CYBERPUNK 2077 OC: Jack Shepard (He/Him)
So, pack up your car, put a hand on your heart
Say whatever you feel, be wherever you are
We ain't angry at you, love
You're the greatest thing we've lost
The birds will still sing
Your folks will still fight
The boards will still creak
The leaves will still die
We ain't angry at you, love
We'll be waiting for you, love
You're Gonna Go Far by Noah Kahan
TEMPLATE by @kanos
Taglist (Opt in/out): @bbrocklesnar, @alexxmason, @sergeiravenov, @tommyarashikage, @voidika,
@carlosoliveiraa, @direwombat, @strangefable, @socially-awkward-skeleton, @inafieldofdaisies,
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@confidentandgood, @raresvtm
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Any number? 23 and saïx :)
couldn't count all the ways that i've died for you
[ID: a digital drawing of saix from kingdom hearts. He is shown from the hip up, his body in 3/4's and his face in profile. He is shadowed in warm tones. He has a neutral expression, and he's standing straight.
The background is transparent except for a circle that lays from the middle of his shoulders and upwards, with three sections that have a slightly bigger circumference where one to three, seven to eight, and eight to nine would be on a clock. All scenes are blue tones with a noise overlay. these three are all from saix's perspective.
In the first, there is a cloaked figure shown from the waist down, the tip end of young xehanort's keyblade leans forward and some of it goes out of bound, tiled floor as a background. The second one is saix's hand reaching for kingdom hearts. The third is his hand reaching towards Lea, who lies on the floor of radiant garden's lab.
The rest of the circumference is a labyrinth wall in keyblade's graveyard, with a harsh diagonal line of light on the upper half. Most of the circumference is lined black, except from nine to one o'clock, lined white. /End ID.]
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Lovely Runner had the perfect run. The whole premise of it being a fantasy romcom was perfectly written, perfectly executed with a beautiful cast.
Sunjae and Sol were fated to be each other's soulmate. Their love blooms from their soul. So deep the bond that fates intervened when evils of society cut their time short. And in all of this the grandma was their fairy godmother.
The writers really need to be applauded because this was the sweetest and in the same time such a simple story. Timeloop dramas get loopy because logic but there's nothing stopping this magic. It was so well done truly.
Every scene you will think you can predict the direction will surprise you. Sometimes it's just belly aching laughter, Sometimes pure angst, Sometimes happiness that is a smile from ear to ear.
Thank you to the actors too. Actors who really bring in a personality beyond the writing and make the works more valuable have my whole heart.
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My english lyrics for Triage woo! (They're written out under the cut, I just wanted to share my lil chart lol)
Though I'm too indecisive to officially label this as my favorite song, it's had the strongest emotional impact on me by far. It holds a special place in my heart, I definitely wanted to write lyrics for it first! I'll leave all my rambling process commentary in the tags, but I was so happy with how it came out!!
All of those cards of promise thrown down carelessly,
This must be retribution for all I've taken endlessly.
If that were the case, it should have been fate for me to die.
That's the truth, given my crime, so why--?
No, I can't take it, to this cruel joke I'll submit. You
don't know, you can't know, but I'm ready to admit:
Killing for them, extracting for them, won't change the fact they're dead.
I need someone to tag me as RED.
It makes me sick (sick), it's too unpleasant. Sick (sick)
Is this punishment? What do you mean I'm INNOCENT?
I see, the world is cruel and leaves you on your own.
(I can't die) to atone. (I can't love) alone.
I can't be saved (saved), you've nothing to give. Saved (saved)
But what if I lived? Why else would you choose to forgive?
I see, there's lives to save so let's be sensible.
Right now, you need me, (I can be) indispensable.
Tilt to and fro, I know the scales should land on GUILTY for me.
Tilt fro and to, it's INNOCENT that they choose.
They cry (x4) out in pain, I can hear them. There's no one else, to guard their health,
My mission is offering help.
All of those cards of promise thrown down carelessly,
This must be retribution for all I've taken endlessly.
So if that's the case, then it must be fate to make amends,
Extract that fang before we meet the end.
It makes me sick (sick), it's too unpleasant. Sick (sick)
Is this punishment? What do you mean I'm INNOCENT?
I see, the world is cruel, but what I've realized is
(Now I want) to be INNOCENT. (Now I want) to live.
It makes me sick (sick), This wasn't my plan, hostages at my command.
Their future resting in my hands
I see, there's lives to save so let's be sensible.
Right now, please save me, (I will be) indispensable.
Maybe this was meant to be -- oh -- or maybe neither of us can know
There's lives to save so let's be sensible.
Right now, please save me, (I will be) indispensable.
---
I mentioned earlier that I always get annoyed with myself when people post translyrics and I can't figure out the rhythm they were going for, so here's a recording of me singing, but I'm bad at it! It's just for fun! Like a rough draft for music! Because the only thing worse than people hearing my voice is people thinking I can't count syllables!
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Like, yeahh Jack can be versatile (after all, he has produced OOTW, LWYMMD, Illicit Affairs, and Gold Rush, and these songs are quite different from each other sonically), but I don't think him and Taylor are really pushing each other anymore. After all, a good chunk of TTPD could've gone on Midnights (Fortnight, TTPD, ICDIWABH, MBOBHF, Down Bad) and Midnights itself sounds like a mix of 1989's and Rep's productions. And idk when his work with another artist (Sabrina's Please 3x) sounds like it could've gone on one of Taylor's latest releases (Midnights or the 1989 TV vault), it's a little concerning...
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