I love your writing. It’s the type of writing that I love bc other than being easy to read, I admire it bc it accomplishes what I struggle with. It uses few words yet conveys across the idea efficiently, vagueness to its benefit.
Have you heard the phrase “I want to distill myself like poets do”? It comes from a tumblr post of someone trying to express the same thing as me rn.
Anyway the other part of what I wanted to say is that I’m autistic, and when I try to write, I always succumb to the urge to add as many details and overexplanations as possible to avoid being misunderstood. You’re autistic too, but your writing shines in doing the opposite, so I was wondering if you struggled with this too, and how you got better, or if your flavor of autism simply doesn’t manifest in this way and this isn’t a problem to you
Unfortunately, I do naturally tend towards condensed formats. So some part of this is just natural for me. If it makes you feel better, I tried several times to make serials while doing HFY and I never succeeded. I've also tried several times to write books, and I always just get kind of stuck. It's one of my big regrets, so if you have any experience in those, I'd love to hear it. Same from anyone else reading this, actually - if you've made the jump from short stories to long form, I'd like to know how you managed.
Still, despite it being a natural thing for me, I can give you three activities that I've done that improved my short story work very much.
First, improv classes. Attending them will help your writing in ways you will not believe, and also, as an autist, that shit's better than OT. My parents signed me up for some in the summer of my fifth grade year, and they were legit life changing. Way less social anxiety, better writing, I could sing their praises all day. If you do one thing on this list, do this.
Second, write poetry. I do not consider myself a poet, but I attend a weekly poetry writing club, and it has noticeably improved my prose. Find one and go. As you get better, try and constrain the poetry you write to things like rhyme and meter. Writing with artificial constraints is amazing for teaching people to be focused and direct.
And if you have room for a third thing, maybe try finding a way to do extemporaneous public speaking besides the improv. I grew up Mormon, which involves absolutely insane amounts of public speaking from an early age, but I also did stuff like that in middle school NAL and high school speech and debate. Those all helped. They were stressful, and not terribly fun, but they did help, and it's a good skill to have.
I love talking shop, so thanks for asking! And just to reiterate my request from before, anyone that's jumped from short stories to novel length works, please, tell me your secrets. Plz.
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i feel like a stalker reader fic with a plot twist of sunghoon being a stalker even before reader was obsessed with him (kind of like a mastermind where he plotted how and when they would meet first) AND A FREAKY ONE AT THAT is only a fic that you could possibly write
and you're right about that bc i do believe i'd slay that shit if I ever got around to it.
a/n: this was meant to just be a thought but i got a lil lost in it lmfao.
Like, the idea of Sunghoon being obsessed with you since fuckin' senior year of high school because he transferred there. He was vulnerable when he transferred due to home life stuff forcing the move, and he had close to no one save for a dad who was never home. You were the first person to say hello to him and that singular greeting made him grow attached.
and he'd like, watch week after week. sometimes you'd greet him in passing but never really approach him or anything. he would be too far attached already to approach you himself too, because he feels socially awkward. he is socially awkward. No one back at home liked him much either so his confidence isn't quite high enough to peruse you.
anyway, shoot to college. maybe....he's been like...yknow....doing his research on you since he transferred back in highschool. maybe he's doing the same degree path as you.....maybe he did some snooping to land in the same university, taking the same classes....at the same times as you.........
he's grown very smart about this tho bc like, you'd never second guess why you're always seeing that handsome guy everywhere. maybe you guys are just more alike than you could have thought. and you wouldn't grow your own little crush turned obsession until he you noticed how he ignored you.
you never saw him glance or stare. he'd brush you off any time you try to greet him, he'd always speak in class with confidence, making you feel like he's...very very very intelligent. and it's like, woah, he acts so different compared to high school. you're into him kinda....there's nothing wrong with a lil crush right?
lil crush turns HUGE crush when he ends up at all the same parties you attend. always lurking in a corner by himself looking handsome and untouchable, sometimes with other girls approaching him. these are the moments you'd catch his drunken eyes on you from time to time. Or maybe he's just catching you staring. you're not sure of yourself anymore by this point.
still he wouldn't make any moves or efforts to talk to you. little crush turns to big crush. big crush turns to you wanting to learn more about him...and learning more about him turns to you consistently checking in on his social medias that he rarely updates....asking about him around campus when you manage to land in a room where he isn't, hoping he shows up to more parties..etc.
you wouldn't realize the stalker behavior you're exhibiting til it was too late. he'd be all too fond of it though, knowing he's managed to catch your attention by giving you none at all. what a needy little doll.
It's not until you dead ass find out where he works part time and you're filling out your own application before you realize that maybe you're going a bit too far. when he ends up being there during your interview though, you're a bit too blinded by wanting to know more about him to think too hard about it.
and so, the two of you are working together, going to classes together, attending parties together...except separate. and it's driving you up a fucking wall because surely it's because he has a girlfriend right? but you never see her. you can't find any trace of someone he's with on social media. never on campus, at work, no where. so, lets say you guys end up at a party again and you really do lose it.
lots of alcohol in your system, sunghoon looming in a corner, side eyeing pretty girls who stare at him. you'd be the one staring the most, walking up to him while forgetting how to breathe, only realizing you might actually be in love with him when you try to reach for his shoulder with a brain so empty you forgot what you wanted to say.
"Hm?" he'd hum at you with a raised, unbothered brow. His skin prickling at the way your shaking hand grabs at him. He calms himself through it though, having jerked off enough to the mere thought of these hands on him nightly since he met you. He knows how to calm down now.
"I'm like, in love with you, maybe." You'd slur out, stupidly with an embarrassed but hopeful expression.
Sunghoon's unbothered demeanor wouldn't change, but the setting would. He'd take your hand and guide you without a word, outside, into his car, and he wouldn't say a anything to you through it until he'd driven and parked somewhere entirely secluded. [He's sober btw, you make him drunk enough.]
"Do you even know how much I want you?" He'd mumble so quietly you wouldn't be able to hear him over the thumping of your heart, but you stare at him, watching his lips move as he tries to speak.
You watch him the whole time, feeling safe in this secluded spot with a man you've grown obsessed with. Your body reacts and moves on instinct as he sits there. You can't fucking stand being so close yet so far from him.
"I don't know what you're saying to me." You'd mumble and slur out to him, far too drunk than you originally thought now that there is no loud and booming music to drown your thoughts out.
"You never do." He frowns, leaning towards you and practically pinning you to your seat by energy alone. His entire body feels like it's on fire, cock twitching, heart jumping. "You want me?"
You nod, breathing softly and deeply as you look at him. Of course you want him.
"How bad?" He follows up. "As badly as I've wanted you?"
You nod again.
"You sure?"
Another nod.
His eyes go vacant now as he stares at you, adjusting his body on top of yours in the cramped space of his car. You feel his nose nuzzle against your neck as he inhales deeply. He groans slightly at the scent, never able to smell you so fully except for in passing. This alone could satisfy him for life if he wanted it to.
"Show me then." He nearly demands, wanting you to be the one to prove all of his work to get to this point is truly coming to fruition. Wanting you to make all of the first moves. Wanting you to do it all for him.
And, well...you do.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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