"Sun froze."
"His entire body shook. He wanted to scream."
"SO BADLY."
Based on Chapter 5 from the fic "Lofi beats to capture children" by aug325 (@dana-chan-the-control-brain) on Ao3
Sunny's about to have a brakedown on his second day at the daycare
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i think we should normalize demigods growing up to be average people. bc rick really went out there and said george washington and harriet tubman were demigods but just think about this for a second-
"ah yes that gas station attendant is a son of hermes, god of travelers"
there's simultaneously so much and so little potential here
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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I made yumalia fandom children  this is Amalia with her two twin daughters. Yuri and Amelia Yuri is a fashion. Designer and Amelia is a baker like her father and grandpa. 
Happy late Mother’s Day
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you can't tell me katniss "i used pattern recognition to destroy the arena in catching fire but can't tell when someone's being genuine" everdeen and peeta "oh i have to hide? guess i have to disguise myself as a rock with the icing skills ive aquired over the years" mellark weren't the blueprint for autistic x adhd dynamics
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Hey maggots, Good Omens Mascot here. I woke up and chose to make a Final Fifteen quiz. In fact, a which line from the final fifteen are you quiz. It's my first ever quiz.
Starting a tag game! It's so fun! Let's all join in and share our results! Here's mine! I'm okay! This fandom is so stable! So is its Mascot!
@howmanyholesinswisscheese @queermarzipan @soleilpirate @random-doctor-on-the-internet @eybefioro @1800ineedshelp @bat-plus-moth-equals-both @singalongpoppet and everyone who sees this. Spread the happiness *smiles in broken inside*
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one night, percy slipped out of his cabin, unable to sleep because of nightmares. he was planning to go to the lake when he noticed a hunched figure sitting by apollo's cabin. as he approached, percy realized it was will.
will cried in percy's arms that night, telling him how tired he was. tired of being the head healer, tired of being in charge of the cabin. he just wished he had big brothers again. and percy realized how early will had lost his big brothers, through percy's own fault. how early will had basically lost almost all of his siblings.
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As if I wasn't already exhausted enough this morning...
It's been brought to my attention that people are taking my fanfics, editing them, and sharing them around. I don't have the words to describe how not okay this is. If you don't like something about my fanfic, then I'm sorry to hear that, but there are a lot of other fics out there you can read instead.
I put time and effort and care into my writing, as does every writer. To take my work without permission and change it feels like someone just punched me in the gut. Frankly it makes me not want to share my work at all and to take down all the writing I do have up, because why should I share anything with people if all they're going to do is decide it's not good enough and they're going to do what they want with it and make it "better"?
And before anyone comes at me, this is not what a transformative work does. This is not the same as fanfiction. I'm fucking exhausted from working two eleven hour shifts over the weekend so my brain is not working so someone smarter and more articulate than I am can explain why. I'm tired.
This genuinely makes me want to take down all my works and not share anything new. It's very simple, kiddos: Don't like it? Don't read it. You will miss out on some fanfics that way, just like you'll miss out on some films, or books, or TV shows. I've missed out on really good fic, novels, films, etc, for the same reason. We all do. It's a part of life. Stuff will sometimes have things in it that you don't like. Skim those parts, fast-forward those scenes, grin and bear it, or just go and read/watch something else.
Normally I would make this post unrebloggable but I worry other writers in this fandom might experience the same thing and not realize it. So people are welcome to reblog this. Anyone who's an ass on it will be blocked, no second chances.
Just. Don't do this guys. Holy shit don't do this. What the actual fuck.
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