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#for the people who are interested there are definitely going to be more of these two in the future
calware · 21 hours
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as time goes on my interesting in shipping (for homestuck) (that's really the only fandom i'm in) has just gone down lower and lower because i used to see "shipping" as just "characters who were compatible in some way". for example i would look at karkat and feferi and be like "they didn't interact much but a lot was going on with the two of them in terms of their themes and how those themes intersect. and since romantic relationships are "more complex" or "better" or "more potent" than other relationships the natural progression is to ship them together romantically" but the stuff that would make them potentially interesting as a pairing isn't inherently romantic at all. and i feel like that goes for a lot of if not most of the characters. homestuck to me is way more centered on the idea of friendship (and family sometimes but moreso friendship) than romance and when characters have something important going on between them the interesting part is usually not inherently romantic
even the characters that start dating where their romantic attraction IS very important is based on their initial friendship..!! vrisrezi wouldn't be nearly as meaningful if they weren't friends first, same with dirkjake, etc. arasol is such a popular ship and they only dated once when they were 8 years old…. their relationship from that point on is SO important to who they are but it isn't even inherently romantic after the fact, but people see romance as the "natural progression" from there so clearly they "should" date once they get the chance to do so again. my point is i wish people would pay more attention to some of the non-romantic aspects of relationships in hs because i really think that's what takes center stage within the story most of the time (not ALL of the time of course there are definitely parts where romance is important. but you get what i'm saying)
and then of course to take that a step further and be even more of a hater i'm so tired of people taking stuff and putting it into a romantic context when it's entirely unnecessary…. i made a video with dave and karkat bickering and people tagged it as davekat for no reason. literally that post about dirk and john meeting each other that people kept tagging as dirkjohn for no reason. i'll make posts about the alpha kids being friends and doing stuff together and someone went through my entire blog tagging all of these as "alphacule" for no reason. i'll draw dirk and hal literally just looking at each other and someone will tag it as dirkhal. girl they're just looking at each other. seeing someone liveblog collide and they go "did anyone else think dirk and dave should've kissed >_<??" no i actually don't think they would do that. it's so dark in here
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batmanisagatewaydrug · 15 hours
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Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.
hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.
I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.
"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.
like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.
and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."
and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.
(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)
this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?
my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.
I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.
if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:
youtube
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sgtpeppers · 3 days
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Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:
Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 
The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭
Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 
Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 
Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 
One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 
Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 
The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 
Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 
SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 
The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 
Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 
Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this
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cherllyio · 2 days
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Li Jing knew Xiangliu?!
I am not kidding, because when we finally see Xiangliu’s “true form”, Li Jing is… scared? He shouldn’t be scared!
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After all he catches monsters/ demons on the regular with his Pagoda, and in JTTW he was even given the title of “Monster Quashing Marshall.” So, it’s not like he has never dealt with a scarier looking demon.
Just take a look at The 100 eyed demon, who not only looks terrifying but who can also legitimately look into your mind.
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But when he sees Xiangliu he looks terrified, which doesn’t make sense… unless he knew who he is, or more specifically, WHAT he is.
Because Xiangliu’s “monster form”, has some very interesting connections back to the guardians!
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The most eye-catching definitely being the armor, something that all the guardians, and Xiangliu have. Xiangliu’s just have silver armor, instead of gold.
Which does makes sense, when you consider that guardians represent “order and destiny”, and Xiangliu represents “chaos”. But I will definitely talk more about this another day.
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And it’s noteworthy to add that Li Jing first reacted scared/ surprised, when he saw the demon form. He didn’t react at all before that.
This telling us that Xiangliu’s monster form is known and is feared in the Celestial Realm. Or at least by higher-ups like Li Jing, who seems to know more about people like MK than they are leading on:
(MK trying to control the Jade Emperors powers)
Nezha: What’s going on?!
Li Jing: The child (MK) must be contained!
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He didn't say "the power must be contained", he said MK must be contained.
So he knew (or at least had an idea) of who or what MK is, when no one else knew.
Conclusion: Li Jing, give us some answers
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kurosagi-h8r · 23 hours
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My headcanon on the ghouls in bed 🔞
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Idk if anyone talked abt this already but as always you can put them in any place, it's just how i imagined them in my head. This is for funsies ☆
Detailed explanation below. Minor DNI!
Jin would almost say no to bottoming unless he's too lazy and you're too needy. But i feel like he's too prideful to go that way so he'll probably force you to nap with him instead. It's likely that you'd wake up to him taking the initiative first. "Didn't you ask for it?" And he doesn't care if you're still in the mood or not. He is now and it's your responsibility too.
TOHMA SKDJFHSKHD definitely a service top when you're good but becomes a sadist when you deserve to be punished. Either way he enjoys playing both roles and is good at them.
I feel like Luca is one of the best when it comes to aftercare. From the beginning to the end he priorities your need above his and will switch depending on your preference. Guy probably takes it like a study when it comes to please you– excited to learn about your body and all.
Kaito is a pathetic bottom. A perfect subject for mindbreaking. Will cry upon first orgasm and a whimpering mess if you're not stopping (yay overstimulation). So much thank you and sorry despite forgetting his name during the whole thing.
To me Alan is more of a service top but would bottom at first bcs Alan is Alan– he would need guidance on what you like and what you don't like and also reassurance that you're enjoying everything. A submissive top, perhaps. The type to put your needs above his. Probably would take too long fingering you bcs he's afraid he wouldn't fit.
Leo mayyyybee secretly wants to film you going down on him. Will act all sadist at first but really he just wants to see how much it'd take to trigger you. If you give in and be submissive he'd lose interest in an instant because you're too easy. I mean come on do you actually believe people who like spicy food is not into pain? If you want him so bad then take him. The fact that he might resist at first shouldn't be an obstacle to you. He's a brat bottom at its finest.
Sho is pretty simple i guess. Top leaning and would take some convincing to let you overpower him. He'd secretly be addicted to it after the first time but it's because you look hot doing it.
Depending on how his day went Haru would either top the entire session or bottom. A service top most days but would say no to a blowjob or handjob when he has no energy left. I hc him being softer with it when he's drunk bc when the two of you do it sober he'd tease you here and there. But at the same time Haru is still Haru, he has some pent up stress and could let it out through you. So please push him as hard as you can– slap the shit out of him if you need to when it gets uncomfortable.
Should I explain about Towa 😩? He seems sweet at first but the second you show no signs of going along with his tune... also he's probably into roleplay. "Let’s reenact those love stories you've told me before, Dandelion ♡~ You'll say yes, won't you?"
Ren would absolutely refuse being the bottom. Even if he's positioned under you his hands would be on your hips controlling all of your movements. Surprisingly can hold himself being cockwarmed– gotta push rank a bit if he doesn't want to get kicked out of the guild. A bit of a masochist, would force you to be quiet as he destroy you from the inside despite knowing that's what gets you being too loud. Pretending to bottom only to tease you and make you realize how pathetic your attempts were.
Taiga is Taiga.
Romeo is meticulous with everything but everything has to be romantic and worth his while. He's secretly kinky and needs to have all the power on his hand but if you play your cards right, you might just see that side of him that he will never show anyone else. Hot top, pretty bottom.
It's tempting to put Ed in each square. Who knows he's probably the creator of this top switch bottom thingy MAYBE HE INVENTED S3X IDK. Like, he's probably had his fair share of doing everything in the bed. Want him to top? He'd love to! Just surrender your whole being and let him become your God. Want him bottom? Sure. Just be careful and don't get too rough, his joints can only take so much (lol). Either way things will likely be memorable with him.
Ritsu is a top if it's for duty and bottom if you provoke him enough. Bully him; call him a momma's boy and he'll lose his mind soon enough. He would take some time to tame but it won’t be an issue if you like the process.
I imagine even when stripping Subaru would want you to look away and when it's your turn he would be too bashful to look at you. Keeping eye contact is important for him, let him know that he is the center of your world and you'll gladly accept him with open arms. Yes, he couldn’t help but look away everytime, but as long as you distract him with your lips on his he'll ease up bit by bit. He'd probably feel bad not taking the lead but his skill lies on the aftercare (despite him being the one that needed it more sometimes) so please let him take care of you as you did for him.
Haku (lord help me again with this man) will become a greedy bastard if you keep indulging him. "No more round? What a shame. I love hearing my name on your lips." To him being with you feels like a guilty pleasure that's far more dangerous than being addicted to nicotine. He tends to be lazy with other things but will gladly take on the invitation to do it with you whenever you want. "You're tired? It's fine princess. Let me get you some water, ok? Stay right here." And if you think he's stopping after that you're dead wrong. He'll do all the work while you just lay there being pretty. Let him take care of you, ok?
Feminist king. Words of affirmation in the air every five seconds. KING OF PRAISE KINK! Everything you do is beautiful; you are simply an art sent from heaven for Zenji to witness, feel, and devour to his hearts content. I feel like he's secretly a pervert but only to the right person... You are an exclusive muse for his creations that he will never share to others. Everything you want to do to him, he'll agree with no questions asked.
Rui despite being flirty and wanting you to think he's kinky, he preferred to be a gentleman on bed. Don't know how he did it back then with the casual flings but after he's no longer cursed he would cherish every second and every inch of you. Worshipping your body with everything he has until you're sick of it. Mouth, hands, whatever and however you want he'll grant it. Just keep using him as you please; make a toy out of him, he doesn't care as long as your eyes and attention stays on him.
A bundle of nerves in the beginning but if it's driven by instinct Lyca won't even stop when you want him to. He would have his way with you bcs he's too impatient, so you have to really bare your fangs if you want to put him in place.
Yuri is a mess of a bottom. Similar to Kaito but unlike him Yuri's mind will resist before fully submitting. How will he finally submit? When you deny him of his own orgasm. The longer you edge him the more he's losing his mind. He would never admit it but he's grateful that you know when to not go all out, especially when he's tired. Even better when you simply go down on him to be his stress reliever in such state.
Doing it with Jiro is a bit embarrassing at first bc he need you to go verbal with how you want him to do things 90% of the time. Don't get him wrong his mind could break at any moment too (or pass out from exhaustion) so if you make it known to him that he can do whatever he wants... oh boy you're in for a ride. He's looking forward to all the expressions you can make with all the positions he'll try with you, and he'll only stop when he pass out.
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des-writes · 1 day
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♥ ━ How They'd Ask You Out; SFW
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TW; None
Reader; GN, No pronouns or descriptions used
Characters; Al-Haitham, Kaveh, Kaeya & Diluc
Notes at the end
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Al-Haitham considers himself someone that doesn't frequently experience romantic feelings. This is completely fine with him, although leaves him just a little puzzled at first when he finds himself flustered when he meets you for the first time. He doesn't let this be known, deciding to shrug this off as just simple physical attraction, considering you're rather easy on the eyes. It makes sense for his face to heat up when you get near. He doesn't remember exactly when or how the two of you started becoming friends, but he does remember when he realizes his feelings are more then just appearance based. It takes you by surprise when he does confess. It's rather sudden—in the middle of the library to be exact—, blunt and there's nothing romantic about it (he later explains how he deems it unnecessary, why would he put so much time into it without knowing if you feel the same? That would make it uncomfortable for both of you, he insisted). He doesn't want to waste time, he tells you. If you feel the same way then great, he'll plan a first 'date' to see if you're both compatible. And if you don't, he'll just walk away and get over his attraction. It does make him happy when you do reciprocate, however.
Al-Haitham plans the date by himself, mainly because it's a very casual date. He doesn't want anything serious or overly romantic, no loud, public events or romantic dinners where everyone can stare at you two. Instead he invites you over to his home, offers you a cup of tea and talks with you about every subject he can think of (while giving you chances to add your own preferred topics). It's a weird first date, but you feel like you're much closer at the end of it. And Al-Haitham is very pleased to know you two mesh well, even if it doesn't say it out loud.
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Kaveh doesn't have a ton of dating experience. He's always been good looking and out-going, with quite a few potential suitors. Despite this, he's only been in a few relationships, and none of them have been serious. When Kaveh meets you he's definitely smitten, eager to spend time with you and get to know you better. He's the type of man who befriends a person before thinking about anything beyond a platonic relationship. You both know each other fairly well before he decides to ask you out. Kaveh doesn't make a speculate out of it, not wishing to embarrass himself or you. He would do it in a very private place, most likely when he's visiting you. He specifically plans a time to come over, give you one of your favorite flowers—which he had very carefully picked out, making sure it was in perfect condition— and asks you out. He clarifies it's a date, just so there's no confusion. Should you reject him, he would be a little heartbroken, but completely understanding. He wouldn't let a rejection affect your friendship. Of course if you accepted he would be absolutely ecstatic.
A first date with Kaveh would be more on the romantic side. He does the actual planning, but asks for your preferences and dislikes before making any official plans. The end he takes you to the small mountain that overlooks the The Palace of Alcazarzaray, where the two of you set up a picnic blanket and have lunch. It's a tranquil time and you both enjoy conversation until the sun sets.
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Kaeya is known to be rather extroverted and charismatic. He's the type of guy to approach anyone that catches his eye. He's a very desirable man, with many people of various genders showing interest. Kaeya is a bit of a flirt (whether he means to be or not is debatable). Although it's rather lighthearted, he's would drop it in a heartbeat if it made you uncomfortable. Despite this, he isn't much for casual dating. Until he figures out if you mesh well, he doesn't make a move. When he does, he's very cool about it—although a bit nervous—, simply asking you out whenever he sees you next. He respects your decision should you choose to reject him (although he would ask you at least once more—when he knows you better—before entirely giving up). If you do accept his offer he'll be very pleased, telling you to leave it to him and he'll take care of everything. All he does is tell you a date, time and location (and to dress comfortably).
For your first date he wouldn't take you to do anything fancy or too exciting, but would prefer something peaceful with just the two of you around. He would take you out for a walk, taking you through the forest and up to Starsnatch Cliff. It's evening by the time you two arrive, the perfect time to sit down in the grass and watch the sunset.
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Diluc is the opposite of Kaeya, in most ways. He prefers keeping to himself in his free time, and during work hours he isn't overly friendly with his customers. It takes him awhile to warm up to people and that's no different with you. While he can admit you're very attractive, he doesn't intend to act on these feelings. Until he notices you coming to the tavern regularly (whether to drink, eat, or just chat with the others customers). It takes awhile, starting with him greeting you when you come in, to him asking how you're doing, and that turning into having pleasant conversations with one another. When he does ask you out, its spontaneous and when the tavern is closing for the night. He would be disappointed should you reject him, but would understand (and would distant himself for awhile after, mostly out of embarrassment). Should you accept, he suggests having a date right then and there.
He doesn't exactly plan out the first date. It was a spur of the moment thing after all. He's still in his work uniform, but figures the tavern is a nice enough place. Everyone else has left by this point, and the only noise is coming from the music in the background. He would make the both of you rather late dinner, and the time chatting for a good part of the night.
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Notes; Kaeya's is shorter then I wanted and I severely struggled with Al-Haitham's part. I'm not as happy with it as the others, but I got it done and that's what matters!
I meant to write something sooner but I totally forgot for like a week and rushed to come up with this tonight 😓 My goal is to at least post once a week (every Sunday maybe?) and if that works out I'll try post more!!! Still rusty with my writing so I'm trying not to overwhelm myself.
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o-sachi · 2 days
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─── Sachi's Selfship Event ✦
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Heya, here's my event for my 500 followers milestone. It's been fun writing my silly thoughts and sharing it on this blog. Thanks for all the support y'all have given me. But, as I've mentioned in my last post, I'll start writing on a different blog.
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✦ The Event ───
Basically, you tell me about your selfship and I give you a set of headcanons based on the SFW alphabet (see content under the cut for the alphabet). For moots and followers that I recognize, I’ll do 10 letters. For everyone else, 8 letters. And for anons, 6 letters.
For fandoms, please keep it within Blue Lock, Wind Breaker, Mashle, and Kaiju no. 8!
✦ Instructions ───
Send me an ask containing the following: your chosen character, your chosen letters, your likes & dislikes, love languages (receiving and giving), hobbies, interests, basic description of your appearance, picrews, random facts, some of your own lore about your selfship, etc. —literally everything that can help me write a more accurate set of headcanons
* Since some people might not be comfortable sharing their info, I’ll keep the asks in my inbox and tag you on your post instead. But if you’re on anon, I have no choice but to answer the ask.
✦ Rules ───
1. Do not rush me with your request. If you’ve sent me an ask, I’ve definitely read it.
2. Only one selfship per person!
3. Do not include any nsfw information in the ask that you will send me.
Note: Depending on the amount of asks I get, I might not be able to fulfill all of them. Of course, moots and followers take priority!
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Fulfilled Letters !
✉️: Letter for Lumi ✉️: Letter for Candy ✉️: Letter for Amy ✉️: Letter for Rye
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Check under the cut for the letters you can choose from ~
These are just general descriptions for each letter, but based on the info you'll give me, I can delve into it deeper and provide stuff beyond what is written here.
A - Affection How do they show their affection for you? Do they get bouts of cuteness aggression?
B - Best Quality What they think is/are your best quality/ies and why
C - Comfort How do they comfort you when you're sad and down?
D - Dates What kind of dates do you two like to go on? How frequent?
E - Early Relationship How did you two get together? What was it like when you were just first starting out?
F - Fights What do you usually fight over? Do you quarrel often? How do things get resolved? Who says sorry first?
G - Gifts Their favorite gift that they got from you or a gift they've given to you. Do they like receiving gifts? If so, what kinds?
H - Hugs Are they a hugger? What kinds of hugs do they prefer? What about cuddling?
I - Intimacy What makes you feel connected at a deeper level? What kind of romance do you have?
J - Jealousy How jealous are they? How do they deal with it?
K - Kisses How do they kiss you? Do they like kissing?
L - Laughter What are your inside jokes? What do you usually laugh about together? Who's funnier?
M - Memories What is your most cherished memory together?
N - Nicknames Do they like nicknames? If so, what do they like to be called or what do they call you?
O - Other People What do other people think about your relationship? (Family, friends, co-workers, etc.)
P - Patience How patient are they? Who's the more patient one between the two of you? What happens if they lose their patience?
Q - Quirks What are some quirks you adopted from each other? Or what are the quirks that only come out when you're together?
R - Rituals What are some things in your routines that you like to do together? Is it common or unusual? How frequent is it? Is it a daily, weekly, or annual thing?
S - Support How do they show their support for your hobbies and interests? How involved are they?
T - Time Apart How do you spend your time apart? Who caves first? Who handles it better?
U - Uniqueness What sets you apart from other couples?
V - Values What are your shared values?
W - Wildcard Random headcanon about your relationship
X - XOXO What are the little things that they do for you? Do you notice them or maybe they go unnoticed?
Y - Yin & Yang How do you complement each other? How do you make them a better person? Or how do you make them happier? Are you two opposites or are you more similar to each other?
Z - Zrandom (sorry ran out of ideas, forgive me) Pick a theme or any topic and I'll make a headcanon for it :)
Again, for moots and followers that I recognize, I’ll do 10 letters. For everyone else, 8 letters. And for anons, 6 letters.
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"floral blessings" ; a braindump from yours truly because this card is absofuckinglutely my most favorite xavier card on the face of the planet and i am. going. to talk about it <3
like with all my 5* card "analyses" (but also more like a wordvomit really 😭) this will contain spoilers for: (a) this card itself, (b) the lightseeker myth, (c) the lumiere myth, (d) anecdotes, main story, and world underneath !
[ this is also very long............ you have been warned 🤲 ]
first of all...... MY GOD...... FHSNNFBSJFJSJFK YELLING SCREAMING THROWING UP IM NEVER GETTING OVER THE KINDLED CARD FOR THIS BECAUSE. BECAUSE HELLOOOO??? HELLOOOO???
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anyway..................
timeline-wise, the card pretty much implies a very solid relationship between the two, so while i don't know where i'd place it between 21 days and no restraint, it's definitely still after 21 days! but with that said, rather than more focus on their individual development like in no restraint, this one seems to focus more on their relationship as a whole, i think?
overall this braindump won't be as organized as what i wrote for no restraint (i think...) because my brain is still so completely absolutely mush over this card, but i needed to write SOMETHING or i'd explode to smithereens 😭 so nevertheless...!!!! i'll section off a couple scenes so if you want an outline, it'd be something like:
[1] general setup (an overview of parallels); [2] "reunion" (parallels and relationship development); [3] xavier's forwardness (the courtyard meetings, lessons, giving of the mask); [4] day of the festival; [5] the wish
but bear with me;;; there is SO MUCH that goes on here, and i really wish i had the patience and coherency to point out every little thing because holy shit 😭
firstly though, and i just found this really cool, but apparently the flower goddess festival is (was) an actual thing!
from what i've found (and correct me in i'm wrong) it's apparently a very ancient festival that's not widely celebrated these days, so it's not super popular or well-known, but it has many names such as: "Flower Goddess Festival (花神节 huāshén jié)" "Hundred Flowers’ Birthday (百花生日 bǎihuā shēngrì)" and "Flower Goddess’ Birthday (花神生日 huāshén shēngrì)" !!! i couldn't find much information about it though, but it seems that what was in the card such as the flower cakes and the dance really were actually part of the festival~ and i've also seen people say that xavier and mc's outfits feel to be from the tang dynasty, which a lot of people speculate is the time period that this festival originated!
BUT, MOVING ON...
i. general setup — an overview of parallels
i think honestly what's most interesting to me here is how much the overall card mirrors xavier's lightseeker myth so incredibly well. with all of xavier's cards, and how he's grown as a person and how their relationship has developed overall... so much of all of that ties to who he was as a lightseeker, to who he was as the prince of philos. in fact, it goes without saying that lumiere's myth story itself is so bound to the lightseeker myth. because, and i've said this so often and repeat myself a lot with it, lumiere is a direct reflection of the princely persona xavier has grown up with. that the reason he's always been so averse to who he becomes as lumiere is because he essentially channels prince xavier, someone who he's never thought to be truly him, someone who he's been wanting to push aside and no longer be. (i talk about it in my lumiere myth braindumps and touch on it in my no restraint braindump!)
and there's something about that reflection that transfers here, too, because there are two things that all three situations have in common: (1) a position of importance, and (2) a duty to do or fulfil something.
of the prince of philos and heir to the throne, of lumiere as the strongest hunter expected to protect the citizens, of the young master—usually the son of a wealthy family, however, in this case xavier claims he was "adopted" due to his calligraphy skills—with the task of seeing the festival through and teaching the flower goddesses calligraphy.
yet, at the same time, there's something different about the way xavier assumes this role of the "young master":
he's able to say no.
the role is lighter, likely because it's not a true role and, like mc as a flower goddess, he knows that it's temporary—but the way that their first meeting in the courtyard can remind you so much of prince xavier is almost jarring.
it's reminiscent of the very first time mc sees him with his bodyguards, in our most favorite anecdote "when shooting stars fall":
"They aren't clad in all black as one would expect, and they keep a respectable distance away from Xavier. Still, these people exude an air of oppression. Xavier, with his bag, is at the center of their group. It seems he's used to being stared at. The only difference is that rather than being his usual expressionless self, he appears slightly upset."
lt's reminiscent of that time they staged a spar, only for the royal messenger and his guards to interrupt it:
"The royal decree he brought today was related to the future of Philos ... Xavier was taken away by the Royal Messenger. Our duel ended with no clear winner, and the crowd quickly left."
and you can see how his progression grows, from prince xavier, to lumiere, to this role he plays as the young master—if as the prince of philos he had no choice but to follow the path laid out for him until he had enough of it, as lumiere he was more free to choose who he saved and when he saved them. now, as the young master, he's able to say no, sir, something urgent came up. he's able to say right now, i have something that i want to do first.
which, also interestingly, but in the more 'passive' role he played as part of the special task force, he wasn't quite one to say "no" either—though he kept a low and nonchalant profile, he's never outright refuted anyone, even if he might disagree, such as the party gathering or whatnot.
(also, slight segue, but it's notable that he's likely grown into a habit of a little selfishness due to what appears to be some kind of aversion to "serving the people". i do talk a little bit about that here—but it's the fact that (a) all he really cares about is mc, and (b) he likely still doesn't want to fall back into his patterns as prince xavier where he felt chained to think of the people more than the woman he loves. it does bring a little bit of question to his morality, but we know that mc has very much been something like his moral compass throughout.)
but, more than just the ability to say what he thinks and say no to certain things he doesn't put as a priority... he also feels light enough to goof around a little. dozing off/doodling during class, cheekily vying for mc's attention without concern about showing "favor"... something about xavier in this little persona he's taken on is an air of confidence. this was a kind of confidence you didn't see from him as the prince, as lumiere, even as the task force member. and it's not the confidence in his abilities, which has always been there—
it's the confidence in himself.
it takes a certain level of sureness to be able to do things on your own terms, or to be able to voice the fact that you want to.
i believe that throughout the parallels strewn throughout this card with how the setup is, it's this confidence that shines through and really makes things different.
because this time, xavier is different.
he's growing as a person.
ii. the "reunion"
this part of the card had me gasping out loud, i kid you not 😭😭😭 because the parallels really the fuck parallel in here 😭
"The Chen residence is far away. And I can't exactly leave as I'm one of the Flower Goddesses. So, I had to let Xavier investigate himself."
"He said he'd be back after four days. Why isn't he here ... Worried, I sit on the grass and gaze at the night sky. I'm barely in the mood to appreciate the fragrant blooms above."
first of all, the setting very much feels like the meteor shower scenario in "when shooting stars fall", but also...
"Xavier would always leave me like this. At times he joined the expedition team. Other times he was returning to the palace with the Royal Messenger. I'd always ask when he could return. He always returned within the timeframe given to me.Before the Prince entered the Forest, everyone was praying for his safety. At that time, Xavier whispered into my ear... 'Seven days.'"
"He's always lied, again and again and again and again. He said hope would follow when spring arrived. He said he'd take me to the new planet he discovered.He said he didn't want to be King but also refused to let me stand by another's side. He said he'd return when I miss him. He said when I become the Queen of Philos, he'd be my knight. The song he made up is now a reality. Yet as thousands cheer my name, he abandons me... At that moment, a spaceship soars across the sky like a shooting star, disappearing into the night. My footsteps echo in this empty room. No one will be by my side. My star has left me. And this time... he will not return home."
everyone's favorite scene from the lightseeker myth.
while at the same time...
"For some reason, seeing Xavier quietly admiring the nebula, I suddenly feel a wave of panic and instinctively reach out to grab his hand."
^ that's from "shining traces", but only one out of the many examples wherein mc feels as it xavier is someone she could lose at any second—not particularly because she doesn't trust him, but because there's a nagging feeling in her chest that they could be separated for longer than either of them would have hoped to be. after all, it's happened before already, she just doesn't know it. but whatever it was that happened in her previous lives, i've no doubt that the anxiety from back then had likely transferred over anyway.
and this is what this reunion feels like.
a sense of discomfort around his absence, that nagging "what if" he doesn't come back.
but it doesn't stop there—
because xavier does return, albeit very tired-looking (again i'd call this reminiscent of That Moment in "when shooting stars fall" where he brings her the protocore in hopes to keep her from dying).
and more than that, he explains. again, like what happened in the no restraint card, he explains. he doesn't keep things vague on purpose, or makes it seem like he's hiding something from her. he explains, and he takes the initiative to, if only to soothe her worries.
to soothe her worries.
that's an important point.
(and also on a side note:)
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HDJJAJDJSJ I HAD TO AND THIS IS A DIRECT PARALLEL TO "No matter how many times it takes, no matter where you are... I will find you." BY THE WAY
anyway......!!!!!!!!! again, it doesn't stop there.
because this scene and this conversation also directly talk about home.
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and this conversation means a lot more to xavier than, i think, generally one would realize. mostly because—and i remember kay making a really good point about it here—xavier has gone through a lot to get to where we see him now, and so much of change that he's had to get used to... time traveling so far only to get stuck? the different lifetimes he and the backtrackers would have had to witness this whole entire time?
like i mentioned, our brain's natural instinct is to strive for stability—you can even see it in what we know from our high school biology lessons a la homeostasis. yet, what xavier went through, what the backtrackers went through, is one hell of a shock of a change. it's the kind of change that needs processing, but isn't easy to process, and especially not quickly. and xavier had little to no one to lean on for support, to lean on to guide him through it. the result of which being that, as established even in his earlier cards... change isn't something he likes.
and as also established in world underneath, we know he just simply wants a neat little mundane life with mc.
keyword: with mc.
he doesn't really know what home is, because he has a distorted perception of it—the xavier now, in this moment, still recalls his home planet, the life he has ties to, back in philos. but as he is now, his home is in linkon. and then it comes to the conclusion that the answer is, really truly, neither.
his home is with her.
he says it, this time, explicitly.
it's his declaration that it's okay if things change, as long as he has her—as long as she remains the constant. then change is something he can deal with.
yet, even as he reveals all this to her, the conversation starts with him asking her. the conversation starts about her. and it's she who's able to give the opening back to him, by touching on things like change and belongingness.
"Even in a place this strange, you'll feel like you don't belong. No matter how long you stay ... Am I wrong? l'm sure many people feel safer in a place they're familiar with."
mc isn't a stranger to change, either—she's had a lot of it in her life, specifically the life she lives now as a hunter. the chronorift catastrophe, her family... it's not as if she doesn't know how jarring change can be, and she expresses that here—having to "start again" in a place she's unfamiliar with... it's not easy, and it's easy to feel out of place.
humans are social creatures. we were made to be social, we were made to interact with others. but from that need and that inherent desire (because no matter how small, it's always going to be there) stems the need to belong. a human emotional need to affiliate with and be accepted by members of a group.
this is something that is so prominent in mc that it is a place of solace for her to feel like she belongs somewhere. but this sense of belongingness is something that xavier has NOT experienced for a long, long time. it's only something he's been learning to experience again with her, and the people that surround them in this life that want nothing but the best for them both.
it goes back:
his home is wherever she is.
and i think that it's beautiful that, after hearing xavier's side, mc then chooses to agree with it:
"Maybe... the sense of belonging I have is like yours."
if his home is wherever she is, then her home is with him.
ALSO— while we're talking about this scene... the little banter they have with the flower cake?????? AND THE FACT THAT HE KISSES HER?!!?!?!?! JUST LIKE THAT!!!???!?!?!?!?!! (if you can't tell, i yelled about it)
AND THIS SCENE;?!
—"His eyes are a little red, maybe because of how exhausted he's been lately. Even his blinking has slowed down ... 'I'm a little tired. Can I lie down for a bit?'"
—"Before I can answer, Xavier rests his head on my lap."
DIRECTLY plays out the mutual reliance they have on one another for comfort and rest, because it parallels that line in lightseeking ovsession that we're all familiar with:
"You rest, I’ll be by your side. Always. If you have nowhere to go, nowhere to rest your weary self… you can stay with me."
i think that as much as they have been growing in to their own persons, they're both so closely intertwined, and so much of their love for each other really just pours out all the time.
iii. xavier's forwardness
granted, one thing that's interesting in this is that they do start out pretty tame. there's a little bit of a vague area concerning their relationship at the start of the card, especially since mc seems back into her old habits of starting something and not following through—or otherwise, unintentionally starting something, and then shying away afterwards. she does get noticeably flustered, but she pushes the fluster away... almost as if old habits die hard.
...but xavier, on the other hand, is more consistently bold with whatever he's doing.
there's no hesitation on his part at all, even.
in fact, xavier is the one who initiates most of these things, and doesn't shy away from it. his cheekiness really shines through—he's the one who kisses her suddenly (and for all the other kisses he initiates in the card); he's the one who fixes her clothes, her hair; he's the one playing around while teaching her calligraphy; he's the one who's so eager and unbothered about showing off their relationship:
—"Did we need to hide? Or can the Young Master not chat with a Flower Goddess?"
—"It was going to be awkward... And I heard one of the hosts of this ceremony is the mansion's owner. Since you're an organizer and the Young Master, it wouldn't look good if I was biased, right?"
—He touches the small of my back, which makes me stand up straight. "But you always have special place in my heart."
and:
"Well, I guess everyone knows now. Does this mean I can officially play favorites?"
like he's actually being SUCH a menace i had to pause and take a deep breath
but he's very consistently bold, and it, again, goes back to the confidence that he's gained in himself. he seems a little less of the uncertain, almost shy ish xavier who didn't quite know how to make proper advances... this time, he knows mc is comfortable with his advances, and he gets to play around with that. they're comfortable around each other, to this point that he can be a little more free with his words and his actions.
and eventually, we see mc beginning to reciprocate that again—especially during the festival itself, and in the kindled moments.
which brings me to...
iv. the festival day
i'd specifically talk about, here, the moment before the dance and during the dance.
because it's alao the exact moment that we see mc begin to actually reciprocate and throw back her own advancements—it's the exact moment we have a confirmation that she loves him, that she adores him, that he means so so so so much to her.
and on the day of the festival, we go back to what i highlighted earlier:
he soothes her worries.
the first instance we see this is their little "reunion" that we talked about—it's his very presence, and his added explanation, that calms her down in that moment.
and now is not so different:
—"The most important part of the ceremony, the Flower Goddess Dance, is about to begin. I glance again at the crowd. 'Where will you be during the dance?'"
—"Xavier gently takes my hand that's holding the petal. 'That flower from the roadside will wilt if you keep touching it.'"
—"'I'm just a little nervous.'"
—"'Scared of dancing, hunter? Actually, I got you a gift ... It was meant to be a surprise. But since you're feeling nervous, I figured I should tell you."
—"'That works. Now, my focus has shifted to the excitement about your gift.'"
(which, another side note, but "Scared of dancing, hunter?" had me GASPING because???? the way he teases her in this?! it's so unabashedly him without holding anything back, no coyness about it but he's being a cheeky little shit 😭 i adore him...)
a few things to note here is that out of context, it does feel like a little bit of an awkward way to be comforting someone—yet, it works extremely well. what xavier does here is not provide reassuring sugarcoated words like "it's going to be okay", he distracts her from the problem instead by giving her something to look forward to. which, in this case, is the gift.
interestingly, in a way the 'distracting' is also reminiscent of something he does when he tries to hide something from her—cutting the conversation short when she asks about lumiere, in the lumiere myth asking her to go check on the 'wanderer' so as not to let her see what he had to inject from the ship...
in his lightseeker myth, they talk briefly about his fight with the king, and the possibility of him no longer taking the throne. this conversation proves vague and a little bit one-sided, and in the end he pushes forward the idea of eloping to uluru almost as if to avoid further discussion about the fight itself.
but this time, that's not particularly where he stops: he addresses her question as well, just to find a fallback, an extra little bit of reassurance.
—"'See that tree over there? I'll be standing under it.'"
—"I follow Xavier's gaze. Nearby is a tree covered in red silk ribbons and wooden plaques by the bridge. 'So if I mess up the dance, you'll see everything, huh?'"
—"'I promise I'll forget about them after a good sleep.' His gaze remains on my face, appearing indifferent. Yet I sense a passion about to overflow. 'The only thing l'll remember today is your beauty.'"
FIRST OF ALL. "The only thing I'll remember today is your beauty." A BEAUTIFUL FUCKING LINE, BY THE WAY. IT GAVE ME LITERAL BUTTERFLIES I HAD TO PAUSE FOR A MOMENT. (1) more proof that in the end she's really all he cares about, (2) he's being unabashedly bold with his words again—no filter moment, but zero hesitation, (3) "i sense a passion about to overflow"? he's not being coy about this either, he's saying what he truly feels. he's opening up and expressing himself more, expressing his love for her more, and being genuine about it!
but also, in terms of additional comfort, it's a widely known tactic in states of panic to ground yourself by using your senses to register something familiar: you see something familiar to you, hear something familiar to you, touch something familiar to you, smell something familiar to you. such as, the ground beneath your feet. the air around you, the vague sound of chattering around you, maybe even the touch of your bag, or the fabric of your clothing, the window you know has always been there, etc. panic brings about a sense of derealization, and grounding yourself is usually the first step to calming down.
what xavier is doing now is offering the knowledge to her that he will be there. that she knows exactly where to look for him if she needs to during the dance. she has the opportunity to ground herself with his presence whenever she needs to.
(and again, it's a direct reflection of that line: "You rest, I’ll be by your side. Always. If you have nowhere to go, nowhere to rest your weary self… you can stay with me.")
and it's exactly what she does.
though she ends up enjoying the dance and the crowd does block her direct view of the tree during the dance itself, she takes comfort in the fact that she knows he's there.
she trusts him; she doesn't need to see him to know that he'd there.
and then she thinks something beautiful:
"Engrossed in the dance's rhythm, my mind is strangely at peace. After all, I know there's someone in the crowd whose eyes are only on me."
once again, it goes back—his presence offers her comfort.
the first thing she does once she's received all the flowers is run to him, and he waits for her gladly. like he's always waited for her, like he always will wait for her.
"A lot of people wanted to give you flowers. I couldn't get past them, so I decided to wait for you here. Seems they're quite fond of you, just like me."
a note: the peach blossom
i figured this deserved a section on its own actually, particularly because the whole theme is this whole "flower goddess" thing... and in the beginning, we see mentions of the "goddess of daffodils" and the "goddess of peonies".
yet, we never really truly find out what mc's potentially assigned flower was—
the only mention of a flower that we do see, directly related to her, is when the little kid compliments her hair and places a peach blossom into her basket.
and while i wouldn't know if this means it's her flower or not, but the specific mention of the peach blossom is adorable, because in chinese floriography, the peach blossom represents love.
it's used in a lot of chinese literature and often associated with the arrival of spring—which, "according to the rites of zhou, the middle of spring is a period when men and women fall in love freely." therefore, a lot of chinese literature and poems also allude peach blossoms to romance, being that spring does as well. but, it's also associated with beauty: "after the wei and jin dynasties, beauties were portrayed in a more detailed way with words like taohua mian (peach-blossom-like face) or tao sai (peach-blossom-like cheek)." and there are other things it represents too, like prosperity, growth, and longevity.
when xavier gives mc the hairpin at the end, mc describes it as "pretty and adorned with pink flowers as if they are on a branch", and while not explicitly stated, i do believe that they are also peach blossoms.
whether or not that's the case, and whether or not the peach blossom was mc's flower (or maybe that it's just generally part of the festival), i think it's a really cute detail! i think it perfectly represents their growing relationship, and essentially the beauty with which xavier always sees her~
BUT, MOVING ON.....
v. the wish
the final stretch boils down to this.
"A gentle breeze stirs the wooden plaques hanging from the branches. A faint, melodic sound dances in the air. 'They say a Flower Goddess can bless people's wishes. And if the person making the wish is someone she favors, it's more likely to come true.'"
it's where the kindled moment falls, as xavier proposes for them to make a wish together.
and, mind you, this whole entire scene is ADORABLE AND LIVES RENT FREE IN MY HEAD ... the playfulness between their words, the "if i tell you my wish, it won't come true", the way xavier CARRIES HER??? AND THE WAY HE CATCHES HER WHEN SHE FALLS AND PINS HER AGAINST THE TREE AND AND AND AND.
everytime i think of it i end up keysmashing in my head IT'S JUST SO CUTE i could burn it into my head 😭😭😭😭
but, AHEM, he also says...
"Throughout history, humanity has always made the same wishes. Perhaps it's because those feelings we have... are timeless."
i think it's a really pretty line, but more than how pretty it is, i think it represents xavier perfectly.
xavier has lived long enough, and he's likely also made similar wishes along the way. for mc to be safe, for mc to be happy... things along those lines. and for him to describe that as "timeless" also represents his love for her—because it is timeless. he loves her more than anything else in the world. it transcends space, and time, and anything else; to him, she is love. she is timeless.
it's worth noting that everytime xavier and mc get scenes where they wish together, xavier never really says what his wishes are.
in "when shooting stars fall", mc wishes for many things. for xavier's freedom and happiness, for her to be healthy, for time to stop in their moment together... for xavier's freedom, xavier's happiness, and, in her final moments—"i wish to meet you in my next life." but he's never said explicitly what he wished for at all.
in "warm wishes", mc also mentions a lot of wishes:
"I wished I could pass all my tests with flying colors and go to a good university. I wished for Grandma to be healthy. I wished for my neighbor's cat to come home..."
and her actual wish that night was:
"l wish.... everyone can have snowflakes fall on their shoulders when they're lonely, and see the stars when they're lost."
yet that night, xavier didn't make a wish. he explicitly stated:
"l didn't make a wish. I want to save my wish for when I need it the most. Plus, everything I want right now has come true."
...but this time is different.
he did make a wish.
and, this time around, he specified what it is.
"I wish I can be your sanctuary until the end of time, in your eyes."
this is a wish that's important to him. he chooses to make this wish, and he chooses to tell her about it.
there's a lot to dissect in just one statement alone, because it's so imbued into the xavier that's loved her for thousands of years.... the xavier that has grown and developed into who he is in this moment.
a sanctuary is a place of refuge and protection; a place of safety. a place of comfort. a place of rest.
and multiple times throughout this card, it highlights how xavier has been able to offer mc a certain sense of comfort. even right when the results are announced, one look at him calms her down—this part really got me.
"I glance nervously at Xavier. He makes eye contact with me, and his gaze conveys a steadfast reassurance."
it's a recurring theme in the card—comfort. peace. the peace that you can find in someone. the safety that you can find in someone. in this case, mc with xavier, and vice versa.
...and i've always associated xavier with comfort, but peace and safety have been attributes i've been hesitant to associate with him, because it's different. for you to feel safe with someone, for you to feel at peace with someone, they need to communicate, as well, a certain sense of steadfast reassurance. xavier has always been soft and comfortable, but he hasn't always exuded that steadfast type of aura.
i think that this is something that he himself realizes.
i've mentioned it before, but his wish is also a direct parallel to That Line from lightseeking obsession.
"You rest, I’ll be by your side. Always. If you have nowhere to go, nowhere to rest your weary self… you can stay with me."
yet there's also a striking difference.
what is different?
the person that he's developed into.
prince xavier, lightseeker xavier—as i mentioned earlier, there's a certain kind of confidence in himself that isn't present, and it shows. i would argue that he was at his most vulnerable that time, likely more vulnerable than when they first landed on earth, because he didn't know how to treat his relationships at all. he was too bound by the confines of what everyone, and i mean everyone, including mc at the time, wanted him to be. there was never clear communication with anyone, and it mostly seems as if he's been going through the motions—as opposed to more freedom that he's been granted on earth.
and it shows, because, that line in lightseeking obsession—does not exude confidence.
it's a comforting statement, sure...
but it's not even something that mc herself believes.
"you always lie."
it's as if xavier, as much as he's trying to comfort mc, is trying to reassure himself, too—he tries too hard to make himself appear reassuring to her that it falls short, all this on top of the times that she feels she's been let down by him.
it's ironic, almost. he says such a bold declaration despite knowing that there's a chance he wouldn't be able to keep it.
but this is different.
this time, xavier has grown to he sure of who he is and who he wants.
he said it in 21 days—"every version of me belongs to you, and only you."
yet despite the confidence that he now has in himself, notice how different this is to lightseeker's line—
he's wishing.
and he specifies that he wants it to be true in her eyes.
it's as if he's saying, i'm not sure if this is what you think about me, but i do know that i want it to be what you think about me.
he's not reassuring her; he's not making a bold declaration. he's not saying, you will think of me as a sanctuary. neither is he saying, i will be your sanctuary.
he's saying, i want to be your sanctuary.
the final decision falls to her.
the confidence lies in stating what he wants, and there's no fear in it—there's no hesitation, nothing that implies that he's scared to say it. he's confident in what he says, and either confident that she'll accept it, or confident that no matter what her choice is in the matter it's okay.
that's why this wish is so strong.
and it's mc who then says, at the end;
"I wanted to tell you that your wishes will always come true."
because she reciprocates.
and this whole moment, everything that happens from hereon—the results, the hairpin...
—"'If you meet a Flower Goddess you like, give her fresh flowers. It's a local custom here. But there are many people who admire you, and all of them have given you flowers. My flower wouldn't be special enough. So, I made a flower hairpin. This is the first time I made one, though. Don't judge it too harshly.'"
—"Xavier's hand is warm. Like petals being carried on the wind, his smile descends and touches my heart. 'What makes you say that? It's amazing. Besides, even if you just gave me flowers, they'd be the most special ones l've ever received.'"
it's worth noting that the scene where xavier gives the hairpin is also very much the same way he makes the wish. he does admit that he doesn't know if she'd appreciate flowers—but he takes it a step forward. he knows he wants to be extra special, he knows he wants her to have something she'll remember, so he does something different. he makes, and gives her, a flower hairpin. of his own accord.
it doesn't stop at his insecurities, which he still has—he takes those insecurities and spins them into something he can be sure of himself.
and there it is again.
the steadfast reassurance.
and it's what makes the moment so much more memorable to mc, so much more meaningful.
and it's why, then, he can say things like this:
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"No matter what happens, I'm always blessed to have someone by my side, who makes my gaze never feel alone."
"Forever is but a collection of moments strung together. With every minute comes another, second after second. When I open my eyes again, I want you to still be by my side."
it's in a way wherein xavier is able to take some lead in their relationship, because he's more sure of himself this time. and it progresses their relationship in a way that it wouldn't have if he never learned—he's learning. he's growing. and he's really truly turning out to be someone that can love with his whole heart, without holding back.
i think this card showcases that the most, and maybe that's why i love it so much <3
ALSO, P.S., ONE MORE PARALLEL—
xavier says that the flowers are blooming beautifully this season—"it smells like spring". in his lightseeker myth, he says something similar! "With spring's arrival, hope is soon to follow."
just a neat lil thing, i think <3 spring is always so closely associated with xavier, and the card really does end on such a light and hopeful note.
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venus-is-thinking · 2 days
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DRDT Chapter 2 Episode 14: Initial Thoughts
What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!
SPOILER WARNING FOR DRDT CH 2 PART 2!
T/W: Murder, hanging (with depictions)
The Reactions
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Hu is literally so pretty.
I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.
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RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.
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I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.
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Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.
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This is honestly very valid.
Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?
Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.
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Like, girl. They literally JUST said that they don't trust anyone. That includes you.
She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?
(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)
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Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???
If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.
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It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.
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(The entire fanbase nods in agreement.)
I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.
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I got so jumpscared by the Closing Argument-style CG.
I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.
I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.
This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.
I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???
where did their cape go :(
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Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.
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*Levi's secret quote looms*
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Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??
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Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)
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TAPE TIME :D
The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???
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Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."
Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.
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I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.
In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.
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Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.
I'm probably reading into things too hard, but it's so hard with David. What do you know!!!
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Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.
I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.
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This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.
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It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.
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I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.
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I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.
To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.
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I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.
It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.
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It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.
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will I EVER understand what the fuck this man is cooking
Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos
My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.
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I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.
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...*squints REALLY fucking hard*
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The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.
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Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?
i'm out of images :(
I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.
On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.
Theory Update/Analysis
Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.
I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.
EDEN
Reasons Eden Would Be The Blackened:
THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.
THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.
NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.
A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.
INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."
HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.
Reasons Eden Wouldn't Be the Blackened
HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.
HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.
THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?
THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.
GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.
Points About Eden That Could Go Either Way
THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.
RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.
CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???
ACE
(why are they both orange)
Reasons Ace Would Be The Blackened:
NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.
WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.
WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?
HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.
Reasons Ace Wouldn't Be the Blackened
OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?
SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.
EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.
STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?
ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.
COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?
Points About Ace That Could Go Either Way
TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).
ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?
Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!
For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.
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freedelusionshere · 2 days
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It means a lot to me that Syd and Carmy ultimately didn't try to force Ebra to do stuff that he didn't want to do and then let him work at the side window and then gave him people to help him (Chi-Chi and his crew).
Ebra is a war veteran. He did not want the Brigade. He did not want regimented training; he did not want uniforms. It was obviously triggering to him. So, they give Ebra an out and stop making him try to fit into this schema rather than let him fall between the cracks.
This is how we know that Carmy and Syd are both fully capable of seeing outside the fine dining Escoffier system and are going to come out on the other side of it. The Beef is the only thing making money.
What is interesting is that Carmy, Syd, and now Richie (and his glow up after working in fine dining for 3 days, to quote Carmy) are mostly punishing themselves by doing this Michelin thing. Yes, others are suffering by proxy, but you have Syd acting as a buffer for the kitchen (while being his accomplice, as she fesses up to in S3), and you have Richie protecting the front of the house from this (Syd is also in the middle of Carmy of Richie). Carmy is definitely driving it, but they are also all enabling him (even Nat who is busy researching Michelin stars, and Cicero who admits to Syd maybe he shouldn't be giving him money).
But you see that Marcus and Tina feel freedom in creating and are showing up and being inspired on their personal time, while Carmy is under (self-imposed) pressure to have to create something new every day for consumption/profit.
Anyway, more Ebra in S4, subtract Ted Fak.
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nyashykyunnie · 1 day
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I'll be honest even if I am a big Jinwoo fan I wouldn't defend this man like going to war saying he is the strongest or saying he has the perfect story.
My definition of perfect story is and always will be Heaven Official's Blessing, Grandmaster of Demonic Cultuvation, Scum Villain's Self-saving System, Husky and His White cat Shizun, Little Mushroom and Nan Chan.
Jinwoo is undeniably strong, but emotionally he would've been written better. We should have been given more about his struggle about losing his emotions, his struggle at the fact that he may no longer feel love and maybe it could have been a plot where he struggles to interact with his family knowing he can't feel emotions as much. We should have been given more insight to Jinwoo's depression in his E-rank era. He also went through death multiple times where is the ptsd? He went through war alone he should have more struggle. Sure, chalk it up to him already being disassociated with his emotions but buddy??? Even if he was I'm sure this man must feel a huge emptiness in him as he represents the abyss. What about that plot where Byung-gyu warned about his powers? awe aren't given any sort of sht about that. It was just said and done. We never witnessed Jinwoo struggling with his powers eating him from the inside out.
His powers affected his quality of life in a positive light, but its also a sort of punishment for Jinwoo since he cheated death and defies human biology. We could have been given a plot where Jinwoo is feeling frustrated with himself. Also he watched precious people die around him, wdym this guy has no severe anxiety? I would have personally suffer from constant panic attacks. Even if he places his shadows on everyone this guy must still have some anxiety atleast come on.
Jinwoo would obviously have depression and anxiety with what he's been through.
We can even have a plot where since he is an INTJ and they are known for thinking with their heads most of the time, we could have a Jinwoo who rationalizes things way too much. Or we could have a Jinwoo who rationalizes things to avoid the crippling depression and emptiness he feels after achieving his status as a monarch. There is so much room for us to make Jinwoo more interesting.
Jinwoo has so much potential in suffering with himself yet were just given perfect mr boy powering through everything. Which is good. You can have that plot of Jinwoo powering through everything but atleast show us situation where we can see the broken and battered him so that when he is victorious over them we as the audience feel rewarded for his triumph.
I love this guy don't get me wrong. But I wish we could have been given more emotional attachment rather than just being slapped with "Cute uwu boy turns emo and edgy" randomly. Atleast properly show us his inner turmoils in his transition
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nalyra-dreaming · 2 days
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Watching season 2, Armand is so fascinating yet confusing to me. I have only read 1.5 books at this point so I don’t know much about him at all from a lore standpoint. But, the show seem to made him more nuanced than he was at least in the first book, with his backstory and hearing things form his pov and all that.
What I find fascinating is his bad side; his cruelty and violence, because it doesn’t seem unmotivated as in, like, he SOLELY take delight in - it’s almost like he actually feels ENTITLED to it? Like, he genuinely seem to NOT understand how cruel he is sometimes? Or that he is going too far. Take it out on people that I make no sense too. Or hurt people that he claim to love, and then believe it won’t change anything, and when it does it confuses him?
Very interesting, a lot of the reason for it seems to simply be out of just pure jealousy - and nothing more.
It’s…strange?…And tragic.
I surprised when I started to feel bad for him because I can actually understand how his thought process may go.
Also, his what it seems to me twisted way he sees love. Confusing love with dominance and control; and when he witnesses actual love being given to someone, he doesn’t know handle it and either want to destroy or make it fit the only mould that he knows.
;(
Armand... is Armand. :) (And yes, they gave him a LOT of nuance!)
I'm not sure how else to say it. He does not think like other people. Part of it is the way he was broken, for centuries, by the cult. Part of it is definitely the way he thinks, imho. Anne wrote him with synesthesia, too.
He feels deeply, but fails to foresee the emotional impact on others when he does not feel for people and hurts them (Claudia, for example, and the emotional impact him killing her would have on his relationship with Louis). He cannot really anticipate the repercussions, and therefore is then taken aback and hurt by said repercussions. (Which is why he ends up "readjusting continuously", in the show, too, he constantly tries to protect his own feelings, and reach his own emotional goal, but thereby hurts others... which then backfires.)
And yes, he feels entitled to what he does - and he does what he thinks best, regularly, even in the later books, which is imho part of the centuries of forced ruling as a coven leader. What he thinks is best does not always match with what others think is best though - which is, ironically, something he shares with Marius, who also often does what he thinks best, no matter the opinion of others.
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f4iry-bell · 18 hours
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𝐏𝐑𝐎𝐌𝐈𝐒𝐄 | 𝟏
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pairing: popula!jameson hawthorne x nerd/goodgirl!reader
summary: who would have guessed taking an unwanted picture of her could lead to that tense moment? more than that, who would have thought it would get his attention to make a deal? and guys like him drain a person inside out when are interested in you.
warning: jamie being a slight jerk, very little. little over the top reader(?)
series taglist: @clarissaweasley-10 @whatsamongus @sheisntyou @emelia07 @elysianwayy77 @lyra-kane @bewitchingkisses @zenikswaffleshop @off-to-the-r4ces @jamcarven (lmk if you want to be added!)
a/n: IM SO EXCITED TO WRITE THIS WHOLE THING, YAY. a lot of jerk jamie in this fuc guys. sorry;(
word count: 1.5k
masterlist | series master list
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“Did you just take a picture of me?” The tone and how sharp it was so surprising to the two boys to her side, one with the camera, and one with a stupid smile.
“Maybe.” The boy who was holding the camera didn't take her frowned brows, and dagger throwing eyes at him seriously. No one really takes her seriously, most of the time she is just invisible but definitely not today.
“Delete it.” She demanded, taking a step closer.
“Aw, don't want others to see your pretty face?” The boy holding the camera teased her, and then turned to his green eyes friend with a stupid smirk.
“I said, delete it.” she demanded again, this time more serious and firm than before.
“Or what?”
“I'll sue you. I'll take you to court, but before that I would like to formally inform the student body for violating my privacy, and I'm pretty sure you'd be dealt with by the faculty.” She didn't blink once, she adjusted her glasses after ending her threat.
“Woah, now let's not go there, princess” the green-eyed boy took a step forward with his hands in front in defense. “We don't want trouble.”
“She's bluffing.” The idiot with the camera said.
“She's not.” The other guy said without taking his gaze away from her face. And he is right. She's not bluffing.
The idiot was looking at her face, scanning to see what the other guy was seeing. “Alright, I'll delete it. I was just taking random pictures of the campus anyway.”
She was waiting for him to do it, but he didn't do it, yet. “Do it, right now.”
“I'll delete it later.” He said.
“Delete it now, Cory.” The green-eyed spoke, she almost thought he was a decent guy. Almost, until he spoke again. “We don't want our front row princess to tell on us to her teacher, now do we?” His lips curved up to a stupid, irritating smirk.
Her face could have sworn it was hot as hell from all the anger if it was possible. Cory finally deleted it, and showed her. “There, happy now?”
She didn't reply, just turned and walked away from them. She could feel as though her skin was being burnt because she knew that a pair of beautiful green eyes was staring at her as she walked away.
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Two weeks have passed since this incident. Jameson has forgotten about it or so he thought, he did see her in class and think about how different she was that day from how she acts in class, she almost speaks to no one other than the professor to ask for doubts or questions. He wondered if she even has friends, with her introverted personality, and quick to try and sue anyone who would want to be friends with her? Or the real question is, does she want to be friends with anyone at all?
Yeah, she probably hates everyone. But why is it taking psychology? Maybe that's not her major, he wondered what her major would be. It's definitely not psychology, because he can't imagine her as a psychologist. Maybe she majors in business, but then again, why would she take psych?
Why are his thoughts filled with her and her life? She is no one. She is just some girl passing by, a girl who happened to be more than just what she shows. He knows that, Jameson knows how to read people. Even before his psychology classes, he was not as good as his brother but he is good, and he can read her, just a little more time with her, and he'll have a master degree on her.
The next couple days Jameson skipped psychology classes because he couldn't help but stare and observe her, it was getting ridiculous to the point that even Dean who sleeps in class noticed it. For two days Jameson spent psychology class hours on the rooftop, he has done this on Heights Country High, why not in Yale too? But today was different, the door’s latch was already open, and the door was about 4 inches open.
He pushes past the door and saw someone standing near the edge, at first he thought this was a suicide attempt, but the person was calm, quiet, looking everywhere with a notepad on one hand and a pen on the other. The person was a girl who wore her hair up in a ponytail, her skirt was moving in the direction of the wind, he knew who it was. He could never forget her back profile.
“Well, well, well. If it isn't my favourite front row princess.” He regretted speaking out of the blue because it scared her to the point she jerked up, she could have fallen.
“Fuck!” She yelped.
“You know how to curse?” He teased her.
“Yes, asshole. I’m not 2.” She rolled her eyes when she turned to see who it was.
He smiled. “Never thought I'd see the day where you'd skip classes. Or are you stalking me?”
“Last I checked, I was here first. So, are you stalking me?” she asked.
“I've been here for a couple days, princess. What are you doing here?” He answered and asked the question out of curiosity.
“What are you doing here?”
“You first.”
“No.”
“I'll figure it out on my own.” He said and started to observe, she was writing something down before he interrupted her. He can't figure it out, it's too vague, maybe if she gave her notepad he could get something.
She was quicker than him, she somehow figured that he was about to snatch her notepad from her, and was on her guard.
“Come on. How about we make a deal, yeah? You tell me why you are skipping class and hanging out with yourself on the rooftop, and I'll owe you one.” He tried.
“How do I know that you'd actually keep your word?” She raised an eyebrow, rolling her eyes.
“A Hawthorne never not keep his word.” He said it out proudly. Something to be proud of from that name.
“Right, you're a Hawthorne.” She added. “Why are you so determined to know why I'm here? You get nothing out of it, and yet you're saying you'll owe me one.” She was questioning whether or not to agree to this deal. Having Jameson Hawthorne owe you one is a vid deal.
“I'm a man of mysteries. I also tend to like mysteries. And you, princess? One hell of a mystery. I figured that much two weeks ago when you threatened to sue my friend.” He smiled, taking a step closer. “So? What do you say? Deal?” He asked.
She sighed. “For my journalism class, I have to write about something new…something that is ‘not in my bubble’ as my professor worded it, hence the rooftop.”
Jameson’s face was pulled together in confusion. “Still a bit vague. Are you going to try to fly?”
She rolled her eyes which made him smile. “No. Just looking at people from a different perspective. I don't think I can go out of my bubble but I can always observe people from different angles and be them for a while to write a different story. Sounds a bit stupid but it'll work. And I'll get an A.”
Jameson noticed how her eyes sparkled when she said ‘I'll get an A.” It made him smile even wider.
“That's still not doing what your professor asked.” He pointed it out.
“But it's not the same repetitive story as before. It's new, so.” She shrugged.
Jameson was quiet for a while. “You said you can't go out of your bubble. Is it can't or won't?”
She just glared at him as if he lied about something. Ironically he only told the truth.
“See? You don't even try, and say you can't.”
“It's not easy for me, okay? If I do new things out of the blue, people will stare at me, look at me weirdly or bully me too. I can't just step out of my bubble like that. Even if people are nice, it's me. I'm awkward, and just stupid when it comes to socialising or anything that's not just academics, and some extracurriculars that I do.” She let out a quick sigh before shaking her head.
“So stupid. I don't even know why I'm telling you this.” She murmured.
Jameson was quiet for a few seconds. “I'll tell you what. I said I owe you one, right? How about this; I help you get out of your bubble. I'll help you socialise and all that stuff, stuff that are not you. I'll help you with them.”
“When you owe someone it's up to them to decide what it is.” She said with a little sass.
“I know, princess. But think about it. It's a good one. I'm just suggesting, it's up to you.” He took another step, now only two feet away from her with his hands extended in front. “Deal?”
She bit her lips out of frustration.
Jameson chuckled. “Take it or leave it. Don't need to kill yourself over it.” But he wanted her to take it, so bad.
She let go of her bottom lips, and relaxed her shoulders. She passed the pen to the other hand, holding both the notepad and pen in one, she spoke “deal.”
Her soft palm met his and shook gently. The touch shouldn't have sent goosebumps to Jameson but it did.
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drbased · 3 days
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ok I have to talk about 'the dialectic of sex' by shulamith firestone because it was one of the first proper feminist books I read and I didn't have the confidence back then to address this book:
so this is still the only book I've read so far that actually uses the words 'radical feminist' - except her definition of this politics is essentially transhumanist luxury space communism. because her understanding is that the 'root' of women's oppression is our reproductive capacity and therefore no matter what happens society will never fully be able to share the burden of childbirth and child-rearing across both sexes.
this book feels so evocative of its time - like there was a small window of pure hope shortly after the invention of the pill and the hippy movement where everything entirely changed for women. like, think about it: up until that point unless you use some sort of condom (which men don't like using - and also not 100% effective anyway) you're basically always vulnerable to being impregnated by a man during piv, which is considered the basic form of sexual intimacy wth men, which women are expected to engage in to be considered full members of society. so women would have all been in some sort of constant state of low-key fear; one sex - or rape - away from having a child that would change their entire existence. that's got to really fuck you up, especially your relationship with your own body. and you could get an abortion but only if you're incredibly lucky, and still getting an abortion is probably more like surviving a car crash than anything - like you're glad you made it through but also you're still damaged psychologically and probably physically as well. and it's such a silent fear as well - because women are supposed to want babies and babies just happen so you're not allowed to complain that this is because your husband always wants sex and he's the one who impregnates you but if he does people say 'she got herself pregnant again'. like there's layer upon layer of psychological terrorism surrounding men's impregnation of women and that's gotta mess you the hell up.
so the invention of the pill - holy shit, just imagine it. the hope. you can take the pill in secret, you can take the power back, you're not uniquely vulnerable to your own bodily forces anymore, that gives you time to fucking think, to be alive, to feel, to feel vulnerable, to feel free. it's like literal magic. if the most basic of happenings - pregnancy - can be actually prevented, then what else can we do to the body? what else can science do for us?? how more free can we get?? It's women's first time to (ironically) feel like a god, able to transcend the body. I'm actually surprised that I've not found more writings like shulamith's - that there weren't more women spurred on by this amazing discovery into further transhumanism. I guess the problem was that women were starting to notice that whilst women were able to change their own individual lives with the pill, that wasn't making men behave any differently.
but I still find it fascinating how this definition of radical feminism hasn't survived at all. as it stands on radblr, the 'root' of women's oppression is men, and therefore the only real solution is separatism. but like, what happened to the brand of feminism that says, uhhhh isn't it actually kinda fucked up that half the human race are burdened entirely with pregnancy, birth and child-rearing? and could we maybe be freed from that if we used science to bring about children another way? I'm not even agreeing with her that that would solve everything (because regardless even if we *could* make babies in a tube, that doesn't mean all women are going to magically become infertile, and it certainly doesn't mean than men are going to be less violent against us), but I'm very interested in questioning what the 'root' of women's oppression is - because modern 'radical feminism' has a lot of gaps to allow for a simplistic narrative that I'm sure many in the community, definitely myself included, are rapidly tiring of. and I think it shows in the separatism debate, which rages on because no one can think of any other solution, because the unspoken tenet is that what the 'root' is is solved and agreed-upon, and therefore the answer is just so damn obvious that the women who don't agree must be scared and stupid. I've been wanting to address this in some form or another for years now, and I guess I'm dipping my toes in it now.
at the very least, I'd like to know if someone has a good source on where the term 'radical feminism' came from and how its meaning has evolved over the years. in ariel levy's 'female chauvinist pigs' she touches on this debate that started in the late seventies that led to the fracturing of feminism and the creation of liberal feminism - and it seems to be along these same lines of separatism vs fucking men. I've always found it odd that there's essentially no middle ground here - like you don't need to embrace 'sluttiness' in order to want to have a healthy sexual relationship with a man, but it seems the liberal feminist side chose that, meanwhile the only other 'mainstream' option seems to be separatism. obviously a lot of the women in radblr don't actually fully agree with that - but all us hetties are suspiciously silent on that subject.
to me the issues with separatism go further than simply sex with men - sure it's psychologically good for you to only purchase from women owned businesses and only read books by women etc etc, and it financially uplifts other women. but also we live under capitalism, which obscures our reliance on each other. when you buy from that woman-owned business, the person delivering your package is likely to be male, the person who assembled the vehicle he drives is likely to be male, the person who constructed the roads he drives on is likely to be male. this is not to say that men are vital - but rather, your 'separatist choice' is a fundamentally capitalistic one that exists more for your peace of mind than being anything actually radical - as in, nothing about the 'root' of women's oppression is addressed in doing so. there's no ethical consumption under capitalism yadda yadda. and only speaking to women irl is also less of a capitalist action but still ultimately an individual one. there's so much emphasis on personal actions as the height of feminism and it screams liberal individualist to me. like you took 'the personal is political' and ran with it.
but if the root of the problem is men, then that's simple, isn't it? just don't interact with men. don't have sex with men. don't pay men, apart from the men who happen to be an inescapable part of the supply chain, they will inevitably get paid by your actions anyway, but you don't have to think about that because that's what capitalism does: it makes you think you have this magical power as an indvidual to make real radical choice in the world, to 'vote with your dollar'.
I'm not exactly calling for firebombing a walmart but I'm bored with the capitalism-loving individualistic liberalism of what this community calls 'radical feminism' - but that same thought-terminating cliche keeps getting thrown at us: 'we're radical, which means we grasp at the root, and the root is male violence, so you can't call yourself a radical feminist if you don't want to do the basic things of not wearing make-up and not fucking men'. and nobody ever seems to stop and question, does any of that actually address the root of our oppression? capitalism isn't the only economic system that has ever oppressed women, but it's the one we live under, and it's very good at sneaking into the backdrop of our lives and naturalising hierarchies - capitalism becomes its own justification, e.g. women choose low-paying jobs just because that's what we gravitate to, yanno?
being genuinely anti-capitalist recomplicates politics all over again, because suddenly it's not an easy men vs women but also men vs women vs rich people, some of whom are women??? and like, what's the solution to that? do we stand with men agains the capitalist system and risk our voices getting silenced, or do we go full single-issue and just go fuck it, capitalism was created by men for themselves like solanas said, so if we stand against men then idk capitalism will just sort of fall by itself? or in reality it's just not addressed at all. separatism itself always sits there as a thought-terminating cliche in and of itself - an accusation ready to be levelled at anyone who wants to question any of these unspoken tenets of radblr. and the goal-post is ever-shifting - separatism is women's land, but if you say that's not a real solution in our capitalist interconnected world then you get accused of not wanting women's spaces because that's obviously what separatism has been about this whole time. also separatism is not fucking men, actually it's not about that it's about prioritising women (vague), and on and on and on - the argument always shifts so the word stays pure. but like, is separatism an end-goal? a political tactic? something you do to enrich your own life and psyche? something to give space for consciousness-raising? I saw someone ages ago claim that the suffragettes wanting the right to vote was somehow separatist because idk, the women were making spaces for themselves? but wanting to involve yourself in male politics is literally assimilationist, no??
I'lm going to stop rambling for now but this was good to get my thoughts out there - I enjoy my theorising in this space but I'm also deeply interested in questioning. I've noticed time and time again that discourse is always stopped by 'you're not a real radical feminist if you do/don't do x' and I've found it really odd and telling that no one's questioned that? like sure I know we've built our whole political framework on 'words mean things' but also it's always worth questioning the definition of 'radical' and what the 'root' of our oppression is, and what we can actually do to address it, and if our narratives and assumptions are too simplistic. the community would be all the better for it imho. I already think the influx of 'tirfs' in the community and the khelif debate has been opening up these unspoken simplistic narratives on the nature of gender vs sex, of socialisation vs low-key biological essentialism, and I think we can push that kind of questioning even further. ramble over.
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alexanderwales · 1 day
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The worst thing about creative AI right now is that it produces bad results. The writing is bad, the images are bad, and the video is bad. It's impressive, sometimes, that the technology works as well as it does, but it's still bad.
I think if you sit down and go through a few hundred generations, then tweak and edit and inpaint and think intently, you can sometimes get something worth putting in front of people, if you have the right eye for it. I could definitely edit up an AI-written short story into something worth reading, especially if I was the one who had fed it the prompt and gone through the work of having my own ideas to insert. I think at least part of the output would be the AI's, and I could carve away everything that was nonsense or just bad, leaving only a few turns of phrase or some general boilerplate structure ... and this would take more time and effort than just writing the thing myself.
Most people who use generative AI do not want to do any work, and in fact, have no conception of what work would be required. Most of them are consumers, not producers, and they're used to the modes of content consumption, where you don't look closely at the details. Generative AI, in its current state, just kind of sucks when you're in a "press button, get results" mindset.
The stuff generated by "press button, get results" is the vast, vast majority of AI art that you will see, even accounting for filtering effects. There are a lot of people who have no love of artistry producing artwork via machines that are not good at making artwork, sometimes just for a lark, sometimes with profit in mind, and it's threatening to drown out other stuff in spite of being bad.
This is my thesis: generative AI produces bad results, and this is possibly the worst thing about it. If it were able to produce good results, I think that a lot of people would be less opposed to it. If you could get a short story that was worth reading, or a picture worth looking at, for no additional effort of manipulation or prompt engineering or whatever else, then we would be flooded with good art instead of bad art.
When it comes to art, I care about how it makes me feel, and what it's trying to say, and where the intent is, and what ideas it has. AI is not there. Possibly it will never get there. But sometimes I see a picture that the AI has made, and I do feel something in the sweep of the lines, or the composition, or just the juxtaposition of elements. It's just really really rare, and the product of either chance or really careful work on the part of some human. It's not something that the AI can do reliably, at least at the moment. You can also quibble about intent, because the AI "has none", but I find beauty in nature too, which is not trying to make a statement with its sunsets, and whose intents, if they can be said to exist, are mostly about things that are orthogonal to my perceptions, like the plumage of a sparrow or the curved leaves of a fern. To me, art is art because of the way that it can be read and the emotions that I feel when I look at it. Contentious, I'm sure, but I don't find other definitions all that useful.
But the art that the AI makes is, unless expertly guided, bad. And there's a ton of it, and it's impacting the ability of real artists to make superior work.
I think the future I see, if the AI doesn't get better, is one where we have a bunch of cheap shit that's replaced a lot of good expensive things. I am in favor of cheap things, but I'm not in favor of shit. I would love for translation to be as simple as pressing a button. I would love to have a good painting to go with every chapter I write. But we're in a world where the results mostly suck unless you're willing to put in quite a bit of effort and have some expertise in a field of creative endeavor, and that means we're in a world where the products are bad.
I'm interested to see how the conversation shifts if the results start getting better, because that seems to me like one of the sticking points.
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chaifootsteps · 1 day
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Hey there! I used to stumble a lot on your blog as I've always been interested in discussing stuff related to Hazbin Hotel and Helluva Boss.
First of, am I the only one who kind of liked the shorts of HB more as it really lived up to the original premise of killing humans for hire? Second, the Hazbin Hotel pilot felt a lot better in my opinion compared to the series (like they could've saved the big reveal of heaven at the final episode and made Lucifer a mysterious, scary character).
Both series are great as having an animated show set in Hell is cool but the writing just falls flat and I also started to lose respect for Vivziepop because she has somehow built a fandom that bullies people out of the Internet for doing something she doesn't like and dropped the original VAs for HH. Also, the merch they've been pumping out lately like the Slurs shirt sucks (like it reminded me of those shirts with edgy messages and I'd end up wearing it 'coz I have no clue what they meant).
You're most definitely not the only one. That's an extremely popular sentiment that's been going around ever since they started doing the shorts.
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