#genreblend

[sairalynch]

Scott Harral’s sci-fi and mystery book, Moon Luck, is a wonderful example of writing mystery into a hard science fiction setting; it sounds difficult to do, but it is possible…

[mydarkempire303]

[phonemantra-blog]

Beyoncé, a musical powerhouse with a career brimming with accolades, is breaking new ground with Act II: Cowboy Carter, the second installment in her critically acclaimed trilogy following Renaissance. But this venture into country-inspired sounds holds a deeper significance, as revealed by the artist herself. A Creative Catalyst: The Birth of Cowboy Carter For years, rumors swirled about a follow-up to Renaissance, Beyoncé's record-breaking 2022 album. This speculation came to fruition with the announcement of Act II during a Super Bowl commercial. The release was further hyped with the launch of two singles, "Texas Hold ‘Em" and "16 Carriages," offering a taste of the country-tinged direction. Celebrating the 10-day countdown to Cowboy Carter's release, Beyoncé took to Instagram to unveil the album's cover art alongside a heartfelt message. She expressed gratitude to her fans for embracing the first two singles and marked a historic milestone: becoming the first Black woman to snag the number one spot on the Hot Country Songs chart with "Texas Hold ‘Em." This achievement, however, served as a launchpad for a larger conversation about inclusivity and artistic freedom within the music industry. Beyoncé expressed her hope for a future where artists are not confined by racial barriers when exploring different genres. From Rejection to Rebirth: A Deeper Dive into Country Music The genesis of Cowboy Carter is surprisingly rooted in an experience of exclusion. In her Instagram post, Beyoncé revealed the album's five-year gestation period and a pivotal moment that fueled its creation. She recounted a past attempt to enter the country music scene, only to be met with an unwelcome reception. This disheartening experience, however, ignited a fire within her. Instead of succumbing to discouragement, Beyoncé delved deeper into the rich history of country music, meticulously studying its vast musical archives. This exploration fostered a deeper appreciation for the genre and its impact. For Beyoncé, country music not only presented a creative challenge but also a bridge for uniting people through music. She acknowledges the dedication of those who have tirelessly preserved and shared the genre's history. Breaking Boundaries and Bending Genres: The Essence of Cowboy Carter The creative process behind Cowboy Carter involved pushing artistic boundaries and defying limitations. Beyoncé describes the album as a result of self-challenge, a testament to her ability to seamlessly blend genres into a cohesive and innovative work. The excitement surrounding the album is further amplified by the promise of unexpected elements. Beyoncé hints at surprises within the record, including collaborations with "brilliant" artists she deeply admires. However, one thing remains clear: while the country's influence is undeniable, Cowboy Carter is ultimately a "Beyoncé" album – a project that transcends genre classifications and embodies the artist's signature style. The announcement of the album arrived during a captivating Super Bowl commercial for Verizon. With a dash of humor, the ad showcased Beyoncé's relentless creativity, breaking the internet with a series of ventures like a jazz album release, an AI creation (Beyoncé-I), and even a presidential run. The commercial concluded with the iconic line, "OK, they ready. Drop the new music," setting the stage for the arrival of Cowboy Carter. FAQs What is the inspiration behind Act II: Cowboy Carter? The album draws inspiration from country music, but it's also a response to Beyoncé's experience facing exclusion from the genre. What is Beyoncé's message regarding genre and race? She promotes the idea of artistic freedom, hoping for a future where artists can explore different genres without limitations based on race. What can fans expect from Cowboy Carter? The album promises a blend of country influences with Beyoncé's signature sound, featuring surprise elements and collaborations with talented artists.

[ancientroyalblood]

Exploring Eclectic Genres: Writing Cross-Genre Fiction

Genres have long been the guiding pillars. However, some authors find exhilaration in transcending these boundaries, birthing a new world of possibilities through cross-genre fiction. Embracing Cross-Genre Writing Cross-genre fiction is an enchanting concoction of different genres that intermingle, creating narratives beyond the confines of traditional classifications. Here’s a guide to…

[tanvierul-blog]

Embracing the Past, Defining the Future: A Review of "Legacy"

"Legacy," the latest offering from [artist/band name], is a mesmerizing journey that seamlessly blends nostalgia with a forward-thinking sonic landscape. Released in [year], this album transcends the boundaries of genre, offering a rich and diverse musical experience that resonates with both longtime fans and newcomers alike.

From the opening track to the closing notes, "Legacy" takes listeners on a sonic voyage that skillfully navigates various moods and emotions. The album's production is a testament to the artist's commitment to pushing artistic boundaries, with each track meticulously crafted to create a cohesive yet dynamic listening experience. see more details: https://cutt.ly/NwYCEnIV

[amanihiphop]

Amani: From NYC to the Rio Grande Valley — Unveiling the Musical Journey of a Rising Star!

Who is Amani?

Amani /ah-mah-NEE (born August 25th, 2003) is an American rapper, singer, songwriter, CEO and record producer. Born in the diverse borough of Queens, New York, Amani was surrounded by a vibrant and influential music scene from a young age. He developed a passion for Hip-Hop and rap music, and began writing and performing his own tracks as a teenager. Now he is 20 years old and ready to take over the world with his music. After relocating to the Rio Grande Valley, Texas (also known as “The Valley”) in 2010, Amani was inspired by the unique culture and sound of the region, which he incorporated into his music. He began performing at local clubs and events, and steadily gained a dedicated following of fans who appreciated lyricism and flow that had an “old-school” influence.

Amani is deeply grateful for the support of his fans, and credits them as one of his biggest sources of inspiration. He loves the Rio Grande Valley and its rich cultural heritage, and is dedicated to using his music to bring people together and make a positive impact on his community. At the same time, he never forgets his roots in New York and pays homage to the its influence on his sound and style. Amani is a talented and dedicated artist who is committed to creating meaningful and authentic music for his fans.

Music Taste & Inspirations

Amani’s music tastes and influence has always changed throughout the years. As a kid, artists such as Jay-Z, Big Pun, Fat Joe, and Kanye West were mostly what his dad had on CDs. During middle school, Amani was heavily into Eminem and Macklemore. During high school was when Amani was introduced to Kanye West’s (Ye’s) discography by a good friend of his. This went on to be Amani’s primary music taste and inspiration for years to come. Other various artists that Amani draws inspiration from include Travis Scott, Childish Gambino, Freddie Dredd, and the Beastie Boys, as Hip-Hop artists & Cuco, The Beatles, and Pink Floyd as Indie/Alt Rock/Alternative artists. Although Amani had been making music years prior on SoundCloud, he didn’t really take it seriously nor did he consider himself an artist until the year 2022 when he released “Perfect” (which was the first song he had ever fully produced, mixed, and written himself). Following shortly after came “Hop Out” which was his personal favorite due to the insane bars and lyricism. Amani was off to a great start and was even performing at venues but sadly after his release of the “Hop Out” remix, he went on a musical haitus for the rest of the year. He was still making music and performing, but hadn’t released any for his fans for he was working on his sound and wanted his next appearance on his music pages to be even more successful. 2023 rolled around and Amani immediately began the year with a bang. He dropped two highly anticipated songs that were originally teased back in October of 2022: “You Don’t Know Me” and “Lonely Freestyle” was very quickly loved by his fans and became a favorite for many. These songs share a heavy Freddy Dredd influence and “Lonely Freestyle” still remains to be Amani’s top song with over 70,000 streams. In just the first 3 months of 2023, Amani had the most streaming success he had ever seen in all of his years doing music combined. Now that Amani had accomplished his goals for 2023 in Hip-Hop in a much shorter time than he had expected, he decided to experiment with other genres, mostly being indie/alt rock/alternative. Aside from the “You Don’t Know Me” remix, Amani dwelled in these genres for the next 4 songs until he finally felt the need to return back to rapping and work towards his goal of discovering his sound within the world of Hip-Hop and establishing a strong and widespread fanbase.

NEW EP, “CAPITAL” RELEASED AUGUST 25th!

It being another month since his last music release. Amani decided it was time to step back into the the Hip-Hop genre with a 3 song EP with the working title, “CAPITAL”. The forthcoming EP draws inspiration from two revered rap artists, JPEGMAFIA and MFDOOM. Renowned for their bold and innovative approaches to rap, these icons have left a profound impact on Amani’s artistic vision. Listeners can expect an exhilarating blend of lyrical prowess, unique soundscapes, and thought-provoking themes that mirror the legacy of these rap royalty. The EP featured three powerful tracks, each offering a distinctive glimpse into Amani’s creative genius. As you journey through “WAKEUP”, “GIMMEMYMFGRAMMY”, and “DESIGNATEDVILLAIN”, you’ll witness Amani’s commitment to innovation and authenticity. Each track offers a unique glimpse into his creative mind, and collectively, they form the heartbeat of “CAPITAL”. This EP is a testament to Amani’s willingness to defy conventions, explore uncharted territories, and present his audience with a sonic experience that resonates on multiple levels. “CAPITAL” is not just an EP; it’s an artistic manifesto. Through tracks like “WAKEUP,”“GIMMEMYMFGRAMMY,” and “DESIGNATEDVILLAIN,” Amani challenges the status quo, blurs genre boundaries, and invites listeners to join him on an immersive musical journey. As you listen, allow yourself to be enveloped by the intricate layers of sound, the emotive storytelling, and the unwavering passion that define Amani’s artistry. “CAPITAL” is a testament to his growth, innovation, and determination to leave an indelible mark on the world of music.

Contact:

Instagram: @amanihiphop

Email: info@amanihiphop.com

[cadmusfly]

I don't really go to any of your fandoms so this is unspecific, but... put two of your blorbos in the most saccharine-sweet flower shop AU possible!

I wish you would write a fic where…

🌻—🌼—🌷—🌼—🌱—🌼—🌷—🌼—🌻

Someone just fucking flower sniped him.

Gascon Weddings, the premier wedding planners and hosts (as staffed by Messieurs Murat, Bessieres and Lannes), had a long term working relationship with the local florist, and shit like this was not supposed to happen. It was the kind of relationship where you didn't need a contract, just a firm hearty handshake and no bureaucratic bullshit.

Yet when Lannes came to pick up the flowers for this week's weddings, Duroc had apologised- too much, in Lannes' opinion, the florist was an utter doormat- and said that everything this week had been bought up by a new business.

Some literal and figurative prodding had revealed the name of that business - Rhine Funerals, some swanky new outfit selling overpriced coffins in polished mahogany and lots of bullshit extras to relieve your guilt of not visiting grandpa more often before he croaked.

Duroc had admitted that the guy from Rhine Funerals - some well dressed fucker called Soult - had tried to pressure him into an exclusive supply contract - and to some extent, Lannes couldn't blame the guy, because Duroc's flowers were fucking magnificent, they must have had steroids or black magic or something in them. But Duroc had refused.

So after getting some less impressive flowers and fending off questions of why the flowers didn't look as great as in the brochures, absolutely nothing has changed madame-

Lannes found himself hanging out in front of Frioul Flowers at the asscrack of dawn, waiting for the flower sniper to show up.

And he did.

If you looked up "resting bitch face" in the dictionary, you would get this guy. Stupid hair that was trying to be a bowl cut but was just too curly, perpetual scowl, fuck, he was even wearing a suit.

Lannes greeted him most politely. "So you're the asshole buying up all of Gerry's flowers and leaving none for the rest of us!"

"It is," began the asshole, presumably Soult, "no crime to purchase works of art as these- I do have the receipts. But I beg your pardon, who are you, exactly?"

And thus began the flowery rivalry between Gascon Weddings and Rhine Funerals.

🌻—🌼—🌷—🌼—🌱—🌼—🌷—🌼—🌻

This didn't quite go in a saccharine direction! I don't usually write shippy modern AUs, my AUs tend to be more genreblending and/or Too Much Worldbuilding And Metaphysics - and my two "blorbos" are very hard to ship together - I did initially consider Lannap, but the idea of Lannes and Soult flower-sniping each other and getting into an extremely stupid rivalry based on that was suddenly very funny to me. This is not particularly shippy, but I guess in the hypothetical fanfic that this is excerpted from, it ramps up to more homoerotic silliness.

Thanks for the ask, @my-deer-friend!

[bekimmusic]

Over the years, I’ve explored Pop, Euro Dance, Rap, R&B, and now a unique blend of Pop, R&B, Electronic, and Reggae. 🎵 This journey has helped me find my true voice, and I’m excited to share it with you.

#ArtistEvolution #GenreBlend

[jenmedsbookreviews]

The Cracked Mirror by Chris Brookmyre

Today I am delighted to share my review of The Cracked Mirror by Chris Brookmyre which is out tomorrow. @cbrookmyre #abacusbooks #books #bookreview #thecrackedmirror #crimefiction #genreblend #bookstagram

Today I am delighted to share my review of The Cracked Mirror by Chris Brookmyre which is out tomorrow. I was really excited to get an early copy of this book from publishers Abacus via Netgalley. It had a very interesting premise and, in Mr B’s oh so capable hands, the prospect of what was to come was very exciting indeed. Here’s what it’s about: Source: NetgalleyRelease Date: 18 July…

[nightlyponder]

if i had to choose 3 metal bands that represent who i am as a person right now in time, it'd probably be Alpha Wolf (aka pissedcore), Sleep Token (genreblending, because of the fusion with pop and a little rnb if im honest) and Gojira (your favorite metal band's favorite metal band)

[mydarkempire303]

[thebandcampdiaries]

An interview with Nic Nassuet

We had the opportunity to ask singer-songwriter Nic Nassuet a few question. Keep reading, as he explores his unique way to combine punk with folk and dark aesthetics!

“Your music has been described as a unique blend of dark and haunting aesthetics combined with folk roots. How did you come up with this distinctive style, and what inspires you to create such genreblending music?” Great question.  The short answer is that I didn’t come up with anything.  I didn’t even know that I could write music, but sometimes things show up in my head and emit this almost inaudible neonatal cry to come into being.  I hear songs in my dreams, mostly, but I also hear them throughout the day at random.  I have to stop and hum them into my phone then figure out what instruments they are and how to play them later.

“She Rides Moonlight” is a good example.  I had never even touched a mandolin before but ordered one because that’s what the voice said to do.  When it arrived it was in tune and “She Rides Moonlight” immediately came out of my hands as I unboxed it.  That’s what the music wanted.  It needed a mandolin to make that song come through me even though I don’t know the first thing about the instrument.  I don’t know where it comes from.  Sometimes it can remain silent for years.  Those can be dark years… “Could you tell us about the creative process behind your track 'Pact'? What motivated you to explore its particular theme?” Pact just fell out of the guitar one afternoon, and the lyrics flowed from there.  During that period lots of things were coming to me.  I don’t believe in ghosts, and I don’t disbelieve in them either, but I was sitting on the bed one day doing something on my laptop and a presence, as clear as sunlight, showed up and started singing her story in my head.  I wrote down what she sang about being entombed in a stone wall on her wedding day as her mother leapt into the sea out of grief, then I went to the guitar and immediately found the chords.  I’ve never played those chords before.  I wouldn’t know how to find them if you paid me to.  I don’t know notes and chords.  That song was “Immured” and it did really well.  I hope to re-record and re-release it pretty soon.  I have some great Grammy nominated string musicians on board. Pact wasn’t as clear a presence, it was sort of like catching scents in the air.  You sit there, and the sounds appear in your mind, and if you relax your critical ear and just accept that it is happening, and listen in a relaxed state, those sounds form words and then you realize the theme of the piece.  Sometimes it is a real surprise to me.  I can’t sit down and say “I’m going to write a song about this topic,” and have it work.  Every single time I have done that it has been just awful.  I wish I could do that, like composers do.  “Your covers of Misfits classics, like 'Die Die My Darling,' showcase a fusion of punk and folk influences. How did you discover your interest for both genres?-

I’ve always loved the sound of acoustic guitar.  My mother used to play and sing for me as a child, and I wanted to be able to do that, too.  I’ve never been into folk music, to be honest.  I love some of what I hear in that genre, it just isn’t what I put on my playlists.  I found my love for punk as a pre-teen.  I hated school, and teachers, and the entire concept of being “moulded” by this hallucination called “society” into what someone else thought it was best for me to be.  Punk was irreverent back then.  The Misfits were especially irreverent.  These were themes that I would have been grounded or suspended for discussing at home or in school, yet they were singing them loudly and it sounded like damn good rock and roll!  I was hooked.  I guess that when you have an angry anti-conformist heart, and an acoustic guitar, this is sort of the end result, LOL. “Your vocals in 'Pact' carry a strong storytelling quality, akin to folk and blues traditions. When writing songs like this, do you come up with the music first or do the lyrics come first?- Thank you.  The music almost always arrives first.  I hear that, then sometimes I get other parts or pieces of the song later, sometimes months later.  Often some vowel sounds, or a phrase of a chorus will come through on the music and then the lyrics kind of build themselves around that. “The connection between 'Pact' and the old House of Blues on Sunset Strip, along with Robert Johnson's legend, is intriguing. Could you delve deeper into the significance of this connection and how it influenced the creation of the song?"- If it had influence over the creation of the song, I don’t know that I should really be talking about it. I didn’t know that the house of blues was made from steel taken from the intersection where Robert Johnson sold his soul.  I didn’t even know who Robert Johnson was..  Pact had come to me a few days before that first show at the House of Blues and I was hoping to premiere it to its first audience somewhere cool.  We were invited to play in the foundation room at the House of Blues, which was a private club that cost thousands a year to be a member of.  I had been there once before on invitation of the owner back when I was an 18 year old private investigator and it was wall to wall celebrities back then.  I was excited to return as a musician.  It felt really meaningful. I didn’t know that it was the opening night of the Sunset Strip Music Festival, or that the House of Blues was the opening venue for the Festival, so we were surrounded by big names doing professional things and it all came as a total surprise.

Out in front there was a sign that said “This House of Blues is made from steel taken from the intersection where Robert Johnson sold his soul to the devil,” or something like that. I took a picture of it that I’ll send to you.  The sign, and building are gone now. I had come prepared with a song about soul selling at the crossroads, and that song carries instructions in the Hoodoo tradition if you listen closely to the lyrics.  The instructions in the song “Pact” are to take a song with you to the crossroads as an offering to make the deal, and unbeknownst to me I had arrived at the most infamous crossroads in music history on the most devil beloved street in rock music history along with my song-gift.  I guess it was prophetic in a way. After that show we ended up taking our first red carpet pictures right where all the big names had been.  Over the next few months my dear friend, who was a guitar tech to the biggest names in the industry, said “I’ve never seen any indie artist blow up as big as you did after your first release.” Do you have any plan to tour in support of this release?

I didn’t have any plans for it, but it looks like something is brewing.  I’ve got a release party for “Pact” at this awesome spot in Topeka, Kansas called “Two Wolves”.  It’s a really groovy art collective that attracts some ridiculously talented musicians.  We’re going to throw a fun early Halloween party and bring in some special guests.  I was invited to perform at a benefit on October 27th, the Friday before Halloween, and I’m completely blown away by the fact that I just found out that I’m playing a gig with the former singer of the Misfits next month.  I haven’t played a show since the Pig and Whistle on Hollywood Boulevard the night before the pandemic shut down all of the venues for a couple of years, so it’s a bit overwhelming.  I guess that the music wants a tour and wherever the music leads I have no choice but to follow.  Everything collapses and degrades when I ignore the voice, and it seems as though every impossible wish is granted when I listen to it.

Thanks so much for your time and for listening.  You do great work.

https://www.instagram.com/nicnassuet/?hl=en

[plagiarhythm]

Welcome to the dark realm of Kaput IMH's latest musical masterpiece, "Welcome to the End." Brace yourself for an electrifying sonic journey that pushes the boundaries of genre and captivates your senses from the very first note. Immerse yourself in a world where haunting melodies intertwine with pulsating rhythms, leaving an indelible mark on your soul. With "Welcome to the End," Kaput IMH showcases their unique ability to blend elements of electronic, rock, and ambient music, creating a soundscape that is both atmospheric and exhilarating. The song builds upon layers of intricate synth arrangements, driving percussion, and emotionally charged vocals, all meticulously crafted to transport listeners to an alternate dimension of sound. #KaputIMH #WelcomeToTheEnd #DarkMusic #GenreBlending #MusicJourney #ImmersiveExperienceKaput leak welcome to the end

[ancientroyalblood]

Exploring Different Genres: Writing Beyond Your Comfort Zone

Writing within the confines of a single genre can be comfortable, but venturing beyond those boundaries can be an exhilarating journey that stretches your creative muscles. Exploring different genres not only expands your repertoire but also challenges you to experiment, grow, and discover new facets of your storytelling prowess. Let’s embark on this thrilling expedition of exploring diverse…

[moneyca]

New new new <3

[mikehulyk]

#Gremlin in a #dungeon. - #Process and #timelapse to come. - #goblin #purple #jail #prison #fantasy #fantasyart #steampunk #cyberpunk #genreblending #concepart #conceptdesign #chatacterart #characterdesign #creature #creaturedesign #monster #rpg #roleplayinggame #nineworlds #character #oc #originalcharacter #ipad #procreate #digitalart #illustration #illustrator #mikehulyk #bloodfuryart (at Los Angeles, California) https://www.instagram.com/p/BnWlPJ0hZT7/?utm_source=ig_tumblr_share&igshid=dit9vwubh2s3