#he is there if you squint lmao

[the-ace-of-fools]

[orangelemonart]

Made a few more, probably not done yet lmao.

[yancant]

Recents

[blanketorghost]

Yuu Fujisaki the No. 1 Azujami hater

It's okay, Yuu. You're the one who gets to kiss Azul in the end 😌

[roukabi]

Swing your razor wide, Sweeney.

[image ID in alt]

[wrylu]

FUCK!!! it's finally done. after a whole day

COD CHARACTERS, but they're B U G S

cw insects!! if you get hibbie jibbies from buggo art or just bugs in general, u can scroll💗

and for those who wanna see the art, it looks better if you click on it and zoom in on it or something :)

the worms in my brain bothered me last night to draw cod characters but they're bugs and this morning i started IMMEDIATELY

at the cost of my fingers, wrists, and hands 🕊

the amount of tags on this one.

[shepherds-of-haven]

Trouble should get a hat. Reason: the idea of Trouble touching the brim of his hat and saying "ma'am" is hot and seems like peak Trouble behavior

Honestly, hard agree. I also think he's the only one who could pull something like that off (other than Red) without sounding sarcastic glfdjgdgdf

[buttdumplin]

A John Price meet-the-fam special!! This is pure, indulgent fluff.

1.2k

CW: gn!reader, latine reader

When Price first meets your family, it goes over smoother than fucking water over a polished worry stone. It just is. You thought it might go like that, knowing that he’d do practically anything to make himself fit in as seamlessly as possible. But you also knew that bringing home a white guy always comes with a very specific brand of first interactions.

You prep him for the teasing that’s to come, about his accent, about his complexion, about the food he eats. John takes it all in very seriously, nodding along and asking probing questions. It’s all for your benefit, and he’s incredibly mindful of that. You don’t necessarily need to know he’s already got a plan of action, though.

By the time you arrive at the family home, you’re a little stiff, braced for the barrage of probing questions that’s to come. You can tell the family is curious, you see the tías eyeing up and down. But there’s no interrogation this time. Because John beats them to it. He’s polite and answers all the niceties as respectfully as he can. And then he immediately launches into offering up information, as cryptic as it may be. He dons that dimpled smile of his and tells them what he can.

“I’ve been at this job for a while now, but I’m retiring soon. It’s actually my personal life that I'm more invested in improving now.” 

“I’m hoping to buy a home in the very near future. Maybe like this one, a big family place. I’ve been tucking away money for it for a while now.”

“I’ve had to spend a lot of time away, but I’m really looking forward to staying home with this one.”

The tías are swooning when he makes intense eye contact with you across the table as he speaks. He’s not hiding any kind of intentions, from you or them. None of the information is particularly new to you, but hearing him say it out loud? In front of all the people important to you? It’s one thing when it’s quietly discussed in the early hours of the morning. It’s another thing entirely to hear it all said in such a permanent way.

At one point, your godmother, as entrometida as she always is, mentions she’s willing to go shopping with him if he’s ever in need of a ring, says she’s always had a good eye for your style.

“Oh, no. Se lo agradezco, pero ya no va a ser necesario,” he replies with an even bigger smile, and it’s got the women hollering. They’d take a bite out of him if they could. John carries himself with the firm confidence of knowing who he is, and they can see that. They respect it.

The tías, predictably, also do everything they can to keep you two physically apart. You’re put on comal duty, keeping you in the deep corner of the kitchen where he can’t reach you. John himself doesn’t try to reach for you, wanting to spare you the godforsaken “chiflando y aplaudiendo” even at your big age. So he keeps busy by setting the table, asking only where he can find the cups and tableware. They all ooh and aah.

“Ven? Ni se le tuvo que pedir,” they shout at the tíos, pointing at John’s busy hands.

A few questions do pop up once dinner is set. Do you eat this kind of food? Have you had this before? Do you like it? Tíos razz him into adding more and more salsa on his food, and John, knowing full well how it all ends, goes along with it. He’s managed to build up some tolerance that he’s quite proud of, but there is no way that’s saving him. He knows what he’s in for. A single bite and his face turns so red it’s almost purple, his coughing making it hard for him to get water down. The tíos laugh and he’s smiling along with them, the tías rushing to get more water and napkins and a cup of milk because “I heard this helps white people?” You swap his plate out for a new one while they’re all caught up with John, taking a few bites of food to try to match it to the dish he had before. 

A bubble of softness blooms in the room. The tías are cooing over him, consoling him after his “brave attempt.” The tíos take turns patting his back, smiling down proudly at him for having met their challenge. He smiles back at you from across the table, knowing full well what you’ve done to his food, spotting a few more veggies than he’s originally served himself. The tablecloth is long, surely they won’t spot him gently nudging your foot with his own. 

When your godfather invites him out onto the porch for a smoke, John knows it’s his time to shine. He asks you to stay inside with a wink. He brought those Cuban cigars with him for a reason, he’s sure he’ll make it through. You hold him at the door for a second longer, just enough to give him a tender kiss before sending him along. Neither of you missed the way your godfather so clearly recognizes the way John moves, his own military past helping read further into the man you’ve brought home. You know there’s a good chance of this not going perfectly. 

Ignoring the calls from your tías, you crawl to sit below the window that lets out right behind them. They both let out soft grunts as they settle into their chairs, a long hum of appreciation from your godfather clearly signaling John has opened the cigar box for him. It’s silent for a while. The only sounds come from the lighter and their soft exhalations. Then a soft rustling begins. It’s not the trees, it’s too muted for that. It’s not gravel, they aren’t going anywhere and they certainly didn’t make their getting-up grunts. No, it’s their clothes. Because they’ve come up with hand signs on the spot, across languages, so you can’t listen in. 

There’s some chuckling, surely that’s a good sign! But the low sigh coming shortly after isn’t very encouraging. You try to make sense of it somehow, but there’s no distinct rhythm to it. And suddenly you’re twelve again and trying to sneak a peek. You may not need a stool to help you, you’re tall enough to see through the window on your tiptoes. Maybe if you do it slowly, they won’t notice. So slowly it goes, your knees creaking as you inch up. Their rustling continues; good, they haven’t noticed. Yet as stealthy as you try to be, they’re both looking directly at you as you finally get eyes on them. Their smiles all too knowing. You godfather winks at you, clicking his tongue fondly. He holds a hand up before you can say anything, groaning a little as he rises. He takes a beat to look down at John. You’re all frozen for a moment. And then your godfather’s hand comes down firmly on John’s shoulder, giving him a sturdy shake. 

“Me meto antes de que la vieja huela todo este humo,” he says. It’s done. No disaster, just acceptance.

When you turn back to John, he’s already got a mad grin on his face, “See? This old white boy’s still got some moves.”

AN: I am buckled the fuck in for all this latine reader content, so yall will be seeing a whole lot more of it. Thank you again to @mikichko!!! For your support and encouragement, and your incredibly generous feedback. I'm doing this to feed us both.

Let me know if yall wanna see anything with latine reader in particular!!

[humming-fly]

do you fw he/they greedling

I mean when referring to the collective greedling character it's more of a 'they/them' situation isn't it? :P

[aiqingdemeimiao]

ben @ london fashion week

[thiziri]

Princess Anne accompanied by her husband, Sir Tim Laurence, light an oil lamp during a visit to Save the Children HQ in Colombo during day one of their visit to mark 75 years of diplomatic relations between the UK and Sri Lanka, on 10 January 2024.

[lambinarmor]

tasty

[5-pp-man]

[doodleodds]

Wow, what a prince~!

Late Shuake week 2022 Day 1 - Flowers

[good-wine-and-cheese]

Gambling Apocalypse Tenma AU

As I rewatch Kaiji I inevitably end up wanting to combine show I like with other show I like and stuffing fav characters into show. So here we are.

This was uh going to be a short summary type thing but I accidentally wrote a novella about it sorry

This AU starts off with a much more depressive Tenma. After Tobio's death, rather than immediately pour his grief into developing a robot version of his son, he recedes into himself, psychologically paralyzed, likely turning to alcohol to drown out his anguish.

His mental state is taken as an opportunity within the Ministry of Science to have him ejected from his position; Tenma was never the most well-liked director, and there were those with ambition to usurp him that would jump at the chance. Not that he especially cares in his state.

He's eventually dragged out of his stagnation by Ochanomizu - who, inadvertently, becomes the very catalyst pushing Tenma to develop a robot replacement to his child. This was not what he meant by encouraging Tenma to fill the void left by his son.

...But, well, he is no longer the director of the Ministry of Science. His access to limitless government funds and resources for "scientific research" has been cut off, and this is a project he cannot finance on his own. He can't ask Ochanomizu for help, but...interestingly...a representative of a certain shady organization known as the Teiai Corporation reaches out to him, offering to finance and support his project. A sane and well-minded Tenma might think better of it, but grieving and desperate, Tenma accepts their offer and is able to create a robot in the image of his beloved Tobio. For a while, there's joy in his life.

But the bill, as ever, comes due: Tenma must pay up, and the very resources that had been at his disposal will certainly ensure that he will, or else. Of course, he doesn't have the money; instead, he is given a choice. He can relinquish the robot Tobio in order to wipe out his debt - the child is a sophisticated and powerful robot, after all - or he can participate in a certain illicit event hosted by the Teiai Corporation.

It's nothing major...just a four-hour gambling cruise with a collection of desperate, damned souls that were also swept into debt with Teiai. The conditions are simple: Those who choose to participate are given a chance to clear their debts wholesale should they win. And should they lose...?

Well...no one really knows what happens to the losers seized by Teiai. It's said that they labour away their debts under Teiai's watchful eye and are freed once their work has covered their debts, though it's rumoured that most perish before they reclaim freedom.

There's only one answer Tenma can give, of course; he's not willing to lose Tobio again.

Thus is Tenma's debut into the Gambling Apocalypse, where he must become cutthroat in order to survive; if he wants to see his son again, he must make choices that will doom the hapless to miserable servitude, with a nonzero chance it ends in their death.

He survives the cruise, but of course, it was hardly enough to clear his debt; the cruise was never going to be the end of it. Teiai doesn't let go of its victims that easily. He will be called on again: this is a weight that hangs over him, all while he returns to his son Tobio. The same hands that have pushed innocents into hell must now be the hands that can embrace his child.

He wants to protect Tobio from the truth and enjoy what peaceful moments he's allowed with his son, but it's difficult. It's difficult to be the parent of a child who cannot understand the danger that looms ahead; this "happy" home is not to last. Tenma angers quickly and easily. He turns that anger onto Tobio.

As Teiai's games become more and more vicious and unrelenting, as his conscience holds onto the last vestiges of thread that remain, Tenma even threatens, once, to give the boy in: it would all end, then; the debt would be clear and no longer would he have to endure Tobio's childish annoyances, his ungratefulness.

The next time that Tenma is beckoned, Tobio takes matters into his own hands. He does understand, now; and he would have, if only Tenma had bothered to explain sooner. If it's a debt that needs clearing, he will work. He will help his father clear his debts however he can. Of course, it's difficult to find work as a child; but a circus troupe finds amusement in the idea of a child robot, and takes him in. He is whisked into a certainly unpleasant working situation, but he remembers his father, and what he must be enduring. Tobio, also, will endure.

When Tenma returns, Tobio is gone.

All that held Tenma back from becoming something monstrous has disappeared. All that kept him going has disappeared. When he is called upon by Teiai, there is no knowing what sort of person might come out the other end; whether a monster clawing his way to freedom regardless of what actions he must take, or a desolate husk surrendering defeat.

There is still a light, however dim: Found by Professor Ochanomizu and rescued from the circus, Tobio - now Atom - is able to shed light on the situation which Tenma took great pains to keep hidden from his old friend. With time running out, Ochanomizu and Atom must do what they can to save Tenma - from Teiai, and from himself.

-----

UHHH and that's a wrap!!!! I couldn't quite decide which way Tenma would go after hitting Rock Bottom in this AU, and tbh it would really depend on the kind of mental state he's in at the time. On the one hand I like the narrative of Ochanomizu and Tobio racing to prevent Tenma from crossing a line (actual outright murder probably) - or having to pull him back into humanity (and yknow, his ensuing penance)

But on the other hand having him get sent to Teiai Evil Hell Prison would be interesting because a) there's a lot of narrative potential having Tenma faced with what Teiai is doing with the people that lose the games and b) need him to decimate the foreman at chinchirorin Kaiji style

Tenma's whole character is definitely a much different guy in this AU, he starts off pretty sympathetic, the guy you wanna root for, he just ends up having an inverse character arc where he gets worse instead of better. His conflict with "Tobio" is also kind of reversed, less about being unsatisfied with Tobio as a son and more not being able to handle the fact that he probably has intense PTSD now and isnt capable of coping with it in a way conducive to being a parent (or like, coping at all)

Anyway that's gambling apocalypse tenma!!!

[cookie-nom-nom]

I think Montrose might be closer to a VTuber at this point