#expect to see her again

[linterteatime]

Gijinka 2.0 of glados my ultimate beloved 💪

rambling and also sketches and stuff i made to come up with the design below:

Not very organized and also not the best pics but idc soo uh glados yeah, well since she is my favorite character ever I have to do her justice so I took the time to slowly come up with things for her design and stuff ( I do this sometimes for other gijinkas but she is probably the one i took the longest so far lmao) sometimes making doodles and being like "oh yeah that could look neat af" and trying it out, nothing insane just me vibin making terrible fashion choices, oh also I have made a glados gijinka before! But like there is barely any posts of her in Here lol, which is funny because I remember drawing her a ton but of course I didn't post that stuff bacj then because I was either lazy or was like "well this isn't worth to post, no one probs cares about this specific thing so whatever" both terrible mindsets of mine which I have gotten better at, but laziness still gets me a lot lmao, anyways I'm happy to have finished making her ❤️

[bluerosefox]

Once again. A new DPxDC idea/prompt.

(Deaged! Danny, Dan, Ellie, and Jazz!)

Enjoy my random ideas.

Look.

Selina....

Selina wasn't expecting this when she decided to have some fun and do what she does best.

She just meant to sweet talk her way into Master's gala/party. Flirt and get info, maybe some blackmail. Steal away the rare cat themed artifact he had recently gotten (and also steal away his actual cat, such a lovely little diva it is too). then she was going to disappear into the night like always.

So...

Selina casted her eyes into the mirror of her car and could see the tiny children she had rescued from Master's hidden basement lab. All but one was asleep, the oldest out of them, although she seemed to be losing that fight from the way her head was falling forward, eyes closing but would jerk herself back awake when she realized she was falling asleep.

Curled up as hard and as much as they could towards the little redhead was three dark haired children, Selina mused that they'd fit right in with Bruce and his little bats/birds.

Two were near identical boys, though one seemed to be much paler than the other and if she remembered right one had red eyes and the other had blue, and the last one of the sleeping kids was a tiny toddler, a girl she heard was named 'Ellie' from the others.

Selina took note that the red head, Jazz, had finally fallen asleep a few minutes later. With a deep breath as she drove further and further away from that... that insane Fruitloop (she overheard the two boys call him that as they ran to her car) Master's place, she blindly reached for her phone and pressed a single digit on the screen, knowing it will connect to her car and call up the only person she can trust to help her with this.

"Selina." came the gravely voice after a single ring, sounds like she caught him on patrol but he seemed to be in a spot where he was okay to say her actual name over coms or she caught him before his night shift started.

"Hello Darling, I need your help with some kittens I found and to help me... Put away their terrible old owner."

[marivanilla05]

Officially part of the cast for movie 27!

[pbnmj]

i deserve a spider-woman nepal..... miles doesn't have to be the only teen spider with a terrible bisexual mentor (enter my own sketches of the world's most annoying spiderperson, who i fling towards pavitr, complete with a design that's subject to change)

[ofswordsandpens]

its so funny cause the show had Luke be like "Annabeth's my sister. We're family <3" and they've showcased this close bond by having them interact for 2 seconds one time

[cator99]

out of curiosity, would you consider yourself butch?

used to be a blonde underweight twink and now I'm a based jock still got the chanel bag and the sick albeit matured mind of a suckpig to prove it so I'm gonna let you decide whether you wanna call me that word just cuz I got a pussy and short hair. I promise you that there have been enough advancements made in the art of lesbian sexual dynamics in the past 50 years to broaden the vocabulary used to describe the plethora of types of masculine females.

[cthoniccompanion]

maybe icarus went through with melinoë's plan because he assumed if something went wrong the consequences would be his to suffer, not hers

he's already dead. what else can be done? if he disappears, that's that. he wouldn't want her to get hurt, but she's a goddess. she's a powerful witch. wouldn't she be invincible in icarus's eyes?

and then he's horribly wrong

[fruitypieq]

God girl I missed you. I didn't even realize it but I missed you !!!!!!!

[reikomakoto]

For shinji's bday I had another photo shoot with my mantis shinshin (who has molted twice again since the last one). It's incredible to see just how big she's gotten, can't wait to see her reach her adult size.

She's just licking me, it doesn't hurt :)

She's biiiiiiig now

[danwhobrowses]

Okay yeah I wasn't ever gonna be contained with just one post so, Callowmoore stuff that's on rotisserie in my brain from ep.94

Long and deep looks at each other and a hug right off the bat!

When asked by Laudna if they were okay in ep. 91, Ashton deflected with 'say that again?' and 'are any of us?', but when Fearne asks they give a genuine answer and then also ask her how she's feeling, because she's been quiet and they care

Ashton, despite hurting when they're touched and exhausted so the chronic pain is as intense as the first time, still wanting to cuddle with Fearne - and feeling at ease when they do

And like, the way they were trying to articulate it implies that they've wanted to ask for quite some time, but the timing has been off or situations have gotten in the way, and they don't want to wait any longer

But also they don't ask if they can cuddle they ask if Fearne wants to; they want to, but they ask Fearne if she doesn't want to sleep alone, because her comfort is as important or more important than their own

Fearne given her past experiences with people of course thinks they mean the other kind of company, which she notes she does want (so that's not off the table) but asks if they could just cuddle - to which Ashton doesn't entirely deny either, but notes that they're tired and in a lot of pain right now so they too was asking for the same

Also the fact that Fearne, who has been in a threesome inside a corrupted haunted wood, will later flirt with a dark echo of herself, and spooned with a ghost pirate captain, got so flustered about asking Ashton that she just wants to cuddle

Despite the awkwardness they still just laugh and joke together through it, they're awkward but it's in a sweet way

All of Ashton's immediate action the second they realised Fearne was missing - similar to how they wanted to find her after the shard incident but this time in a position where they could take action - no nonsense, no pissing contest with Chetney about her scent being on their bed, "Find. Them. Now."

And then still being soft after seeing Fearne again, because all that matters right now is that she's still here. And another post I saw said it better but, Ashton never seeks to change or 'correct' parts of who Fearne is; she can still follow cute animals just next time bring a buddy along (which given how they were in bed together would imply meaning them), they love her for her, fae and all, they just want her to be safe

Not entirely ep. 94 but given how on 91 Ashton pointed out that they needed to sleep and 'figure out who they wanted to be', and then here ask Fearne to be there beside them so they could have someone to wake up to, it to me at least says a lot about what Ashton has already decided; and how despite both of them having dealt with grief and anger and helplessness by bottling it up, hiding away, and shouldering it alone, this time they both wanted to just feel at ease with each other

[hella1975]

it's been pointed out on here before that a lot of terf arguments are actually rooted in sexist idealology that feminists fought and died to unnormalise decades ago and that's its own kettle of fish but one thing i also find very frustrating about this so called 'radical' feminism is that it's so... defeatist? like the moment you categorically label an entire section of society as Bad and Inherently Evil then there's also the implication that nothing can be done about it, and it completely takes all accountability away. saying all men are evil is just another way of saying boys will be boys. he raped her because he's a man. he hit her because he's a man. he didn't listen because he's a man - it's almost offensively oversimplified. there's no point trying to fix this issue in society because men are just Like That, okay! so now what? it's not like they're going anywhere, so you just accept that 50% of the population are evil and will forever treat you terribly and there's nothing to be done about it bc they're biologically predisposed to it? like is that fr the argument here? you're soooo radical for that

[arthursfuckinghat]

Holy fuck guys I just heard a lady crying about her father? in the swamps it scared the shit out of me but I couldn't find her anywhere

[atopvisenyashill]

connections between naerys and sansa?

There’s plenty! She’s very much in a Naerys/Aegon scenario in ASOS & ACOK, where she has no ability to leave the capital, no one doing anything meaningful to protect her, and a King that is obsessed with sexually humiliating her. There’s a lot of romanticism and chivalry surrounding her character and how other people react to her character, the same as Naerys.

But also, Sansa makes the comparisons to Naerys herself, and she does it before she realizes what kind of person Joffrey is! In fact, it starts with her very first chapter where she compares Joffrey interrupting Ilyn Payne & Sandor Clegane to Aemon demanding a trial by combat against Ser Morgil:

A whole day with her prince! She gazed at Joffrey worshipfully. He was so gallant, she thought. The way he had rescued her from Ser Ilyn and the Hound, why, it was almost like the songs, like the time Serwyn of the Mirror Shield saved the Princess Daeryssa from the giants, or Prince Aemon the Dragonknight championing Queen Naerys's honor against evil Ser Morgil's slanders.

She will compare Joffrey to Aemon and herself to Naerys again later, to Ned:

"Father, I only just now remembered, I can't go away, I'm to marry Prince Joffrey." She tried to smile bravely for him. "I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies."

(lowkey she’s so fucking funny for that “i only just now remembered” comment, idk how ned kept a straight face for it)

She then uses Aemon (and the Cargyll twins) to make Tommen feel better and dunk on Joffrey:

Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry." "Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound." "Be quiet, or I'll have Ser Meryn give you a mortal wound," Joffrey told his betrothed.

Again, there’s a focus on Aemon’s romantic relationship with Naerys because that's what appeals to Sansa. But when people say "Sansa sees the world through stories" it's not just about how she romanticizes or idolizes knighthood, nobility, and chivalry - she thinks through information by comparing it with similar historical events or stories and analyzing it. She clearly sees the problem with Loras protecting Margaery from Joffrey by comparing him to the Toynes instead of Aemon, and Joffrey (once again) to Aegon the Unworthy:

She is so brave, Sansa thought, galloping after her . . . and yet, her doubts still gnawed at her. Ser Loras was a great knight, all agreed. But Joffrey had other Kingsguard, and gold cloaks and red cloaks besides, and when he was older he would command armies of his own. Aegon the Unworthy had never harmed Queen Naerys, perhaps for fear of their brother the Dragonknight . . . but when another of his Kingsguard fell in love with one of his mistresses, the king had taken both their heads. Ser Loras is a Tyrell, Sansa reminded herself. That other knight was only a Toyne. His brothers had no armies, no way to avenge him but with swords. Yet the more she thought about it all, the more she wondered. Joff might restrain himself for a few turns, perhaps as long as a year, but soon or late he will show his claws, and when he does . . . The realm might have a second Kingslayer, and there would be war inside the city, as the men of the lion and the men of the rose made the gutters run red.

She’s also not wrong in her assessment here because the Tyrells (my guess is Garlan and Olenna) are so worried about this outcome they just murder Joffrey and install Tommen; like Bethany Bracken, Margaery is groomed (with all the implications that are included in such a loaded term) to be sexually available to the King because her father wants power and doesn't care if his daughter is sexually abused to get it. Like Terrance Toyne, Loras is considered attractive, skilled, and has several brothers more than willing to start a war to avenge his death. I think it's incredibly intuitive that Sansa ultimately comes to the same conclusion as two seasoned political players like (presumably) Olenna and Garlan come to, and she makes this judgement call very quickly!

And Sansa also hits on a lot of (correct) similarities when she makes these comparisons between Joffrey's court and Aegon the Unworthy's court; Aegon and Joffrey both have wild, violent temperaments while being notoriously difficult to control. It’s not just Naerys that attempts to get Aegon to stop marital raping her; Aemon’s useless tears aside, Viserys does do the bare minimum here in sending Aegon away so Naerys can heal from her miscarriages, Daeron got shitty with the Brackens about being tacky over Naerys' marital rape and ill health, Baelor fasts himself to death over Naerys’ miscarriages, etc etc. All of the “authority figures” around Aegon think his behavior is wrong but Aegon proves stubbornly difficult to control or kill. Joffrey falls along these same lines - Cersei, Robert, Tyrion, Tywin, and even Varys all struggle to get some control over Joffrey but like Aegon, he knows once he’s of age and has that crown he doesn’t have to answer for SHIT and stubbornly resists every attempt to curb his behavior. Joffrey is a hell scenario waiting to happen because like Aegon, he’s petty and petulant enough to pull the stunts Aegon pulls like pitting his true born kids against his bastard born ones and causing another violent succession crisis. I say this as like, the ultimate Joffrey Apologist here, lmaooo, he has reasons for being a nasty piece of shit but the Tyrells are right to look at him and go “oh that’s trouble” because he is a ticking time bomb. And the crazy thing is, it’s not just Sansa who compares Joffrey to Aegon the Unworthy:

"A king can have other women. Whores. My father did. One of the Aegons did too. The third one, or the fourth. He had lots of whores and lots of bastards." As they whirled to the music, Joff gave her a moist kiss. "My uncle will bring you to my bed whenever I command it." Sansa shook her head. "He won't." "He will, or I'll have his head. That King Aegon, he had any woman he wanted, whether they were married or no."

Joffrey makes the comparison himself. He's a piece of work just like his hero and he is directly threatening to rape Sansa the same way Aegon raped Naerys and poor Bethany Bracken. He is directly admitting he is "unworthy" and practically daring all of KL to overthrow him for it because he thinks they'll blink before he does (and he is unfortunately deadly wrong in this assumption).

And when you extrapolate out from there, you can see other, similar patterns between Naerys' life and Sansa's, beyond the Joffrey-Aegon, Margaery-Bethany, Loras-Terrance, and Sansa-Naerys parallels. Tyrion himself aspires to be a sort of Viserys II type player (see: "It should have been called the Lives of Five Kings" rant he gives to Oberyn); a power behind the throne directing his crazy family to do what's right or smart or proper. There's an interesting echo in Viserys taking direct action in sending Aegon away from Naerys and Tyrion stopping Joffrey in his assault of Sansa - like Viserys, he can see the monster in the king he is raising, makes an attempt to stop it, but fails because he underestimates just how dangerous and erratic his little king has become. Like Viserys, Tyrion is suspected of poisoning his own nephew in an attempt to get closer to power and the throne (and Viserys, like Tyrion, is probably innocent - the sort of fasting that Baelor was doing regularly is hard on the body!).

I don't think any of this is coincidental or accidental either, because of that haunting scene where Joffrey destroys the gift Tyrion got him. Here's the scene, excuse the wall of text, but it's important:

He plays the gracious king today. Joffrey could be gallant when it suited him, Sansa knew, but it seemed to suit him less and less. Indeed, all his courtesy vanished at once when Tyrion presented him with their own gift: a huge old book called Lives of Four Kings, bound in leather and gorgeously illuminated. The king leafed through it with no interest. "And what is this, Uncle?" A book. Sansa wondered if Joffrey moved those fat wormy lips of his when he read. "Grand Maester Kaeth's history of the reigns of Daeron the Young Dragon, Baelor the Blessed, Aegon the Unworthy, and Daeron the Good," her small husband answered. "A book every king should read, Your Grace," said Ser Kevan. “My father had no time for books.” Joffrey shoved the tome across the table. “If you read less, Uncle Imp, perhaps Lady Sansa would have a baby in her belly by now.” He laughed … and when the king laughs, the court laughs with him. “Don’t be sad, Sansa, once I’ve gotten Queen Margaery with child I’ll visit your bedchamber and show my little uncle how it’s done.” Sansa reddened. She glanced nervously at Tyrion, afraid of what he might say. This could turn as nasty as the bedding had at their own feast. But for once the dwarf filled his mouth with wine instead of words... [Joffrey gets a Valyrian sword and figures out a name for it, Widow's Wail, it's a few pages, it's not relevant here] Joffrey brought Widow’s Wail down in a savage two-handed slice, onto the book that Tyrion had given him. The heavy leather cover parted at a stroke. “Sharp! I told you, I am no stranger to Valyrian steel.” It took him half a dozen further cuts to hack the thick tome apart, and the boy was breathless by the time he was done. Sansa could feel her husband struggling with his fury as Ser Osmund Kettleblack shouted, “I pray you never turn that wicked edge on me, sire.” “See that you never give me cause, ser.” Joffrey flicked a chunk of Lives of Four Kings off the table at swordpoint, then slid Widow’s Wail back into its scabbard. “Your Grace,” Ser Garlan Tyrell said. “Perhaps you did not know. In all of Westeros there were but four copies of that book illuminated in Kaeth’s own hand.” “Now there are three.” Joffrey undid his old swordbelt to don his new one. “You and Lady Sansa owe me a better present, Uncle Imp. This one is all chopped to pieces.”

God I love that passage so much. There's a lot there but what's relevant is a) both Oberyn and Garlan are trying to get a measure of who Joffrey is, and have some child murdering plans potentially in the works during this scene. Watching Joffrey destroy a priceless tome of history given as a well thought, well meant, incredibly generous (and pointed) gift from his uncle is more than enough proof for either man to decide Joffrey is not worth the headache, and please note Garlan is the only person to call Joffrey out to his face, and Oberyn is a few pages later the only person to acknowledge this was a fantastic and kind gift from Tyrion that Joffrey reacted absolutely deranged towards for no reason. and b) Tyrion is almost literally saying to Joffrey "I can be your Viserys, I can make it so you're remembered as a great king the way Daeron II or Baelor are, or a great warrior like Daeron I, but you have to understand the reason why I'm worried about your behavior" and Joffrey does the most destructive, unworthy thing he can possibly do - he quite literally destroys priceless, useful historical knowledge and wisdom with his bare hands, in favor of senseless, petulant violence. As Catelyn would say, Joffrey's real bride is not Margaery, but the war he's fighting and the crown on his head.

All of this to say - there's a lot of parallels between Sansa's situation in KL and Naery's life and these parallels are drawn not only by Sansa herself, but also by several people around her. However, I hope for better things for Sansa than what poor Naerys got - I hope for an Aemon the Dragonknight that will do more than just cry while she's raped, but actually step into that room and defend her, or else give her the power to defend herself. Despite the long wait for The Winds of Winter, I also think it's likely we will get some sort of Dragonknight, devoted sworn sword for Sansa and this person will help protect her, and Sansa will have agency that Naerys could only ever dream of.

[fistfuloflightning]

Imagine you get lost in the woods. You don’t know where your family has gone, but you haven’t seen them for days, maybe a week. It’s safe to assume they’re gone. You haven’t seen anyone around for a long time—sometimes you hear giants’ noises from further up in the woods, they’re always moving back and forth but never venture into the deeper forest where you are.

But then one day, you hear what sounds like your mother. The tone is off, the words garbled, but it’s close enough and the relief is overwhelming. You’re no longer alone.

You can hear the voice calling in response to your own cries, and in your desperation you claw your way up a bluff overgrown with weeds. Up toward the giants’ road.

It is not your mother.

You should feel surprised. You really should. But all you feel is relief. You don’t care that it’s a giant that bends down and reaches its massive hands around you, crooning in its strange words as it cradles you so so softly. You don’t really feel much at all, really.

The giant carries you along with it as it leaves the forest. The journey to its home is mostly a blur, as you curl up and sleep for what seems like the first time in days. And when you come to, the giant has set out food for you, and water, and is trying to wash your face with its massive digits. You aren’t all that frightened, as you’ve seen other giants from afar. And while some might be louder and more aggressive, this one speaks quietly and moves slowly. You let it wipe your face, too tired to do much more than stretch your limbs a little.

Somehow this is just the beginning of a new chapter in your life. The giant feeds you and cares for you, shares quiet companionship with you. Some might say the giant keeps you as a pet, but you know the truth. You are treasured, and that’s all that really matters.

[mxtxfanatic]

Another pro-reader tip for mxtx novels: they are all stories with clear-cut good guys and bad guys and a strong moral message, BUT you have to actually read what the story has to say about characters without taking anything at face value, relying on genre tropes, or using identities and statuses as shorthand to your understanding of the moral system and themes of the story. So no, most characters in her stories are not morally gray (though some are, most can be definitively categorized as either morally good or bad, and ALL of her main characters are definitively morally good), and no she does not write morally gray plots where “morality is just subjective!” If anything, the term I think people are looking for is “morally neutral” (meaning that the thing is not assigned a morality in and of itself) in many cases.

An mxtx character is never designated as good or bad based off their backgrounds or class: Wei Wuxian, Jin Guangyao, Shen Jiu, and Mu Qing all grow up outside of the elite class, but Mu Qing (eventually) and Wei Wuxian are unquestionably good guys while Jin Guangyao and Shen Jiu are unquestionable villains. Shen Yuan, Lan Wangji, and Xie Lian all grow up within the gentry class but are all good guys while Jiang Cheng, Jun Wu, and The Old Palace Master are bad. Likewise, life circumstances or tools don’t determine morality. In mdzs, the sword path (which is the orthodox one) is used to commit genocide by the general cultivation world just as easily as Lan Wangji wields it to protect the forsaken commoners. Wei Wuxian’s ghost path was created to protect himself before being used to protect others, but Xue Yang and the Jin Clan pervert it to cause mass destruction for their own wishes. In tgcf, Xie Lian uses his god powers to attempt to help the Yong’an people while the other gods simply collect worshippers to increase their power and oppress lesser gods. Every character I’ve listed minus the Old Palace Master has experienced intense trauma that has informed their lives and colors their morality, but it does not define why they have chosen to take on certain moral stances.

(This is not to say that mxtx doesn’t have certain tropes she dislikes, as she clearly hates the “dedicate their whole existence completely to another person” trope. Su She, a villain dedicated to Jin Guangyao, dies. Zhuzhi-lang, a sympathetic antagonist dedicated to Tianlang-jun, dies. Hua Cheng, A WHOLE LOVE INTEREST dedicated to the literal main character, dies a whopping three (3) times before he learns his lesson.)

Mxtx does not condemn those who stray from orthodoxy. In fact, every story she’s (currently) written is about the dangers of entrenched and unquestioned hierarchy and status quo giving way to corruption every time. She wants you to question the dominant narrative of the benevolent group who descend from on high to “save the ignorant masses.” She wants you to question the idea that the only people with the right of choice are those at the top of the hierarchy. She wants you to question the idea that even the smallest decision of “powerless” people does not matter in “the grand scheme of things.” She wants you to actually think about the story conventions that you accept as infallible and question whether or not it would make for good shorthand by which to understand well-written characters and story arcs (and also, hopefully, how society is structured at large). So if you find yourself reading an mxtx novel and siding with the mob characters or lamenting how x character was locked into making certain choices “against their will” or being unable to reconcile how a recognized trope led to an unexpected conclusion because “that’s not how it’s supposed to go,” then it may do you some good to stop and ask yourself “was this idea supported by the narrative that I read in the book, or is this an idea I’ve come to entirely from my own preconceived notions of how I wanted the story to turn out based on how other, similar stories have panned out?”

[ofswordsandpens]

I think the show is very clearly planning on having Luke only ever view Annabeth as a younger sibling which has me smiling, grinning, jumping for joy, but I think they may also be getting rid of Annabeth's crush on him??? Which is just??