading the west, fears of the all-powerful homogenized "other," and so on.

this did not stop gerard way from exotifying and fetishizing the fUCK out of all their asian characters though!!! the director of better living industries gets to be the primary major asian character in the killjoys california comics, and she spends a good chunk of it in dominatrix gear, with a whip to boot - both villain and sex object. the comic’s sex workers, referred to as “pornodroids,” are all asian-coded and, although we get one of the comic’s two same-sex pairings (3/4 of the characters involved in said pairings are dead by the comics’ end), the characters of red and blue spend the entirety of their screen time in the highly sexualized apparel of their occupations. there’s also the character of korse’s boyfriend, who does not get a name and spends all of his screen time lounging around shirtless in korse’s apartment. nice of gway to reduce the only  asian dude to eye candy fridged for korse’s manpain. i guess.

also, i should not fail to mention - the killjoys california and danger days sections of canon are INCREDIBLY white for pieces of fiction that take place in california, which is one of the most racially diverse areas in the states. in terms of latino characters, we get jet star (by virtue of being played by ray toro in the music video, though i should point out that there is no guarantee that this is actually reflective of jet star’s true appearance, since none of the killjoy appearances are necessarily 1:1 with those of the band in the comics), and we get...POSSIBLY vaya and vamos, who are ambiguously brown and have names in spanish which implies they might be latine (but given that this is california and most of the population speaks spanish, is not necessarily a given). we also get volume, the sole black character, who gets a handful of lines before being unceremoniously killed off within moments of meeting him. the girl’s mother is definitely drawn as a woman of color, but she gets one line, no name, and the girl herself is drawn as very straightforwardly white and considered to have a “fair complexion” in the comics.

this trend unfortunately continues into national anthem, wherein there’s certainly a more diverse cast, but unfortunately, very little of that cast actually gets concrete development. mike milligram is our central protagonist, our sole white character (gerard way basically only ever commits to writing white protagonists)...and he’s also the only one of them who gets an arc of any kind. code blue (a latina woman, and his girlfriend) is fridged for his manpain. code red, blue’s sister, does not get nearly as much focus on her grief despite losing someone she knew for much longer than mike ever did. jaime, mike and blue’s child, resents red for raising him and chooses to stay with his birth father once the events of the comics are over. i’ve touched on how animax, our sole black character, is given “animal powers” and is pictured several times brutally ripping apart his enemies, but i should also point out that his big character motivation is - no joke - rosa parks. as in, rosa parks being erased from history, and he wants to stop it (these comics were weird, and also incredibly bad). everyone else has a deeply personal motivation save for animax, whose motivation is basically that he wants people to not forget that the civil rights movement like, happened.

there’s also the instance of kara jeong, or kara 100%. this is the one that really makes me grind my teeth, because she’s frequently praised as a cornerstone for trans representation. and i agree that having more trans women of color in comics is great! but this does not erase the fact that, like literally every other asian character gerard way has ever written, she is very much sexualized. her job as a model means that “it was essential that she was good looking” and it is not as egregious an example as, say, the director in the california comics...but it’s an unsettling addition to a constant pattern. there are a lot of shots of kara’s bare neck and shoulders and long legs, and all that on top of the fact that, like anyone who isn’t mike milligram, she gets very little characterization at all...well, it’s not a great look.

these are the issues in gerard’s writing that are the most frequently dismissed and ignored. this post is horribly long to begin with, so i don’t want to carry on (ha...ha....), but i want it on record that i very much could. this does not even begin to touch upon the bizarre inclusion of a constant incest undertone in almost everything gerard way writes (the umbrella academy is the most obvious here, but even in the killjoys canons...red and blue are lesbian lovers in california while being sisters in national anthem, and that’s kind of a little uncomfortable, all things considered), nor does it address gerard’s insistence on including very homogenous abusive backstories for no reason besides, i guess, character angst (and these abusive backstories all involve a physically abusive male figure, because i guess this is the only kind of abusive relationship gerard way can visualize).

[EDIT: just remembered, because i forgot to mention it (knew i was forgetting something) - there's also quite a bit of antisemitism present in the umbrella academy comics that is further exacerbated in the show. i'm not the best equipped person to talk about that (i've only watched the show up to s2, at which point i kinda got sick of that garbage enough to just tap out of it), and i also have only looked over the tua comics a few times as opposed to the show, which is not run or primarily written by gerard way. that being said, he's definitely a creative consultant on it, so...i think maybe they should've reconsidered making reginald hargreeves a baby-stealing lizard man and having the bad guys all speak to each other in yiddish, possibly.]

let me be the first to say...none of this surprises me. these are all pitfalls i’ve seen white writers (and writers of color with internalized issues) commit as well. and i also, as well, want to make it clear that i imagine very little of these appalling writing decisions were committed with active malice. i sincerely doubt that anyone involved in these writing processes steepled their fingers and cackled wickedly over what crimes they would commit to their many brown fans.

i want to be very, very clear here. i lay all of this out not to “shame” gerard way or write a “callout post” or anything to that effect. i want to be utterly transparent in that i think gerard way’s racism is as mediocre and unremarkable as their writing is: derivative, lazy, shallow, and incredibly commonplace.

and that is where the idea of “gerard way white saviorism” comes from. because these are all, individually, acts of horribly insensitive, damaging, and deeply racist rhetoric that would unquestionably be addressed if it were anyone else doing them. but because it’s gerard way, and the internet loves gerard way, and everyone has decided that gerard way is their white liberal fav who can do no wrong...like the case with everything else surrounding my chemical romance, they get a pass. they are exempt.

this is far from everything. it’s just what i can remember at the moment. i am not the first person of color to point this shit out. i imagine i will be ignored, much like every other fan of color who has made these points in the past. people don’t like to imagine that gerard way can be capable of these sorts of oversights. they don’t like to think about it. they want to persist in painting their very ordinary, centrist, white liberal fav as someone whose every word is deeply progressive and insightful and flawless. because, consistently, they get the benefit of the doubt where others, especially folks of color, do not.

so no one talks about it. no one talks about how gerard way’s writing is consistently racist in a very clear and distinct way that no one wants to address, making it more insidious. no one wants to talk about the mind-bogglingly racist conceptual underpinnings holding up the entire danger days album. no one wants to talk about how gerard, and all of my chemical romance accepted, or at the very least tolerated, bob bryer’s overt antiblack racism for years, for nearly a decade, and never said a word.

no one wants to talk about it. because that would mean they’d have to come to terms with their white savior not being so perfect.

so they don’t.

and shit like this is why i find the overwhelming majority of my chemical romance fan spaces to be deeply unwelcoming to someone like myself: a brown person who tries to call out racism when i see it. and i know i’m not the only one.

[batsvnte]

𝐂𝐫𝐚𝐧𝐛𝐞𝐫𝐫𝐲 𝐉𝐮𝐢𝐜𝐞 • 𝐖𝐚𝐥𝐥𝐲 𝐃𝐚𝐫𝐥𝐢𝐧𝐠

Pairing(s): Wally Darling

Sypnosis: what was thought to be a normal visit to your dear friend turns out to be a strange sleepover after an unexpecting storm hits the neighborhood

Warning(s): (slight) mentions of blood, some fluff here and there, possessive behavior (?), ooc possibly, not proofread

Word Count: 2K

Notes: gender-neutral human!reader who somehow ended up in their world (they/them pronouns). Main inspiration came from @nonomives because of their vampire Wally art that got me in a complete chokehold- characters belong to @/partycoffin

Since noon, (Name) and the other neighbors had been over at Wally’s to spend time together. It wasn’t any strange occurrence to visit anyone else. Though to (Name) they were dragged there by Sally and Julie so it would be more fun. They were right for the most part. They all enjoyed little games that popped up here and there while chatting up new ideas for everyone. When the hour hit around 5-6 o’ clock everyone bid their farewells one by one.

..All except for (Name).

They intended to be the first ones to leave since they had something mildly important to do but something always stopped them from leaving. Any given opportunity would always be met with some sort of small task that Wally would ask of them. Rinse and repeat for the next few hours, and here they were overstaying their welcome. For the third time they’ve been here.

“The apples are in there, I promise.”

Wally let’s his head rest on (Name)’s shoulder lazily, staring down at the apple pie set right in front of them. Wally was partially clinging onto (Name)‘s back with one of their arms holding him up for support. They figure that since they brought some apples over to Wally’s they decided to make a treat for the both of them.

“Hm.. you say it’s apple pie but.. the apples aren’t outside but inside the pie.” Wally has been analyzing the entire concept of apple pie for the past few minutes.

(Name) let out a soft sigh that was accompanied by a light smile on their face. They couldn’t understand Wally or the way he thinks sometimes since they’re getting to know him better. The more time they’re together there’s always something new about him that intrigues them a bit.

(Name) moves their arm to reach behind them, carefully grabbing ahold of Wally and setting him down next to them. “Try not to think to hard about it, Wally.”

Taking small but quick steps out of the kitchen, (Name) heads to gather their stuff. They didn’t bring that much to his house since it would gonna be a simple visit. They sling their small backpack over their shoulders after checking that they have everything.

“Leaving so soon, neighbor?” Hearing his voice made them turn slightly to look at him, seeing that he was standing somewhat near them. He must’ve followed them out to the living room.

(Name) nods slightly as they stand back up. “Yeah.. I overstayed my welcome again.”

They didn’t catch it but Wally’s eyes widen just a tiny bit in surprise at what they said before relaxing. “You could never.. you’re always allowed to stay as long as you like.”

(Name) had a small smile on their face. They always appreciated Wally’s generous nature. In his eyes they look like they could never do anything wrong, which made (Name) somewhat question what his true thoughts about them was. It would all come to them in soon. They just didn’t know when.

‘Aren’t you sweet?’ (Name) thinks to themselves as they open the door.

“Ah.”

(Name)’s face went blank on instant. Seeing how the world outside was pouring heavy rain by the passing seconds. They had noticed the patter of rain drops on the windows. They had thought would be a quick light shower that would be over in a few minutes or they would have to run in the rain. What turned out to be a light shower became a storm. Heavy rain pouring down in the neighborhood. Who would’ve guessed this happens in a colorful place.

Slowly closing the door, they tried to figure out their plan of action. (Name) wasn’t expecting today would be raining. They nearly kick themselves mentally for not bringing an umbrella and/or raincoat for cases like these. There was the possibility of them running out in the rain but there was a lot of risks for it. One they could get sick from being out in the rain for so long since their house was a bit further than everyone else’s. And dealing with wet hair was always a huge struggle for (Name). After standing around for a couple more seconds they finally turned around to find Wally still in the same place.

“Wally,” (Name) felt a bit embarrassed for what they’re about to ask him or how unprepared they are. “Do you mind if I stay here for the night?”

Wally’s eyes seem to lit up at those words with a smile coming to his face. “I don’t mind at all.”

Part of (Name) felt relieved that he agreed. It throws out the idea of running back home in the rain. Taking a few steps away from the door, (Name) puts their bag near the large couch. Figuring that their sleeping place would be at the couch since there wasn’t an extra guest bedroom for them to stay in. Before they could really sit down, they felt a hand tug at their sleeve.

“You can stay in my room for tonight, neighbor.”

(Name) looks down to Wally in some shock. “Really? I don’t think I would really fit.”

Being the only human in the neighborhood had its ups and downs. The main down was the clear height difference between (Name) and the puppets. Knowing well enough that each puppet has their own things that fits to their comfort. Comparing (Name) to Wally, it was an obvious height different between the two.

“I’m sure we’ll figure something out.” Wally smiles warmly before leading (Name) to another room.

Starting on their nightly routines, (Name) was done a little earlier than Wally was. They sat down on the comfortable bed carefully before fully letting themselves lay down on the bed. They thought of what they would do for the next morning.

‘Hopefully the storm lifts by the next day.. I wish I brought my jacket’ (Name) thinks to themselves as they close their eyes, letting out a soft sigh.

It was a couple of seconds before (Name) felt something else in the room. Assuming it was Wally finally done with his night routine, they open their eyes up to look for him. Indeed was Wally entering the room with his night attire.

Before (Name) could relax again, they saw that Wally was observing them. “You haven’t changed into your pajamas, (Name).”

(Name) takes a quick look to themselves. They only wore a black t-shirt with their favorite band/artist on the front of it. Wearing a pair of shorts that they had stashed away in their bag randomly.

(Name) tugs at the shirt collar lightly as they turn back over to Wally. “These are my pjs.”

Wally climbs into the space next to them, his eyes full of curiosity as he looks to the logo on the shirt. “What’s that picture on your shirt? Did you paint that on there?”

(Name) takes another glance to their shirt. “Uh.. technically yes? When I got this shirt the picture was already on there.”

He could only think how strange the concept was. He’s seen various of patterns and colors on his friends clothing, but a full detailed picture on shirts was something strange. Though he would give them the benefit of the doubt because having paint on shirts takes a while to get out. Wally could only smile at the idea of having a shirt with some sort of picture stay on forever.

“That’s interesting.. but a silly idea.”

“That’s silly coming from a silly guy.”

It was silent for a few seconds before a monotonous laugh came from Wally. It surprised (Name) somewhat since they didn’t expect Wally to laugh at something like that. Or they didn’t expect him to laugh at all. (Name) had a light smile on their face as they held back a chuckle. It wasn’t until (Name) faltered upon their observation of the puppet.

How long has he had fangs?

They didn’t notice anything like this since they first met. They would assume they’re fake fangs, hence the other vampire muppet they knew form another show. That muppet was suppose to be Count Dracula, and the fangs he had, or they though he had, were two pieces of silicon attached to him to add onto the vampire persona. Something about Wally’s made them feel a bit.. tense. (Name) kept the smile on their face as best as they could, trying not to seem to nervous upon their discovery.

After exchanging a few more words and silly one liners to each other, the two fell asleep next to each other.

It wasn’t till the middle of the night (Name) woke up. Groggily opening their eyes to find the pitch black darkness of the room they had settled in. They felt their parched throat with an exhausted feeling. (Name) carefully lifts themselves out of bed. Being mindful that Wally might wake up due to their movement. Though it took them a little while to get out due to how he was practically entangled with them.

Could they really blame his clingy behavior being tied with his sleeping habits?

(Name) finally slides out from their spot on the bed. Double checking that Wally is still asleep they quietly step out of the room and into the kitchen. They felt along the wall for a guide while being weary of any items they might accidentally knock over in the dark. It took them a bit but their eyes finally adjusted to the darkness as they finally found their way to the kitchen.

The kitchen was somewhat lit up from the outside lights seeping in through one of the windows. It gave them a bit an idea of where the cups could be at. If there were any cups to be in the house to begin with. Nevertheless, (Name) found a blue cup with a decorative pattern on it. They press their lips in a straight line as they take in the details before shrugging off whatever it could be.

They shuffle around a bit more before finally finding something to drink with. Bringing out a small bottle with a label that says, ‘Cranberry Juice’, they pause momentarily. Did Wally need to drink anything at all. Seeing how they were all puppets except for (Name), it wouldn’t really make sense for them to drink juice or anything of that sorts.

Various of thoughts and questions fill their mind as they made themselves a cup of cranberry juice. They shortly put the bottle away back where they found it. Not wanting to be out here any longer they drank out of the cup.

A metallic taste hits their mouth instantly. (Name) jerks forward slightly and leans into the sink they were standing near, trying not to make any noise this late into the night. They spat out any remaining juice that they drank out of it. The taste was unbearable for them. (Name) carefully pours out the remainder of juice in the cup before looking to the cup with uncertainty.

‘What was that? That wasn’t cranberry juice at all!’ (Name) cringes as the aftertaste was lingering around longer than they would hope it wouldn’t.

Not wanting to be up for any longer they wash out the cup and put it back where they found it. Wiping the sides of their mouth as they quietly rush back to the room that they previously settled in. They found Wally still in the same spot of the bed, only shuffled a little bit towards (Name)’s side of the bed. With the eye mask on his face they relax knowing that he’s still sound asleep.

(Name) climbs back into the empty space that they left in, being sure that Wally wasn’t in their way. They lay down back into the bed trying their best to relax. It took a while before they were able to close their eyes. Though they could’ve sworn they kept hearing Wally repeating, ‘I’m sleeping, I’m sleeping’ while intimating the sounds of snoring.

I didn’t expect this to be that long of a oneshot what. it took to much time I’m sorry— I can assure you it was expired cranberry juice that Wally kept around for like nine months I promise please don’t cancel m-

[inkskinned]

it's the levels of scrutiny too.

a movie that has a largely-female cast has to be well-written, well-shot, well-acted, well-advertised. people will spend 2 hours on youtube talking about a single plot hole; about a moment of bad pacing, about a singular background character's poor scripting. if there isn't something obvious, they will say - well there's nothing specifically bad, but it wasn't specifically good either.

they will turn out another all-male movie, and it's just a movie.

a book that has queer representation in it has to defy every convention of writing while also being true to traditional plot, structure, format, and pacing. it must have no boring chapters, no missteps, no awkward dialogue. it must be able to "prove" that any queer relationship "makes sense", their sparks must fly off the page and their love must be eternal. the writing must be clear and beautiful, the storyline original and fresh, the values traditional but with an undercurrent that is modern and saucy.

they will turn out another book without queer rep, where a man and woman just-fall-in-love, and it's just a book.

i am latinx. i am queer. i am nb & neurodivergent. my father said to me once: you will need to be exceptional to be just-as-good, and you will need to be beyond exceptional before they see you as just-a-person, and not your labels.

i am not beyond exceptional. i am a human person. i am skilled because i worked my ass off to be skilled.

i am currently reading a book that's so-bad-it's-good about a girl that falls in love with a vampire. i was 64% of the way through the book before she figures out tall-dark-fanged is not natural. i like books like these, i like letting myself relax while i just enjoy the read. but i do spend a lot of time wondering - would this have been published if it was about queer people? would this have gotten past the editors if the characters weren't white and sexy?

i want to write a movie about being a woman in a male space, and i want to start that movie with a 10 minute scene where the woman is lectured with the exact same whining that occurs in the youtube comments of even the trailers for those movies: "haven't we had enough diversity?" "we've had enough girl power movies" "sorry, this is just pandering. it's boring."

here's what's fucked up: it shouldn't matter, you're right. my identity shouldn't fold after my name like a battalion of stars: a cry of what i've gone through. what we all know i had to move past and through. i should just be a writer, plain and simple, without my work being shifted through with tweezers - i know everything i make, always, i am incredibly responsible for. beholden to. i don't like knowing that if i fuck up, i am also fucking up for every person like me. every person in a community i belong to.

once, back in undergrad, i wrote a short story about a girl who had been kicked by a horse. it was my first time writing about my experience with my ocd; i felt proud of it. the story was mostly about grief and slow recovery. the queerness of the main character was not important to the plot, my main character was just-queer. there wasn't even a romantic interest in it.

i remember one of my classmates being disappointed. "i just feel like you always write about girls who like girls, and i'm bored of it," he said. "you're a beautiful writer, but i'm like - oh, at some point, it's gonna be gay again." during the workshop, he folded his hands over my story and said, "and okay, i'm just going to say it. she's ocd, she's gay, she's depressed - it's a little much for me to believe is all happening to one person."

it is a little much to be that person (and more besides). i have therapy weekly, after all.

over and over, belonging to exception.

[gaslightgatekeepgirlbosscombat]

Group H, Round 3, Poll 4:

Propaganda under the cut

Nadja of Antipaxos

Gaslights her fellow vampires when she knows she's wrong, gatekeeps info from familiar Guillermo, girlbosses by running her own doomed nightclub

She is the Girlboss, but also Girlloser of the show. Turned her own husband into a vampire (taking charge in a male-dominated field!) And further, in Season 3 she came out on top when her and Nandor were fighting over who would truly lead the Vampiric Council. Opened her own Vampire Nightclub! (Which she embezzled to death but shhh!) As for Gatekeep, she definitely gatekeeps both vampirism (Guillermo) and her friendship (The Guide). Does hypnosis count as Gaslight? I'm gonna count it in because she does hypnotize a lot of people. I could go on and on, but anyways Nadja is an icon and a queen and I love her.

Ianthe Tridentarius

She is trying so hard to be the main character by lying and manipulating her sister, her cavalier, her mentor, her ?love interests? (Spoiler???) And also god. Not sure how it's working out for her but she does love to lie and manipulate

Worstie Ianthe is the DEFINITION of gaslight, gatekeep, girlboss. She is one of a set of necromancer twins that are the heirs to their houses rule. Except wait, only she is a necromancer and she has spent their entire lives doing necromancy for the both of them. She is constantly mean to their cavalier, Naberius, who she occasionally nibbles on like a chew toy, before eventually killing and eating him to ascend to sainthood. She goes to gods spaceship with another woman who ascended to sainthood who she has a crush on, this other woman is like…. Both incredibly mentally unwell and also haunted by at least 211 ghosts. Ianthes method of flirting with her? Gaslighting her about the corpse that keeps moving around and hiding under her bed. For no real reason tbh. She is clearly plotting to overthrow god, and at the moment that consists of her manipulating him while he’s too sad about his long term partners betraying him and subsequently exploding to really care. She dresses in terrible outfits and makes soup by burning onions to the bottom of a pot, putting meat in and some vegetables and then it doesn’t taste like anything so she puts in a few teaspoons of salt so it tastes like a few teaspoons of salt. She had her crush amputate her arm and regrow her a new one out of bone and it’s one of the horniest things I’ve read in my life.

"Gaslight = told her lobotomized (she helped), schizophrenic girlobsession that there was no corpse under their bed, even tho there totally was. Gatekeep = girl did NOT share the secret to god-like ascension. She kept that shit to herself until it was time to eat her boytoy, and by then everyone knew already. Girlboss = she has a non-necromancer twin sister, and literally Everyone thinks they r both necromancers because Ianthe is so good at it. She reverse engineered ascending to the aforementioned ascension without even completing any of the supplementary tasks. She held her own in a fight against a 10k year old lyctor. She becomes the figurehead of her entire empire. "

She uses a man as a chewtoy in the first book, literally gaslights the protagonist of the second book about a corpse, and elder-abuses God when he gets depressed in the third book. Nobody is doing it like her.

Dives headfirst with no regrets while basically laughing and covered in blood into murdering her cavalier once she realizes what the gothic locked room mystery/competition leads to while everyone else is questioning it, helps perform lobotomy on harrow so she doesn't remember the person she loves, manipulates everyone to get to the top

idk just everything about her

her relationship with her sister is incredibly Bad, she fosters codependency and views Corona(the sister) as an extension of herself. This does not stop her from keeping up the con that Corona actually has magic (She doesn't, it was always just Ianthe) for 22ish years and every single person who interacts with them falls for it. She killed a man against his will (most dying for this purpose specifically go willingly) and she consumed him and she will be burning his soul for eternity. She's completely repulsive and still somehow incredibly hot.

she takes advantage of the fact that the main character is prone to hallucinations. at one point she gaslights the mc into believing that the corpse under her bed isn't real just because she can. she reverse engineered a set of very complex trials on her own without anyone realizing she had the skills to complete them normally. she's also babysat god through his drunk and pathetic era.

Artist: @starcanist

[hyperactivewhore]

hi I love your blog we have very much the same opinions in everything except klamille is my favourite klaus ship and klaurora is second

I have been trying to enjoying klaus fics or any tvdu fics on wattpad but every thing I have read so far doenst show the characters accurately which is very annoying

I was hoping and want to request if you could give me some recommendations on fics on wattpad that are good. (Mainly klaus but any love interest would be good)

could you please give a short summary/review so far of any recommendation you give so I don’t waste time starting one only to not like ir

sorry if I am sounding rude English is not my first language but I can read it fully thank I you very much

Don't worry, you're not sounding rude at all, if anything you actually sound really sweet. I'm glad we share some opinions and I'm really honored you came to me for some suggestions.

I haven't read long fanfictions in a while outside works in ao3, I left Wattpad a few time ago but I'll still try my best, tho I'm not very good at giving summaries. Fair warning these are mainly fanfics I've read in Archive of Our Own, not Wattpad, but I hope it's not a problem. If it annoys you, send me an ask and I'll give you some Wattpad recommendations!

Patisserie (ao3, poly Mikaelson siblings x original female character, no incest) by @wickedlyemma:

Stats: (published: 2020-12-29), (completed: 2023-03-12), (words: 154,943), (chapters: 45/45), (comments: 4,385), (kudos: 8,469), (bookmarks: 1,799), (hits: 279,967)

Tags: Polyamory, Sugar Daddy, Self-Indulgent, Explicit Sexual Content, No Incest, Slow Burn, Not Canon Compliant

Summary:

I think we've all read those kind of tvdu fanfics where the main character is a teenager, usually related to the Gilbert or the Forbes, still in high school and who suddenly stops trying to make a life for herself just because she gets dragged into the supernatural world. Well, Patisserie is the opposite of that. For once, the main character isn't a teen but an adult around her twenties, who works at a bakery and is completely unaware of the supernatural world until Klaus decides to change that.

The slow burn is is truly worthy of a chef's kiss, the way the author describes and writes the Mikaelson is just so on point it hurts. Their family dynamic is so entertaining to watch, but it's as fucked up as it is in the show, which it's something not many authors can accomplish. The way they behave around the main character, a simple human, it's so amusing because they truly know nothing despite their age and she's just so easy to relate to, because for once the oc is not ridiculously overpowered.

The way we perceive the Mikaelson and the vampire world from a human pov is truly interesting, how she copes with all of it and eventually learns to love all of them individually while being aware of the danger is so well done. Kol and her, as well as her relationship with Klaus, are particularly interesting to read, especially considering how they all behaved around her at the beginning and especially because both of them are the most dangerous members of their family. They are all selfish creatures, and I love how it shows the more their relationships with her develop.

Apotheosis (ao3, Klaus x original female character) by atriums;

Stats: (published: 2022-01-01), (completed: 2022-12-13), (words: 158,264), (chapters: 31/31), (comments: 606), (kudos: 1,817), (bookmarks: 491), (hits: 69,472)

Tags: POV Alternating, Minor Original Character(s), Minor Character Death, Canonical Character Death, Implied/Referenced Abuse, Implied/Referenced Sex, Sexual Content, Devoted Reader, Author Rejects Canon and Substitutes It with Their Own, Cannibalistic Werewolf Cults, Nobody Is Good But Also Nobody Is Evil, These Characters are Flawed and Problematic (Probably), This Fic is Not a Bastion for Healthy Characters and Relationships, Reader/OC Especially, Reader/OC can be any ethnicity

Summary;

You know those fanfics who fix (almost) everything problematic in canon? Apotheosis does exactly that. In this story, Klaus isn't a complete irredeemable character for once, but he also isn't half as bad as his canon version, and due to the oc being a werewolf, this fanfic does expand on his werewolf side a little more than The Vampire Diaries or The Originals ever did. His family and him actually have a healthy bond, and Finn gets the recognition he deserves for once.

The story is set in season three of TVD, exactly when Klaus and Stefan are trying to make hybrids for his pack, and in a ironic plot twist, Klaus decides to take you with him when you're still a werewolf after you say you're not worthy to be a hybrid, at least not yet.

Her devotion to him is completely endearing and I absolutely love how Klaus actually cares for his pack, especially because they're all canonical characters who were killed way too quickly. Her relationships with the members of their pack are so well written, and this fanfic it's the perfect mix of humour and seriousness. It has a ongoing sequel, which I just adore. I warn you though, all the characters have several differences from their canon versions.

Twisted Obsession (fanfiction.net, Klaus x original female character) by rocket-queen98;

Stats: Originals, M, English, Romance & Angst, chapters: 16, words: 59k+, favs: 1k+, follows: 1k+, updated: May 6, 2023 published: Aug 13, 2016, [Klaus M., OC] Elijah M., Hope M.

Summary;

Lola is one of the most adorable mc I've read. She is human and around nineteen, if I remember correctly, and just a sweet girl and adorable. She's introduced into the supernatural world thanks to baby Hope, who is just the cutest, due to her needing a mother figure now that Hayley wasn't present in her life thanks to the curse placed on her.

Her relationship with Hope is my favorite part of the whole fanfic. She doesn't suddenly turn into her mother, she doesn't intend to either, but rather becomes her best friend and Klaus and her develop a bond thanks to this. The way father and daughter interact is so heartwarming too, the subtle hints of them being werewolves, and seeing a main character having a good relationship with her father for once is a good turn, especially in tvd fanfics.

It's clear Klaus and Lola have something going on, even if they won't admit out loud, but for some reason the people around them give the impression they don't actually want them to date. There is implications something more fucked up than usual is going on with Klaus and his relationships, and I'm pretty sure him and Cami were a thing in this fic too. Surprisingly, Hayley and Cami aren't turned into absolute bitches, but there is Jackson bashing though.

The Girl in the Forest (fanfiction.net, Klaus x original female character) by noblecrescent;

Stats: Originals, T, English, Mystery & Romance, chapters: 30, words: 311k+, favs: 232, follows: 176, updated: Feb 19, 2017 published: Jan 23, 2016, [Klaus M., OC] [Elijah M., Camille O'Connell]

Summary;

This fanfic is a tetralogy of books set in The Originals, I read those fanfics a while ago so forgive me for any mistake. Maleny is a witch who was cursed, if I remember correctly, and was constantly body-jumping every short time.

In one of her lives, she met Klaus and they fell in love, but she died, if I'm not wrong, and they end up meeting again in New Orleans time later where he has a child on the way and a kingdom to conquer.

I can't remember a lot more without giving you spoilers, but it's worth checking it out!

Now, I'll give no more summaries because I honestly don't remember a lot of the next fanfics, but it's your choice if you want to read them;

A Veil Between Love and Hate (fanfiction.net, Klaus x original female character) by MandalorianHybrid;

Stats: Originals, T, English, chapters: 57, words: 200k+, favs: 609, follows: 359, updated: Sep 15, 2019 published: Jan 30, 2014, [Klaus M., OC]

Summary; Another five books set in The Vampire Diaries, with a story that eventually moves to The Originals.

Allure (wattpad, Klaus x oc x Stefan) by @viavolterra;

Stats: 575k Readings, 20,5k Votes, 34 Chapters

Summary;

I just could not not recommend this fanfic. Mia comes to Mystic Falls to seek revenge after Damon kills her best friend Lexi, but she of course gets dragged by the problems in that little town.

The thing I like the most about Via's story is how there is no cliché: no bashing towards Tyler or Elena, Mia actually befriends them, Bonnie gets the recognition and love she deserves, Klaus doesn't suddenly turn into a different person just because he loves the oc, he continues to be a piece of shit, and how sweet and empathetic she is, not like those reused badass mc who are just rude.

I would recommend some more, but it's kinda hard to find fanfics with a good Klaus depiction. I'm pretty sure I left out a lot of amazing fanfics, though.

[terapsina]

#2 for the book worm ask game!

(ask game)

2. Favorite fantasy book(s).

(Eeeeexcellent, I do love fantasy books. Though how I'm gonna narrow it to only a few I've got no idea. Okay. I'm going to remove the very obvious choices like Lord of the Rings (though it is one of my faves)).

---

Monstrous Regiment. I love the entire Discworld series (especially The Witches) but I've also got a huge soft spot in my heart for Terry Pratchett's take on 'a girl dresses like a boy to go to war' (and thinks of everything except some spare socks in- erm... the right place). Along with Polly, the squad consists of a vampire, a troll, an Igor, a religious fanatic and two very, very close "friends" (and yes, the official summary put the friends in quotes too). And everyone has their own secret.

I love basically everything about this book and I can't tell you guys any of it because it would spoil all the fun.

The Goblin Emperor. This one's a story filled with light. Maia the half goblin son of the elven Emperor was never supposed to take the throne (or to ever even be at court. because racism). And then everyone ahead of him dies in a single "accident" and suddenly he's the new Emperor. Maia is a good person, and a kind one, and despite everything that gets thrown at him he keeps hold of that understanding of right and wrong and refuses to bend.

(I have to mention that the language of the writing is kinda hard to get into in the beginning, and the characters's have very complicated and long names, but once you get into it it really did enhance the story for me).

Good Omens. An Angel and a Demon try to stop the apocalypse and instead lose the Antichrist. I've loved that book for like a decade now and if I don't put it on a list of my faves that list would be a lie.

The King of Attolia. Third in The Queen's Thief series and my favorite one out of all of them. I've always enjoyed Outsider POV in fics. And here is a book that just... proves why. We've got Eugenides and Irene, the Thief and the Queen, and we know them from the two previous books. And adore them. But the story isn't from their POV, it's from the POV of Costis, a Queen's guard who's suddenly gotten assigned to the King. The useless, weak, undeserving king that as far as Costis is concerned doesn't deserve to even kiss the Queen's boots. And it's hilarious to read the story from the eyes of someone who knows so much less than us. And so satisfying, as he begins to understand.

(I recommend the whole series and am personally glad to have read them in the published order but Megan Whalen Turner has stated that she wrote them in a way that allows you to jump in at any point you want).

The Raven Tower. The story is from the viewpoint of a sentient, omniscient rock whose name is Strength and Patience of the Hill and it is the GREATEST THING EVER. The gods are real and must be very careful with their words, because if they speak a lie the reality will alter to make that lie the truth but if the lie is bigger than the power of the god... well. Inspired by Hamlet.

(the book also has a trans man as the main character; the other main character? The sentient rock is the narrator but the largest part of the story focuses on Eolo).

A Natural History of Dragons. The first book from The Memoirs of Lady Trent (and honestly it would probably be more honest to say that every single book from this series fits the category of fave but I'm putting up the first here because this isn't a series where you should skip ahead). The book focuses on the life of Isabella as narrated by her older self. This is the story how a Scirland lady bucked all tradition and became a world renowned expert on the Natural History of Dragons.

(this series has a piece of my heart and always will).

---

(and finally, here's some more of my favorite fantasy books that I also adore and would totally ramble about but I got tired of typing).

[avelera]

So I wrote 7,800 words of an entirely new Dreamling fic yesterday pretty much out of NOWHERE based on a what-if headcanon chat that got ENTIRELY out of hand.

Basically, I’ve always found it weird that Hob is, well, WEIRD for an immortal. And I adore it! There’s basically no other immortals in fiction, or very few, who consistently have a day job, don’t become superheroes of enlightened morality in a couple lifetimes, or otherwise leave normal mortal life behind. Except Hob.

But there’s other weird stuff Hob gets up to in the comics especially. Namely: nothing. He sees a Sea Serpent in Hob’s Leviathan and just sort of… shrugs it off. He supposedly ran into a vampire coven while hanging out with a Constantine and they killed Constantine and kinda left him alone. He seemed otherwise pretty unphased. Between 1689-1889, unless he’s with Dream, very little happens to him. He just seems prosperous in both meetings.

But while Dream is gone, during the Blitz, his wife Peggy dies in his arms. That’s pretty dramatic. That’s main character tragedy.

So what if… Dream subconsciously pigeonholes Hob as not a fellow immortal of increasing antiquity, now over half a millennia old, but… just a guy. Just the guy he met in 1389? That certainly seems to be part of why he reacts so poorly to being called lonely in 1889. He can’t fathom that the human mudpuppy he met in a tavern that was basically a hovel could suddenly have INSIGHT into one such as him. But Hob was over 500 years old at that point! And Dream respects other eldritch creatures like fae and demigods, even if they are younger than him. So what gives that he doesn’t see the 500+ year old immortal human as maybe capable of insight into the life of a fellow eldritch being?

Because Dream doesn’t think of Hob that way.

And Dream IS the human subconscious.

Things get really meta from there because right you’ve got all these Doylist reasons that Hob is Just A Guy who seems allergic to getting involved with any of the grand stories of Sandman except as a bit part. A minor character even in his own story. But since it’s a story about stories, you can make it Watsonian too.

Maybe because Dream doesn’t think HE has a story (he says, in the comic which is ABOUT his story, thus undermining his point with a 4th wall break) and Hob is the only person in his life who is basically a normal friend and not a subject or family member or eldritch colleague… does he mentally pigeonhole Hob as not having a story either but just being witness to other people’s stories, like Jim?

It’s kind of weird isn’t it how in Hob’s Leviathan he spends the whole thing WONDERING what secrets lie beneath the surface of the ocean but when the sea serpent bursts forth he just sort of… shrugs?

It’s a bit weird too, in the show, even though I adore how unexpected the beat is, that after 34 years’ delay, Dream shows up and Hob barely reacts except to quip that he’s late. Though I’m sure Dream was very grateful. 

… so I kinda wanted to do a one-shot about how this is actually an eldritch effect Dream accidentally cast on Hob. He sees Hob as just his normal friend despite being immortal. So Hob is Normal. Aggressively normal. He has a day job despite being 600+ years old. He exhibits none of the typical behavior one would expect out of a man who loves life so much he refused to die. And Dream realizes this when he learns that Hob’s 20th century was INSANE, filled with adventures and high drama and lost love and passion. A century where Hob was the protagonist in his own life story again. And it all abruptly stopped and he went back to having a normal human job the second Dream was free.

Anyway, Dream is gutted by the realization. The rest is them figuring out how the fuck this HAPPENED and if it can be fixed.

[licncourt]

Is there a specific way to read the vampire chronicles or some books you should skip (I’ve just heard that some aren’t that good but like I’m up for anything)? And what books are focused on Louis and Lestat?

Okay I hope you weren't looking for a short answer to this because there isn't one 😭 Rather than just give my uncontextualized opinion, I'm going to try to explain what makes some (most) of VC so unbelievably terrible in so many people's eyes. There are going to be spoilers for pretty much all the books, but most of it is either incredibly stupid or information that you might want relating to content warnings. I'll list what applies to each book as I go.

I'm assuming you're here from my VC primer post, but if not, I'll link it right here! It gives a bit more detail on my short answer to your main question which is: if you value your sanity, only read the first three. Also a note to read the post I linked at the bottom of it about Anne Rice for context. It will help with understanding the tone this post takes re: the author.

To quickly answer your second question, I am sad to report that Interview with the Vampire is the only book focused on Loustat because after that Anne Rice decided that she hated Louis. Their relationship is on and off in the (very, VERY distant) background until they finally get together permanently towards the end of the series, but it's never the focal point again. She just kept us all on the hook by having one absolutely brain chemistry altering ship moment in a majority of the books (my compilation of those moments here).

Okay, on to specifics:

Interview with the Vampire: a literary classic with incredible character building. I'm assuming we can all agree that IWTV is fantastic and anyone who is reading this because of the show is probably already sold on it. If that's where you're coming from, you might be a bit disappointed by how unsympathetic Lestat can be, but that'll be remedied(ish) later. Lestat is the main character in the series going forward. Enjoy this Louis content because this is pretty much the end of it.

CW: keep in mind that the beginning of the book takes place on a plantation with all that entails; there are some occasional pedophilic and incestuous undertones, but nothing out of place with Gothic horror (it gets so much worse); domestic violence

The Vampire Lestat: this is widely considered to be excellent popular fiction rather than something as elevated as IWTV, but it's a 5-star read according to most fans. Lestat is such a vibrant, exciting character and so much more than the charismatic villain he was in IWTV (the AMC show incorporates a lot of his characterization from this book, as IWTV was originally a stand-alone novel without any real idea of what Lestat would become).

Aside from a (delightful) cameo at the end of the book, Louis is now in Anne Rice Jail and will not be allowed to do anything for the next nine books except be tortured once like a bug for no reason.

CW: a non-consensual turning that is directly analogous to sexual assault; descriptions of child abuse; Lestat, unfortunately, tongue kisses his mom

Queen of the Damned: this is the last book that most fans like. I personally consider it a step down from the first two, but I strongly prefer intimate, character driven stories and QotD is very plotty. It's a fun book, but some cracks start to show in AR's writing that will become a big problem later. Still, it's enjoyable and the ending is very satisfying for the story arc and for the characters. It also contains a fan favorite chapter that follows Daniel, the interviewer, and his insane romance with the vampire Armand.

If you want to be a happy person, turn back now.

CW: non-con blood drinking/vampiric SA; casual racism and pro-imperialism

***CATEGORY 5 EVENT: ANNE RICE FIRES HER EDITOR PERMANENTLY***

The Tale of the Body Thief: this is considered by most fans (obligatory not ALL) to be the worst book in the series simply for how the subject matter is handled. This is the beginning of AR transforming Lestat into something very existentially disturbing without even meaning to. The sympathetic, charming, evil-but-not-really theater kid Lestat is gone without a trace in a way that could be a very insightful look at the aftermath of trauma but is instead deeply insensitive and really upsetting.

Lestat from here on out becomes a hypermasculine caricature that can do no wrong according to the narrative and this has some pretty awful results. There are a few funny moments (like Lestat describing the sensation of peeing for two full pages) and a very cute arc where he adopts a dog, but he also commits two explicit rapes and emotionally abuses/threatens Louis on several occasions with the authorial justification that "men can't help themselves", abuse victims have it coming for setting boundaries, and people who have suffered abuse become abusers. This will be a recurring theme going forward.

Not related to Lestat, but also an Indian man is killed and has his body stolen and inhabited by a white British man in what would be a great metaphor for colonialism if the author thought that was a bad thing.

I am on the last chapter of a 140,000 word fic that I wrote just because I hate TotBT so much and wanted to create a world where it doesn't have to exist. It's one of the most popular VC fics on ao3, and that's not a testament to my writing ability, but rather to how much people hate this book.

CW: graphic SA; domestic violence; insensitivity to the point of racism; the author thinking these things are okay

Memnoch the Devil: not much to say about this. It's AR's ripoff of Dante's Inferno. Lestat meets the devil, goes to hell, drinks the blood of Jesus Christ, loses an eye, vacuum sucks period blood out of a woman's uterus and pad, and then falls into a five year semi-coma on a church floor. Somehow it's still boring. Best I can say is that the Lestat characterization is a bit less heinous than it is in the previous book.

CW: not much here unless you have an issue with period blood guzzling

The Vampire Armand: truly a notorious book in the series, beloved by some, hated by many. There's some good backstory for the character Armand (he first appears in IWTV, likely in season two of the show) and some fun historical fiction, however. Armand begins his story as a twelve year old human child who is rescued from sex slavery by an ancient vampire, Marius (he was namedropped in AMC ep 2).

Over the course of the book, he's physically, mentally, sexually abused by Marius, his teacher and father figure who is, like David, presented as a wise and moral authorit figure. In addition, Armand carries on a sexual relationship with an adult man as a minor. The sex is graphic (it's erotica) and it's really the peak of the pedophilia in VC. Keep in mind that this is coming from an author who publicly defended a child predator and thought that 14 year old kids could consent and should be allowed to have sex with adults.

Of all the later books, this one is the most widely enjoyed because Marius/Armand is a fairly popular ship.

CW: CSA/grooming; statutory rape; explicit adult/minor content; child abuse; cult abuse

Merrick: evil, evil book. AR's giant fuck you to Louis and anyone who likes his character. Lestat is in his devil coma for most of this book, so it's narrated by his newest fledgling and rape victim, David (who I and most others despise. This is the white guy who has an Indian body now). By this point, AR had openly admitted that she didn't like Louis, and she kind of spends this book tormenting and mocking him for no reason.

The titular Merrick (a mixed-race witch drowned in awful racial connotations) mind controls Louis with magic, then forces him to turn her (again, AR has confirmed that this is vampire rape) and be in a relationship. After this, she conjures a "ghost" that may or may not be Louis and Lestat’s dead daughter who tells Louis she always hated him and blamed him for her death. Completely overcome by grief, without Lestat (coma), and having been raped, Louis attempts suicide.

This event and all his mental health issues up to this point are framed by David as being stupid and weak, the sign of a lesser person who should just go and die because they deserve it. It is worth mentioning yet again that David is framed as being in the right and AR had expressed these opinions herself in the past (ie that mental illness is just weakness and you should be able to get over it).

Another fun thing is that Merrick was groomed by David as a child and he spends most of the book wanting her back and also admitting to other acts of pedophilia. So that's fun and great for a character who's supposed to be a voice of reason and moral center.

0/10, despise this book.

CW: sexual assault; grooming; attempted suicide

Blood & Gold: this is Marius' backstory. It is a completely pointless book because we've already heard it twice by this point in the series (and if you read the companion book Pandora, you'll hear it again). The whole thing reads like a Wikipedia page about ancient Rome. Read it if you want I guess.

CW: Marius

Blackwood Farm: this book had...potential? None of that was ever achieved, but I'll at least say that the concept could be worse. Lestat acquires his FIFTH brunette sadboi love interest of the series in this book, so that's kind of funny. Overall though, any positive qualities are overshadowed by weird prose, a really transphobic caricature, and the fact that the main character has shower sex with the ghost of his dead twin brother

CW: transphobia; sibling incest

Blood Canticle: Miss Rice decided to. Get creative with this book. It is a fandom joke. It is the worst prose in existence. It is a literary manic episode. It is truly indescribable. I'm just going to leave this excerpt from ch 1 here and let you imagine an entire book of this

Yes, chapter one is Anne Rice using Lestat as a proxy to berate her readers for not liking Memnoch the Devil. It's also important to me that you know Lestat calls himself "omnisensual" in this book, tries to become a saint, and tells a woman to put some clothes on because men can't control themselves. The word "chuckle" is also written out in the prose in italics like this is ff.net in 2010. The best thing that came of this book is the famous AR Amazon reviews rant (now a beloved VC fandom copypasta). Please read it. It's transcendent.

CW: psychologically devastating prose

Prince Lestat: this is AR's comeback book, published 12 years after Blood Canticle. It's an improvement, but it's still terrible and very, VERY dumb. Lestat has completed his transformation into a macho man male power fantasy for AR and we end with the establishment of a vampire monarchy with Lestat in charge because he slurped and then puked up the brains of the vampire who had the Special Vampire Essence.

Mostly this was an excuse for AR to kill off a bunch of her weird NPCs that she didn't know what to do with. The good news is we get a very cute, official Loustat love confession and for the first time since the first book in the entire series, we get a chapter that's Louis' POV!! It's like 7 pages long but it's the best we're ever going to get.

Other fun thing that happens: Lestat is hooked up to a hormone IV that allows him to fuck (book vampires can't) and the resident scientist vampire steals his cum and creates a petri dish clone of Lestat that is raised in secret for 18 years before being given to Lestat as his son. No, I'm not joking.

CW: uh, brain eating? Insanely unethical human experimentation?

Prince Lestat and the Realms of Atlantis: batshit crazy book. Truly bonkers. There are aliens, Atlantis is real, Lestat has a sentient brain parasite that controls all vampires and talks to him in his mind like the PS5, vampire brain surgery occurs, a choir of child vampires is there, an alien named Derek breastfeeds a disembodied hand until it grows into his clone named Derek Two, and so much more.

The one positive is that after decades of harassment, AR finally lets Louis be a main character again. By this point he has been completely stripped of his personality (I call it the Louis Lobotomy) and exists solely as Lestat's sexy lamp, but whatever. He's there and they're cute together. How they managed to become a healthy, functional couple overnight after two hundred years of drama is never explained.

Lestat makes out with his rapist and talks about how he was asking for it in a particularly nauseating scene, but otherwise it's pretty tame trigger-wise

CW: rape apologia/victim blaming

Blood Communion: we are finally being put out of our misery. The end of the series. This is such a boring book and Lestat’s characterization is completely nonsensical by now. Several main characters are presumed dead for a while and by this point you don't even care. Not even the other characters in the book seem to care. Its only use is to get that sweet sweet Loustat happy ending.

CW: temporary character death

-

Alright, that was a lot of shit-talking a book series I literally run a fandom blog and write hundreds of thousands of words of fic for, but the truth is, fans are here for the characters as they were originally created. The first three books are wonderful, the first two completely masterful and case studies in how character building should be done. There's a reason they've been read and analyzed and fawned over for forty years. What happened to the series is heartbreaking, but it doesn't negate the impact of how it started.

AR may have started spelling her own characters' names wrong and writing a baffling combination of disgusting hot takes and total absurdity, but she created something special in the beginning and I'll always love it and be grateful for what it once was.

I hope that was helpful!

[still-a-morosexual-help]

New rec: Choices book I actively avoided for years because the cover art gives "supernatural love triangle between the 'nice guy' & the 'bad boy'" and it's a trope I despise except turns out I'm an idiot because holy shit this was one of my favourite books

For one, the vampire lore is unique? Or at least uncommon enough that it feels like something new. It's even different from Choices' other vampire series

Second? Both LIs are wrong about their view on vampires and actually have to come to terms with this and learn to change and grow throughout the series. If anything, MC's the only one who's got it right. Both LIs have their own flaws & trauma while still being interesting and likeable characters and neither one is pushed above the other as being "the correct choice".

It also doesn't make the "bad boy" so antagonistic towards MC and the "nice guy" so sweet that it makes no sense for MC to pick the bad boy (*cough*choices' save the date*cough* my favourite is the antagonistic LI but also he's so hot & cold towards MC and a jerk to her for no real reason???). MC clicks with both of them in a different way and there's enough reason for MC to choose either one of them. It actually shows why MC needs both of them

Also, MC is initially built up in a way before they interact with the LIs so that all of their decisions throughout the story actually make sense. They're responsible but also insanely competitive. Despite staying in line presumably throughout their life, they're drawn towards anything that'll give them a shot of adrenaline

Plus all three characters get their time to shine and MC's a fucking badass, honestly they're up there with om's MC as being one of the more interesting & fun to play MCs

And MY favourite, absolute favorite thing about this, the main thing that shot this up to one of my favourite choices stories:

MC makes a Buffy reference in this. That means at one point they watched and/or read Buffy and/or Angel, saw her get together with first the tortured ""good guy"" and then later the rebellious ""bad boy"", saw all the love triangle discourse in the fandom and said well that's fucking stupid, watch me introduce them both to the concept of polyamory that's right it's NOT a fucking love triangle

or it can be if you want it to, like you can choose one of the two LIs but the "true" route, the one where you get a charm each from both LIs and complete MC's charm bracelet (usually the indicator of a fully completed story in any choices book is to complete a set of something) is the one where MC picks both of them

There are also frequent instances where the choices are [no romantic option at all] and [romantic option for both LIs eg: holding both their hands]

And yeah the LIs aren't in love with each other and spend a lot of time competing for MC, something they do right until the very end of the book BUT at about the midway point they become a proper team and start talking about the three of them as an inseparable team making it very clear that if this doesn't end with MC choosing both of them it's gonna turn into a me and you and your friend steve situation.

And then when either one of them talks about how much they care about MC they start using "we" and "our" [eg: "that's our girl/boy" when the two LIs are alone together]

And then they start being as protective of each other as they are of MC

Cas screaming "don't touch him" when Gabriel gets attacked + Gabriel throwing himself over and shielding both MC & Cas when they get attacked

I'm not saying they're in love or that they'll ever fall in love but they are much much more okay with sharing a partner with each other than either one is willing to admit

anyway, this is them:

[tobiasdrake]

Does Perfect Cell have Agency?

Cell is... difficult to get a read on, as a character. The extreme jankiness of the Android arc left us with an oddball of a villain whose level of wickedness doesn't seem in line with the scope of his motives.

Cell is a weird character for me because he just seems... unfinished but also overly symbolic moreso than a literal person.

What does PIccolo actually want? He wants to kill everyone because he's mindlessly evil. After he reincarnates, the question "What does Piccolo actually want?" becomes a major facet of his journey.

What does Frieza actually want? He wants to kill planets and sell them for profit because he's a real estate speculator, and also to be immortal and untouchable. This extreme want coupled with the callousness with which he pursues it is what fuels his unbelievable cruelty and heartlessness, and makes him the most evil person in the Dragon Ball universe.

What does Majin Buu want? Again, this question becomes a major facet of his journey and opens up new sides to him, because Buu himself doesn't know the answer to that.

Which. Brings us to. What does Cell want?

He likes to spook. He wants to have fun. He's a spooker looking for a good time.

Cell's primary goal is to a) become really strong, and then b) prove his mettle by testing himself against the greatest fighters in the world. He's a tournament arc villain presented with the gravitas and stakes of an epic adventure villain.

It's wild because everybody here wants to get really strong and then prove their mettle by fighting Goku. That's what this whole social dynamic is about. That is literally the main goal that everyone in this group pursues. Well, except Trunks and Gohan.

In a sense, Cell's just... one of the guys. Like. He's a rotten dirty bastard to be sure. But it's not like that's a barrier for entry into this group.

"I WILL KILL AS MANY PEOPLE AS I HAVE TO AS LONG AS YOU ARE ONE OF THEM!" ~TFS

So his goal is to get strong and fight strong guys. But. Like. Who's isn't?

And he's a cruel, sadistic monster. But. Like. We're fine with that. Vegeta's our bestie and Piccolo joined this crew way before he reformed too.

This guy could legit just be hosting the Tenkaichi Budokai. (And he DOES.) In terms of overarching character, nothing about him reads "Epic villain that must be stopped at all costs". So Toriyama really had to ratchet up the moment-by-moment horror to make him fit.

What Cell wants is not that big a deal. Get strong, fight strong guys, and also he's an asshole about it. So he's given a vile mechanism for attaining the strength he needs. In his base state, Cell can drink people to gain their power for himself.

He's basically Piccolo if Piccolo were born a parasitic vampire instead of a flesh-and-blood Namekian? It's weird. His whole introduction where he walks out and explains his entire character so Toriyama's pal will get off his back about the Twins is weird.

"Hi there, Piccolo. Did you know that I'm an evil bio-android from the future who wants to absorb the Twins to become really powerful? Also I eat people and I have the genetic makeup of five of the most powerful warriors in the universe, as well as having all of their techniques and abilities. I think that about covers everything. Toodles!"

So we have a character whose primary goal is to defeat the two characters who, up until this point, were billed as the antagonists and are currently seeking to kill Goku as we speak. Like. That's Trunks. Cell is Trunks again. So to make it read as sinister and bad, the means for him to achieve Trunks's goal requires him to kill people in visceral and horrifying ways, and also he's a jerk about it.

This is far from the worst thing a Dragon Ball character, even the ones on the protagonist side, has ever done. But it's so viscerally horrifying that it feels like the worst thing they've ever done.

Then again, that guy was part of the 1% so maybe it's deserved.

Truly, Cell is a champion of the underclass. He's literally eating the rich. What's not to like?

I jest. Point is, Cell is a villain of vibes more than anything. In practical terms, Vegeta gleefully slaughtered entire planets and Majin Buu exterminated 80% of the world's population for fun. In fact, Buu even single-targets people and turns them into food to chomp down on too, so he and Cell have a lot in common.

To be perfectly honest, Buu feels like a second draft of Cell with more time and thought put into his character.

So, logically, eating a bunch of people isn't that big of a deal relative to some of the other shit that people we're hanging out with have done. Hell, we spend a portion of this arc helping to power up Vegeta to stop Mr. City Devourer over here.

"Hey best buddy, you're a remorseless monster who's slaughtered billions of people and is only chill now because you're stranded on Earth with no better options. Want to come with me so we can make you a hundred times deadlier and fight this guy who wants to eat the Androids that destroyed the world in the future?"

And then Cell's over here like.

"All done eating people. Thanks y'all." Like a parasitic version of the Genki-Dama. Uh. Cool. Glad we could help. Let's go Dragon Balls them all back to life and then I guess we're done here?

It's the vibe. Cell's wickedness is a vibe. It's in the means he needs to undergo to achieve the ends of becoming strong. It's in the sadistic personality he shares with 4/5 of his genetic makeup (two of whom are in the protag party). And it's in his long-term plans for what to do after the tournament when he runs out of strong guys to fight.

It's like they ran out of ideas for why we even need to fight this guy once he ate the Androids and completed our mission of defeating them and thwarting Trunks's future. So Cell's like, "By the way if we don't defeat me in an epic climax, I'm going to aimlessly wander the globe killing humans individually forever, I guess."

No real ambitions of any kind beyond "Get strong, fight strong guys". He just. Is a dick.

This is sandwiched between vanquishing the CEO of Galactic Genocide Incorporated and fighting a god-killing abomination who made the heavens themselves run red with blood. Cell wants to get strong and fight strong guys, and he'll become Jason Voorhees if we don't deliver. That's it. That's the entire plot. It's so weird. He's the ultimate despicable monster villain up to this point but it doesn't really feel like he should be.

Cell isn't really a character, so much as he is an idea. Specifically, he is a summary of Goku's entire journey up to this point, all rolled up into this one asshole. He is Goku, and also the major villains Goku has fought.

He is the Tenkaichi Budokai.

He's a limit-breaking Super Saiyan who becomes stronger through Namekian Fusion of others like him and also regenerates and gets Zenkai boosts.

He is the concept of everything that Dragon Ball has ever been.

Hey remember when Piccolo-Daimao blew up that one district during a live broadcast? Do you remember? Cell is Playing the Hits, The Character. But with purpose and intent.

This is why it's hard for me to get a read on Cell. Because who he is isn't so different from much of the cast but what he needs to be is something else: He is the complete assessment of the journey Goku's undertaken over the course of his life, presented all at once for Gohan to surpass.

The physical embodiment of what Gohan must overcome to be his father's successor.

His character, his motives, his ambitions, his desires, it all takes a backseat to the simple utilitarian purpose of providing a symbolic nemesis to mark Gohan's ascension. Hastily assembled once Toriyama decided that was going to be the real actual plot for realsies no takebacks this time.

It's hard for me to assess Cell because I feel too strongly that he needed a second draft.

Which. Like. Apparently Toriyama agreed.

As a character and as a story, Majin Buu is hit or miss but he hits most of the same beats as Cell and really does feel like Toriyama trying to take a mulligan on this entire villain concept.

Mileage may vary on whether he pulled it off.

[hapalopus]

Why you should read Cirque du Freak by Darren Shan, aka the best vampire series of all time:

The freak show is like home. You will feel at home among the freaks. You will fall in love with the snake people and selkies and superhumans that live in the freak show and you will loathe the fact that you don't live with them

Surprisingly serious storyline considering its a book series for 10 year olds. Very efficient at killing off main characters, very good at handling death, very good at showcasing the grief of the survivors

The vampires live in a society modeled on warrior cultures, including, but not limited to, vikings, maasai, and samurais. They live to be strong warriors, and would rather die an honorable death than live in shame - which is cool, I guess, but the way the author portrays it is hilarious, because they literally just spend their eternal life sparring with each other and practicing the sexy sexy art of wrestling

Father/son found family that will tug at your heart strings

Well-handled plot twists all throughout the series. Twists that may completely surprise you at times, but make perfect sense on a reread

The author has a habit of suddenly introducing time travel at the end of his book series, but he never does it to actually solve any problems, or as a deus ex machina, he only does it because he seemingly has an obsession with time travel and wants to include it for no good reason. And it's used in very original ways and somehow it just works. And this series is no exception.

Did I mention all the stupid sexy vampires who fight shirtless for no reason other than "honor!!!1"

Autistic icon Vancha March

Nonbinary icon Harkat Mulds

Also this:

[busycucumbermelon]

Five vampire siblings, with one obsession

Summary : you never thought that your standoff-ish attitude and how you learned to behave at Sunshine Academy would backfire on you, especially in this way: having five people obsessed with you was far from easy.

Warning: blood,broken bones, very traumatized reader, vampires, threatening, sketchy jobs/illegal jobs, tell me if I missed any

Description of a Demi humans just in case Demi-humans once looked like animals, but have morphed over generations into human-like beings with animalistic features. story starts below this.I hope you love it or at least like it.🥰😊

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Author note

If you want a series or something with these characters, please give me ideas or requests as I'm not really sure what to do with them. Additionally, if you see that I have misspelled any names or the spelling isn't similar, please let me know as I'm unsure how to properly spell them and have been winging it myself.

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Since you were six, you lived at Sunshine Academy, trained with Demi-human to serve owners. Occasionally, they allowed humans for tests, experiments, or their underground fighting ring, where many patrons enjoyed watching humans being pummeled to the ground. You survived it all, but the Academy decided to sell you off since you weren't making enough money for them. Everyone knew you'd survive, which ultimately led you to your current situation.

With your best friend becoming a  servant, to two of your five new owners - although you preferred to call them kidnappers - you struggled to adapt to this new life as one of their prized possessions.

Sadly, your indifference toward pain, your fighting skills, your ability to quickly solve problems, and your inability to be vulnerable with anyone besides your best friend - their servant - ultimately ended up pushing them all to the point of obsession. In their minds, you had no flaws except for that one: you didn't know how to be vulnerable with anyone other than your best friend. To them, you were the perfect plaything, and they used your skills and talents for their own benefit.

You also had a good mouth on you, and you weren't afraid to argue back with anyone, especially if you knew you were in the right. This often resulted in all of them being at each other's throats, which could be seen as both a win and a loss for them, and you.

This was a good opportunity to teach them how to share, which of course annoyed all of them. The only reason they were all together was because their mother had important news to share that she wanted to tell them at the right moment. In the meantime, the siblings tried to just sit it out so they could inherit the house. Well, it was not a house—it was a castle, and now, they had to deal with each other's constant presence on a daily basis, which was making them go stir-crazy.

Milmira and Marissa were the oldest siblings, and they were the new owners of your previous best friend, and still your best friend. This meant you spent a lot of time around the two of them, and luckily, they didn't feel like changing the name you had given him (Reiner) so that's the name he stuck with.

When you and Reiner first met, he was the same age as you—four years old. However, he had already been taken from his parents and sold into the Sunshine Academy.

Reiner was a ram Demi-human, and surprisingly enough, the two of you got along pretty well. Reiner was also the main reason you met some of your other friends back at Sunshine Academy.

Reiner, he became a servant to two people who would constantly interrupt your conversations and override the fact that the two of you were even talking. These two people would tell Reiner to either leave the room or to go do a menial task for them. Due to Sunshine Academy's intensive training, Reiner had a sense of loyalty and commitment, and he would do whatever he was told.

Marissa and Milmira were the only twins in the group, and they were used to sharing everything, including you. Without your knowledge, they had come to an agreement that they would also be sharing you. However, this arrangement felt like a complete surprise to you.

That's when you felt that you needed to take a break from them, or, well, try to do so to the best of your abilities. Even though you tried to find ways to distance yourself from them, the siblings had a discussion and decided to take away the room you had been designated. This meant you would have to hop rooms and sleep with one of the siblings or with a servant. However, luckily, you had made a bond with a few servants, which made your situation a little more bearable.

Occasionally, a sweet otter from the kitchen would allow you to share her bed or sleep on the floor in her room. You didn't mind sleeping on the ground, as it was something you had often done at Sunshine Academy. In addition, there was an overly clumsy deer who would let you sleep in his room at times, although it depended on whether he wanted you to or not. Of course, if neither of them wanted you to sleep with them, you would have to go to one of the siblings' rooms or Reiner's.

At times, when you would put up a fit, Reiner would get punished for it. This happened because the punishment would hit close to home for you. Additionally, since your training at the Sunshine Academy made you used to pain from them, they couldn't punish you by breaking bones or anything of that nature.

After a week of being standoffish and grumpy, while Reiner tried to calm you down and get used to his role as a servant, the twins instituted your first punishment: You don't remember much of the punishment itself, except Melmira giving you a soft apology before her fist met your ribs. Although you barely even said anything besides a small "Oh," you felt the crack and heard it, but you didn't move a muscle or indicate any signs of pain.

This unsettled all of them, as they were used to humans screaming in pain, while you just sat there. You didn't even move to stop her hand.

The twins each had very different reactions, as they were used to sharing everything, feelings included. Melissa, on one hand, was torn between feeling awfully proud and excited to see what else you could do, while simultaneously worrying what Sunshine Academy had taught you, as you were a human who shouldn't have been there in the first place. On the other hand, Milmira also felt worried and tried to bring up the topic, only for Melissa to brush it off.

In contrast, Milmira was worried about your closeness to Reiner from the beginning, as your attachment to him hinted at possible unresolved attachment issues. After she had broken your ribs, she became even more certain that something had happened at Sunshine Academy that the rest of the world was not aware of. Milmira was the more gentle and considerate twin.

Marissa and Melissa had vastly different reactions to seeing one of the siblings getting in trouble or drama occurring. While Melissa often wanted to stay out of it or watch from the sidelines, Marissa would cheer it on and add fuel to the fire. Meanwhile, whenever you tried to tell her that these situations aren't anything to be happy about, her excitement would often overpower any reasoning.

This was one of the reasons why the twins often got into long fights with their siblings, as well as one of the reasons they didn't like being in the castle—they were used to traveling and going wherever they liked. This would also be beneficial for their careers, although they had never told you about them, as none of them really informed you about their respective careers.

After a few days, you started to figure out more about them. You were used to studying people, especially since you held a high rank at the Sunshine Academy. On a few occasions, you slipped up and mentioned that you knew more than they had told you, and although no one said anything, your actions implied that you had been watching and studying them quietly.

Although Marissa never really noticed or paid attention to this, Melissa actually did take note. At first, Melissa thought you might just have a good memory or be observant, but now she had her suspicions. She knew that something was up, but she wasn't sure exactly what it was yet. She also didn't know if her siblings had discovered it either.

Krollien also discovered this, and he was the next to give you a punishment. However, before that happened, he decided to give you time for your ribs to heal and see if he could investigate your mysterious past and figure out what it was that you were hiding.

Krollien took this time to get to know you, much to the dismay of his head servant Jessie. You soon learned that Reiner was the twins' head servant, which meant he would have to be around them 24 seven, further limiting his interactions with those outside of this seemingly exclusive group.

This new information made you even more hyper aware of your surroundings, and how the rest of your stay would likely go, although none of them truly saw or noticed anything. You were, after all, quite good at bottling up your emotions, even with them all spending so much time with you.

Just one thing, to continue occupying your mind: why was everyone so upset about being in the castle, and why were they all supposed to be in the castle in the first place? Whatever it was, it seemed like it was taking forever...

While you wanted to figure out everyone and how you fit into their weird life, you knew you'd have to start with Krollien. Even though he was in a bad mood, his mood seemed to lighten when you were around. You soon realized that he hated being in the castle and seeing his siblings everywhere.

Whenever you tried asking him a direct question such as, 'How do you fit in to all of their weird lives? If they were all so obsessed with you and hated each other, how would they share?' He would simply laugh it off and tell you that you'd see in due time.

When he wasn’t trying to spend time with you, he was budgeting and doing other things you didn’t really understand. budgeting especially because at the time he was using terms, you didn’t get understand

In the middle of falling asleep,you would learn he ended up taking a vineyard to live in from one of his clients after not paying him back. this was when you started to have a grasp on what he actually did for work.

You thought you were pretty good at math so occasionally you’d offer to help him with something math involved. this was usually to Jesse’s dismay. as Krollien would always tell her to go away, so he could talk to you for a little bit free of interruptions

Even though this would often result in you teasing Krollien about his nickname for Jesse, which was "Bunny," something that he felt was supposed to demean her, you thought it was romantic and sweet, and you would occasionally bring it up when he annoyed you or if you wanted to annoy him in return. This would often make him frustrated and slightly embarrassed, and his response to this would always make you laugh.

Krollien’s frustration stemmed from the fact that his little sister, Lilybet, would often make the same joke before he left the castle. Although he might have found it amusing at first, it eventually began to grate on his nerves, especially as she continued to do it again and again.

The more she and lilybet got to know each other, the more she started to understand her circumstances. Lilybet didn't have a job outside of training servants - unlike her siblings who all had different illegal and legal jobs. When she wasn't training servants, she was mostly just trying to be the perfect daughter - something her mother did by having her wear very frilly dresses, which she constantly complained to you about.

Now she was starting to understand her siblings' worries, but she decided she would not worry about it too much and simply continue to get to know you. She was still competing with her siblings to see who’s official pet you would be - even though their mother told them to share, they all knew they weren't going to do that.

She especially hated the constant comments from her younger brother, Silus. Although they lived in the same house, there was still a sort of rivalry between them. All of the other siblings had already left and created their own estates, but the two of them remained there, waiting until their mother died to see who would get the estate. Still, this didn't mean there wasn't a lot of tension between them, with Silas always blackmailing her, and she doing the same in return.

Lily had a confusing behavior. After a hard, rough day, she wasn't usually very cuddly and often just wanted everyone to stay away from her. However, she let you stay. Occasionally, she wouldn't let you leave her arms after a really rough day. She would only get more and more annoyed if it wasn't her day with you.

Lilybet genuinely adored you, but when she had heard about her siblings hypotheses of your past could be she was less interested in how it affected you mentally and more about how it changed you physically. She knew you had a pain tolerance that was almost unbelievable. What else could you do? You didn't even flinch when your ribs were broken.

She brought you along on head servants' tests and training - occasionally giving references. One day, she decided that you would be the challenge - not as a real threat, but simply to teach the servants not to judge an opponent simply based on appearances. It happened only once, and something in you did change, although it was brief. For a second, Lilibet was genuinely scared for the servant's life.

Another person also saw you that day - albeit out of curiosity and a bit of fear. You're different than anything else that has ever been created or painted, making you much more intriguing. This made you even more special and the perfect subject to paint.

 Silas was an avid fan of art, specifically his interest in humans. He was very much into tattoos and the beauty of the human body. However, his tattoo-covered body always caused distress among his siblings and the mother. Still, he made it his goal in his business to show exactly that - the beauty of life in all its natural forms.

To you, his way of showing his affection to the world was definitely not beautiful. Silas would beg to differ, though, your days with him were mostly spent with him painting you. While he was kind of.... To put it simply, rude, his head servant told you that this is simply his way of showing he liked you. If he didn't, you would have been dead by now.

Silas didn’t praise often, and he was always filled with snarky responses; teasing manners; and occasional compliments on your features whenever he was painting you. In general, he was rude, and just a person you liked to stay away from. Unfortunately, you were now his household pet. While that word was very demeaning and beneath your status - no, you refuse to believe it - it seemed to be true.

You were not claiming yourself to be above any of the other servants in any way, shape or form. You didn't understand why this was happening to you. Why you had to be the chosen pet? Why not some other human? Why you?

Anyways, let's go back to Silus. We can talk more about the mental torment later.

Silas is very different compared to his siblings. He doesn't care what his mother thinks, and he barely cares about any of his siblings' opinions. His relationships with his siblings are relatively good besides Krollien - the two are completely different and hate each other, as they are complete opposites.

Just like the rest of his family members, he was not exactly a morning person. Silus was also different than his siblings when it came to restraining his strength with you, perhaps because of your past. Whatever the reason, he had a good excuse to not hold back when he was with you.

Whenever you tried to move out of his grasp, he would either pull you closer or tighten his grip on your waist. The twins would always comment on the purple hand marks on you, each sibling having their own way of putting their mark on you. However, these hand marks would last until you were with Silas again, right before he renewed them. These marks weren't even fully healed before they appeared again

Though the marks were not sexual in nature, you hated just lying there in bed. Silas, on the other hand, would happily stay in bed all day, unless it was for his work which he would brag about to you, or when he was painting. You were always his muse, but if you weren't there to model for him, his paintings would usually become inspired by nature instead. The only exceptions were when his siblings intervened because they were not letting him spend all of his time with you.

Silas wasn't always affectionate, but he would show a sudden softer side when it came to you. He would perform actions that were definitely out of character for him, and if anyone made a comment about how he did it for you, but not for someone else, they would not be around for very long afterwards.

Every one of Silas' siblings had their own 'special thing' they would do only for you. This moment only made their mother realize that she may have just made her own life a lot harder. She still saw you as a pet, but she feared that if she didn't have control over all her sons and daughters, they would continue to act as if you were on a pedestal, and she would lose any chance of gaining their true obedience.

Many of the family members, including Lilibet, had opinions on their mother that weren't very positive, many of them negative. Lilibet tried to gain her respect, but it was just for the money, and many of the servants had their own opinions on her - most of the opinions were not positive in the slightest. Their mother knew that you might just be the child who makes them realize that she doesn't offer them as much as they believe. In their minds, she is their mother, after all.

To the mothers, you weren't really much of a threat. You were a lowly human, and she could easily kill you if she wanted to. In the past, she had killed her children's previous human lovers after all. This time, however, something was different. Their infatuation with you quickly grew and turned into an obsession, and they could not seem to get you out of their minds - especially after you became aware of this obsession. It was hard to get five obsessed vampires away from a single human.