Everything around the Isabeau confession is so well written.
Firstly, the set up. When you're playing the game, killing the King is just a vague goal. A natural one! But other than the vague desire to hit an end point, there isn't really a strong emotional reason compelling the player forward. But Isabeau!!! Telling you he will tell you something once you beat the King!!! That!!! That is a tangible goal to lean onto especially over time as you get more and more endeared to the whole party. Even if you're not aware of it being a love confession, getting to Isabeau to hear what he has to say is still a compelling reason get to the end.
And if you're Aware of how these things go for stories like these, you may also say, "Well shit, we're not gonna get a confession until the end of the game, are we?"
Second, the interruptions. The order of the interruptions are so quietly brilliant. I can't get over it. Bonnie interrupting first is such an excellent choice. You know Bonnie!!! Bonnie has been jumping into conversations all game so far. So interrupting Isabeau doesn't seem all that out of place. Then Mirabelle interrupts next time. And you go, okay. Thats two of three.... but surely Odile won't interrupt, right? By this point, the player has seen Odile tease Isabeau multiple times about him liking Siffrin, so surely she won't interrupt... right? Right??? But she does. And despite it being obvious that she would, the player is still left in tension if she would.
The way things are set up, there's a plausible deniability each time. You don't expect the first interruption, Bonnie naturally would interrupt so Mirabelle could be surprising, and Odile interrupting feels so outside of what she'd usually do that you don't expect it.
And yet!!!! Saying all this!!! This is very tropey!!! Very time loop tropey!!! Stopping people from messing things up so you can have your moment is quintessential time loop tropes and yet!!! It doesn't feel tropey due to good characterization and story structure.
(And if you do realize that all three are going to interrupt from the beginning, you get a wave of DREAD when you realize that you're going to be here. Again and again. That you have to beat the King again and again and again... and as you watch the confession fizzle, seeing the Head Housemaiden there, despite Siffrin's happy demeanor, you can't help but feel it all about to crash down before it even happens. In that moment you have a taste of what the game is about to put you through).
Third, the family quests. I have two points here. Firstly, "yelling at your screen like it's a telenovela" is the best summary of my feelings on the stargazing scene. Even if you KNOW Isabeau isn't going to confess until the end of the game bc that's how these things go, it won't happen until the end because that's how good writing works, You Still Want It To Happen. So Badly. You want Isabeau to confess to Siffrin!!! You want that tension to release!!! But you have to watch and see that perfect confession slip away every time and it hurts to watch, especially if you do the quests multiple times. Second point is the fact you can't continue the Isabeau confessions on a family run kills me. It's so good. Like you're never going to get everything in one go no matter what you do so you have to pick and choose. And!!! That plays into Siffrin feeling like he's manipulating Isabeau!!!
Of course Siffrin isn't actually manipulating Isabeau but when you're so aware of what you're doing and how events could have played out, it's difficult not to see a situation where you changed the outcome as manipulation. Which... of course leads us to Siffrin's feelings at the end of trying to stop the interruptions...
Fourth, Isabeau stopping himself when confessing. It hurts so good. Idk just. Denying the player that payoff. Denying Siffrin that moment of confession. Because really Siffrin didn't learn the lesson needed to actually get this moment of vulnerability between the two of them. It's such a genius choice that brings that awful dread and hopelessness. And in the end, I suppose all five of them stop the confession from happening because from that point onward, Siffrin interrupts the confession every time. Siffrin doing everything they can to get what they want only to accept that they're never going to get it. Never CAN get this because he doesn't deserve it.
Finally, bad touch. People have talked about bad touch enough, so I dont need to go too far with it. I will say I appreciate how much it doubles down on subverting the "romancing someone in a time loop" narrative. These loops while in some ways made Siffrin more perceptive, they're also PAINFUL. They mess with his head, lean towards making worse and worse decisions, and a large part of that is his role in his family's lives. Especially with Isabeau!!! So yeah. Of course the surprise kiss doesn't go well. Especially with the context that Isabeau doesn't think Siffrin wants to be touched let alone kissed? It ends in disaster just like most of the sidequests do.
In general, the ongoing Isabeau plot is very well implemented. The seeds for it are planted immediately, and it takes a lot of commitment to see all the parts of it. As a result, unless you try to do a ton of runs in act 3 immediately just to get the confession, it's a very slow burn part of the story, doing well to parallel Siffrin's mental state and the growing hopelessness in the loops. It grounds the story in a tangible goal from the beginning and in many ways, once you get to the end of it, get to bad touch, you're left bereft. Something... lost after you spent so much time being aware of Isabeau. That tangible feeling that you're slowly running out of things to do, of ways to spend these two days.
(And of course, then you have act 6 confession, and the pure relief, the joy in finally having the confession after it being set up from act 1. Siffrin doesn't need to reciprocate for it to have its impact. Something has CHANGED they have changed. And finally FINALLY after all this time, the moment can happen. And it's beautiful).
What's your opinion on malewife/house husband Adrien posts? I asked this to another blog, and like I said to them, I find them a guilty pleasure: The concept is cute, but I know that would be the last thing Adrien would ever wanna be after all his dad put him through.
I don't think that it would be the last thing that Adrien would ever want. I actually think it suits his character in a lot of ways, you just have to handle the topic with care.
First let's talk about why it suits him.
Miraculous has totally failed to give Adrien any sort of career-based passion and - if we ignore the senti complication - I honestly love that for him! I want more characters with no major life ambitions to balance out the Marinettes of the world!
I think that society places way too much pressure and value on finding the perfect career that fulfills us in every way while also allowing us to put food on the table. Most people will never find that and that's okay. It doesn't mean that you've failed or that you're lesser. For most people, the goal is to find a career that pays the bills and that you enjoy enough that you don't hate doing it 40hrs/week. Along similar lines, for most people, your passion will be something that doesn't make money. It will be something like a hobby or spending time with those you love or analyzing badly written French TV shows.
This brings us back to Adrien.
Adrien seems to get a great deal of joy from being around his loved ones and making them happy, so I can absolutely picture him finding a lot of joy in running a home. This is extra true because Marinette is pretty clearly career driven and she's planning to go into a creative field, so she'll probably have a pretty crazy schedule and struggle to stay on top of it all. Having a loving husband to take things like cooking and cleaning off of her plate would be a blessing and a gift that she'd greatly appreciate, but that would feel unbalanced if Adrien was working, too. (Yes, they could hire staff, but that risks the secret identity thing, so I don't see them doing that.)
If they both have power careers, then they'd barely see each other and I hate that for them. I think that it would make Adrien incredibly sad and depressed. Plus, while Marinette thrives off of competition and staying busy, only needing occasional breaks before diving right back in, Adrien seems to hate busy schedules and heavy work loads.
Given all of that, I think that there's a lot to be said for Adrien stepping away from the working world. Especially since he's been in it for years and being a child celebrity is no joke! I think it would be nice for him to escape from strict schedules and expectations. Dinner fails? Order takeout!
While we're on the topic of food, I really like the idea of Adrien falling in love with cooking. Dude needs a creative outlet and that's honestly a great one (I hate it when people write characters as unable to figure out cooking like it's some cute quirk. While an initial struggle is believable, it's not a mystical art that takes years of practice. Between YouTube, the wider Internet, and maybe some classes if he wants to get fancy, I think that he'll be fine.) There's so much variety with what you can do in the kitchen and the end result gets to be shared and appreciated by those you love. It just seems like a perfect fit for him, but I would never make him a professional chef because the hours are insane and the pressure to be perfect is high. I only see him loving it as a hobby where he can go at his own pace, take days off, and make lazy meals when he's not feeling like being a show off.
The big concerns that come with making him a homemaker are a lack of financial independence and a lack of socialization. I don't see the first thing as an issue for Adrien since he comes from a wealthy family, so that one doesn't phase me.
The isolation could very easily be an issue, but it could just as easily be a problem if he started working, too. It's not as if a job is a sure way to have friends or even just consistent positive social interactions, which is another reason why I don't really see a need to give him a traditional job. You can get a vibrant social life in lots of other ways.
Here are the two big things that I keep in mind when writing an Adrien-as-a-homemaker or similar setup as it is where I tend to have Adrien land for all of the above reasons:
Adrien needs to be active in some organization or project. Volunteer work is a good fit as is being an active stay-at-home parent or some combination of the two. Voice acting is also on my radar, but my default is to have him act as the head of team miraculous' out-of-battle activities. Scheduling meet and greets. Going to see sick kids. Jetting around the world for humanitarian aid missions. Basically let Chat Noir be his "career" which gives him a lot of much needed flexibility for making his own schedule, especially if he's a stay-at-home parent to any eventual kids. I also like the poetic nature of Adrien finally being proud to be the face of a "brand" via his hero side while his civilian side becomes just some guy that people kind of remember from old ads.
Consider having a non-traditional living arrangement. I am a big fan of hero teams living together, so my default is to take the Agreste mansion and remodel it into a secret HQ for the team. Adrien and Marinette would have their own apartment/wing/whatever, but they'd still be surrounded by their found family on a near-daily basis, so that social isolation is the last thing on Adrien's mind. There's almost always someone to hang out with! You could also just have Alya and Nino or other friends live in the same apartment building so that they're over a lot/Adrien has a place to hang when Marinette is working late because you know that she'd do that.
Basically, Adrien's rich, so he doesn't need to make money and he doesn't seem to have any interest in a normal job, so I really like letting him having a unique life where he doesn't have a traditional job. He is a superhero, after all. Unique career paths are pretty par for the course. You just have to be careful to make sure that all of this feels like his fully informed and carefully considered choice and not like you forced it on him to make Marinette's life perfect (I only brought her up earlier because this is a story and it makes sense to design characters around each other). I usually do this by sending Adrien to therapy in his late teens or by giving him some other parth of self discovery.
Do note that all of the above is inspired by my read of Adrien which may be totally different from your read of him and that's fine! I just can't picture him as someone who thrives in a traditional career path based on knowing people who strike me as similar to him and from whom I draw my understanding of how to write that part of Adrien's character. I think that he'd be perfectly able to have a traditional career path, but I also think that he'd be pretty miserable for a lot of reasons.
I'll also note that I'm not sure what posts spawned this ask, so there may be elements of those that I'd have criticisms of. This post was about the general concept of Adrien being a homemaker. I tend to avoid the broader fandom for my own sanity and the use of the term "malewife" has me concerned that I'm implying support of something I wouldn't actually support because that's a new one for me and it sounds incredibly sexist.
I'm not a fan of implying that the default definition of "wife" is "submissive homemaker" so a man taking on a homemaking role is clearly submissive and acting like a woman does while his aggressive, domineering wife is acting like a man, which is the definition of this word that I'm finding online and yikes! Wife and husband are legal/social status in my book. They are not clearly defined jobs/roles/personality types, so I'm not a fan of using gendered terms to refer to stuff like this especially since I do actively try to use gender neutral words in my own writing whenever I can, though I'm certainly far from perfect on that front.
I also don't see homemaking as a submissive act. It certainly can be, but that's not how I picture Adrien at all! I picture him as relaxed and plesent, but 100% in charge of the home and all choices about how it's run. I also see him being in charge of their finances like homemakers often were in the "old days" since they were the ones in charge of things like scheduling cleaners, buying food, and other things that needed strong budgeting skills while the person who worked wasn't actually spending money or managing the home since they were at work. I like to think that Nathalie would prep Adrien to be a wealthy man and so he'd have strong skills in finance management.
this is such a solid show so far, i dont even know what to say. episodes feel long, but they're not boring. they're lingering, they last. it takes everyday emotions and everyday experiences and lets them play out; it confers importance to the small things. the story and overall plot-per-ep is simple yet genuine, and everything and every character feels so lived-in. i like the mix of fun and serious, i like the steady growth and trust between mork and day and the little buds of tension starting to bloom. i love the way the camera brings things to the forefront of the viewer's attention, the way expressions are shot and how long those shots are allowed to last on screen...you really feel the emotion coming through, and it really impresses me from both an acting and directing standpoint.....im just rambling but the jist of it is that i'm really enjoying this
out of all of ur ocs I’m still Wyatt’s #1 fan,,, holds all of my nonexistent wyatt merch…. But all of ur ocs are so great and I e loved seeing ur art evolve over the like. oh my god it’s been like a decade almost NDKENDOROANDOE scary
wyatt u will always be famous and the original fan favorite... honestly i wish i cld control what my brain fixated on bc i do want to bring her back for a bit since her and talon are the same breed of person (they're both cats.) and they wld have some good interactions! ive thought of two good ones and a text post one inspired one and i wanna see if i can be motivated to doodle em soon if at all lolll ^_^ havent drawn her in a while so im rusty but:
jason is fine and they just coordinated to trick failsafe to get it to frazzle out afaik.
that makes sense considering the entire point of #147 was bruce deciding to work with his family despite his growing paranoia over their safety, etc. given that zdarsky has been trying to explore bruce's mental state, it would have made no sense for him to immediately validate that paranoia, instead.
Like I said for Zack's post, I really struggled with finding faceclaims for August - maybe even moreso, because I have such a clear idea of what he looks like in my head, and no one I've been able to find fully captures it. I think Kit Connor (first pic) is, again, the closest I'll get - he's the right amount of soft and friendly I need for little August haha - but the others are all at least along the same sort of lines (at least in these pictures I found anyway lol): Peyton Meyer, Connor Jessup and Dylan Sprouse.
Name: August Jude McNeeley
Nicknames: He mainly gets Auggie, but Bentley always calls him Gus - it used to just be Bentley, but since August grew so fond of it, Kona and Zack have started using it more now too. He still likes Auggie though - tbh he likes all variations of his name (I his mom picked well lol)
Age: 14
Date of Birth: September 28th
Zodiac: Libra
Birthstone: Sapphire
Nationality: American and Scottish
Sexuality: Gay - but very much still in the closet and totally not crushing on anyone
Birthplace: His family home in South Pasadena
Current Residence: Island Drive South in South Pasadena, Florida
Occupation: Middle school student and part-time grocery bagger
Talents/Skills: He's weirdly good at long-distance running, he can play the clarinet, he's really good at crosswords, he's a great baker, but he's an even greater listener
Birth Order: Youngest of three
Siblings: Francesca May McNeeley (23) and Hazel June McNeeley (19)
Parents: Jedediah Michael Whitaker (estranged) and Heidi April McNeeley
Signature:
Height: 6' 1'' when fully grown - but for now, probably like 5' 3''. He has a big growth spurt that literally no one saw coming, and becomes a real gentle giant haha.
Eye Colour: Like a muddy, brown-y green.
Hair Colour: Sandy blonde
Glasses or Contact Lenses: Some round wire-frame glasses he's supposed to wear all the time, but only wears when his eyes feel super strained, because he thinks he looks like a dork in them and actively tries to avoid anything that draws unnecessary attention to him
Distinguishing Features: A chickenpox scar on his forehead, just above his right eyebrow, and a prominent freckle on the corner of his mouth that always gets mistaken for a smear of chocolate.
Mannerisms: He's SO bad about clenching his jaw/grinding his teeth when he's stressed, he always looks down at his feet when he's walking, and he always does a little snort of air through his nose when he laughs
Health: Anxiety, peanut allergy, and, because of his jaw clenching habit, any time he's anxious (which is quite a lot, poor baby) he gets tension headaches. Also, not really a health thing, but he's a vegetarian.
Hobbies: Baking, creative writing, scrapbook journalling, mediating his friends' arguments, running, reading, watercolour painting (this was mostly thanks to Bentley's influence, but he is enjoying it more than he thought he would), practising the clarinet, and being the voice of reason.
Greatest Flaw (in their opinion): How sensitive he is. Bullies have blamed it on the fact that he was raised by a bunch of girls to become a big sissy - but August just knows he lets his mind hyperfixate on minute details and spiral out of control. Whether it was an embarrassing passing comment he made or a missed homework assignment, he'll work himself into a guilt-riddled state until the rational side of his mind can regain control. It's even worse with more meaningful things though. If anyone says anything bad about him it'll affect him for weeks, and if anyone takes anything he's said badly he'll beat himself up about it for just as long. With how deeply he takes everything to heart though, it often means he's more reluctant to open up about his feelings, and keeps himself pretty closed off as a result - all because he's scared about the reaction he might get.
Best Quality (in their opinion): His level-headedness. As much as his anxiety can get the better of him, he's gotten a lot better in recent years at keeping it under control. His calm reasoning often ends up benefiting his friends more than it does himself, but that's what makes it so rewarding. He loves getting to help them out in any way he can, and offering advice or talking through their troubles with them gives him a real sense of purpose. He may not be very brave, or very physically strong, but his quiet support from the sidelines is invaluable - especially when he can pick out things in a situation no one else would have thought to before.
Biggest Fear: Not being accepted. Again, he's really sensitive about what other people think of him, and he really takes their opinions to heart. So the thought of upsetting someone, or doing something that would give them a negative opinion of him is awful. He partly blames it on his dad never really being present in his life, and the fear that, because he knows nothing about him, if he were to come back into it, he wouldn't accept him as his son. But it extends to his peers and friends too - he often stays quiet and tries to do what he can to blend into the background so that he doesn't draw any unnecessary attention to himself that could lead to anyone developing any strong feelings towards him - positive or negative. He just wants to be seen as…normal. But as he's slowly coming to terms with his sexuality, in a time where society is not very accepting of anything but 'the norm', that fear is feeling more and more real every day.
Hogwarts House: Hufflepuff
Favourite Ice Cream Flavour: Birthday cake or Pistachio
Favourite Colour: Sage green
Favourite Number: 2 - 1's too lonely, but at least 2 means you've got a friend
Favourite Movies: Luca, The Muppet Movie, and The War of The Worlds
Favourite Songs: Blackbird by The Beatles, (unironically) Story of My Life by One Direction, Yellow by Coldplay, and God Only Knows by the Beach Boys - and, of course, he was inspired by the Taylor Swift song August, but I felt like that was way too on-the-nose to include as one of his favourite songs lmao
A place they want to visit: Edinburgh, Scotland - to visit his mom's side of the family who live there
ok i might need to force myself to not romance astarion bc i don't want to know what it says about me to turn down karlach, the woman of my dreams, the character made to cater me personally, like, if she was real i'd bring the moon and stars down for the chance to see her smile, she's everything i've hoped for in a rpg companion, what does it say about me if i turn that down for someone like astarion
hey everybody!! welcome to day 47 of my irl diaries! just got back from the tournament in fukuoka. hope i made y’all proud! 😄✌️ gonna take a small break and spend some time with the bossman. make sure to follow the page for more behind the scenes stuff! #katsuya!! #how-long-b4-pr-makes-me-delete-this-lol
There’s only a little more than a week until the Interest Check for Nemui: A Domestic KaiJou/JouKai zine closes! This is an unofficial, nonprofit, charity fanzine celebrating Kaiba Seto and Jounouchi Katsuya as we explore their everyday lives together. We will be supporting The Trevor Project <3
This post heavily discusses episode 138 but also pulls from 170, 179, and 180 and discusses things up to 214, but nothing from the FP epsiodes!
Earlier today I read this post and it got me thinking a LOT - and trust me that I’m going to ramble about something else shortly outside of this lol - regarding shadows and lighting!
One of the episodes that most deliberately plays with lighting and shadows in a very in your face way is episode 138, where Shinae speaks to Rand about wanting to renegotiate her contract. It’s an interesting episode, because Shinae is met with another side of Rand than the man (the father) who was trying to help Nol. This version of him shuts her down immediately and informs her that he has no jurisdiction over her contract.
As readers, we can deduce that he is speaking this way because Yui is around and he cannot divulge any bit of knowledge that he has been working with Shinae, that there is any sense of relationship there. But also, he isn’t lying in that he can do nothing about her contract. Interestingly, he is in the light where she is in the shadow. He’s not the focus of this moment, but I find that very interesting regardless - Rand is unable to help because he doesn’t have that power. They aren’t on equal footing here. One is in the dark, one has the power of illumination - he knows more intimately than Shinae who and what Yui is.
But my thought is not about Rand but rather Shinae and Yui.
Throughout their conversation, Shinae is in the shadow. She is part of Yui’s trap, in a pit she cannot crawl out of. Yui wields power over her both in the sense of her employer and also as a person who has played with her as prey. Yui, too, is in the shadow. While some light casts on her, she faces away from it and it doesn’t reach her face.
I’ve wondered a lot about Yui and what her situation is, why she is the kind of person she is. I don’t think she’s without reasons - I just think we don’t know enough about her to really know yet. One of the popular theories is that of the Mukoyoshi Theory - that is, that a Japanese family with no male heirs will “adopt” the husband of (one of) their daughter, who will take their last name, rather than she take his. In this case, Yui comes from a Japanese family with a family business and it is deducible that there is no male heir. Hansuke’s family name is Shishido - not Hirahara, which means he’s related by his aunt (and Yui has mentioned her before to him). Rand, who we know is not Japanese, married into the Hirahara family and adopted their name and became a part of their family. Thus, his affair with Nessa is even more of a blight - he has a duty to the Hirahara family. It is his responsibility to not mar their name and upkeep their prestige.
We could do a whole think piece about this, and it really gets into my thoughts on Rand and Yui’s relationship, but to sum it up: it is clear that Yui wants to be the one in control, but must defer to Rand, and that she resents it. This is HER family business. I think she wishes that she was the one in control, and that she could wield that control without having to go through Rand. Yui harbors resentment for a patriarchal society in which she wields no power. There’s a lot to read into re: the way she wields her femininity as a tool, but that’s a whole other post. The point is: Yui resents that she does not have the power she thinks she deserves, the power that she’s capable of, and that fully plays into Shinae.
But, for the sake of this post at this time, it’s essentially that Yui, too, exists in the dark, in the shadows. She can only run this company through others - through her marriage to Rand, through Kousuke, the sole heir. But as powerful and intimidating as she is, she, too, is trapped. She, too, is relegated to the darkness, because it is only from the shadows that she can operate. Yui wears a constant mask, always putting on the front of a concerned mother, a feeble frail lady, a sweet simpering maternal woman. The real Yui lives in the shadows. She’s not allowed to freely be the person she wants to be, she puts on a front for society, for the patriarchy, for the sake of being able to move in the shadows.
Shinae’s objective is to escape the shadow, the prison, the dark. She longs to escape poverty, she longs to escape the prison she turned herself into, she longs to escape the job in which she feels unsafe, the contract that she signed, the agreement she made under false premises. She longs to escape Yui’s reach. And while she can’t escape most of those yet, she still works towards the light. unlike Yui, who has accepted that she belongs to and operates in the shadows and pulls people into them with her, Shinae strives for the light at all times. She wants to be a better daughter, a better friend. She strives to be able to help out her father and create a better life for them. And especially since the black and white formal, Shinae’s inclination towards the right side, the side of light, has grown stronger.
It’s not a bad vs good kind of thing so much as Shinae chooses to work honestly. She’s trying to address the things that scare her - the insecurity she felt about Maya and Rika’s friendship, the quiet plaguing fear that maybe Minhyuk also just tolerated her. She’s had difficult conversations with her father, she has had difficult conversations with her friends. Instead of shirking into the shadows, Shinae moves towards enlightenment. Even if things end, isn’t it better for them to end on good terms, with understanding? Even if she gets hurt, isn’t it better than she gets hurt being honest, than never progress at all? Even if she fails, isn’t it better to make effort than live with regret?
Shinae leaving Yui by way of the light is pointed. Yui’s goal is to pull everyone down with her. If she lives in the shadows, so, too, must everyone else. And the thing about this scene is - I think Yui means it, genuinely. She has a very different way of seeing the world than Shinae and even much of us as readers. Shinae believes in working hard; Yui understands that privilege and connections are more powerful. Yui can see in Shinae the makings of a strong, powerful woman - but power doesn’t have to look one way. For Yui, power is controlling those around her, especially the ones who are meant to have power over her. In a world where men are the all-power, Yui feels powerful when she can manipulate and push them around.
But when she tells Shinae she doesn’t want her to make the “wrong choices” I believe her. It’s just... what does Yui consider to be the wrong choices? Much in the same way that so much of ILY changes based on whose perspective you view it through re: Nol and Kousuke, we the same of Shinae and Yui. Yui is a woman who knows how to make the world yield to you, how to get what you want out of it.
This is a whole other tangent, but because I’m trying to validate my Yui views lol, I believe this is part of what Yui has done with Meg and Alyssa. In fact, I feel like Yui has absolutely treated Meg and her obsession with Kousuke as a joke - what woman demeans herself in such a way for a man? It’s the complete opposite of Yui’s power. Men yield to HER, not the other way around. Is Alyssa a test of her will, to see how much she will bend before she can break? Does Yui hope to find a hidden spine in her, someone who will eventually push back? I think that’s why she has shifted to Shinae - she has the fight and the spirit that Yui wants to mold. Shinae is strong and faces her fears. But she also stands for the complete opposite of Yui, which makes her a fun challenge.
As Shinae moves into the light and leaves Yui to the shadows, Yui makes an attempt to pull her back into them. Or maybe, rather, she’s planted the seed? It’s an ominous moment, Yui’s certainty that there will be a time when Shinae will go running to her, will want her help, her step up in the world. But at this moment, Yui is unsuccessful. Though Shinae cannot renegotiate her contract like she wanted, she still makes the choice to deny Yui’s offering. She will continue her path in the light. She refuses to let Yui pull her down into her shadows.
As much as we view this story as a game of chess between the white and dark side, so much of it gets told through the shadows and the light. Who else spends his time illustrated in the shadows, existing outside of peoples’ view, wearing a mask out in the light? Nol is one of Yui’s prey - he’s learning how to stand on his own feet as himself, but so much of his imagery has been enshrouded in shadows, a victim of Yui for so long that he’s forgotten how to make his way out of the dark, until now.
Shinae has the ability to bring him out of the shadow, to give him the eventual courage to exist outside of the shadows, to allow himself to enjoy the light. Every time he turns away, he finds himself drawn back in. Every moment he’s angled himself away from her in effort to stay where he thinks he belongs, to skulk in the dark, he still ends up moving towards her.
And every time that Nol choose to go towards Shinae, he moves towards the light.
Like literally lol. In the pool, he basked there in the dark, willing to finally throw in the towel accept that peace, but because of Shinae, because of his penance, he chose to move towards the light once again. Maybe he thought it would be for the last time, but we’ve seen better.
Shinae guides him back out of the shadows.
And that brings us to my next post: how Shinae is the true adversary of Yui.
Really, go read @denjidomination’s post! It’s got me going off on a whole different tangent than I planned to this week, but I think I’ll be able to get to it before the next update. I’ve said for so long now that Shinae is very likely meant to help bridge Nol and Kousuke, but I think more than that, Shinae is the guiding light for them - that in very different ways, both Nol and Kousuke exist in the shadows and are imprisoned by their circumstances and experiences, and Shinae, I think, is the one who will be able to help them fight back against that darkness. I don’t mean this in a “She will save/fix them” kind of way as much as her presence in their lives, what she means to them, will help them to move from that which holds them down.
But I have a headache so I have to work on that another time lol
damien and linebeck have the minor dynamic of damien being a guy who’s pretty well built and has a healthy bit of fat on him and linebeck having the prestigious title of ‘boniest man on the great sea’
The thing w Slater when I put him in AUs/situations is like. Similar to the way the player in PMD EOS is written- when it comes down to it, the PMD Partner is the real chosen one. It just so happened the player is the one with the plot device.
As much as you'd like to spend the rest of your life secluded away from the world, you need money. Conveniently enough, a new detective agency in town is hiring, and the salary is ridiculously good. The catch? Oh, you'll see once you sign the contract right...here. Congratulations! You've sealed a lifetime bond with their one and only employee, a demon from the depths of Hell!
Content: female reader, monster romance, dark humor, perverted goat demon yandere, based on ‘Yondemasuyo, Azazel-San’
[Part 2] [Monster masterlist]
There’s still enough time to go back, you think. It’s loud and crowded and you’d rather be home. The temptation is beginning to creep its tendrils over your mind, so you quickly pull out your phone and check your bank account. The numbers remind you why you’re here in the first place: if you don’t get a job soon, you’ll run out of savings.
Come on, it can’t be that bad. In fact, it’s the best offer you’ve ever laid your eyes on. Minimal interaction with humans, short hours, and absurdly good pay. A new detective agency opened in your town and they’re looking for an assistant. A regular person would most likely be put off by such shady circumstances. There must be a catch, but you couldn’t care less either way. What are they going to do, kill you? Sell your organs on the black market? They’d spare you the time to plan your own demise.
You climb the stairs and knock on the door. A deep voice tells you to enter, and you sheepishly make your entrance. The office is rather small and somewhat cramped, with stacks of papers scattered over the floor. Behind the desk sits a man – maybe in his thirties? – with messy black hair, sunken eyes, and an irked expression. Is this the detective? He looks like an angry thug. Not that you’re one to judge, given your overall gloomy aura that deters passersby with ease.
“Yes?” he asks curtly, not even looking up from his book.
“I’m here for the job offer. The assistant role?”
“Ah, yeah. Completely forgot about that.” He rummages through his drawer and pulls out a sheet of paper, slapping it on the desk. “Here’s the details. Same as in the ad. Here’s where you sign. Do you have questions?”
“Hmm, I guess not.” You hum, indifferent, and scribble your name.
The man finally glances at you, faint intrigue on his face.
“This went unexpectedly smoothly. What if it was a scam?”
“Then what?” You stare him in the eye with a flaccid smile. “There’s nothing to take from me. If it is a scam indeed, you’ll be the one disappointed in the end.”
His eyes narrow in an eerie grin, and he stands up.
“Perfect match.”
“Excuse me?”
He walks towards a secondary room and waits for you to follow him. Once you’ve joined, he turns on the lights, and you immediately notice a strange seal painted on the floor: Geometric symbols resembling a pentagram, surrounded by words in a language you don’t understand. You’re carefully observing the strange sight, so entranced that you don’t sense the detective lifting your hand and casually piercing your finger with a small scalpel.
Before you can react to the sudden attack, he presses your hand onto the contract you’d signed earlier. You wince in pain and swiftly pull your hand away, glaring at the man.
“What the hell do you think you’re doing?” you demand angrily.
“I thought I’d already introduce you to the main tool we use to solve our cases.”
The sigil on the ground begins to glow and the edges move in a circular motion. A black ooze erupts from the center, rapidly expanding outwards. You glue yourself to the wall for safety, unsure of what is happening.
A clawed hand emerges from the cursed muck, grabbing onto the edges for support. Within seconds, a creature crawls its way out. A humanoid figure with curled horns and long locks, its body ending with goat hooves instead of legs, stands up and stretches before your terrified self. You tighten your jaw in anticipation.
“You always summon me during my best naps, damn it!” the demon barks.
The detective approaches the monster, completely unconcerned, and slaps its horns nonchalantly, earning a groan from the demon.
“Skip the unnecessary whining. This is our new assistant and your owner as of now.” He explains, dangling the contract before the horned creature and pointing a finger in your direction.
“The fuck? You said you’d end the deal if I completed that mission. You lied to me, you-!” the beast finally notices your presence and abruptly stops. “Well then, what do we have here?”
A wide, perverted smile replaces his frown, sharp fangs glistening with malice.
“Aren’t you a miserable one! You reek of apathy”, the demon exclaims, clacking his hooves in your direction. “Boy oh boy, I could just eat you up! Tell me your name.”
You open your mouth, but no sound comes out. You wonder if this is some bizarre dream after all. The demon clamps your lips back shut.
“Tempting offer, but I don’t need head right now. Save the gesture for later, alright? Let’s try again: Name!”
Your brows furrow in disbelief at his crass insolence.
“I-it’s (Y/N).” you finally manage to blurt out.
He strokes your head lovingly, as if he’s praising some house pet.
“Good girl. You can call me Zzy.”
For a moment, you completely forgot about the detective being in the same room. He places the demon under a firm hold and shoves him away from you, then hands you a thick, leathered book.
“This is his grimoire. Read it once you’re home. First day is tomorrow unless you need more time.”
“Tomorrow is fine”, you answer in a daze, fumbling to find the exit and ignoring the horned monster waving at you enthusiastically.
You’re lying in bed, still a little shaken from the events you witnessed earlier today. A detective agency that uses a demon to solve matters, and you’ve just been coerced into selling your soul for a lifetime bond with him. You sigh in exhaustion. At least the pay is good, you tell yourself as you trace your fingers over the old text of the grimoire:
“Great President of Hell, ruling three legions of demons. Brings insanity or great sorrow to any person the conjurer wishes. Feeds on sadness and fear. Causes people to end their life.”
Hard to believe that depraved buffoon holds such power. Although it does explain, at least, why the detective was eager to use you as a replacement. Or why the demon showed such intense interest.
“Who’s a buffoon?”
The voice is so close that you feel its hot breath on your ear. You scream and jump back in panic, tumbling out of the bed and scrambling onto the floor. You rub your eyes just to make sure: the half-goat creature is lounging under your sheets, gazing at you with a bored expression.
“Christ! I thought you’re not allowed to leave the office?” you inquire, baffled.
“That’s why I snuck this in your pocket!” he says as he procures a small coin. “I can track down cursed items. Hehe~”
As if remembering a vital detail, he throws himself up and joins you on the ground:
“Oh, but don’t tell Mr. Detective about it, or he’ll feed me to the dogs. It’s our secret.” he pleads, hands put together in a praying gesture.
“What are you even doing here?”
“I figured it’d be useful if we got to know each other as soon as possible, seeing as we’ll be working together from now on.”
“And it couldn’t wait until tomorrow?”
“Well…I also got really horny thinking of you and decided to just visit instead. How about a quick fuck?”
“Absolutely not. Eat a raw potato or something.”
“Don’t be like that! At least let me touch your boobs. Help a partner out, eh?”
Perhaps being scammed was not the worst-case scenario. You slap the demon’s groping fingers away and return to your previous spot in bed. It will be a long night.