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#heist 88
lavoixhumaine · 9 months
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Angela Bassett with husband, Courtney B. Vance and their children at the 14th Annual Governor’s Ball
📸 extratv
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tinyreviews · 11 months
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I had high hopes but in the end this is just a simple formulaic B movie.
Heist 88 is a 2023 crime drama film, directed by Menhaj Huda, and written by Dwayne Johnson-Cochran. It stars Courtney B. Vance, Dwayne Johnson-Cochran, and Bentley Green.
A criminal mastermind recruits a group of young bank employees to steal 80 million dollars in one of the largest bank heists in US history.
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samsdei · 1 year
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Xavier Clyde
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ciegeinc · 11 months
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Movie Review...Heist 88
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(3.5/5) ohhhh this movie pissed me off. So, for the majority of the film, the rating hovered around 2/5 and 3/5..."meh" to "okay." The stories of the individual characters were just okay and the acting was that as well. It wasn't until things started to go down, until the actual heist happened that the movie finally got interesting.
At the height of the climax, it was landing at a 4/5 rating. Tension and suspense had me on the edge of my seat. I was now rooting for the characters to get away and then boom...unforeseen plot twist. Now, because I've watched enough robbery movies, I knew someone was going to mess up something, or a double cross was going to happen. But the character that did it was not on my radar.
You get this plot twist just for the story to end abruptly. What happened to the crew? What happened to his friends in Geneva...what happened!!! Smh...the ending was a disservice to the story, but overall, right above "okay" for me.
Inspired by true events, HEIST 88 is the unbelievable story centered on Jeremy Horne (Courtney B. Vance), a criminal mastermind with an innate ability to convince anyone to do just about anything, who decides to pull one last job before going to prison. He recruits four young bank employees to steal close to $80 million dollars in a daring and brazen assault on the U.S. banking system. The film takes place in a time before widespread computerization and the vast cybersecurity of today (rottentomatoes.com).
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delta7of96 · 1 year
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'Heist 88': Showtime Drops First Look, Reveals Premiere Date For Film Starring Courtney B. Vance - SHADOW & ACT
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Getem Courtney...!
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guiltknight-gaming · 2 years
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Marvel's Spider-Man Remastered (PC) Episode 88: Pursuing The Truth (No g...
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zirawrites · 5 months
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Fallout 4 companions reaction to sole who used to be criminal back in the old days before the bombs fell? They used to be a pro thief as they would rob banks and jewelery stores.
Cait: "I knew there was a reason we got on so well, Sole!" Cait threw an arm around her companion's shoulders. "So, what was your biggest score? And care to try it again? I reckon caps are easier to nick than jewels."
Codsworth: The Mr. Handy's body rattled in horror. "My word, sir/ma'am! Surely you jest. Our home was purchased with honest money. Why, you had reputable employment. Why would we have needed to steal?" He shook himself in disagreement. "This is a prank, isn't it? Well, it's not very funny. You've been spending too much time with Deacon."
Curie: "The psychology around kleptomania is actually quite fascinating." Curie badgered Sole with questions about their motivations behind their theft; seemingly uninterested in the heists themselves. Sole was so overwhelmed that they eventually lied that it was a joke.
Danse: "And you thought that was appropriate to confess to a Paladin?" Danse crossed his arms in admonishment. "I suggest you recant that statement before it gets noted in your records."
Deacon: Deacon reckoned that being a liar didn't give him the best moral standing to judge his partner for their criminal past. "That'll come in handy when dealing with the Institute." Then he patted his pockets. "Just don't get any ideas about borrowing my things. Tinker Tom does that enough already. This merry band we've got is running me dry."
Hancock: "Get in line with every other drifter who's blown through my town." The ghoul handed Sole a can of jet and gestured to his apartment. "Though I wouldn't mind hearing about some of those scores. Dishonest work makes for some of the best stories."
MacCready: "Woah, nice! What's the most expensive thing you've ever swiped?" MacCready pulled out a lighter from his duster. "Sometimes I help myself to a trinket or two from a target. This here is the best lighter I've ever used. Stole it off a serial killer, so I don't feel too bad about it." Then he shivered. "You don't think it has, like, bad energy, do you? Maybe I should toss it..."
Preston: "I don't think you'd want to admit that in earshot of any other Minutemen," he warned. "Don't think they'd take kindly to knowing our general's loyalties are... questionable." Then Preston checked his coat. "Wait, you haven't stolen anything from me, have you?"
Piper: "If you weren't my friend, I'd interview you for a feature on your greatest pre-war heists." Piper shrugged, her disappointment obvious. "But I'd hate to besmirch the goody-two-shoes image you've cultivated in the Commonwealth. Even if it loses me some sales."
Nick: "That's not exactly something you should brag about, kid." Nick looked the the perfect example of a displeased parent. "Some criminals make for the best detectives. They know how the bad guys' minds work. But don't get any bright ideas about pulling one over on me."
X6-88: "Surely not a common thief, though." X6 frowned. "Are we talking fancy jewelry stores? Big banks? Whatever you stole, I'm sure you got more out of it than a simple raider."
Edit: Just as Sole thawed from cryofreeze, I have returned.
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milominderbindered · 2 years
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wtnv cecil/carlos episodes complete list
look, bc 200 eps is a lot to get through, i made a list of all the episodes with important and/or particularly good cecil/carlos moments. sort of a relationship timeline sort of just notable stuff !!
Episode 1 - Pilot
(First meeting.  “And I fell in love instantly”)
Episode 3 - Station Management
(Carlos gets his hair cut)
Episode 8 — The Lights in Radon Canyon
(Carlos drops by the station, but tragically does not mention weekend plans)
Episode 16 — The Phone Call
(Cecil gets a phone call from Carlos)
Episode 25 — One Year Later
(Their first big moment)
Episode 27 — First Date
(as it says on the tin)
Episode 30 — Dana
(Carlos studying the house that does not exist)
Episode 31 — A Blinking Light Up On The Mountain
(Carlos makes Cecil dinner)
Episode 35 — Lazy Day
(Carlos has a busy day)
Episode 38 — Orange Grove
(An email from Carlos)
Episode 46 — Parade Day
(Carlos calls in)
Episode 49 — Old Oak Doors
(Carlos and Cecil reunite after a disappearance)
Episode 50 — Capital Campaign
(Carlos is trapped, but scientists are always fine)
Episode 51 — Rumbling
(Carlos reports from the desert)
Episode 52 — The Retirement of Pamela Winchell
(An update on Carlos)
Episode 54 — A Carnival Comes to Town
(Carlos calls)
Episode 55 — The University of What It Is
(Carlos’s university say hi)
Episode 56 — Homecoming
(Cecil misses Carlos)
Episode 58 — Monolith
(Carlos asks Cecil to visit)
Episode 59 — Antiques
(Carlos calls)
Episode 64 — WE MUST GIVE PRAISE
(Cecil paints Carlos)
Episode 65 — Voicemail
(Carlos leaves Cecil voicemails)
Episode 68 — Faceless Old Woman
(Cecil is back from visiting Carlos)
Episode 70A — Taking Flight
(A Carlos heavy episode)
Episode 70B — Review
(Carlos and Cecil reunite)
Episode 71 — The Registry of Middle School Crushes
(A heist)
Episode 75 — Through The Narrow Place
(Cecil and Carlos have matching lycra shorts)
Episode 76 — An Epilogue
(Carlos makes a clever plan, and they go bowling)
Episode 78 — Cooking Stuff
(Carlos and Cecil are going to host Thanksgiving)
Episode 88 — Things Fall Apart
(Carlos calls, and they have nicknames)
Episode 89 — Who’s a Good Boy, Part 1
(Carlos tries to save the town with science)
Episode 100 — Toast
(A big step)
Episode 103 — Ash Beach
(Carlos & Cecil visit Old Woman Josie)
Episode 107 — The Missing Sky
(Another Carlos science mission)
Episode 108 — Cal
(Carlos & Cecil’s home)
Episode 111 — Summer 2017, Night Vale, USA
(Carlos with his scientists, and with Cecil)
Episode 119 - eGemony, Part 3: "Love, Among Other Things, Is All You Need"
(Scientists calibrate their instruments to the length of Carlos’s hair)
Episode 124 — A Door Ajar, Part 1
(Carlos doesn’t want to do science?)
Episode 125 — A Door Ajar, Part 2
(A memory of when they first met)
Episode 126 — A Door Ajar, Part 3
(Couples counselling)
Episode 133 — Are You Sure?
(Carlos’s hair is unusually perfect)
Episode 147 — The Protestor
(Cecil doesn’t know an astronomer, but he does know a scientist)
Episode 149 — The General
(Cecil and Carlos go on a ‘first date’)
Episode 150 — The Birthday of Lee Marvin
(Cecil and Carlos’s 6th anniversary)
Episode 153 — The Heist, Part 1
(Carlos does science at home)
Episode 154 — The Heist, Part 2
(Love is the most important news story)
Episode 155 — The Heist, Part 3
(Carlos is a person of interest, which Cecil has been saying for years)
Episode 159 — Cat Show
(Debates over whose last name Khoshekh should have)
Episode 163 — Bravo
(They go to the theatre)
Episode 165 — Charlie
(Remembering when Carlos was in Desert Bluffs)
Episode 166 — Delta
(Carlos bought….handcuffs….at Target….)
Episode 167 — Echo
(Cecil knows that Carlos liked him from the very first time he called)
Episode 176 — The Autumn Spectre
(Carlos meets Bloody Mary)
Episode 177 - Bloody Laws, Bloody Claws: The Murder of Frank Chen
(Carlos calls)
Episode 181 — C*****s
(Reminiscing… and a new addition)
Episode 182 — It Sticks With You
(A family hike)
Episode 192 - It Doesn't Hold Up
(Carlos falls asleep during movies)
Episode 198 — Them Woods Are A Maze
(They take a break from parenting)
Episode 205 — The Moon is Gone
(Carlos plays Elden Ring 23 hours a day)
Episode 208 - Cecil in The Big City
(Carlos and Cecil take a trip)
Episode 209 - The Black Coat
(It’s nearly ten years since Carlos arrived in Night Vale)
Episode 210 - Ten Years Later
(It’s ten years since Carlos arrived in Night Vale)
Episode 212 - The Campus
(Carlos calls in about his old University)
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a34trgv2 · 10 months
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Why It Worked: The Bad Guys
SPOILER WARNING: This post contains majors spoilers for The Bad Guys. If You haven't seen this film, you might want to before reading further. You've been warned.
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Introduction: The Bad Guys is an animated action, comedy, heist film based on the children's book series by Adam Blabey. Directed by Pierre Perifel, the film stars Sam Rockwell, Marc Marron, Awkwafina, Anthony Ramos, Craig Robinson, Zazi Beets, Alex Borstein, Richard Ayode, and Lilly Singh as Mr. Wolf, Mr. Snake, Ms. Tarantula, Mr. Piranha, Mr. Shark, Diane Foxington, Police Chief Misty Luggins, Prof. Marmalade, and Tiffany Fluffit. Produced by DreamWorks Animation and distributed by Universal Pictures, the film was released on April 22, 2022. Critics were very receptive to it as 88% of 172 reviews on Rotten Tomatoes gave an average rating of 6.9/10. The film was also a massive success, even by pre-pandemic standards, as it made $250 million on a budget of $69-80 million. When I first saw the trailer, I thought it looked super dope and upon watching it on Blu-ray I was absolutely blown away. This film excelled at all the aspects of it's filmmaking and I'm more than happy to talk about it on Why It Worked.
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The Plot: Set in a world where humans and anthropomorphic animals coexist, a group of convicted felons plot to pose as good samaritans to pull off the biggest heist of all time. Things start to go awry when Wolf, the leader of the group, starts to find that being good actually feels really good. This puts his friendship with the guys, particularly Snake, to the test and uncovers a conspiracy that puts all of LA in great danger. Right out of the gate, this film hooks you with an amazing opening chase sequence that brilliantly introduces the characters, the world they inhabit, and the main conflict at hand. In addition to witty dialogue and hilarious jokes, the opening showcases what the tone of the film is and why we sympathize with these characters. The best part? The film keeps the momentum of the first 7 minutes going for the rest of the picture! This film has exquisite pacing with each scene showcasing wonderful use of show, dont tell, clever jokes, and excellent camaraderie between the characters. The greatest highlight of the film's story is its happy marriage of 2D and 3D animation, clearly taking a page from Sony's Spider-Man: Into the Spider-Verse. The film brings these characters to life with remarkable cel-shading, unique body types based on their personalities, and very expressive facial features. LA also looks gorgeous with vibrant warm colors in the daytime, contrasting with soothing cool colors at night. The city also feels lived in with an abundance of people populating the backgrounds and the city feeling like a huge playground for the Bad Guys. The biggest highlights of the animation are the action scenes, which best showcase the speed, veracity, and vibrant colors the film offers. This film's story was already funny and unique, but the filmmakers went above and beyond in making this a masterclass of visual storytelling.
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Cast and Characters: This has got to be among DreamWorks' best casted films! Everybody brings their A game to their roles, and they all have such great chemistry with one another. Our leading pickpocket and chief, Wolf, is such a swave, charismatic and funny leader who at first enjoys the life of crime he's chosen, but grows so fond of doing good he starts to drift from his original beliefs and becomes a really complex character. Major props to Sam Rockwell for delivering such an authentic and funny performance. His best friend, Snake, is a crusty, deadpan python who relishes his crime life more than Wolf, and they become at odds as the film progresses, and Wolf gradually becomes a different person. Marc Marron gave a very nuanced performance, making him sound crusty but also funny and fleshed out. Shark is a big, lovable master of disguise who adds extra comedy to the film thanks in large part to Craig Robinson's performance. Tarantula is the sassy, tech-savvy arachnid that serves as the group's hacker and is played brilliantly by Awkwafina. Piranha is a psychotic fish that acts first and thinks never and has some really good singing chops thanks to Anthony Ramos. Governor Diane Foxington is a sly, sassy, and clever public official who makes for a great foil for Wolf and is played wonderfully by Zazie Beets. Family Guy alum, Alex Borstein, absolutely kills it as Police Chief Misty Luggins, making her sound boisterous and manic in her pursuit of the Bad Guys. Lilly Singh did a really good job as Tiffany Fluffit, making her sound like an eccentric and bubbly news reporter. Then there's the film's surprise villain, Professor Marmalade. I honestly never saw the twist coming because, at first, he seemed like a genuinely good person who believes the Bad Guys can change, and everyone deserves a second chance. Once his true colors are revealed, that's when it all clicked. All this time, Marmalade was using the Bad Guys as a ruse to keep everyone's eyes off him so he could take the meteorite and harness its power to pull the biggest heist the world has ever known: using mind controlled guinea pigs to steal $1 billion dollars that was going to charity! Wow, now THAT'S evil! Richard Ayode provided such a brilliant performance, perfectly playing the kind, optimistic, good-hearted Marmalade while also devouring the scenery when his true colors are revealed. This is such a wonderful cast of characters, and everyone deserves a round of applause for their voice work.
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Where It Falters: 👏I👏want👏more! No seriously, this film is a 10/10 and the only gripe I have is I want more. The film is 100 minutes long and it very much feels like this is the beginning of DreamWorks' next big franchise. So I definitely expect a sequel to be made at some point. Yes, I know there's a holiday prequel on Netflix, but I saw the trailer for it and it looked like a very pale imitation of this film. Might as well just watch The Bad Guys again, which I did.
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Conclusion: The Bad Guys is now among my all time favorite DreamWorks Animation movies, right next to Kung Fu Panda 2 and The Prince Of Egypt! With a fast paced and hilarious story, well developed characters, excellent vocal performances, amazing animation, and a killer sound track, this film didn't meet my expectations: it EXCEEDED them! I can't recommend this film enough, especially if you're a fan of heist movies. This film should also be studied for aspiring storytellers on how to brilliantly showcase visual storytelling and how to write clever and witty dialogue. Thank you all so much for reading and I'll see you soon 😉
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cursed-and-haunted · 5 months
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I'm going through and watching all of rotten tomatoes top 88 heist films and I just finished The Bling Ring (2013) dir. Sofia Coppola and I already dislike Sofia Coppola's movies but this one is by far the worst. The thing that pisses me off the most is that two of the girls involved in those robberies were filming a reality TV show, the show literally filmed them being arrested, and Sofia Coppola leaves that out of the story. How are you going to make a movie about people obsessed with fame and leave that out? Like come on! Once again she takes a story with so much substance and sucks it all out and gives us the empty husk just like she did with Marie Antoinette. At least Marie Antoinette was pretty to look at. God I hate nepo babies. Anyway watch Netflix's The Real Bling Ring: Hollywood Heist it's much more compelling
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tilbageidanmark · 15 days
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MOVIES I WATCHED THIS WEEK (#192):
TRANCES (1981) is an infectious documentary about the influential Moroccan avant-pop band 'Nass El Ghiwane'. It's like 'The last Waltz' but in Casablanca. A must for fans of traditional Arabic music.
This was the first film that Martin Scorsese restored when he launched his "World Cinema Foundation" in 2007. My 4th Moroccan film. A transcendental experience [with one caveat: They gave amazing concerts to large, ecstatic crowds - and not a single woman in the audience!] This is the 9th film from the Scorsese's list that I've seen. I must remember to come back to it very soon.
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(Another concert, but of a completely different kind: Andrea Bochelli's LOVE IN PORTOFINO. This is for the folks who like to sit in the square by the water when the evening falls, dressed in white cottons, sip white wine while eating fried clams or seafood pizza, while listening to Bochelli's frothy, sentimental baritone.)
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POOL OF LONDON (1951), my 5th drama-Noir from mostly-forgotten master Basil Dearden. Sailors on leave and a jewel heist, as well as a sensitive interracial romance, the first white and Jamaican relationship in British cinema. Crisp on-location scenes and good character development.
Next: His 'The League of Gentlemen'.
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I've developed an interest in the emerging sub-genre of 'Domestic Workers’, mostly movies from South America and Southeast Asia. Many of these are fantastic; 'Àma Gloria', 'The second mother', 'Lina from Lima', 'Roma', 'The maid', 'Ilo Ilo', 'The chambermaid', Etc.
But I did not expect for the documentary YAYA (2018) to emerge as the most touching of this week's movies. A young filmmaker in Hong Kong, Justin Cheung, turned the camera on his own family, to explore their relationship with the woman who took care of him the first 22 years of his life.
Philippine Au-pairs in Hong Kong are some of the most exploited and abused workers in the world. And while his helper-maid was not mistreated, she gave up her own life to take care of somebody else's kids. Recommended! 8/10.
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FELLINI X 2:
🍿 (I have no idea why I never seen this masterpiece.) LA STRADA (1954), is the sad and poignant story of simple-minded Giulietta Masina, who was sold to 'brutish strongman' Anthony Quinn for 10,000 lire. She's a mythic, Chaplinesque 'Fool' who's being abused and mistreated as she joins him traveling round the countryside in their little freak-show. Until she dies of a heartbreak. Its tragedy is accented by Nino Rosi's sentimental score. 8/10.
🍿 THE MAGIC HOUR (2008), my second screwball comedy [After 'Welcome back, Mr. McDonald'] by Kōki Mitani, "The Best Japanese Filmmaker You've Never Heard Of". A failed bit actor gets a job to play a mysterious hit man, not realizing that the movie he's starring in is going to be 'real'. It's a lighthearted meta-film about making a movie, not unlike 'Day for night', but set in some seaport gangster-land. It's like 'Casablanca' but with a Nino Rosi like score. Includes a cameo of director Kon Ichikawa, the last before his death.
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3 MORE BY KEN LOACH:
🍿 THE OLD OAK, the latest (and probably his very last film) from the 88-year-old socialist Brit. A warm and 'humane' story full of small and heartfelt emotions, it kept me in tears from opening to the end. Ordinary people who suffer in so many ways. The inhabitants of a decaying ex-mining town can barely manage to hang on, and now they have to deal with a group of Syrian refugees - "Foreigners!" - who had lost it all in the war, and are being repatriated to their midst. Loach's films are usually about working-class Brits who's been getting the shaft for generations, and sometimes retain their humanity. And so is this one. 9/10.
🍿 “First they called you a terrorist, they they called you a hero”.
11′09″01 SEPTEMBER 11 is an anthology film from 2002. Eleven filmmakers contributed each a segment of 11 minutes and 9 seconds with different perspectives on the World Trade Center attacks. Some of the productions were better than others. Ken Loach had a Chilean exile in London write a letter to the families of the victims with the story of the Chilean September 11 attack of democracy (1973/CIA/Kissinger/Pinochet). In the Iranian segment, a teacher in a refugee camp was trying unsuccessfully to tell her young pupils about the attack. A poor boy in Burkina Faso imagined that he saw Osama bin Ladin in the market, and that he can use the $25M reward money to help his dying mom. Claude Lelouch told of a deaf French woman who sits next to the TV, but misses the news because she can't hear it. A Bosnian woman goes to the scheduled demonstration about the Srebrenica massacre. Etc. A mixed bag.
🍿 TIME TO GO is his 1989 documentary, pushing for British withdrawal from Northern Ireland. I actually don't know more than the average laymen about Irish history, so I need to take a reading course about the "Troubles" and what brought it.
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Another first watch: TRAINSPOTTING (1996). There were half a dozen films which I avoided until now, because I felt, rightly or wrongly, that they are too distressing: 'Requiem for a dream', Lars von Trier's 'Melancholia' (actually, all his movies), 'Salò', 'Funny Games' (both versions), 'A Serbian film', 'Kids', Etc. But now that I crossed 'Come and see' off this list, I also took a stab at this disgusting Scottish Heroin-chic shite-storm. Now I can say that I saw it too.
Well, I like Kelly Macdonald, and didn't expect her debut in an under-aged sex scene... Another plus, an appropriate use for Lou Reed's 'A perfect day'.
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TIME PIECE, a terrific experimental 9-minute short by Jim Hanson which was nominated for an Oscar in 1965. A rhythmic masterpiece: "Help!" 8/10.
Extra: ROBOT (1963), another prophetic Hanson short, precursor to 'HAL9000'. I'm sure that both these films will be mentioned in his new bio-pic.
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2 EARLY FILMS BY LINDSAY ANDERSON:
🍿 THE WHITE BUS (1967) told of a a taciturn young woman without a name who takes a double-Decker bus tour in a city without a future to experience some bizarre scenes without any rhyme or reason. It includes some surrealistic flourishes (A sudden tableaux of 'Le Dejeuner sur l'Herbe', a fantasy about suicide, a long tour in the library where the pompous major keeps complaining about filthy books...). But what is the point of it all?
It was edited by Kevin Brownlow, and filmed by Miroslav Ondříček, But it will mostly be remembered as the film debut of one 30-year-old Anthony Hopkins, as a German Thespian reciting Brecht. 2/10.
🍿 O DREAMLAND (1953) is a macabre documentary short about a loud amusement park in Margate, Kent, and the multitudes of middle class patrons (and their many children) who visit it without much amusement in their eyes. It's melancholy and miserable and dour. 7/10. A fun Fair without the fun. (Screenshot Above).
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"This guy is a one-man crime wave!"
FOR HEAVEN’S SAKE (1926), one of Harold Lloyd's most successful films. Including some great chase and slapstick gags.
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The first time I saw DEREK DELGAUDIO's IN & OF ITSELF, I was blown away. The next 2 or 3 times I thought it was great. There's something that compelled me to return to this Magician-"Mentlist" installation piece again and again. But after 4 or 5 times, i realize what he's doing, and his shtick is not as polished as f. ex. Derren Brown's. Yes, he has a few numbers that looks fantastic (A random audience member picks a random letter from a pile, and opens it to read a personal letter from her dying father... The final sketch where he "knows" what secret cards did each and every member of the audience had picked), but for the rest, he's mostly manipulates us with shaggy anecdotes and tall tales of personal pains. And really, they are not as profound as he wants us to believe they are.
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Hiroshi Teshigahara's HOKUSAI is a 1953 documentary about the woodblock artist, but a bit too old fashioned. I recently saw his 'The face of another', and should have watched 'Woman in the dunes' instead.
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THE SUITCASE was episode 7 of 4th season of 'Mad Men', the exact middle of the series (46/92). I've seen it numerous times, and it's still one of the most emotionally gripping. Jon Hamm will never be as perfect as he was as Don Draper. And it's pretty amazing that he and Peggy Olsen never even kissed, let alone sleep together. 10/10. Re-watch ♻️. [*Female Director*]
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"If there's one thing about me, it's repetition"...
My first by British comedian Steward Lee, his latest LIVE AT THE LOWRY came recommended by Hoots maguire, so here I am. Lee is a different kind of a stand-up: Dry, self-referential, erudite, and circular. His improvisations are jazzy. Recommended.
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2 ALTERNATIVE-QUEER ANIMATIONS:
🍿 THE FINAL EXIT OF THE DISCIPLES OF ASCENSIA (2019) is a strange - and weird - story made by one young Jonni Peppers. It is done very much in the aesthetics, and spirit, of Don Hertzfeldt's 'World of Tomorrow', although it's far from being that coherent. A confused young woman joins an all-women UFO-cult, which, like the Heaven's Gate dudes, eventually "ascends". It doesn't really have a clear message, but it has quiet a few moments of beauty. Peppers is working with Victoria Vincent, whose film 'A dog that smokes weed' I've admired. The two songs she plays are very pretty. [*Female Director*]
🍿 HOW TO FIND LOVE IN AN UNBECOMING AGE, a first film by a young lesbian about hot dating today. Could become a series. 7/10. [*Female Director*]
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3 MORE SHORTS BY FEMALE DIRECTORS:
🍿 3 MINUTOS (1999), a short Brazilian masterpiece. The phone rings in a kitchen, and the answering machine picks it up. A woman's voice is telling him that she decided to leave. Recommended. 9/10.
[This is actually the second film by Ana Luíza Azevedo I've seen. She co-directed 'Barbosa' with Jorge Furtado.]
🍿 LIKE TWENTY IMPOSSIBLES, my first by Palestinian Annemarie Jacir. A small Palestinian film crew is trying to cross a border checkpoint, and is subject to humiliating abuse by the Israeli soldiers. There were other films about the exact topic, the grinding brutality, the hopeless struggle just to stay human - "The cruelty is the point". And this was made in 2003, before the whole occupied territories turned into the big concentration camp it is today.
I promised myself that I will stop watching these traumatic films, and I will. But surprise! When the credits rolled, it appeared that this horrible true-to-life documentary was actually "Fiction"! The ugly film was so realistic, that it was a huge relief to discover it was "Only Art". 8/10.
🍿 THE INCREDIBLE THEFT OF CELINE'S BELOVED (2020), a cute French love letter to Wes Anderson. A 14 year old girl receives a surprise package in the mail. It's as if girl herself directed this story. 6/10. [*3 Female Directors*]
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2 EARLY SHORTS BY RIAN JOHNSON:
🍿 I started watching his heist story 'The Brothers Bloom', but couldn't finish it. Maybe I'll do it next week. Meanwhile I tried -
In BEN BOYER AND THE PHENOMENOLOGY OF AUTOMOBILE MARKETING, the voice of Carl Jung approaches a guy taking a shit with an archetypal explanation through the air-filter vent. The topic? The subconscious meaning of car brand logos. Made for $99 in 2001. With Pink Floyd 'Atom Heart Mother' score.
🍿 In THE PSYCHOLOGY OF DREAM ANALYSIS (2003) a young woman dreams somebody else's dreams. A student film that feels like one. 2/10.
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(ALL MY FILM REVIEWS - HERE).
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lavoixhumaine · 9 months
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one of the best things about watching Angela Bassett win anything is that we know we always gonna catch her beloved capturing the moment on his phone
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God bless Mr. Courtney B. Vance who goes to sleep every night knowing he won at life.
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pinkyjulien · 8 months
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🟨 OC Personality Match Quiz
Got tagged by @therealnightcity and @ouroboros-hideout Thank you guys! 😊🧡
Pre-shooting this by saying I don't know everyone on the list 🤏 so I'm not sure of how accurate the results are HGFH
Taking this for Valentin of course- but since he shares a lot of my own personality and traits, the results also matches with meeeee in some ways 👁👄👁👉👈
Rom (Star Trek: Deep Space Nine): 88%
Maurice (Beauty and the Beast): 86%
Wyatt Langmore (Ozark): 85%
Sam Witwicky (Transformers): 85%
Rio (Money Heist): 85%
Hoban Washburne (Firefly + Serenity): 83%
Steve Brady (Sex and the City): 83%
Kenny McCormick (South Park): 83%
Hughie Campbell (The Boys): 83%
Jonathan Byers (Stranger Things): 83%
Man. I only know like- two of those AHGHFH Ngl the noise I made when I saw this dude pop up tho
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No offense but AUIHGHUEZIUZ........ I checked his traits and I see why he'd match with Valentin tho
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Like. Yeah. Yeah I get it, I get it, I get it HGHFHGF That applies perfectly to my boy 🤧
▶ Tagging, with no pressure 💛 Not sure who already did it or not! @halkuonn - @dreamskug - @aldecaldhos - @lokiina - @lucky38-2077 - @ne0n-rust - @nw-art - @wraithsoutlaws - @elvenbeard - @theviridianbunny - @kharonion
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thehylianbatman · 9 months
Text
The Missing Episodes of Star Wars: The Clone Wars
This post has nothing to do with Disney or their movies.
Hello. Star Wars is extremely close to my heart, and extremely important to me. As a narrative and a creative work, I believe Star Wars is unique and distinctive. I believe that Star Wars is now in an unfinished state, and will more than likely remain so forever, but my anti-Disney tirades can go in another post. For now, I simply want to inform you about Star Wars: The Clone Wars, and share my theory that there are episodes of Star Wars: The Clone Wars being hidden from us.
All information in this post is publicly and freely available from Wikipedia.
Here is a list of every episode of Star Wars: The Clone Wars released before production was cancelled by Disney in 2014, along with seasonal notes.
SEASON 1 (2008) - This season contains 6 standalone episodes, 5 arcs of 2 episodes, and 2 arcs of 3 episodes, covering episodes 1 through 22 of the series. The seasons opens and closes on standalone episodes. As the first season of the series, these formats are all appearing for the first time.
"Ambush" (1.08)
"Rising Malevolence" (1.07)
"Shadow of Malevolence" (1.09)
"Destroy Malevolence" (1.11)
"Rookies" (1.14)
"Downfall of a Droid" (1.02)
"Duel of the Droids" (1.06)
"Bombad Jedi" (1.05)
"Cloak of Darkness" (1.10)
"Lair of Grievous" (1.12)
"Dooku Captured" (1.16)
"The Gungan General" (1.20)
"Jedi Crash" (1.22)
"Defenders of Peace" (1.24)
"Trespass" (1.25)
"The Hidden Enemy" (2.01)
"Blue Shadow Virus" (1.26)
"Mystery of a Thousand Moons" (2.02)
"Storm Over Ryloth" (1.15)
"Innocents of Ryloth" (1.17)
"Liberty on Ryloth" (1.19)
"Hostage Crisis" (2.04)
SEASON 2: Rise of the Bounty Hunters (2009) - This season contains 4 standalone episodes, 2 arcs of 2 episodes, 3 arcs of 3 episodes, and 1 arc of 5 episodes, "Senate Spy" to "Brain Invaders"; this covers episodes 23 through 44 of the series. The seasons opens and closes on 3-episode arcs. The 5-episode arc is appearing for the first and only time.
"Holocron Heist" (1.23)
"Cargo of Doom" (1.13)
"Children of the Force" (2.03)
"Senate Spy" (2.05)
"Landing at Point Rain" (2.07)
"Weapons Factory" (2.08)
"Legacy of Terror" (2.09)
"Brain Invaders" (2.12)
"Grievous Intrigue" (2.14)
"The Deserter" (2.06)
"Lightsaber Lost" (2.11)
"The Mandalore Plot" (2.13)
"Voyage of Temptation" (1.21)
"Duchess of Mandalore" (2.16)
"Senate Murders" (2.10)
"Cat and Mouse" (2.17)
"Bounty Hunters" (2.19)
"The Zillo Beast" (2.22)
"The Zillo Beast Strikes Back" (2.23)
"Death Trap" (2.15)
"R2 Come Home" (2.18)
"Lethal Trackdown" (2.20)
SEASON 3: Secrets Revealed (2010) - This season contains 3 standalone episodes, 5 arcs of 2 episodes, and 3 arcs of 3 episodes, covering episodes 45 through 66 of the series. The season opens and closes on 2-episode arcs.
"Clone Cadets" (3.01)
"ARC Troopers" (3.02)
"Supply Lines" (2.24)
"Sphere of Influence" (2.25)
"Corruption" (3.04)
"The Academy" (2.26)
"Assassin" (2.21)
"Evil Plans" (3.03)
"Hunt for Ziro" (3.05)
"Heroes on Both Sides" (3.06)
"Pursuit of Peace" (3.07)
"Nightsisters" (3.08)
"Monster" (3.10)
"Witches of the Mist" (3.12)
"Overlords" (3.09)
"Altar of Mortis" (3.11)
"Ghosts of Mortis" (3.13)
"The Citadel" (3.14)
"Counter Attack" (3.15)
"Citadel Rescue" (3.17)
"Padawan Lost" (3.16)
"Wookie Hunt" (3.18)
SEASON 4: Battle Lines (2011) - This season contains 1 standalone episode, "A Friend in Need", 1 arc of 2 episodes, "Mercy Mission" and "Nomad Droids", 1 arc of 3 episodes, "Kidnapped" through "Escape from Kadavo", and 4 arcs of 4 episodes, covering episodes 67 through 88 of the series. The season opens and closes on 4-episode arcs. The 4-episode arc is appearing for the first time.
"Water War" (3.22)
"Gungan Attack" (3.23)
"Prisoners" (3.24)
"Shadow Warrior" (3.19)
"Mercy Mission" (3.20)
"Nomad Droids" (3.21)
"Darkness on Umbara" (3.25)
"The General" (3.26)
"Plan of Dissent" (4.01)
"Carnage of Krell" (4.02)
"Kidnapped" (4.03)
"Slaves of the Republic" (4.04)
"Escape from Kadavo" (4.05)
"A Friend in Need" (4.06)
"Deception" (4.07)
"Friends and Enemies" (4.08)
"The Box" (4.09)
"Crisis on Naboo" (4.10)
"Massacre" (4.11)
"Bounty" (4.12)
"Brothers" (4.13)
"Revenge" (4.14)
SEASON 5 (2012) - This season contains 1 standalone episode, "Revival", 1 arc of 3 episodes, "Eminence" through "The Lawless", and 4 arcs of 4 episodes, covering episodes 89 through 108 of the series. The season opens on a standalone episode and closes on a 4-episode arc. This is the first season since Season 1 to open on a standalone episode, and the first season to open and close with episodes/arcs of different lengths, as well as the first season to have fewer than 22 episodes; it contains only 20 episodes.
"Revival" (4.26)
"A War on Two Fronts" (4.15)
"Front Runners" (4.16)
"The Soft War" (4.17)
"Tipping Points" (4.18)
"The Gathering" (4.22)
"A Test of Strength" (4.23)
"Bound for Rescue" (4.24)
"A Necessary Bond" (4.25)
"Secret Weapons" (5.04)
"A Summer Day in the Void" (5.05)
"Missing in Action" (5.06)
"Point of No Return" (5.07)
"Eminence" (5.01)
"Shades of Reason" (5.02)
"The Lawless" (5.03)
"Sabotage" (5.08)
"The Jedi Who Knew Too Much" (5.09)
"To Catch a Jedi" (5.10)
"The Wrong Jedi" (5.11)
SEASON 6: The Lost Missions (2014) - This season contains 1 arc of 2 episodes, "The Disappeared, Part I" and "The Disappeared, Part II", 1 arc of 3 episodes, "An Old Friend" through "Crisis at the Heart", and 2 arcs of 4 episodes, covering episodes 109 through 121 of the series. This is the first season to contain no standalone episodes.
"The Unknown" (5.12)
"Conspiracy" (5.13)
"Fugitive" (5.14)
"Orders" (5.15)
"An Old Friend" (4.19)
"The Rise of Clovis" (4.20)
"Crisis at the Heart" (4.21)
"The Disappeared, Part I" (5.16)
"The Disappeared, Part II" (5.17)
"The Lost One" (5.18)
"Voices" (5.19)
"Destiny" (5.20)
"Sacrifice" (5.21)
The series had 5 seasons conventionally constructed, intentionally sequenced and released weekly on television, and 1 season released in bulk on a streaming service, Netflix. Altogether, this covers 121 episodes of the series released before Disney's interference.
However, this is not all of the information we have. You'll notice that, next to every single episode title, there is a sequence of two numbers. This sequence is that episode's production code; the first digit is the production block, while the next two digits are the episode's particular order within the production block. This information is more pertinent for a look at the series from a production standpoint, so here is that information put together:
BLOCK 1 - This block contains episodes from Seasons 1 and 2.
1.02 - "Downfall of a Droid" (S1E6) 1.05 - "Bombad Jedi" (S1E8) 1.06 - "Duel of the Droids" (S1E7) 1.07 - "Rising Malevolence" (S1E2) 1.08 - "Ambush" (S1E1) 1.09 - "Shadow of Malevolence" (S1E3) 1.10 - "Cloak of Darkness" (S1E9) 1.11 - "Destroy Malevolence" (S1E4) 1.12 - "Lair of Grievous" (S1E10) 1.13 - "Cargo of Doom" (S2E2) 1.14 - "Rookies" (S1E5) 1.15 - "Storm Over Ryloth" (S1E19) 1.16 - "Dooku Captured" (S1E11) 1.17 - "Innocents of Ryloth" (S1E20) 1.19 - "Liberty on Ryloth" (S1E21) 1.20 - "The Gungan General" (S1E12) 1.21 - "Voyage of Temptation" (S2E13) 1.22 - "Jedi Crash" (S1E13) 1.23 - "Holocron Heist" (S2E1) 1.24 - "Defenders of Peace" (S1E14) 1.25 - "Trespass" (S1E15) 1.26 - "Blue Shadow Virus" (S1E17)
BLOCK 2 - This block contains episodes from Seasons 1, 2, and 3, tied with Block 4 for the most seasons within a single block.
2.01 - "The Hidden Enemy" (S1E16) 2.02 - "Mystery of a Thousand Moons" (S1E18) 2.03 - "Children of the Force" (S2E3) 2.04 - "Hostage Crisis" (S1E22) 2.05 - "Senate Spy" (S2E4) 2.06 - "The Deserter" (S2E10) 2.07 - "Landing at Point Rain" (S2E5) 2.08 - "Weapons Factory" (S2E6) 2.09 - "Legacy of Terror" (S2E7) 2.10 - "Senate Murders" (S2E15) 2.11 - "Lightsaber Lost" (S2E11) 2.12 - "Brain Invaders" (S2E8) 2.13 - "The Mandalore Plot" (S2E12) 2.14 - "Grievous Intrigue" (S2E9) 2.15 - "Death Trap" (S2E20) 2.16 - "Duchess of Mandalore" (S2E14) 2.17 - "Cat and Mouse" (S2E16) 2.18 - "R2 Come Home" (S2E21) 2.19 - "Bounty Hunters" (S2E17) 2.20 - "Lethal Trackdown" (S2E22) 2.21 - "Assassin" (S3E7) 2.22 - "The Zillo Beast" (S2E18) 2.23 - "The Zillo Beast Strikes Back" (S2E19) 2.24 - "Supply Lines" (S3E3) 2.25 - "Sphere of Influence" (S3E4) 2.26 - "The Academy" (S3E6)
BLOCK 3 - This block contains episodes from Seasons 3 and 4.
3.01 - "Clone Cadets" (S3E1) 3.02 - "ARC Troopers" (S3E2) 3.03 - "Evil Plans" (S3E8) 3.04 - "Corruption" (S3E5) 3.05 - "Hunt for Ziro" (S3E9) 3.06 - "Heroes on Both Sides" (S3E10) 3.07 - "Pursuit of Peace" (S3E11) 3.08 - "Nightsisters" (S3E12) 3.09 - "Overlords" (S3E15) 3.10 - "Monster" (S3E13) 3.11 - "Altar of Mortis" (S3E16) 3.12 - "Witches of the Mist" (S3E14) 3.13 - "Ghosts of Mortis" (S3E17) 3.14 - "The Citadel" (S3E18) 3.15 - "Counter Attack" (S3E19) 3.16 - "Padawan Lost" (S3E21) 3.17 - "Citadel Rescue" (S3E20) 3.18 - "Wookiee Hunt" (S3E22) 3.19 - "Shadow Warrior" (S4E4) 3.20 - "Mercy Mission" (S4E5) 3.21 - "Nomad Droids" (S4E6) 3.22 - "Water War" (S4E1) 3.23 - "Gungan Attack" (S4E2) 3.24 - "Prisoners" (S4E3) 3.25 - "Darkness on Umbara" (S4E7) 3.26 - "The General" (S4E8)
BLOCK 4 - This block contains episodes from Seasons 4, 5, and 6, tied with Block 2 for the most seasons within a single block.
4.01 - "Plan of Dissent" (S4E9) 4.02 - "Carnage of Krell" (S4E10) 4.03 - "Kidnapped" (S4E11) 4.04 - "Slaves of the Republic" (S4E12) 4.05 - "Escape from Kadavo" (S4E13) 4.06 - "A Friend in Need" (S4E14) 4.07 - "Deception" (S4E15) 4.08 - "Friends and Enemies" (S4E16) 4.09 - "The Box" (S4E17) 4.10 - "Crisis on Naboo" (S4E18) 4.11 - "Massacre" (S4E19) 4.12 - "Bounty" (S4E20) 4.13 - "Brothers" (S4E21) 4.14 - "Revenge" (S4E22) 4.15 - "A War on Two Fronts" (S5E2) 4.16 - "Front Runners" (S5E3) 4.17 - "The Soft War" (S5E4) 4.18 - "Tipping Points" (S5E5) 4.19 - "An Old Friend" (S6E5) 4.20 - "The Rise of Clovis" (S6E6) 4.21 - "Crisis at the Heart" (S6E7) 4.22 - "The Gathering" (S5E6) 4.23 - "A Test of Strength" (S5E7) 4.24 - "Bound for Rescue" (S5E8) 4.25 - "A Necessary Bond" (S5E9) 4.26 - "Revival" (S5E1)
BLOCK 5 - This block contains episodes from Seasons 5 and 6.
5.01 - "Eminence" (S5E14) 5.02 - "Shades of Reason" (S5E15) 5.03 - "The Lawless" (S5E16) 5.04 - "Secret Weapons" (S5E10) 5.05 - "A Sunny Day in the Void" (S5E11) 5.06 - "Missing in Action" (S5E12) 5.07 - "Point of No Return" (S5E13) 5.08 - "Sabotage" (S5E17) 5.09 - "The Jedi Who Knew Too Much" (S5E18) 5.10 - "To Catch a Jedi" (S5E19) 5.11 - "The Wrong Jedi" (S5E20) 5.12 - "The Unknown" (S6E1) 5.13 - "Conspiracy" (S6E2) 5.14 - "Fugitive" (S6E3) 5.15 - "Orders" (S6E4) 5.16 - "The Disappeared, Part I" (S6E8) 5.17 - "The Disappeared, Part II" (S6E9) 5.18 - "The Lost One" (S6E10) 5.19 - "Voices" (S6E11) 5.20 - "Destiny" (S6E12) 5.21 - "Sacrifice" (S6E13)
Looking at this list, gaps are plainly evident. 1.01, 1.03, 1.04, and 1.18 are all missing, and Block 5 is 5 episodes shorter than the previous 4 blocks. Where are these episodes?
The missing episodes from Block 1 are easy; they were cannibalized and stitched together to make the Star Wars: The Clone Wars film. The film is 98 minutes long, while episodes of the series are typically around 22 minutes long; 22 minutes per episode times 4 episodes is 88 minutes total runtime, 10 minutes short of the film's runtime. Those 10 minutes are likely the credits and polishing for the film's theatrical release, if not simply the episodes themselves being slightly longer.
Therefore, we can add these to the list:
1.01 - The Clone Wars Film (FILM) 1.03 - The Clone Wars Film (FILM) 1.04 - The Clone Wars Film (FILM) 1.18 - The Clone Wars Film (FILM)
This resolves the issue of the missing episodes from Block 1, meaning that all of the episodes produced before 5.22 were released. This gives us a total of 125 episodes. But what about Episode 5.22 and the rest of Block 5?
This is where the trail gets murky. Fans of the series who were around when it was cancelled may recall The Clone Wars Legacy, the plan to release content from the series in different means in order to not waste the work that went into it. Some may think that this simplifies things. In fact, it does the opposite.
Here is a list of all the content from The Clone Wars Legacy:
Darth Maul: Son of Dathomir, a comic adapting a 4-episode arc covering Darth Maul's story after getting captured by Darth Sidious at the end of "The Lawless", released by Dark Horse Comics.
Dark Disciple, a novel adapting either an 8-episode arc or two related 4-episode arcs covering Asajj Ventress' story after her last appearance in "The Wrong Jedi".
Crystal Crisis on Utapau, a rough story reel of incomplete episodes of a 4-episode arc, covering the emotional fallout of Ahsoka's departure from the Jedi Order after the events of "The Wrong Jedi".
The Bad Batch, a rough story reel of incomplete episodes of a 4-episode arc, intending to work as a backdoor pilot of sorts to a spin-off series focusing on the titular Bad Batch.
Those keeping track of the numbers will quickly spot that we have the content of 20 episodes released as The Clone Wars Legacy. This does not easily fill in the gaps we have, nor does it finish things off neatly.
The production codes of the original episodes adapted into the material for The Clone Wars Legacy are known. The production codes of the in-production 20 episodes are listed below:
BLOCK 6 - This block has 16 known episodes.
6.01 - "A Death on Utapau" (REEL) 6.02 - "In Search of the Crystal" (REEL) 6.03 - "Crystal Crisis" (REEL) 6.04 - "The Big Bang" (REEL) 6.09 - "The Bad Batch" (REEL) 6.10 - "A Distant Echo" (REEL) 6.11 - "On the Wings of Keeradaks" (REEL) 6.12 - "Unfinished Business" (REEL) 6.13 - "Lethal Alliance" (BOOK) 6.14 - "The Mission" (BOOK) 6.15 - "Conspirators" (BOOK) 6.16 - "Dark Disciple" (BOOK) 6.21 - "The Enemy of My Enemy" (BOOK) 6.22 - "A Tale of Two Apprentices" (BOOK) 6.23 - "Proxy War" (BOOK) 6.24 - "Showdown on Dathomir" (BOOK)
BLOCK 7 - This block has 4 known episodes.
7.05 - "Saving Vos, Part I" (BOOK) 7.06 - "Saving Vos, Part II" (BOOK) 7.07 - "Traitor" (BOOK) 7.08 - "The Path" (BOOK)
While we can add these to the list of produced episodes of Star Wars: The Clone Wars, this raises more questions than answers. Not only was there a Block 6, but there was also a Block 7 as well. Block 7 is nearly entirely unknown, while Block 6 also has gaps, and, to top it all off, none of the things we gain from this are in Block 5, meaning those episodes are still unknown as well.
However, we do gain one answer from this: the production blocks got shorter. The last episode of Block 6 is 6.24, not 6.26 as one might expect from Blocks past. This makes Block 5's gap a little more clear-cut; it means we're only missing 5.22 through 5.24. That's 3 episodes, a common arc length. If Block 5 was as long as the other blocks, that would be 5 episodes missing, which could be either a 4-episode arc and a standalone episode, or a 2-episode arc and a 3-episode arc. All still common arc lengths, but not as clear-cut.
Of course, there's no definitive proof that the blocks got shorter. It's possible there'a 5.25 and 5.26 and a 6.25 and a 6.26. That would be a 2-episode arc missing from Block 6, as well.
The only "proof" I have seen stating that the blocks got shorter, besides the lack of trails for a theoretical 6.25 and 6.26 confirming that Block 6 remained the same length, and therefore Block 5 must have, as well, is a statement by Pablo Hidalgo on Twitter, stating that there is no 5.25 or 5.26. I do not know where he gets his information from, and his relationship with Lucasfilm is murky to me, so I'm hesitant to just accept it as fact. There's also the fact that he could be lying to cover Lucasfilm and/or Disney for the sake of money and employment.
This is not an allegation or a statement of belief, merely an acknowledgement of possibility.
However, the production blocks do seem to be 26 episodes long specifically just to cover the film initially, which leaves 22 episodes for the regular season; since Season 5 definitively got reduced by 2 episodes, it's entirely possible that the production blocks did also get reduced by 2 episodes, and the new season length merely reflects this.
All this does is muddy the waters, however. Without solid answers, we've got next to nothing to go on.
Except Disney.
Of course, Disney resurrected the rotting corpse of Star Wars: The Clone Wars to be completely sure that the money well within was completely dry, before discarding it and moving on to whatever live action thing they're working on now. These episodes do, however, give us some information. Listed below are the episodes Disney released:
BLOCK 6
6.05 - "Gone with a Trace" (DISNEY) 6.06 - "Deal No Deal" (DISNEY) 6.07 - "Dangerous Debt" (DISNEY) 6.08 - "Together Again" (DISNEY)
BLOCK 7 7.21 - "Old Friends Not Forgotten" (DISNEY) 7.22 - "The Phantom Apprentice" (DISNEY) 7.23 - "Shattered" (DISNEY) 7.24 - "Victory and Death" (DISNEY)
While these episodes have been "adapted" (read: scrubbed and censored) by Disney, the fact that they continue to use the original production codes leads me to believe that these episodes originated as original episodes of Star Wars: The Clone Wars. However, they've been written or additionally written by Dave Filoni, who, aside from assisting with one episode ("Lethal Trackdown", S2E22, 2.20), was not a writer on the series until after Disney bought the property; he was a director. This tells me that the direction he took the episodes in was not their originally intended direction, but rather, the Disney-approved direction given to him. This says, to me, that we cannot pull any information from these episodes besides possibly basic premises, as these are not the original episodes with renewed production, but new "adaptations" of what was being produced when the series was cancelled.
However, this does give us new information, in telling us that the final episodes of Block 7 were the finale of the series. This feels too large of a fact to be new or changed; I feel that, while the content and direction of 7.21 through 7.24 may have changed, them being the series finale is just too big of a basic premise to ignore or change. If it isn't, then why make those episodes the finale of the revived series? Why not 7.01 through 7.04, or invent new numbers in 6.25 through 6.28?
Therefore, going off that conclusion, we have a solid ending point: 7.24, the end of the final production block, Block 7.
This also supports the idea that the production blocks get shorter with Block 5, as, while 5.24 is not known, both 6.24 and 7.24 seem to be the end of their blocks.
Therefore, with all this information, I feel we can see a basic roadmap of where Star Wars: The Clone Wars was going to go, and what Disney took from us. Looking at a list of the production blocks:
Block 1: 26 episodes Block 2: 26 episodes Block 3: 26 episodes Block 4: 26 episodes Block 5: 24 episodes Block 6: 24 episodes Block 7: 24 episodes
If all information is correct, this means LucasFilm were planning on producing 176 episodes of the series. Looking at a list of the released episodes before the buyout:
Season 1: 22 episodes Season 2: 22 episodes Season 3: 22 episodes Season 4: 22 episodes Season 5: 20 episodes Season 6: 13 episodes
This means that LucasFilm released 121 of their ostensibly planned 176 episodes. Adding the 4 episodes used for the film gives us 125.
Subtracting these two gives us a figure of 51 episodes remaining. These 51 episodes were likely in various stages of completion when the buyout occurred.
Looking at the seasons, Season 6 is not constructed like the rest, but rather, a bulk release of product. Assuming that Season 5 was intended to be the new model going forward, we can subtract 7 of those 51 unreleased episodes to round out Season 6 to it's intended length of 20 episodes.
This leaves us with 44 episodes. Divide that by 2, and you get 22 episodes. 22 episodes for a theoretical Season 7 and a theoretical Season 8.
Out of the 51 episodes not completed and released by LucasFilm, 28 have been adapted and released via other means. This leaves at least 23 episodes of Star Wars: The Clone Wars about which we know absolutely nothing, listed below:
5.22 5.23 5.24 6.17 6.18 6.19 6.20 7.01 7.02 7.03 7.04 7.09 7.10 7.11 7.12 7.13 7.14 7.15 7.16 7.17 7.18 7.19 7.20
These include a 3-episode arc from Block 5, a 4-episode arc from Blocks 6 and 7, and almost the entirety of the middle of Block 7.
These numbers are not solid. It's possible that Blocks 5 through 7 were intended to be 26 episodes as all the others were. That would add 6 episodes, for 182 planned episodes, and 57 uncompleted, about which we know nothing about 29 of them.
It's possible that Seasons 5 and 6 were intended to be 22 episodes as all the other seasons were, and things simply didn't work out that way. This would mean 11 episodes would be needed to round out the seasons, rather than 0 for Season 5 and 7 for Season 6.
This could leave us with 40 or 42 episodes to divide between a theoretical Season 7 and 8. 2 seasons of 20 episodes, or a season of 20 and a season of 22.
There are many possibilities, wrapped in shadows and behind closed doors, regarding this series. We will likely never know the facts, simply because the facts are nebulous and were not, nor ever will be, solidified.
But we can know for sure is that the original intended versions of Blocks 6 and 7, plus the final 3 episodes of Block 5, will likely never be finished, and that we have lost George Lucas' original vision for this series. Those 51 episodes, while potentially getting adapted, will never be released or even completed the way they were originally intended.
(Although George Lucas has stated previously that Star Wars is "like poetry, it rhymes", this series does seem to be lacking in rhyming. Production blocks and season lengths both change midway through, and there seems to have been intended 8 seasons, which is annoyingly only 1 short from matching the intended number of Star Wars movies: 9.)
This is a tremendous shame, because Star Wars: The Clone Wars is a fantastic series which lovingly and accurately adapts a big-screen property for the small screen, tells a dense, varied, but cohesive story, and expands the universe that so many of us have loved since 1977.
We wanted to know about the Clone Wars since that time, and we finally got it. While we may never see the original, epic conclusion, we should still be grateful for 6 seasons of wonderful television.
This post was typed listening to the theme for Star Wars: The Clone Wars on repeat for about 3 hours. As stated at the top, all information is publicly and freely available on Wikipedia.
Thanks for reading.
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homerstroystory · 2 years
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today (3/18/2023) marks 33 years since the heist at the Isabella Stewart Gardner Museum in Boston.
in 1990, thirteen works of art were stolen from the museum when two men impersonating police officers were allowed into the museum to respond to a nonexistent disturbance. two security guards at the museum were bound and left in the basement of the museum. over an hour later (81 minutes) the two thieves left the museum with the 13 works (x). since the theft, the Museum has continued to work with the FBI and the and the Attorney General to recover these works and is currently offering up to $10.1 million in rewards for information leading to the return of the stolen works (x).
among the stolen works are several pieces by Rembrandt van Rijn, including his only known seascape, as well as numerous works by Edgar Degas. additionally, an ancient Chinese vessel dating from the 12th century BCE and a Napoleonic standard were taken.
The stolen works include:
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The Concert (1663-66) by Johannes Vermeer
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Chez Tortoni (c. 1875) by Édouard Manet
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Portrait of the Artist as a Young Man (c. 1663) by Rembrandt van Rijn
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Landscape with an Obelisk (1638) by Govaert Flinck
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Leaving the Paddock (La Sortie du Pesage) (c. 19th century) by Edgar Degas
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Study for the Programme de la soirée artistique du 15 juin 1884 (Galerie Ponsin) (1884) by Edgar Degas
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Study for the Programme de la soirée artistique du 15 juin 1884 (Galerie Ponsin) (1884) by Edgar Degas
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Ancient Chinese Gu, bronze, c. 12th century BCE
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Eagle Finial: Insignia of the First Regiment of Grenadiers of Foot of Napoleon's Imperial Guard (1813-14) by Pierre-Philippe Thomire
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Procession on a Road near Florence (Cortège sur une route aux environs de Florence) (1857-60) by Edgar Degas
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Three Mounted Jockeys (Jockey à cheval) (c. 1885-88) by Edgar Degas
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A Lady and Gentleman in Black (1633) by Rembrandt van Rijn
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Christ in the Storm on the Sea of Galilee (1633) by Rembrandt van Rijn
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chaoticjoke · 2 months
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statistical character personality test.
take the linked quiz from the perspective of your character, then select 5 - 10 results from the complete matches list that you feel resonate with your character the most.
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Complete match list
Frank Costello (The Departed): 92%
Robert California (The Office): 89%
Hector Barbossa (Pirates of the Caribbean): 89%
Ivar Ragnarsson (Vikings): 89%
Barbara Kean (Gotham): 89%
Man in Black (Westworld): 88%
The Joker (The Dark Knight): 88% :D
Berlin (Money Heist): 88%
Nathan Bateman (Ex Machina): 88%
Tyler Durden (Fight Club): 87%
Dr. Hannibal Lecter (The Silence of the Lambs): 87%
Ursula (The Little Mermaid): 87%
here's the rest of the list because it's just too wholesome to not be linked here
tagged by: the legendary @homelander-rp-blog tagging: mutuals who haven't done this yet
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