hello, this is an appreciation post for taylor moore of fortunate horse.
the opening and closing stings of Worlds Beyond Number are deeply enjoyable every single time but oooooooooh. the score at the end of ep 11 (the threatening might of the imperium) is a bassier, more sinister version of the score in ep 01 (the celebrated might of the imperium? OOOOOHHHHHHH so good.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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God hearing that Jellie has passed makes me feel so bad for scar. Losing a pet you’ve had for years and have grown so so close to that they are your best friend and anchor is such a blow to you. Grieving over the death of a pet hell a loved one of which you were close to is hard. Some times it lessens and never truly leaves you.
Scar can take as much time off as he wants to process this. Lost of a pet is what I believe is to be a very traumatic event in peoples lives.
My condolences to Scar and his family. Jellie will be missed but not forgotten. She lives on in the history of Scars channel and the hearts of all the fandom members.
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like we were so fucking robbed of seeing perez in the wake of saw vs events I want to see her getting out of the hospital and flipping tables and pointing a gun in ericksons face after being told that strahm is the lead suspect. I want to see her having a breakdown after strahms fingerprints come back dead. I want to see her hand twitching over her gun everytime she sees hoffman. I want to see her fucking losing it and desperate to avenge her friend and partner and to clear his name. I want to see the thought process that lead to her inviting known serial killer mark hoffman to the basement lab just so she could torture him psychologically before she had a legitimate excuse to shoot him. I want to see more of her and I want to see how strahms death impacted her the way the reverse impacted him.
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a a a a a a a a a
playing dress up with aventurine. where he’s your pretty little doll. trying on clothes because he likes to show off how pretty he looks in everything. except the clothes gets progressively raunchier… and sluttier… and more revealing. until he finally comes out in just lingerie, expecting some kind of reaction from you.
but you’ve just been looking on with a mild smile on your face, barely even a chuckle as he climbs onto your lap. aventurine can feel the familiar anxiety in his belly, the doubt growing in his mind. but he can’t turn back now; instead he grabs your hands, bringing them to his waist as he puts on the overconfident expression he knows all too well.
he spills his honeyed words, his eyes drawing you in. he’s far too pretty—gorgeous even—for you to ignore him like that. so he toys with the loosely tied bow across his chest; it wasn’t meant to stay tied for long, one small tug and it all comes undone.
he feels your thumbs rubbing along his waist, hands squeezing slightly and aventurine feels right on the edge. so, so close, he’s almost got you. the thrill of winning just within reach, just a little more…
“you look amazing in this one as well, i’m sure your lover will deeply enjoy it,” your easy smile and relaxed frame gave nothing away, toying with the silky fabric of the lingerie.
and he nearly stumbles as you move to stand, signaling the end of your little ‘meeting’. you’re not sure what he’s looking to gain from doing this, especially since he has yet to propose some kind of deal to you. however, it was getting late, and it wouldn’t look too good on either of you if you were seen leaving his residence so late in the night.
“if there’s no other outfits to show me, i think i’ll take my leave then. have a good night, aventurine.”
you’re gone before he can even think of an excuse to make you stay. or rather, if him dressing up like such in front of you isn’t enough to get you to stay, what else is a man to do?
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WOOOO THE REST OF THE BOYS!!!
Jack's fans are screaming, i can hear em
I showed these to my friend, AND HE SAID ABOUT RIDDLE "he's giving really big fruity twink energy" AKKFKSKSNDN IM DYING!!!! BUT HE'S NOT WRONG!!!
GANTU!?!?!?!?!
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rewatching hxh is crazy like the foreshadowing is so good. i’m just as emotionally engaged as i was the first time watching but in a COMPLETELY different way bc it’s almost hard to watch through the sheer sense of foreboding you feel as gon learns more and gains more power. his recklessness was always taken quite seriously by the narrative and that’s clear on a first watch, but knowing exactly what happens and where that self-abandoning recklessness, that thrill-seeking, that bullheaded perfectionism (not to do everything perfectly but to do everything with perfect accordance to his own terms), and that childish willingness to disregard everyone else in pursuit of his own impulsive goals (thereby reinforcing his own worldview for better or worse) goes… the show is SCREAMING at you that this is all going to go horribly wrong and it’s so sinister in this weird offhanded way, like it’s sticking to shounen tropes just close enough that you definitely notice something off but don’t suspect it’ll snowball the way it does.
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