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#except it's actually very true
mitskiluvr · 16 days
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watched the persona 5 proof of justice ova from years ago and was getting acid reflux with how queer everything was... what do you mean its just 20 minutes of joker mourning his boyfriend. that's the entire ova.
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Look people can discourse about how problematic a ship is and how terrible people are for shipping it all they want, but the reasons they try and assign for shipping something are usually pretty ridiculous. The only actual point of discrimination on whether or not I’m gonna ship a pairing is just how narratively compelling the character dynamic is. Do they play off each in an interesting way? Is there some good narrative symbolism involved?? I’m there.
Yes that does mean I’m often a basic bitch and end up enjoying whichever slash and femslash ships are popular BUT there’s usually a reason why a bunch of writers have gotten into something! Tbh! Shit being popular doesn’t mean it’s bad, stuff usually pops off for A reason, regardless of it’s a reason you personally agree with.
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jerreeeeeee · 17 days
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i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?
#mine#taz balance#taz lup#lup#like idk i think lup’s down to kick necromancer ass but when it comes to being like. WARDENS of a PRISON. would that not be uncomfortable??#but like taking the job is the only way to avoid HER being thrown in prison??#idk the raven queen being a cool & chill goddess boss is definitely fun but when you actually think abt it#i don’t think i’d agree with her. i think if i lived in that world i’d think she were sort of evil#which like also to get into the hunger vs authority its not very explored because its not at all the point#the hunger is meant to be nihilism and despair and dissatisfaction its at its core an emotional story about joy & love#but like john starts out rebelling against laws. laws of the universe; except that it turns out a being wrote those laws (jeffandrew)#so the hunger is also sort of a force of rebelling against unjust constraints in the pursuit of freedom?#and the heroes end up preserving the status quo and saying you just have to find joy within those unjust limitations#which again. like. the point is that life is unfair and you can find joy and meaning despite it. which is true to real life.#i’m not saying the hunger was right or that despair is the only way or w/e like#yk like taz balance is not a story about society its more about. philosophy i guess#the point is that life’s really hard and you find meaning anyway and that’s preferable to despair and death#thematically for the audience we understand these are standins for ways of viewing reality#and in the real world reality is what it is. its just the world. there’s no authority that writes the laws of nature#like its not a ‘man vs authority’ story its a ‘man vs nature’ story#but IN UNIVERSE nature IS an authority. jeffandrew and the gods. regardless of how much joy you can find in an unjust world#if i lived in it i’d want to make it more just! but anyway like yeah barry & lup working for the raven queen#is kinda an extension on that idea of preserving the status quo#although i guess you could say gods are just forces of nature. theyre not PEOPLE theyre just personifications of existent natural laws#and it ties in w istus and fate as well#although fate is like a comforting guiding force rather than restricting & horrifying#^ pay no attention to any of this i don’t think it really means anything i’m just like. writing thoughts as i have them#not like a hard stance i’m taking just exploring some ideas#any ways#THERES A TAG LIMIT??
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hiemaldesirae · 3 months
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The Hazbin Graduate’s Guide to Homicide (3)
HAZBIN'S MIDSEMESTER STUDENT REPORT Student: Vox Vanhal Supervising Staff: Professor Enoch Leviathan Sponsor: Not Applicable To the Board: Vox Vanhal may be one of the most brilliant students this school has seen in decades. In all my years of teaching at Hazbin, I have never met a student more insanely ready to learn and apply their skills- due in part, of course, to said student's own possible insanity. I mean this in a jovial way, of course, but I will admit that when young Vanhal's true identity was revealed to me that my first thought was along the lines of 'is this student insane?' Whether or not my student's reason should be called into question is something myself and my fellow professor Asmodeus have discussed in length, but there is one thing that we can definitively agree on: If there is any one student in this school who I would choose to place my bets on, it would be Vox Vanhal. There is nothing more to say at this time of report evaluation. Sincerely, Professor Leviathan.
May God's blessings be with you now and at the hour of our deaths, Amen.
[ 1 ] / [ 2 ] (<- read these first for context and more murder academy radiostatic content!)
Though Alastor may have thought that Vox was much more knowledgable in how Hazbin's Institution for Homicide worked, the truth was, Vox was still fully flying on the seat of his own coattails.
He had no damn clue what he was doing still, and although it'd been two weeks since he'd arrived, part of him still felt like how he did when he'd first arrived: hesitant, scared, not knowing where to go or what to do besides the want to make his boss suffer as he killed him.
That level of animosity might sound strange to anyone not a Hazbin student or alumnus, but it was perfectly normal for any student enrolled in the academy to have such feelings. After all, there was quite a rigorous process involved in the application, and for Vox, this application process (and what led to it) was perhaps more intense than most.
There had once been a time where Vox had dreamed of becoming a Hollywood starlet, one who lit up the silver screen and was blessed by hundreds of thousands of cheering, dedicated fans who would fawn over his every move and action. He'd wanted to follow in his mother's footsteps, at one point. But after taking on his first roles in Carmine Studios, the glamour of Hollywood had shattered like fine glass.
"Miss Vesper! Would you please look over here for a second?"
"Miss Vesper, when is your next movie coming out?!"
"Miss Vesper, is it true that you and your co-star on Anna Karenina, Valentino Vega had an affair-?"
"Fuck! Fuck, fuck, fuck! That- fucking bastard!" Vox rushed into the privacy of his and Val's shared apartment, slamming the door behind him as he collapsed into the couch, head cradled in his hands. He couldn't even begin to start detailing the number of ways he'd wanted to fucking butcher and rip apart his boss.
Andrealphus Goetia was no stranger to the spotlight, naturally. One of Hollywood's top directors, the man had been an influential cornerstone in the history of movie-making, a real legend to light the days. But behind that picturesque platinum reputation laid a monstrous piece of shit.
It had been a complete accident that Andrealphus had found out about Vox's identity.
Vox himself hadn't even really planned out what to do about himself at that point, only that he'd known that the dresses he wore on screen were far more suited to his best friend than they were for him. Knew that the copious amounts of makeup flattened on him everyday made him feel more like a clown than a princess, that it was the most uncomfortable feeling to have to sit and play the pretty face for the audience's sake.
But he persisted, telling himself, one more year, one more year til my savings account has enough to supply Val and I with a comfortable life and we can leave.
But of course- of course Andrealphus had to ruin it for him.
The man had found out and immediately proceeded to blackmailing Vox with the information, holding things such as promotions, media gossip and rumors over his head. And now... now... Vox stared down at the script he held clutched in his hand, his knuckles turning white as he grasped it with an iron grip.
"Dieser verdammte bastard," Vox muttered under his breath.
Though he'd never loved the spotlight that came with his first taste of fame, he had loved acting. Had loved being adored for his skill, applauded for the emotions that he could evoke in crowds of people and the way he could twist people's hearts. He had wanted to be one of the best, a household name.
And now, he stared down at the script for a movie that Andrealphus knew would tank his reputation. It was absolute bullshit. The plot was held together by thin strings and a bit of glue, despite being an adaptation of one of the past decade's best selling books. Not only that, but the moment he left the safety of the apartment once more, he would also have to contend with the rumors that were steadily piling against him and dragging his loved ones and friends into it too.
All this, because Vox had refused to sleep with his shitty boss.
He could still hear the fucker's voice- come on, don't you wanna say that you got a piece of me? I'll even leave out the part about you being a transvestite, darling, just the fact that I got a piece of you is enough.
God. If only.... if only he could see that bastard's face when he crushed his fucking skull in between his hands. He wanted to see Andrealphus' stupid face contort in revulsion and terror when Vox finally did the deed, wanted to bathe in the the fotze's inbred blood. He'd do anything for the chance to just kill that piece of shit-
"Amorcito?"
Val's voice makes Vox jump on the spot, quickly shifting to hide the script from view. His friend comes around the corner, eyebrows furrowed with concern, and it's this that makes Vox break his composure, a single tear falling down his face as Val frowns, taking a seat next to him on the couch. "Voxxy, amor... tell me what's wrong."
And because he can never keep his mouth shut when it comes to his best friend, Vox tells him everything. Val nods along, pauses at the right moments, all of that stuff that friends do when they're trying to let you know that they'd rip apart your shitty boss if not for the law.
But- and perhaps this is something that Vox knew deep down to be true anyway- Val was a bit different in that aspect. He'd met the man under... less than legal circumstances, after all, and he knew that Val was the heir to quite the illustrous cartel career.
So when Valentino stops him with a firm hand on the shoulder and hands him an application paper for Hazbin, telling him to think it through, Vox barely takes even a second glance at it before filling it out.
Now, two months later and sitting in the auditorium of Hazbin's famed Music Hall, Vox doesn't find himself regretting the decision. Sure, it's a bit lonely without Val's supporting presence by his side, but the students he's met so far have proved to be some of the friendliest people he's had the pleasure of knowing: ironic, considering the kind of school they're studying at. And he's even managed to make a friend! Not that bad a start, altogether.
Vox absentmindedly doodles on the edge of his notes as Professor Leviathan's soothing voice lectures them on the importance of a proper alibi. "If it walks like a duck, quacks like a duck, looks like a duck, but it has an airtight alibi, it is...?"
"Not a duck," the auditorium echoes back to the professor, who nods, looking satisfied with the class's response. "So, then! The first step to alibi making is...? Miss Velvette, perhaps you'd like to answer this one for us?"
The girl sitting beside Vox shoots up in her seat, looking as if she'd just fallen asleep and was awoken by the professor's question. "Uh... the..."
After a moment of silence and stuttering, Vox takes pity on the girl, sliding Velvette over a slide of paper that she squints at before reading. "Make sure you're in a different place from the crime?"
"And how would I do that?"
"I... uh. Use an accomplice...?" Velvette stutters.
Professor Leviathan shakes his head, looking disappointed. "Not quite. One thing you will have to learn at Hazbin's is that you should never rely on any other person to carry your deed out for you. No hiring accomplices- after all, paid personnel's loyalty is shaky and they have no honor code preventing them from taking you to the police- and absolutely no committing crimes as lovers, unless you can guarantee that neither of you will be snitching. Would anyone else like to take a try?"
Vox raises his hand hesitantly. "Move the crime scene or otherwise obscure the culprit?"
Professor Leviathan snaps his fingers, "Yes! Absolutely. One of the best ways to make yourself an iron clad alibi is, if the pope is shot in the church at midnight, make sure that you are seen halfway across town in the bar at midnight; so drunk that you cannot even leave until your wife comes to pick you up at two- and no one will suspect you, even if he was actually killed right outside the pub and moved to the church instead. By moving the crime scene, you can make yourself an ironclad alibi. Obscuring the identity of the perpetrator and making it someone who couldn't possibly be you also works splendidly. After all, if the police believe the murderer to be a six foot tall adult man, then the actual perpetrator, a four foot tall young woman, would be able to pass by completely unnoticed. Thank you for that input, Vox. Now, onto the actual creation of such an alibi..."
When class ends, Vox is the first to leave his seat and head for the door, intending on leaving and getting to Track with Professor Satan as quick as possible when someone stops him in his tracks with a firm grip on his shoulder.
"Hey. Vox Vanhal, right?"
"That would be me, yes," Vox turns to face the person he's talking to, only to be met with the young woman that Professor Leviathan had called out in class earlier. "You were... Velvette?"
"Yep, that's me," the chipper young woman responds. "Listen, I know you don't know me at all, but I really need to get through this school year. Like- look, okay, I'm in a little bit over my head right now. I still want to go here and do what everyone here does, of course, I'd love to just go and plunge a damn butcher's knife into my cunt of an ex-friend's neck, but... well, you saw how I did back in class- look, what I'm trying to get at is I need someone to help me. And you're like, Leviathan's star student. So- I don't care what I have to do, I'll-"
Vox holds up a hand to stop her.
"I don't need you to do anything for me, unless you've got any tips on how to kill my boss and make him suffer during it. But I'll help you with whatever you need to study during your courses. Just..." He pauses, taking a moment to think out what he's about to ask. "Could you teach me how you did your makeup on your own?"
Velvette blinks, clearly not expecting that response. She laughs, a shrill, sharp bark and grabs his hand to shake it firmly. "Yeah, 'course I can. So, do we have a deal?"
"We do," Vox smiles. "Pleased to make your acquaintance."
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adhd-languages · 4 months
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I know this is going to be a massively unpopular opinion, but you can’t actually multitask.
You can do multiple things at once, but only if one is purely habitual. (Walking and talking, for example)
You can’t actually read posts while watching TV, or text someone while talking to someone else. You’re actually rapidly switching between tasks, which makes you less effective!
When you have ADHD, there’s that little devil in your brain that’s going to try to convince you that you need to be on tumblr as a stim to get work done or pay attention. This is objectively untrue. Don’t listen to it, and get a fidget toy of some description instead.
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moeblob · 9 months
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Thinking about my dumb OCs ever since I saw a video of two guys trying to demonstrate the kabedon and one of them could not stop laughing...
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goldrushenthusiast · 8 months
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the marauders fan urge to manifest your sadness into their sadness and then into boygenius songs
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longagoitwastuesday · 13 days
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Kusakabe, dear, you're too beautiful to be saying that kind of stuff
#jjk spoilers#All the prettiest characters were brought back from apparent death#Nobara was okay and it's true that when I read the lawyer's and Kusakabe's fights against Sukuna I thought it was being kept vague#but to pull a Nobara with all of them... idk#No one stays dead here except for the people who actually care for the kids and by that I mean 'including Yuuji'#kinda lowkey bitter about it#Don't get me wrong I like the characters and also they're super pretty but idk It makes death feel cheap? And the high stakes kinda fake?#Choso Gojo and Nanami actual only characters who died apparently#Well. Poor Itadori#And Kusukabe goes and runs his mouth that way in front of the kid. He is not entirely wrong but also he very much is#And yes he also says 'don't worry it's not for you to feel guilty over anything you're just kids' but also he did very much say that thing#about it all being Gojo's fault for not killing Itadori. In front of Itadori who feels guilty for that precisely#and in front of Megumi who asked Gojo to spare him and also went through the experience of Sukuna using his body as well#So Kusukabe's reassurance about them just being kids and not to feel guilty falls a bit empty#It does feel in character but man it truly makes one appreciate the way Gojo and Nanami dealt with the kids a lot more haha#Ui Ui seems like a dear#Anyway... this chapter felt a bit lame for the most part for me? I like the idea of the characters discussing the could have/would have#and feeling guilt and helplessness over their choices but the way it was done felt a bit lame and without any real emotional punch#It felt more like an explanation to the reader in an awkward way. And there's a lot of empty chat about guilt and grief#without any of the characters really giving off a grieving air about everything and everyone they've lost#And this is precisely what I felt was going to happen with this manga's writing haha#I truly don't understand this kind of writing choices. Contrary to some other shonen writers this author did seem to have the potential#to write this kind of thing well besides the worldbuilding and powers and fight stuff. It's truly a pity. It so breaks my heart#And still this is considered one of the good shonens. Well. WELL haha#I do think shonen can be good! I just think it falls almost always even when there's potential into bery shallow writing#I don't know. Maybe I should read that one Alchemist manga#I've been repeatedly told that one's good and it does seem like it doesn't do... this. But I find the art style so not to my linking#I wish I had never gotten into JJK for real for real. I absolutely adore it. I always end up frustrated. It could be so good. Genuinely good#And yet it's just okay in a sort of forgettable way. What a pity#Everything good ever is present but it never dares do anything to fully explore what it sets. It just does the typical shonen stuff
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mad-hunts · 4 months
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lovinnelily · 9 months
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Y'all do know you can't make Jason be NOT white without changing his whole character, right?
For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.
This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).
Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. Nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.
He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.
#Different from the other white character in the series he was never questioned or doubted#There's a presumption of perfection with no exceptions that society doesn't give to us (women poc immigrants visible minorities in general)#His privilege (handsome white man with no visible disability son of Zeus etc) also prevented anyone from worrying for his well being#This illusion/expectation of him having no weakness/being untouchable pushes himself too far and clouds his judgment.#I headcanon he didn't even consider the possibility of myopia because that wouldn't fit Jason Grace Son of Jupiter so it wasn't an option#And you think it'd be the same character after facing racism? Because ain't no way he'd be praetor without going through racism#I think I'd love him nonetheless since I'm very weak to the whole golden boy tearing himself to save the world but it'd be a new character#jason grace#I know racism in USA is different from here but I know how different a “non-racist” white person treats me and treats my white friends#Also for him to not be an entirely different character if PoC would be incredibly disrespectful and racist on its own#It would fail to recognize the difference in how we are read (and written). I hate that a lot.#I remember that when Cody told Brandi “I see no color” she told him “then you don't see me” and that's so fucking striking#We ARE different. treated differently. if you act like you don't see it then you also turn a blind eye to the violence that comes from it#This is straying from my point I got a bit heated banalization of things I care about usually does that to me#Point is please don't change Jason on the very few things that man actually bothered writing about him#I actually think this is true about Octavian too. A lot of what he is allowed to do would not be possible if he weren't a white man.#Same for Rachel Elizabeth Dare. I mean you can work around making her poc but it will truly be pushing A LOT#Let's put it this way: a woc doing a street performance is perceived very differently from a white woman doing a street performance.#Specially in the eyes of cops#Pjo
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The problem is I have chronic guilt about something that I can’t control but everyone on tumblr would tell me I’m a bad person for. Unfortunately, this is the only place I can vent so this particular issue will just destroy me from the inside
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grimm-the-tiger · 30 days
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My FL main went through some really weird, organic development over the...oh god, I think it's been five years since I started playing now.
So my main is named Skadi Larkin. They are a little bastard. They started out extremely 2D; I named them after my favorite Norse goddess and the protagonist of the book I was reading at the time. I originally wanted to make them female like both of their namesakes, but the second I saw the third-gender option, I thought it was too good to pass up. This is where they got their primary base characterization as a mad scientist who wanted to Cause Problems.
Then I started the Nemesis ambition and forgot which option I'd chosen for who I was trying to avenge, so they lost both their lover and their older brother under tragic circumstances (only the lover was killed by Nemesis's antagonist, though).
Then I got an Exceptional Friendship and had to give my tragic backstory in order to gain entry to the House of Chimes. Skadi pulled said tragic backstory (orphaned in a hansom accident) more or less out of their ass, but it did establish that their parents are dead.
Somewhere down the line, I realized that technically Skadi is a linguist, since the Correspondence is a language, and I made that their profession on the Surface as well.
Around this time, I started working on character designs for my fan comic. I got really into messing around with skin tone, and somewhere along the line thought it would be fun to draw Skadi (who was originally white) with darker skin, and it stuck.
Then I abruptly realized I was taking a lot of options that increased my Melancholy, and almost all of them were based on the Surface. So now Skadi has a longing for the Surface.
I left the game for a few years, but somewhere during this stretch of time, and I don't know how this happened, but I decided Skadi was now Native American; specifically, Metis. I changed their design to incorporate a sash woven in a style characteristic of the Metis, which also added a bit of color to their design (which was mostly black or grey at this point).
During this time, I started incorporating Skadi into my fan comic. This would eventually lead me to actually flesh out their backstory in greater detail. When I started playing the game again, I also created my first alt by total accident (long story), and I decided to weave her backstory with Skadi's.
So Skadi is in the interesting position of being an Indigenous person who is what we'd probably consider Two-Spirit today but they'd just call "Bollocks to that gender crap". They never belonged on the Surface, since the Metis are in a bit of a liminal space compared to other tribes due to their interesting background (the Metis are the descendants of French settlers and Indigenous inhabitants, mostly Cree), and Skadi exists in a liminal space within that liminal space due to only being half-Metis and raised primarily in white culture, although they still maintained a connection to it through their late mother. They also never belonged because no one else on the Surface outside of the communities they already felt isolated from would ever accept them for their gender. London gave them a chance to express one of those, but not both, and despite knowing that the Surface hates them just for existing, they still long to return.
#fallen london#fallen london oc#mild fallen london spoilers ig#there's a really interesting dichotomy with all of my fl characters honestly#skadi's is just probably the most blatant#umbra belacqua (my shadowy alt) is someone who both loves very fiercely and is capable of immense cruelty at the same time#in her backstory she had the husband of her ex-fiancee (who left her at the altar) murdered because she couldn't let go of her ex's betraya#said ex is my persuasive alt and is both very socially gregarious and extremely withdrawn#he probably won't ever get a spouse just because he can't bring himself to love someone else after what happened the last time#and he had very good reason for leaving umbra because he could never love her the way she wanted#and he felt that the sympathy she would receive from his family would more than make up for the heartbreak#since umbra is obsessed with gaining power and prestige and he came from an influential family#and knew that running away with the person he really loved would get him disowned#(he doesn't know umbra killed his husband btw)#my dangerous alt is my persuasive alt's sister#she's trans and badly overcompensating for it by refusing to wear anything except feminine clothing#because it hasn't quite gotten through to her yet that no one in Fallen London particularly cares about her gender expression#and she feels like the only way she can be seriously considered a woman is if she does everything she can to look like one#which causes her a good few problems because her one true passion is violence and that's not usually considered a very feminine hobby#then their younger brother (my watchful alt) is someone ironically very disinclined to violence who resorts to it anyways#the only people he's actually going to try to kill are the ones he has to kill for his ambition#and he's not very happy about it but he doesn't have much of a choice#because while he might not like bloodshed his murdered spouse was an anarchist who definitely did#and he's determined to do right by his memory by...killing a lot of people apparently#he is not a terribly mentally stable man and when i finally get around to making his account#he's going to have a massive nightmares problem that he refuses to deal with and keeps ending up in the royal beth for it#tl;dr all my fallen london characters are going through it and have overly long and complicated backstories#my main just happens to have the most overly long and complicated of them all
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13eyond13 · 2 months
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Remember that movie Saltburn. Wtf was that all about lol
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palin-tropos · 1 year
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“Children have a natural grasp of the dialectical method; whether it arises from obstinacy or playfulness, the sudden declaration of “Opposite Day”, and an insistence that thenceforth all immediate paradigms must be turned on their head, is a common rhetorical device found on playgrounds or in classrooms…”
- Ignus Nilsen, A Guide to Raising Revolutionary Children
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spitblaze · 9 months
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Not that Returnal is bad per se but I see the words 'roguelike bullet hell soulslike co-op' to describe a single game and my eyes glaze over
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nostalgia-tblr · 1 year
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