#he just. does that.

[vinniedirkota]

i have INTERNET

i can POST HIM

creature man

[paintedcrows]

Did anyone tell Ford (bonus doodles: Family Movie Night, 70s Classics)

[swan2swan]

Whoever conceived and animated this moment, I hope they're doing well and thriving. This is S-rank romance stuff here.

[tuttle-did-it]

David Tennant for Prime Minister, please.

edit- Since this is getting so much attention, edited to include descriptions of screenshots.

This woman has lost her fucking mind.

Jo, are you okay?

[platoapproved]

What was that you said about memory? "A monster," was it?

[mihotose]

always brother

[stickyvoidpaper]

Dick : Jasons been more, relaxed lately. It's unsettling.

Tim : Yeah, I've started spiking his water with mood stabilizers.

Dick : What

Tim : I've been thinking of doing it to the wider gotham water supply. Think about the crime rates.

[a1sart]

if there's one thing this last episode has affirmed for me about Alastor it's that he FUCKING HATES being reminded that he's not the most powerful creature in hell.

Like, he hates being ignored by Carmilla when she says she doesn't care why he was gone

He hates Lucifer ON SIGHT

He threatens to KILL Husk when he dares to mention that Alastor is working for someone more powerful than him

and now this.

Alastor freaking out because he almost died. Something almost killed him. He can fucking die. There is something more powerful than him out there. And it's not something he can ignore or brush off because it almost killed him.

Alastor hates the reminder that he's not as powerful as he tells people he is. He isn't indestructible, he isn't invincible. And he fucking hates that.

[shhhhimwatchingthis]

My favourite underrated thing about Louis de Point du Lac is that he truly is the least curious vampire to ever be made and he does not give fuck about vampires despite being one.

Its Claudia who goes to libraries, reads the folklore, tries to learn as much as she can and pushes Lestat for answers about who made him and where the others are. Claudia says Vampire Pride and Louis says hmmm Vampire Tolerance.

And Louis...truly does not care about vampire history,law, culture. He's never even thought to ask. There are vampire laws?...ok...Lestat never cared about them and he's not going to either, lol. He's broken a few and he will continue to do so. Oh you have a coven? he's not gonna join it, he's gonna do his own thing. but good for you good for you.

the 500+ year old Coven Leader, he's gonna call Louis, Maitre, actually.

He has fire powers? thats kinda cool. he'll learn that but only cause it lets him vent his feelings about Lestat.

Lestat and Armand say the name of the vampire queen in front of him and Lestat straight up says, "Louis has no idea who that is" and do you think Louis cares, outside of the fact that for some reason it means he can't kill Lestat? No! Do you think in the 77 years he's been with Armand he ever took 5 minutes to ask a follow up question? No!

Do you think he will care about Akasha in season 3? Doubt it! Outside of her obsession with Lestat, who is the only person left on the planet he seems to be able to filter Caring About This Shit through

He blatantly breaks the 3rd law and publishes a book about being a vampire and when the other vampires get pissed not only does he not apologise he literally sends them his location and says 'you wanna fight? lmao don't miss'

I love him. Daniel Molloy is gonna need to bring his A game because Louis will not be solving a single mystery next season, nor would it even occur to him to try.

[artkaninchenbau]

Crocodile finds a strange stray cat an 11-year old Nico Robin (AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)

It seems like I have become possessed. By some sort of demon.

Bonus:

[theywontletmebeprincipal]

obsessed w james somerton saying that he blacked out every time he failed to cite his sources like he’s the dr jekyll/mr hyde of plagiarism

[wolfythewitch]

Smiling Jon sketches

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[chloesimaginationthings]

FNAF movie Mike fights Moon at the Pizzaplex..

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.