#finally replying to things

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[last-flight-of-fancy]

May I offer you a silly thought?

Gulool Ja Ja losing their two minds because baby Lamat is crying for hours on end. Ready to summon a primal just to try and soothe her.

Big bro Koana comes, picks her up, purrs, bam. Baby Lamat instantly calms and falls dead asleep. Gulool Ja Ja crying because finally silence! But also gods above that sight is too cute.

I LIKE THIS SILLY THOUGHT VERY MUCH Koana was made to big bro fr ;-; it doesn't take long for her to outgrow being picked up by big bro, but as we saw in DT that doesn't stop him from trying

i bet you anything that if Gulool Ja Ja had access to cameras he would have entire photo albums full of his kids baby pictures. and also a homer simpson style Do It For Her board.

[spacedlexi]

Pls if u can draw minerva more i rarely see fanart or edits of her its only hate and slander 💔 they don't understand her

guess what anon 😏

love this traumatized lesbian who makes it everyone elses problem

[yrdnzz]

> the scent of a goal.

on twitter | on instagram

[a2zillustration]

The final day

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[flowercrowngods]

a tiny thing for @eddiemonth day 06: crush & sincere

“I will crush you beneath my heel like vermin.”

Like thunder, the evil wizard’s voice rolls over the battlefield, leaving fear in the heart of everyone who’s alive enough to hear it and rattling the bones of those who aren’t.

Men and women alike, soldiers and knights and able bodied young men, watch with bated breath as Sir Steven, the bravest of them all, rises to his feet again beside the black-clad wizard, his grip on his trusty sword never wavering as he wipes blood and sweat from his face.

There he stands, heroic as ever, meeting the evil wizard’s eyes with a heated glare of his own.

“Try,” he says, standing his ground as his voice, too, is carried over the battlefield. Carried, indeed, for the wind blows in his favour, the sun shines only for him, and the ground beneath his feet holds him up like a trusted friend, a most beloved brother.

Sir Steven reaches towards his neck, feeling the band of leather against overheated skin, a charm resting just above his heart — right where it belongs.

The wizard doesn’t have what he has.

***

A soft chuckle abruptly changes the scenery and rips Eddie into a different world once more; sun glazed battlefields replaced with the darkness of his room, hard soil replaced with the softness of his bed, and a knight turns into a beautiful boy wearing his favourite shirt.

“A magic used guitar pick necklace? Is that what the evil wizard king doesn’t have?”

Steve’s eyes are closed but the smile on his lips shines bright, and Eddie can’t even be mad about the interruption. He reaches out a hand and trails his fingers through Steve’s hair, gently combing back the locks sticking to his sweaty forehead. The smile dims a little, turning into something more genuine.

“I can’t believe you interrupted me at the best part there, Stevie. I was going to make a heroic entrance as a dragon shifter, called to the knight simply by touching the charm.” He keeps up his slow and gentle caresses, his hands trialing down to Steve’s cheeks and neck, where Eddie’s necklace clings to overheated skin indeed. “It means a lot, you know, a charm like that.”

Steve hums, moving closer to Eddie, seeking his warmth and his touch alike, and Eddie can’t possibly refuse him.

“It could save the world, you mean?”

“Hmm. The world. A young boy’s heart. And everything in between.”

Steve blindly reaches for Eddie’s hand and brushes a kiss to his knuckles, and another for good measure.

There’s a weight to their words that’s not meant for moments like this, but it hangs in the air nonetheless, and Eddie breathes it in. The weight of a past survived and a future acknowledging that. Both of them shared like this moment. A promise.

“So what happens next? With Sir Steven and the evil wizard, and with Eddie the dragon shifter. That’s very fitting, by the way, you little hoarder,” Steve laughs, still keeping his eyes closed, and Eddie can’t help but join in, overwhelmed with affection for this boy.

This sunshine boy who’s having a bad day and a fever but still manages to be the most radiant thing in the world. This wonderful boy who asked Eddie to stay and tell him a story until he falls asleep.

“Don’t feel good? Do you wanna stay in bed, baby?”

“Yeah. Can you stay?”

“Of course. Cuddles?”

“Could you maybe… Could you tell me a story?

“I’ll tell you any story you want, sunshine.”

This incredible, insufferable boy who’s too nosy and too sassy for his own good, interrupting Eddie here and there to ask questions or give a snarky little comment that’s dripping with fondness whether he’ll admit it or not.

This boy. His boy. With the smile and the wild bed head and the insistent tug on Eddie’s hand to tell him what happens next.

And so Eddie continues his story about the evil wizard being defeated and the world celebrating the heroics of the knight and his dragon and their unlikely band of friends. If he adds a little Lord of the Rings imagery here and there, Steve won’t know about it anyway.

Before he reaches the end, Steve’s hand goes slack where it’s tangled with Eddie’s, and his breath evens out, the smile never quite fading from his lips. Eddie keeps talking, though his voice is hushed now and thick with a smile of his own now.

He loves him. God, he loves him so, so much, he can barely stand it.

“Good night, Stevie,” he whispers even though it’s barely three in the afternoon. He gets up and out of bed, tucking the blanket around Steve’s sleeping form and brushing one more kiss to his hair before sneaking out of the room on slow, quiet steps.

Outside, Wayne is reading a book on the porch, a cigarette in his hand. Eddie snatches one from the pack and leans over his old man to brush a kiss to his hair, too, feeling far too full of affection right now and needing to let it out. There is a sincerity inside him that needs to be shared.

Wayne lets out a gruff kind of hum, but Eddie isn’t so easily fooled, smiling as he lights his cig.

“How’s your boy?” Wayne asks.

“Asleep for now.”

“Good.” There’s a moment of silence between them and Eddie closes his eyes against the afternoon sun for a moment, drawn back to his story. “You let me know if he needs anything.”

“Of course. Thanks, Wayne.”

“Sure. Just wouldn’t wanna be crushed like vermin, is all.”

The laugh bubbles out of Eddie before he can help it, sincerity replaced by something lighter, something manageable for now as he lets his uncle bully him for telling ridiculous stories to the boy he loves so endlessly.

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.

[lemedstudent2021]

MY LIFE IS A JOKE!!

but who cares if its funny af lmao. i passed my hardest and most beloathed exam alhamdulillah not only that its the highest mark ive *ever* gotten on a system!! the irony is actually killing me lol.

anyhows i have roughly 10ish days of studying to make up for so i cant slack just yet aha, but just wanted to tell yall ya girl is aight and thank u for bearing with me skjkjbhdf <3

[the--highlanders]

what do you think jamie does after he's sent back to scotland without his memories?

i think he's always been torn between loving his home, the house he grew up in and the river he played in as a child and the hills he knows like the back of his hand, and yet still deeply longing to leave his little world behind, because he never quite fit right. (and he did! he got out!) but then suddenly he's right back there. he goes back to his childhood home but it's not home anymore and he doesn't know why.

so would he stay and try to fit again, even though he's grown out of his place there? or would he leave, and go looking for whatever had changed him?

YESSS I am so 100% on board with everything you said here. jamie really feels to me like he's someone who's so deeply rooted in his place and his culture, and yet someone who's been battling off this sense of isolation his whole life, and it's all tangled up and complicated inside him. in part he knows his home like the back of his hand /because/ he was somewhat isolated and spent a bunch of time wandering around on his own, and connects to his culture so much because he was chasing a sense of belonging. and on the other hand he had friends and was probably well-liked! but the isolation is still there. maybe even worse for the fact that he wasn't entirely alone.

I do think the crucial point to what jamie does when he's back in scotland is. why exactly he stepped on board the tardis in the first place. which is something I still don't feel like I've fully been able to express even after literal years of trying, maybe because it works best as an impulse borne of him having a deeply traumatic turned deeply strange day. I hc that while jamie's father, brother, and best friend have now died, his mother is still alive and at home, along with other relatives and much of the rest of his community. he /has somewhere to go back to/. he chooses not to go to france and to try his luck with making it home instead, and then all of a sudden he's stepping onto the tardis. sure, he's somewhat confused, and certainly doesn't know what's happening or that he won't be able to get back - but he does still go with them. in that moment, some part of him wanted /out/. going with people he knew to france didn't tempt him, but running off with basically total strangers did. he wanted an entirely fresh start, a blank slate.

on the flip side, the jamie who gets sent back after the war games is /different/, even subconsciously. somewhere buried in there is a person who's more mature, has had three more years of experience, has dealt with so much more and stepped up in ways he probably couldn't have dreamt of when he first left scotland. he's dropped back on drumossie moor, apparently in daylight, presumably with something implanted in his head telling him that the doctor and ben and polly left, he waved them off and turned towards home. so I think that's what he'd do - he'd go home, and try to pick up the pieces as best he could.

at this point, and as he realises more and more that something's /not right/ and he's missing something, I think his sense of isolation is worse than ever. he's so, so close to snapping. but his whole world is holding on by a thread, now - his own family has been decimated, many others are in the same position, they're close enough to culloden and inverness to be subject to a few reprisals and raids from the government - and oddly enough I think that holds him together. he steps up, because somewhere deep inside he knows how to do that now. he's grown up. maybe everyone else just puts it down to the war. it's not like they know any better. and if we know anything about jamie, it's that he can hold himself together if someone else needs him. is it good for him? certainly not. but he's hanging in there.

in my timeline for things he does settle down somewhat once he starts to regain his memories and understand what's happened to him. it /is/ just another thing that sets him apart, and that always hurts, but he's also more confident and understands more about himself than he did growing up, so it rattles him less. he's probably easy to talk to and go to with problems, and friendly enough that you never really realise he doesn't open up about himself. he grows into a bit of a leadership position in his village, and it's good for him, in a way. he's also his own person, not his father's son, and I think that's a sick sort of relief for him. marrying kirsty also helps, because she's a fellow misfit and a great friend, and someone who he can share the truth with. their 'more children than there are days of the week' are lost and orphaned kids they collect, because he's not going to let anyone else grow up alone. it's a weird sort of limbo where he's waiting for the doctor but also has no certainty that he'll ever see him again, where he's made a life he's proud of with people he loves and yet there's always parts of him that are desperately unhappy - but he's getting by. he's good. he's got good things that get him through.

if he /didn't/ get his memories back, though, if he was just caught in that confusion forever... that's where I could really see him leaving. at some point he /does/ snap, and he just. heads off on his own, looking for something he can't remember. it feels good, to always be on the road, maybe to help people where he can as he passes through. he's not tied to anyone, doesn't have to be who anyone else wants him to be, and there's freedom in that. but he always feels like he /shouldn't/ be alone in this, that he should be wandering with someone.

[thatdogmagic]

re: this pointless shit again

Well, I'd done pretty good ignoring this as I promised I would, but a third party meddler made that impossible, so here we go.

So, as some of you may know, and some of you may not, pretty much every time I post an update to the website, a trio of stalkers jump on my every word and go on a posting blitz. These are people who very openly just want me ostracized from every community I'm in, at a time when community matters more than anything, and they've proven that they'll invest over a year's worth of time into making that happen.

There are a series of posts about it listed here. I suggest people read Ependa's post especially because she keeps getting ignored in all of this.

I honestly think I took too much of the responsibility for what all happened in the posts that are still up, but it is what it is. I was doing my best to be gracious and diplomatic about it. More's the pity.

Anyway I suppose I should be flattered by the level of effort involved in all of this, but it's still a pain in the ass. I've done my best to ignore it, and was overall managing pretty well, but that was before a third party decided to involve themselves to stir shit and/or score internet points.

In March, after the most recent update and rollout of commission prices, someone kindly reached out to let me know that there was some exclusive werewolf artist telegram group chat going on. Effectively a kind of clubhouse, with a pretty wide range of people in my peer group. The owner followed me, and had gone as far as to send me DMs in the past, but to my knowledge had never extended an invite.

They did, however, extend an invite to one of my stalkers, who, again, for the past full year and change, has been openly calling for me to be publicly ripped apart and ostracized.

This person has not been at all shy about that. The owner nonetheless platformed them for a couple weeks. During that time, they went on near daily rants about me specifically. So far as I've been told, I was pretty much all they could talk about, before they dropped out of the chat on their own accord.

I can't say that the owner was intentionally drama-mongering or not, but it doesn't really matter, at this point. I have a hard time imagining that they didn't know this was going on, however, and have blocked accordingly.

Now, as I said, there was only one person that reached out, and I'm grateful they did. But it is only one out of 70+ individuals, which doesn't feel great. I mean, this is the same community of peers for whom I'm trying to build an entire website. Which was already a lot of work with a lot of uncertainty. Now, suddenly, it was more of both.

I'm bringing this up because, even before all this, uncertainty was a daily issue I had to grapple with regarding this issue. This situation has made me feel like I have to keep track of every moot on a near-daily basis to make sure they haven't suddenly unfollowed. It's made me have to assume every unfollow in my peer group is due to someone buying into the drama.

Some of you have caught mutes or blocks that may have been undeserved as a result. I'm sorry about that; I'm just not interested in taking chances with this, and I don't want someone who may fully believe all the nonsense to have access to me on sites I want to post on comfortably, among friends.

In addition to having to keep all that in mind, I also just generally have to brace for the fact that, every single time I post a site update, I'm in for another round of bloviating. Which isn't fun, but it's decidedly less fun when I have to care about a) any of it, at all, in any capacity, b) how intense it is this time around, c) who fell for it.

It was a lot to keep in mind already. On top of all the actual work involved. It made writing and coding all of these updates even more of a chore, which is arguably the point of the harassment campaign , but, I digress.

So, needless to say, hearing about this, that this was not only allowed, but that people more or less sat passively by...

My motivation was already on shaky ground. And I'm not too proud to say that this effectively killed it.

It's not that I think all the folks in the group chat are awful; I think many of you just plain wanted to stay out of it, which, for the record, I appreciate. But, things being the way they are currently, you unfortunately now represent a level of uncertainty that is way too much for me to take on.

That is to say: I would rather not have to care about unfollows, at all. I would rather not have to care about whether or not someone believes the bullshit. I need to stop caring about it, period. I need as few reasons to care about it as possible, which means shedding a couple-few of them where I can.

So-- for my own sake, I'm stepping away from the idea of this being a larger community site. It's instead going to focus on folks that Angela and I already trust and have worked well with in the past, including alums from the original Werewolves Versus run.

Like I said: I already can't tell the difference between someone who just wants to stay out of it, and someone bought in to all the bullshit. I can't tell the difference between an unfollow for 'eh too much porn these days' reasons, and 'I fully believe she's a ~horrible transphobic rot~ on this earth and should be fully ostracized from the community' reasons.

It's all been a little too 'high school but super high stakes' for me. And in the year 2025, I have to admit to myself that I just don't have the energy for it. Not with fash breathing down our necks every day of the week. Quite literally on the day I've been drafting this, my state governor had to release a statement about how the Feds are threatening to arrest him.

That's the very real uncertainty we're up against right now. Adding 'now regularly give a shit about the fallout of some petty internet drama' on top of it is too much to ask.

We'll leave ourselves open to bringing in additional creators as time goes on, but yeah, the grand vision for the place needs to be set aside in favor of something more manageable. 'Cause, end of the day, I only ever wanted to work on my own shit, and facilitate others being able to work on theirs. The community thing was just a lofty idea tacked on, and it's one that'd be better off being left behind so I can focus on the actual work, and not the popularity contest.

The good news is we're still going to be a small collective of werewolf artists. We're still going to go through with our general mission statement. But our roster is primarily going to be more made up of people we already know, trust, interact with regularly, etc, versus the goal of building up a mod/volunteer team, and eventually taking applications for galleries from the community at large. Someone else with the time, energy and money can take up that task.

And speaking of: now that I've stepped away, as my stalkers were clearly hoping I would, I hope the people in their lives and in their friend circles tell them it's okay to move on to actual projects now. To put all this effort into their own community sites and studios (that are completely real and attached to completely real LLCs). They've got all this energy freed up now, so they should be able to do great things with it, I'm sure.

To anyone who might have gotten their hopes up about what this site could've been: I'm genuinely sorry.

To everyone else: our audience has been wonderful to us generally, through all of this. Thank you for sticking with us, and for believing in us.

And to the hate watchers: stay mad I guess. It's your life, do with it what you want.

[lakeshorediving]

Kevin Day healing (for me) means he becomes more independent, does more things on his own, etc etc but also means pulling farther away from Andrew... thinking many thoughts

[camouflagedlove]

finally finished my big steddie fic!

i started posting this in literally May 2023 and I've been having a hard time doing it and a hard time in general but I finally got around to finishing it! technically

https://archiveofourown.org/works/47399392

I plan on finishing the epilogue and posting it tonight but it's basically finished after all this time! I'd really like if you read, not sure how many people saw it when I was first posting but I'd recommend starting from the beginning because there's a few callbacks and I made a few changes.

Hopefully it was worth the wait!

[boombambaby]

anyone else get SUPER excited when they see mutuals interacting with each other, and you creep on the thread and go a little nuts because it's AWESOME and you're excited to see where it leads--

--but you don't want to like the post bc it's probably embarrassing since you're not involved at all you're just a casual observer and you don't want them to know that you're creeping even though you totally are and will continue to do so?

. . . no? just me?

knevermindthen

[randomnameless]

didn't heroes say rhea turns fallen when she despairs because she will never see sothis again?

Heroes did!

Just like that weird "call me by name call me immaculate one plz" thing that makes Nopes' Sothis exchange with Flayn completely nonsensical, the "Rhea became berserk because she despaired and felt like Sothis would never return" felt like a quick fix-it made with adhesive tape and the contents of a gummy bear.

Like, this doesn't explain why Rhea doesn't become red in VW.

And you won't make me believe that she wasn't despairing the hell out of it after witnessing Zanado and being its lone survivor, nor after seeing whatever remained of Sothis after Nemesis deboned her.

We can make a point about her being more "angry" than desperate, same as in CF when Seteth'n'Flayn kick the bucket - even if her mental state's pretty low and precarious at this point - but then, VW still stands, as in, Rhea realises after eating missiles and "zumba'ing for 5 years in Enbarr's finest 5 stars resort" that her Mother never gave a flying fuck about the remaining Nabateans, or her role as the Goddess, and yet, she doesn't become red.

(Hell, you can even make a point that it's Billy who wants to save her, and went out of their way to "try to help" her during GM's assault, not Worst Mom!)

Seteth mentions in SS' finale that he already saw her red (but not in her second "red with vines" form!) and she managed to return to normal, so it's just...

As Seiros the Warrior, she despaired - but not too much - a bit and turned Red, but Cichol and the other Saints where here to make her snap out of it? But somehow, they cannot in SS and Seteth straight out says Billy has to kill her, even if, when he says this, she hasn't turned in her second form yet, aka, she's as red as she was during her Seiros the Warrior days?

Frankly IDK, and given how this route was the one that apparently was written first and served as a basis for the rest of the game, well, idk what to tell you anon.

It is frustrating, but as in "welp Tellius' writers wrote something and its contrary in the same game!" but more as in "they had to cook in the microwave a watsonian reason to explain why this final boss exists", and FEH just added 30 seconds.

Sure it's enough to make your gummy bear melt, but honestly, who's going to be satisfied with that?

[sukirichi]

i’m gonna sound stupid for saying this but i’m acc very upset that real life is keeping me away from being a loser here 😔

[depoteka]

happy egg