Prompt 245
Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly.
Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway.
And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time.
So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet.
And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair?
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you know what I stand by my decision to write Charlotte Canda (1828-1845), 17-year-old polymath prodigy and carriage accident statistic, as the queen of a vampire coven with a secret high-tech lair under her own self-designed Gothic grave monument, in my attempted 2015 NaNoWriMo project
I should write that more actually
I feel it's a fitting tribute to what I know of her
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If Feysand and IC aren’t responsible for Spring and Summer being sieged by Hybern, even though they weakened Summer and threw Spring into chaos. Weakening defences and practically opening the gates for Hybern.
Then Tamlin isn’t responsible for Amarantha’s, his childhood predator and the woman who has sexually harassed him literal centuries’, actions.
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but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.
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i have a vision.........deuce's mom/idia's mom......
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