#BUT its going to start

[yvotoro]

turbo granny

[stargirl230]

you’re my hero!

bnha doomed yuri was not on my 2024 bingo card

(no reposts; reblogs appreciated)

[catmask]

SNAPDEX REPORT: WEEK 1

actually, i guess nows as good a time as any. heres all my pokemon warmups from the past 9 days! i wonder how long i can keep going

[aerequets]

cost and benefit

[crumb-crumblet-s-crumbington]

i liked repairing space bridges

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[fairsweetlonging]

imagine an au where shen yuan transmigrates into a blank slate npc with very little system involvement, traveling around for a while until he's found by yue qingyuan and taken back to the sect because apparently shen qingqiu went missing around his transmigration period and shen yuan looks exactly like him, so it must be him, but then a few weeks later when he's just settled in on the peak and accepted his fate the real shen qingqiu shows up who was just on vacation and everyone forgot.

now there are two shen qingqiu's, one of whom is the real one and the other an amnesiac they gaslighted into believing he is shen qingqiu.

anyway—shen qingqiu has a new didi now!

[andstuffsketches]

girl who lives in a cave

[heartorbit]

MWAH!

[spitblaze]

I guess Chilchuck has brought us right back to 'adults who are short are child-coded and if you like them you're a pedophile' discourse huh

[paracosmicka]

have doodle lol

functionally, i am alive, emotionally?? idk about that work has me crying almost everyday now chat idk if i can do this anymore

[coracoraline]

completely obsessed with the brazilian cover of artificial condition

[solargeist]

Hobbits but they look like the Picori from Zelda

[rui-drawsbox]

more mallerui shenanigans, Gargoyle Studies Club edition! +more outfits cuz theyre relaxing to do lol

[o-wild-west-wind]

While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).

At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).

Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).

As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?

It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.

And especially given the state of US politics right now…this is just all more relevant than ever.

[ctrlzxoo]

ROUND 7: amongst a sea of green, is a glimpse of snow

Bonus: happy end(?)