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666writingcafe · 2 months

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Banshee

Hearing faint noise coming from within the House of Lamentation as I approach the front door is nothing new. At least one of the brothers is in the middle of doing something loudly whenever I arrive, and depending on what it is, I either help them out or stop them before they go too far.

That, however, doesn't prepare me for the continuous high-pitched wailing that assaults my ears the minute I open the door. If it weren't for Beel running outside and slamming the door behind him seconds later, I'm sure my eardrums would have burst and began bleeding. Whatever it is, it's that loud.

He puts his back against the door, trying to catch his breath. Once he's composed, I ask him,

"What the hell is going on in there? Why is someone yelling at the top of their lungs?" The shock is evident in his eyes as he glances over at me.

"You can hear it too?" Well, this isn't good. Either we've both gone completely mad, or the thing in question is specifically targeting the two of us.

"Of course I can. My ears are still ringing from all the screaming." Beel sighs in relief.

"Thank Father...I thought I was going crazy. The others certainly look at me that way. I'm sure once they figure out that I'm no longer inside, they're going to start freaking out and worrying that I'm on another rampage, but that honestly isn't my intention. I just was going to run as far away from it as I could."

"Would a long walk be enough? I'm not nearly as fast as you are, plus it'll give us a chance to talk more about what happened, if that's something you feel like doing." Beel nods his head, and I extend my hand out to him as we walk away from the House.

~~~

We end up sitting on a park bench in a secluded corner of one of my favorite parks in the Devildom. It's relatively unknown, so not many people frequent it, and this particular area is partially hidden by some thick foliage. All in all, a near perfect place to have a private conversation without someone eavesdropping.

"So, let's start from the beginning," I instruct Beel. "What events led to someone shrieking like that?" He sighs.

"My brothers were coming up with ideas to prank Lucifer. He's spending the afternoon at the castle, you see, and they figured they could do something before you were supposed to arrive."

"So, basically take advantage of the lack of adult supervision." He snorts in amusement.

"Pretty much, yeah. You and Lucifer are the two responsible ones. The rest of us give in to temptation far too easily." Lucifer does too, but Beel doesn't need to know that. The shenanigans his brother gets up to when he thinks no one is watching him aren't exactly pertinent to this conversation.

"Anyway, Satan suggested summoning a Hellfire Salamander in Lucifer's room, and I knew I wanted no part of it," Beel continues. "Those things make dragons look tame in comparison. If one set something of Lucifer's on fire..."

"You didn't want to be on the hook for it," I reply.

"Exactly. So, as everyone else ventured to his room, I decided to head towards the kitchen. I was feeling a bit peckish anyway, but also I knew I wouldn't get in nearly as much trouble if I got caught rummaging through the fridge."

"Makes sense."

"Unfortunately, right when I figured out something to eat, I heard this awful scream. Instead of summoning a Hellfire Salamander, they accidentally brought a banshee inside the House." Beel pauses. "That's what set me off the first time, when you found me in the colosseum. Diavolo had gifted Lucifer a record of a banshee's song, and he asked if he could have it played during dinner. Most people would only hear melodic wailing. I heard and felt its pain, and it overwhelmed me, especially since it reminded me of..." He trails off as he closes his eyes and begins taking deep breaths, tears threatening to spill.

There are two types of people that can hear a banshee scream: those about to die, and those close to individuals on the brink of death. If you remain alive afterwards, you're forced to listen to their every wail and shriek for the rest of your life. To say that it's unpleasant would be quite the understatement.

It doesn't explain how I can hear it, though. Perhaps getting Beel to talk about his experience will help me figure that out.

"Reminded you of what?" I gently prompt. Understandably, he takes a while to respond. For one, it must have been a pretty traumatic event if it's making Beel this upset, but also he and I aren't as close here as we are in my timeline. In fact, I think this is the most he's ever spoken to me since I've arrived.

"It's okay if you don't want to tell me--"

"It's not that," Beel interrupts, opening his eyes again. "If anyone could understand, it's you, and I'm sure talking about it will help me feel a bit better. It's just...I haven't shared this before, not even to my brothers."

"I can keep a secret." He softly smiles.

"I know." Another deep breath, then,

"The first time I heard a banshee's cry was in the human world. Michael had sent me there to complete a task. I forget what it was, but at this point it really doesn't matter. All I know is that on my way back to the portal, the banshee began screaming. It scared me so much that I ran in the opposite direction of the portal and ended up getting lost, causing me to return to the Celestial Realm much later than I was supposed to. I wasn't even allowed to explain myself; both Michael and Raphael took turns reprimanding me. I think that might have been the last straw for Lucifer, because the next day marked the start of the war." Momentary silence.

"There should be eight of us down here, not seven," Beel quietly adds. "We lost our sister in the fray. She and Belphie were both in a precarious position, and I only had time to save one of them." A couple tears fall from his eyes.

"I know that by the time I heard the scream that it was too late to change her future, but there's a part of me that feels like I could have prevented her from dying. I miss her dearly. I can't even sleep some nights because the memory plays in my head over and over again, and I...I..." I hug Beel as he begins sobbing uncontrollably.

I wonder...

Of course. It makes sense. If Lilith's memory of her death rests somewhere in my subconscious, then it's possible that other memories of hers do, too.

Like one of a banshee's scream.

I'm sure that if I ask nicely enough, I can get Lucifer to destroy that record. If he wants to hear it that badly, I'm sure there's audio of it on the internet that he can listen to with headphones. But I don't want Beel to suffer unnecessarily, and I don't think Lucifer does, either.

Taglist: @lost-in-time-wanderer, @fuzztacular, @dianedancer18, @sweetbrier2908, @flare-love, @completelyshatteredbrokenmschf, @thunderlightning351, @l3v1chan, @anxious-chick, @5mary5, @expressionless-fr, @tenkobitch, @interconnectedmatrix

#obey me shall we date #obey me nightbringer #obey me mc #obey me beel #obey me beelzebub #obey me lucifer #obey me lilith #so this is actually the second time i'm typing this out #my laptop died the first time before i was able to save the draft #so i had to start from scratch

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genericpuff · 10 months

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The Kiss Bet Episode 172 - Hot Pot and Venting About How I Want My 70 Cents Back

Okay, look, this isn't a post I was expecting to make today but it's something that just happened and I have to fucking talk about, so let me preface this with some context.

I had to buy coins recently and because I switched to using my iPad for reading comics on, I got a "new reader" type deal from Webtoons for a coin bundle that got me like 100 coins for $5; because technically it was a 'new account' as Webtoons operates their in-game currency model on apps, not on actual emails (meaning if you use the app on an Android phone and then switch to an Apple iOS device, they're technically two separate accounts which you sync the reading data between via the account info linked via the email, therefore they have two separate coin wallets).

So with more coins than I knew what to do with, I decided to start FastPassing The Kiss Bet again, which I had recently stopped FP'ing around the S3 mark, as it's recently devolved back into the "will they won't they" trope, but instead of between Sara-Lin and Joe, it's between Sara-Lin and Joe's younger brother (the "true endgame") Oliver.

Now I don't mind the ship in essence. Joe was definitely not gonna be endgame, it was always gonna be Oliver, anyone who's read any amount of romance before - especially high school romances - knows how this shit tends to go, and The Kiss Bet isn't exactly trying to be groundbreaking or subversive in any way, it knows exactly what it's about and what it's trying to accomplish.

But it's almost become a little too good at this. Because in playing the "will they won't they" game for so long with a character that we know is endgame, it's basically been weeks and weeks and weeks of-

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That said, after I caught up on the recent FP episodes, it seemed like stuff was finally moving a little bit. We were finally meeting Oliver's mom and his stepdad who he has a fractured relationship with, Joe was finally getting with his true endgame girl, Vicky (who's totally not an exact genderbent version of Joe lmao) and Sara-Lin was finally realizing she had feelings for Oliver.

And then the newest episode came out, Episode 172 - Hot Pot and Venting.

CAUTION: FASTPASS SPOILERS FOR THE KISS BET OFFICIALLY BEGIN HERE!

Already I was a little petty over the title like "lmao ok clunky title but whatever". I swept it off as not a genuine criticism, just me being a nitpicking asshole over what's essentially Fluff: The Comic.

The episode cost 7 coins, which is about roughly 70 cents, albeit closer to a dollar for Canadian readers (here's something they don't tell you about Canada - our Monopoly game currency is just as fucked as it looks) and that's where I'm gonna get into my second disclaimer that I need to be perfectly clear about (and it'll be what we get more into later on in this post).

I understand the principle of paying for art. I understand fully that many of these webtoons are being produced on tight deadlines by creators who often can only afford 1-2 assistants, if any at all. I understand and fully agree that creators deserve to be paid for their skills, time, and efforts, not just as creators working on the hellsite that is Webtoons, but as artists in general who deserve to make a living the same as anyone else. Anyone who follows my stuff here knows I'm an artist myself so I would never debate the ethical necessity of paying artists for their work.

However.

I can say that, and also agree with the people who have stated in discussion circles such as on /r/webtoons that a lot of the comics that have started charging 7 coins have been suspiciously delivering less comic since. And it's not even so much in the literal panel count, the liquid volume of these comics have remained the same, but the calorie count has dropped significantly. Food metaphors aside, what I mean is that despite many of these comics maintaining their 40-60 minimum panel count requirement, they have in fact reduced the actual amount of content that happens in them, and The Kiss Bet's newest episode is a stark example of what I mean.

I am going to start by posting only post three panels - three panels that literally sum up the entirety of Episode 172 and what it chooses to spend its time on.

That is it. That is literally all that's established in this episode. I'd tell you to go read it yourself, but honestly, this is genuinely one of those rare times I can honestly say that a 40+ panel episode is not worth 70 cents and you'd be better off, and that's saying a LOT when these episodes are only priced at the cost of a gumball. At least Lore Olympus has entertainment in how bad it is most of the time, Episode 172 of The Kiss Bet is just nothing. You will literally get more substance and flavor from an actual gumball.

Literally every other panel in this episode is either repeating the same dialogue (Sara-Lin saying the same thing multiple different times to express how Oliver is holding her hand or how his stepdad is a dick) and then Sara-Lin and Oliver staring at each other. Over. And over. Again.

I am not joking. I did not cut anything out in that sequence. That is where the episode ends. Complete nothingburger, seemingly cut off right as it was just getting started like Cait Corrain's career.

Out of the entire episode, there were 45 panels. So I can safely assume Ingrid's minimum panel requirement is at least 40 per episode, that's me assuming the best that she didn't exactly meet her panel minimum at 45 panels on the dot.

Out of those 45 panels, there were:

Two actual unique backgrounds that weren't gradients or just a single piece of furniture

4 separate panels of Sara-Lin freaking out over Oliver holding her hand and wondering if he even noticed

10 panels of Sara-Lin staring at Oliver either dumbfounded or asking him to repeat himself (or apologizing over nothing)

5 panels of the characters saying nothing

11 panels of Sara-Lin repeating information in different ways that could have been accomplished in half that time

Two separate occasions of Oliver getting Sara's attention from off-panel, literally formatted the exact same way both times (and both followed by reaction panels of Sara-Lin staring at him dumbfounded)

Way too many panels of Sara-Lin blushing in response to Oliver being an asshole tbh like literally this guy's a douchebag, Joe may have been the "out of her league" love interest but at least he was nice and didn't treat Sara-Lin like someone who just bought a Husky as a "starter pet" ???

Again, I don't usually like being a dick about the coin costs, and I definitely don't like being a hypocrite in telling people they should pay artists for their work while simultaneously posting their paywalled content like this, but I think there does come a point where it feels more irresponsible for people to not be aware of what they're about to pay for and how little they're going to be getting. This episode is literally one of the best - and worst - examples of how far the romance genre has fallen on the platform - when it's not being overtaken and oversaturated by problematic series that romanticize abuse and sexual assault, it's being dragged to death with the most boring executions of tropes that everyone has seen before and is only exciting for anyone who's never read a book or watched a romance movie, period.

And here's the thing where I do approach a bit more "hot take" territory, but every time I see this argument come up about episodes not being worth the coin cost, I see others who rightfully argue that 70 cents isn't that much to pay for what you're getting - weekly episodes of work that are usually always delivered on time, with more panels than you would ever typically see in a free to read comic.

But here's where I take issue with that argument, as much as the principle of it is sound, it misses the overall point: readers are paying for entertainment first and foremost, so can anyone who's actually paying for regular refills on their app currency step away from this and truly call it "entertainment"? Nothing was gained. The comic had 45 panels to say something, anything, and managed to not even squeak out so much of a word. Even the silent moments have no substance, they just reiterate information that we already know.

Do we really need another panel of Sara-Lin blushing at Oliver? We've known for weeks now that she has a crush on him. Do we really need another panel of Oliver getting Sara-Lin's attention? What is this actually showing of their chemistry? What is being shown here that hasn't been shown numerous times - with and without dialogue - for weeks now? What does the comic have to show for itself after four seasons?

Another point of the "it's just 70 cents, don't be an asshole" argument that people seem to miss is it's not 70 cents. It's $1. Because if you want to buy a single episode of the Kiss Bet, you can't just pay for the individual episode in isolation, you have to pay for the coins first, and $1 is the absolute bare minimum you have to pay to get 10 coins, which will only pay for one episode of a 7 coin series - of which there are many now, basically any series that's 40 panels or more will cost 7 coins and, shocker, those are the series that WT will tend to promote most, you'll rarely see the 5 coins series in the banner ads, and that's not even getting into how there are more and more series cropping up that have 5+ episodes behind FP rather than the traditional three.

So if you're someone who's (almost definitely) keeping up with more than one series? You can't just pay the $1, you have to pay at least $5 for 50 coins, and that will NOT go far anymore or cut as evenly as it used to when just about every series is now 7 coins. Webtoons knows fully well what kind of game they're playing by making the new coin cost an uneven number while still offering increments of 5/10 in their coin bundles. They undoubtedly want you to be left with an uneven number so that you'll be easily lured into buying more coins so you don't 'waste' the uneven amount you have left that isn't enough to buy the episodes for the series you want to read. Obviously this is more speculation and not fact, but it's a common business model and with the series that have adopted the 7 coin count model (rather than starting off with 7 coins outright) such as The Kiss Bet and Lore Olympus, it's becoming abundantly clear that either the creators or the platform itself is encouraging these series to meet their panel minimums with as little content as possible in order to get more money out of readers who are barely even being drip fed actual entertainment and narrative progression, let alone spoon fed.

And then there's the waiting. The goddamn waiting. So many of these series guilty of siphoning their content off through a hose that they're deliberately standing on are designed intentionally with the most egregious cliffhangers in mind to keep their audience hooked so they'll undoubtedly FP next week. Do you know what that amount of waiting does to a comic? To its readers? First off, it artificially extends the actual pacing of the comic to make it feel longer than it is, when in reality, many of these plotlines are happening in a vacuum of very short bursts of time. Case in point, Lore Olympus is commonly confused for having a plotline that takes place over the course of months, when actually when laid end to end in order of cause and effect, many of its subplots - including the romance of Hades and Persephone - takes place over the course of days. This over-inflates the plotline's actual depth and, even worse so, it makes it harder for readers to keep up with information that's being delivered, as it often takes weeks for that information to actually go anywhere - so by the time it does, many readers have straight up forgotten about it.

It's absolutely not okay that so many of these kinds of series are normalizing literal slow burning for an audience who's paying to be entertained. It's not a "slow burn". It's just slow, and deliberately so. It's absolutely NOT FUN to follow a comic that does not go anywhere week after week. It's frustrating. And before long, it starts to feel like gambler's fallacy, where readers have to essentially gaslight themselves into paying into it more and more convinced that it has to pay off eventually, based on a promise that was never actually made, only assumed in good faith. And readers should not have to fill in the bulk of the content that isn't happening with their own imaginations, which is something that happens a LOT in these series that spend so much time on the characters just staring at each other and saying nothing. It's not 'plot' to just draw characters blushing and have your audience fill in the rest of it entirely on their own. This is certainly a technique in writing, but in the case of The Kiss Bet and other comics like it, it's much less of a valid technique and more just flat out manipulating your audience into falling so hard into the sunk cost fallacy trap that they don't notice they're being robbed blind by the plot that hasn't actually happened - and they've been paying for that financial and emotional robbery out of their own pockets and brains every step of the way.

Again, I do not care about the coin cost in and of itself, seventy cents IS still an incredibly cheap price for weekly updates of a series that has to put out so many panels each week. But as a reader and a customer, I should not be leaving these updates with less information than what I started with. And I'm someone who's incredibly old school by webcomic standards, there are comics that I follow that have updated 1-2 pages a week for over a decade that manage to do more with their limited pages than Lore Olympus and The Kiss Bet manage to do after entire hiatuses filled with pre-production time.

Why does this page of Alfie manage to move both the intrinsic plot of the titular character as well as the external plot that's going on around her in one page made up of 5 panels better than what The Kiss Bet can do in 45?

Why does this page of Tamberlane manage to convey more information about the world's lore and the people in it in a way that's emotionally driven and clearly affecting the characters without outright info-dumping than what Lore Olympus has managed to spit out onto its plate since S3 started over a year ago?

How does Tales from Alderwood manage to be more entertaining and convey more meaningful storytelling through its characters in a single page consisting of zero dialogue than what The Kiss Bet can convey in its silent panels of staring, blushing, and repetitive stuttering?

Why are the creators who are relying entirely on their own efforts, resources, and ability to generate income through community interaction and support putting out better work with less panels and on slower schedules for FREE than what we're seeing from professional creators on a professional publishing platform who are being paid to do this as their job?

There's this saying in the tattooing industry: good work isn't cheap and cheap work isn't good.

At this point, 70 cents is not a 'bargain' as many people like to argue in defense of the creators. And while I do want to have good faith in the creators who don't pull this shit, the creators who clearly go above and beyond to do what they do in the pursuit of storytelling and polishing their craft to be the best piece of work that it can be - the comics that are worth paying 70 cents and beyond for - are not the comics that Webtoons is promoting to people. The creators of the works that genuinely deserve more than 70 cents per update are being left to fend for themselves without support from the platform, while those that aren't worth the price of even a flavorless gumball are consistently winning the Wonka Golden Ticket lottery.

The cost of 70 cents is relative. For some works it's a genuine bargain. For others like the The Kiss Bet and Lore Olympus, 70 cents is not a "bargain", it's not a "good deal", it's exactly the value of what you're paying for - cheap work that isn't good.

#so yeah i'm done reading the kiss bet fr now #i figured if i had 100 more coins than i needed i may as well use them for something that i didn't need to start from scratch on #but i literally feel ripped off LMAO #webtoon critical #the kiss bet #lore olympus critical #anti lore olympus #lo critical #Youtube

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