hi! i love your brisbane meshi au and saw you mention that you headcanon senshi as japanese-iranian. genuinely curious, is there a reason why?
a lot of the reasons i read him as japanese are most likely little bits of cultural influence from miss ryoko herself but i still think its fun to tack them onto his characterisation (like the type of food he makes and his quiet, self-sufficient style of masculinity)
the iranian part mainly comes from how hes drawn in modern au sketches/with his helmet off hehee i was reading the ddh volumes in between chapters and it rly struck me how much he looks like a very beautiful middle-eastern man LOL
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So is the "don't remember names of daughters" a tsundere thing from Audrey or she does it unconsciously???
(also idk if you answerd this alredy but what about Zoe's dad?)
It's def not a tsundere thing, it's an Audrey thing. It's also a thing that I cannot for the life of me justify? It'd be one thing if she got her daughters mixed up with each other, with them looking on the surface similar (blonde hair, blue eyes), and having close enough names, like she did in "Adoration"...but she called Chloe "Casserole" at one point.
Hilarious, sure, but like, wtf Audrey, how do you even fuck up that badly?
And one more time for the cheap seats, this is in no way my explanation for Audrey in canon, this is purely SL's Version of Audrey. I cut out her ordering around the Butler and Andre and left out her falling for Chloe because Chloe was being an asshole to the same Butler, and obviously we never got as far as she did in "Revolution" where she was in near happy tears when her Mayor Daughter went full dictator on Paris. Just like Lila, I cut her off at the knees before she could become her true awful self, but that does not reflect on how I feel about the canon characters.
I made Audrey a tsundere to give Chloe a freaking chance.
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“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”
Katsuki Bakugou, my friends.
His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.
I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.
Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all
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being a hobbyist artist and a professional in STEM is making me go utterly insane bc as an artist i have a visceral hatred of all things AI generated and it's so blatantly clear the danger it poses and cases where it already has been used to cause harm are extremely well known from day one but then you clock in to your job and a good chunk of your coworkers are like "yaaaay hooray yippee AI art i love it im going to use it to make figures for my upcoming paper yaaaay" and then i suffer an aneurysm and die
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