#had so much fun today ^_^

[cherrylight]

hi !!! went to spirit halloween and had SO MUCH YAYYAY

got a crow skeleton i love that guy...... i love you crow skeleton ......

oh funniest thing ever was me seeing a jeff the killer mask and lost it completely like omg guys ITS MY BEST FRIEND WOOOOOO why did they make him look like that though guys im going to cry

so weird seeing creepy.pasta in like stores because at its peak it probably wasnt even there because there was a lot of debates on whether or not it was real or not (unfortunately) (and i think???)

but had SOOOOO MUCH FUN GUYS YAYAYAY

[brainrotcharacters]

When irl pisses me off, I rewatch the Honda Odyssey scene to relax

[nova-rpv]

hes shy. shy lil man

[v-poreons]

Join us and die! Join us and die! Join us and die!

She demanded I draw her it was a physical need LOL

Progress gif + flat colors under the cut 😳

[lemongogo]

env practice ft the reunion scene

[pancakemolybdenum]

2015 called, it wants its cloudball back. redrawing things yet again.....

original here

dress design by @rumminov

[dizzybizz]

"this is regrettably the best kiss of your life, you understand?"

[javierduffy]

figured it was time to finally do an actual kieran study ...for once

[aclockworkreader]

tulip picking 🌷

[mask131]

I am re-reading the Silmarillion, and something strikes me. The women of Tolkien's world have been talked about TO DEATH especially with all the recurring debates surrounding the Rings of Power series.

As we all know, Tolkien was not a "feminist" in the modern sense of the word. He had a very male-centric point of view and appreciation of the world, he had male-driven and male-centered stories, and actual women characters were sparse and rare. There are only five really big female characters in "The Lord of the Rings" - the quintet of Galadriel, Eowyn, Goldberry, Lobelia and Shelob. [No, don't talk to me about Arwen, she only really was a character in the movies, in the book she's just there in the appendix and she was literaly an afterthought of Tolkien to act as Eowyn's romantic double...]

Consider this. Galadriel, Eowyn, Goldberry, Lobelia and Shelob. This tells you everything you need to know about Tolkien's women, in good and bad.

The Silmarillion has the same motif of having a lot of female characters, only for most of them to be just footnotes, secondary characters with no lines, under-developped one-liners... with in a contrast a handful of super-cool, super-badass, complex and developed heroines at the center of the plot.

Aka, on the bad side, when listing the Valar, while Tolkien gives an interesting personality, great domains and cool attributes to all the male ones, half of the female ones are just... there. And do one stuff. And never appear again. I mean come on... Vana and Nessa? Estë and Vairë were done dirty... That's the actual type of "non-feminism" Tolkien has. It isn't about him hating women or trying to be offensive in his depictions - it is about him just, not putting as much thought, effort and care into his female characters as his male ones, a bit the same way he creates the vast expanses of the East and South of Middle-Earth and then never bothers actually developing more of it or seeking to tell tales of it - but that's for another discussion about Tolkien's "racism". Here we talk about women.

But here's the thing, aka the good side... When Tolkien does find the time and care to develop and flesh out a female character, by Iluvatar he goes all out! Again, we are back on what I said earlier: the women of Lord of the Rings can be counted on one hand... but these fingers are Galadriel, Eowyn and Shelob, so you can't claim he isnt writing powerful, important or uninterestng female characters. Which leads me to my original remark - as usual I get driven away in digressions of all sorts and kinds.

Have you ever noticed that Melkor's greatest enemies, the ones he fears the most, and his most effective foes... are women? Tolkien might not like to put them front and center of his tales, and he might have been a man of the early 20th century England in culture and mind, but boy does he has something to say about how women are actually the first enemies of the literal embodiment of evil and destruction! I mean think about it. Varda of the Stars, and Yavanna of the trees. Nienna has her ambiguous relationship to him - her tears work against him, and yet without her plea for him he likely would not have been released from the dungeons of Mandos. You have Melian with her Girdle, and Luthien with her Hound. And of course most of all Arien, guardian of the Sun, not only one of the rare fire spirits that Melkor couldn't corrupt (despite him basically ruling over all fire), but that frightens him so much he keeps hiding away and doesn't even dare to attack her... [I also reblogged some times ago a post praising the brilliance of Tolkien keeping the old European sun-moon motifs but switching the genders. The weaker, inconsistant, lustful, whimsical, disorderly, untrustworthy Moon is now a male principle, while the steady, dangerous, strong, powerful and beautiful Sun is a woman.]

It is actually REALLY easy to do a feminist retelling of Tolkien's work. Melkor doesn't fear Manwë as much as Varda. Aulë's works and servants get corrupted by Melkor, while Yavanna's do not. Melian and Luthien actively works against him. He friggin' pisses himself when the Woman of the Sun shows up. Sure, there are some evil female characters that serve him down the line and are relegated to the "obscure footnotes and undescribed secondary characters" zone - Thuringwethil the vampire or queen Beruthiel. I coul also dropped deleted characters from early drafts, like the ogress Fluithuin. But among them stands Ungoliant... THE only true female big bad on the dark side of Arda. THE badass, nightmarish, creepy eldritch abomination. And who ends up double-crossing Melkor, almost KILLING him, and again making him basically shit in his pants - as Varda and Arien do.

The first enemies of Morgoth are not the Valar, or the Maiar, or the Elves... It's women.

[snoozerin]

sketches and a wip. i dont like thinking too much before posting, head empty this is the stuff i have in my gallery take or or leave it the void is nice

[madd-nix]

Mourning the loss of yourself

No matter how hard Ingo tries, things can't automatically return completely to normal once he's returned from Hisui. He's changed. And that's sometimes terrifying.

[myokk]

from my oneshot, note-taking 🫶🫶🫶

[tarufai]

[daily-capochin]

[Day 44]

My mold spore

[zehl0w]

Our father who art in genzen