This was fun, I really miss when you could make a dystopian action thriller sci-fi movie and have the main guy be a funny-but-not-a-comedian little guy like Emilio Estevez. Anthony Hopkins and Rene Russo do their usual good jobs, and Mick Jagger might not be the best actor in the world but he was just the right amount of cheesy weird, imagine if Jemaine Clement played a Terminator
And because it’s from 1991 it bridges 80s and 90s schlock with the “best” of two eras of schlock. Emilio Estevez gets isekai’d into a cyberpunk dystopia in the futuristic year of 2009, there’s urban car chases where dune buggies explode for no reason, there’s an unnecessary future club scene with wacky future fashions, there’s a kindly but foul-mouthed nun, and it ends in that same paychedelic CGI desert from all those 90s music videos.
I personally think having a mega hyper fixation on a character you despise carnally is the definition of insanity, even worse if the character is already from a small and unknown peice of media and only shows up in one episode
Like
I hate you so much
I want you dead in a ditch
If u were real i would try my best to eliminate u from this mortal plane
WHY ARE YOU EVERYWHERE
Like you cant escape it, hes stuck with you now, i litterly had a dream last night where he had a episode to hinself in the show and i imidatly whent to watch it and i hope he dies a painful death AAARRHHHHHHH
Tonight's bedtime cautionary tale, The Running Man (1987).
For some reason I always loved the addition of Dweezil Zappa and Mick Fleetwood in this movie. Kind of like we survived and music is here to free mankind.
I think it is part of the reason I just LOVED Tom Petty in The Postman (1997).
Oddly enough, I don't get the same feeling from Mick Jagger in Freejack (1992).