#she always walks right into it

[imthatwannabeauthor]

.

[beeduoo]

wonderful

[tzimtzum]

anthy's expressions as she stabs utena have become so iconic for how full of pathos they are yet no one talks about how AFRAID she looks in the initial moments before she commits to it & honestly noticing this has made me see the whole scene completely differently

[200llbun]

Au where Dipper is deadass blind (working at the library) and cannot see the tall lanky monster thingy in front of him and just kinda assumes it's a human - he knows somethings a bit off about the guy, but he stops his assumptions there bc it's rude and he got over his paranormal phase years ago. (He didn't)

[danwhobrowses]

Okay yeah I wasn't ever gonna be contained with just one post so, Callowmoore stuff that's on rotisserie in my brain from ep.94

Long and deep looks at each other and a hug right off the bat!

When asked by Laudna if they were okay in ep. 91, Ashton deflected with 'say that again?' and 'are any of us?', but when Fearne asks they give a genuine answer and then also ask her how she's feeling, because she's been quiet and they care

Ashton, despite hurting when they're touched and exhausted so the chronic pain is as intense as the first time, still wanting to cuddle with Fearne - and feeling at ease when they do

And like, the way they were trying to articulate it implies that they've wanted to ask for quite some time, but the timing has been off or situations have gotten in the way, and they don't want to wait any longer

But also they don't ask if they can cuddle they ask if Fearne wants to; they want to, but they ask Fearne if she doesn't want to sleep alone, because her comfort is as important or more important than their own

Fearne given her past experiences with people of course thinks they mean the other kind of company, which she notes she does want (so that's not off the table) but asks if they could just cuddle - to which Ashton doesn't entirely deny either, but notes that they're tired and in a lot of pain right now so they too was asking for the same

Also the fact that Fearne, who has been in a threesome inside a corrupted haunted wood, will later flirt with a dark echo of herself, and spooned with a ghost pirate captain, got so flustered about asking Ashton that she just wants to cuddle

Despite the awkwardness they still just laugh and joke together through it, they're awkward but it's in a sweet way

All of Ashton's immediate action the second they realised Fearne was missing - similar to how they wanted to find her after the shard incident but this time in a position where they could take action - no nonsense, no pissing contest with Chetney about her scent being on their bed, "Find. Them. Now."

And then still being soft after seeing Fearne again, because all that matters right now is that she's still here. And another post I saw said it better but, Ashton never seeks to change or 'correct' parts of who Fearne is; she can still follow cute animals just next time bring a buddy along (which given how they were in bed together would imply meaning them), they love her for her, fae and all, they just want her to be safe

Not entirely ep. 94 but given how on 91 Ashton pointed out that they needed to sleep and 'figure out who they wanted to be', and then here ask Fearne to be there beside them so they could have someone to wake up to, it to me at least says a lot about what Ashton has already decided; and how despite both of them having dealt with grief and anger and helplessness by bottling it up, hiding away, and shouldering it alone, this time they both wanted to just feel at ease with each other

[phoenixcatch7]

Reading loz/lu fics and it's just so interesting how wide the spectrum is of their personalities.

Sometimes it's got an in universe reason (different past (usually gender or species change), recent or ongoing traumatic events, a spectacularly bad first meeting), but sometimes (often) the characters are just... Weirdly angsty or peppy, there's no in between!

And I'm beginning to think less people have played more than one game than I thought XD.

Not that it's anyone's fault! One game is more than enough to be part of it all, and loz is exclusive to Nintendo consoles - and all the older stuff is frustratingly hard to get hold of. Heck, I'm still looking for wind waker, and that was really popular! And then you have to play it! They're not small games!!

But could people writing wild please ease off just a tiiiiiny bit so he can be a semi functional member of society pretty please XD? He's just as much a polite boy as any other member of the chain! He won't even run in shops! He can't attack npcs! He talks to every single person he's ever seen and remembers every single name. Yes, he's three quarters woodland creature with a hefty amount of trauma but he's also a fashionista who managed to avoid accidentally taking sides in a mayoral election and that's not easy!

[vigilskeep]

i need to wynnepost. somebody has to

[faaun]

we sang in the aeroplane over the sea tgth ☆

[perilegs]

my sweet little baby man is no longer with us

[puppyeared]

Pajamas

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[megumi-fm]

.

[the-judicial-assistants-notebook]

No, see, now I'm thinking about Iris teaching Phoenix how to plait hair and getting emotional about it because like. The first person who ever plaited her hair was probably her mother, right? And I think Morgan's the kind of mum who's rather strict with hair, meaning that it'd be drawn very tight and be a rather painful affair. After they leave Kurain, I'm guessing that Iris still may not have known how to braid her hair but Dahlia did, and so Dahlia was the one who used to do it for her before eventually teaching Iris to do it herself; and, while I don't think Dahlia was as rough as Morgan was, she did learn how to plait from her, and she has nails, so it still hurt a little. But that's how Iris learns to plait her hair: with a touch of force and an emphasis on bridled control. It's necessary, when you're working up in the mountains since it keeps strands out of the way.

But then she goes to Ivy-U and meets the kindest, gentlest man she's ever known, and he gets curious as to how she does her hair, so she shows him. It's the first time anyone's ever touched her hair and truly cared about not hurting her -- he's hesitant to even comb his fingers through it because he's afraid of tugging on her scalp -- and she has to change the way she moves as they slowly, carefully work their way through the two braids together. Yes, it takes longer than it normally would, and the braids are looser than she would usually wear them, but they stay, and it's the first she's ever tried plaiting them in a way that's different from her mother and sister -- the first she's ever considered it, even -- and it shows her, irrevocably, that kindness and gentleness can be just as effective as the harsh strength her family has always prided and possessed. It's the first time that Iris has used her hands in a way that feels truly natural to her and not been ashamed for her own weakness.

And she carries that with her for the rest of her life; just as he carries what her hands showed him as he brushes his fingers through her younger sister's fairer brown locks, while she sits in jail and does the same to her own long, dark hair, now black as it should be instead of red.

[mortellanarts]

A few funnies that came up while writing a fic about Kurashiki & Klim fambly shenanigans pre-decision game

(*not all of these feature in the fic but I missed them :3)

[jattendschaton]

Some people are very good at talking to a group and creating an environment where all of them feel very welcome and proactively making sure people are included in all aspects of the conversation and then some people talk to a group as if they are trying to keep everyone divided? Like they are using inside jokes that only one person understands or talk in a guarded way that suggests they are everyone's closest confidant but no one else is allowed to know each other. No real point, I'm just thinking about how much I would rather be the first type of person but how much more common I think the second is

[theres-whump-in-that-nebula]

When you have to take off your socks to change into clean socks and your bare feet touch the floor for exactly fifteen seconds and the dry, smooth sensation makes you want to chop your toes off