you guys wanna see the tiniest squid known right now
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now that luffy can get all giant, shirahoshi can have a friend her size
the besties ever
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trying to sketch out this fish man design
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Luffy not wanting to be viewed as a hero is actually so important to me. Because while the first reasoning we get for this is him not wanting to share his food
We also learn later on that Luffy also doesn't want to be viewed as a savior, nor does he ever want to present himself as such. He doesn't want to be placed on a pedestal or (ironically) be deified by the people he helps.
At the end of Fishman island, he was fully ready to leave without fanfare because he did not want to be treated by the people in that way, and only agrees to stay because he is promised food. The same thing happens at the end of Wano, where he refuses to take any credit for the downfall of Kaido and instead simply enjoys the festival with everyone else.
I cannot overstate how much I love this decision for Luffy as a character. It is incredibly common for stories like Fishman Island and Wano to have the main character swoop in and save the oppressed people, with said character being to sole person to rally them and "teach" them how to fight back. We don't get that with Luffy.
In Fishman Island, he tells the people that its up to them to decide whether or not he is their friend or foe instead of swooping in playing the role of the hero. In Wano, he understands to importance of who begins the fight with Kaido, and stands back to let the Red Scabbards (Wano natives) get the first major hit on Kaido
Even in the prison when Luffy gives his speech, he is asking the people to let him help, to have faith that they and their country can be free again, to fight for the freedom that had been cruelly stripped away from them. And even then, it is Momo and members of the Red Scabbards that fully restore the Udon prisoners faith.
Hell, we even see this all the way back in Arlong Park, where Luffy waits to take action until Nami asks him for help. He doesn't come in guns blazing and save her like some sort of white knight, but instead waits for Nami's go ahead, placing the power in her hand.
It's just such a refreshing way of seeing a protagonist in this type of story be portrayed. To have him understand the importance of the people he fight's side by side with, and not place himself as the fixer of all problems, but rather as an aid to these people (often times an aid that they explicitly asked for). It actively rejects the white savior/white knight trope(s) and allows for the people native to the island to have agency in these large battles instead of being sidelined. It is their lives and stories that are centered as being the most important in these moments, and Luffy is simply there to help them.
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fishman luffy meeting sabo for the first time
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more dweebs (Very detailed image description below.)
a drawing of grian, ethoslab, tangotek, and smallishbeans. grian is in his season 10 fishing skin and the rest are in different outfits referencing their base themes.
grian is in his fishing skin looking very tired with his fishing rod swung over his shoulder and an ear pierced with a brassy fish hook. he’s a cod hybrid with fin-ears and a stubby tail. behind him blue snail is munching on some leaves.
etho is posing with a neck sheepishly behind his neck and the other resting on his bag. he’s in the postal uniform polo with a green, canadian maple-themed yukata loosely worn and slipping off his shoulder. he has fingerless gloves on under. he is wearing dark red pleated pants and light green heeled crocs. he has a black and red messenger bag with a trellis motif. etho is an arctic fox hybrid with brown legs and streaks through his hair. doodles below show what his paws look like under the crocs and one shows him posing with a note saying “ties up sleeves.” above him another note reads “streaks bc his winter coat is shedding.”
tango is posing confidently with a wrench. he is in the postal uniform polo, with chunky brown and orange gloves and boots, topped off with red, pinstriped overalls. one strap is not around his shoulder, and on the belt around the overalls they carry a small bag, a screwdriver, and a vial of redstone. he has on brown goggles with blue lenses. tango has fire for hair and pointed ears. above him there’s a doodle of the messenger bag that’s secured on his back. it shows how the orange straps tuck over the whole outfit and lead to a dark red and pinstripe blue bag with cog detailing.
joel is giving an indignant pose like he’s complaining. he is wearing a black undershirt that fades out into his light green claws, a pink kimono with only one sleeve of cherry blossom patterns, and a dark grey vest and cherry blossom-patterned obi tie it off. the vest has a cherry blossom crest on the back. joel also has on dark pink pants with a cherry blossom motif on the bottom and on his left arm there’s a bracer with a screen built in. crawling all over the undershirt there are cybernetic patterns connecting joel’s skin through to the undershirt. joel is a tanuki, hence why he has a leaf on his head. around joel are doodles showing the crest on the back of his vest and the pattern on the sleeve.
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