#for me i think the good still outweighs the bad with the characters and their development despite the bad ending and so many plot threads

[oveliagirlhaditright]

So, I was tagged in a "Top 10 Favorite TV shows" post a little while back, and I've sadly lost it (even though I really wanted to do it!):( And thank you to who tagged me in the post. I think it was @i-love-books-because-reasons? If I ever find the post again, I'll reblog it properly. But for now, I'll just answer it this way. (For some reason, I've decided not to included animes or cartoons, because no one did in their lists. Maybe that will be its own list. Or "younger shows," like Disney channel ones. But if I did, Lizzie McGuire would have made it:))

Buffy the Vampire Slayer and Angel the Series (though I'll be listing them separately) - have become my favorite shows of all-time (though they're also slightly tied with Dark Angel). They're just... so good and perfect, with such good writing and themes, and I could analyze and obsess over them for hours (and have), so of course they're here.

2. Angel the Series (mentioned above). - Though it and Buffy aren't exactly like. They're definitely their own shows and I love them both for different reasons.

3. Dark Angel season 1 - I just really latched onto Dark Angel, and have never been able to let it go... which is funny, because I didn't like it that much in the first few episodes: probably because they really went over my head as a kid. -shrugs- But I love my reluctant, badass heroine Max and how she grows. Speaking of Max? Love of my life. The love story between her and Logan is still one of the best written in all of TV to me. And the relationship between Max and her "siblings"--and just learning about this poor girl created in a lab, who had never even been in a house before when she was nine and things like that--has always spoken to me. The "fight the man" and "protect the downtrodden" plot is also great.

4. Tru Calling - It's thanks to my sister that I discovered this awesome show, and Eliza Dushku. The premise is just so wonderful: Tru having the ability to relive days and save people who died before their time. And whenever the show threw a wrench into the usual formula was fun. Particularly when Jack showed up, who was the opposite of Tru: trying to stop her actions, because he thought she was messing with the natural order of things and there would be disastrous consequences to it. The show was really finding its footing when it was canceled. And what the writers released of their plans for what they were going to do next? I cry that we didn't get to see that. But alas.

Smallville - Baby's first show for teens and up:) I have so many fond memories of discovering Smallville... and rewatching the episodes again and again with friends, and between new seasons. Also, watching new episodes when they aired. I feel like the idea of Smallville was great: tell the story of Superboy growing up on a TV show. It worked so well: and made so many people connect with Clark Kent/Superman, who otherwise might have trouble with it. It developed him and his relationships so well... and we won't talk about how well Lex Luthor was also developed (and played by Michael Rosenbaum): the best part of the show to many people. And how genius it was to have them start out the show as friends only to become the enemies they were fated to be. -sobs- Also, as it's been said, we wouldn't have the Arrowverse if Smallville hadn't come first. So credit where credit is due. And speaking of that, this was the time before the MCU and that sort of thing. So seeing hero cameos on this show was so shocking, new, and the best.

Alias - The first badass female heroine I ever saw on live-action TV--and fell in love with--was Sydney Bristow (aside from Xena: Warrior Princess, that I don't remember that well, because I was, like, five when I was watching Xena). Also my introduction to the wacky world of J.J. Abrams' writing. And as wacky as J.J. Abrams can get, and we all know it, I think he did a good job with Alias, and was pretty nuanced and tame here. There was just enough of his Mystery Box stuff to keep me intrigued, in this interesting spy story that I loved. And Sydney Bristow is seriously the greatest, and deserves the world. And Alias actually has one of the few TV endings that I actually like, for the most part.

Kyle XY - Another show similar to Dark Angel, in that it's about a human made in a lab (though that's a mystery for most of S1). And I really liked this show--and its main family the Tragers. Definitely one of the best things ABC Family ever did... and I'll forever be angry that it ended on a cliffhanger.

Roswell - A TV show about what if aliens did crash in Roswell, and lived among us as half-aliens, half-humans. This show is definitely largely a romance, but there's definitely more to it than just that: with some battles with other aliens, the aliens trying to get home, and stay alive from the government trying to kill them, etc. Maily it's the characters and their various relationships that make this show so great. It's certainly a product of its time, early 90's WB, but I'm nostalgic for it and love it too much. And we wouldn't have a number of shows we do today without it. Liz and Maria also have one of the best female friendships of all time. And this show is another one where I actually like the ending.

The Chosen - A TV show that tells what Jesus' ministry was like through the disciples' PoV. And I can't explain just how well made this show is. Seriously. People who aren't even religious watch it and love it. People have compared its quality to Game of Thrones... err, in a good way (I know that can be considered an insult now, after S8). This is what all Christian media should always attempt to be.

Bonus:

Dollhouse - The idea of this show is really neat (with people who have their memories and personalities wiped, and someone else's placed into them, when they're "bought" to live out someone's fantasy), but also hella problematic... though, granted, it's sort of problematic on purpose to draw attention to these problems in real life, but still. This show also becomes completely different by the end, than how it started out (I actually love this plot twist, and won't spoil it for those who don't know). But sadly, it didn't have too much to delve into this twist before it was canceled. But I do still love this show for what it did, and all the potential it had.

Game of Thrones - I loved this show so much, originally. As most people did. But then it really started going downhill when it ran out of books to adapt. Even before that, though, you could kind of see the cracks, with how they changed Daenerys so much... Or how they changed Robb Stark's marriage plot line from being about honor (like how Ned died) to love, etc. But even so, we still (mostly) have a few really good seasons, at least.

[transkingcobra]

Hm

[cheetabites]

☆彡 peppers pt 2 ˳༄꠶

character: hwang in ho / 001 / the frontman

˳༄꠶ summary: five sfw and nsfw general headcannons for the frontman

sfw headcannons

★ as he proceeded as the front man, he acquired a fascination with betrayal within the games. it basically reinforced the belief that humanity would always choose the best for themselves despite the sacrifice of others, and deep down i think he gets off by watching the players kill each other

★ in some way he feels a bit bad for the players who vote to go home. he’s seen the process over and over again and knows that greed outweighs self-sufficiency and compassion for others; for him, these deaths aren’t as enjoyable to watch

★ he hates others that victimize themselves. it leaves him both simultaneously angry and stressed, because what do you mean you’re upset with the situation you got yourself into?

★ when he’s not in the games (as a player), the hierarchy and rules that he has for the staff is much stricter. he doesn’t allow barbarity; like guards threatening each other, fighting, or attempting to take advantage of another person. while he chooses to take players in and make them fight to win, he still has a moral compass

★ he HATES the vips. for him, sure he gets enjoyment of watching the games but he’s never found the need to bet on the players; if anything this further pushes the idea that humanity has lost it. because while others may view him continuing the game as psychopathic, he views it as demonstration to people

nsfw headcannons

★ as the frontman, he doesn’t really have someone that can please him. most of the time when he’s pent up, he’ll just use his hand and his imagination to get off

★ as the frontman, he likes to keep his sexual activities in private. but as a player, since he believes he has some sort of superiority over the others he wouldn’t mind fucking in public; not obnoxiously of course, but with the confidence, courage and no shame. late night sex with him would be so good, but since gi-hun suggests watch shifts it would be harder to actually participate in it (season 2 bathroom scene w/ the frontman when?!)

★ he doesn’t really like watching you ride him. he believes it gives you too much control. he wants to have all control over your pleasure; like whether or not you cum, how many times you cum, ect

★ he’d definitely make a sex tape with you if you were okay with it - but only when he’s not playing the games, so either after the revolt or if he’d never entered the games altogether. he’s the type to burn your sex tape on dvd’s. watching them on a video recorder or a mobile device is too tacky for him

★ he likes it when you whine for him; especially if you’re shy in bed. he’d go all gentle in the beginning, saying stuff like “come on sweetheart, you gotta tell me what you want” and “look at my beautiful sweetheart, so needy for me.” and when he’s finally inside you, he does degrade you, but it’s usually a mix of both praise and degradation

the end! i hope you enjoyed <3!

© cheetabites. don’t translate, claim or repost my works on any platform. jan 4 2025.

[helluvapoison]

Saw your preening hcs!!! They're so cute, I love the way you write!!!

How about the same characters helping a reader preen their wings? That would be so awesome :3333

Lend A Helping Hand

Lucifer, Adam, Lute, Vaggie and Husk help reader with preening

warnings: possible innacurate bird knowledge, heaven headcanons (also probably innacurate) illusions to sexual behavior but it’s not

[i]

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

˚✧₊⁎ Lucifer ⁎⁺˳✧༚

• Seeing you uncomfortable physically hurts him, he has a knee jerk reaction to clutch his heart

• Lucifer’s preemptive when it comes to you, checking your wings around the same time he feels his wings molt

• Dramatically smacks a hand to his forehead, “I can’t believe I didn’t notice! Shit! Oh, duckie, I’m so sorry.”

• Praises you the whole way through, like you’re undergoing a dangerous surgery while wide awake

• Obscenely gentle when handling your wings

• You’ll receive only the utmost care from him!

• That being said, he gets distracted towards the end. Petting your feathers, admiring their color

• “You’re so prett—pretty feathers! You have pretty feathers! Aha.” Lucifer’s nervous chuckle fades as he focuses once more

• He’s more than thorough, quadruple checking his work and asking if you feel better yet

• (Tell him he did a good— no, a great job)

• “A thousand times better, thank you,”

• “Just a thousand?” Lucifer grins cheekily

• “Alright, alright, a million. And here I was worried you’d get a big head over it.”

˚✧₊⁎ Adam ⁎⁺˳✧༚

• “Sucks, amiright?” His voice lacks any sympathy.

You’re sure if you looked, he’d be wearing that punchable smirk

“Go. Away.”

“Yikes, tense much?”

Normally you had more patience than this. Today you were in no mood, whipping around and shooting him a deadly glare

“Adam!”

• Surrendering his hands, Adam turns and leaves, swearing that would be the end of it until your bitchiness subsided

• It’s not like it bothers him to see your nose scrunch in pain or dragging your hands down your face in irritation

• He blames you for turning him into a liar

• “If you make it weird—!”

“Yeah, yeah, you’ll hit me or something. Try being original next time. Now shut up so I can help you. Fuck, you’re just as bad as Lute.”

• Adam is eerily silent. In the mirror you can see his tongue poking out in concentration

• He’s uncharacteristically soft when handling your feathers

• “There,” He dusts his hands together, “Now you can’t say Adam never did nothin’ for you.”

• Fucking flabbergasted when you thank him. Outloud. Oh, you’re never living this down

˚✧₊⁎ Lute ⁎⁺˳✧༚

• Treats the matter like an inconvenience, a chore that just has to be done

• “If I don’t help you, we’ll never get back on schedule,” Lute’s tone leaves no room for arguments

• Her hands shoving into your shoulders and forcing you to sit before her

• Despite this, her touch alone is mercy on your wings

• You didn’t know she knew the meaning of the word gentle until now

• Lute is diligent in all she does

• For the briefest, most minuscule of moments she thinks she has a grasp on sin. As innocent as it is, she’s not supposed to be helping you

• She won’t let you ruin her reputation

• She doesn’t dare let her fingertips linger on your feathers (no matter how loudly they sing to her)

• Lute acts as if you’ve burned her when she’s done

• “Thank—“ She’s already storming away, cheeks glowing red. From anger, embarrassment or other, you’ll not find out today, “—you.”

˚✧₊⁎ Vaggie ⁎⁺˳✧༚

• Honestly, she wasn’t going to offer at first

• Vaggie would prefer to forget about her time in Heaven altogether and helping you with your wings proves triggering, though not so terrible she can’t

• Not when the need to help outweighs her guilt

• You look so damn pitiful!

• “Here, hold still,” Vaggie sighs softly as she approaches

• She waits for you to go relax and accept the offer hanging in the air before touching your wings

• Vaggie’s touch is sweet and hesitant, almost treating your feathers like you’re made of porcelain

• “You ok?” She asks as she twists her fingers around the hardened shell, breaking the pin feather

• You smile at her over your shoulder, “Yeah. You’re much better at this than me.”

• Vaggie breathes out a light laugh, “I’ve had more practice. It’s… easier with someone else too, I guess.”

• Significantly less nervous when she’s done

•Next time, she’ll definitely offer her assistance sooner

˚✧₊⁎ Husk ⁎⁺˳✧༚

• He startles you, making you jump when you thought you were alone

• Husk, although he’ll deny it to his double death, made it his job to pay attention to people he cares about

• Watching you walk around uncomfortable, teetering the edge of all too familiar pain was hard to ignore

• “I know those things can be a real bitch.” He points with the bottle he’s holding

• “Are you trying to be sympathetic or stating a fact?”

• “I’ve been around the block a few times,” Husk shrugs, “And I might be offering my services if you need ‘em. Not just good for listening.”

• He almost regrets it when you immediately accept. He looks at his claws, tainted by alcohol and who knows what else, then your wings

• Washes his hands before. Which strikes you as odd because you’ve seen him use a dirty rag to clean glasses at the bar

• He might be qualified but surely you have someone more deserving willing to help you? Someome nicer, someone cleaner, someone better than him?

• Husk isn’t complaining! It’s just his inner thoughts making his hands tremble

• “I owe you a drink for this,” You say sweetly

• Husk hums out a laugh, “Nah. It’s my pleasure,”

~

╰(*´︶`*)╯♡ thank you so mochi, friend! i’m glad you liked them, you read my mind too and gave me an excuse to write these hehe

[mcflymemes]

PROMPTS FOR THE GRUMPY VS SUNSHINE TROPE *  assorted dialogue for that great dynamic between a guarded character and a warmer character, adjust as necessary

GRUMPY CHARACTER

do you ever stop smiling?

life sucks. get over it.

no one ever listens to me. at least, not until you showed up.

i didn't ask for your opinion.

there are more important things i should be dealing with.

i don't talk about my feelings with anyone.

that was a little uncalled for.

i didn't mean to talk your ear off.

i work better on my own.

what did you say to them to get them to listen?

i don't want to talk to you. in fact, i don't want to talk to anyone.

can you just leave me alone?

i never said i would help you.

you can't just talk your way out of problems.

everything was fine until you showed up.

now if you'll excuse me, i have better things to do.

what's so great about this place, anyway?

my opinion doesn't matter anyway.

i don't have time for "fun."

i just want to get this done and go home.

that's never been up to me to decide.

do you stick your head into everyone's business, or just mine?

if it's all the same to you, i'd prefer to be alone.

no one asked you to get involved.

i don't have a choice. it's my duty.

you're interrupting me again.

can we talk about this another time?

you've been listening to me talk for an hour now.

how do you stay so positive all the time?

i'm perfectly content just the way i am, thank you very much.

can't you see they're taking advantage of you?

SUNSHINE CHARACTER

i wish you would just listen to what i have to say.

i have to try and stay positive. it's the only way we get through this.

nothing good can come from constant negativity.

i believe in myself because no one else will.

i've seen what happens when the bad outweighs the good.

we just have to stay strong.

you never know what someone is going through.

i am capable of more than you give me credit for.

i don't think you're a bad person.

there's so much more to life than this.

you catch more flies with honey than with vinegar.

have you tried being nice to them?

a compliment goes a long way.

i choose to be kind.

i just don't see the point in staying silent.

i'm just trying to look out for you.

there's no need to be rude.

we could work together as a team. did you ever think about that?

if you need my help, i'm here for you.

you should smile more often.

i wish you would just be yourself.

for what it's worth, i like who you are now.

we don't have to fight all the time.

being soft is not a weakness.

i want to make this work between us.

despite all that, i'm still here for you.

if you ever want to talk, i'm here to listen.

you're not as bad as you make yourself seem.

i've never seen you that way.

i've come to care about you.

[zephrunsimperium]

Ford is a jerk to Fiddleford McGucket in Journal 3. Let's talk about that.

First I want to preface this post by saying that I adore Ford. He is a wonderful character who has influenced my life in countless ways for the better. All of the things he does in this list a) stem from his own insecurities that he's projecting b) are symptoms of Ford's narcissistic defense mechanisms c) or come from Bill's influence on him. However, just because there are reasons for his actions doesn't excuse them, especially considering just how many there are.

Here's the list of things he does, I'll analyze at the end of the post.

Let's get the petty things out of the way first.

The cubic's cube: I think it is just straight up an absolute jerk move to scramble this thing that's clearly a comfort to him and think it's funny.

Being in shape: It's obvious his comments here are from his own insecurity but on a deeper level it just speaks to how Ford sees him, I think.

Not telling Fidds about Bill: Obviously Bill was feeding him a lot of paranoia but it's the reasoning that he writes down that gets me. It's so condescending.

The Gremloblin & The Shapeshifter

Something I think that's worth taking note of is the way Ford illustrates both of these instances. He brushes off Fiddleford's concerns multiple times and then Fiddleford pays the price and Ford sees himself as some kind of hero and Fiddleford this helpless victim. It just leaves a bad taste in my mouth.

And then afterwards the way he handles not just Fiddleford's anxiety but the genuine trauma he went through. I know he's an old man, I know that's how he was treated, but Fiddleford is supposed to be his friend.

The Portal Test

Specifically their interaction at the diner and Ford's reaction to Fiddleford quitting the project. Fiddleford SELFLESSLY spends untold hours on this thesis for Ford because he cares about him and sees him burning out, even though Ford hasn't been great to him and Fidds has been going through his own hard things - not just with the gremloblin and the Shapeshifter, but things with his family as well. Ford does not match that selfless devotion at all. In fact, he sees it as an insult.

Analysis

The reason I've been thinking about this is because of Book of Bill and how that's influenced the shipping atmosphere. There's this weird notion that FiddAuthor is a less toxic ship but I think that's absurd. Besides their hug at Weirdmageddon, these journal entries are pretty much all we see of Ford's relationship with Fiddleford and it doesn't paint a pretty picture. Yes Ford is excited to have Fiddleford come to see him, yes Ford has that sweet conversation with him under the stars, but I don't think it's a stretch to say that all the above evidence outweighs hat. At the very least it shouldn't be ignored.

That doesn't mean Ford is a terrible person and we should hate him. I believe strongly in nuance and Ford is a character that requires nuance. I don't think he's an evil person, but I also don't think he should be babied as this perfect wittle guy who can do no wrong either. Both readings do a disservice to him.

Ford clearly had a hard childhood. He's isolated himself his whole life and he's been severely traumatized by Bill. But that doesn't mean that he deserves Fiddleford's forgiveness - Ford wasn't really that kind to him and his actions inadvertently led to the memory gun/Fidds' exposure to Bill. Ultimately it's Fiddleford's choice to make; I wouldn't fault him if he didn't want to ever see Ford again, but I think it's a testament to his goodness that he still cares for Ford as much as he does.

So what do I personally think? Man. I'm just sad we don't know more about Fiddleford McGucket than we do. He's so essential to Bill's defeat and to Ford's past and he's such a cool character but we know so little about him. I want to know what his childhood was like, I want to know how he ended up in Backupsmore, I want to know why he cares about Ford as much as he does, I want to know why things ended so poorly with EmmaMay. But we may never know those things for certain. So with the things we're left... Yeah, I think FiddAuthor is a compelling reading, one that I certainly enjoy. I just worry about the fandom babying Ford.

[zoey-withay]

Ok I'm actually going to blow a fuse over just how BADLY Dark Pit gets mischaracterized within fandom works (specifically in relation to Smash Bros)

Like I get from a basic look at his character design and name, obviously you're going to think he's an evil version/an opposite of Pit (think Dark Samus or Dark Sonic for example) but I think even the Kid Icarus fandom tends to forget how his whole existence and by extension his personality works.

Dark Pit came from the Mirror of Truth, which doesn't create an opposite version of the person who goes through it, but it reflects their true feelings and emotions (it's called the Mirror of Truth, what do you think it's going to reflect)

Dark Pit is the personification of Pit's repressed emotions, so whatever Pit feels deep down, is what Dark Pit puts on display, so the opposite could also be said, that the way Pit acts is how Dark Pit truly feels (they're opposites in that regard)

Dark Pit isn't some villainous asshole, because that would mean Pit is too. And Pit isn't some completely innocent little cinnamon roll, because that would mean Dark Pit is too. They are more similar than they and a lot of other people would like to admit. They are two sides of the same coin.

But I feel like this mischaracterization mostly comes from the Smash Bros community, which in all fairness to them, simply don't know Kid Icarus' lore. Which I'd totally understand if Nintendo wasn't feeding them this 'Dark Pit is a villain' propaganda (I use the term propaganda very loosely, can you tell I'm angered?)

Because if my memory serves me correctly, there have been multiple times where there will be those 'heroes vs villains' online Smash tournaments, and Pit and Dark Pit are always put as the 'hero vs villain.' And yes, I know that Dark Pit is an anti-hero in Uprising, but there is a clear difference between an anti-hero and villain (anti-hero -> good thing, bad reason ; villain -> bad thing, bad reason)

Not to mention that Uprising is about seven hours long, and Dark Pit is only in it for about three hours total, which honestly is not a lot of screentime for him. But in those three-ish hours, he has done more heroic things than any of the other villains/anti-heroes in Smash and I'd argue some of the heroes too have ever done. His good deeds outweigh his bad ones (he swallows his own pride to help Pit save Palutena, he puts his differences with Palutena aside to work together to save Pit's life by going to the Rewind Swing, he saves Pit from Hades' stomach, he once again puts his differences aside with Palutena to join Pit after Hades' defeat since she's the one who grants him the Power of Flight. And I would also like to mention that he did not instigate the fight throughout Chapter 6, Palutena and Pit started that)

Dark Pit acts the way he does because that's what people expect of him. They see him as a lesser version of Pit, so he's a kid who's gonna try and prove them wrong. He only picks fights with Pit because the first thing Palutena (who Pit openly loves and admires, which means Dark Pit deep down also still loves and admires her) says about him is that "he's fundamentally wicked and destructive and needs to be eliminated." Can you imagine the person you love, look up to and trust with your life say that about you? Sure, it might be another version of you, but it's still you. That's one reason why Dark Pit doesn't like Palutena (but that is a rant for another day where we bring the Pittoo nickname into play)

But I get it. It's easier to paint Dark Pit as a jerk and asshole character than exploring a complicated character with complex emotions and feelings that everyone disregards because it's just a bit too similar to how real people are in real life.

It's easier to say he's an edgy clone.

[a-driftamongopenstars]

alright, i finally finished Dragon Age the Veilguard.

tldr; 3/10. I didn't like it.

If you enjoyed the game and would rather keep enjoying it, please don't click the read more section as what follows is rather critical.

I can finally sit down with my thoughts and put them together in a more cohesive structured review, touching on most things that I wanted to address. I'll start with positives and then focus on the negatives.

Warning, this is VERY long.

Overall, I had a neutral to negative impression of DatV, which got worse by the end of the game. It had some good moments, but they were entirely unexplored and underutilized, suffering from bad writing. While the game itself is rather pretty, it didn't outweigh the dialogues, the stories and the lore butchering that took place.

1. Environment and visuals. 8/10.

I think Veilguard is a very beautiful game. I enjoyed exploring the corners of this new world, the little bits of environment design and storytelling that it had. It felt magical, certain locations were mesmerizing! I couldn't stop staring at the valley where you go to with Harding, the carcass of a titan.

2. Combat. 9/10.

I love flashy combat, I enjoy hack and slash, so until the very end of the game I was having most fun in combat. Yes there was repetitiveness but I tried to combat (hehe) it with changing my abilities and weapons every now and then. I liked combos and I liked timed parries. Enemy tactics got a bit boring by the end, but a few enemies still surprised me and challenged me.

.... That's where positives end. Now on to the negatives.

1. Characters. 2/10.

I don't understand what happened. Almost all the characters in this game were tuned down to a two-dimensional personality, "good" and "bad" - and absolutely no nuance. This happened not only to the villains, but to the different NPCs and even our companions. Their interests got narrowed down to single points of interest (Lucanis and coffee being a prime example to me), their motivations got watered down.

This is not what I expect from a Bioware game. I want to be challenged, I want to dislike characters or approve of their choices. I like characters who are messy and complex and don't always have their shit together.

I like villains who may have other reasons for their choices, other than "ba ha ha, I am so evil and I will do evil things". Where is Alexius who sold himself to the Elder one, just so he could save his beloved son? Where is Samson, forsaken by the Chantry and turned to red lyrium with his addiction? Where is Calpernia, misguided in her choices, just to free the slaves of Tevinter?

Where are the slaves of Tevinter anyway?? That's another topic.

2. Rook. 4/10.

On one hand, I liked playing Rook. They were stoic but with a humorous side, ready to get the job done, compassionate to other people.

The problem is that it's the only Rook you can really play. The protagonist is set in their ways and their dialogues and there is very little to roleplay. Rook really does feel like a gentle manager, trying to get everyone to play along nicely, while providing therapy every now and then, and is excluded from the majority of friendly interactions with other people. That awkward glance everyone gives you after their banter is embarrassing. The way you can third wheel people, the way the game actively offers you to leave a couple of animated conversations between other people - why even include those? Why not make Rook a part of the 'team'?

I did like Rook's dynamic with Solas. They got to see a different side of him, one that's not presented heavily in Inquisition. But like everything else, it felt surface level and underexplored.

3. Story arc. 2/10.

I am left unsatisfied with the story. The pacing threw me off so much nearly every quest, it was hard to stay on track. From "we need to solve this NOW" to "actually, let's all slow down and deal with our problems", the plot's priorities were all over the place. We kept hearing about the gods and their destructive oppression, but we saw surprisingly little of it. Yes, there was the Blight, yes there were Venatori and the Antaam, but they felt more like a video game fodder and dressing rather than a part of the story.

Not to mention that all of those things made little sense to me. Why would the gods align with aforementioned factions? Why would the aforementioned factions align with the elven gods? In-game explanation was not enough for me, it did not make sense. Not with the established lore in the previous games.

I also did not enjoy the ending. While the idea of Solas binding himself to the Veil is good and does make sense, what was suggested as the good ending (inviting Mythal to deal with Solas essentially) actually left me feeling awful. I sent a man, full of regrets and self-loathing, on a lonely journey to figure himself out. That... did not sit right with me at all. Neither did the fact that Northern Thedas, supposedly the point of the gods' attack, gets to live and flourish, while Southern Thedas is dying of starvation and blight. That is UNHINGED to me.

4. Music. 1/10.

There was no music. I remember one track. It was not memorable whatsoever and I can't believe they hired Hans Zimmer to do exactly nothing. Just wow.

5. Lore. ???/10.

And here is the worst offender. What was done with Dragon Age lore is unacceptable. I was doing a head-in-hands every five minutes. This was a slap in the face of so many fans who enjoyed the three prior games and delved into deep, interesting lore of various races, countries, cultures and religions. Veilguard showed a big middle finger to all that.

Everyone has already touched upon the sanitization of different factions. From the suddenly slaveless Tevinter to found family Antivan Crows, everything has been scrubbed clean and made sweet and palatable and "good".

The Dalish clans have been removed from existence as we know them. The Antaam left the Qun? Don't even get me started on that. The Chantry has no influence in this game? Really? The Chantry? The biggest religion in Thedas? The one that we know has heavy presence in the Anderfels, the Black Divine in Tevinter? That Chantry?

I think it really hit me how disrespectful the game is during the quest of saving the Dalish elves, where apparently Elgar'nan's Venatori, uplifted to be his servants and chosen people, were trying to sacrifice them. It's a gross and oddly telling idea that the ancient Elven god turned to a faction of racist mages to sacrifice elven people. I actually can't believe I'm writing this. Just how much are you going to shaft these people? Mindboggling.

There is a lot more I have to say on this specific topic, and I probably will later, but the idea is this.

6. Romances. 2/10.

Whoever said this is a game with romance lied so hard. So hard. The romance was atrocious. From the badly written flirting to the lack of romantic scenes (I romanced Davrin), to the poorly timed and awkward 'final' romance moment... It was atrocious. I felt no connection between Rook and Davrin beyond what game was telling me. My actual companions got more screen time with their romances than me and my LI.

Damn, even Evka and Antoine, my single most beloved NPCs in this game, had more romance going on that my Rook.

---

All in all, Veilguard was a massive let down. After having enjoyed the first 3 games many times over, with multiple playthroughs, I was so excited to see how the story of the Inquisition, of the elves, would end. When I saw the first trailer for VG, I knew I would never get to see it. When I played the game, I was left with disappointment and disdain.

I'm glad there are people who enjoyed this game, genuinely. I'm sure there's something to find for anyone, but it was not for me. Nor was it for many other people. It was a let down. I feel like I'll never get the conclusion I wanted - so I'll have to write my own I guess.

I have more thoughts on this game that I might be sharing, but for now this is the review I wanted to write. Thanks for reading!

[thankskenpenders]

Sonic Prime Season 3: Final episodes, final thoughts

Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.

This did not happen.

Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.

...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.

(This post will contain full spoilers for Sonic Prime.)

The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow

Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.

The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.

That's pretty much the whole season.

I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.

While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.

I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.

By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.

The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.

Nine as a villain

It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!

So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.

Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.

This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.

A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback

Yeah that sure happened huh

The ending

Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.

The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.

So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?

Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.

I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.

(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)

This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:

The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.

The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.

The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.

Do I even need to explain why these are all unsatisfying?

Misc. thoughts

I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.

We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.

I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?

Sonic saying "help a brother up" to Shadow was funny

Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show

Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute

Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever

The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess

To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away

So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.

The canon conundrum

More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:

How can this be canon? Why is it canon?

I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.

Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.

But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.

And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.

Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:

"I cannot answer because I know the answer, and you haven't finished watching the show yet."

A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:

"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."

I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.

And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.

As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.

I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?

The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:

It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.

* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes

Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!

I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.

For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.

The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.

"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.

And finally, to close out...

Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.

Sonic Boom

Sonic SatAM

Sonic X

The Adventures of Sonic the Hedgehog

Sonic Prime

Sonic Underground

Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.

So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?

[notannascribbles]

to preface: i AM IN FACT aware that kind people with good intentions can make bad choices, and that those choices don’t define them. especially fourteen year old people under intense, unfathomable levels of stress. i do not think marinette is a “bad” person, and i don’t “blame” her for choosing to lie to adrien. it makes sense for her character to do that. it’s very easy for us to sympathize with her in this situation.

that being said, i do believe that what she chose to do in the season 5 finale is unforgivable (by adrien). and i think that must be where i diverge from a lot of other viewers. i assume that the viewers who are engaging with this plotline with excitement and interest as a complicated new development must still envision a scenario where this gets resolved and adrien and marinette get together, right?? i think that has to be the point of disconnection here. that’s where i can’t follow. i can’t envision a resolution anymore. i think that what marinette has done to adrien is too bad—i don’t see us coming back from this one.

and it’s not even that i don’t think adrien will forgive her. i think that if the truth does come out, he probably will say he forgives her and will do whatever he can to keep marinette (and all the others who lied to him) in his life. i think his love for marinette and his fear of being alone will outweigh everything else. it’s just that that scenario doesn’t resolve the conflict, at least to me. it really just perpetuates the cycle of abuse that started with adrien’s parents.

adrien’s whole story has always been oriented around being trapped/breaking free. adrien is constantly struggling against threats to his agency—whether that’s being physically trapped, being lied to about his own life, being stuck in cycles of emotional abuse—and his response, when he is able, is to break free. adrien wants out of that house. he wants out of the abuse. he wants to be in charge of his own life. the first time we ever see adrien, he is running away.

we cheer when he destroys the prison bars. we cheer when he breaks free. the natural conclusion of adrien’s arc was always pointing toward him finally breaking free from the traumatic cycle of abuse that his father kept him in—a triumph that was perfectly set up to span both his superhero and civilian identities. there’s a reason why no one in the fandom ever envisioned a realistic scenario where chat noir was completely absent from the hawkmoth takedown. it’s because the story was never, ever pointed in that direction. it always made the most sense for adrien to be there, because actively breaking free from his father’s control was the only feasible resolution for adrien’s story.

but the writers had different priorities when crafting this plotline, and now adrien’s arc will never have the opportunity to be resolved like that. instead, now marinette is being used as an extended instrument of gabriel’s abuse, which means that now adrien will never be able to break free from this cycle until he breaks free from marinette. it’s not about intentions or “blame” or whether or not that’s what marinette deserves. it’s literally just about how adrien’s arc at this point could possibly be resolved.

if adrien forgives marinette (as i’m confident he will), their relationship at that point no longer feels like the light at the end of adrien’s tunnel. it just feels like an extension of the cycle adrien was already trapped in, where the people he loves violate his autonomy out of a warped sense of protection, and then he forgives them because he is terrified of being left alone. being with marinette no longer offers the prospect of a fresh new start after a lifetime of abuse. it’s always going to be tainted now, because she chose to use her power to perpetuate gabriel’s control over adrien’s life. she’s tied herself into the cycle now, on gabriel’s side. marinette’s actions are understandable and sympathetic, but they still have consequences. this is the story now.

it’s possible that the show will surprise me—it often does—and they will find a way to resolve adrien’s arc in a way that feels satisfying to me. i’m just not really banking on it. i think the writers’ priorities are elsewhere, which is fine. they can write the story they want to write. it’s just disappointing, as someone who has found adrien’s arc to be incredibly compelling. it’s also just soured the lovesquare for me now—i don’t like seeing adrien and marinette together anymore, which is disorienting and sad.

for what it’s worth, i do hope i’m wrong! i hope it does all get resolved, and i hope i love this story again. it was really really fun to love this story. i love adrien and marinette a whole lot.

[pacing-er]

Real talk when/why did the narrative for Professor Xavier change from "empathetic telepath who believes in the inherent good of others" to "cold apathetic telepath who treats people like things"? Maybe it's just an issue with Spurrier as a writer specifically bc I've noticed he's particularly bitchy in Legion's comics but in general the tone of the comics have shifted to be overwhelmingly negative towards Charles.

They talk a lot of shit about how he always finds easy solutions and just cuts the problems out of people's brains instead of helping them grow but like... I feel like that wasn't always the case? Didn't he explicitly refuse to use his telepathy as a permanent solution when Sabertooth came to him for help?

Granted, there was a LOT more on his mind during the Krakoa era but this is a pretty drastic change. Legion even says at one point "I know that empathy was never your thing" and that's pretty ridiculous in the context of Charles' long history as a caregiver and father figure. The narrative bias could be attributed to Legion being the focus of those comics, and Charles was a pretty awful father to him specifically, but to write off every empathetic thing he's done just for the sake of making a point? I think that it does his character a serious disservice.

In terms of why it was done, my personal theory is projection on the part of writers and fans alike. As an authority figure in the lives of younger characters, they want him to have ulterior motives and be a manipulative bastard. The fact that he is motivated by genuine love and compassion for those around him rubs people the wrong way, because they feel betrayed and let down by their own authority figures regardless of their intentions. They don't believe that people who make mistakes and hurt others in the process can still be good people, with the results always outweighing good intent. This sort of black and white thinking is very prevalent and it leads to a lot of bad-faith takes.

The change in Charles' character could also harken back to what Moira pointed out in HOX/POX: Whereas in past realities Charles never changed as a person, in this reality he has been broken by her. This is the only rationalization I'd accept at this point, and the narrative that ppl have been pushing lately of "actually professor x was just a huge bastard the whole time" does not vibe with me. The pessimistic nihilistic impulse to project negative traits on genuinely well-meaning characters will always be fucking exhausting.

[momolady]

2023 Year End Stats

Not to be stereotypical or anything, but for me at least, 2023 was an odd year. I bled for 6 months straight, dealt with the worst pain I still can't comprehend, had a hysterectomy, moved in with my partner, got some cats, dealt with a lot of stress, watched the world burn. Yeah, it's been pretty good to outweigh the bad.

But anyways! I've done the math and put together a list of my stories that performed the best this year. At least in terms of notes anyways. I'm also going to share my stories that didn't perform as well and hope they get the love they deserve.

Anyways, let's get on with the count down. Forty total stories have published on Tumblr this year. Sixty-six were published on Patreon. Top monsters were orcs (7), Vampire (3), Fae, Minotaur, Romm Monster, Lich (all 2).

Top Ten Stories:

10. Kahann the Naga

This one would probably be in my top ten favorites to write of the year. This dark, twisted romance between a lonely, isolated girl shipwrecked on an island with the dangerous and sexy Kahann struck the dark romance itch I've been wanting to scratch.

9. Keir the Orc

Comfy farm romance that features annoyances to lvoers. What else could you want? Orcs are always fun to write, I feel I could do it with my eyes closed, but thankfully I don't wanna do that.

8. Atharo the Lich

The pink lich, this one had imagery in it I couldn't get out of my head. the visions of this pink lich still huant me and I wish I could conjur such sstrong imagery still.

7. Asier the Drider

A simple premise we cann understand. Getting packages and ordering online is probably yhe msot fun we can have without leaving our homes. But what if your neighbor was annoyed by this? And what if that neighbor was a drider?

6. Auberon the Room Monster

The enchanted library. i think I've written more about the romance and mystery of bookstores an libraries more than anything. But this story was special, with lots of worldbuilding wrapped like a blanket around these characters. The room this monster stays in is the library, and who doesn't wanna spend time with that guy?

5. Marek the Vampire

This murky, dark, and swampy tale is one of those that stays with me. The idea of a different sort of vampire, one in the bogs and wetlands of a strange peninsula that gets flooded every year haunts me. The image of him is one of my absolute favorite creations and I hope I get to visit this peninsula village again.

4. Placide the Paralangua

This story marks the beginning and growth of my Charcourt universe. Liek Hearthway Hollow it's a town filled to the brim with straneg creatures, only it's the Paralangua, alligator type monsters who throw a festival every year to celebrate their history and the continued growth of Charcourt. Is it a cult? Maybe. There's a new five part tale of this area up on Patreon now.

3. Ben the Werewolf

Enmies to lovers, I think most people get on board with this trope. This tale of Hearthway Hollow delves into the relationship between two high school enemies who reconnect after years and manage to put aside their competitivness to find one another. The lead in thisstory is also Rowan's little sister.

2. Leraye the Demon

Demons are always fun. My demon characters have ways of weaving themselves in and out of the world we know, sometimes as proper members of society, often not. Leraye is one of those that visits our world as a full time member, seeing out the comforts of a Chinese bakery whose owners are a family with ties into the reality he avoids.

Florenz the Vampire Bat

This would for sure also be on my favorites of the year. This dark story wove together elements of fantasy, horror, and romance that I love to death. The lead is sophisticated and dashing, the lead is adventurous and excitable. The chemistry between the leads while writing this tale was so good.

The Ten Least Appreciated Stories

10. Juniper the Tiefling

I am deeply disappointed this didn't do as well as I expected. This story was based on characters me and my bff made for a one shot DND session. So this story was more personal to me than others. but more than that, I feel it had some of my best banter!

9. Rocco the Guard

Another personal tale based on ideas me and my friend came up with during a visit where we watched the Owl House together. I also greatly enjoyed the leading lady who was smart, spunky, and chaotic in the absolute best ways.

8. Ozzie the Werewolf & Tryfon the Naiad

It has a trans lead, it has polyamory, it was set in hearthway Hollow! I thought this story was serving up gold on a platter. But maybe people weren't in the mood for gold. The comedy in this is top notch, at least I thought.

7. Laertes the Fae

Another story where the dialogue I feel sparkles and pops with every interaction the characters had. This did only recently come out, so maybe it'll grow after this.

6. Ransom the Shapeshifter

Another personal story based around lore me and my bff created for our Stardew Valley characters. It also featured a nonbinary lead and monster, I thought people would be excited for this. I loved playing with the avant-garde sci-fi aspect and being a little weird. But maybe that's why people didn't like it too much lol

5. The Leshy

Another story that would be in my top ten for my personal favorites to write. I loved the complexity of the leading lady and crafting her has made her a personal favorite. The characters and world of this story will be one that stays with my thoughts as I think about the cozy, dark streets anfdthe moss covered steps of the buildings.

4. Jaqueline the Dullahan

This story has it all! Chocolate, Halloween, a sexy dullahan chef, and it's a lesbian romance. Maybe I don't have enough wlw readers but this story came from a ko-fi prompt I wrot and just grew into a full fledged story. I really enjoyed the atmosphere of this story and how it felt like a cozy fireplace with hot cocoa.

3. Beast the Symbiote

Beast is a character I have been wanting to get out into the world for years. She's such a complex villain character, and who doesn't love that. I feel like she is one of my coolest characters. Lucky Devil was also a character I had been dying to get out, she's been in my head since I watched Magi Madoka and she took form slowly over the years. She is in part based on me, and I want to do more with this lovely couple.

2. Fia the Selkie

I'm starting to see a pattern here. Male reader stories aren't ya'lls cup of tea? Too bad, I have some amazing male readers and commissioners I adore working for. Fia was this comforting warm blanket of a story. A struggling musician and the lovely Selkie he's come to be with. I really love this story, please check it out if you want some comfort.

1.Ria the Orc: an AU

I'm actually a wee bit pissed about this one. Another male reader, and Ria is a character I've come to absolutely love. This was written for a commissioner I've come to consider a friend, and writing for him has become an amazing experience. Ria and her beau have also become such real, loving characters in my head. This was an AU of the modern monsters Ria where she is in Obresh and participates in the Reaping. Who doesn't love Reaping stories? C'mon folks, give these ten stories the love they deserve!

Thank you all for an amazing year! Next year I will hopefully publish and you're going to see bigger and grander things from me, I owe that to all of you. Keep a look out for my Ozren novel hitting the shelf soon. Thank you so much and I hope I continue to write stories you love.

[fantastic-nonsense]

I see you're both fangirling abiut Young Justice in general but also supremely disappointed with how they've handled Halo and Cass Cain? Would you still recommend it as a show or does the bad outweigh the good?

This ask is so old Young Justice finished the season being asked about, came out with a whole other season, and then was re-cancelled in the time it took me to answer it.

Despite watching Teen Titans (2003) first, Young Justice is the show that was actually airing when I was properly getting into the DCU on more than a casual reader level, and I hold a lot of fondness in my heart for it for nostalgia reasons. But setting aside that history, in general I also think it's a good show with a lot of heart. It's on my recs list for a reason, after all.

The short version is that YJ, for better or for worse, was always focused on two basic premises: "young hero spec ops team" and "adapting the DCU as a whole through the lens of young heroes." The creators have explicitly stated on multiple occasions that they had no particular allegiance to or desire to be faithful to any single comic run or team lineup so much as they wanted to tell a story and picked the characters they thought would be the best ones to tell it with.

Sometimes, that's handled very well; the first two seasons, despite my issues with certain character, lineup, and narrative choices they made, are wonderful and tightly-written television and I absolutely recommend them. Sometimes, that's not handled well at all; I would say that Season 3 falls under that category, for a wide variety of reasons. I still have not watched the 4th and final season, so I can't comment on the quality of that one.

By the time Season 3 came out, it was pretty clear to me that Young Justice clearly wanted to be ~4-5 separate cartoons in a shared universe but got smushed into one show because of DC and Cartoon Network's nonsense, and that desire (along with several other choices) was to the detriment of the show's quality. They also clearly had a lot less desire to be relatively faithful to any given character's comic backstory by the time S3 came around, which hurts my ability to call it a "good" adaptation of several characters.

While the show certainly has its issues all the way through, I honestly think if it hadn't been cancelled and had stayed on CN, it would have run for 4-5 seasons, gotten a couple of spin-off shows, and been hailed as one of the best comic book shows of all time (instead of the mess that S3 turned out to be because it got soft-rebooted half a decade later and given a rating upgrade). There are absolutely things I don't like about the first two seasons, especially with the hindsight of knowing a lot more about the DCU than I did watching it at 15-16, but it's a genuinely impressive achievement of a show.

All that said: Comics!Cheshire had been utterly destroyed by racist and sexist writing, mostly at the hands of Chuck Dixon and Gail Simone, when Young Justice aired in 2010 and made her a major secondary antagonist with her own significant subplot. It is potentially one of the most significant turnarounds for a historically morally ambiguous WOC I've ever seen. That show literally saved her and I'm forever grateful to it solely for that reason.

P.S. YJA!Artemis Crock my dearly beloved, come home to me. I want you back.

[cranberrymoons]

for me the highs always outweigh the lows with this show and sure I sometimes wish that they’d done something different

but ultimately I love the characters and the family they created kind of regardless of storyline because when it’s good it’s just so good

plus fandom is so much fun when we’re playing in our fun little garden together which is also what it’s all about for me

there’s always fics to read and art to look at and silly little posts to reblog :))))))))

yeah this is basically how I feel and like sure there are times when I wish the show would be more narratively satisfying. and I think it definitely has been at times in the past and is still sometimes. and there have always been bad episodes and great ones and boring story arcs and stuff that makes no fucking sense. truly. and some of it is because the show runner does seem to do a lot by the seat of his pants, and some of it is budgetary, and some of it just literally does come with the gig of watching a network procedural 😭 but ultimately the fandom and the whimsy and the fic and the art and the jokes are what I'm here for so. shrug emoji.

[rhetoricalsoapbox]

Dammit this is one of netflix's few shows like this to actually get an ending, and it felt so wasted.

I could be entirely wrong, but I feel like some of the "celebrity/well known actor popups" from Nick Offerman and David Cross were there to make up for some of what the writing lacked. There were some well written moments, memorable scenes, etc. but sometimes the bad outweighed the good and it just came across as poorly written and lackluster.

There's so many plot holes left that will likely never ever have an answer to them, and I think that's been a consistent issue with the writing as the show has progressed.

It's good to leave your audience with questions to keep them curious and wanting to see more, but you have to answer those questions. Scrolling through the tua tags makes me feel horrible because there's just post after post of people's lists of questions to unfilled plot holes and unanswered questions.

I have a ton of questions too! If they needed everyone's to counteract the durango, why weren't the other 35 needed, and what happened to them in the new/correct timeline? Did they just spontaneously disappear without knowing it would happen? Or are they not even relevant in this conversation?

Again, it isn't bad to leave an audience curious for answers, but you have to provide them with those answers or at least give them hints and clues to figure it out.

I feel like some issues wouldn't even be getting discussed right now if it weren't (again) for the quality of the writing. Nearly every character seemed as if they'd been written by someone who just glanced at their story and character sheet without knowing much about them. You seriously expect me to believe that Five never would have caught scent of the fact that there were Keepers in the CIA? And you just want me to believe in general that he ever even would work for the CIA?

Klaus had a poor/unfinished character arc, Luther never got to have closure with Sloane and was just made practically to be a joke the whole season, Lila was a mary sue, there was such a rushed conclusion to how Diego and Lila handled their marital issues and the whole Five debacle, and so many other off-putting things.

I'm just sitting here with my head spinning. Like??? I'm still trying to process what I just watched, not because I'm clueless about it, but just because it was so

urgh.

[aayakashii]

Hey hey!! I really like yanderes and tokyo debunker - the yandere archetype has actually been my special interest since about third grade ! The reason I mention this is because I just found your account and I absolutely adore your yandere headcanons,, and I see them as that too !! So I want to see your thoughts on some things.

I was curious about your thoughts on yandere Towa x MC (or a self insert character or - just anyone that isn't Haru.) Do you think his love for his partner would outweigh the platonic love/familial love for Haru? Personally I think it would be both a slow and fast progression. Towa acknowledging his romantic feelings and being jealous? That would happen very quickly. But Towa putting MC or romantic interest above Haru? That would take a bit more time, just because the two know each other for a long time. But how long would it take for Towa to value his love interest more than Haru? But I'm curious what Towa would do if Haru starts to like his romantic interest, or gets too close.. would Towa be okay with it? Or does his trust for Haru outweigh that?

sdkljfh aaa I'm really sorry I just really like yandere characters and Towa especially.

I'M SO SORRY I TOOK SO SO LONG TO ANSWER THIS

When I received it, I found it such an interesting idea but I kept delaying it because I wanted to be in the "correct" headspace to give it a good answer, but it turns out that if I keep waiting I'll never do anything so I'll just give it a shot now!! Again, I'm so sorry this took so long, I hope you'll see this 😭

Firstly, I do think Towa already is a yandere character! Probably due to his whimsical nature and inhuman qualities tbh, but he does act like one (he tries to kill Ren just so it can be only him and Haru again ffs 😭). And with his obsession towards romance, I think he genuinely would be a VERY dangerous love interest...

But despite all that, I imagine that Towa kind of compartmentalizes his feelings. Like, his familial love for Haru is in a completely different box than romantic love (or what he idealizes romantic love to be). There would be no such thing as someone being more important than Haru, because Haru and his s/o are important in very different ways. I think he would be able to kinda separate them in that way.

And like you said, with his s/o, things would move very quickly. As soon as he realized (or decided) he had romantic feelings for them, it'd turn intense right away. He still does his own thing and lets Haru fulfill his duties while he's frolicking on the fields lol but with his s/o? He'd be stuck on them like glue. Jealous, possessive, clingy, he's the whole package.

NOW REGARDING YOUR LAST QUESTION... THAT'S SO HARD!!!!! I really want to say his trust in Haru would outweigh everything, but I'm not 100% sure on that. I don't think Towa's idea of romance would be very healthy, so if he saw Haru being too close or having a crush on what he considers HIS, I think that would have....... really bad consequences. And probably not to Haru, but to his s/o. Maybe he'd act like his s/o was betraying him by "making" Haru fall for them, since he thinks romance is magical and all that 💀

But at the same time, I don't believe Haru would DO any of that either, you know? He's so attuned to Towa's behavior, I think he'd steer clear of anyone that Towa ends up falling for.

That's such a tough question though!!! I really like thinking about Towa too, he's such an interesting character aaaaaahhhhh

Again, I'm so so sorry I took so long to answer and I'm sorry if this was an underwhelming answer 😭 I hope you're still around, anon!! I hope you read this! And thank you for entrusting your idea with me :') <3