#from the archives lol

[murdockmeta]

Matt's Protective Tendencies Regarding Gwen

So, for this post, I want to focus on three moments (cause with that many this is still gonna be too long aha) that stuck out to me on my second read-through. It's important to note these examples because Matt's relationship with Gwen is the closest we get to seeing him caring about anyone or anything.

Matt threatening George Stacy

This one is the most complex of the three. There are many layers to this scene but I think it's telling how Matt makes Gwen the center of the conversation. Also, he resorts to personal attacks on George's ability to protect Gwen and be a good father to her.

Matt does seem controlled in this scene to a certain extent, clearly there with the intention to taunt George, but I think he's... not as controlled as he appears.

This is the first time in the run we've really seen him use a more hands-on approach. So far, he's used legal loopholes, threats, manipulation, and so on. He's dodged (quite literally in some cases) every chance at a physical altercation.

Here, he shows up in relatively casual clothes (another interesting choice. the only time we ever see this.) and he eventually ends up holding George Stacy in a chokehold over the side of a building.

In the previous panel he's in, he's meditating when he's contacted by George. He picked up his phone on the second ring (not the first, despite how obvious the disruption is. hes trying to give the impression of nonchalance). He goes through the efforts of pretending to not know who's calling even though he definitely does.

When we see him again, it appears as though he's only changed his shirt before showing up at George's house. It's not the next day, it's probably not even an hour later. He was waiting for George to call. I'd be tempted to say he was growing impatient.

He starts with cheap attacks on George's morality and his job, petty things. It very quickly escalates.

Frank Castle had recently proven to be quite a threat to Gwen. Castle wants to kill Spider-Woman. Matt is refusing to let that happen. But, he wants George to be the one to make the call.

He's very dedicated to protecting Gwen but he also needs Gwen to trust him a tiny bit. He knows that if he outright kills Frank that Gwen would lose all faith in him. She would drop contact immediately and refuse to work with him again.

Yet, he's so persistent about protecting her, he goes to George to try and get him to do it. Matt wants Frank dead. Out of the equation. He's willing to physically threaten George, to get angry, to show maybe just a little too much of himself. He's trying every personal attack he can. And in his desperation to force George's hand, he reveals a lot about his motives. Even George picks up on this.

George is talking about what he thinks he sees in Matt. He thinks Matt killing Frank outright would show how bad Matt is, how cold and immoral he is, therefore losing Gwen's willingness to work for him. When really, it shows how dedicated and desperate Matt is. Matt cannot-- cannot-- lose Gwen. He needs her because for the first time since he was a child he has the chance to no longer feel alone.

He needs his plan to work. He can't have Frank mess it up but he also can't push Gwen too far away from him. So, he does all of this instead.

This is one of the most interesting goddamn lines in the whole scene. This is in the middle of Matt's attempt to attack George's ability to be a good father, his ability to protect Gwen. In that, Matt lets this slip out.

He's obviously projecting himself onto Gwen. And I also think he projects his relationship with Jack onto George but that's a discussion for another post.

So, does he think he's protecting Gwen from becoming like him? Making the hard decisions so she doesn't have to? He acts like he wants Gwen to become as bad as he does but even Gwen says in the end: he wanted to lose, he wanted to be caught. So...? We know he hates himself. And with the above line, we see the closest Matt ever gets to admitting how he truly feels to someone he lets live.

Gwen's different because Gwen represents a chance for things to go right. Matt needs to protect her because he needs her to succeed.

2. Matt refusing Gwen's apology

I was going to just highlight his first few lines in this panel but the whole thing seemed relevant to this post.

So, when I first read this line, I thought it was borderline out of character. He, of course, can't just refuse her apology, he has to give some self-centered reason why. But, everything he follows up with unintentionally reveals his hand once again.

To Gwen, Matt's reasons sound selfish and cruel. She thinks he just wants to use her, control her. She thinks he's interested in what she can do for him. And, well, he is. But it's never just that.

He wants her safe. He plainly says it. He wants her safe so that he can make sure she's not in danger, to make sure she doesn't die or make any decisions she's going to genuinely regret.

I think Matt's heavy-handedness in regard to Gwen's morality is extremely intentional. You don't change someone's mind about their personal morals by telling them how ridiculous their morals are all day. You don't change their mind by trying to force them to make deals they rather wouldn't. Arguably, that's how you make them stand their ground.

And I think that's what Matt's counting on. He sees it as a win-win, whether Gwen ends up turning evil or not (because if she does then he can finally die). But really... I think he wants her to have a reason to be good. He knows how hard-headed she is, it's one thing he likes about her. So, he knows that antagonizing her will just make her more assured when she comes out on the other side.

If she can stick through to the end and beat him, there's not much that can stop her after that. One important thing about Gwen's development as Spider-Woman is that at the beginning, she doesn't have the strong conviction to do good that 616 Peter has due to his uncle's death.

Peter died in her universe, but it didn't serve the same purpose. She felt guilt over Peter's death, but not the kind that strengthened her morals. It was this crushing guilt that dragged her down, made her lose faith in herself. A lack of confidence like that can quickly lead down a much darker path and we see that in Gwen throughout volume two.

She still needs that push. That final act that'll let her come into her purpose fully. And Matt intends on giving that to her if she's willing to go along with his plan long enough. He crafts himself into a big, bad villain for her. Just so she can be good.

3. Matt protecting Gwen's identity

Matt goes out of his way to make sure Gwen's identity stays safe. He knows her secret identity is important to her. He made sure he tied up his loose ends with Toomes so he wouldn't tell.

The one that's more interesting to me is the fact he didn't even tell his ninja her name. These ninja are assigned to protect her from any harm while they are in a foreign country and an assassin is after Gwen. But Matt doesn't bother giving them her name.

There's not even really a reason for him not to tell them other than him being overly protective of her. It's not like they're going to tell anyone, they're fucking ninja. They're sworn to secrecy out of pure principle.

Yet, Matt doesn't say anything. He could've even used it as a bargaining chip but he doesn't genuinely threaten to reveal her identity even once. Would it have really even affected his plans long term? Her identity is revealed at one point, and he still gets what he wants in the end.

But he never brings it up unless it concerns her identity being revealed in a way that may harm her. He never dangles it in her face. He respects it and protects her.

---

These are just a few moments I wanted to talk about. Honestly, the George Stacy one could've been its own post and I'll probably end up making another about it eventually.

Matt is so multifaceted and he shows that best with the people he dares to form attachments to. The main one being Gwen. The way he treats her is the closest he got to caring about someone. It's the closest we get to seeing what he's really like under all his disguises.

He demands control because he thinks that is the only way to protect the ones he's attached to. He knows, in his particular position, that there really is no other way to go about it. And he doesn't want the people he cares about to like him. He doesn't think he deserves it, really.

He wants Gwen to be better, to do better, so he allows her to hate him so much that she has no choice but to come out stronger in the end.

[pumpkinhrat]

part 2 here

[asteraws]

my clown college grad project from december last year 🎪

[barrel-head]

this is mag47 right

[danrifics]

On this day 10 years ago...

The first ever video was uploaded to DanAndPhilGames

[mitwodlemi]

(Spoilers for seasons 1-2 of TMA) HAPPY NEW YEARS!!!!

I got hyperfixated on The Magnus Archives back in November and now I can finally post some fanart for it! Here's my season 1 and 2 dump. I have much more stuff for the later seasons, which I will be posting soon hopefully.

Enjoy my drawings of the Eye's special little boy!!!!!

[ashes-in-a-jar]

I haven't thought much about Jonathan Sims for long enough that I kinda feel like I've started thinking about him a little more divorced of the emotional attachment I might have had once. Because I just saw a post lamenting his slow descent into inhumanity and losing his identity, becoming the archivist rather than Jonathan Sims, losing his friends, his house, everything he loves.

But is that true? That put upon head archivist persona he had in the beginning, was that really him? The way I see it, real life has already leached him of any identity he might have had, he didn't really have friends, Tim and Sasha clearly weren't, as we saw in their season 5 recording. He chose to make them his subordinates over beib friends, pushed away Georgie, he became so desperate for approval that he agreed to take a job he clearly has no idea how to do, let his stress over it isolate him from everyone around him, had a desperate need to assert himself in the beginning of every recording as 'head archivist of the Magnus institute london'. Forget about even having a home, he often slept in his office for heaven's sake.

The way I see it, this story is about him finding himself, finding the perfect place for himself in this already doomed world that was already strangling him and everyone around him. He became the Archivist, no longer needing to connect himself to some godforsaken capitalistic institute to identify himself. found his role, he enjoyed its power, even admitted to it. He found love. He found purpose in trying to save the world. In the end he was surrounded with the friends he made along the way (as friendly as they could be under the circumstances). He was finally allowed to make real choices, have true responsibility over himself and not be some tired corporate worker, part of a tired pointless system. Sure his choices weren't that great, and getting there was through outside manipulation and his own ignorance and he had to suffer immensely and pay an awful price of what we like to call his "humanity" but he Became and found what we all look for - his calling.

"It's still me" he says in the last episode. Because he is. He lost nothing and gained everything. Even dying in his lover's arms.

Forget about being human. In the end Jon achieves apotheosis and truly becomes Jonathan Sims

[g1ngerbeer]

miscellaneous

[lostenzz]

Hello, I miss you quite terribly

[harbingersecho]

calm down, i'm not gonna kill you.

... y-you're not?

no. he is.

[chibigaia-art]

meeting a new friend

[fiendishartist2]

shout out to elias bouchard for fucking up a perfectly good mildly toxic workplace. you literally couldn't have done worse

[soultiio]

how would you know what i'm going through when you've always had it all

[thexoelove]

Juice and rolls with your plate?

[listranz]

I love the way Alucard's design looks here: his hair falling over his face, charismatic expression and a hat with round glasses... It's so beautiful that I impulsively saved fragments of the manga while I was reading it.

[nevertheless-moving]

Still haven't finished sunlit man. But like. The auxiliary nomad bond. Oh my God. Oh God cried while driving and had to pull over.

Because at first? Dead spren? Broken oath. It's tragic, but there's a lot of precedent. Heralds be breaking oaths literally chapter 1 (one) of stormlight. Worlds best blorbo and honor's special boy came within a hair's breath of killing syl. If there wasn't a good reason, then I'm sure there was at least an understandable one. Weird how alive he is, but not that weird, considering Maya's progress and the recent Invention Of Therapy.

But storms, it. It wasn't that. It was an accident, outside of his control. He didn't...it wasn't the breaking oaths. He'd. He'd still rather die than kill the last piece of him. The knight/squire thing is a joke, was always a joke. predating death. There's not even a hint of bitterness, a touch of guilt tripping. Aux doesn't blame him. Aux is glad to be there with him, looking at the stars.

They still love each other so, so much.

Nothing was broken.

-----

Okay I've finished now and: