#except not really but it’s to find it later

[lovemebutleavemewild]

Imagine a young Simon Riley working at one of those interactive Halloween experiences where he dresses up in a skull mask and stalks patrons through the dark as they stumble through the woods, paying for the pleasure of being terrified.

Except he seems particularly interested in you. The first time he jumps out at you, you startle and then laugh along with the people around you at your embarrassment, quickly shrugging it off. But when you turn around next, he's still a little behind you, eyes burning into your back, not looking away even when he sees you've caught him staring.

He follows closely behind you the whole time and surely he'll get in trouble for not doing his job properly? And it's almost definitely part of his whole act, right? Except, if you really believed that then you wouldn't be waiting in your car when your time slot is up and you've said goodbye to your friends, sitting there until the last patrons leave.

A ittle later, the staff begin filtering out and you start to think you've missed him when he appears, still dressed all in black, still wearing his mask. He looks around for a second, then his eyes find yours across the empty carpark.

He tilts his head for a second, as though in consideration. Then he walks quickly towards you, sliding into the front seat of your car.

"Drive," he says.

And you do, not saying a word when his hand slides down to find its place on your thigh.

[firewasabeast]

For a prompt: bucktommy moving in together and the 118 helping them move? 🥰 or them throwing a housewarming party

this turned... dirtier than expected. they both really enjoy clipboard buck, I'm sorry!

“You'll notice some boxes have green stripes, some are red, others are blue, purple, etcetera. You'll also notice, when entering the house, that there is a color on every door or along the entryway to each room. Each box should be placed in the room with its designated color. Example-”

“Buck,” Chimney groaned from where he stood inside the moving truck, “we get it.”

“Example,” Buck continued with a glare. “The living room has been given the color blue. Only boxes with blue stripes should enter the living room. Pop quiz! Maddie, should green boxes go in the living room?”

She responded with a glare.

Buck got the point. “Moving on. Bobby, if you happen to come upon a box that doesn't have a color, what should you do?”

“Make a citizens arrest?”

“No.” Buck pointed the pen in his hand at Tommy, “But that's a good idea for later,” he said, earning him gagging sounds from the majority of the people surrounding them. All except for Tommy, who simply smiled and winked.

“You see,” Buck explained, “Tommy went to the store for more boxes and accidentally purchased 7 of them that had no color on them. Not a single stripe to be found. Those particular boxes are miscellaneous. They should go directly into the garage until I can open and inspect them.”

He glanced down at his clipboard, marking off a few things before looking back up at the group. “Alright, I believe that's it. Does everyone know the jobs they've been given?”

The majority of responses were given in grunts and hums.

“Excellent. Please bring any and all questions to me. I will be wandering around throughout the house all day. I should be easy to find. If you cannot find me, please head over to Tommy, who will then direct you to me. There will be a provided lunch arriving at noon. A designated thirty minutes for eating. If there are currently no questions, you may begin.”

As everyone began to disperse and started unloading the truck, Tommy smiled over at Eddie. “Is he not the cutest thing you've ever seen?”

“Oh dear God,” Eddie replied with a grimace. “You two really are meant for each other.”

*****

“You were amazing today,” Tommy said, peppering kisses down Buck's neck. They were laying on the couch, surrounded by blue-striped boxes.

Buck hummed. “Yeah?” he asked, tilting his head to give Tommy more space to work with.

“Mhm. Took control of the whole thing. Had it all planned perfectly. And when you yelled at Eddie after he put a red box in the bathroom?” He bit lightly against Buck's pulse point. “That was so hot.”

“God, Tommy,” Buck replied breathlessly, before adding, “he should have known better. Purple was posted on the door.”

“I know it was. It was very clear.”

“It was clear,” Buck agreed. “Purple and red are very different.”

“Very different.” Tommy continued to alternate between sucking and biting on Buck's neck as he brought a hand down and slowly began unbuttoning Buck's shirt.

Buck ran his hands down Tommy's back, pushing his hips down when he reached his ass, causing their bodies to grind together.

“I could call him up,” Buck suggested, “yell at him some more. Or call Chimney and tell him I- I know he was the one who chipped the paint on the front door. Tell him I'm sending him a bill.”

Tommy responded by smashing his lips against Buck's in a wet kiss, licking his way into Buck's mouth. “I'd love that, Evan,” he said, parting just enough to speak, “but Eddie already told me he wouldn't be answering your calls for two days. And I'm pretty sure Howie blocked your number.”

Buck nearly growled, his eyes darkening. “God, I love your dirty talk.”

They kissed again, even sloppier this time with hands roaming and grabbing, shirts being tugged on and nails dragging against skin.

After a minute or two, Tommy pulled back with a gleam in his eye. “Now, about that citizens arrest you mentioned earlier...”

Buck grinned. “Bedroom,” he demanded, giving Tommy's ass a couple of pats to get him up.

Tommy pressed one more kiss to his lips with a, “Yes, Sir,” before getting up and letting Buck lead the way.

[miasmaghoul]

WAHHHH AEON CONVINCING EVERYONE THEYRE HIS FIRST. thinkijg thoughts about omega and aether breaking him in and then hes all virgin to whoevers next and after they go to aether like “why did u not fuck the new guy??” and aethers like i did?? and it all comes out but they keep it a secret to see how long/how many ghouls/papas aeon can get with his bit

I think Aether is his first, and he's enough of a gentleman not to let anyone know. Not his information to share - well except for one night when he replays it all for Dew in excruciating detail, but that's easily taken care of with a little quintosis. No harm done.

Swiss is Aeon's second, though, and he's been enough of an actual first to be able to see right through Aeon's coy smiles and the way he bats his lashes. It's easy enough to figure out who was:

"Can't believe I haven't gotten my hands on you yet."

Swiss murmurs it into his throat, both hands shoved into Aeon's hastily undone jeans. One tugging at his semi and the other curled around his bony hip, Swiss' rough fingers petting at his hole. Aeon's gasping already, still half-tangled in the hoodie he was removing when Swiss shoved him onto one of the hotel beds. This is what he gets for spending all evening - hells, all day, really - being a flirty little shit, he supposes. He licks his lips and swallows hard, putting on his best innocent face; wide, damp puppy eyes, pouty lips, the whole nine yards. Swiss stares down at him like a wolf who's pinned a deer, smile sharp even without his fangs, and Aeon's heart skips in his chest. He knew Swiss would be rough, but this is a thrill.

"Surprised Aether didn't get you first," Swiss rumbles with a twist of his wrist, and Aeon gives himself away when his eyes glaze over.

Swiss isn't even sure if the other ghoul knows he does this, or if the others have caught it, but when Aeon really remembers something he sort of...disappears for a second. Just for a heartbeat, very easy to miss if you aren't looking for it, but Swiss has spent more than enough time with the new kid to pick up on it. It's like he's reliving the moment he's been reminded of in a flash. Swiss wonders if it has something to do with his magick; Omega had something of a photographic memory, maybe Aeon has something similar? He doesn't know.

What he does know, is that when he says Aether's name Aeon does that thing where he goes away for a moment, and his cock flexes so hard they both choke.

So that's a yes, then.

Swiss doesn't say a word, lets Aeon play the blushing virgin because, well, it's not like he isn't into that, and holds him close afterwards. Gives him a bath and orders his favorite takeout meal before they go to sleep. He even lets Aeon be the big spoon.

He calls Aether while Aeon's in the shower the next morning, just to make sure, and the silence when he asks Aether if he knows if Aeon's slept with anyone is so, so loud. Swiss says it's kinda hot that Aeon likes to play pretend, and they both manage to squeeze out a quick one and agree to keep this knowledge to themselves before Aeon's even done in the bathroom. Swiss texts Aether a quick video of him blowing a kiss with his cummy hand, and Aether responds in kind.

After that, I think Mountain is next, but he isn't one to brag. Rain comes after that, but is suspicious about being Aeon's first despite his shy admissions while Rain was between his legs. He finds out for sure via a good ol' fashioned footjob, because Mountain would give up nuclear launch codes if it meant having the chance to feel Rain's toes work the head of his cock. Rain doesn't feel particularly miffed - the kid put on a good show, after all, and good sex is good sex. He and Mountain both think they're the only ones, though, so they agree to keep it between them.

Word gets out after Dew has his turn with Aeon and brags about it to Swiss over gas station coffee a few days later. Swiss, who cannot for the life of him let the little guy have anything, and immediately snorts into his styrofoam cup. Rain overhears them and they all share a knowing snicker (as soon as Dew finishes scowling) once they figure out Aeon's little game. Swiss calls Cirrus over to let her know, just in case Aeon's tried the same thing with her, and she looks absolutely delighted.

"He asked me just yesterday if I would "answer some questions about his body"," she shares, accepting a sip of Dew's hot chocolate. "That he's experiencing some "new things" and has "questions about girls." He was blushing like a whore in church and everything."

The squeak of sneakers on slick tile echoes behind them, and a pair of lanky arms loop themselves between Swiss and Rain's shoulders.

"Speak of the devil," Swiss grunts, Aeon tugging him down to plant a good morning kiss on his cheek. Aeon grins.

"Mornin' Cir," he greets with a nod, ignoring the rest of them entirely. The ghouls share a collective eye roll. "I just talked to Papa, like you asked." If the new kid's tail was out, it would be wagging like an excited retriever's. "He said it's $750 for tomorrow and $1250 for Thursday, but if you need more then just use the black card."

Cirrus gives him a warm smile, reaching across their little circle to ruffle his hair. Aeon beams at her, might as well have hearts in his eyes when she cups his chin and says,

"Good boy, thank you."

Cirrus gives his cheek an affectionate pat, and that blush they've all come to know by now makes its appearance.

"Tell you what - come to my room tonight. You can help me pick out where we stay for the next few nights. I can show you all sorts of secrets," she adds, giving him a slow once over that makes Aeon flush down his throat. "About how to pick the right hotel in these smaller areas, of course," she clarifies, handing Dew back his lipstick-stained cup and straightening her coat. "I might even have the girls drop in and give you some extra hints."

Cirrus winks, and Aeon's walk to the bus is slow and awkward. They all have the kindness to hold in their laughter until he's out of earshot, but Swiss and Rain both have tears running down their cheeks by the time they calm down.

"Don't break the kid, Cir," Dew says through a cough, wiping his eyes. "I have at least one more ticket for that ride."

"No promises," she grins, eyes sparkling. "Oh he's going to be fun."

That night, Cumulus and Aurora have him together, with Cirrus guiding them all through a very thorough anatomy lesson because Aeon is just so new to all this and has no idea what he's doing, please don't tell anyone:((((. And they're all just so sweet to him, so giving, even after it starts to hurt because they just know he must have so much stuffed inside those tight little balls of his if this is his first time!

They pinky swear not to tell anyone that he cries.

[mrsdesade]

homelander x reader reader has teleportation powers and is constantly jumpscaring homelander by teleporting right next to him or behind him randomly. i just love the idea of the reader being uncharacteristically late to one of the sevens meetings and homelander fully anticipating and bracing himself for a jumpscare at any moment. he would act annoyed but actually love it 😭😭.

Hi dear anon, thanks for your patience!💗 Homie would be really adorable on this occasion; I mean, If there's anything she loves about her partner it would be the way he uses his powers without shame! He considers you special precisely because you have particular powers and loves to see them, even If he has to pretend that it bothers him so as not to lose his intimidating aura!

-------

"I swear, If she's late again..."

Just as he finishes his sentence, a sudden whoosh of air fills the room. A moment later, you appear right beside him, your face inches from his. Homelander jumps, his eyes widening in surprise.

"What the hell?!"

"Sorry, I couldn't resist." you giggle, a mischievous glint in your eye. You're everything except sorry. ''But I'm here now, welcome everyone!''

Homelander rolls his eyes and try his best to hide a little amused smile. Since you discovered your teleportation powers you've been using them to prank him at every opportunity, and he's still not used to it, but he need to play cool.

"You're getting too predictable, you know?''

"Is that so? Well, let's see if you can predict this one."

With another whoosh, you disappear and reappear behind him, giving him a pinch on the back of his neck with your right hand. He spins around, his hand instinctively reaching for you but you're already to the other side of the room.

"Stop it, you goddamn brat!"

"Oh, come on dear- I mean, Homelander. It's fun. And it's a great way to keep you on your toes."

Homelander grumbles but can't deny that he enjoys the thrill of the chase. He knows that you're not trying to hurt him, just to have some fun.

You wink at him, and he can't help but smile back. As the meeting continues, Homelander finds himself glancing over his shoulder every few minutes, half-expecting you to appear out of thin air.

-------

Thanks again for the request! Kisses kisses! 🥰

[heedzhee-art]

more of my yapping about the fandom-given hetalia Ukraine name

I don't like the Katyusha Ukraine because in my opinion it doesn't suit her, and people constantly use the name incorrectly. basically, Katyusha is like a playful version of "Kateryna/Katya", but people write it like a formal first name pretty often (Katyusha Chernenko), no blame since it comes from a place of unfamiliarity with slavic languages, it's just a bit annoying. plus the word is associated with that one russian song that became popular during World War II god it just doesn't suit her at all in my opinion 😭

"Katyusha" is a diminutive form of the name Kateryna, except it's of russian origin; in Ukrainian the diminutive forms of the name are "Katrusya", "Katerynka", or less commonly "Katrunya"

historically, the russian empire and later the soviet union promoted russian at the expense of Ukrainian, leading to the suppression of Ukrainian culture and language. of course, some Ukrainians use Katyush/Katyusha as playful nicknames, because the blending of Ukrainian and russian, that's been caused by reoccurring russification, migration, and political influence, lead to mixed usage in everyday speech – it's a normal thing (surzhyk). it's not a crime to use this word or anything, I just find it ironic that the character that represents a nation constantly oppressed by russian imperialism, in hetalia only exists as a dependant and less important character to give russia more endearing relationships and make him more interesting, and then the Japanese fandom coincidentally has also chosen the russian word for her name (I assume it's after that popular soviet song)

really I feel there's not much Ukrainian about canon hetalia Ukraine, which seems to be a very common feeling among many of my Ukrainian friends who know about the character :/ they think she's cute and pretty, but when it comes to national identity and culture, she is not relatable even on a stereotypical level, and has little depth as a character

anyway, if you want some Ukrainian first names, here's a list of the ones I think sound fitting (SUBJECTIVE OPINION 😡)

🇺🇦🔱🌻🍲🇺🇦🌾🌻🍞🇺🇦🍲🌾

Myroslava (love this one) - slavic origin, a combination of мир and слава, meaning peace and glory. it suits resilient and strong people

Olha/Olya (ОЛЯ UA!!!!!!!) - scandinavian origin (ukr. variant of Hélga). yea it's a really old and really common name that associates with the Kyivan Rus era, anyway I use it because of a meme and due to every Olya I've met building this collective Olya in my head that's literally how I also see Ukraine. she's such an Olya. it's hard to explain

Olena (not Olyena) - greek origin (ukr. variant of Helénē) came to Ukrainian through Church Slavic "Yelena" (not Yelyena)

Lesya - Ukrainian name deriving from "Olesya" which in turn derives from "Oleksandra". I'm very biased about it because it's one of my favourite female names, and also many Ukrainians associate it with Lesya Ukrayinka, which is the self-given title of an outstanding Ukrainian writer, translator and cultural figure

Halyna - likely greek origin and comes from "galēnē". I like it because I get to call her Halynka/Halya, I think it sounds cute

Tetyana - common slavic name, likely of roman origin, it just has a tender and pretty sound to it

these names are common in some or all other slavic languages, differing in varied phonetics

😑 I am NOT gatekeeping people from calling her "Kateryna", I just personally dislike Katyusha or russian Yekatyerina for her, and in my opinion the old russian-speaking fandom did a better job naming her Olha, even if that popularized the russian transcription for this same name (Olga)

my Ukraine is named Olha Tkachenko. I just like it the most and I've kind of grown used to it. whateva

I will kiss you.

[writeforfandoms]

Fast Car 3

Find my Simon Riley masterlist

The end of the last planned fic for the zombie au! Not to say I will never write more, because who knows...

You start to find a new normal in this town. It's... different. But in a good way.

Warnings: Swearing, flirting, these two are bad at communicating, bit of one upsmanship in terms of flirting, feels.

Word count: 1k

Over the next week, you explored the entire town. Word spread fast that you were a mechanic, which had people asking you about all kinds of things. 

You really weren't sure how exactly how a clock worked, but you tried fixing it anyway. 

It worked well enough. That seemed to earn you a reputation, one you'd be happy to run with. 

Except Ghost followed you. Every. Single. Place. You went. He followed you into town every day, a silent shadow stalking you relentlessly. He never said a word to you, didn't even try to be friendly. 

By the third day of this treatment, you weren't sure if you hated Ghost… or wanted to jump him out of sheer frustrated attraction. 

The feeling did not lessen with time. Which left you glowering at Ghost every time you spotted him lurking about, even as you ignored any pooling heat between your legs. 

Look. He was an ass, but he was a good looking one. Big, strong, clearly able and not afraid to throw his weight around. 

And if that was it, you probably would have been able to ignore your attraction to him. There were other good-looking single people in town after all, you could have found someone else to pursue. 

Except he was kind, in small ways. A group of three children swarmed him, clearly used to him and not at all afraid. He took turns picking up the kids and dangling them by their ankles, much to the kids delight. 

You watched all of this from a garage, working on breaking down an engine to pull fluids for the truck. 

The second Ghost looked over at you, you lifted one oil-streaked hand to wiggle your fingers at him. Mostly because you liked poking the metaphorical bear. You refused to be afraid of him. 

(And it was easier to poke fun at him than it was to face your growing attraction to him.) 

He just looked back to the kids, saying something to them before leading them away. Back towards town, probably. You wouldn't be surprised if he didn't trust you around kids. He didn't even seem to trust you around inanimate objects.

You scowled. Damn. Well, guess you weren't allowed to get distracted anymore. 

But you thought about how gentle he could be. Too often for your sanity. 

You blamed the zombies. 

Now if only he'd be less of a jerk… you'd be in real trouble. 

It wasn't long until you were elbow deep in the truck again, alternately whistling and swearing as you worked, oil on your hands and sweat on your face. You surfaced to grab a rag, sort of cleaning your hands so you could get a drink. Gaz's girlfriend was too nice to create extra work for, so you were careful not to dirty the glass, grabbing it with the rag.

Ghost emerged from the house, wearing just a t-shirt and carrying an axe. You paused in your work to watch him, curious. 

You were not prepared for him to set up within easy viewing distance, splitting logs for firewood. 

You nearly spilled your water. 

Fucking hell. That was just not fair! 

You looked down at yourself, considering. You weren't done working yet. You'd have to bathe later anyway. 

Might as well make a show of it. 

It only took a moment to peel off your outer layer, tossing it aside and leaving you in a sleeveless bottom layer. One sneaky look confirmed that Ghost was still working, setting up the next log to chop. So you got back to work, too. 

Thunder rumbled in the distance, and you pulled yourself away from the truck, surprised to see it had gotten darker. Clouds covered the sky, the temperature dropping quickly. 

You swore, more colorfully this time, and grabbed your things quickly. You needed to run back to town, to get inside before it started pouring. 

You closed up the car at light speed, aware the car had a garage and would be fine. You didn't even bother to dress properly, just ran for the path towards town. 

You hadn't made it far when a shout of your name made you pause. You half-turned to look back, finding Ghost approaching rapidly. 

“What?” You asked, a little irritable, glancing up at the sky almost nervously. It hadn't opened up yet, and mentally you begged the rain to hold off just a little longer. 

“Faster to come inside,” Ghost offered, stopping in front of you. Closer than he normally stood. Close enough that you could see he was still breathing a little hard with exertion. 

“I'll make it home,” you said, not at all sure of that fact. 

“Come inside.” This time, it sounded more like an order. 

You crossed your arms over your chest. “No.” 

Ghost sighed hard through his nose, muttering something that sounded like “stubborn”. “Please.” It was the single driest, least plea-like word you'd ever heard in your entire life. 

“I'll just go home.” 

The sky chose that moment to ignore your own, much more sincere, pleas. The first fat raindrop landed on your nose, and then the torrential downpour started. Everything got drenched within seconds, you included. 

“Just come inside,” Ghost growled, one hand out between the two of you, though he didn't touch you. 

“Why?” You hadn't meant to say that, but you didn't retract it either. You lifted your chin, blinking rapidly against the onslaught of rain. 

Ghost didn't say anything for a long moment. Then he grabbed you, hand fitting perfectly to your waist, pulling you close until he could kiss you. 

Everything around you ceased to exist. The rain didn't matter, the chill seeping into your skin didn't matter. Nothing but the feel of his lips against yours, the little chafe of his stubble against your skin. 

You opened your eyes slowly to find him close, the brown of his eyes dark in the rain. He didn't say anything else, letting his actions speak for him. 

“Okay,” you agreed, a little fuzzy, running hot despite the cold. “But I'm calling the shots.” 

That was the first time you ever saw him smile at you.

[the-martyrfication-of-the-matron]

So... SKs...

I need to talk about my positioning on the Zenix/Vylad/Malik Death thing too because i may have changed that opinion a teeny bit with a tiny bit of speculation... but i digress. that'll be another post, i'm just warning you that the yap travelling circus is coming to your city

anyways

SKs!

tw, this is discussions about SKs, and so will be talking about themes involving death, torture, and manipulation.

Lore about Sks really becomes defined after Laur becomes one, because he's a major character and it really makes sense that way, but we do get a lot of lore even before he becomes a recurring character, really. Especially through Zenix and the storylines adjacent to him. I really do think that Sk lore was peaking when Zenix was one of the major antagonists for the series, because it was just very interesting to have to explore that he was experiencing it away from the main storyline, and Aphmau would have to make an active effort to understand and build that knowledge, and even as she is starting to know more she is still kind of in denial that he is capable of the things he is doing.

And this becomes especially interesting that she is learning this through other people, when we compare it to what Zenix himself says about being a Shadow knight.

SKs have been around since episode one, maybe not in the way they were later developed to be, but the idea of this little band of antagonists that follow 'The King' and want lords dead, and are stunting villages, and we don't really know why except for monarchism. And as we build upon our knowledge over the episodes we find out they don't live in an active monarchy, but that the King is some supernatural force, and that the little band of villains are too, and they're trying to bring him back.

And then we get, in episode 31/32, that not all SKs are guards, and they don't only kill lords. Of course, the baker is only a knight in training, but the idea remains. The following of the King is ideological, they don't only recruit guards off of some need for the bond between lords and guards, they will recruit whoever is willing to do what they want, kill who needs to be killed.

In fact, the first time we ever really get the guard/lord talk in regards to Shadowknights is in episode 35, by Zenix. Zenix seems to have this idea that Guards and Lords are intrinsically connected, that the life of one is dependant of the death of the other, and there is always this idea that guards are expendable and so they are the ones to die and the lords live. However, if the guards kill the lords instead, they become the King's loyal servants, blessed with power, with immortality.

He cannot be killed like when he was human.

This is the origin of the idea that Sks are not only immortal, but have to kill the one they love most to transform into that immortal state. And it's not exactly what he's saying. He's saying that guards are always expected to die for their lords, but then the King tells them 'hey you kill your lord, i'll let you live forever' and then they're like 'oh neat' and kill their lords to gain that immortality and power.

I understand how this little rant of his later turned into that lore, but i think the implications here are much more interesting. Again, he says 'No one can touch me! No one can kill me like when i was human' and whilst you can take that to mean that he is no longer mortal, it also kind of reads like he has been killed or at least severely harmed before before... which has been implied by Azura earlier on, and sort of himself in the same conversation, where he says 'Garroth told you... didn't he? How he found me?' 'I wasn't in such good shape then either.' What this all overall implies upon SK lore is that the King preys upon victims to find followers, he takes those who have been victimised before, and he offers them the chance to not have to suffer that way again, they just have to do as he tells them to.

It's not some urge they cannot shake off, it's not this feeling deep inside of them that they cannot remove. They have been hurt they have been offered to not have to never be hurt again. It's a choice, through and through, but in the same way it isn't. It's not this primal hunger for blood, so much as a scrabbling for survival, it's fear, and desperation, it's a needing to not suffer through that trauma again and so they say yes. They say yes, because they will do these awful things because it's better to do bad to others than them do bad to you.

Later lore has them do these things because Shad has taken their bodies, and brought them back, changed their memories and given them the urge and the want to kill. He preys on victims because he can only turn those in his clutches into Knights. Earlier lore has him turning people by ideology, he is preying on those who he knows are already vulnerable, he is not limited by scope of domain, but merely by how convincing he can be. And that is terrifying.

Guards aren't killing lords because they need to kill who matters most to them, because they can't stop themselves no matter how much they try.

they're doing it because he told them to.

[nokonomi]

What if Bill Cipher had a little sister? + Bonus Reverse! Gravity Falls Bally

What if Bill Cipher had a little sibling, yes I know he destroyed his home dimension but like what if he formed a version of him into his little sister and make them instantly related? I would imagine them having like some kind of chaos junkie older brother and younger sister calmer girl relationship with each other. Bally knows she can’t scold Bill because well, for one, he formed her, and two! She is the younger sibling here so yeah no. But technically she can still scold him even if it results in a sibling fight. They express their platonic love for each other like that way.

Bally is more mature and calmer for a 12-year old triangular entity that has one eye as well, except she doesn’t have a top hat nor is yellow, she’s purplish-blue and has a dark purple bow on top of her pointy head. Eyelashes are more downwards and soft. Carries a little book around with her universal spells and all that little sh!t. She’s a nerd and she likes to study things about the cosmos.

Did I mention whenever she sings she has a very loud voice it can erupt an entire earthquake in just 3 seconds? Yeah so rule number one, no singing (bill said) Honestly she is very powerful but not as powerful as Bill, she can control matter and space, but not time. So she can basically form whatever she wants (an imaginary boyfriend)

Her spells usually come out in a bluish hue, indicating her rather calmer and insignificant side. She’s more exposed to nature then anything in the entire Galaxy. She’s never killed anyone! Not yet… but she is a well-behaved kid, even if she is billions of years old.

Now since she was formed by Bill, she doesn’t know what happened to her parents, well, not really her parents. But she wishes she had parents. She knows what they look like since she shares an individual mind with Bill. And trust me the clean-up process for her to forget all these memories was not pretty.

Sometimes she’ll make a dimension of her own and maybe spend time in it and remorse about lonely times, sit in a corner and draw her and her brother with their presumed dead parents hugging them both. Sometimes she wishes they could maybe hug her too if she was ever apart of the family when her older brother was younger. She misses them. She misses when she was just a little speck of dust in the universe for some reason before getting formed into a real Euclydian.

Now she doesn’t really talk with Bill much, since he’s too busy with much other sh!t he has to deal with anyways. Sometimes she wishes he had the time to spend time with her, but no! THAT never happened. She knows he’s got “big plans” coming up soon. But she can’t just stop time and make him hangout with her. It’s beyond her control. He formed her because he wanted someone to call “family” since he misses his parents.

But she doesn’t think that he wants her as family. He just didn’t care and formed her to clean up his own messes, which she always ends up doing. Part of that is true, some of it is not. She knows the trauma he has.

Fast forward a billions years later to the near 80s. It had been a long time ever since she saw her brother. Distant and alone and hungry for brotherly bonds and relationship, but they never seemed to happen in the end. That is until her mind peaked at a glimpse of Bill’s plans on Earth. Stanford Pines. A genius. Yes. She could finally find someone to connect to. So she headed down to Earth in a human form of herself to maybe see what her brother was up to. She could’ve done this any time, any day, any century, but no. She didn’t want to disturb her brother. After stumbling across Gravity Falls, Oregon. She mentally located the site Stanford was located at and found it, carefully wandering about it. She noticed that Ford was asleep and she decided to enter the Mindscape and see what his brain was filled with. Man, a genius. He was like her. She saw Bill and Ford playing chess, and once Bill detected her, he rushed over to her and said, “Heya sis! It’s been MILLIONS OF YEARS ever since I last saw ‘ya! How ya been?” He acts as if he had seen her last month. She got frustrated and stormed off, Stanford looked at her in sympathy, poor girl was lost.

Now she got angry because he acted as if he had seen her just last week, and he pretended to actually care when in reality he didn’t. This made her very frustrated, screaming at the top of her lungs as she ripped out pages of books that floated inside of The Mindscape. Bill tries to calm her down, which soothes her. What a fool she was for believing he actually cared for her in the end. She smiled and hugged him gently. Bill introduced Bally to Stanford, “Bally, Stanford! Stanford, Bally!”

Bally looked at Stanford in a curious way and smiled. He might be connected to her in some way in the near future. But when she found that portal they were planning, it ruined her. She knew something. She knew connecting The Mindscape with Earth would result in destruction. She tried stopping Bill. It didn’t work. He manipulated her. She ended up crying and storming off, she never saw Bill and Stanford ever again, assuming they were at their worst points.

Authors note: Man this was a very long lore story to go to! Anyways here’s a drawing of her and Reverse!Gravity Falls AU her! I’m hoping you all enjoyed the lore reading. She might be a bit tad out and cringe but I like her for that. I might change her up later!

Some facts about Sally and Bally. -Bally likes reading books and using her books to make spells or summon random things. She glows blue whenever she does something incredibly powerful.

-Bally believes Bill didn’t actually care for her, which he didn’t care for her actually. He manipulated her and why should she trust him? -She got cheated out of her own childhood.

SALLY

-Sally is an ENTP, silly and more extroverted, honestly had no care in the world whatsoever and a chaos junkie like Bill. -Makes fun of Will (Reverse!gravity falls AU Bill Cipher) for being so easily depressed and cries easily. She thinks he’s weak, she actually cares for her older brother.

-Literally the type to say “ROFLMAO!” “LMAO” “LOL XD” “<3” Gen Z type.

-Honestly does not care about Earth or any other dimension. WORKS FOR NOBODY. NOBODY. NOBODY NOBODY NOBODY.

[linkspooky]

How to write the perfect revenge story with Kohaku-Sensei! What Tsukihime does better than Avatar the Last Airbender.

So a follower asked me why Kohaku was my favorite of the Tsukhime girls after I made an offhand comment on my Ciel/Noel post on how Kohaku is the perfect take on revenge. Both Noel and Kohaku's story arcs are near perfect revenge tragedies that make their characters the standouts in Tsukihime. I tried writing up just why I thought Kohaku's character was good but it kept turning into a carbon copy of this post by comun right here. Eventually I decided to dig deeper.

Why does Kohaku's revenge story work so well? Why does every other revenge story suck so hard in comparison? See the thing is I hate a lot of revenge stories in fiction because they are very shallow, black and white tales of the good guy giving the bad guy everything he deserves.

In other words, I'm disappointed by most omdern revenge stories because they display a critical lack of understanding of how cycles of abuse start in the first place, and how both sides on the conflict no matter what are equally human. Perhaps that's why Kinoko Nasu writes revenge so well, because he's a deeply humanist author who's not really focused on good guys or bad guys but rather just understanding the characters involved.

So to show just how well Tsukihime humanizes Kohaku as both victim and villain of the story, I'm going to compare it to one of the worst revenge stories I've read in fiction. Both of these stories are tragedies that kill their main character, a victim who just wanted revenge for the long abuses they'd suffered in life. However, one of these is Tsukihime, and the other one sucks. So without further ado under the cut.

ORESTES THE FIRST REVENGE STORY

So Yun is a character from a spinoff novel prequel of Avatar the Last Aribender, focusing on the life of Avatar Kyoshi. In a lot of ways Yun is like Noel. He's a completely new character, thrown into the backstory of an already established character. He also steals the show because he's allowed to be a lot more flawed and act as a villainous foil to the main character, Yun even acts as a Jungian shadow the second novel is literally called the shadow of Kyoshi.

However, there's one major difference Noel's character greatly enhances Ciel's even if she is fridged for Ciel's character development. Whereas Yun's character and the eventual ending the story gave him ruined any kind of enjoyment I could have had from the story for Kyoshi's character. In fact, I think Yun's death made the whole story fall apart thematically.

Which is ironic because it was the exact same ending. Noel's character ends with her dying by Ciel's hands. Kyoshi kills Yun with her own two hands in order to stop his revenge. In both stories the victim dies so why does one frustrate me to no end and the other ending elevates Tsukihime to one of my favorite pieces of fiction?

The devil is in the details.

Revenge stories are by their nature tragedies. It makes sense for them to, for the most part with a few hopeful exceptions have bad endings. Taking personal revenge against every single person who's hurt you grievously no matter how deserved that revenge might be does not solve the problem. In fact it creates several new problems.

This is pretty well explored tragedy in fiction, all the way back to The Oresteia. Orestes is the son of Agamemnon and Clytemnestra. If you know anything about the trojan war you should recognize those names.

The story begins like this, King Agamemnon of Mycenae offends the goddess Artemis by killing one of her stags. So, in retaliation she prevents the greek troops from reaching troy by taking the wind out of their sails, unless Agamemmnon kills his oldest daughter Iphigenia. Agammemnon drags his daughter away from his wife Clytemnestra who was crying and begging him not to and offers her as human sacrifice. Ten years later when Agamemnon returns home he finds his wife sleeping with another man, and the two of them together butcher him to avenge iphigenia.

Then in order to avenge her father's death, elektra urges her brother Orestes to kill their mother and the man she committed adultery with. Orestes eventually goes through with it out of duty to his father, but because he's committed the clan of kin slaying the gods send the furies after him to chase him down and torment him.

The revenge just continues to cycle. Orestes doesn't right a wrong by avenging his father's murderer, he just commits kin slaying a taboo among the gods. Even though he felt he had an obligation too because he couldn't let his father's murderer live, the gods don't let him live in peace. Orestes would have been chased by the Furies for the rest of his life if Athena didn't intervene and basically hold the first court case in order to rule if it was really just to punish Orestes like this.

The point of my long foray into greek mythology is that no matter how entitled each person in the revenge cycle might have felt to their revenge, in the end they were committing a horrible act. Clytemnestra was avenging her daughter against the man who killed him, but she alienated her other two children. Orestes was duty bound to avenge his father, but he still killed his own mother with his two hands. At each link in the chain there's no real innocent parties, and the moment you take revenge you become a perpetrator in this cycle of abuse as well.

That is I think a central concept that the greeks understood but many modern authors fail to grasp, that revenge is a cycle during which any time a person can become a victim of it, and also a perpetrator of it. It's not a matter of internal goodness or badness but rather an uncontrollable cycle of violence that people get caught up in.

What revenge stories should be about is escaping the cycle. When the character manages to escape like Orestes and live for something other than revenge that's a happy ending, but when the character fails to escape that's a tragedy. Whether or not a character actually accomplishes their revenge is a footnote.

The Count of Monte Cristo accomplishes most of his revenge but the act of revenge isn't what saves him, but rather the faithful love of Haydee who had always been by his side and the words "wait and hope." The Count isn't saved by the revenge he took on all the people who hurt him, but by the strength he had to wait through a terrible situation until it got better and then live on to the better future. Carrie accomplishes her revenge in burning down the school gymnasium and all of her bullies, then goes home and dies a few minutes after killing her mom the last of her abusers unable to escape the cycle.

While their endings are opposites, in both cases completing their revenge didn't give them any measure of peace at all. In fact, the Count almost in the course of his revenge committed a sin far worse than anyone had done to him by killing a newborn infant. No, any good revenge story should know that in the words of percy from Critical Role you can't murder your way to peace.

"There was nothing I could’ve done to save my family, yet I still sold my soul in search of vengeance. Later I allowed Ripley to leave, knowing full well she was a greater threat to the world than the Briarwoods would ever be. I traded the world’s safety for the belief that I could murder my way to peace; that if I could be a greater horror, it would bring my family back. And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil. I am free to simply be myself and live with the terrible mistakes I’ve made." -Percy's Death Letter, Critical Role

In most revenge stories I've noticed that revenge is the main character motivator for the character taking revenge. Therefore the conflict becomes whether or not they can find something new to live for by the end of the story. The characters seeking revenge often make that revenge their entire reason for living, but then what next?

This quote from Oldboy a modern adaptation of the Count of Monte Cristo is relevant.

Seeking revenge is the best cure for someone who got hurt Try it The loss of 15 years the pain of losing your wife and child you can forget all this Once again revenge is good for your health But... What happens after you've revenged yourself?

What happens after you've revenged yourself should be the central question to these revenge arcs. The ones who don't have an answer to that question and are unable to free themselves from the cycle are the ones who end in tragedy.

YUN VS KOHAKU

Yun and Kohaku are characters from a western animated series that adopts eastern themes and a Japanese visual novel about vampires. These two characters come from very different genres of stories, an adventure story about magical warriors using martial arts to bend the elements and a horror story about vampires and serial killers respectively.

However, because both Yun and Kohaku are the central figures of a revenge tragedy they end up having a lot in common. The largest common thread between them is that both of them is that they are child abuse victims, specifically the victims of long term grooming.

They are children who were adopted and then groomed by their father figure for years. In Kohaku's case, it was sexual grooming, whereas in Yun's case it was grooming him into a child soldier. The official definition of child grooming works for both of these cases, it is when an adult forms a relationship with a child to sexually assault them or induce them into doing something dangerous or harmful to them.

Kohaku and Yun are more obscure characters though so for the sake of people who haven't read one or both of these series I'm going to go more into depth on their individual circumstances.

Kohaku is an empath, born with the ability to transfer energy to other people through sexual intercourse. She and her sister were brought into the Tohno Clan, because Makihisa Tohno the elder had demon blood in his veins. This demon blood made him at risk of going through a process called inversion, where he would slowly lose all his mind, all reason, and violently attack everyone around him until he was finally put down. In order to mitigate that risk, Makishisa engaged in regular sexual intercourse with a young Kohaku and made use of her abilities as an empath to control his demon side.

As the elder of twin sisters Kohaku made a deal with Makihisa that she'd let him use her whenever she needed as long as he never touched her sister. Since he kept his word to her, she found it hard to resent him in the long term. Also, because she was constantly high on drugs that made it impossible for her to feel pain.

"So, I took in everything Makihisa-sama wanted to do. I asked him not to touch Hisui-chan because I would take everything myself. He was probably ashamed and agreed to my request. He probably also thought it was better that as few people knew about this secret as possible."

Kohaku is eventually sent to take care of Makihisa's son who also inverted, but when he loses control and rapes her too that's when she loses her last bit of humanity and starts to think of revenge.

At this point she starts to think of herself as an unthinking doll who cannot move for herself, and can only move for revenge. She eventually starts to move against Makishia, first by informing Akiha and Hisui of the abuse she's suffered. She's surprised when Akiha immediately protests what he farther was doing right away, and the sexual liason ends and Kohaku becomes a normal servant. However, even after the abuse ends Kohaku decides to continue living for revenge leading to the main plot of the Far Side of Tsukihime.

Yun is the false avatar. If you've heard of Avatar then I'm sure you at least vaguely know of the concept of the avatar, spiritual guide in the world of avatar that reincarnates over and over again to guide both humanity and the spirits.

In the avatar prequel novels it's established each nation has its own way of tracking down the avatar, but because Kuruk died early and under mysterious circumstances the earth nation was in a panic to find the next avatar. Instead of waiting for more sure confirmation, they picked one random kid on the side of the road on what was basically a hunch that he was Kuruk's reincarnation. This kid was named Yun, a nameless but smart kid with no parents who was conning people by playing Pai Sho really really well. While all along the next avatar Kyoshi was right next to them as one of Yun's servants.

Yun is trained as the avatar through years, and is put through the kind of training that only the Zoldyck family from Hunter x Hunter would approve in. Including being forced to walk on spiked caltrops to learn bending, and being forced to microdose on poison to gain an immunity. Like, this is literally what Killua's parents did to him in HXH.

"I'm surprised you can move," Jianzhu said to him, more impressed than anything else. "Poison training," Yun spat through clenched jaws. "With Sifu Amak, remember? Or did you forget every darker exercise you put me through?"

Yun is a genius earth bender, a brilliant statesman, he works all around the clock to become the avatar everyone is telling him he's destined to be but he's not physically capable of bending any element other than earth. To the point where after a year of failing to learn fire, his bending teachers frequently lambast him as being lazy and not trying hard enough.

"Your situation isn't unique" Hei-Ran went on. "History is full of Avatars like you who tried to coast on their talents. You're not the only one who wanted to take it easy." Yun slipped. An event rare enough to notice. His motion took him too far outside his center of gravity, and he stumbled on his knees. Sweat stung his eyes, ran into the corner of his mouth. Take it easy? Take it easy? Was she ignoring the fact he spent sleepless nights poring over scholarly analyses of Yanghcen's political decisions? That he'd extensively memorized the names of every Earth Kingdom noble, Fire Nation commander, and Water Tribe Chieftan back three generations on the living and the dead? The forgotten texts he'd used to map the ancient sacred sites of the Air Nomads to such a degree that Kelsang was surprised about a few of them? That's who he was when no one was looking. Someone who dedicated his whole being to his Avatarhood. Yun wanted to make up for the lost time he'd squandered by being discovered so late. He wanted to express gratitude to Jianzhu and the entire world for giving him the greatest gift in existence. Taking it easy was the last thing on his mind. [Literally a few seconds later...] "In the old days, masters used to maim their students for insubordination," she said horsely. Yun restrained himself from flinching, "What wonderful modern times we live in."

So Yun is physically and emotionally abused by all of his teachers, Jianzhu, Hei-Ran and several other adults who were complicit with it to train him up into being the avatar. Then, when it turns out Yun isn't the avatar, he's immediately abandoned and left for dead.

Yun gets dragged into the spirit world as a human sacrifice to a horrifying spirit known as Father Glow Worm. He is abandoned by his master who makes no attempt to save him the moment he learned that he wasn't the avatar. Then, in the spirit world he fights Father Glow Worm for days and eventually has to eat him in order to escape home.

After getting to a random village he asks for water. Yun is mocked by a man he saved earlier fo rasking for a single glass of water. When the man throws the water on the ground and tells him to water bend it, Yun snaps and then kills the man who mocked him, the city guard, and everyone who was sitting in the teashouse and has his Geto moment. He decides to start living for revenge against all of the teachers who abused him.

"Well," he said out loud to no one. "It looks like I've been fired." Perhaps it was for the best. He would need the free time, because he had a losit of things to do. lots of personal business to take care of. And at the top of the list was paying his respects to Jianzhu. Filled with new purpose, Yun took off down the road, whistling as he went.

Both of these characters decide to make revenge their reason for living. To quote Oldboy, "Seeking revenge is the best cure for someone who got hurt. Try it." They also face the same fundamental issue, now that they're only living for revenge then what happens after they've revenged themselves?

These characters are also similar in a couple of other ways. They are schemers who mainly work through manipulating others. Yun fakes a political conflict between the fire nation royal family and another noble family in order to bring one of his abusers into the crossfire. Kohaku manipulates both SHIKI and Shiki through the use of drugs to orchestrate her revenge in the Far Side Routes.

They're also both trickster characters. Yun refers to himself as a clown and constantly hides everything behind a smile. "He added that smirk that everyone said reminded them of Kuruk's. After all, a clown needed his makeup." A major part of Kohaku's character is that after Hisui learned about how her sister was being abused she stopped smiling. Kohaku wanting her sister to be happy, started to fake a smile and goof around the way Hisui used to because she wants to see her sister smile again.

One more similarity before I begin dissecting their differences and the way these two characters are handled is that if Kohaku and Yun were the main characters of the story their revenge would undoubtably be framed as one hundred percent justified. If they were the main characters it would definitely be a kill bill situation.

I don't think they are justified, because straightforward revenge is boring. The fact that they are antagonists is the point of each story. I'm just making an underlying point on how a lot of revenge stories suffer from protagonist centered morality. It's alright if Maki Zen'in, or The Bride kills upwards of a hundred people in retaliation for the harm that was done to them and we're supposed to root for them without thinking too deeply on it because they're the protagonists of the story. Protagonist centered morality is bad, because it makes things too centered on the protagonist and therefore if the morality of a piece of based on the protagonist it will make things too easy and the protagonist will go unchallenged.

In fact, in the story of Tsukihime itself, the entire Tohno family thinks that Kohaku 100% has the right to take revenge against them. Akiha is fully aware of Kohaku's revenge scheme. She lets Kohaku get away with her revenge every step of the way, including taking what is essentially a bullet on purpose and dying for Kohaku's revenge scheme because she believes her family deserves it.

However, because they are not the protagonists they don't get the easy route of taking their revenge against the people who deserve it and then riding off into the sunset happily. No, Kohaku practically gets her revenge handed to her on a silver platter and still revenge doesn't fix anything.

Once again, revenge is good for your health, but...

WHAT HAPPENS AFTER YOU'VE REVENGED YOURSELF?

Yun and Kohaku are both characters who either lost everything, or had no reason to live to begin with and decided to make revenge a reason for living. Both of them were unable to keep living for revenge because revenge is unsustainable. It's not something you do once and you're done, it's a cycle. The act of participating in it continues to perpetuate the cycle. As a result both of them met their tragic end.

However, Kohaku's tragedy surpassed Count of Monte Cristo for my favorite revenge story in all of fiction, whereas Yun's ending made me want to rip his book in half.

There are some differences in how their revenge stories play out. Kohaku is a very unique character. In spite of being an emotionless doll, she takes her revenge not out of anger or hate but empathy. I can't word it better than Comun so I'll just quote their post:

Hisui route ends with the reveal that Kohaku masterminded the demise of the Toono family and her motives are pretty obvious but I never expect the way she felt about it. Kohaku describes herself as not as a human, but as Makihisa’s emotionless doll. Kohaku had to constantly intake pain-removing drugs in order to endure Makihisa’s (and latter SHIKI’s) abuse and this state of not feeling anything disconnected her from her emotions. Kohaku admits that, to some extent, she did all of this because it made her feel human a little. What you would expect from this premise? Kohaku channelling her remnants of humanity into hatred for the Toono family and orchestrating her revenge. Was that what really was on her mind? Nope, Kohaku (and Kinoko himself, as Fate/Grand Order is a great evidence of) has a much more positive definition of what it means to be human. Kohaku expresses her humanity through fairness, empathy and a desire to make the situation better. Even though, Makihisa singlehandedly completely ruined her life, she acknowledges that he didn’t do it out of sadism or perversion, he did because he really had no other choice in order to keep himself from inverting and causing even bigger harm to everyone. Kohaku sees Makihisa as much of a victim of this tragedy as herself. 

Kohaku's revenge actually takes a twisted form of empathy. Kohaku doesn't have the standard revenge motivation of just wanting to hurt the people who hurt her, because she can objectively see the points of view of almost everyone involved in the tragedy.

It's a bit like Orestes where there's no true beginning or end point. Makihisa is a sick pervert and the instigator, but he also didn't choose to be born with demon blood that made him liable to turn insane at any moment. SHIKI is kind of helpless in all of this, as another person with demon blood he couldn't help inverting at nine years old and going completely insane, he's not really in control of his actions. Hisui is an innocent, and while Akiha is a part of the same family the moment she learned what Kohaku was suffering she stood up for Kohaku and made it stop.

"But, there wasn't anything else I could do. Without a purpose like that, I couldn't live. A doll cannot move on its own. Without anything to guide it, it can't move." "But still--" ...... That is unforgivable.

Comun frames Kohaku's motivations as genuinely believing the world would be better off without the Tohno bloodline, because it only has caused everyone involved with it suffering. Therefoer she makes a plan to kill every member of the family, except for Hisui and Shiki who are technically innocents, and then herself finally so Hisui can run off into the sunset together with Shiki who she'd always loved.

I'd also add that on top of empathy there's also a certain justice in her actions. Not justice in the sense that she has to hurt the people who hurt her, more like justice in the sense of fairness? Like, Kohaku isn't driven by personal hatred but rather a desire to make things fair and balance the scales. A family like the Tohno who cause misery to everyone shouldn't exist, because people shouldn't have mixed their blood with demons in the first place. There has to be a consequence to Makihisa's actions because you can't get away with child rape and the only one who could enforce it was her. The same way that Kohaku considers everyone's opinion equally and considers everyone equal victims in this twisted family cycle of revenge, Kohaku also acts to make things more fair.

To quote Percy again, it's like she's trying to balance the ledgers.

"And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil."

Kohaku's also constructing a narrative around her pain. She needs a reason to keep living, and that reason is the narrative she's constructed, the story she told herself that she only half believes that everyone would be better off if everyone associated with the Tohnos, herself included, except for Hisui and Shiki died off.

Of course this is just a narrative. A lie she is telling herself to justify her actions. Because Kohaku acts out of fairness, and empathy, but she also acts for the sake of acting. She wants a reason to move, because otherwise she would just be a doll, passively enduring suffering. The story she tells herself is in the end a lie, like all stories are. Kohaku ignores the feelings of two people in her assumption that everyone would be better off without the Tohnos, that is her own personal feelings towards Akiha, and Hisui's feelings towards her. Kohaku understands that the reason Hisui can't smile any more is that she's too horrified at all the things her sister endured to protect her. However, she can't grasp that killing herself in front of Hisui would just make Hisui live with that guilt forever. That Hisui would rather be miserable with her sister alive than happy with her dead.

(From the good ending)

"Nee-san......? Nee-san, hold on......!!" A desperate cry. Seeing that, the girl smiles like a child. "...... Huh? ...... Don't do that, Hisui-chan. Crying like that, it feels...... like back then." "What---Nee-san, why----" "...... Yeah, because if I, don't do, so, you won't be, able to return, to the way, you were." Her words in pieces, and with glazed eyes, she speaks to Hisui. "---------Nee, san." Hisui's face contorts in grief. Her tears flood her face. "...... Why? That's fine. I was okay with the way I was. If you were happy, then I was happy. I---I was always protected by you, so---" I was always happy. Painfully, she swallows her last words.

Yun is in comparison less magnanimous towards his abusers. He wants more straightforward revenge against his teachers and all the people who "lied" to him by promoting him as the false avatar.

This is the biggest area where he differs from Kohaku. Rather than Kohaku, I'd say he's more like Geto, someone with a savior complex who genuinely put their all into being good because they believed they had the responsibility to save people, only to be then betrayed by those same people they were working so hard to save.

I do still think empathy is the central motivation for both characters. Kohaku commits revenge out of a twisted sense of empathy to see the perspectives of everyone involved and decides the only way to fix everything is to destroy it all and wipe the board clean and give the two innocents in the Tohno Household a fresh start.

Geto and Yun are both high empathy individuals whose empathy for other people twists them so much when they're confronted by human ugliness and selfishness, that they end up turning on the same people they wanted to save. They feel a bone deep empathy that twists them into monsters because they're not able to exist in an unfair or imperfect world that isn't the way they imagined it to be.

'...no matter what, I hate non-sorcerers. But it's not like I hate everyone at Jujutsu Tech. It's just...' It's just that it was what Geto had to do. In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '...that in a world like this, I couldn't be truly happy from the bottom of my heart.' To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality. This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. JUJUTSU KAISEN ZERO LIGHT NOVEL

Geto is broken by the idea that all of his comrades and himself are considered expendable, and they're all meant to sacrifice themselves for an ignorant public. Yun is broken by the fact he broke his body and mind trying to be a great avatar because he wanted to help people, only to learn that it was all for nothing because he was discarded the moment it turned out he wasn't the avatar.

(Yun is more Morgan Coded but that's a different post).

It was too late. "I dedicated my life to people like you." Yun said. He couldn't tell if he was laughing, crying, croaking out beastial sounds of fury. "I wanted you to thrive. I wanted you to prosper. I tried so hard."

However, I'd say both of them Kohaku and Yun are driven by an underlying idea of fairness. They're not taking bloody violent revenge for personal gratitude, but because they can't cope with the unfairness of the world they're living in and are trying to find some ways to balance the scales.

Yun is so driven by fairness that he doesn't want to punish Kyoshi even though she technically stole the title of avatar from him. He considers her innocent of the whole thing, and even sympathizes with her and the struggles she carries right now as avatar.

"I can't believe you think I would ever hurt you." He gently tugged the closed fan out of her right hand. "You, the one innocent party in this whole affair! I would never hurt you, Kyoshi! For Yanghcen's sake, I used to be your whole life.!" He dropped the weapon and it pinged against the ground. "I know what's happening here. Your duties have gotten to you haven't they? I remember what it was like, carrying the weight of Four nations on my shoulders. Jianzhu used to liken them to unruly students in a classroom, requiring the guidance of a strong hand." He paused and chuckled, "I used to believe it meant showing the wya, leading my example. Now I know better. The world is a child refusing to listen, creaming in a tantrum. It needs to be slapped a few times until it learns to be quiet."

I think this is essentially the difference that makes one narrative and breaks the other. Nasu is fully aware of Kohaku's humanity even as she calls herself a doll. He goes to great length to demonstrate Kohaku's humanity in all the ways I pointed out above, by showing how much she sympathizes with others, by how she protected her sister, by how she's guided by principles.

More than anything, it sympathizes with Kohaku by making us as the reader understand that while she did bad things it was in retaliation to an even more horrible evil done to her. Also, that Kohaku only did these things because revenge was the only way she could think of to live, Kohaku was just a victim coping in the worst way imaginable. I think Nasu really nails down the hopelessness of someone who's clinging to revenge because they can't think of any other reason to live.

Whereas so much effort is put into Yun's backstory and detailing all of his suffering, only for him to be treated like a very standard villain. Like, honestly, Geto is a genocidal maniac and he's framed way more nicely by the story he's in than Yun. All Yun really wants to do is kill his abusers and that is apparently a sin too deep to continue living with.

Geto who does way worse things than Yun, and who is also killed by his former best friend is shown way more love and acceptance in his ending than Yun is.

This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. Where did it go wrong? And how could they start over again? The answer was left in their far-away, far-away youth. And even considering everything that had happened until now, it was clear that this story was about to end. But, there was one thing that was concrete. Even if everything was different now, there was still one thing that - from the very moment it all started - had never changed. Gojo knelt down, meeting Geto's eyes as he sat there. '...Suguru.' '...?' Geto Suguru. It was a named that the Jujutsu Tech organization feared: one of the four special grade sorcerers, who had killed over a hundred ordinary people, who had been named and exiled as the most evil curse use. But to Gojo Satoru, he was —— '————, ————' '...ha.' When he heard the words Gojo blurted out, Geto couldn't help but laugh. Such embarrassing (t/n: makes you self-conscious) words. Even why they were students, those words had never been said before. 'You should've at least cursed me a little before the end.'

In the actual manga of JJK too, Gojo tells a teenage ghost of Geto that if his adult self was there he was the only one who could have satisfied him. Gojo thinks about how he has to finally catch up to Geto after being left behind that day, when he moves on to kill the higher ups. Gojo's dream of protecting the youth came about because he never wanted someone to suffer alone like Geto did again.

Whereas, this is basically the only thing Yun gets told from his best friend and the hero of the story who is supposed to be the chosen spiritual guide of humanity chosen by the gods.

“It’s time to let go.” Kyoshi lowered her hands. “Whether you kill me here today or not, you have to let go of what happened.” “And it didn’t brting me peace. It was wrong that you were lied to, Yun. It was wrong for Jainzhu to do what he did, but he’s gone. Whatever pain and anger you have left - you have to live with it. You can’t put it on anyone else.”

Have you tried, uhhhhhh getting over it?

The "you have to live with it" is just particulary insensitive because as I went to great lengths to demonstate above, Yun was TRYING to live with it. Just like Kohaku, revenge was the only reason he could come up with to keep living.

It's fine if the heroes cannot find a way to reach out to save Yun in time and he dies because living for revenge is unsustainable. That's what happens to Kohaku, that's what happens to Geto. There's just a cruel lack of empathy in the way that Yun's death is framed. It's framed as a mercy killing, because Yun, a like eighteen year old boy who was retialiating against his abusers was just apparently so beyond hope. Not to mention that Kyohsi deliberately sides with one of the abusers and gives Hei - Ran a chance to redeem herself, but doesn't give that same chance to Yun her victim.

It's just this way that they characterize violence as bad but don't analyze at all where the violence came from or why they'd want to retaliate in that way. Gojo mercy killed his best friend Geto, but he also realized that the problem didn't begin with Geto and sought to create change in Jujutsu Society after Geto's death in order to try to break that cycle.

"I'm sorry for saying you have to live with your pain." Kyoshi put her palm into his chest in a gesture of comfort. "Because you won't." The cold she sent through his body formed a tunnel of ice between his ribs. It happened so fast, and with so much force, the air behind him turned to frost. With his heart and lungs frozen solid, Yun fell to the side.

Kyoshi kills Yun by freezing his heart. She specifically uses a technique that was taught to her to heal people, to murder him and put him out of his misery.

In the aftermath Kyoshi buries him and then lets the entire world remember him as a boy who went crazy and tried to kill the avatar. She doesn't even like... tell the whole story. That he was abused and lied to his whole life to clear his name.

Like, what a great friend.

This is what happened with Noel and Ciel too, but as I said in my Noel / Ciel post, Ciel killing Noel is meant to make her look like a terrible person. Noel is a victim caught up in circumstances, and Ciel could have saved her much earlier by lifting a finger and now that it's too late all Ciel can do is coldly put her out of her misery because Ciel isn't a hero. Shiki, a character who chops women into tiny little pieces has the opportunity to kill Noel a couple of times and doesn't do it, because he knows that killing her would be wrong and leaves it up to Ciel to decide.

Noel is fridged and dies a miserable death as a victim but it serves the greater story purpose of pointing out what a terrible hero that Ciel is. However, in avatar, the story still wants me to believe that Kyoshi is the hero so the only way they can accomplish that is by villainizing Yun and giving him an unsympathetic death.

if you wanted Yun's life to be some great tragedy, then you should let Kyoshi look bad. Let Yun died because Kyoshi completely failed to save him, have it be her wrongdoing. If you don't want Kyoshi to look bad, if you want her to be a hero then have her save Yun. You can only have it one way or the other. If the only way you can make Kyoshi still look like a hero is by victim blaming a victim of long term child abuse for not just getting over it then I don't know what kind of story you're writing there.

The writing just needs Yun to be a straightforward twist villain in the end for Kyoshi to defeat, so they downplay all of these good points and his status as the victim to make him fit into a more two dimensional role. If Yun is wrong because violence against his abusers won't solve his problem, then why is the solution for Kyoshi to just put him down with violence? Why is Kyoshi's violence sanctioned but Yun's violence not sanctioned? Kyoshi is allowed to kill Yun and put him out of his misery, but Yun can't kill his abusers? It's justice when Kysohi does it, but revenge when Yun does it? Kyoshi preaches that you can't stop the cycle with violence you have to let go then proceeds to end the cycle... by murdering Yun.

You can't preach this empty revenge bad message unless you're willing to look into why a character like Yun would want revenge in the first place, and how the world has failed him in ways that he thinks the only way to keep living is for revenge. You can't just tell him to let go without showing both him and the audience what letting go would look like.

This is exactly what Tsukhime did right with one of the most beautiful scenes in all of fiction, by showing that the cycle didn't end with Kohaku killing her abuser, and it didn't even end with Kohaku killing herself because each time she tried to enact revenge all she succesfully did was bring more pain into the world.

"But----" "Eh?" "But, there was just one strange thing." Really just a little bit. She said that as her eyes trailed off into the distance. "Akiha-sama protected me in the end. I knew there was a fifty-fifty chance she would do that. I stayed close to her for that reason. Revealing Makihisa-sama's abuse and devotedly helping Akiha-sama who was slowly turning nonhuman. ---Yes that's right. Really, I knew she would die protecting me." That smile. Even though she is smiling, she looks really sad, as if she's-- "But----I was really surprised at the time. Why is she protecting me? Why is she protecting me, risking her life?" ---She looks like she might burst into tears. "I still don't actually understand if I was actually happy or sad when Akiha-sama died. But when I wake up in the morning, I take tea to her room even though I know she is gone. Isn't this strange? Even though there's no one in that room anymore."

Kohaku thought she was relieving everyone of pain by killing the Tohno, that everyone would be better off, but the moment she succesfully kills Akiha she regrets it. It's all so hollow that she goes to Akiha's room every day for like a month leaving tea in front of her door.

Kohaku's identity is so wrapped up in pain, she forgets that in spite of the pain caused by those bonds there's also love. Hisui might not be able to smile because she feels constant guilt over how much Kohaku endured for her sake, but that doesn't mean Kohaku disappearing would fix that because she loves her sister.

Kohaku may think that Akiha is better off dead, that they're both better off dead because they only cause each other pain through their twisted connection but once Akiha is dead she goes to her door and leaves tea there every. single. day. because she valued her connection to Akiha so much.

Then she kills herself by gauging her knife out with a heart, mirroring Akiha who was pierced by the heart protecting Kohaku. "Hang in there...! Why, why did you do that...!" "Because revenge was the only thing I could do----I can only disappear when it's all over. I tried to find new springs, but I could never find one, and time ran out." She smiles. That... for no reason at all---- "What the hell is that? What are you saying...!" I look at the wound like I did to Akiha. ---She won't make it. It has pierced her heart. "........." Why? There was no reason---I just can't bear the sadness.

Revenge was unsustainable but because she couldn't be her genuine self in front of others, because she couldn't get in touch with her genuine feelings of affection for people like Akiha tshe couldn't find any other reason to live in time.

Even after Kohaku has just confessed to orchestrating the murder of Shiki's sister and terrorizing him for weeks on end, Shiki still begs for her to live though.

"...... Right? You're a normal girl who liked Akiha, was always worried about Hisui, and laughed when we talked about stupid things. So----" Even if she wished it and caused the deaths of Akiha and SHIKI... "--Kohaku, there was no reason for you to die." Increasing my grip, I say these words from the bottom of my heart.

I think that's ultimately what makes Kohaku's story superior, because it is at its heart a story about an abuse victim who couldn't find any better way of living. The story bends over backwards to show us all of Kohaku's good qualities, and how it's those good qualities that led to her fall, not any internal badness on her part. Even if Kohaku is someone who's capable of doing bad things and got a whole bunch of unrelated people serial killed by SHIKI. The tragedy is also on the onus of the main character. That's what the story of the ribbon is for, the whole thing could have been prevented if Shiki could give the ribbon to the proper girl in time. The whole thing is written with the premise that Shiki could have saved her, and he does in her route. It's as much of the main character's failure as Kohaku's.

On the other hand, the tragedy in Yun's story isn't that Yun is a longterm victim who didn't get the help he needed in time. It's that Kyoshi is sad because she has to put down her childhood friend like a mad dog. All of Yun's good traits are invalidated and he's painted as a villain to make the story simpler and as a result it's far more boring and doesn't have anything to say about abuse, or the human condition and how it survives terrible abuse like Nasu's writing does.

That's why Nasu is the goat.

At least until Tsukihime Remake comes out and Kohaku's route gets padded out with filler and turned into a giant extended boss fight that didn't need to exist at all that takes like five hours to finish NO I'M NOT BITTER ABOUT CIEL ROUTE'S TRUE END IN THE REMAKE AT ALL.

[east-blue-samurai-ii]

Straw Hats as Rock Climbers

Because I've been climbing for a year and a half now and I have Opinions

Zoro is the local stealth crusher who took up rock climbing as a form of training for kendou. Being an internationally ranked athlete in a different sport, he quickly picks up climbing and eats through the grades, with a particular emphasis on bouldering and, later, lead climbing. He befriends the setters (Johnny and Yosaku) and eventually just gets hired on as a setter part-time. Some of the problems he sets are above V10 and the gym places bounties on them for anyone who can send them. However, because climbing isn’t his main focus or passion, he rarely competes except in local comps at the insistence of his friends and doesn’t really broadcast when he sends impressive outdoor boulders and routes. While he mostly focuses on his own climbs while at the gym, he’s super encouraging to other climbers as well, pushing them to overcome their fears and limits and is happy for them when they tell him they finally sent that climb they’ve been projecting for almost a month. The team kids look up to him and he’s very encouraging of the younger kids, especially the ones who need an extra push to get over their fear of heights or falling.

Luffy took up climbing as a side hobby after Zoro got into it. At first, he just wanted to spend more time with his friend and a climbing gym sounded way more fun than weightlifting, but after his first visit, he was already hooked. Luffy is a very dynamic climber who incorporates a lot of movement and flexibility into his style. He loves climbs with lots of dynos and hates static climbs that require a lot of precise body positioning. He doesn’t like climbing shoes, though, and while the staff won’t let him climb barefoot, he did find a pair of barefoot shoes that worked for him. His main sport is MMA, so climbing for him is just for fun, but he finds it so much fun he eventually drags a bunch of his friends into it. Similarly to Zoro, he is very encouraging of other climbers, but has a tendency to bulldoze over a lot of gym etiquette which eventually got him a Talk from the staff. He never projects anything, getting bored of things he can’t send in a few climbs, so he doesn’t really progress like Zoro does and is brutally honest - often to the point of insensitivity - about the sets. He hates Zoro’s setting because it’s “too hard and no fun” and Zoro reminds him that climbing is just like martial arts and if he wants to get better he actually has to try and not just give up on problems he can’t send. Needless to say, Luffy doesn’t like that logic and progresses at a snail’s pace because of it.

Nami is Zoro and Luffy’s best friend who showed up to the gym one day to track them down because she couldn’t get ahold of them and somehow ended up getting roped into trying it herself by a very insistent and convincing group of women. She ended up enjoying it a lot more than she thought she would, but the sticker shock of membership and gear pricing hit her pretty hard. Thankfully, the group of women that dragged her into climbing with them offer to get her in on their guest swipes and even sell her their used gear at super discounted prices. She doesn’t really climb in the gym much, far preferring outdoor climbing with her new friends. The social aspect of climbing appeals to her far more than the physical and she ends up becoming quite close with the women she climbs with. 

Usopp is the newbie climber that gets reluctantly dragged to the gym by Luffy. He’s scared of heights, scared of falling, of the rope breaking, the harness failing, the auto belay malfunctioning, etc, etc. However, once he starts to conquer those anxieties, he takes to climbing in the same way he took to sharpshooting, engineering, and art. Usopp quickly becomes a regular, becoming even more invested in the sport than Zoro and Luffy, doing tons of research, watching all sorts of technique videos, and even hitting the gym along with Zoro for strength and conditioning. He generally prefers rope climbing because it feels a lot safer than bouldering, but steps out of his comfort zone more and more as his skill level and confidence increase. He finds he loves outdoor climbing, though he is too terrified to even try trad climbing, and goes with Zoro and the others sometimes or with other people he befriended at the gym. He does not participate in comps, however, as the idea of competing doesn't much appeal to him. He eventually starts a climbing blog where he posts advice, climbing stories, and gear reviews. He does have a bad habit of beta spraying and over-boasting, however, but he learns to temper that over time.

Sanji doesn’t really climb. He’s seen what climbing does to a person’s hands, and, since his livelihood relies on his ability to use them, doesn’t want to risk injuring them. A pulley injury would be devastating for his productivity. However, the combined efforts of Luffy and Usopp eventually wear him down enough to at least try. He thinks it’s alright, really not his cup of tea, but he was at least surprised to learn that climbing was a much more leg-heavy sport than he initially anticipated. He comes around every once-in-a-while when the others drag him to the gym, but otherwise doesn’t have enough investment in the sport to go on his own. He's perfectly content to stick only to savate. He does, however, make sure to adjust the others’ meal plans to account for climbing. 

Chopper is one of the younger kids who was enrolled in classes by Dr. Kureha off a promotional flyer to force him to do something active and socialize. His first time at the gym, he meets Luffy, Usopp, and Zoro and while they’re rather crazy, Luffy’s childish antics, Usopp’s funny stories, and Zoro’s solid encouragement really make an impression on him. It takes him a while to bond with the other kids in his class, but finds he prefers hanging out with Luffy’s crazy crew anyway. Chopper especially takes to Zoro who he thinks is just the coolest and wants to be just like him. Dr. Kureha is wary of them at first as any protective parent would be, but her fears are assuaged when she finally meets them, realizes they’re a lot younger than Chopper had made them out to be, and gets a good read on their character. Dr. Hiriluk had enrolled him in karate classes when he was younger that he stopped going to after the man’s passing, but ends up being encouraged to start them back up by his new friends. As a climber, he progresses steadily, paying very close attention to pre-hab and conditioning to prevent injuries. He is prone to rattle off medical facts and give out rehab advice to other climbers based off the extensive dive into sports medicine he’d been doing since he started climbing. He is especially on Zoro’s case who shows a very concerning pattern of ignoring the orders of his doctors and physical therapist and going way harder than he should while recovering from injuries. 

Robin comes to the gym with the others, but only gets on the wall sometimes. Mostly, she enjoys watching them, occasionally with a book in hand. She took the belay course and got certified so that she could act as a belayer for the others when they needed one, but otherwise mostly sticks to the sidelines. She’s made friends with the staff and often gets into rather intense discussions with them and other climbers considering topics she has expertise in. 

Being a double amputee, Franky finds climbing an invigorating challenge. There are a lot of climbs he can’t do, but he steadily finds work arounds and techniques that work with his prosthetics (or sometimes without) for a number of them. He’s a pro when it comes to campusing, but a lot of slab climbs just generally aren’t possible for him. Even so, he enjoys the sport and enters local comps for the hell of it. He hasn't placed in anything, but he's a well-loved fixture at them and enthusiastically cheers the other climbers on.

Brook is an old trad climber who spent much of his younger years climbing outdoors with his bandmates in their downtime. He’s done some pretty well-known multi-pitch climbs in his day and has a wealth of stories to tell the younger generations. He wasn’t a huge fan of climbing gyms at first and the way climbing has been evolving because of them, but he comes around to it and starts to enjoy watching what the newer generation of climbers is up to. Despite his age, he’s still quite fit and does hit up the gym on occasion during the off-season. Mostly, he enjoys taking the others out to his old crag and introducing them to trad climbing. 

Jinbe doesn’t much care for climbing. He’s more of a swimmer, and much prefers water sports. However, like Robin, he does enjoy coming to watch the others and share conversation with her, the staff, and the other climbers. Like Robin, he gets a belay certification and can be found not just belaying the other Straw Hats, but also other climbers around the gym. 

[lovemebutleavemewild]

Ruby player Soap who was gonna call a taxi home but Ruby Captain Ghost offered to drive him and reader home. Perfect! Now Johnny can get as handsy as he wants while Ghost drives.

Who knows what happens then they get to Johnny's place. I'm sure it's only polite to Invite his captain inside for a beer...

Anon, this took far too long, but I hope you see this and enjoy.

You first see the man over Johnny's shoulder. His face is buried in your neck and you've had enough drinks now that you don't feel as embarrassed at this very public display as you usually would.

You know he's Johnny's captain (his jersey and the Captain's armband he's got on one huge arm is proof enough) but you've never formally met.

You drop your eyes when they meet his—you're not so drunk yet that you don't have any shame—but when you look up again a few minutes later, the man is still staring. Even for a rugby player, he's huge and you're more than a little intimidated.

"Johnny," you finally say, trying to push him off for a second. "Johnny, stop now. People are looking."

Well, one person, really. And Johnny takes heed of your glances, when he peels himself off you, follows your line of sight. He utterly lights up when he sees who you're looking at.

"I forgot, yeh've not met Si, yet," he says and he starts dragging you through the crowd, death to your objections.

You can barely look at the man, even as Johnny babbles away. You keep tugging at Johnny's sleeve, trying to be at least semi-subtle, until he finally gives in.

"Better get this'un home te bed," he says, hand dropping to your ass, squeezing it suggestively. You don't even care, you're not even properly listening. You just want to get away from Simon's lazer-focus gaze.

Except, then Simon says, "I can drive ye both home," and your stomach sinks into your shoes.

Johnny is delighted, of course, and there's no way you can argue without sounding completely ignorant so you follow them out of the pub, a puppy following two bears.

Johnny won't hear of you sitting in the back of Simon's truck, drags you into his lap in the front seat instead, and the small space feels claustrophobic with the two men and you squeezed inside. Neither of them seem to notice and in fact, Johnny must be drunker than you think, because he also doesn't notice when his Captain's hand ends up on your thigh. Well, you don't think he notices, until you look up and find Johnny's eyes in the rearview mirror, locked on Simon's hand. And he looks—there's no other word for it—hungry. It's a look you sometimes see when you're in bed together and you feel your insides twist confusingly at the sight.

All in all, it doesn't really surprise you when the car slows to a stop in front of your apartment and Johnny speaks.

"So, LT," he says casually, hand landing on top of Simon's and pushing it down harder on your leg. "Comin' in for a drink, aye?"

[a-dope-fiend]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[olessan]

Elendil makes this genre of face whenever he's mildly perturbed. Peeved. Perplexed. His flabbers gasted

[noodleyboodley]

More Gabriel single father posting

[bsaka7]

absolute shocker but kaprizov is the highest scoring player in 23-24 not to make the playoffs (96pts/11th) + he played fewer games than anyone else in the top 20 (75gp). the next highest scoring player not to make the playoffs is....sidney crosby (94pts/14th). after kaprizov started the season carrying injury. if anyone cares!!!!!!!!!!!!!!!