i just Know jason grace deserved better because i didn't even care about him until idk three weeks ago
i've been a pjo fan for almost 10 years
someone please bring him back from the dead so i can start liking him without getting sad
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day 2: Royalty/Knight @mcyt-yuri-week
False, a knight famous for her ability to slay magical beings, was sent by her king to defeat the greatest threat of all - the fae. Here, she enters the faerie realm and is greeted by none other than the queen herself, waiting upon her forest throne.
Having grown up on tales of the fae and their evil trickery, False is surprised by how beautiful and kind the queen is, but isn’t going to let down her guard yet.
Queen Stress is rather impressed by this mortal who not only managed to find her way into the faerie realm, but is also brave (and foolish) enough to try and fight her! She has no intention of hurting False, and instead wants to teach her the mischievous ways of the fairies, get her to lighten up a bit and all that. And, well, if she tries to court the handsome knight along the way, who can blame her?
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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the oliver family reveal scene is such a character defining moment for felix. it reveals how deeply self serving he is as a person. ignoring that oliver is lying, since felix isn't aware of that at this point, felix is forcing his seemingly deeply traumatized friend back into said traumatizing environment because he feels the need to play the savior. "i'm not taking no for an answer. you have to fix this" why is felix insistent upon involving himself in these deeply personal family matters? to the point where he's bringing oliver there against his will? answering his phone and talking to his mom for him? as venetia said, he's known ollie for around six months. he couldn't truly begin to understand a family history that complicated and so opposite of his own in such short time, yet he's made himself an authority on mending this broken relationship between an abusive addict mother and her son. by deception. on ollie's birthday!!!!
the attention is taken away from this aspect of the dynamic very quickly since yknow, we find out everything is a farce anyway, but felix imposed himself like it was nothing. he has no concept of boundaries or overstepping- he cannot handle the word no. you can tell it's not the first time he's said "i'm not taking no for an answer" and it wouldn't be the last. and it wasn't ever even truly for ollie's sake, it was another part of felix's fantasy. it's another part of the role ollie plays for him. felix is a damsel that doesn't understand he's the damsel. he thinks he's the knight. and when his damsel isn't actually in distress, the illusion falls apart. suddenly, felix is the one actually in danger and the whole play is ruined.
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Fourteen’s wandering an art museum. Managed for a bit to behave like the Good Normal Quiet Thoughtful Art Patron but couldn’t keep it up, so:
Asks an incredible amount of increasingly-detailed questions and has long, in-depth conversations with the attendants.
Spends a ridiculous amount of time in the Van Gogh section just grinning from ear to ear.
There are several incorrectly labeled more ancient art items but for once he keeps his damn mouth shut. They’ll tell Mel later and she’ll get in touch with them
Doesn’t linger very long in the statuary section. There’s nothing obviously suspicious about it, but they’d just rather not.
Pleasantly surprised to come across a few of Clyde Langer’s pieces. The gun in that one looks so familiar, though, one of the must have shown him the painting at some point…
Fiddles with the audio tour headset so much he accidentally breaks it. He’ll fix it before he gives it back, and it’s super weird but that headset never runs out of battery ever again.
Of course they’re going to visit the Little Shop.
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