#gonzo because he's gender. he's me. what more can i say

[carnivalcarriondiscarded]

so i've been watching Muppet compilations-

[gonzo-rella]

Headcanons: Being Wallace Wells' Trans Boyfriend

MASTERLIST | AO3 | KO-FI

Relationship(s): Wallace Wells x transmasc!reader (romantic)

Warnings/info: Trans typical stuff, like dysphoria, transphobia etc. etc., sexual remarks, he/him pronouns for reader, headcanons were written in one sitting, when I was feeling not great. (Let me know if I need to add any)

(A/N: I've been reading a lot of Succession fics over the last few days. Last night I read a Roman Roy fic and for some reason it gave me this overpowering wave of dysphoria that I still have yet to fully recover from. Annoyingly, I have yet to actually watch Succession so this could have been avoided; I just think Kieran Culkin's hot and very gender so I couldn't resist pretending that someone with his face was my boyfriend. Reading about Roman made me think 'oh shit. Maybe I'm a flawed and pathetic little guy on the inside. But I just look like a woman who likes to kiss women and everyone treats me like a girl and uses my girl name and girl pronouns and that feels super gross and makes me want to live in a hole. Now I'm going to feel bad about that for the next few days.' So, yeah, I'm having another transmasc crisis that I'm using fanfiction to get me through. I figured Kieran Culkin started this, so I might as well write something featuring a character of his that I can actually write for. This is a self-indulgent and self-explorative treat for myself, but I hope that transmasc readers can enjoy this, too. If you'd like more Wallace stuff, trans stuff or Wallace AND trans stuff, feel free to send in a request. I really want to provide more fics for transmasc readers because you guys are super underrepresented (and, y'know, Papa Gonzo-rella wants to explore his gender a little more). Also, I swear that I will get around to watching Succession, and I more than likely will end up writing for it when I do.)

Respectfully, Wallace does not give a shit that you’re trans.

Of course, he doesn’t flat-out ignore it, because it’s part of who you are, but it isn’t an obstacle in your relationship by any means, and it doesn’t bother him in the slightest.

If you’re feeling dysphoric and/or otherwise insecure about yourself, he’ll pinch your cheeks and tell you how handsome and sexy you are.

If you’re feeling especially bad, like ‘not getting out of bed and hiding from the world’ bad, he’ll keep you company and say what he can to reassure you.

Being mushy and sincere truly isn’t his thing, so whatever he says will sound either slightly insensitive (but still pretty sensitive as far as Wallace goes), facetious or like he wants you to get over how you’re feeling so he can fuck you.

But, he genuinely doesn’t want you to feel bad and you can tell he cares, because otherwise he wouldn’t be there for you when you're feeling your worst.

Wallace is very affirming, but in his own Wallace way.

He lovingly refers to you as his lameass boyfriend.

If Scott ever compliments you about anything, Wallace will call him gay.

He will shout ‘gay’, like the Senor Chang meme.

"Hey, man, I like your shirt-"

"Ha, Scott's gay!"

"I-I'm not gay! I just like his shirt."

"What's wrong with being gay, Scott?"

"Nothing! There's nothing wrong with being gay!"

"You really need to work on your internalised homophobia, Scott. To think, my gay lover and I share a bed with a bigot."

If you’re doing anything that he knows will make you dysphoric or exacerbate your dysphoria (for example, scrolling through social media and looking at cis dudes that give you gender envy) he’ll shut it down.

Using the aforementioned example, he’ll snatch your phone off you and close the app, saying: “Nope. Make better decisions.”

And, while you’d initially be annoyed at him for grabbing your phone, you will appreciate it in the long run.

If you have testosterone shots but you’re not a fan of doing them yourself, he’ll begrudgingly help you with them.

He will make a very Wallace comment, though

“Stabbing? I didn’t know you were that kinky.”

If anyone’s a dick to you about being trans, Wallace is always ready to go with a snide remark about the other person, because of all the things you could possibly mock his lameass boyfriend for, being trans is at the bottom of that list.

(He should know, as the person who makes fun of you the most.)

Also, he cares about you very, very much and he doesn't want people being transphobic to his boyfriend.

If you’re cool with it, he will make trans jokes, but nothing ‘attack helicopter’ or ‘attack helicopter’ adjacent, because he’s too clever for that and he can come up with better material that isn’t just derivative, transphobic garbage.

If you get your period and it makes you at all dysphoric, be prepared for this exchange:

“Don’t worry. Scott pissed blood last month and cried about it and he’s still a man.”

“Did-did he go to the doctor?”

“I don’t know. He seems fine now, though.”

If you still have boobs and don’t mind them being touched or otherwise acknowledged, he will use them like a pillow.

If you decide to get top surgery, he will make the following request:

“Well, if you’re not using them, can I have them? I need a pillow that Scott won’t steal. And, he wouldn’t steal your tits, because he knows I’d call him gay for it.”

“Why are you like this, Wallace?”

“Selfish.”

Being trans doesn’t make your relationship much different from any of Wallace’s other relationships.

You’re just, for better or worse, another one of Wallace’s boyfriends.

[natsubeatsrock]

Anime Recommendations Based on Fairy Tail's Big Four Ships

I've been meaning to do this for a long time. (I feel like I'm saying that a lot, nowadays...)

The Big Four ships of Fairy Tail are ubiquitous among fans. It's hard to find too many people that don't like even one of them. If you're a fan of Fairy Tail, chances are that you like all of them to some degree. It would make sense to find shows that have dynamics similar to the ships we love. Who better than I to make a list like that?

Someone that actually likes the Big Four ships, for a start.

Anyone who's followed me over the years knows I was never going to write that kind of list. Originally, I was only going to deal with shows that handled the dynamics in ways I personally thought better. However, I put it on the back burner for a few months. And a few months became a few years.

Now that I'm actually setting out to try to write this, I've decided that I would make a bit of a compromise. Two recommendations for each ship. Both play with the dynamic in some way. One plays with it in a manner closer to the ship it's compared to and is what I would recommend to true fans of the ship. The other is a much looser parallel and does things I'd imagine people who didn't like the ship would like. Hopefully, you'll find some show that you like regardless of your feelings about the ships.

Nalu (Positive Recommendation): Twin Star Exorcists

This wasn't as tough a decision for me to make as one might expect given my history with the ship. When Rokuro and Benio have something of a chance encounter, they don't get off on the right foot. However, they realize they have more in common with each other than they'd like to admit. They go from outright hating each other to loving each other throughout 50 episodes. Of course, it helps that the fate of the world is dependent on them getting married and having a kid together. When I think of the best things about Nalu, I think about the relationship between Rokuro and Benio.

Nalu (Negative Recommendation): Snow White with the Red Hair

Shirayuki, the character the title describes, is an herbalist. The show focuses on her journey to becoming recognized as a court herbalist and her growing romantic relationship with Prince Zen Wisteria. As the show progresses, they each end up encouraging each other towards reaching their own ambitions. I could see the argument made that this is a better parallel for Nalu than the show I recommended. But, as someone who's made a name ragging on the ship, I think I'm in a good position to make this call.

Gruvia (Positive Recommendation): Momokuri

The heck is a Clannad? The show starts with a confession of love and a couple starting to date. That would be the end of most romances, but the fun only starts there. It turns out that the guy is not entirely confident with himself and is not sure how to properly handle a relationship with a girl older than him. The girl, on the other hand, has been borderline stalking him before their relationship started and still struggles to stop following him. I hope it doesn't come off as an insult to say that I kept thinking about Gruvia watching this show. This is one of the fluffier shows I've seen.

Gruvia (Negative Recommendation): Golden Time

Stop me if this sounds familiar. There's a girl who's been really in love with a guy for years, to the point some would call it unhealthy or obsessive. Unfortunately, the guy's not into her and all but shatters her heart with the declaration that he's found someone else he likes and can only see them as friends. But in swoops someone else who has been watching everything go down and sympathizes with her. How will their romance go? On a completely unrelated note, it's weird to see Golden Time and think that this was both written and animated during Fairy Tail's serialization. Almost as if writing Toradora gave the author psychic powers.

Jerza (Positive Recommendation): Romeo x Juliet

If you're going into this with the expectation of a straight adaptation of William Shakespeare's famous play about star-crossed lovers, you will be disappointed. However, Studio Gonzo took the story and turned it into an interesting fantasy and romance series. This show gets my nod on account of playing up both the romance and inter-family conflict of the original play. Jerza represents people on opposite sides of a conflict trying their best to work together against an enemy they're slowly but surely realizing they share. Be forewarned, though. This is still an adaptation of Romeo x Juliet.

Jerza (Negative Recommendation): Our love has always been 10 cm. apart

Hear me out on this one. Jellal and Erza's relationship involves a desire ultimately to be together despite the things pulling them away from each other, namely themselves. But... does it need to involve the whole "I can't accept that I may or may not be responsible for deaths and human atrocities" plotline running through Jerza? The characters in this show have a similar internal struggle, as the title describes. They just happen to be students in different clubs struggling with how they'll handle their passions before and after graduation, along with their potential romance. Before you watch this, it might be a good idea to be introduced to the characters via the movie “I've always liked you”.

Gajevy (Positive Recommendation): Ookami-san and her Seven Companions

A long time ago, in a galaxy far, far away- wait, wrong story. Ookami is known as one of the more intimidating people in their school and is the main muscle of one of the school's influential clubs, Otogi Bank. The club's newest member is on the frailer side but proves himself to be both competent and reliable in a pinch. He's been in love with her since the start of the show, but she's pretty slow to accept her own feelings for him.  This one may be a fun pick for people who liked seeing how Gajevy played out. Especially given, that the ship roles are somewhat gender-swapped.

Gajevy (Negative Recommendation): Chivalry of a Failed Knight

Part of me says that I could have put any romances involving a tsundere in this spot. After all, Gajevy's about falling in love despite bad first impressions. Though, my reason for picking this story deals with a rather interesting complaint about the ship: Levy's descent into the background as the series continues. In this story, the characters get together and prove themselves to be competent fighters. Of course, this means more for Ikki Kurogane, the main character, starting from the bottom to become the strongest fighter the school has. However, you never forget that Stella Vermillion is also strong in her own right. Though I'd caution against this if you're not a fan of fan service.

Bonus: Tsuredure Children

As a fun bonus recommendation, I'm throwing in Tsuredure Children. I often worry that fans here care more about the romances in the series than anything else happening. Tsuredure Children provides a fun solution to this problem: make it about nothing but romances. This anime follows a handful of romances at a high school, following different personalities, tropes, and levels of success. There are probably some parallels to these ships, but that's what the other recommendations were for.

And that's all I've got. See you!

What are you still doing on this post?

You saw the title. I did everything I said I was going to do. I even threw in another recommendation. There was no other reason to continue this except for satisfying your own curiosity.

How much more are you expecting of me? I'm only human.

Well, since you're here, it won't hurt to reward your curiosity. Here are two more recommendations, for Zervis. Thankfully, neither deal with the whole “Is this pedophilia?” thing because I never want to talk about that again.

Zervis (Positive Recommendation): Real Girl

If you've seen my end of year favorites, you'll know that I've enjoyed this show. If you'll ignore the laughter of those who've seen this show, I chose this for one important reason. This show plays with the idea of having someone who sees value in you that others don't can be life-changing in a positive way. I have to assume that, were Zeref and Mavis allowed to be happy, that would be the end goal of their relationship. By the way, their relationship comes as a shock to those watching it go down.

Zervis (Negative Recommendation): Hyouka

This shows also takes the idea of a life-changing relationship but plays with the guy's special talents to both solve and create problems for the series. I don't know how much of this pick is a "recommendation for people who don't like how Zervis played out" and a “I can’t think of another series I’ve seen to fit what this ship could have been if it didn’t involve people who could kill each other” pick.

But for real this time, see you! 

[glenngaylord]

Glenn Gaylord’s Capsules From The Bunker – Summer 2021 Lockdown Style

Like many of you, I’ve lost all concept of space and time during this lockdown era. I’d watch movie after movie, but somehow forget to write about them. I’d consume films for sustenance, but then I’d move on to the next task of cleaning a room, doing a crossword puzzle, or staring at my dog for hours on end. Thank goodness I have a few friends to have breakfast with every now and then, or else I’d have assumed I had been transported to a cabin in Montana. “Am I a film critic or a hermit?” I’d ask myself daily…that is, if I even understand what days are anymore. All of this is to say that I have a lot of catching up to do now that we’ve taken a baby step or two towards returning to some sense of normalcy. Wait a minute. What’s that? Highly transmissible variants? Back into the cave I go. While I still can, I’ve managed to blurt out a few capsule reviews of some films worth mentioning.

In Between Gays – Film Review: Summer Of 85 ★★★★

Prolific French filmmaker, François Ozon, has made a career out of finding dark crevices in the most unexpected of places. Here, with Summer Of 85, he tweaks this New Wave era gay romance just enough to upend our expectations. In pure Talented Mr. Ripley meets Call Me By Your Name meets Luca fashion, Ozon spins what could have been that sun-dappled, seaside summer that changed everything into a love that perhaps never was, zeroing in instead on a young man’s obsession for something unobtainable. Beautifully shot and acted, Ozon takes the story to more provocative places than you’d initially expect while still maintaining the boppy fizz of a great Cure song. Despite the mish mash of tones, the film has a pulse all of its own. It’ll make you swoon, pull the rug out from under you, and then make you wonder how he managed to quietly get a little twisted.

Summer Of 85 currently in select theaters, see official website for details. Released on DVD and BluRay August 17th.

Truffle In Mind – Film Review: Pig ★★★★

Writer-director Michael Sarnoski makes an auspicious feature debut with the story of a man searching for his stolen truffle-hunting pig. Caked in dirt, blood and looking not so much like a homeless man but as a person who died inside a thousand times over, Nicholas Cage gives one of his best performances ever as a man who seeks the truth at all costs. He asks his only connection to the outside world, Amir, played wonderfully by Alex Wolff, to drive him through Portland’s dark underbelly to retrieve his pet companion.

Although the film takes us to a rather unbelievable “Fight Club” moment, it generally holds its mood with credibility. It’s a great calling card, not only for Sarnoski, but also for his talented cinematographer Patrick Scola, who brings a painterly quality to every single image. The film finds beauty in a bite of food, a breath of air, or simply the compassion between two main characters who have seemingly little in common. It’s a shame the trailer elicits laughs when Cage utters lines like, “Who has my pig?” Clearly they want to sell the actor’s neo-gonzo persona, but Cage brings so much depth and seriousness to this project, only raising his voice once. He deserves the highest praise for committing to such an oddly touching, gorgeously quiet story. At risk of sounding Dad-jokey, the only thing that hogs the scenery is his porcine friend.

Pig is in theaters now.

All Is Lost – Film Review: Old ★★

In 1999, M. Night Shyamalan made a great film, The Sixth Sense, and has been chasing that dragon ever since, often to diminishing returns. His films, however, often do well because he has great concepts, a keen eye for visuals and timing, yet things always seem to turn clunky and inane real fast. With Old, he continues down that path by giving us something compelling—a group of people on a beach who age quickly—and ruining it with dialogue seemingly written by an algorithm and rendered unintelligible much of the time, while the terrific cast seem to have no idea how to make Shyamalan’s words sound any better than a high school play. A couple of sequences did make me sit up and take notice, and he uses compositions and offscreen space well, but overall, Old plays like a stretched-out episode of Lost, and like that cool but overstuffed series, you’re not gonna get very good explanations as to what transpires. Sure, the big twist works well enough on some level, but it doesn’t save you from the discomfort of watching good actors flatline in more ways than one.

Old is currently in theaters nationally.

Hi Fidel-ity – Film Review: Revolution Rent ★★★1/2

Shot in 2014, Andy Señor Jr., who played Angel on Broadway along with a host of other credits, staged the classic musical Rent in Havana during a thaw in our relations with the Communist regime. He did so against the wishes of his Cuban family, who suffered under Castro and insisted his production would merely serve as a propaganda tool for the government. He plows ahead instead, capturing the months long process in a rather artless home movie style. The aesthetics don’t carry any weight here when you have such a compelling subject matter. Witnessing his actors struggling with their performances while also living in harsh conditions adds new layers to the late Jonathan Larson’s story of squatters in the age of AIDS.

With a limited talent pool, one of whom doesn’t feel comfortable with the gay subject matter and another who lives with HIV himself, Señor finds new connections to Larson’s material as well as an affection for his heritage. What we may have taken for granted here in the US in terms of sexuality and gender expression feels like a whole new experience when seen through a Cuban lens. Señor speaks out against the Castros with quick sequences showing moments of oppression, thus preventing this film from perpetuating the lies of its government. Instead, he gifts the people of this poor, struggling country with a real sense of community and its first burst of musical theater in ages. Sure he’s a privileged westerner who dangles hope in front of people only to return to his cushy life, but he does so with heart and good intentions. You end up loving and rooting for his cast in this moving, sweet documentary.

Revolution Rent is currently streaming on HBO Max.

Do The Hustlers – Film Review: Zola ★★★★

Call me wary when I went to see a movie based on a viral twitter thread and directed by Janicza Brava, whose Sundance Award-winning short, Gregory Go Boom, proved to be not only tone deaf but downright offensive towards people with disabilities. Her new film, Zola, excels however, in ways her prior work has not. Taylour Paige, a standout in Ma Rainey’s Black Bottom, plays the title character, a stripper who meets Stefani (Riley Keough) one night and is convinced to travel with her down to Florida where they can make a lot of money dancing all weekend. Things, however, do not go as planned, with Zola’s story escalating from one insane twist after another. Paige and Keough are outstanding, as are Nicholas Braun and Colman Domingo as their traveling companions. Jason Mitchell, so great in Straight Outta Compton and Mudbound, brings a wild, dangerous energy, something he shares with the film itself. It comes across as The Florida Project meets Hustlers, but with its own surreal, unexpected tone. I laughed out loud often, especially with Paige’s loopy reactions to her surroundings and the giddy, zippy energy on display. Zola chews you up, twerks on your face, and spits you out, exhausted yet anxious to see whatever this talented group of people will do next.

Zola is currently playing in select theaters and available on demand.

Banned On The Run – Film Review: There Is No Evil ★★★★

It’s impossible to review There Is No Evil without giving away its central premise, so I will avoid as much description as possible. Iranian filmmaker Mohammad Rasoulof has crafted a four-part anthology of sorts around an agonizing moral issue important to people worldwide. At the end of the first part, a stunning cut to an unforgettable visual reveals everything and allows you to watch the rest with informed eyes. Rasoulof seamlessly excels at different genres, from family drama, to action escape, to romance, weaving a tale of such depth and sorrow for its talented cast of characters.

The making of it proves as interesting at the film itself. Banned by the regime from producing feature films for two years and prohibited from traveling outside of Iran, Rasoulof, like any crafty filmmaker, came up with an ingenious plan. He slipped under the radar by calling these four short films, mostly shot in small towns far outside the reach of Tehran, and then had the final product smuggled out of the country. A filmmaker with such talent not only at telling stories, but the with ability to will his vision into existence against all odds, deserves the world’s attention.

There Is No Evil is available on DVD, BluRay and VOD now.

In Space No One Can Hear You Think – Film Review: F9: The Fast Saga ★★★

Considered review-proof, the Fast and the Furious franchise has ruled the box office for the past 20 years, so my calling its latest entry, F9: The Fast Saga, monumentally dumb will have zero influence on anyone’s decision to see it. We all know it’s big and stupid, as do the filmmakers. These films, deliver said stupid with such gusto, that you simply surrender and have a great time nonetheless. Nothing, however, prepared me, for this series to go all Moonraker, sending a car to a place no car has ever gone before. You’ll know it when you see it and probably say, “That’s ludicrous!” and also say, “That’s Ludacris!”

F9: The Fast Saga is currently playing on every screen on Earth and in select theaters throughout the universe.

[lumsel]

TF2 is a cutting parody of Overwatch and I can prove it

And when I say parody, I don’t mean it as in one of those “Minecraft Parodies” you see on the youtubes where they switch some lyrics around and call it a day without really commenting on the source material, I mean it as in TF2 is a biting deconstruction of Overwatch and everything it represents. Now I’m sure you have all sorts of questions involving release dates and, I dunno, logic, but bear with me here for a moment because this shit runs deep:

Overwatch’s characters have a diverse range of origins and personalities, presented as the best of the best from all over the world. Artists, Innovators, Heroes, Overwatch lets you play as great people who fight for great causes. Granted, there’s a bit of some weird dissonance between how they act and how they play, we’ve all made jokes about how weirdly cheerful Mei is about killing people, but overall they’re just a bunch of lovable goofs. Hell, even the so-called bad guys are impossible to hate, because they just have so much personality baked into them.

TF2′s cast is comprised of foolish, incompetent mercenaries, who are explicitly not the best of the best but rather a bunch of idiots the Administrator got to fight her pointless battles without any motivations beyond the money they earn. They aren’t lovable; entertaining to be sure, but they aren’t exactly the kinds of folks you’d sit down and have a beer with. Examining them at an individual level reveals further criticisms:

The Soldier’s name is a clear reference to the Overwatch hero Soldier 76, and further comparisons can be made from there. Soldier 76 is a disgraced war vet who takes the world into his own hands, travelling the world to fight evils and save people. The Soldier amps it up to 11; a mentally ill civilian who becomes convinced he is fighting Nazis in a war that ended years ago, and is in actuality blowing up innocents. No one man can understand the complexities of worldly conflicts enough to actively fight for the “right side” without screwing everything up, and the Soldier personifies this notion to an extreme, portrayed as not only insane but also highly jingoistic, alluding to an undercurrent of american exceptionalism that exists in 76′s All-American Hero stylings.

Pyro is a take on Bastion. They’re both unintelligible and gender-indeterminate cuties who retain their innocence in a cruel and brutal environment. Of course, Bastion’s dissonance between its purpose and its personality is played for drama, for how tragic it is that this adorable robot is built only to kill. The Pyro, by contrast, portrays innocence in spite of violence as twisted. Compare their promotional shorts: Bastion’s ends with it deciding against its original purpose (and the purpose it serves in gameplay) and exiling itself to the forest to care for a cute bird, while the Pyro’s portrays the violence and innocence as a symbiotic relationship, showing that they hallucinate the carnage they cause as spreading love and cheer. TF2 tells us that the innocence of a DPS character in a shooter is not endearing but terrifying, because the two aspects cannot coexist without extreme cognitive dissonance. The Pyro can delight in violence because, in their limited understanding of the world, they see violence as delightful.

The Medic lampoons Mercy and to a lesser extent every support character in Overwatch. There is something faintly hypocritical about a character claiming to want to help people as they serve as an accomplice to a violent, bloody war effort. Mercy may rarely score any kills herself, but she enables the continued destruction caused by every combatant she heals. The Medic puts up no such pretense of being a good person, he loves the pain and violence perhaps more than his compatriots who actively dole it out. He is no harmless doctor, he is as great a threat as the men with guns, if not even more dangerous - and he doesn’t even have a damage boost on his medigun. The Medic's habit of experimenting on his teammates for shits and giggles is, too, a joke about Mercy, this time referring to her canon involvement in turning Genji and Reaper into killing machines. 

The Sniper is, like Roadhog, an Australian who is actually a New Zealander who sounds like nothing like either. I don’t have anything insightful to say here, I just think it’s funny.

But the one thing that binds them - the one thing they have in common? They are all sadistic assholes. Every character has a cackling, evil laugh they let out when they’re on a kill streak, they all bask in the glory of slaughter unashamedly and unabashedly - they are guns for hire, after all. In a way, they aren’t so different to the Overwatch cast in this respect; even the bright and peppy tracer has a host of voicelines cheerily mocking the people she has just murdered with her twin pistols. But what TF2 does differently is make this obvious. The nine classes have no purpose in gameplay beyond causing and enabling murder, and rather than distract you from this fact with charming personalities, it lets you pity them as the mean, cruel bastards that they are. These are no “heroes” to be looked up to, they are the waste product of a world better than them.

Overwatch’s map design is beautiful, to be sure, with a clean, futuristic aesthetic and a wide diversity of metropolitan locales to explore. But when you think about it, the levels don’t make a whole lot of sense. The payload maps are all cities that tend to have only one road in them, they’re peppered with hazardous falls despite being mostly innocuous metropolitan areas, and the architecture is often questionable at best. While some maps have a clear goal that the two teams are fighting over, i.e. Volskaya’s factory, some are just places where a fight is happening for no reason. Illios is the perfect example, you go to a well, a lighthouse and an excavation site but there’s nothing to be won in any of the areas. Of course, asking “why are we fighting here” was a mug’s game to begin with - the gameplay in is non-canon, after all.

TF2′s map design is specifically engineered to draw attention to its own senselessness.  The payload tracks aren’t roads, they’re literal tracks, on the ground, which just happen to lead directly to the enemy team’s giant stockpile of explosive barrels. Control points aren’t just game abstractions, they’re giant metal discs on the ground, marked out with hazard tape and set up to display a giant holographic team emblem. One place where they differ is TF2 is not content to allow a map to have no valuable resource in it to be fighting over, even when said dedication raises more questions than it answers. That granary isn’t just a granary, it’s actually concealing a secret spy base. The lumberyard? Secret spy base. Hydroelectric plant, which actually might be tactically advantageous to own? ALSO A SECRET SPY BASE! “Secret spy base” is the punchline to every map’s visual narrative, and serves as a challenge to the philosophy of Overwatch’s design, by implying that those innocuous locales you visit, all those wells and lighthouses, they were actually just secret spy bases this whole time.

Even the art direction in OW’s fascination with a vaguely utopic golden age is reflected in TF2′s usage of idealised 60′s-ea illustration as a clear inspiration. The visual language utilised by a people who were proud of the world that they shaped, despite the festering problems lurking deep within it, is perfect for the ugliness of the TF2 universe. The painterly, illustrative style isn’t used for white picket fences and well-kept lawns, but ramshackle shacks, industrial monstrosities and machines of war. This is no better time nor a better place, it is a war. It is blood and gore and fire and pain and all the worst parts of humanity condensed into bite sized 10 minute matches.

And the war they fight is pointless. Not pointless in the sense that it is non-canon, but that it is canon and yet it still means nothing. It’s a pitiable battle between two brothers over their ancient, useless gravel estate, with all the lasers and rockets only existing to claim more useless gravel. The fights don’t mean anything, the story isn’t important, and the resources aren’t world-changing, they’re just pointless bloodshed for pointless rewards, a hauntingly accurate summation of the philosophy of a competitive shooter.

Overwatch’s world is one like our own, but... different. Set in a fantastic and wonderful future, it portrays a world coming off of the heels of a great robot war. It is populated by robots called omnics, who are either a metaphor for all marginalised groups ever or evil badguy robots depending on the what the writers need right now. In addition, Overwatch likes to add it’s own additional spice to real world locales: South Korea is threatened by a giant badguy robot and has hired professional gamers to fight it, Australia has been devastated in a nuclear holocaust and is now a desolate wasteland, and The Moon has recently been overthrown by sentient gorillas(?) who now rule its colonies. It’s all a bit silly, to be sure, but it’s made with love, and it’s all just so earnest you can’t help but love it back.

In the TF2 community, there is some debate over whether or not Abraham Lincoln inventing stairs as an alternative to the rocket jump is canon information or not. What is definitely canon, however, is that spaceflight was invented in 1900, New Zealand is a once legendary sunken metropolis destroyed by an incompetent scientist, and Amelia Earhart was a hotdog mascot. The world isn’t just quirky, it’s gonzo, with ghosts and charismatic war profiteers and rocks that radiate pure intelligence all being mentioned in the same sentence with nary a wink. 

You can tell TF2′s lead, Robin Walker, was an Australian man angry about the nation’s treatment in Overwatch, because in TF2 Australia is a world leader inventing all of the major technologies in the setting and is the main catalyst for most of the world’s politics. Tellingly, you never actually go to Australia in-game, because the conflict that TF2 portrays is as stated earlier completely removed from anything remotely important in the setting. Of course, Australia is also said to be populated entirely by idiots who get in barfights all the time and choose their king by boxing with kangaroos because if there’s one thing that TF2 avoids like the plague it’s the genuine idealism that Overwatch so loves.

And Overwatch’s incredible technology levels, showing the world of 60 years from now being populated by megastructures, holograms and hovercars, is parodied with the setting of TF2 having all the same, but 60 years into the past. Because Australium, you see. The quaint interpretation of global politics is now extended into full-on alternate history wherein the Space Race was just the US and Russia feebly attempting to measure up to Australia’s impossible standards and Musician Tom Jones is murdered by the Soldier for being his wizard ex-roommate’s new best friend. It shows the inherent arrogance OW painting its own picture of what the world is like by painting that picture onto the past instead of the future, allowing us to immediately understand the contrast between how the authors portray the world and how it actually was - and letting us laugh at just how different the two really are.

This theory would be completely perfect with no holes in it whatsoever, were it not for one key issue: TF2 came out seven years before Overwatch was announced.

There is only one explanation for this: this is a case of analogous evolution where the Overwatch team made many of the same gameplay decisions as the TF2 team but TF2 understood the absurdity of said gameplay and decided to emphasise it whereas Overwatch elected to ignore it and justify its fiction through supplemental material, combined with TF2 actively parodying tropes that predate both games that Overwatch somewhat coincidentally indulges in due to the developers of one intending a dark satirical tone and the developers of the other trying for something more optimistic TF2 was engineered by Valve at some point in the future and sent back in time like a videogame terminator to destroy Overwatch before it was ever born in order to ensure CSGO’s dominance in the competitive PC shooter field. Valve failed to take the key moral lesson away from the first Terminator movie, however - any endeavor involving time travel is doomed to fail from the start, as whatever action you take has always been taken and the past cannot be changed. Just like Robot Arnold Schwarzenegger, TF2 not only failed to prevent Overwatch’s existence, it ultimately proved instrumental in the game’s conception when the spark of inspiration (here representing Kyle Reese) made sweet, sweet love to Jeff Kaplan’s brain before dying in a dynamite explosion. For shame, Valve. I thought you would have learned from Skynet’s mistakes.

[hecknopoohsadventures]

Weekenders Adventures of Tom and Jerry: Willy Wonka and the Chocolate Factory

And now, a technological breakthrough in Pooh's Adventures history - a classic unnecessarily reworked with your favourite cartoon characters, unnecessarily reworked with your favourite cartoon characters! The infamous Tom and Jerry: Willy Wonka and the Chocolate Factory, a.k.a. Why Paramount Should’ve Kept Those Rights in the First Place, was the closest a corporation-based animation studio could get to channelling Pooh’s Adventures as it so commonly stands - deliberate exposition that dumbs the original mains down, absolutely no reason for the guests to be there other than comic relief, a villain confrontation scene where there shouldn’t have been, dialogue tampered with to bring up these newcomers, you name it.

So of course Poohphiles would enjoy it enough to slap even less time-consistent cartoon characters onto that and make them twice as useless by having them direct every pratfall the cat and mouse stumble into as usual. This might just be fan fiction, but this is still what storytelling shouldn’t be. And so, without further adieu, let’s bite into Weekenders Adventures of Tom and Jerry: Willy Wonka and the Chocolate Factory. I can’t believe I just pasted that either.

Part 1

0:15 His most diabolical scheme yet.

0:28 Implying this is artful enough to be transferred onto celluloid.

0:43 Tiff is about to request that the volume be increased, but all Dedede ironically shushes her. All he wants is Kirby's suffering.

1:18 Originality truly is dead.

3:00 As terrible as the original, uh, Tom and Jerry: Willy Wonka is, at least Spike Brandt chose characters who knew when to shut up.

3:49 Oh my god.

4:30 OH MY GOD.

7:13 Why are they paired up with these two again?

7:28 How not to script a crossover vs. how absolutely not to script a crossover.

7:42 Charlie didn't even ask...

7:57 ...neither does he care.

8:17 If you're not as starving as they were, YOU SHOULDN'T BE IN THIS MOVIE.

8:24 What's in your wallet?

8:34 Charlie's ignoring you.

9:08 How about offering some, you greedy fucks?

9:14 How about using some of your contract "more"?

9:17 It can't be that hard, right? ............Right?!

Part 2

0:59 Are every single one of them that foolish not to bring just the slightest nickel on their journey?

1:05 You can say that over and over again.

1:27 Says the girl who will just give over to temptation anyway, including booping what should not be booped.

3:01 You've got a better cartoon to attend to.

5:04 Clearly someone hasn't heard of a term called "surprise".

5:47 Bravo. Just coming out clean rather than saving yourselves jail time.

6:10 You know, at least Brerdaniel would probably treat Tom and Jerry as goofy pet sidekicks rather than have a bunch of usually-independent chatterboxes follow suit.

6:19 That's what the mouse was mentally suggesting, faithful student.

7:07 Alright! What delicious spells has Star conjured up ready for blas- Oh. Never mind.

7:31 As for the rest of you, welp, you're screwed.

8:12 Worse than tobacco?

8:57 And whoever else is surrounding the desks but doesn't matter in the slightest.

9:58 Something with more artistic merit than this.

11:46 Some kid that has lifted dicks up for generations somehow.

12:11 How..................am I barely riffing on two well-known cartoon characters' extensive presence in a movie they're not supposed to be a part of?

12:42 And how are they not noticing that creepy old man on TV? A gaping flaw in the dumbest of Pooh's Adventures implemented into a corporate, Korean-co-produced film from WB. Welcome to 2017 in cinema.

13:27 *grumbles* I know, right?

14:04 And just like Pooh's Adventures, an extra guest just had to be thrown in.

Part 3

0:18 Lor, you're in 7th grade. That, and you're mentally stable. Think about what you're saying.

0:20 Diverting gender norms, are we, Nobita?

0:31 Physically, you're not helping.

1:03 Unless Star could use her noodle arms to pick it straight out. 

2:09 Those poor Koreans.

3:03 Star's not not feeling it lately.

3:32 You don't ask that the very moment you bump into one.

4:12 It's the 90's all over again, and some millennials just happen to be in the scene as Slugworth turns Veruca's song into a goddamn reprise.

9:40 They're the only two guests dancing. Remind me what the point of this crossover is again?

11:47 And you only just noticed?

11:49 Even Twilight Sparkle herself wouldn't figure it out so accurately. She may be a god, but she's no psychic.

12:28 Or, you know, just hop onto the sidewalks.

13:00 And one of you could've just tucked it firmly into your pocket, you lazy fucks.

14:59 A simple "excuse me" would suffice?

Part 4

0:02 And the rest? They all sneak in somehow without being detected. 

1:25 See how boring and clueless these people now are?

1:49 I can understand Tom and Jerry squeezing through a pipe, but everyone else?!

2:44 In a shopping mall, no less.

3:30 But in clown garb!

4:23 tfw when a mouse can silently explain the situation better than you can.

5:00 Speak for yourself, all you're doing is standing there.

5:20 I'll say.

5:52 Hiding yourselves, on the other hand...

6:31 ...beyond "kinky".

7:23 Christ, at least Tom and Jerry are doing nothing to interrupt not-Gene-Wilder’s soothing melody.

8:00 How did nobody in the guest team accidentally push one of theirs into the river trying to rescue him?

9:07 Who now?

9:39 Why is Star so aggressive in this crossover? Her religion is unicorns and rainbows, you’d think she’d giggle and dance around non-stop being in the same team as Princess Twilight Sparkle.

11:35 This is wasted fetish potential.

11:51 Oh, finally you give a shit.

12:24 Wha?!?!?!?!?!?!?

13:31 ALL of you?

Part 5

0:02 She looks like she's seen this before. Hmm.

0:46 For once, censorship actually makes the source material less awkward.

1:01 Oh, please, this ain't close to worthy of a montage. You could have seen a live chicken being chopped up.

3:09 She came straight out of nowhere. EXPOSITION. LEARN IT.

5:03 Truly wasted fetish potential.

7:22 Every other guest concurs.

8:18 *slow clap*

8:31 He already had a dog by his side, no need to make every line of dialogue politically correct.

9:18 INCREASED fetish potential.

10:16 And like many Pooh's Adventures creators, the writers do not understand independent thinking.

11:06 Um, Marco............... Oh, fuck it.

11:34 HE'S IGNORING YOU.

11:57 UNBEARABLY wasted fetish potential.

12:30 What, you want to kill him?!

16:48 Good.

Part 6

0:33 And it really should've been you all.

0:48 GO DIE IN ANOTHER FIRE.

3:36 Which is more than I can say about everyone following him.

4:39 See what at least happens when you have every character in the frame? SEE HOW BORING THAT MAKES YOUR CROSSOVER IF YOU SPLICE IT WITH IMOVIE?!?!?!?!?!

5:18 https://www.youtube.com/watch?v=rUEd6gPjIsY

6:55 Sunset Shimmer fires Megan. Meme videos at their finest.

7:42 But how does even Wonka automatically recognise their names?

9:20 Well, certainly not Megan, whoever she was. Why was she in this again?

9:46 Star's response is priceless.

11:08 Of course we have crack shipping in this thing. Sunset is technically a horse.

11:53 Story of a Poohphile's YouTube career. Wonka knows what he's smirking about.

15:25 You're telling us.

15:28 SMART CHOICE!

15:30 Who has already spun fast enough in his 2016 deathbead.

Outtakes

And finally here's some outtakes, because someone thought bloopers could work in Pooh's Adventures. Prepare to cringe like you've never cringed before.

Unoriginality: 

Illiteracy:

Tom and Jerry’s baffling superiority:

Bonerkills:

At least it wasn’t made by Yakko:

Overall: 7.2/5

-0.44/10. This is the epitome of pointless, and a chilling reminder of the potential devolution of storytelling now that it’s possible to build stories out of emojis and Slenderman. This being simple-minded, inoffensive fan fiction by a couple of guys with needs hosted by Google Drive and linked to in one out of 27,000 wiki pages, of course it’d be insignificant to the community compared to what you can pay money for right now, but as far as innovation goes, and I say this as a film critic in progress, it’s misguided, aimless and devoid of any substance of any form. I’m just saying, with plenty of much-deserved scholarship, maybe you could be writing far more intricate prose than "Tom, Imagine when a chocolate mouse appears." I know Time Warner didn’t get some when they commissioned Gene Grillo to write Tom and Jerry into Roald Dahl. If someone else is planning to put a few (or a thousand) more cameos into Tom and Jerry’s gonzo Wonka trek for fun and not for profit, you bet I’ll be ready-ish.

[nc-ten-scenarios]

My type | Lee Taeyong

Hi! I want to request a f*ckboy type scenario with Taeyong! Thanks~

~Nik

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ reader pov This was not my style. At. All.The party was in full swing, bodies dancing, sexual tension, alcohol circling, and loud music-all provided by Odessa aka the nct frat boy house. The house itself was impressive and it wasn’t a surprise that it became a party house frequented by the boys who called themselves nct. I wasn’t close to many of them, but I knew of them. The infamous group was all the gossip among both gender groups. Of course not one, but two members from the group had begged me to join them at this party, Johnny and Doyoung were those two idiots. Of course there’s the rest of nct consisting of Yuta, WinWin, Jaehyun, Taeil, Hansol, Ten, Kun, Lucas, and Lee Taeyong. Now I say Lee Taeyong because he’s probably the most infamous one of them all-at least in my opinion. Lee Taeyong, 21 Years old, with the worlds most intimidating gaze, and sultry eyes that can have any girls or guys knees weak with one look. He was definitely hot and he also knew it and used that to his advantage. Girls through themselves at him from left and right. He was with one girl one day and another the next. He’d text multiple girls the same same cliche ‘sweet’ messages. I guarantee if I looked up fuckboy in any dictionary a picture of Lee Taeyong would show up.Don’t get me wrong each boy is the same way. They’d probably all be stacked in the dictionary under the fuckboy definition as well. Even Johnny and Doyoung. Both boys were odd beings of course. Under the charismatic character of the two, there was the giant squirrel and the adorable bunny boy’s that had become my best friends at this school. So how on earth did they drag me here?~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ It was currently 8:32 and I was very very bored. As soon as Johnny and Doyoung had dragged me into the house the two boys disappeared within two seconds flat, I’m not joking. Poof, gonzo into the crowd of sweaty college students attempting to get it on. I was more on an observer rather than and engager and I’ve got to say many of these dance moves were quite….interesting. I’ve seen the dances go from swaying to jumping up and down to gangnam style to a twisted version of dance dance revolution. It was wild and I wanted no part of it.

Currently, I was perched against the wall, watching amused as Johnny bounced around from group to group, greeting everyone in such an eccentric action that only belonged to Johnny. I had my arms crossed as my right leg was propped against the wall just watching said boy have an unlimited supply of energy. “Yah! Come on y/n don’t be a loner come dance with me!” Speak of the devil.I shook my head a smile playing at my nude covered lips. I watched as he pouted. I quickly covered my eyes shouting, “Not the pout!” Next thing you know Johnny bounded up to me, grabbing my wrist and pulling me out into the crowd and began dancing to Jay Parks “Mommae”. I laughed as Johnny pulled his ‘swagger’ moves out and motioned for me to do the same. I sighed dramatically before breaking out into dance just in time for the chorus to kick in. People all around us cheered and began to mimic our moves as I twirled laughing. After a few songs I felt my body begging for a break. “Yo seo-squirrel!” On cue his head snapped toward me.“I’m gonna go get a drink from the kitchen k?” I shouted and he sent me the okay sign back before I spun around and made my way into the kitchen. I wrinkled my noise at the obvious spiked punch bowl and spun toward the overly large nct fridge in search for something that wouldn’t cause me to regret every decision from tonight.“Okay milk? Nah. Orange juice? Maybe. What’s in the jug? Oh! That’s sick! Okay so water it is then-”“Need some help? I snapped upright so quick jumping with a small yelp before snapping my head to the source to my left only to see the one and only Jung Jaehyun smiling cheekily at me with his arms crossed as he leaned against the wall conveniently next to the fridge.

“Don’t do that.” I muttered hand over my heart, feeling it beating wildly under my palm. Jaehyun chuckled. He. Chuckled. The freaking nerve of this boy. I huffed glaring at him before raising my hand, balling it into a fist and throwing a jab at his body part closest to me. Whcoh happened to be his arm. “Ow! Jesus okay sorry sorry. Note to self don’t scare y/n ever.” He hissed rubbing his arm. I huffed at him before I scanned the contents of the fridge again with distaste. “Hey y/n I got a delicious drink just for you.” I would’ve believed him if he didn’t have the smallest mischievous smirk playing on his lips. I glared at him and he pushed me back and reached into the fridge pulling out the mysterious and disgusting looking jug from just a few minutes ago. He held it up cheekily as my nose wrinkled did I leaned away from it as if it was the plague, probably was.“Oh come on y/n! Just try it! I wouldn’t poison you you know.” Sadly I didn’t believe him and neither did the other person who just walked into the room. “I wouldn’t be too sure Jaehyun. Now leave the girl alone she obviously isn’t into you. There’s plenty of other girls in the den why don’t you go on the prowl for one?” Of course Lee Taeyong just had to appear. “What if I want this one though? Ever thought about that?” Oh please even I knew I wasn’t Jaehyun’s type. Sure he’d taken a liking to me as friends. This marshmallow considered me his sister and nothing more.

Taeyong chuckled as he pushed off the doorway and sauntered further into the kitchen. “Jaehyun everyone knows you aren’t interested in her in that way. Besides she’s more of my type anyway so shoo.” Taeyong’ eyes followed Jaehyun’s form until he disappeared through the doorway and then he sauntered to the fridge and dug around before pulling out a single punch of Capri-sun.

He spun on his heel and held it out to me with an eyebrow raised. I slowly took the drink from him with a quiet ‘thank you’ before he nodded and dug around some more, turning his back to me. Taeyong was dressed in a pair of black ripped jeans that outlined his legs perfectly. He matched a gray muscle tank, showing off his muscular, tanned arms and his messy black hair was covered by a SnapBack put on backwards. I admit he looked good. Hella good. And it was in that exact moment that he turned around, his own Capri-sun in his hand, to catch me staring at him.

A smirk crawled onto his lips and his tongue ran over his lips slowly. “We’re you checking me out?” Holy shit his voice was so husky and dare I say, sexy. I gulped slightly as I watched him sip at his drink before I scoffed. “Oh please in your dreams.” I snapped back watching as he raised an eyebrow and set his Capri-sun down and pushed off the wall and stalked closer to me. “You are in my dreams and this must be a dream because you most definitely checked me out.” He whispered his voice dropping an octave. “Admit it you think I’m hot y/n.” He whispered inches away from me, like a predator stalking his prey, aka me. I gulped before standing up straight meeting his dark brown irises. “You are just a player who has slept with half the girls on campus. You don’t seriously think that will roll with me do you?” I hissed. He cocked his head to the side, eyes darkening. He took another step forward, large palms resting on the cool surface of the counter trapping me between. “You think I’ve slept with all these girls? Baby you have no idea what I do or who I do, but I’d gladly do you.”

~Nik

[shamelesslymkp]

did I make it up??

I just. I saw a post this morning about how amazing a movie Muppet Treasure Island is, and everyone I've talked to who's seen it absolutely loved it, and I just.

that movie terrified me. specifically, two scenes in it terrified me, one far more than the other.

brief descriptions of the upsetting scenes below the cut; content warning for a description of a scene viewed by me as sexually threatening

I was upset by and still remember the awful uncomfortable feeling of watching Gonzo get tortured, even though he's literally a puppet and the joke was that it didn't hurt him at all, and the even worse minute when they'd heated up a poker red-hot and sizzling and were about to use it, but that's not what truly terrified me to the point of nightmares and jumping at shadows for WEEKS.

The scene that's stuck with me all this time was terrifying and upsetting in a raw, visceral way I couldn't even identify or articulate at the time, and remains so even now, twenty-plus years later, except I now CAN identify what was so upsetting about it.

But when I try to articulate it, I get laughs. Eye rolls. Condescending dismissals. That's ridiculous. That's not what that scene was like at all. It's a children's movie. You were a child. You're misremembering. You misunderstood. The scene was FUNNY.

I don't know. Maybe my family's right. I'm sure they're right about it not being the intended reading of the scene, or at least I hope they are, but. I'm pretty sure there was SOMETHING there, even if it was subtle and accidental, because I was eight, ok? I wasn't afraid of men yet. I had no experiences, personal, vicarious, or fictional, to predispose me to reading the scene the way I did. I didn't even understand what type of fear it was until I was in my late teens.

I've been talking around and around this, because I'm afraid of actually saying it and getting told yet again that it's all in my head, some ridiculous invention.

There's a scene, very early on in the movie, when a pirate comes to the boy-protagonist's home to give someone 'the black spot' death threat. He's blind. The boy-protagonist is a boy, with a boy's high voice. The blind pirate thinks the boy-protagonist is a girl. The boy-protagonist objects. The blind pirate reaches out and feels the boy-protagonist's long hair, fondles it. Calls the boy-protagonist girlie-boy repeatedly. The boy-protagonist can't get away.

As a child, I didn't understand my revulsion and terror.

As an adult, thinking back, feeling that sickening sudden flight-fight-freeze all over again, I know it reads to me - read to me even then - as a scene of sexual violence. against a child. a gendered scene of sexual violence, too - or maybe a sexual scene of gendered violence? I don't know, the misgendering feels like an integral part of the sexual threat though.