#hale telescope

[quiltofstars]

The Moon setting near the Hale Telescope at Palomar Observatory // Behyar Bakhshandeh

[stone-cold-groove]

Illustration detail of Mount Palomar Observatory’s 200-inch Hale telescope.

[edwin-hubble]

OMG I GOT TO USE THE HALE TELESCOPE!! I WAS THE FIRST ONE TO EVER USE XD

[livingforstars]

Sunset with Hale-Bopp at Keck - May 5th, 1997.

"A famous star cluster and observatory are featured in this picture of Comet Hale-Bopp. Taken in 1977 from the observatory summit of Hawaii's Mauna Kea Volcano, the dome of the 10-meter Keck II telescope appears silhouetted on the lower left. Comet Hale-Bopp is visible on the upper right, and the Pleiades star cluster is visible below the comet. Normally sunset and clouds are to be avoided when making astronomical observations, but Comet Hale-Bopp was not a normal astronomical object. In fact, were it cloudless, Professor Keel would have been inside NASA's nearby IRTF dome, preparing to observe something else. Comet Hale-Bopp continued to look impressive, although it was fading and moving towards the south."

[teachersource]

George Ellery Hale was born on June 29, 1868. An American solar astronomer, best known for his discovery of magnetic fields in sunspots, and as the leader or key figure in the planning or construction of several world-leading telescopes; namely, the 40-inch refracting telescope at Yerkes Observatory, 60-inch Hale reflecting telescope at Mount Wilson Observatory, 100-inch Hooker reflecting telescope at Mount Wilson, and the 200-inch Hale reflecting telescope at Palomar Observatory.

[katebeckets]

how to say "I love you" in x-files [3/?] ⤷ 2.01 — "Little Green Men"

Mulder, even if George Hale only saw elves in his mind, the telescope still got built. Don't give up.

[mvlderfox]

“Mulder, even if George Hale only saw elves in his mind, the telescope still got built. Don’t give up. And next time …we meet out in the open.”

[thursdayinspace]

Mulder in "Little Green Men" (s2ep1). He's so lonely. What's interesting to me is the contrast to Mulder from the pilot and Mulder here. We got an idea in the pilot of how lonely he must be, but he had been on his own for a while and that was his default. Seeing him at the beginning of s2 is heartbreaking. At the begining of s1 he was so used to being alone. But now . . . Of course the fact that the x files have been closed is getting to him, but it also becomes so obvious how much he has come to rely and depend on having Scully around, on working with someone. With her.

Their meeting in the parking garage -- he feels like he has lost his purpose, even doubts his memories and his experiences, he feels like everything they've been through hasn't been worth it because they've accomplished nothing. We don't know how or if he would have managed to surface from that eventually on his own. Most likely he would have. But it might have taken him a long time. It's Scully who doesn't let him give up: "During your time with the X-Files, you've seen so much." / "Even if George Hale only saw elves in his mind, the telescope still got built. Don't give up. And next time we meet out in the open." (Which becomes a recurring theme over the years, all the way up to the revival. But that would deserve its own post.) (The way she touches his hair before she leaves though. <3)

What kills me in this episode is Mulder recording his tape for Scully in Puerto Rico: "Deep Throat said "Trust no one." And that's hard, Scully, suspecting everyone, everything. It wears you down. You even begin to doubt what you know is the truth. Before, I could only trust myself. Now, I can only trust you, and they've taken you away from me." I mean, compare that to pilot Mulder? Not trusting anyone was what he did. That was Mulder. He may or may not have been showing off a little bit for Scully, but he seemed to have made quite a home for himself in his lone wolf existence (out of necessity). He can't do that anymore. He needs something to hold onto. And he had that in his partnership with Scully.

Also. THEY'VE TAKEN YOU AWAY FROM ME. Can we take a second to appreciate what that means? He knows she would not have chosen to leave. He believes that. He trusts her absolutely. She's become a lifeline for him. Put that together with his quote from the end of the episode: "I may not have the X-Files, Scully, but I still have my work. And I’ve still got you. And I still have myself." The order of those statements seems important: He thought he had lost his purpose in the beginning of this episode. He wasn't even sure whether or not he still believed in it. Now he has motivation again.

And he has Scully. She stuck around, not just because of the work. When he was at his lowest, she arranged secret meetings for them, told him not to give up, even followed him all the way to Puerto Rico. He doesn't believe she'd have chosen to leave if the x files hadn't been closed, but I don't think he was sure she'd stick around forever without a reason. But she's relentless in her loyalty and friendship -- a trait he recognizes because it's one they share. He will never choose to leave her, and is allowing himself to trust that she's still there because she wants to be.

Finally, he's also got himself. Among all the things he'd lost at the beginning of the episode, the biggest loss was himself. But he was mourning everything except that. Those "good riddance @ former me" vibes were strong at the beginning of the episode -- and of course they were a form of grief. But it almost feels like he wanted to punish himself, blame himself for everything that went wrong. (That is also something we keep seeing. The show has amazing continuity with things like that. Things get to him. He takes failure really hard. He's not gentle with himself.) So this is the culmination of the previous two points: he has his purpose back, and he has someone who cares about him, who has his back, someone he loves (and I am going to use that term here even if it's debatable how aware they are of their feelings at this point; there are so many forms of love, and I think it's not up to debate that they love each other in some way, possibly even a way they may not even know about yet).

It's such a strong episode for him, and I love all the ways it mirrors the pilot and contrasts the Mulder from back then with the Mulder a year later. So much has happened, and neither he nor Scully are the same people they were, and that's life. It's so well done.

[pupsmailbox]

SPACE︰ALIEN ID PACK

NAMES︰ ace. adam. adrian. alastair. alcyone. aldebaran. algol. ali. alice. alien. altair. alteis. alu. andromeda. antlia. aphelion. apollo. aquila. ara. archer. ariel. aries. arion. artemis. ash. aster. asteroid. astra. astraios. astro. atlas. auriga. aurora. avior. ayla. beast. beep. beli. blue. buzz. caph. carina. castor. celest. celeste. celestia. celestine. cepheus. cetus. chao. chaoph. charon. cheicha. cielo. claudii. comet. constellation. cos. cosmo. cosmos. cyllene. cyra. danica. darby. delphini. dia. dione. disk. diz. dizzy. draco. dust. dustin. echo. eclipse. element. elijah. ello. enfys. epoch. eric. eris. errai. esfir. esther. exo. gal. galaxie. galaxy. gamma. ganymede. gee. gia. glimmer. glob. glow. gnarp. gnarpy. gravity. hadean. hale. hercules. horizon. hubble. hue. ian. icy. inia. io. ion. jamie. janus. jovian. julia. julian. juliet. juno. jupi. jupiter. kepler. kiva. kuiper. kulpar. larissa. laxy. lee. leo. lepton. lethe. lia. lien. light. lili. link. lumen. lumine. luna. lunar. lutetia. mars. martian. martin. matter. matza. merak. mercury. mil. milky. milkyway. mira. miranda. moon. moony. muon. naiad. naos. naut. nebula. neil. neptune. nereid. neso. net. nix. niyr. nova. nyx. nyxie. oberon. onyx. oranos. orbit. orcus. orion. pan. pandora. phoebe. pion. pisces. pla. planet. pleiad. pleiades. pluto. pollux. princey. quark. radio. rigel. ring. rings. ro. rock. rocket. rocky. roy. royal. ruban. rupert. saturn. sedna. shine. singularity. sirius. sitara. sky. skye. skylar. slime. sol. solar. solaris. soliel. soraya. space. sparkle. star. star/starry. stark. starla. starlet. starlight. starling. starry. starshine. starz. stelae. stella. stellan. stellar. stelle. steller. stelmaria. steren. stiorra. sun. sunny. tauri. terra. theo. triton. trix. umbriel. ursa. varuna. vega. venus. vity. void. warp. wisteria. yufo. zeepy. zenith. zeppy. zoop. zygon.

PRONOUNS︰ aer/aero. al/alien. ali/alien. alien/alien. arp/arp. as/astroid. as/astrum. as/troid. aster/astro. asteroid/asteroid. astro/astronaut. astro/astronomical. astro/astronomy. astroid/astroid. astronaut/astronaut. atom/atom. beep/beep. bri/bright. ce/celestial. cel/celestial. celestial/celestial. co/comet. co/cosmic. co/cosmo. com/comet. com/et. comet/comet. comets/comet. constellation/constellation. cos/cosmic. cos/cosmos. cos/mic. cos/mos. cosmic/cosmic. cosmos/cosmo. cosmos/cosmos. cro/crown. cryp/cryptic. cryptic/cryptic. de/deep. dee/deep. deep/deep. dus/dust. empty/empty. enigma/enigma. equinox/equinox. ex/exo. extra/extraterrest. extraterrestrial/extraterrestrial. flu/flux. gal/galaxy. galaxy/galaxy. gem/gem. gleeb/gleeb. gleeb/glob. gleep/gleep. gleep/glorp. glim/glimmer. glo/glow. glob/glob. glorp/glorp. glow/glow. gneep/gnarp. gravity/gravity. gray/gray. green/green. grey/grey. hur/hurp. hx/hxm. hy/hym. h✩/h✩m. ic/ice. infinite/infinite. ix/ix. kuiper/kuiper. leo/leonid. li/light. lue/lumin. lune/lunar. mars/mars. martian/martian. meep/mop. mi/milk. milky/milky. milky/way. mo/moon. moon/moon. muo/moon. mys/mystery. myst/myst. myst/mystery. mystery/mystery. nebu/nebu. nebula/nebula. neon/neon. nep/neptune. neu/neutron. night/night. noe/nova. nova/nova. or/orbit. orbit/orbit. out/outer. outer/outer. outer/outerspace. outer/space. outerspace/outerspace. outside/outside. par/parsec. pla/planet. plan/planet. planet/planet. pul/pulsar. pul/pulse. pur/purple. purple/purple. qua/quasar. quark/quark. ray/ray. ri/ring. ro/rock. ro/rocket. rocket/rocket. satellite/satellite. sci/sci. shi/shine. shine/shine. ship/ship. shx/hxr. shy/hyr. sh✩/h✩r. silly/silly. solar/solar. spa/space. spa/spaceship. spa/sparkle. space/craft. space/ship. space/space. space/spacecraft/spacecraft. space/spaceship. spacecraft/spacecraft. spaceship/spaceship. sped/oopper. spi/spin. sta/star. stae/star. star/star. star/starry. stardust/stardust. stare/stare. ste/stellar. stell/stellar. strange/strange. stranger/stranger. su/sun. sun/sun. tele/telescope. thr/throne. thxy/thxm. thy/thym. th✩y/th✩m. tu/turn. ufo/ufo. uni/universe. uni/verse. universe/universe. unknow/unknown. unknown/unknown. vast/vast. venus/venus. violet/violet. vis/vision. vo/void. voi/void. void/void. wa/water. warp/warp. weird/weird. xae/xaem. xe/xer. xey/xem. xi/xir. xy/xym. xyr/xym. ze/zer. zeb/zob. zeep/glorp. zeep/zeep. zeep/zorp. zib/zab. zorp/zorp. zy/zym. ☄️. ✨. ✩t/✩t. ❓. ❔. ⭐. 🌀. 🌌. 🌕. 🌙. 🌟. 🌠. 👽. 👾. 💫. 📟. 📡. 🔭. 🚀. 🛰️. 🛸. 🧪. 🪐.

[bolognamayhem117]

Base making halted last night due to remembering at the last minute that I had to make banana bread for Sunday D&D. The Proprietary Blend will probably go on sometime this evening and then magnets will be fitted to the base and tent frame. Progress has still been made.

Some of the... Uh... Objects around Gale's tent are just.... Going to NEED to be modeled in blender. I'm not hand sculpting that thingy behind Tara's pillow at that scale, nor am I sculpting a small telescope. So... That is kinda motivation to get back into that. I'll offer those STL files for free on Drive or Mega for anyone who wants to fall victim to the same sort of madness with me.

I've also ordered a miniature of.... Ashton: The Aristocratic Vampire. A very convincing Astarion impersonator, I think. Like an Elvis impersonator but for legal H@sbr* Will Send The Pinkertons reasons. I suspect I'll eventually be ordering a Hale: The Dark Wizard or whatever next. Because I hate modeling people and their awful complicated foldy clothing.

[mariacallous]

Every generation gets the King Lear it deserves. Kenneth Branagh, who stars in a precipitate production that recently opened at the Shed, has given us an Ozempic-thin rendition of Shakespeare’s sprawling tragedy, one that privileges aerodynamic efficiency over depth. At the heart of this staging—directed by Branagh, Rob Ashford, and Lucy Skilbeck—is the strikingly hale actor, who struggles to embody “a very foolish fond old man, Fourscore and upward, not an hour more nor less.” In a recent interview, Branagh said that “the starting point for this new version was to have an emotional immediacy, to have youth and the impatience of youth at the center of things.” He could have been describing the buzzy new Broadway run of Romeo + Juliet, which boasts a clubby aesthetic and features a constellation of spirited stars. To underscore youth in Lear, though, is to look through the wrong end of the telescope. Its last lines, as spoken by Edgar, are a paean to “the oldest,” who “hath borne most.”

The current show, presented by the Shed, KBTC, and Fiery Angel, transports us to a Neolithic Britain sparsely populated by fur-clad characters wielding spears. Designed by Jon Bausor, the set features massive slabs of stone that link up in a semicircle and calve apart, while a circular screen (or is it a lidless eye?) hovers above the stage, displaying swirling galaxies, star systems, and planets. Ironically for a play presided over by a vaguely celestial donut, the script’s commerce with the supernatural is downplayed: in his fury, Lear does not call upon “Hecate and the night” or invoke “the operation of the orbs.” The Game of Thrones–like costumes may be period-appropriate but are something of a liability: on the day I was in the audience, the actors’ fur coats seemed to occasionally muffle their microphones, resulting in uneven sound quality. So much for Dolby Atmos’s immersive audio technology.

The greatest handicap, however, is not the youth-centric vision or the spotty sound but the cuts to the text. A director who makes drastic reductions to a Shakespeare play should be prepared to compensate for the elisions through gestural or subverbal means. Unfortunately, that never happens in this production, which is reduced to two intermission-less, complexity-killing hours. The opening scene bypasses the original prologue—which helpfully adumbrates many of the play’s central themes—and leaps directly to Lear commanding his three daughters to take turns professing their love for him. Regan’s (Saffron Coomber) overture is reduced by half, rendering her protestations of adoration less fulsome, more Cordelia-like in their brevity. Gone too are the youngest daughter’s asides: in the original, Cordelia ruminates that “I am sure my love’s more ponderous than my tongue.” Absent such internal quibbles, here she verges on mere tactlessness. Any sympathy one may feel for Lear’s favored child is bullied into us by prior acquaintance with the story—not by Jessica Revell’s by-the-book performance. Omissions accrue apace. Where lines are not redacted, they are, in many cases, reordered, misappropriated by different speakers, or unwisely edited so they are leached of Shakespeare’s unusual imagery. Thus—in a subplot about a nobleman in Lear’s court and his two sons, Edgar and the bastard Edmund—instead of lamenting that Edmund “did bewray [Edgar’s] practice,” the Earl of Gloucester (Joseph Kloska) tonelessly utters, “He did expose the evil.” The result is a kind of poetic vitiligo.

A treasonous letter, allegedly written by Edgar (Doug Colling), in which he plots to overthrow his father, is read silently rather than aloud, depriving the audience of a greater sense of Edmund’s villainy. The “bastard” (Dylan Corbett-Bader) is more of a brute than an Iago-like schemer; he doesn’t offer his father the chance to obtain “auricular assurance” of Edgar’s disloyalty and is overly hasty in assenting to Gloucester’s negative impression of his brother. Lear’s eldest daughter, Goneril (Deborah Alli), and his second, Regan, are even less realized and fatally fungible in their lust for Edmund.

With other productions of Lear, it has often crossed my mind that the tragedy of the tale is raveled up in the notion that one’s children are biological prostheses of oneself. When Lear deputizes Regan and Goneril as his “guardians” and “depositaries,” he scarcely expects them to defy his requests for superfluities. Whether out of benignant paternalism or not-so-benign blindness, he anticipates that they will gladly countenance all his desires, no matter how reasonable. What accounts for the harshness of his subsequent pronouncements—Lear calls upon Nature to dry up Goneril’s “organs of increase” and “into her womb convey sterility”—has partly to do with the terrible realization that his daughters have their own spheres of existence. The interpretation only tenuously applies to this British import.

Throughout, Branagh and his codirectors have prioritized action over interiority, and the pacing intensifies the feeling of hollowness at the show’s core. When Branagh’s Lear curses Regan and Goneril for having the temerity to ask him to reduce his retinue by fifty men, then seventy-five men, his feelings come not from the marrow of his bones but from pique. “Reason not the need,” the king chastises his daughters, yet his need, especially in the context of this austere production (Lear’s train of rowdy men is as notional as the play’s deluges and “hurricanoes”), comes across more as greed. The scene on the stormy heath—which ought to be a showcase for Lear’s headlong descent into lunacy—fails to strike the right note of pathos. A platform at the center of the stage tilts up at an acute angle for Lear’s meltdown in the maelstrom (the same platform is later used for the Dover cliff episode), but rather than evoking an “extreme verge,” the awkwardly inclined surface recalls a utilitarian loading dock. Equally prosaic, this Lear never calls on thunderbolts to “singe my white head,” but does suffer from some ill-timed aneurysms.

An excellent comedic actor, Branagh is fitfully compelling in his declamations. A lighthearted tone too often prevails where gravity should; the moment when Lear meets a raving Poor Tom and asks him, “Didst thou give all to thy daughters?” should not elicit a big laugh from the audience. On more than one occasion, Branagh’s Lear is fogged by a forgetfulness redolent of Lockhart, the milk-livered professor the actor played in Harry Potter and the Chamber of Secrets. Even in his final moments, as he cradles Cordelia’s lifeless body, his presentation feels frustratingly recitational, a mere quotation of more lived-in performances. To quote a line originally spoken by Regan and excised from this mutilated play, this Lear “hath ever but slenderly known himself.”

[leasthaunted]

Episode 123: Lights! Phoenix! Action!

Garth has returned from his special assignments, and Cody has returned from Phoenix with a tale to tell. Get out your telescopes and potato cameras, look upwards and through the past to the mid 90's as we explore one of the largest mass UFO sightings in history! And along the way we'll take a ride on a warthog too. 

As always, please come join the episode discussion on the Least Haunted Discord!

Enjoy the images and videos below!

Newspaper article with artists interpretation of eye witness accounts of UFO that flew over Arizona March 13th, 1997.

Flight path of UFO. Starting in Henderson, Nevada and finishing near Tucson, Arizona. A route of approximately 370 miles or 546 Kilometers. This was traveled in 1.25 hours.

At 10:00 pm Mike Crispin looks southward across Phoenix towards "South Mountain" and captures this footage.

Approximate line of sight of Mike Crispin, with his position being the North (top) end of the line.

Arizona Governor Fife Symington III holds a press conference about The Phoenix Lights with an aide dressed as an alien.

The A-10 Thunderbolt II aka "The Warthog" Close Air Support (CAS) jet aircraft. Development began in 1972, and it entered into service in 1977. Headquartered at Davis-Monthan Air Force Base in Tucson, Arizona.

The General Electric GAU-8 Avenger 30mm Gatling Gun.

The Gau-8 Avenger can fire 3,900 30 millimeter depleted uranium rounds a minute. The round on the left is the 30 millimeter round, with the left being the round of a 30.06 rifle for comparison.

The Barry Goldwater Gunnery Range and Training Area.

The LUU2 Illumination Parachute Flare.

Sales Brochure for the flare with selected specs. Note that it is a A-10 Warthog that is shown deploying the flare in official promotional material for the hardware.

A video Analyisis of the Crispin footage that shows what is really going on with the second set of lights seen on March 13th, 1997.

Enhanced image from the video that shows the night time lights superimposed on top of daylight footage from the same exact spot and angle. This proves that the lights were beyond South Mountain, and confirms the official explanation of a LUU2 flare training exercise over the Barry M. Goldwater Gunnery Range.

GARTH'S CORNER!

Comet Hale-Bopp

Alan Hale, Astronomer and one of two discoverers of the comet.

Thomas Bopp (1949-2018), the other discoverer of the comet.

Model of the path of Comet Hale-Bopp, credit for the animations goes to Phoenix7777 posted on Wikipedia - working from Data source: HORIZONS System, JPL, NASA.

3D model of the same

Heaven’s Gate website, which is still active.

How to report a comet: https://skyandtelescope.org/observing/how-to-report-a-comet-discovery/

[livingforstars]

Hale-Bopp and Plateau de Bure Interferometer - April 15th, 1997.

"Comet Hale-Bopp was observed by many different telescopes. Here the comet is pictured behind the array of radio telescopes which composed the Plateau de Bure Interferometer. These telescopes were being used to detect the presence of different molecules in the coma and tail of Comet Hale-Bopp. Molecules detected in the comet include carbon monoxide and sulfur dioxide. The abundance of different types of molecules in Comet Hale-Bopp's coma gave clues to its composition and history, as well as clues to the composition and history of our Solar System. Comet Hale-Bopp had rounded the Sun and was headed back out."

[sourmiguel]

Telescoping Effect by @relenafanel (wc8822, mature)

Summary: Derek Hale's new flat turns out to be in the direct line of sight from Stiles' bedroom window. The one with the telescope. Stiles always did appreciate a stellar gazing experience.

It would so be a Stiles thing to do to creep with a telescope. I'm loving the whole bit of Derek fixing up the loft, too. Also, I found this when I was searching the voyeurism tag and was not disappointed.

[jisforjudi2]

Hale Hale the gang's all here

in

Barbara Hale is Dr Jenny Langer, an astrophysicist who calls in NASA to help investigate odd science-y stuff like really high levels of gamma rays. The guy from NASA enters the observatory, sees her at the telescope and says:

I have an appointment with your father.

Nope, he's dead.

Then it's with your husband.

Nope, not married.

Your brother?

Nope, he's an interior decorator

Alan Hale (no relation to Barbara) is the skipper sheriff. Into his office walks a young man who he gets with "Hey little buddy."

Bill Williams plays Dutch, the bar owner. He gets eaten by a giant spider.

And yes, this is the final shot over which the credits roll....

and a good time was had by all.

[cetaceous]

Hale Telescope - Palomar, 1950s Photograph by Will Connell image credit: National Museum of American History