It wasn’t supposed to be a secret.
If you died while with the league, you will no longer be acknowledged to have existed, especially if you died during a mission. A disappointment will not be remembered.
The bats and birds don’t like speaking about the people they have lost, so they don’t. If someone ask about the dead, they will tell the person they don’t talk about that.
So how was Damian supposed to know that he should have told his father about his dead brother?
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Crack prompt: Danny has declared war on the curses in Gotham. He is armed with a water balloon gun, but the balloons are full of medical-grade ectoplasm. He targets any location, ghost, or liminal being tainted by curses and/or corrupted ecto - absolutely drenching them before yeeting off again.
This includes the Bats. Danny is smart about it, though. He lived in Gotham for several months before acting, so he could get the lay of the land. He also waits for patrol to be finished before hitting the Bats - he doesn't want to interrupt their Quest to Better Gotham (or be labeled an invader to their haunt).
One night, Danny happens upon Batman patrolling alone and waits for him to finish cleaning up a crime scene before hitting they guy with a half-clip of balloons. Batman gives chase, like he always does, and Danny runs, like he always does. He knows by now that, for whatever reason, Crime Alley is off limits to Batman. The whole alley just gives off "no (other) bats allowed" vibes.
Red hood is just more territorial. Whatever.
At any rate, Danny is enjoying the chase, using just enough ghost powers to stay ahead of batman, almost-but-not-quite taunting him. Crime Alley isn't too far, so instead of turning invisible around a corner like he usually does, he makes his way to the Alley to see if the no-trasspassing rule is enough to stop Batman mid-chase. He leaps across rooftops and weaves through fire escapes, ecto-balloon-gun bouncing by its strap against his back, until finally he's at the border, slightly tapping into flight to make the jump across a slightly wider road into the alley proper.
He turns around immediately, spotting Batman skulking on the rooftop on the other side of the road, stopping the chase and suit half-covered in healing ectoplasm.
"Sanctuary!" Danny yells, pumping his fists in the air from getting caught up in the exciting rush of adrenaline, "I claim sanctuary!"
"Who the fuck is claiming sanctuary in my territory?" Red Hood booms from almost directly behind Danny. He would have yeeted out of his own skin from surprise if he hadn't spent years honing his ghost-fighting instincts. As it was, Danny instead whirled around and emptied the clip of balloons into Hood, purely out of reflex.
Hood stood there, drenched in ecto like his fellow Bat one rooftop over, glaring murder at Danny with glowing eyes. But his haunt betrayed Hood's true emotions.
Surprise, concern, impressed, you-little-brat.
Danny booked it to the fire escape and turned invisible the second he was out of sight.
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my favorite thing about Steve is that he’s actually a very confident guy, overconfident I would say sometimes, so in my head he has the shortest gay crisis ever like he realizes on a random Tuesday morning while slowly rotting on his costumer service job that his weird fixation with Eddie and how close he is with that punk dude from the Hideout is jealousy actually, so that means he has a crush on Eddie. Huh, that’s weird, has he had crushes on guys before? Maybe, his friendship with Tommy was intense and weirdly possessive actually, and their fight did feel like a breakup kind off and Tommy did behave like a bitter ex afterwards… also now that he thinks about it his obsession with the captain of the baseball team who was a senior when he was a junior was totally a crush in retrospective. And as he comes to this conclusion he also thinks damn what a waste, I could 100% have pulled him. So that same day he’s driving to Eddie’s place like “hi i’m taking you out” and Eddie doesn’t know if he’s about to be wine and dinned or murdered in the middle of the woods but he’s also a weak weak man for pretty boys so he just follows where Steve tells him to go. They have a lovely date at the dinner and then drive up to the quarry to see the sunset and then a very intense makeout sesh in the back of Steve’s car when Eddie remembers to ask him if he’s even into guys. Steve who already has his hands in Eddie’s pants looks him dead in the eye and says “yeah since this morning I think, but also since forever.” And Eddie who had to spend years slowly crawling his way out of Narnia to even admit to himself he was gay even less admitting it to others just blinks and accepts the fact that yeah, Steve Harrington has always had that vibe actually, and resumes kissing him.
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One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.
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Jazz is wandering Gotham with Danny after their parents visited the city for a convention but left them behind in the excitement of one of their ghost traps going off on the other side of the country.
The hotel they were staying at kicked them out not caring if they had a place to stay or not, only caring that the source of money had left.
Jazz couldn't show how scared she actually was, not when Danny was looking at her with complete faith that she could somehow fix this.
How he managed to keep that faith after a day of jumping at shadows like they held enemies and vending machine food for lunch was a mystery.
She's tired, she's stressed, and she needs an adult.
Like an actual adult and not her much loved but very scatterbrained parents, Vlad did not count either.
Nightwing: *falls from great heights into nearby dumpster* ...ow.
Jazz: ...You'll do.
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