#find a wordpress developer

[nayantikasri]

Let us explore the tips to find and hire the best Wordpress experts.

[glopbedigitaljourney]

A trusted WordPress development company will also offer ongoing support to keep your website updated and performing optimally.

[codesandprogramms]

How to Hire WordPress Professionals from India in 2024?

As businesses increasingly realize the significance of a well-established website in the digital age, the use of WordPress for website development is maturing. For attaining a robust online presence an increasing number of global businesses are hiring WordPress experts. 

Choosing to hire these experts from the extensive Indian talent network can offer numerous advantages from cost-effectiveness to many more. In this article, let’s understand how you can hire the right WordPress talent from India effectively for your project.

Why Hire WordPress Professionals from India?

The blend of highly skilled talent at competitive rates has made India a leading destination for hiring tech experts. When you choose to hire WordPress developers from India you can have a website that is not only functional but also aesthetically pleasing and user-friendly.

To answer the ‘how to hire’ dilemma in your mind, here’s a comprehensive guide:

State requirements clearly

Before proceeding with the hiring process, have clarity of your hiring requirements. For this, have a detailed job description in place stating the project scope, nature, deadline, expectations, experience and skills needed, roles and responsibilities, and other such specifics. When you and the developer are on the same page and aligned with the goal, hiring can be streamlined. 

Use reputed hiring platforms

Where to find a WordPress professional is often the biggest question for global hiring managers. This is why you must source candidates from reputed hiring platforms such as Uplers. With a 1M+ talent network and a 4-step AI-vetting process, Uplers can connect you with the top 3.5% of WordPress developers from India. Partner with Uplers to experience effortless remote recruitment at up to 40% cost savings. 

Conduct thorough interview

Once you have shortlisted the prospective candidate matches for the job, it’s time to evaluate their technical proficiency, soft skills, and overall suitability. This is where you must conduct thorough interviews with technical and behavioral questions, real-time assessments, and coding tests. This will give you insight into their skill set in real-world scenarios. 

Evaluate portfolio and references

You should not blindly trust the resume claims rather verify them by evaluating your work portfolio and conducting reference checks. This will give you an overview of the candidate’s professional track record with regard to their work quality, professionalism, reliability, work ethic, and performance. You can verify the developer's credibility and authenticity of skills and experience in this phase.

Consider comparative salary analysis

To attract and retain top talent in the competitive industry, you must also be updated with the existing salary trends. This is where the Uplers salary analysis tool can prove to be a valuable asset offering comparative salary analysis. You can compare the WordPress developer's salary in real-time between your location and India based on distinct experience levels. This will help you adjust your compensation strategy to align with the industry benchmarks so that you don’t underpay or overpay the WordPress developers. 

Closing Remarks

Therefore, choosing to hire WordPress experts from India can significantly boost your website performance and appeal. Whether you need WordPress developers for a new website development project or for maintenance of an existing one, India can offer a rich talent pool to choose talent that is well-suited to your project needs.

[semanticglobal]

Elevate Your Online Presence with WordPress Ecommerce Specialists

Empower your business with WordPress ecommerce developers proficient in WooCommerce and custom plugin development. Our USA-based experts blend creativity with technical prowess to deliver stunning online stores tailored to your brand's unique needs.

[razadigitalmarketing]

Website development is the process of creating and maintaining websites. It involves various tasks such as designing, coding, testing, and launching a website to make it accessible on the internet. This process encompasses both the front-end (what users see and interact with) and back-end (the server-side processes that make the website function). Website development can range from simple static web pages to complex dynamic websites with interactive features and databases. It requires expertise in programming languages such as HTML, CSS, JavaScript, and server-side languages like PHP, Python, or Ruby. Additionally, website development often involves collaboration between web designers, developers, content creators, and other stakeholders to ensure the website meets its intended purpose and provides a positive user experience.

[tinystepsforward]

autocrattic (more matt shenanigans, not tumblr this time)

I am almost definitely not the right person for this writeup, but I'm closer than most people on here, so here goes! This is all open-source tech drama, and I take my time laying out the context, but the short version is: Matt tried to extort another company, who immediately posted receipts, and now he's refusing to log off again. The long version is... long.

If you don't need software context, scroll down/find the "ok tony that's enough. tell me what's actually happening" heading, or just go read the pink sections. Or look at this PDF.

the background

So. Matt's original Good Idea was starting WordPress with fellow developer Mike Little in 2003, which is free and open-source software (FOSS) that was originally just for blogging, but now powers lots of websites that do other things. In particular, Automattic acquired WooCommerce a long time ago, which is free online store software you can run on WordPress.

FOSS is... interesting. It's a world that ultimately is powered by people who believe deeply that information and resources should be free, but often have massive blind spots (for example, Wikipedia's consistently had issues with bias, since no amount of "anyone can edit" will overcome systemic bias in terms of who has time to edit or is not going to be driven away by the existing contributor culture). As with anything else that people spend thousands of hours doing online, there's drama. As with anything else that's technically free but can be monetized, there are:

Heaps of companies and solo developers who profit off WordPress themes, plugins, hosting, and other services;

Conflicts between volunteer contributors and for-profit contributors;

Annoying founders who get way too much credit for everything the project has become.

the WordPress ecosystem

A project as heavily used as WordPress (some double-digit percentage of the Internet uses WP. I refuse to believe it's the 43% that Matt claims it is, but it's a pretty large chunk) can't survive just on the spare hours of volunteers, especially in an increasingly monetised world where its users demand functional software, are less and less tech or FOSS literate, and its contributors have no fucking time to build things for that userbase.

Matt runs Automattic, which is a privately-traded, for-profit company. The free software is run by the WordPress Foundation, which is technically completely separate (wordpress.org). The main products Automattic offers are WordPress-related: WordPress.com, a host which was designed to be beginner-friendly; Jetpack, a suite of plugins which extend WordPress in a whole bunch of ways that may or may not make sense as one big product; WooCommerce, which I've already mentioned. There's also WordPress VIP, which is the fancy bespoke five-digit-plus option for enterprise customers. And there's Tumblr, if Matt ever succeeds in putting it on WordPress. (Every Tumblr or WordPress dev I know thinks that's fucking ridiculous and impossible. Automattic's hiring for it anyway.)

Automattic devotes a chunk of its employees toward developing Core, which is what people in the WordPress space call WordPress.org, the free software. This is part of an initiative called Five for the Future — 5% of your company's profits off WordPress should go back into making the project better. Many other companies don't do this.

There are lots of other companies in the space. GoDaddy, for example, barely gives back in any way (and also sucks). WP Engine is the company this drama is about. They don't really contribute to Core. They offer relatively expensive WordPress hosting, as well as providing a series of other WordPress-related products like LocalWP (local site development software), Advanced Custom Fields (the easiest way to set up advanced taxonomies and other fields when making new types of posts. If you don't know what this means don't worry about it), etc.

Anyway. Lots of strong personalities. Lots of for-profit companies. Lots of them getting invested in, or bought by, private equity firms.

Matt being Matt, tech being tech

As was said repeatedly when Matt was flipping out about Tumblr, all of the stuff happening at Automattic is pretty normal tech company behaviour. Shit gets worse. People get less for their money. WordPress.com used to be a really good place for people starting out with a website who didn't need "real" WordPress — for $48 a year on the Personal plan, you had really limited features (no plugins or other customisable extensions), but you had a simple website with good SEO that was pretty secure, relatively easy to use, and 24-hour access to Happiness Engineers (HEs for short. Bad job title. This was my job) who could walk you through everything no matter how bad at tech you were. Then Personal plan users got moved from chat to emails only. Emails started being responded to by contractors who didn't know as much as HEs did and certainly didn't get paid half as well. Then came AI, and the mandate for HEs to try to upsell everyone things they didn't necessarily need. (This is the point at which I quit.)

But as was said then as well, most tech CEOs don't publicly get into this kind of shitfight with their users. They're horrid tyrants, but they don't do it this publicly.

ok tony that's enough. tell me what's actually happening

WordCamp US, one of the biggest WordPress industry events of the year, is the backdrop for all this. It just finished.

There are.... a lot of posts by Matt across multiple platforms because, as always, he can't log off. But here's the broad strokes.

Sep 17

Matt publishes a wanky blog post about companies that profit off open source without giving back. It targets a specific company, WP Engine.

Compare the Five For the Future pages from Automattic and WP Engine, two companies that are roughly the same size with revenue in the ballpark of half a billion. These pledges are just a proxy and aren’t perfectly accurate, but as I write this, Automattic has 3,786 hours per week (not even counting me!), and WP Engine has 47 hours. WP Engine has good people, some of whom are listed on that page, but the company is controlled by Silver Lake, a private equity firm with $102 billion in assets under management. Silver Lake doesn’t give a dang about your Open Source ideals. It just wants a return on capital. So it’s at this point that I ask everyone in the WordPress community to vote with your wallet. Who are you giving your money to? Someone who’s going to nourish the ecosystem, or someone who’s going to frack every bit of value out of it until it withers?

(It's worth noting here that Automattic is funded in part by BlackRock, who Wikipedia calls "the world's largest asset manager".)

Sep 20 (WCUS final day)

WP Engine puts out a blog post detailing their contributions to WordPress.

Matt devotes his keynote/closing speech to slamming WP Engine.

He also implies people inside WP Engine are sending him information.

For the people sending me stuff from inside companies, please do not do it on your work device. Use a personal phone, Signal with disappearing messages, etc. I have a bunch of journalists happy to connect you with as well. #wcus — Twitter I know private equity and investors can be brutal (read the book Barbarians at the Gate). Please let me know if any employee faces firing or retaliation for speaking up about their company's participation (or lack thereof) in WordPress. We'll make sure it's a big public deal and that you get support. — Tumblr

Matt also puts out an offer live at WordCamp US:

“If anyone of you gets in trouble for speaking up in favor of WordPress and/or open source, reach out to me. I’ll do my best to help you find a new job.” — source tweet, RTed by Matt

He also puts up a poll asking the community if WP Engine should be allowed back at WordCamps.

Sep 21

Matt writes a blog post on the WordPress.org blog (the official project blog!): WP Engine is not WordPress.

He opens this blog post by claiming his mom was confused and thought WP Engine was official.

The blog post goes on about how WP Engine disabled post revisions (which is a pretty normal thing to do when you need to free up some resources), therefore being not "real" WordPress. (As I said earlier, WordPress.com disables most features for Personal and Premium plans. Or whatever those plans are called, they've been renamed like 12 times in the last few years. But that's a different complaint.)

Sep 22: More bullshit on Twitter. Matt makes a Reddit post on r/Wordpress about WP Engine that promptly gets deleted. Writeups start to come out:

Search Engine Journal: WordPress Co-Founder Mullenweg Sparks Backlash

TechCrunch: Matt Mullenweg calls WP Engine a ‘cancer to WordPress’ and urges community to switch providers

Sep 23 onward

Okay, time zones mean I can't effectively sequence the rest of this.

Matt defends himself on Reddit, casually mentioning that WP Engine is now suing him.

Also here's a decent writeup from someone involved with the community that may be of interest.

WP Engine drops the full PDF of their cease and desist, which includes screenshots of Matt apparently threatening them via text.

Twitter link | Direct PDF link

This PDF includes some truly fucked texts where Matt appears to be trying to get WP Engine to pay him money unless they want him to tell his audience at WCUS that they're evil.

Matt, after saying he's been sued and can't talk about it, hosts a Twitter Space and talks about it for a couple hours.

He also continues to post on Reddit, Twitter, and on the Core contributor Slack.

Here's a comment where he says WP Engine could have avoided this by paying Automattic 8% of their revenue.

Another, 20 hours ago, where he says he's being downvoted by "trolls, probably WPE employees"

At some point, Matt updates the WordPress Foundation trademark policy. I am 90% sure this was him — it's not legalese and makes no fucking sense to single out WP Engine.

Old text: The abbreviation “WP” is not covered by the WordPress trademarks and you are free to use it in any way you see fit. New text: The abbreviation “WP” is not covered by the WordPress trademarks, but please don’t use it in a way that confuses people. For example, many people think WP Engine is “WordPress Engine” and officially associated with WordPress, which it’s not. They have never once even donated to the WordPress Foundation, despite making billions of revenue on top of WordPress.

Sep 25: Automattic puts up their own legal response.

anyway this fucking sucks

This is bigger than anything Matt's done before. I'm so worried about my friends who're still there. The internal ramifications have... been not great so far, including that Matt's naturally being extra gung-ho about "you're either for me or against me and if you're against me then don't bother working your two weeks".

Despite everything, I like WordPress. (If you dig into this, you'll see plenty of people commenting about blocks or Gutenberg or React other things they hate. Unlike many of the old FOSSheads, I actually also think Gutenberg/the block editor was a good idea, even if it was poorly implemented.)

I think that the original mission — to make it so anyone can spin up a website that's easy enough to use and blog with — is a good thing. I think, despite all the ways being part of FOSS communities since my early teens has led to all kinds of racist, homophobic and sexual harm for me and for many other people, that free and open-source software is important.

So many people were already burning out of the project. Matt has been doing this for so long that those with long memories can recite all the ways he's wrecked shit back a decade or more. Most of us are exhausted and need to make money to live. The world is worse than it ever was.

Social media sucks worse and worse, and this was a world in which people missed old webrings, old blogs, RSS readers, the world where you curated your own whimsical, unpaid corner of the Internet. I started actually actively using my own WordPress blog this year, and I've really enjoyed it.

And people don't want to deal with any of this.

The thing is, Matt's right about one thing: capital is ruining free open-source software. What he's wrong about is everything else: the idea that WordPress.com isn't enshittifying (or confusing) at a much higher rate than WP Engine, the idea that WP Engine or Silver Lake are the only big players in the field, the notion that he's part of the solution and not part of the problem.

But he's started a battle where there are no winners but the lawyers who get paid to duke it out, and all the volunteers who've survived this long in an ecosystem increasingly dominated by big money are giving up and leaving.

Anyway if you got this far, consider donating to someone on gazafunds.com. It'll take much less time than reading this did.

[roach-works]

Why did wheat become a widespread staple crop given that it's difficult to harvest/transport/etc? This is not meant to be snarky or combative in any way, it's a genuine question. Are there any books you'd recommend for learning more about this kind of economic and technological history? Thanks.

sorry, i've long since forgotten all the actual books i've read about it, but i will always recommend This Guy:

also as very much a non-expert, my semi-informed opinion on Wheat is that growing complicated and difficult compared to going to the grocery store, and doesn't stack up very well to living in a food forest like north and south americans managed, either.

however, wheat is a grass, and grass grows in a lot of places that people also like to live in, and so wheat farming isn't as crazy a venture as it might otherwise seem.

in a lot of climates, it's possible to plant the grass, harvest the grass seeds, and store the seeds long enough to get you through the part of the year where there's nothing much to eat. if you manage your social and material technology right, you can store a lot of the seeds, and you can even transport them around before they rot, meaning you can now export the seeds from places where grass grows into places where it doesn't. the stalks of the grass that you can't eat provides food for the animals you need to help you grow the grass. and transport the seeds, too.

the social structure required to grow wheat in bulk (a steep and violent hierarchy) does three things: feeds everyone in it with enough extra that the guys on the bottom of the organization can survive to grow more wheat next year, and allows the guys on the top can sequester the rest as profit, consolidating their power. the third thing is that as land is converted to wheat fields, it stops yielding any other food but wheat, which locks people into the system for good. once a people depend on a staple cereal grain for their main source of calories, there isn't an easy way back: forests are chewed away for more wheat fields and those woodlands that remain are shifted towards hardwoods for agricultural tools, rather than food forests with fruit/nuts/shrubs, and even those maintained as game preserves still can't support the needs of entire villages.

in arid and semi-arid conditions, it's even harder to step away from dependence on grain farming because there the agricultural development is along rivers where the land can be irrigated, and the population of people supported by grain production is extremely concentrated into those small areas rather than spread across the entire biome.

in the northern parts of eurasia where grain couldn't be produced at scale because it was too rocky and too cold, people mostly went fishing, and when they grew stuff it was hardy root crops like beets and turnips.

DISCLAIMER: this is all very approximate. but now you know as much as i know.

P.S actually here's the last thing about wheat: it probably all started as a way to reliably source and produce beer, which was invented a long time before bread. bread was invented from wheat when the guys who were producing the beer seeds wanted to start exporting beer seeds to people who wanted beer far away, so they baked the seeds into tablets you could easily transport and then ferment with water once you got to your destination. eventually the traders who were transporting the beer kits started eating them, too, and crackers as a snack food really took off. look up the wikipedia article on beer if you don't believe me.

[teaberryblue]

I have some big news!

Today was my last day at King Features.

I was offered a choice between a very reduced role and a severance package, and I took it as a sign that the universe is telling me to try new things! I have been there for 16 years!

I’ll be available for new opportunities for 2025.

Just some highlights of the past 16 years:

Working as a comic editor with beloved humor, action-adventure, and soap opera comics

Writing and editing brand and character bibles for properties with over 100 years of history

Managing a roster of close to 100 comic writers and artists

Revamping classic characters for a contemporary audience

Overseeing all stages of content approvals for an international licensed book program

Developing entertainment pitch resources for beloved comic characters

Managing social media accounts for character brands

Building custom websites either from scratch or on Wordpress

Managing an active submissions and acquisitions program

Writing about comic art & history

Writing marketing copy for characters and comics

Some things I’ve only done a little of but would love to do more of, and things I haven’t done but would love to try:

Fiction writing

Comic writing

Game writing

Developing new stories and characters from the ground up

You can find my resume and writing samples at http://www.teaberryblue.com

If you know of someone who needs someone like me, tell them to get in touch!

[fujoshimenacecw]

A conversation between Moto Hagio, Hideaki Anno, and Shimako Sato

In our first ever translation work we share a riveting conversation between Moto Hagio, Hideaki Anno, and Shimako Sato! Read on our wordpress or keep reading on tumblr under the readmore

For the 189th issue of the Magazine House publication Hato yo! published January 1st 2000, movie director and screenwriter Shimako Sato leads a three way conversation between herself and her acquaintances, the anime and live action movie director Hideaki Anno, and manga artist Moto Hagio. Together they discuss their respective admiration for each other’s work, Anno’s past statements on otaku, their takes on parent-child relations, how to escape puberty, and why Anno finds it scary to be around children. 

To Me, There is 5 Ways To End a Story

Hagio: I got really into Neon Genesis Evangelion after it finished airing (laughter). I had been told by an acquaintance that Eva was a work that had “fans who were looking forward to watching the series so enraged by the developments in the final episode that they broke their TVs” (laughter). I wondered what could a work that evokes such strong emotions be like? I was really interested, so I borrowed the VHS tapes from a friend of Shimako-san’s, then I started watching.

Anno: I’m a big fan of Hagio-san’s manga, so when Shimako-san first said she could introduce us and arrange this meeting I was truly happy. The fact that you took an interest in Eva is an honor but… When I first heard “to me, there are five ways to end a story” I thought “as expected; amazing!” So after several twists and turns I finally reached a conclusion

Sato: Anno-san, when did you first encounter Hagio-san’s work?

Anno: The first one I read was They Were 11! during its serialization. In elementary school I read it at the Ear-Nose-Throat Doctor. I generally read manga at the waiting room there or at the barbers, since I didn’t really get any manga to read at home. When I read They Were 11! back then I was blown away. After that I read Hyaku Oku no Hiru to Senoku no Yoru [trans: Ten Billion Days and One Hundred Billion Nights, original story by Ryu Mitsuse]. My favorite work is Half-god [Hanshin]. The fact that such a meaningful story could be told in only 16 pages is amazing. I think Hagio-san is a genius storyteller, but her art is amazing as well. In middle school I thought that if I copied Hagio-san’s art I’d become better at drawing.

Sato: If you had also imitated her storytelling would that perhaps have changed Eva’s final episode? (laughter)

Saving the world, love and hatred

Anno: You know, I don’t have much interest in concluding a story.

Sato: Do you hate wrapping a furoshiki? [trans note: a traditional wrapping cloth]

Anno: No, it’s that I think you can do more with a furoshiki than tie it up pretty. Like break it or tear it to shreds, all kinds of things.

Sato: If we include all that, isn’t that still doing the act of wrapping?

Hagio: In your case Anno-san, I find your way of grasping the world unique.

Sato: For both Anno-san and Hagio-san, even with the differences between manga and anime you’re making a serialized work, right. When you make a long-form work, is the ending something that is already decided? Or is it something that changes?

Anno: For me it’s something like a live performance, and ends up gradually changing as I create the work.

Hagio: I’m a bit too careful, so I can’t draw if I haven’t thought of the ending. An exception is when I made Star Red. Otherworld Barbara which I made later also ended up becoming an exception 

Anno: Star Red’s ending was magnificent. I was also influenced by Star Red. Actually, I’ve written some dialogue similar to the one in Star Red’s ending 

Sato: Which of the characters do you like?

Anno: Well, the protagonist.

Sato: I like Elg. At first I thought he was a rather unreliable person, but he gradually came to play an active role. By the end he revived a dead planet through love.

Hagio: I also like characters like that!

Sato: When I watch Anno’s works like Eva I feel like you are more the kind of person who saves the world through hatred, what do you think?

Anno: I don’t know 

Hagio: That feeling of uncertainty becomes the foundation of your storytelling doesn’t it? I come to think that that feeling is something so overflowing you can’t tie it all together. 

Sato: It seems you have some differences when it comes to making a story, but I think one thing your stories have in common is perhaps parent-child relations?

Anno: That is true, Hagio-san. Your relationship with your mother appears in your work…

Hagio: When I was a child, my older sister was my mother’s favorite, I was always compared to her. It seemed my mother thought that compared to my sister I was unreliable so she always worried about me, even when I was into my thirties she’d tell me to quit making manga.

Sato: And that was during The Poe Clan’s heyday wasn’t it?

Hagio: (laughter) When I was watching Eva, something that really caught my attention was Shinji-kun worrying about whether or not he was useful to his father. Yet there was a distance between them. During that time I was very interested in, to put it into words, “broken relations.” 

Otaku Are Generally Uncool

Sato: Anno-san, in your work I think father-son relations is something that makes an appearance. Are there any real experiences behind that?

Anno: My family was normal. If I have a complex it would be that we were a poor family rather than a just normal one, and my father has only one leg. Regardless, I think stories about parents are the simplest to make, it’s easy. 

Sato: So since Eva is a parent-child story it ended up like that?

Anno: What makes it easy is that we have some preconceived assumptions about [parent-child relations], “have you argued with your parents?” and such.

Sato: What appears in your work isn’t those things, but your own internalized problems don’t you think.

Anno: That appears to be it. As for my family we truly were the archetypical lower middle class household. My father was a good person. A sensible man. When you’re under circumstances like my father was you have to live sensibly or else you’re excluded.

Sato: So in opposition to that, you became an otaku.

Anno: That might be it. Your most important model for what normalcy is is your family. But I have a younger sister and she is exceedingly normal. She doesn’t read manga, there is nothing twisted about her at all.

Sato: And by twisted you mean?

Anno: That she’s not an otaku.

Sato: Anno-san, you’ve said that you hate otaku, haven’t you.

Anno: It’s not hate. It’s just that I think otaku are uncool. To otherwise not notice that you’re uncool or purposefully suppressing that fact makes me feel disgusted.

Sato: What about The Matrix? Isn’t that a cool otaku movie?

Anno: That one is also uncool.

Hagio: Even though Keanu Reeves is cool.

Anno: Keanu is cool. Because he is not an otaku. The otaku are the Wachowskis. They can’t get out of the confinements of their otaku-ism. So for example, even if they make something cool, part of it will for certain be otaku-like Even though I say this I don’t hate it. If I truly did I’d quit being an otaku.

Sato: Hagio-san, would you say your family was normal or was it perhaps affluent?

Joh (Hagio’s manager): Hagio-san and her mother actually have a similar biorhythm. It was perhaps due to that fact that Hagio rebelled by pursuing the path of becoming a manga artist. 

Hagio: I might have been running away by drawing. But, if I had rebelled by becoming a delinquent I think it perhaps might’ve been more enriching to me as a person.

Anno: To become a creator is not something I think is a happy path to go down. In order to not be unhappy you have to work for dear life. At the very least create works as if you’re going back to zero [from the negatives].

Hagio: Is it a negative? Because you are an otaku?

Anno: Being an otaku is a huge negative. You make up for it either by relying on others or by producing creative works. With that said, I think my generation has it easier than yours, Hagio-san. This is an era where even old men read manga. My parents even now have no issues with my line of work. I appear in Asahi Shimbun, I appear on NHK, they have nothing to worry about. That is also why I will try not to ever refuse any coverage from my hometown newspapers.

Hagio: But don’t you think parents don’t truly understand? Even if I become famous, my parents will say; can’t you quit drawing manga? And just appear in the newspaper? (laughter)

Sato: But if you quit drawing manga you won’t appear in the newspaper. (laughter)

Hagio: In that context, a part of me still expects too much affirmation from my parents. Not externally but internally. Even if I appear in Asahi Shimbun I still end up thinking it’s not good enough.

Sato: The fact that you still worry so much about what your parents think at your age Hagio-san, it’s so strange.

Hagio: Yes, I think so too

Anno: Could it be that you have to become a parent to change that part of you that worries so much about what your parents think?

Sato: I don’t worry at all about what my parents think.

Anno: I also don’t care even a little bit. As far as I’m concerned, I’m bored if I get my parents’ approval. When I did Nadia: The Secret Of Blue Water for NHK I felt that feeling.

Sato: Do you have a replacement parent figure?

Anno: Well, a man without imaginary enemies is no good. For me right now, I think I want to make works that have Hayao Miyazaki beat.

Sato: Hagio-san, your worries might also be what gives birth to your works.

Hagio: That might be the case.

Sato: Anno-san, earlier, you said “you have to become a parent to change.” I personally don’t think if you don’t have children you can’t become an adult. I think that being an adult is being independent in everything you do. That’s why I think marriage or having children doesn’t change anything.

Anno: You can become a parent without being an adult. At 17 or 18 you could become a parent. To become a parent without even being an adult, that is the problem I think. 

Sato: Do you consider yourself to be an adult, Anno-san?

Anno: I guess I’m a child. 

Sato: I don’t consider my parents to be adults.

Hagio: I’m very discontent with the fact that my parents aren’t adults.

Anno: I’m not discontent.

Sato: For me realizing that my parents aren’t absolute adults was a relief during my middle school years. Until then I had played the role of an exemplary student, but when I realized that fact I stopped playing that role. 

Hagio: So you’re a child who didn’t fit into your parents’ expectations. I was also a child who didn’t fit into my parents’ expectations, but the fact that they didn’t shrug their shoulders and say “that’s fine,” filled me with anxiety. I thought that if I become an adult I’d lose that anxiety. But I want recognition from people. I continue to request affirmation. 

Sato: Anno-san, in Eva you portrayed children like this, but are you like this yourself?

Anno: The affirmation? Hmmm. That kind of thing changes with the project.

Hagio & Sato: ?

Anno: I don’t believe in the supremacy of the director of a work, but rather the work itself. What would be best for the work, I only base my judgment on the total. Although I won’t hand over the executive decisions.

Hagio: Manga is a one-man job, but with a movie there’s the director, the scriptwriter, the actors, etc. Each of them sees themselves as a leading part. Furthermore as living beings the things we do will sometimes diverge from the plan we made in our heads. The fun of living is discovering what those differences will be.

Is Eva The Rite of Passage That Will Get Us Through Puberty?

Sato: The movie Love & Pop that you directed Anno-san, the original creator Ryuu Murakami-san and yourself are both men, yet the story is about high school girls. I found that interesting.

Hagio: I thought that both of you wanted to be very similar to an archetypical girl. You said you wanted to see a part of puberty, and girlhood that you couldn’t control. After all, men aren’t just made up of boys. I believe that femininity and masculinity is something we have combined within us. Sort of androgynous.

Sato: The boys you create not having that vivid true-to-life quality to them I think is a representation of that. Anno-san, as a man, what do you think of the boys in Hagio-san’s manga? 

Anno: I could see myself in them. I think what I like the most is that all the characters are smart. Because they have such a high intelligence it feels good to read.

Hagio: Like a washing machine right at the peak of its cycle, I want to leave my characters on the verge of that kind of critical point [of merger]. To be honest, the idea that once you’re past 30 you’ve become an old lady, that sense is something we’ve left behind.

Sato: I’ve found that when men become old they lose their ability to be nihilistic in their work, is it the same as that?

Anno: In the case of men, as you age, the world view [of your fiction] rather than your characters come to reflect your nihilism. You don’t aspire to be nihilistic, you yourself are becoming nihilistic. Your world view is what gradually utilizes nihilism. Isao Takahata, for example, is a nihilistic person. Nothing is born from being nihilistic. As nihilism is Plus-Minus-Zero, eventually your heart can’t be moved.

Hagio: A world that doesn’t change, isn’t that comfortable? 

Sato: Even though in order to grow you have to fight. By asking like this, Anno-san, did you not experience puberty?

Anno: That might be it.

Hagio: I thought you were right in the middle of puberty.

Anno: I thought I’m losing it, but it might be puberty. Generally speaking, otaku don’t go through puberty.

Hagio: I thought otaku went through a prolonged chronic puberty.

Anno: It’s not what society ordinarily calls puberty.

Hagio: A never ending puberty, in this age, could it perhaps be because there are no more rites of passage? 

Anno: Sure enough, you have to bungee jump. (laughter)

Hagio: A ritual to let your childhood die and then replay it, such a thing doesn’t exist now. Taking entrance exams may be the closest to [a rite of passage].

Sato: Don’t you feel like lately that around age 30 is when the coming of age ceremony actually happens?

Hagio: For that part, that’s when the stories takes on that role I think.

Sato: As a ritual?

Hagio: It’s not a ritual, but perhaps more intuitive? A trial run on a mock life. By that definition, I noticed Eva is just like that. I had an acquaintance who is a teacher from the Kyoto Steiner school. They saw the Eva movie in theaters. At that time they found the reactions of the people watching to be more interesting than the story. They had thought, isn’t it like we’ve all come to see the rite of passage which we all failed? I thought so as well “that’s right, that is interesting.” The rite of passage to become an adult after entering puberty, be it Gundam or Eva those stories put people in a position where they are observing the world, observing themselves, experiencing war and such.

Sato: Anno-san, were you considering all this…

Anno: I didn’t make it like that. But when I was making the movie I was thinking of this a little. 

Hagio: When I watched Eva it ended up overlapping with the book Childhood [by Jan Myrdal]. It’s a book about a mother who can’t love her child. She thinks “I have to take care of this child”, but even so she can’t love him. I wonder what happens to children raised like this. Children learn from their parents. In truth there will be consequences for the parent, but the question on my mind was children who can’t find their place with the parent, where can they find their place instead? Although I thought you were such a person when you were making Eva, Anno-san. (laughter) 

Sato: Speaking of, the other day you were on a TV show teaching grade schoolers about anime, Anno-san. What do you think of children?

Anno: I was scared of being in contact with children. I don’t understand the appropriate distance to take. I believe even the most casual thing an adult says mustn’t traumatize them, I end up becoming oversensitive. In grade school during still drawing class, I’d draw roof tiles and other detailed things, but humans moved around and I found it annoying, so I never drew people. Because of that my teacher said “this isn’t a child’s drawing,” which deeply hurt me. In the end, from that experience I think it was a part of the reason why I decided on working with drawing. Even though I opposed standardized education, I really felt the difficulty of dealing with not having a basic manual.

By the way, how much longer until Zankoku na Kami ga Shihai Suru [trans: A Cruel God Reigns] ends? I made a mistake. I wanted to read it all at once, right, so I refrained from buying it but… when volume 6 came out I ended up buying all of them. 

Hagio: Oh yes, right. July next year I think. 

Anno: Understood. Then the final collected volume will be out in the fall of next year. Hmm well that means I can enjoy it for another year. Understood. 

Sato: Isn’t that great.

------------------------------

Translated by mod Juli, with assistance from two financially compensated native speakers.

Since the initial upload of this translation minor edits have been done to correct grammar and spelling mistakes. On March 1st 2025 an edit has been made on the following line:  Anno: I think they have empathy. I think what I like the most is that all the characters are smart. Because they have such a high intelligence it feels good to read. It now says: Anno: I could see myself in them. I think what I like the most is that all the characters are smart. Because they have such a high intelligence it feels good to read.

A scan of the full interview raws has now been added to the wordpress version!

[unearthitaly]

Masterpost about Italian Culture

[I have already posted it on the SayItaliano Community, but I am publishing it in my account as well.]

I took advantage of a pause from work to go through all my past entries here on the platform and I've decided to make 2/3 masterposts that might be useful if you're looking into Italian culture/language/tourism.

Here you are a masterpost about ITALIAN CULTURE, broken into different topics. Enjoy!

ITALIAN HISTORY

Italian Republic Day ;

Italian "Day of the Faith" ;

Pompeii and Herculaneum: How they ended up buried by the Vesuvius [+ Resources for studying and visiting];

The Holy Shroud of Turin;

The executioner;

The history of Vespa;

Dubbing in Italy;

Italian Iconic Pictures.

ITALIAN MUSIC

Spotify Playlist with 30 tunes Italians consider great classics;

Lyrics of “La Guerra di Piero”, the Italian “Blowin’ in the Wind” ( + Translation )

EATING IN ITALY

Are Italians food-nazis? [WordPress];

Etiquette in Restaurants in Italy;

Is the “11 am Rule” Concerning Italian Cappuccino Real?

Pizza Margherita;

Italian Bread;

Rice in Italy;

Chocolate in Italy;

Neapolitan Street Food: 6 Snacks you should try;

Desserts from the Campania region;

Biscuits from the Liguria region;

Desserts from South Tyrol, Italy;

Italian Amaretti Cookies;

Mussels in Italian language and culture;

Pumpkin in Italian Culture and Language.

ITALIAN MENTALITY

Understanding the Italians: traits and peculiarities [wordpress];

4 Popular Stereotypes that Annoy Italians;

Love-hate relationship Italians have with Italy;

Italian Culture: Sacred and Profane;

What's campanilismo?

Doors in Italy.

ITALIAN CUSTOMS AND LIFESTYLE

How to dress like an Italian [wordpress];

Most Common Carnival "Pranks" in Italy.

If you have questions about these topics or also concerning other things, my ask box is open :)

Hi! I’m Sara, unearthitaly on tumblr! I have a formal education in cultural and linguistic mediation and I work in the hotels in one of Italy's most developed tourist destinations, Alto Adige/South Tyrol. I embody some sort of "bridge" between Italian and other cultures professionally but also vocationally. I like to help Italophiles discover Italy beyond the obvious and I share tips on travel, culture, lifestyle and language.

You can also find me on my blog, Instagram and Threads. A presto!

[mysimsloveaffair]

Figuring out the age of Sims in the Sims 4 is tough. Sims don’t have a set ‘birthday,’ and they age up based on life stages, making it hard for legacy players and storytellers to narrow down exactly what ‘age’ a sim is. Let’s face it: there’s a big difference between a child who is five years old and one who is twelve.

I’ve been a legacy/storyteller for years. Previously, I relied on the in-game ‘normal’ life span for my sims. However, I often felt rushed to get my sims married and have children. This was to avoid the problem of my elder sims dying off before meeting their grandchildren. This issue became even worse when the Discover University Expansion was introduced. If I want to send my sims to college, it takes up even more of their young adult years. Consequently, the marriage/child ‘rush’ becomes a bigger issue.

Eventually, I turned to the MC Command Center mod to solve this by creating my own age ranges, giving each life stage ample time to pursue their goals, develop as characters, and later find someone to spend their lives with. With some tweaking over the years, I came up with the life stage breakdowns you see above. I tried matching the number of sim days in each life stage with an ‘age’ that matches what we’re used to in the real world. I am sharing this because it might be helpful for anyone else who is struggling to ‘age’ their sims. And while it’s not perfect, it could be a good starting point, and I hope it helps!

A large/printable version of this graphic is available on my website here: My Sims 4 Lifespan**

**Link takes you to my WordPress website

Thanks to @storiesbyjes2g, as always, for her feedback!

[phoenotopia]

Introducing Star Iliad!

We’re happy to announce our next game, “Star Iliad”! Now in development.

Star Iliad is a retro-futuristically themed Metroidvania that takes place inside a giant star whale.

See the teaser trailer!

In the game, you’ll play as Blythe Braves, a Star Ranger who patrols a remote region of the interstellar frontier. Heeding a distress signal, she investigates to find a curious large rock formation in the shape of a whale. Shortly after landing and locating a couple of castaways, her ship is destroyed by unknown alien creatures. Stranded and surrounded, but not outgunned, she joins forces with other castaways in a bid to escape. A big adventure ensues!

Where Phoenotopia had more Zelda-style leanings, Star Iliad dives deeper into Metroid territory with a larger, interconnected map and a stronger focus on gun combat. We’ve learned the correct lessons from Phoenotopia— which is… Guns are Good 👍 Bats are Bad 👎 (joking!)

The story won’t be taking a backseat. While Phoenotopia featured a large ensemble cast, Star Iliad narrows its focus to a smaller group of more thoroughly explored characters.

(Characters can leverage expressive portraits to drive emotionally charged scenes)

Some additional in-development pics. We have both very finished & very unfinished looking areas.

Legacy of Phoenotopia

Since Phoenotopia’s development concluded, we’ve received some really encouraging emails from fans expressing how much they enjoyed it and even sharing their concern about whether we were doing alright. This meant a lot, especially considering Phoenotopia was not a strong seller.

For a while now, I’ve felt the need to allay those fears and let everyone know that we’re alive and hard at work on something new. With Steam’s fourth anniversary for Phoenotopia approaching, it felt like the right moment to finally share an update.

True, Phoenotopia was not a strong seller, but it would not turn out to be as bleak as I previously believed. Long after sales should have dwindled to zero, the game found a small, but steady threshold—a lifeline that has kept us funded. We’ve also been able to rely on family (and the occasional side job or two) to stay afloat.

Lastly, I think the game got some organic word of mouth, so there would be random times here and there where a youtuber or renowned streamer covered Phoenotopia and we’d get an unusual sales spike out of nowhere.

So, to all the fans who supported us, whether by buying the game, spreading the word, or just sending us kind messages—thank you! You’ve sustained us in ways you may not even realize, and we’re incredibly grateful 🙇

Chronicling Star Iliad’s development with a new Dev Log! (on wordpress)

After Phoenotopia, there was a bit of wandering around and thinking about what was next.

I wanted to settle into a quieter pace of development for a while. With Phoenotopia, I had been doing long form dev log updates. I wanted to try something different – a smaller, but more frequent form of dev logging. And it appeared that the new dev blogging meta was social media like Twitter & Instagram.

But there was no point in starting right away. Because 4 years back, we didn’t know what we were working on. It would take about a year of exploring & feeling around before “Star Iliad” developed enough shape and form that it could be talked about. Then we started twitter (@StarIliad) and instagram (@StarIliad), and started posting. Not as regular as I thought I would it turns out – short form updates have their own unique challenges and dev logging is always easy to neglect.

Still, if you’re curious, you can look at the StarIliad twitter account and enjoy the past 3 years of short form dev log posts (it may keep you entertained for all of 10 minutes).

As for the instagram account, it never quite took off, basically dying right out the gate >_>

In any case, we’re in the midst of development. It’s difficult to see the finish line from here, so I can’t announce a release date. What I can announce is the return of the dev log, where like times of yore, I will be chronicling our thoughts and tribulations until we reach the finish line. I invite you to join us by subscribing to the new dev log on wordpress.

(Also, please wishlist on Steam! It helps with the algorithm)

[hiredeveloperdev]

Top 10 Software Development Companies in Indore

In today’s industry, mobile apps and software are required to have a favourable effect on your customers; they aid in the acquisition and retention of customers constantly. Software development necessitates a wide range of features that set it apart from competing software on the market to attract users. 

[lumiy-a]

Ink and Blood Characters - Part I

I already had a lengthy article on Wordpress about this, but right now for laziness reasons I'm mostly using Tumblr so I'll slowly move and update the unnecessarily long explanations to this blog.

Part I: Main Characters - Cedric and Orube

Ink and Blood is first and foremost about them, as it was born as a fix-it for their tragedy. However, over time the series developed into a story that is much more about Cedric and his life and background, rather than Orube – she is rather the light at the end of a very painful tunnel he goes through.

The stories that focus on their relationship the most are:

The Book of Elements – prose rewrite of Arc 5 of the comic told from their POV, explores all the moments they spent together in the background and how they slowly develop feelings for each other.

Ink and Blood 1 – that’s when Cedric returns and has to find out whether things are still how he left them or if Orube has moved on…

The Twin Suns of Basiliade (main story and missing moments) – this story explores the first months after Cedric and Orube begin their relationship. If you’re looking for smut, missing moments is the one for you.

Chapter 3 of “The Galahot, the Prince and the Warrior” – a couple of windows on their relationship over the years, told by Orube.

Home - A story where they are an established couple and have to adjust to their new life together, when no threats are running after them anymore and they each go through a journey to find their real home.

The Gift of Time (reloaded) - a story that takes place long after the events of the comic and of the main arcs of Ink and Blood, and featuring their daughter Vanja.

They appear together and have important roles and chapters all dedicated to them also in Ink and Blood 2–3. They also appear in later chapters of “The Maiden”, seen through Naexi’s eyes, and their relationship will go through a hard time in “Thorns and Bonds” (if I manage to finish writing that one...)

Stories that tell something about Cedric's background history before and during Arc 1:

Stay

What Loyalty Means

The Maiden

Chapters 1 and 2 of "The Galahot, the Prince and the Warrior" (told by Vathek and Phobos)

[hexpositive]

Hex Positive, Ep. 045 - Warding A Witchy Home, Pt 2

Now available on the Nerd and Tie Podcast Network and your favorite podcast app!

Returning once more to the topic of protection magic, this month we’re delving a little deeper into the topic of wards and warding. Bree shares some insight on the methods and concepts that she’s developed and discovered over the years, and shares a Witchcraft 201 level primer on some slightly more advanced warding techniques.

(If you haven’t heard Ep. 024, “Warding A Witchy Home,” make sure you check that out before listening to this episode!)

A partial transcript of this episode is available on my Wordpress.

Visit the⁠ Willow Wings Witch Shop⁠ at its new address and check out this month’s featured items! Make sure you also visit the⁠ Redbubble⁠ page for even more cool merch.

Check my ⁠⁠⁠Wordpress⁠⁠⁠ for full show notes, as well as show notes for past episodes and information on upcoming events. You can find me as ⁠@BreeNicGarran⁠ on TikTok, Instagram, and WordPress, or as @breelandwalker on tumblr. For more information on how to support the show and get access to early releases and extra content, visit my ⁠⁠⁠Patreon⁠⁠⁠.

Proud member of the ⁠⁠⁠Nerd and Tie Podcast Network⁠⁠⁠.

Thank You to this episode’s sponsors:

⁠⁠Creations By ChaosFay⁠⁠ (⁠⁠Commissions Guidelines⁠⁠)

MUSIC CREDITS

Intro & Outro – “Spellbound” & “Miri’s Magic Dance” Host-Read Ads – “Danse Macabre – Violin Hook” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 ⁠http://creativecommons.org/licenses/by/3.0/⁠

Creations By ChaosFay Ad – “Christmas Fairy” Music: ⁠https://www.purple-planet.com⁠

[hyumjim]

According to the screenshots provided by [German researcher & historian Henrik Schönemann]⁩, the list includes (all of the following are direct quotes): 

$78,000 to Palestinian activist group whose chairman was photographed attending an anniversary event celebrating the founding of the Popular Front for the Liberation of the Palestine terrorist group

$1 Million for foreign DEI programs, including ‘indigenous language technology’ in Guatemala, per non-public funding docs reviewed by WFB

$5 million for effort to treat eating disorders by “affirming” LGBTQIA+ patients’ sexual orientation and gender claims

Up to $3 million to defund the police advocacy group to pursue “climate justice” for convicts

Funded performances of play “Angels in America: A Gay Fantasia on National Themes,” in which God is bisexual and communists are good, in North Macedonia

Disbursed $15,000 to “queer” Muslim writers in India

Shelled out tens of thousands to create army of 2,500 LGBTQI+ allies

Up to $10 million worth of USAID-funded meals went to al Qaeda-linked terrorist group the Nusra Front

$500,000 to group that “empowers women” in attempt to solve sectarian violence in Israel just ten days before Hamas’ Oct. 7 attacks

$4.67 million to EcoHealth Alliance – one of the key NGOs funding bat virus research at Wuhan Institute of Virology — in late 2021. Later refused to answer key questions about the funding.

$7.9 million to a project that would teach Sri Lankan journalists to avoid “binary-gendered language”

$1.3 million to Arab and Jewish photographers

$1.5 million for “art for inclusion of people with disabilities”

$2 million to promote “LGBT equality through entrepreneurship…in developing Latin American countries.”

Education Week: “Biden Administration Cites 1619 Project as Inspiration in History Grant Proposal”

VA took at least a dozen actions aimed at bolstering DEI during the Biden-Harris administration while the number of homeless veterans increased and the amount of claims in the VA’s backlog grew from ~211,000 to ~378,000

NASA has allocated roughly $10 million to grants advancing DEI and “environmental justice” since 2020

Following President Trump’s executive order on DEI at federal agencies, the ATF “quietly changing the job title of its former diversity officer… to ‘senior executive’ with the ATF.

The Department of Labor requested additional funding in 2023 for “The Chief Evaluation Office for a new rigorous interagency evaluation of actions aimed at improving Diversity, Equity, Inclusivity, and Accessibility across the federal workforce,” more than $6.5 million “to restore employee benefits programs that will advance equity by specifically addressing how opportunities can be expanded for underserved communities and vulnerable populations,” and $5 million “to evaluate actions aimed at improving diversity, equity, inclusion, and accessibility (DEIA) within the federal workforce.”

Fox Business: “FOX Business’ ‘Trouble in the Skies,’ a six month investigation of the FAA’s new hiring practices, uncovered changes that may put the nation’s flying public at risk as well as allegations that the newest air traffic control recruits had access to answers on a key test that helped them gain jobs with the FAA…Also uncovered was an FAA effort to promote diversity that discarded 3000 qualified college graduates with degrees in air traffic control despite their following FAA procedure and obtaining FAA accredited degrees.”

Schönemann⁩ told 404 Media he wanted to share a sentiment alongside his find: “People all around the world care, you are not alone. And: #TransRights.”

Earlier this week, we reported that the Trump administration had set up a website called waste.gov, which was live on the internet with a sample page from a default WordPress template. Both DEI.gov and waste.gov were created at the same time, according to Reuters, and DEI.gov was recently set up to redirect to waste.gov. After our reporting, both websites were put behind a password wall.