#he also loves his engines

[str33tydr1ft]

Im bored so heres something wholesome about Zander

He can Pick Up the narrow guage engines

HE CAN CARRY THEM

MOTHERFUCKER CAN HOLD THEM

LIKE YEAH HE IS 6'4 BUT STILL HE CAN FUCKING H O L D T H E M

I got bored and i drew and example of him holding skarloey

[nico-di-genova]

THIS Charles doing the kart maintenance for

THIS Arthur 🥹

Baby engineer! Charles taking apart Arthur’s whole kart just to see how it all works. Arthur being so excited to get to hang out with Charles while he works on it. I have to lay on the floor.

[wolfram-but-art]

a love so pure you could call it violent

rb > likes <|:3

in reference to this song!!! (and also personal rp :3) vvvvv

i'm sorry to anyone and everyone who ships Engie and Medic together umm fsiegfysgye

also something something fighting and violence and manipulation being a sort of dance and also power imbalance with the leading partner being a mataphor for an abuser

[aspiringnexu]

Star Trek but Starfleet HQ has portraits of every Admiral and/or historically important person and they act like the portraits in Harry Potter.

Jim is forever leaving his portrait and snuggling up in Spock’s. They're most often seen napping together in a frame nearest one of the windows (because Vulcans are basically cats) but, due to their fame, they have many portraits around the Academy campus so really it's a toss up where exactly they'll be. They're always together, though.

[maxsix]

[bruhstation]

Since we see him every now and then, what is Ryan like in Casa Tidmouth?

ryan works at the harwick branchline with daisy. in the secret of the lost treasure and misty island rescue arcs, ryan is the bystander to thomas' adventures that lead up to his fight with sailor john and skiff, eventually adding to the number of supporting characters that got dragged into both the mystery surrounding the gold dust and the mess thomas has left on sodor. after sailor john got arrested and thomas went missing, ryan helped thomas' friends look for his whereabouts while also being the key witness to sailor john's mad ramblings about "lady of the legend" and his motives for almost blowing up the island. ryan never asked for any of this but because he likes thomas and knows info that other people don't, he just HAS to step in

outside of the plot-heavy stuff, ryan's one of the kinder sudrian railway workers compared to his weirdo coworkers. he considers daisy and thomas to be his closest friends despite the former having the tendency to push her workloads onto him in the past and the latter being a bit standoffish despite ryan's attempts at hospitality.

ryan's extended family, on the other hand...

ryan is connected to the gresleys through his mother. his mother is the daughter of joseph gresley I (the gresleys’ grandfather), so he’s the cousin of gordon, scott, spencer, and mallard. he doesn’t talk to his cousins often ever since he’s a teenager because they’re nutjobs who mostly care about themselves and ryan has self-respect and values his sanity

unlike most his cousins who has the power of hater-ism coursing through their veins, ryan is a perfectly normal man who cares about his friends. he talks about his issues directly instead of letting it simmer. he sometimes have drinks with daisy and thomas after work. he used to have trouble articulating his more “negative” feelings and driving his opinion, but he’s doing better lately. he wants to maintain peace by being kind to others, which makes him prone to being dragged into any weird business his cousins have whenever they have the chance.

whenever holiday season is around the corner, ryan knows exactly what to expect. scott, his most famous cousin, the only one who still GAF about tightening what’s left of the gresleys together, will ask him to come over for dinner with his cousins (his charisma stat is maxed out). ryan can’t refuse because scott will pull excuses like “it’s just once a year” or “there's a dog” and ryan doesn’t have anything else to do. the family party will start off normal, then when mallard brings out the wine (provocateur!!!) things go south. gordon and spencer would badmouth each other about each other's secrets/fails, they get into a fight, scott tries to calm them down, ryan frowns at the disinterested mallard, sighs, goes outside to the nearest telephone booth to call daisy and ask her to pick him up. at this point it’s comical

ryan’s really the opposite of his cousins, from clothing to backstory. when designing him, I took the key components of his cousins’ designs and invert them. his cousins dress lavishly – big coats and suits, but ryan just rolls up his sleeves and dons a vest. his cousins’ haistyles are combed back, gelled, etc, while ryan’s hair goes everywhere (parted bangs show hairline). most of his cousins have horrific trauma related to death and loss from their childhood, while ryan’s just a city boy who grew up with nothing eventful in his life (except attending his cousins’ funerals). he doesn’t even inherit the gresley surname and is oblivious to most of the gossips surrounding or is inside the gresley family.

ryan is his own person who gets thrown around like a volleyball a lot, but he still has a good heart. one can consider ryan to be what any of his cousins would’ve ended up like if they had normal upbringings. who am I kidding? lol

[mxboxlocks]

just a bunch of doodles of RED doing what they do best: getting drunk and dancing like idiots

[shawsimmer]

life lately

[rushingexpress]

LOOK AT HIIMMMM!!!

THE BOYYY!!

[bumblingbabooshka]

Hey, Star Trek Writers... -taps the glass-

[emotionally-enervated-conagher]

do it. give him a cord tail.

“Y’know, this ain’t such a bad addition after all…”

Feat. @physically-synthetic-engibot

[mean-scarlet-deceiver]

Daisy & Mavis?

Or maybe Sir Handel & Peter Sam?

Ooooh, Sir Handel and Peter Sam have a fascinating dynamic. However, I don't really have much to say that others haven't already said, and probably said better. To the degree that I'm tempted to talk about their Trauma Responses, I have another ask about Sir Handel & Skarloey, so I think I'll fold these thoughts into that post.

So, Daisy and Mavis — love 'em — only wish they got more screen time!

("Screen" time. Do they ever have a significant interaction in the television series? I really want to be told if they do.)

Actually they only have one page in RWS where they exchange a word. But it's such a good page. Posting it here for the uninitiated:

Look at this mess. Look at this absolutely perfect bitchfest. There are a total of zero brain cells in this conversation. Venting to your work bestie and and letting loose your inner mean girl. A classic RWS dynamic! It's just the diesel (& the female) version of the Thomas and Percy relationship: They make each other worse.

But, they need each other.

But, they make each other worse...!

Despite their lack of screentime following this, you cannot convince me that these two don't remain peas in a pod, just like 1 and 6 after 6 is transferred to the branch line.

I do think it's rather sad that Mavis is holed up in the quarry. :( There's a real bummer of a line when she appears in a later Christopher story...

"Besides, she sometimes finds it dull up at the Quarry with no one to talk to but trucks." I know it's realistic, but I want better for her. LET 👏 HER 👏 OUT 👏

Once smartphones became a thing, I like to imagine that they videocalled from the quarry to the carriage shed every night. (Annie, Clarabel, and Henrietta are very understanding about this when the call lasts half an hour. If ever the workers try to indulge Daisy and Mavis with a longer call, however, the coaches start murmuring...)

One great thing about this convo is that it's the first time I feel like I'm really, genuinely looking at lasting steam/diesel coexistence on Sodor's 'big railway.' Coz this is a target Awdry has been trying to hit for at least a dozen books now, yeah? Due mostly to his publishers' pressures, he's been trying to have beloved diesel characters while keeping his 1920-cosplay steam railway too, and this is where I think he finally hits the target. Daisy's first appearance was hamstrung because the turning point where she changes her haughty new-engine attitude and where the others accept her despite all the shit she's already pulled is off-screen, we're just told "they're friends now" and have to be all "right. sure." Probably because he got negative feedback on his Daisy hash, Awdry played it suuuuper safe with BoCo and Bear — less so Bear, but that's another post; for now I will just say that in contrast to Daisy they are presented as very clean-as-a-whistle, and their acceptance by the railway is made so much of that it doesn't feel natural, they both feel like one-offs. But then, ahhh. Now we've got Mavis, and Awdry has the bright idea to let her talk to Daisy, and BANG. Now we're here. This doesn't feel Informed, or starch-and-stiff, or tokenistic. You read this and you're like oh, yeah. Even the sleepiest branch line on this railway is now part dieselised. They're acting like characters! Everybody is acting like squabbling coworkers! It's like sinking at last into a warm relaxing soak. Ahhhhh. Here's the good stuff.

Because they don't need to be Representatives of dieselkind? They can just kinda suck for a moment, without being villains? When TVS subs out Daisy for Diesel, it automatically gives this conversation a sinister air. He's the devil on Mavis's shoulder. But in the original, there's nothing sinister here; it's homey. They're just venting to each other. Their behavior is kinda crappy, but also very normal and recognisable. New work besties fr. They are both three drinks in.

Daisy: He said what to you? Omg babe. I cannot believe that old garden shed said that to youuu.

Mavis: Right?????

Daisy: raising a glass Anything steam engines do, we diesels can do BETTER!

Mavis: hauling herself a bit unsteadily to her feet so that her gesticulation can be its most dramatic and sweeping You are RIGHT and you should SAY IT!

(Narrator: mildly ... Daisy was not right and, being probably the most specialised and least versatile engine then on her railway, she definitely should not have been saying it.)

(Above: The quintessential moment. Mavis & Daisy are commiserating/carping, and Annie & Clarabel are trying so hard to not hear their shit.)

Now, I've always had a question here...

Did Toby really say that only steam engines can shunt trucks?

The text indicates only that he was annoyed that she kept re-arranging things, they had a tiff, she rejected his input and left.

Then again, the text doesn't reveal that Percy calls Mavis's shunting "a ---- ------ ------ mess!", so, y'know. We get the minimum detail necessary in these stories. ;)

We never see Toby express any such sentiment about diesel engines. I'm inclined to think he never said this — and I suspect we're not supposed to believe he said this, only that Mavis is in stroppy teen mode and exaggerating and embellishing her grievances to the point where she's straight-up making shit up.

Still, I'm not sure. Usually in the RWS if a character is lying they are slyly or explicitly called out for it in the nearby text and this time the claim is just... sitting here.

Ultimately, I don't think he ever said that to her, but (considering how salty everyone on the Ffarquhar line can get: some have quicker fuses than others but they're all so provoke-able) I don't think Mavis just made this up completely. If she were making up stories from whole cloth, that would be... well, that would be 'Devious' Diesel behavior! I suspect, however, that Toby and Percy (comparing notes on her shunting) are at least thinking it, or have said it to each other, and Mavis has picked up on these vibes. All of which would be incredibly realistic.

Anyway, I bring this up because the answer does color my read of this conversation a little. If Mavis is completely making up attitudes that Toby never dreamed of having, and Daisy just eats it up and eggs her on, that makes this conversation somehow even 10x messier (and somehow I'm still rooting for their friendship). If this is a sentiment that is real or implied when Mavis or Daisy annoy the other Ffarquhar engines (and they can both be annoying, no question) then the bond between these two characters, with their very different personalities, just becomes even more 'understandable.'

Anyway, about those differences. Mainly, Daisy is ultimately very conventional. (This reminds me I have a nearly-finished essay about Daisy lying around somewhere. For now...) Mavis is the original, creative one, the mover-and-shaker. All Daisy's initial behaviors, as Hazel observed recently, are things we've seen from proud new engines before! She wants lots of attention, she boasts, she tries her damnedest to get out of work that she thinks is beneath her. What Mavis wants is to improve things, to have more responsibility, to get to stretch her wheels. Furthermore, Daisy by nature is keen to avoid work that's too heavy (she's a railcar with limited pulling power, so, you know, understandable); Mavis doesn't mind work — she just doesn't like being told how to do it, and she doesn't like being bored!

A point where they can be contrasted is in how they accept Toby's help and friendship at the end of their initial... "arcs." (All right, Daisy's "arc" is ended so clumsily that you can barely call it that, but you get me.) I'm not saying Mavis is devious or calculating, but for her Toby's offer of friendship is just as important as a pathway to her getting out of the quarry sometimes as it is for his forgiveness. It is her ticket out. For Daisy, Toby's offer of friendship was important because she wants friends, now she's making a friend yay!! — and I think that was pretty much it. Daisy just wants positive attention; that's what all her 'modern and right-up-to-date' stuff was about, but that failed to get her the positive attention she wanted and it turned out that being a team player did, so she had little trouble re-orienting herself. She resisted the pressure of everyone on the platform for her first train because she clung to the memory of her friend the fitter, but I don't think she's one to resist peer pressure in general, and as time passed and the Ffarquhar line residents became her peers, it was completely inevitable that she start to conform to their ways.

So (although, again, annoyingly — we aren't shown) I reckon that Daisy panicked after Percy's accident when she realized that she would be in trouble too (all right, someone probably had to point it out to her). And so for the first time she pitches in and does some hard work. Toby can't help but own "you did well to get all your half cleared, Daisy" and Daisy's entire system lights up because compliment, baby!!! That's all she ever wanted. She's Toby's man now (so to speak).

I can also easily imagine that, in trying to get adjusted to Mavis, Toby remembered how thing went last time. He must have tried from the first to tell himself, through slightly gritted teeth, "Just find something to compliment the new engine on, just anything. Helps build trust." But he was stymied twice over. 1) She keeps re-arranging the trucks in some crazy-ass unapproved way and he can't find ANYTHING nice to say! 2) It wouldn't have worked, anyway. Mavis wouldn't have been satisfied with just some friendly attention. Mavis wants to do. shit.

Mavis is bright — possibly has little common sense, but she's bright. I do wonder sometimes if her shunting arrangements are actually bad, or if they're just different and Toby and Percy can't adjust. (The text does own that due to the siding arrangements it's inefficient to put the trucks where Toby expects them. She probably does optimize things — from her point of view, anyhow.) Either way, though, here is an active and creative mind at work. Plus, her ploy to slo-o-owly expand her pathway down the line in "Toby's Tightrope" shows long-term planning, which is hardly something we've ever seen any vehicle do! So yeah, she's well above-average bright for an engine.

Hilariously, in Their Own Scene she is easily impressed by Daisy's lofty confidence (another classic RWS dynamic — it's giving Duncan staring amazed at James's boasting), but she's also super young, hasn't been Toby-fied yet, and in short I expect that as the years go by Mavis is likely to see Daisy as less of a role model and more of a crony/partner-in-crime. Daisy might instigate things sometimes — but she needs Mavis and Mavis's bright ideas before she really makes much headway! And I expect Mavis is often the instigator anyway. In her literary-device role of Second Coming of Thomas (Dieselised Flavour), she probably continues to want all sorts of things that engines aren't supposed to pine for (silly stick-in-the-muds!) Daisy is quite content to grumble but put up. Mavis will find a way to make stuff happen.

(Which is the only explanation we're going to get for how Mavis is at large on every quarry and some not-remotely-a-quarry sets on the island, come TVS!)

That was a light rap on the TVS there, but not a very hard knock; at least TVS insisted (in spite of all logic) on using her character for stuff. Christopher lets me down, personally, by finding so little for Mavis to do — and never having her and Daisy interact! I want more of this shit so badly.

However, in the Author's Note of Thomas Comes Home, Daisy apparently has a bee in her bonnet about fans who think the series has no female engines and is like 'me and Mavis tho!!!!!!' Which... I like seeing Daisy mention Mavis. That's all. It assures me that they’re still a duo (although I prefer Wilbert's interpretation that they bond over being The Two Diesels On This Line vs. Christopher's implication that their bond is being The Two Girls On This Line).

[rowrowronnie]

this started out as brush practice and then it devolved into my scout’s ma was a spy au whoops

[ahalliance]

qantoine sooooo helped create the eggs i can just taste the lore there

[x-letsbreaksomerules-x]

just found out the mmd models for the DA characters i have come with the texture files. which means i can edit them. which means i can do this

[sagechan]

Kageyama comes back from Italy and the first thing he says to Hinata when they step onto the court is "in te c'è già un'aria di frociaggine" and Hinata thinks he's saying "I love you" and he just goes "aw you too"