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blowflyfag · 11 days

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WWF RAW MAGAZINE: JUNE 2001

The RAW Interview

By Keith Elliot Greenberg

The Extreme Truth

Paul Heyman Pulls No Punches as he Reveals the Roots of “Hardcore”

(Part One)

Not long ago, World Wrestling Federation fans were astonished to turn on Raw Is War, and see none other than Paul Heyman sitting in the commentator’s chair. Since 1993, Heyman–also known as Paul E. Dangerously–had been the brains behind Extreme Championship Wrestling (ECW), an organization known for outrageous storylines and thrilling action. Through the years, some of the most gifted performers in the business–among them, Mick “Mankind” foley, Stone Cold Steve Austin, Chris Benoit, Tazz and the Dudleyz–got their seasoning in ECW, and many believe that the renegade group helped inspire the World Wrestling Federation’s edgy age of “Attitude.”

For much of the last year, Heyman struggled to keep his promotion alive, sometimes with the help of World Wrestling Federation-provided talent on his shows. But in early 2001, he realized he’d fought as hard as he could. When Jerry “The King” Lawler walked away from the World Wrestling Federation, Heyman found himself calling matches of the Federation, alongside Jim “J.R.” Ross.

RAW Magazine: Tell me about when you discovered that you’d be replacing Jerry Lawler on Raw Is War.

Paul Heyman: Actually, I thought it was a rib on me when they asked me to do it. I had no desire to be on camera. I get a much bigger thrill being behind the scenes. And I think the fact that I kept myself off camera so much in my own promotion is a testament to the fact that I truly don’t want to be an on-air personality. I was negotiating with the World Wrestling Federation when the company released Stacy Carter (The Kat), and her husband Jerry Lawler walked out on her behalf. When they told me they wanted me to sit in the commentator’s chair, I didn’t believe it. I haven’t been a commentator since October 1991, when I was in World Championship Wrestling (WCW). And I just couldn’t imagine why anyone would want to put a fat, bald, 35-year-old Jew on the air. It didn’t make sense to me… until 8:57 p.m., when they sent me out to the ring.

[“When the decision was made to take all wrestling stuff off Turner Broadcasting, I knew that, despite our efforts, the death knell was sounding for ECW. The fight was over. It was time to call it a day, and join the World Wrestling Federation.”]

RAW: In the weeks leading to your appearance on Raw, there were rumors about your last-ditch efforts to save ECW. How did you finally decide that it was time to come to the World Wrestling Federation?

Heyman: I’ve been a longtime acquaintance of the McMahon family. It’s kind of like in the movie Almost Famous. I B.S.’ed my way into the back of Madison Square Garden right after my 14th birthday. When ECW ran into bad times, there was so much support from the World Wrestling Federation, offers of advice, talent and promotion from the very top of the organization all the way down to just people volunteering production services on their off-hours. It was a no-brainer for me. WCW was never even a consideration because, quite honestly, they were structured to fail. Had WCW been taken off the Turner networks, we hoped we might be able to replace them. But when the decision was made to take all wrestling off Turner Broadcasting, I knew that, despite our efforts, the death knell was sounding on ECW. The fight was over. It was time to call it a day, and join the World Wrestling Federation.

RAW: Just as, in the 1950s, when Antonio Rocca popularized the flying head scissors and Gorgeous George opened the door to gimmick performers, many fans believe that in the 1990s, the ECW attitude influenced the World Wrestling Federation attitude. Do you concur with that?

Heyman: I would say that it was smart business on everybody’s part to be influenced by us, and study what we were doing right and incorporate it into their own product. We had something very, very special, and it was working. It was creating a situation where we had the most rabidly loyal fan base that many in this industry ever saw. We didn’t have the media exposure to market and promote our product the way the other guys did. So, to me, they were smart to beat us to the punch and bring it to a wider audience. If not, it would have enabled ECW a better wing at the ball in capturing any percentage of market share.

RAW: Back in 1994, there were people in the World Wrestling Federation who look at the ECW product, and said, “That stuff’s too hardcore. That may work in a bingo hall in Philadelphia, but on a national level no one’s gonna buy it.” I’m sure you heard those comments. So what compelled you to keep pushing the envelope without fear that it was going to explode in your face?

Heyman: We listened to the audience, and the audience was digging it. So we just kept on pushing it because they wanted us to.

RAW: How did you end up in the dressing room at 14 years old?

Heyman: When I was 13 years old, I’d go to Madison Square Garden with my zoom lens, take pictures of the matches, and then trade those photos with people all over the country. It was an expensive hobby because I had to reproduce so many pictures. So I started putting together a newsletter with everyone’s photos and match results. I was having a blast, the time of my life, and I wanted to get some interviews. I was tired of taking zoom-lens pictures with the ropes in the way. I wanted to go backstage and take photos of the wrestlers there. Now, I might have had pimples and braces, but I also had a deep voice. And I B.S.’ed my way on the telephone, and finally got a hold of Vince McMahon, Sr. [father of current owner Vince McMahon]. He arranged for me to get a press pass for Madison Square Garden. I just acted like I belonged, and I guess they believed that I did. I gave a picture of Andre the Giant that I had taken to Vince, Sr., and he gave me $50 for it. And every month after that, I showed up with my press pass and got in. I ended up getting to know everybody, and just became part of the scene.

RAW: Did you always believe in your heart that you’d be in the World Wrestling Federation at some point?

Heyman: I never really thought about it. I’ve never taken the time to sit down and wonder what comes next. I see TV executives do that all the time, and I hate their guts for it because they’ll make decisions that are based on future political ramifications instead of what’s right for their organizations. I just wanted to put 100 percent into whatever I did. So I never really thought that I would end up here. It’s been close several times through my career. But for one reason or another, I always ended up doing something else. I have a different perspective coming here at age 35 than I would have had if I came here when I was 24. I’m glad I had a chance to grow up outside the structure of the WWF because it enables me, at 35, to bring an old man’s experience but a young man’s enthusiasm to the table.

RAW: When did you make the transition from being a photographer to being a participant?

Heyman: I was editing one of the wrestling magazines in 1985 and 1986. And I also was doing work at [New York nightclub] Studio 54, doing publicity, promotions and producing shows–kind of like ECW. IN April 1986, Studio closed due to insurance problems. Suddenly I found myself out of work, so I began working on independent wrestling shows in the Northeast. In January 1987, I started working at the old wrestling territory in Florida. From there, I went to Memphis. And from there I went to the [now-defunct] American Wrestling Alliance (AWA). Everything just took off like a rocket for me.

RAW: It’s one thing to take pictures at ringside, it’s another thing to take bumps in the ring. How did you learn to make that change?

Heyman: I didn’t learn how to do it at all. I loved performing. It was a fantasy come true. And I just went out there and did it with no formal training, figuring things out along the way–like a real schmuck.

RAW: It’s no secret that, back in the days of the regional wrestling territories, some promoters didn’t treat the fans like they were intelligent. Did you learn from their mistakes?

Heyman: ECW was a very fan-friendly promotion. We believed in talking to and with our audience instead of at them and thinking that we were above them. I didn’t buy into the mentality some other promoters had.

RAW: In Memphis in 1987, you were involved in a very famous altercation with the man you replaced in the World Wrestling Federation, Jerry Lawler.

Heyman: It was the first time Lawler lost a hair match. I was Austin Idol’s manager and, in the middle of his match with Lawler, Tommy Rich–who had been hiding under the ring all day–came out and gave Lawler a piledriver after the referee got knocked on his ass. And Idol pinned Lawler. Then, they let me into the cage, and we proceeded to shave the head of the hometown hero, Jerry “the King” Lawler.

RAW: And the fans really seemed ready to riot?

Heyman: They did. It took us 45 minutes to get out of the cage. The cops couldn’t get to us, and we couldn't get out of the cage. People were literally climbing the cage to get in. And Tommy Rich was swinging a chair to bat them down. I was just 21 years old and stupid–I thought it was the greatest thing in the world. Meanwhile, I’m starting to realize, “Hey, why are the cops standing all the way back there? And why haven't they gotten to the ring yet?” And I realized it was because they couldn’t get to us. I was too excited to be scared.

RAW: And it was Tommy Rich who helped get you into the AWA?

Heyman: Yeah, he got a job there and mentioned that there was this young guy he knew who no one had seen on a national level. The AWA was on [TV] daily on ESPN at the time. The Gagnes [AWA owners Verne and Greg Gagne] were hesitant to use me because I'd been a photographer.

RAW: Why was that a problem? Did they think that you weren’t a professional manager?

Heyman: I really can’t identify the mindset, simply because I’m happy to state that in my life, I don’t think that I’ve ever been that stupid.

So I said to them, “Here’s what I'll do” I’ll buy a ticket to the TV tapings on my own. And if you like my shtick, give me back the plane ticket money and tell me that I have a job. If you don’t, I'll pack my bags and leave; the ticket’s on me and thank you for the opportunity.”

[“We brought in Sabu, then Tazz, and then Tommy Dreamer… (ECW) just gave the people a quality show, and it caught on. We could see the movement gaining momentum, and I decided to stick with it.”]

RAW: So you go out there, and you get heat?

Heyman: Yeah, kinda.

RAW: So did the Gagnes say, “Fine, you can stay”?

Heyman: Yeah, I walked to the dressing room, was handed my plane ticket money and told, “You got a job.”

RAW: Then you got national exposure?

Heyman: Yes.

RAW: And that led to you appearing in ECW?

Heyman: Right, I left Verne [Gagne] right before New Year’s Eve in ‘87, and spent the next 10 months working a little bit for Jerry Blackwell’s promotion in Georgia. Then I was Eddie Gilbert’s assistant booker in Alabama, while i was booking a new promotion out of Chicago called Windy City Wrestling. In WCW, Tully [Blanchard] and Arn [Anderson] had just left for the World Wrestling Federation, and the new Midnight Express [Bobby Eaton and Stan Lane] needed someone new to work with. So I came in with the Original Midnight Express [Dennis Condrey and Randy Rose, who’d previously used the name} for a Midnight vs. Midnight feud. And we started there the day that Ted Turner took over the company.

RAW: But what was significant about that was that fans weren’t sure if this was a storyline or the real thing. The announcers had said, “These guys [Condrey and Rose] don’t even work for WCW.”

Heyman: Very much. It was a lot like the things we did in ECW. Fans weren’t sure where the story ended and reality began.

RAW: Let’s hear about the roots of ECW.

Heyman: In 1993, my old friend Eddie Gilbert was living in Philadelphia, putting together Eastern Championship Wrestling with Tod Gordon. Eddie asked me to come down a few days a month and help him produce promos and teach some guys different interview skills and stuff like that. I always loved to work with talent. When Eddie and Tod had a falling out, Tod was left in a bad jam. And he asked me as a favor to help him. I came in and took over the creative end on September 18, 1993. And he asked me if I would do it a little longer while he got his legs underneath him. And I started producing characters like the Public Enemy. We brought in Sabu, then Taz, and then Tommy Dreamer. And we gave a young announcer named Joey Styles his first exposure and turned Shane Douglas into “The Franchise.” We just gave the people a quality show, and it caught on. We could just see the movement gaining momentum, and I decided to stick with it.

RAW: How did Eastern Championship Wrestling become Extreme Championship Wrestling?

Heyman: Even after the NWA (National Wrestling Alliance) ended its close association with WCW, the NWA continued to exist. It was mainly a group of small promoters around the country. And there were some members of the board of the NWA who kept trying to stop ECW’s progress. So the decision was made in 1994 to promote the next NWA world heavyweight championship tournament at the ECW Arena [in Philadelphia]. And the decision was made that Shane Douglas would get the belt. At that time, we made the decision that the NWA was truly a dead organization, and this was our chance to do something that we’d never done. We would declare the past dead and say, “This Is a whole new beginning. We’re gonna break all the conventions and trash all the rules. And look out world, here we come.” We took the risk of alienating ourselves from the rest of the wrestling industry, which we did.

Shane beat Too Cold Scorpio in the final. And then he threw down the NWA title in the ring. He didn’t throw it into a garbage can, as many people later claimed. And [NWA president] Dennis Coralluzzo came in the back and asked what was going on. We said Shane was the champion, whether he wanted him to be champion or not.

When out TV show aired, he was introduced as our new ECW champion. But we weren’t Eastern Championship Wrestling anymore, and we weren’t the NWA. We were Extreme Championship Wrestling. And the way the business would be propelled into the future would now be labeled “extreme.”

[Part Two of the Paul Heyman interview will appear in the July issue of RAW Magazine, on sale June 26.]

#paul heyman #magazine transcript #magazine scan

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boomgers · 1 year

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Ella lo es todo, él es solo Ken… “Barbie”

Greta Gerwig dirigió la película a partir de un guion que coescribió con Noah Baumbach, basados en los juguetes de la franquicia de Mattel. Los productores son David Heyman, Margot Robbie, Tom Ackerley y Robbie Brenner, con Michael Sharp, Josey McNamara, Ynon Kreiz, Courtenay Valenti, Toby Emmerich y Cate Adams como productores ejecutivos.

El equipo creativo de Gerwig detrás de la cámara incluye al director de fotografía, Rodrigo Prieto; la diseñadora de producción, Sarah Greenwood; el editor, Nick Houy; la diseñadora de vestuario, Jacqueline Durran; el supervisor de efectos visuales, Glen Pratt; el supervisor musical, George Drakoulias; y el compositor, Alexandre Desplat.

Sinopsis: Vivir en la tierra de Barbie es ser un ser perfecto en un lugar perfecto, a menos que tengas una crisis existencial total, o seas un Ken.

Estreno: 20 de julio de 2023 en Cines.

youtube

La película está protagonizada por Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon, Michael Cera, Ariana Greenblatt, Issa Rae, Rhea Perlman y Will Ferrell. Además, cuenta con la participación de Emma Mackey, Hari Nef, Alexandra Shipp, Kingsley Ben Adir, Simu Liu, Ncuti Gatwa, Scott Evans, Jamie Demetriou, Connor Swindells, Sharon Rooney, Nicola Coughlan, Ritu Arya, Dua Lipa y Helen Mirren.

Detrás De Cámaras

Margot Robbie, Ryan Gosling y America Ferrera atendiendo la premiere de la película el 6 de julio de 2023 en la Ciudad De México

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claudiosuenaga · 2 years

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Por que o solo lunar é uma poeira fina cinzenta?

Por Cláudio Tsuyoshi Suenaga

No sétimo episódio (Glorificação do Escolhido) do primeiro ano do seriado Strange Angel (criado por Mark Heyman, baseado no livro Strange Angel: The Otherworldly Life of Rocket Scientist John Whiteside Parsons, de George Pendle), as frustrações de Jack Parsons (Jack Reynor) o levam a uma sessão de emergência com uma alta sacerdotisa da Thelema. Agora obcecado em "manifestar sua vontade", ele se ajoelha na frente dela enquanto ela corta a palma da mão e mistura seu sangue com substâncias estranhas em pó e vinho.

Depois que ele toma um gole, experimenta uma sequência alucinatória, criada em CGI, obviamente, que de uma parte externa do sistema solar, passa pelo sol, pela Terra, até culminar na lua, tudo sincronizado lindamente aos sons dos gemidos extáticos da alta sacerdotisa. A visão final que desperta Jack de seu devaneio de magia sexual é a de um astronauta plantando uma bandeira com a suástica nazista na lua!

As alucinações de Jack culminam em uma cena que mostra um astronauta fincando a bandeira nazista na lua. Fonte da imagem: CBS All Access/Strange Angel.

Mas o detalhe que mais me foi revelador, é que o solo da lua é composto por centenas de cadáveres humanos, representando certamente as vítimas do vindouro Holocausto Nazista.

Ocorreu-me então algo que talvez os realizadores da série ("Magos Negros" de Hollywood, entre eles Ridley Scott, que foi o produtor executivo) quiseram subliminarmente esclarecer ou sugerir ao público: que não seria por acaso que o solo da lua fosse parecido com um "pó fino" que lembra o de cadáveres cremados.

Se as missões à lua não passaram de uma fraude perpetrada pela NASA, esta, que foi praticamente fundada e consolidada por cientistas nazistas capturados, anistiados e remanejados aos Estados Unidos pelo Projeto Paper Clip logo depois da rendição da Alemanha, estando entre eles o próprio Wernher Magnus Maximilian von Braun (1912-1977), engenheiro alemão e figura de proa no desenvolvimento do foguete V-2 na Alemanha Nazista e do foguete Saturno que pôs o homem na lua, podendo ser considerado o "pai" das Missões Apollo, por um toque de sutileza e ironia macabras e em homenagem aos próprios nazis (aliás, a sigla NASA não passa de uma corruptela de NAZI), poderia ter inventado que o solo ficaria sendo parecido com o pó de cadáveres incinerados.

Foi o que me veio imediatamente à mente assim que vi essas cenas macabras dessa excelente série. Pode ser tudo mera especulação conspiratória minha, mas que é muito tentador fazer associação, isso é.

Jack Parsons teve essa alucinação pouco depois de ter se encontrado com o professor Filip Mesulam (Rade Serbedzija), que depois de assistir aos filmes de Jack documentando seus testes com foguetes, em um momento de vulnerabilidade compartilha uma anedota pessoal com Jack sobre sua juventude e como lhe foi recusado uma cadeira na universidade na Europa porque havia "muitos professores judeus no conselho". Depois de ser o crítico mais duro de Jack, ele finalmente simpatiza com Jack e compartilha algumas equações matemáticas com ele que teoricamente confirmam os esforços de Jack com combustíveis sólidos.

Em uma cena posterior, Mesulam recebe um pacote com o selo nazista, presumivelmente de sua família na Europa. A embalagem revela duas velas com um bilhete escondido escrito em hebraico. À medida que as velas queimam, as joias começam a derreter da cera. Embora nunca nos digam o que a carta diz, a reação de Mesulam é suficiente para sugerir que seus entes queridos estão agora dentro ou a caminho de um campo de concentração.

Jack teve vários prenúncios da corrida espacial, pelo que advoga que “Ir à lua não é apenas uma inevitabilidade científica, é uma necessidade estratégica. Esqueça a Europa. Lá em cima está o futuro. E a primeira nação a colocar sua bandeira em sua superfície será a maior superpotência que o mundo já viu. Agora você quer que essa bandeira tenha a suástica ou estrelas e listras?"

De acordo com a linha do tempo do seriado, a premonição de Jack ocorre 30 anos antes de os Estados Unidos colocarem o primeiro homem na lua a vencer a corrida espacial e reivindicar seu título como superpotência global (usando foguetes desenvolvidos a partir dos primeiros protótipos de Jack).

Nunca o ocultismo e o lado oculto da ciência, da física espacial e da própria NASA foram tão expostos e de maneira tão escancarada por uma série televisiva, que talvez por isso mesmo acabou prematuramente encerrada em seu segundo ano em 2019, quando se esperava ver ainda o desenrolar da amizade de Jack Parsons com figuras como Aleister Crowley e L. Ron Hubbard, o fundador da Cientologia. Para saber mais, o negócio é ler o livro de Pendle, disponível apenas em inglês.

Já falei inúmeras vezes disso aqui no blog da ligação oculta da ciência e da NASA com o ocultismo e o satanismo, algo que praticamente todo mundo desconhece. Quase todo mundo ainda pensa que há uma cisão ou distinção entre a magia e a ciência, quando ambos sempre andaram juntas e de mãos dadas. Deixo os links abaixo para quem quiser se aprofundar no assunto.

O que se oculta por atrás do logotipo da NASA e de outras agências espaciais

Matéria de Cláudio Suenaga sobre a Farsa da Ida do Homem à Lua e o lado oculto e ocultista da NASA publicada na última edição da Revista Enigmas, de dezembro de 2021

E para saber mais sobre Jack Whiteside Parsons (1914-1952), recomendo a leitura de meu livro 50 Tons de Greys: Casos de Abduções Alienígenas com Relações Sexuais - Experiências Genéticas, Rituais de Fertilidade ou Cultos Satânicos?

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kwebtv · 2 months

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Series Premiere

Ben Casey - To the Pure - ABC - October 2, 1961

Medical Drama

Running Time: 60 minutes

Written By James E. Moser

Produced by James E. Moser

Directed by Fielder Cook

Stars:

Vince Edwards as Dr. Ben Casey

Sam Jaffe As Dr. David Zorba

Harry Landers as Dr. Ted Hoffman

Bettye Ackerman as Dr. Maggie Graham

Jeanne Bates as Nurse Wills

Aki Aleong as Nobby (Dr. George Nobura)

Bart Heyman as Dr. Paul Cain

Rafael Lopez as Pete Salazar

Angela Clarke as Mrs. Salazar

Maurice Manson as Dr. Harold Jensen

Adrienne Hayes as Dorothy Wilmer

Ann Morrison as Mrs. Wilmer

Francis DeSales as Dr. Donnelly

Stuart Nisbet as Dr. Taylor

Wilton Graff as Doctor

Susan Davis as Secretary

Nelson Olmsted as Lawyer

Maudie Prickett as Miss Walker

Adrienne Marden as Nurse

#To the Pure #TV #Ben Casey #ABC #Medical Drama #1961 #1960's #Vince Edwards #Sam Jaffe #Harry Landers #Bettye Ackerman #Jeanne Bates #Aki Aleong #Bart Heyman #Series Premiere

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oneefin · 5 months

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happy palindromic marijuana day! it's 4:20:24 PM on 4/20/2024. 🌿🌿🌿🌿

according to wikipedia, there are over 2000 terms for weed out there. i compiled a list of all the distinct ones wikipedia lists at time of writing, for funsies

remember that if you're reading a cryptic crossword clue, any of these words could secretly be talking about weed!

10s poof

2 long

25 or twenty-five

30 sack

36 or thirty-six

4 o's

40 sack

420 or four-twenty

50 piece

9 or nine

a draw

acapulco gold

ace

afghani

african

african broccoli

airplane

ak-47

alfalfa

alligator cigarette

ammo

ammy

amnesia

amnesia haze

amsterdam's finest

antiguan rocket

arathi

ashin’ kusher

asparagus

astro turf

aunt mary

baby

bake sale

ball

banga

bar

barney

beenth

benj

benners

bhang

bible worksheets

bifter or bifta

bilge

billy

binbag

bingger

bis

bishop

blaze

blifter

blim

bloop

blue dream

blue goo

blueberry

blueberry diesel

blunt

bob

bob hope

bobatti

bobby brown

bobo

bomber

bone or bag of bones

boner soup

bong

bongo

boo

booboo shit

boof

boogity brown

boone

bottle

bread

brickweed

broccoli

brown buddha

brown frown

bruce banner

bubba kush

bubble kush

bubblegum

bud

budder

buddha

budski

buge

bunk

burger king

c-jizz

cabbage

cactus green

camberwell carrot

cambodian red

cancer weed

cannabidiol or cbd

cannabinol or cbn

cannabis

cannabis edible

cannabis indica

cannabis ruderalis

cannabis sativa

cannabis tea

cannon

caracas

carribean cabbage

catnip

cd's

cess

charas

charlotte's web

cheatham

checkers

cheeba

cheech and chong

cheese

cheg

cherry

chess

chicken

chillum

chiquitty-freddy

chocolate

choof

christmas tree

chronic

chronicles of narnia

climb

clouds

cola

collie

colombian

combustible herbargy

comic books

concentrate

course notes

cousin mary

cow

cripple

critical mass

crop or cro

crunch

curley wurley

cut

cutie pie

d's

da kine

daccha

dagga

dak

dan k. buddinhash

dandelion

daniel nuggetstone

dank

dankinstein

dat sticky icky icky

dave

delta-9

detroit

devil's lettuce

diesel

dime or dime bag

dirt weed

discarded bibles

ditch weed

dives

djamba

dodo

doink

doja

dollar

doobage

doobie

dope

doña juanita

draw

dro

dronabinol

dub or dub sack

dumm

dunce

durban poison

dutchie

dvd's

edible

edwardian morris baskerville

eight ball

eighter

eighth

elbow

electric puha

endo

extract

farmer's daughter

fatty

fatty eight

feral cannabis

feral hemp

fid or fiddy

fifty

fir

fire

flower

forb

forbidden fruit

fossils

fosters

freakus

friendship

frodis

full

funk

funky falafel

g-regs or gregs

gage

gangster gumbo

ganja or ganj

garden gate

gas or gasoline

gauge

george

girl scout cookies

goo

good advice

good giggles

good shit

goofy boots

gorilla glue

grade

grandpa's medicine

grape ape

grapes

grass

green

green badger

green crack

green goddess

green tea

greenery

greenest of the goop

greenest of the green

grefa

griffa

grifo

grizz

guitar hero

guy smiley

gwaai

half

halfer

halfie

half ounce

half quarter

half-o

halfling's leaf

harris

hash

hash oil

hashish

haskell

hawaiian

hay

haze

headies

hemp

henry

herb

herbal jazz cigarette

herbsteins

heyman

hindu kush

holden

holy sacrament

holy weed

houdini

hundy

hungarian hummus

hydro

ice cream

indian hemp

indo or endo

insangu

izm

jack herer

jacket

jamaican gold

jay tokenstein

jazz cabbage

jazz cigarette

jean

jibber

jimmy

jive

jobb

jobb the finest there is

joint

juicy fruit

jupiter's beard

kaka

kevin bacon

key

kibs or kibbies

kief

kif

killara

killer green bud or kgb

killer herb or killa

kilo

kind

kind bud

kine bud

krinze

kush

kushempeng

kutch

l pape

lamb's bread

leaf or leaves

lef

left-handed cigarette

lemon g

lid

lit

little beasts

live resin

loud

louis

lowes

lula

lye

magic

magic cancer

magic dragon

magical brownie

marihoochie

marijuana

mary

mary jane or mj

mary joanna

matanuska thunderfuck or mtf

maui waui or maui-wowie

mbanje

mecca

method

mex

mexican kilobrick

mexican red

mezz

microwave popcorn

mids

mike vick

morning meds

moss

mota or muta

mother mary

movies

muggle or muggles

mull

nabilone

nabiximols

nay nay famous

newguys

nick

nickel or nickel bag

nixon

nodge

northern lights

nug or nugget or nugs

number

o-z or oz

og kush

oil

old toby

onion

onion ozzy

orange bud

oscar

ounce

outdo

pack

pakalolo

panama red

pants

paonia purple

paper

party parsley

phatty

pineapple express

pinner

pipe

pizza

platinum og

plingots

polen

poop

portuguese plant

pot

pound

puff

purple haze

quad

quap

quart

quarter

quasimodo

rainy day woman

ramín

recreational drug

reefbuds

reefer or reefa

reggae cigarette

reggie miller

regs

resin

roach

rodeo

romanian ramen

root

salad

sampson

sappad

schwag

schwanal

schweed

schwugs

scooby-doo

scratchy

seed or seeds

sensimilla or sensimillia

sha-bang-a-bang-a

shake

shakira

shamya

shatter

shirt

shit

shizzle

shuzzit

silly spinach

single

sinsemilla or sinse

sister mary

sixteenth or teenth

skunk

slice

smeed

smoke

smookey smoke

snickle-fritz

snoke

snoop

soap bar

sock

solid

sour diesel

space cake

spank

spinach

spliff

square grouper

squirter-farter

stank

stash

stem

stick or sticks

sticky icky or sticky icky icky

stogie

strawberry cough

stuff

submarine

sup herb bowl

super lemon haze

sweet g

sweet galenas

sweet leaf or sweetleaf

tacos

taima

tapes

tea

ten bag

ten bit

tenners

tens

terpene

tetrahydrocannabinol or thc

texas tea

thai stick

thirteen

thrax

tiger fear

tin or tinny

tincture

tochigishiro

toke

tommy chong

tooka

tree or trees

trichome

trizer

tuppence worth

twamp

tweed

twig

twist

viper

wacky tobaccy or baccy

wax

weed

wheat

white rhino

white russian

white widow

widdle

willie nelson

wisdom weed

wizard

x box

yankey-doodle

yarndi or yarndie

zaza or za

zig-zag

zip

zombie

zone

zoot

#weed #420 #linguistics #slang #cryptic crossword #stoner's eclipse

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allthecanadianpolitics · 1 year

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Posted by Gidimt'en Checkpoint Facebook page May 24, 2023:

The devastation to our toh (water) and yintah (land) is immeasurable. This is toh we drink. This is where the salmon start their lives. This is our sacred headwaters that feed EVERYONE downstream all the way to the west coast.

We knew this would happen. CGL tries to blame the climate crisis and being surprised/unprepared but the fact is they knew what they were getting into and simply don’t care.

CGL has a stop work order (ref: 20230027_OR001) from the EAO in the Gosnell Creek section EXCEPT for the work to cross Gosnell Creek!

This has to stop. These are the people within colonial government that can do something about it and are choosing not to. They clearly won’t listen to us so maybe they will listen to you. Be loud. Be persistent. We all live downstream.

Honourable George Heyman

Minister of Environment and Climate Change Strategy

Email: [email protected]

Honourable Josie Osborne

Email: [email protected]

Compliance and Enforcement for Environmental Assessment

Christie Lombardi Compliance and Enforcement Officer

Email: [email protected]

#AllOutForWedzinKwa

#submission #alloutforwedzinkwa #alleyesonwetsuweten #RCMPofftheyintah #water protectors

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franciscomaldo · 6 months

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#LauraDern #BillyCrudup y #RileyKeough se unen a nueva película de #NoahBaumbach en #Netflix √

Laura Dern, Billy Crudup y Riley Keough se unirán a George Clooney y Adam Sandler en una nueva película sin título de Netflix que dirige Noah Baumbach. Adam Sandler, George Clooney / Imagen cortesía Dia Dipasupil/Getty Images | Dia Dipasupil/Getty Images Baumbach también coescribió el guión con Emily Mortimer. Baumbach, Amy Pascal y David Heyman están produciendo. Los detalles de la trama son…

View On WordPress

#Billy Crudup #Laura Dern #Netflix #Noah Baumbach #Riley Keough

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deadlinecom · 7 months

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jcmarchi · 7 months

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WWE 2K24's Full Launch Roster Revealed

New Post has been published on https://thedigitalinsider.com/wwe-2k24s-full-launch-roster-revealed/

WWE 2K24's Full Launch Roster Revealed

WWE 2K24’s full roster has been revealed. This year offers a staggering line-up of Superstars hailing from Raw, Smackdown and NXT, as well as numerous Legends.

Over 200 playable superstars will be available at launch, along with 8 managers. Check them out below.

Raw

Akira Tozawa

Alexa Bliss

Becky Lynch

Bianca Belair

Big E

Braun Strowman

Bronson Reed

Candice LeRae

Carmella

Cedric Alexander

Chad Gable

Chelsea Green

Cody Rhodes

Damian Priest

Dexter Lumis

Dominik Mysterio

Drew McIntyre

Erik

Finn Bálor

Giovanni Vinci

Gunther

Indi Hartwell

Ivar

JD McDonagh

Jey Uso

Johnny Gargano

Kofi Kingston

Liv Morgan

Ludwig Kaiser

Maxxine Dupri

Natalya

Nikki Cross

Otis

Piper Niven

Raquel Rodriguez

Rhea Ripley

Ricochet

R-Truth

Sami Zayn

Seth “Freakin” Rollins

Shayna Baszler

Shinsuke Nakamura

Sonya Deville

Tegan Nox

The Miz

Tommaso Ciampa

Valhalla

Xavier Woods

Zoey Stark

Smackdown

AJ Styles

Alba Fyre

Angelo Dawkins

Ashante “Thee” Adonis

Asuka

Austin Theory

Bayley

Bobby Lashley

Butch

Cameron Grimes

Charlotte Flair

Cruz Del Toro

Dakota Kai

Elton Prince

Grayson Waller

Isla Dawn

Iyo Sky

Jimmy Uso

Joaquin Wilde

Karl Anderson

Karrion Kross

Katana Chance

Kayden Carter

Kevin Owens

Kit Wilson

LA Knight

Logan Paul

Luke Gallows

Michin Mia Yim

Montez Ford

MVP

Omos

Randy Orton

Rey Mysterio

Ridge Holland

Robert Roode

Roman Reigns

Santos Escobar

Scarlett

Sheamus

Shotzi

Solo Sikoa

Tamina

Xia Li

Zelina Vega

NXT

Andre Chase

Angel Garza

Apollo Crews

Axiom

Baron Corbin

Blair Davenport

Bron Breakker

Brooks Jensen

Brutus Creed

Carmelo Hayes

Channing “Stacks” Lorenzo

Cora Jade

Damon Kemp

Dijak

Drew Gulak

Duke Hudson

Fallon Henley

Gigi Dolin

Humberto

Ilja Dragunov

Ivy Nile

Jacy Jayne

Jinder Mahal

Joe Coffey

Joe Gacy

Josh Briggs

Julius Creed

Nathan Frazer

Nikkita Lyons

Noam Dar

Roxanne Perez

Sanga

Scrypts

Thea Hail

Tiffany Stratton

Tony D’Angelo

Trick Williams

Tyler Bate

Veer Mahaan

Wendy Choo

Wes Lee

Wolfgang

Legends/Alumni

Andre The Giant

Bad Bunny

Batista

Beth Phoenix

Big Boss Man

Boogeyman

Booker T

Bray Wyatt

Bret “Hitman” Hart

British Bulldog

Bruno Sammartino

Cactus Jack

Chyna

Diesel

Doink The Clown

Dude Love

Dusty Rhodes (Part of the Nightmare Family Pack)

Eddie Guerrero

Eric Bischoff

Eve Torres

Faarooq

The Fiend

George “The Animal” Steele

Harley Race

Hollywood Hogan

Hulk Hogan

The Hurricane

Jake “The Snake” Roberts

JBL

Jerry “The King” Lawler

Jim “The Anvil” Neidhart

John Cena

Kane

Ken Shamrock

Kevin Nash

Kurt Angle

Lita

“Macho Man” Randy Savage

Mankind

Maryse

Mighty Molly

Molly Holly

Muhammad Ali

“Ravishing” Rick Rude

Rick Steiner

Ricky “The Dragon” Steamboat

Rikishi

Rob Van Dam

The Rock

Ronda Rousey

“Rowdy” Roddy Piper

Scott Hall

Scott Steiner

Shane McMahon

Shawn Michaels

Stacy Keibler

Stephanie McMahon

Stardust (Part of the Nightmare Family Pack)

“Stone Cold” Steve Austin

“Superstar” Billy Graham (Part of the Nightmare Family Pack)

Syxx

Ted DiBiase

Triple H

Trish Stratus

Tyler Breeze

Ultimate Warrior

Umaga

Uncle Howdy

The Undertaker

Vader

Wade Barrett

William Regal

X-Pac

Yokozuna

Managers

B-Fab

Bobby “The Brain” Heenan

Cathy Kelley

Mick Foley

Miss Elizabeth

Paul Bearer

Paul Heyman

Theodore Long

WWE 2K24 launches on March 8 for PlayStation 5, Xbox Series X/S, PlayStation 4, Xbox One, and PC. You can read our in-deph hands-on preview here, watch us play a few matches in this episode of New Gameplay Today, or check out our gaming-focused interview with one of 2K24’s cover stars, Cody Rhodes.

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blog-aventin-de · 7 months

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AMO · Ich liebe die Schmetterlinge

AMO · Ich liebe die Schmetterlinge · Henry van de Velde

Ich liebe die exotischen Schmetterlinge, über deren sinnreich gebauter und erprobter Konstruktion ein Gewebe sich breitet, von einer frischen Köstlichkeit wie hell aufflackerndes Lachen. Ich liebe die Schmetterlinge, welche sind blau und schimmernd wie eine Sternennacht im Sommer, gelb und warm wie ein herrlicher Tag in der Mitte des Jahres oder mehr noch, dunkel und tief wie die Trauer, wie das Leid ohne Ende. Leben und Werk: Henry Clement van de Velde (* 3. April 1863 in Antwerpen; † 25. Oktober 1957 in Zürich) war ein flämisch-belgischer Architekt und Designer. Van de Velde gilt als einer der vielseitigsten Künstler des Jugendstils. Von ihm ging eine fundamentale Erneuerung der angewandten Kunst aus. Seine Arbeiten in unterschiedlichen Materialien überwanden das gegenständliche Decorum des späten 19. Jahrhunderts. Henry van de Velde wurde als sechstes von acht Kindern des wohlhabenden Apothekers Guillaume Charles van de Velde (1825–1901) geboren. Seine Mutter Jeanne Aimée Aurore (1826–1888), geb. de Paepe, stammte ebenfalls aus einer Apothekerfamilie. Sein Vater organisierte nebenher Festivals für berühmte internationale Komponisten. Henry van de Velde besuchte in Antwerpen das Koninklijk Atheneum, ein humanistische Gymnasium, und freundete sich zu Beginn des Schuljahres 1878/1879 in der vierten Lateinklasse mit dem späteren Dichter Max Elskamp an. Ihr Briefverkehr befindet sich im Archiv der Universitätsbibliothek von Antwerpen. Von 1880 bis 1885 studierte er an der Kunsthochschule Antwerpen, ab 1883 auch kurzzeitig im Privatatelier des Malers Charles Verlat. Im selben Jahr gründete er die Künstlervereinigung Als Ik Kan mit. Als van de Velde an der Antwerpener Kunstausstellung das Bild Bar aux Folies Bergère von Édouard Manet gesehen hatte, entschloss er sich, in Paris weiterzustudieren. Hier schloss er sich 1884/85 der impressionistischen Malergruppe L’Art Indépendant an, und auf Vermittlung von Peter Benoit wurde er Schüler von Émile Auguste Carolus-Duran. Als van de Velde wieder nach Belgien zurückkehrte, suchte er die Einsamkeit und lebte vier Jahre im Gasthaus von Wechelderzande, einem kleinen Ort nahe Antwerpen. In der dortigen Künstlerkolonie befreundete er sich mit Adriaan Joseph Heymans, Florent Crabeels und Jacques Rosseels (1828–1912). Neben seinem künstlerischen Schaffen las van de Velde u. a. die Werke von Friedrich Nietzsche und Émile Zola. Im Sommer 1887 besuchte ihn die schon an Krebs erkrankte Mutter, und van de Velde pflegte und porträtierte sie. Im Winter 1887/1888 kehrten sie zusammen nach Antwerpen zurück. Zusammen mit Max Elskamp, Georges Serigier, George Morren und dem Advokaten Charles Dumercy gründete van de Velde 1887 die drei Jahre aktive Association pour l’art indépendant. 1888 wurde van de Velde von der Künstlervereinigung Les Vingt als Mitglied aufgenommen. In den Wintermonaten war er zusammen mit anderen Künstlern, Schriftstellern, Dichtern und Politikern oft zu Gast bei Edmond Picard. Wegen einer sich anbahnenden Neurasthenie verbrachte van de Velde den Sommer 1889 bei seinem Bruder in der Blankenberger Villa und lernte in dieser Zeit Charles Van Lerberghe, mit dem er sich anfreundete, sowie Émile Vandervelde und den Advokaten Max Hallet kennen. Später zog van de Velde zu seiner älteren Schwester Jeanne und ihrem Mann nach Kalmthout ins Haus »Vogelenzang«. In dieser Zeit hatte er u. a. Kontakt zu August Vermeylen und gestaltete für die neu gegründete Literaturzeitschrift Van Nu en Straks die Titelschrift. (Wiki) AMO · Ich liebe die Schmetterlinge · Henry van de Velde · Essay Read the full article

#AMO #AveMeCum #Aventin #Essay #HenryvandeVelde #Ichliebe #Schmetterling

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