Yes, there are gay characters in Tolkien’s books
There seems to be an entrenched view among Tolkien fans that Tolkien did not write any gay characters, and that by interpreting any of his characters as gay you are going against what he would have wanted. Homophobes obviously believe this very strongly, and have always been hostile towards queer fans and queer interpretations of Tolkien’s works. Many members of the LGBTQ community also believe that they’re contradicting canon when they interpret Tolkien’s characters as gay—the only difference is they don’t mind doing so.
But is it so against canon to interpret any of Tolkien’s characters as gay? The assumption that Tolkien did not write gay characters hinges on his Catholicism, but I’m going to explain why this is flimsy reasoning.
First, it should be noted that Tolkien didn’t leave any writings expressing his views on homosexuality, so there is no evidence one way or another. But it seems relevant that Tolkien was good friends with W.H. Auden and corresponded with him over multiple decades. They first met when Auden listened to one of Tolkien’s lectures at Oxford and was inspired to learn Anglo-Saxon. Auden loved Tolkien’s poetry and prose and defended LOTR from critics at a time when it was seen as an unserious work in an unserious genre. Did Tolkien know Auden was gay? We don’t know for sure. But there’s at least a chance that he did: the secret of Auden’s homosexuality is one he “loosely kept”, according to an article in the Guardian.
So, Tolkien was friends with a gay man whom he may or may not have known was gay. But are there gay characters in Tolkien’s books? Unfortunately for the homophobes, even if you believe that Tolkien opposed homosexuality on principle, that still doesn’t mean no one in Middle-earth is gay. Actually, no one in Middle-earth is Catholic. I mean that literally, in the sense that Catholicism does not exist in the time period Tolkien wrote about, but I also mean it in the sense that Tolkien’s characters need not adhere to the tenets of his religion, even if it’s not named. Why would they?
It shouldn’t be controversial or surprising to point out that writers can, and often do, write characters that live very different lives from their own. Needless to say, Tolkien didn’t condone the actions of the antagonists of his work, but what about the protagonists? Are we to believe that all of them act in an unfailingly Catholic way at all times? In Laws and Customs of the Eldar, it is strongly implied that (especially in their younger years) Elves do have sex for pleasure and not just to beget children, something that is discouraged by Catholicism. That’s just one example.
(Please note that I’m not arguing that Tolkien’s Catholicism had no influence on his writings, because he explicitly said that it did. I’m saying that Tolkien’s characters themselves are not Catholic and do not necessarily behave like Catholics. So even if you think that all Catholics believe homosexuality is wrong, it has no bearing on Tolkien’s stories.)
Another line of reasoning goes that homosexuality is too taboo for Tolkien—but I have to wonder if people who believe this have read his books at all. The Silmarillion is full of taboo subjects. Túrin and Niënor marry, not knowing they are brother and sister; they find out the truth, and that she is pregnant, and they both commit suicide. Eöl’s relationship with Aredhel is one that, even if it didn’t start out as controlling and abusive—although I suspect it did—it clearly ended up that way, and depending on your interpretation of the text, he may have raped her. Celegorm attempts to force Lúthien to marry him, which would also involve rape, and there is a passage that implies that Morgoth also intends to rape Lúthien. Neither incest, rape or abuse are too taboo for Tolkien—neither are suicide, torture or mass murder, as the rest of the Silmarillion shows.
I don’t want anyone to take this in bad faith: I’m not saying that being gay is comparable to incest, rape or abuse, and I’m part of the LGBTQ community myself. What I am saying is that Tolkien clearly did not shy away from certain subjects, including sexual taboos, simply because they’re taboo. If you’re going to argue that none of Tolkien’s characters are queer because it wasn’t accepted at the time, that’s very unconvincing given the other subject matter in his books.
There is another reason why I think there are gay characters in Middle-earth, and it has to do with Tolkien’s inspirations. It’s well understood by Tolkien fans that you can see echoes of other mythologies in Tolkien’s works. But which ones? When Lúthien brings Beren back from the Halls of Mandos, there are obvious parallels with the myth of Orpheus and Eurydice—though the genders are reversed, and Lúthien succeeds where Orpheus did not. There are parallels between Túrin and Kullervo. There are numerous examples of this kind of thing throughout the Silmarillion and LOTR. Even the name Middle-earth clearly has its roots in the Norse name Midgard. There are some influences that Tolkien explicitly acknowledged, like the Kalevala and the Völuspá, and some that Tolkien scholars have only theorized about. While there are some scholarly articles on Tolkien and the Aeneid, one thing I have never seen anyone discuss is the parallel between Beleg’s death and the story of Nisus and Euryalus.
In the Aeneid, Nisus and Euryalus are a pair of friends and lovers who are fighting for Aeneas in Latium. Nisus, the older of the two men, is said to be a skilled javelin-thrower and archer. Nisus proposes a night raid on an enemy camp, and Euryalus insists on going with him. During the raid they kill many men in their sleep, collecting some of their armor as loot, as was customary. But when they leave the camp, the glint of light on a helmet taken by Euryalus is seen by a group of enemy horsemen, who capture and kill him before Nisus can stop them. Nisus is distraught and kills many of them in retaliation, ultimately dying beside his lover’s body. (In some versions, it’s a stolen belt, not a helm—but the constant motif is the glint of light that reveals Euryalus to the enemy.)
There are so many similarities with Beleg and Túrin that it cannot be a coincidence. Beleg and Túrin also fight side by side, first on the marches of Doriath and later when Túrin is an outlaw. They are very loyal to each other, and clearly love each other. Like Nisus, Beleg is known to be a great archer. Meanwhile, although it does not feature in Beleg’s death scene, Túrin is associated with a particularly significant helm. There are differences too: Túrin’s captivity is the reason for Beleg’s raid on the Orc-camp, whereas Euryalus is captured after the raid; both Nisus and Euryalus are slain one after the other, whereas only Beleg dies in the raid on the Orc-camp. But there is still the overarching parallel of the night raid, in which the enemy guards are killed silently in their sleep; the raid’s connection with an attempted rescue; the chance moment that leads to the tragic death; the imagery of the flash of light; and the distraught reaction of Nisus and Túrin when they see that Euryalus and Beleg are dead. Tolkien read the Aeneid as a student and so would have been familiar with its contents.
There is also the fact that in some versions of the story Túrin kisses Beleg on the mouth in this scene. Although kissing someone on the mouth has not always been a romantic gesture in all cultures and time periods, the clear parallels to the scene in the Aeneid lead me to think that it is in this case. Whether you see the relationship between Túrin and Beleg as romantic is up to you—all that I’m trying to do is show that it’s a legitimate interpretation.
Ultimately, like I wrote here, I don’t think you need permission from anyone in order to interpret Tolkien’s stories the way you want to. If you want to interpret one of his characters as gay, you don’t need to cite obscure plotlines from the Aeneid to justify it. But I do take issue with the idea—which is so pervasive in the fandom—that Tolkien’s stories must not have gay, or bisexual, or trans people in them, and that any interpretations to that effect are against canon. At the end of the day, Middle-earth is supposed to be our world, and guess what? Queer people exist.
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so the homophobic kids in my neighborhood weren't my first run with those types, my first time was when I had just dyed my hair purple (that's the way I know what time of the year it was. short hair dyed hair bangs no hair and stuff) and I was at the pool on easter with fresh rad purple hair and I was chatting up a girl I thought was cute, and she was digging it and stuff but at one point she told how she was doing dance classes so she could and she hated it because sometimes she had to dance with girls, so when I asked her why she just said "I think people should be the way god intended" or some shit like that and I asked her to elaborate she said "I wanted to dance so I could dance with boys, not girls. that's wrong." and then proceeded to tell me about her boyfriend, meanwhile I was gobsmacked in the pool water staring blankly at the water after she oh so casually was homophobic
……BIG YIKES 😬!!!!! oof i am so sorry you had to deal with that raya…..that’s no good 🥲. i remember at my first job (it was our local movie theatre) i ended up working with this girl who was super nice up until i found out she was SUPER religious and super homophobic by proxy. i too was gobsmacked when she started telling me all about how she thought it was a choice but she didn’t really hate those kinds of people etc. like……broooooooo 🥶
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Ngl while I am happy I got into Rune Factory after the franchise was officially revived with the release of 4S, I am still being very cautiously optimistic approaching any new games that come out for the time being.
At this point, I'm not concerned about 3S just because 4S was such a good port, but the state RF5 was released in has me EXTREMELY concerned for any brand new game going forward. Saying the game was unfinished isn't just a way of saying there is not a lot of content—the game was NOT finished. Besides the framerate drops, bugs, and crashes, the biggest evidence actually lies in the ability to romance all of the marriage candidates regardless of your character's gender. It's a known fact that same sex marriage wasn't in the JP version when it was released, and it had to be added in ten months later via a patch when the North American and European versions came out; those versions, in comparison, came with the bisexuals pre-packaged. Along with that, the quality of the graphics, short story, and stuff like the clothing physics, it's just... Yeah. The game was far from done.
Thankfully, at least one interview has indicated that the devs have been looking over player feedback of RF5 extensively and I'm hoping the guys at Hakama toddle on over to Marvelous, show them what players had to say, and their publisher is like "All right fine, we'll give you all the time you need." Especially since they indicated the next RF title is going to be far more experimental than RF5 was (and subsequently won't have a numbered title: think Frontier and Tides of Destiny.)
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i think there's a very compelling read of young daniel as, like, gay, and somewhat more comfortable in this fact than old daniel -- cf. the immediate willingness to sleep with louis, the gay voice, the gay mannerisms that old daniel lacks -- against old daniel as a vaguely homophobic terminal closet case -- the slightly derogatory manner with which he calls armand the 'rent boy' or refers to lestat and armand as louis' 'boyfriends,' the making excuses for being in a gay bar ("it was a good place to score, i did what i had to") it's muted but it's there -- and the kind of character work you can eke out of someone who at some point had some willingness to act on his homosexuality & then lost that through a presumed compound of forces that includes in no small amount the encounter with louis that night. he thought that he + louis had sex! however i think it's infinitely funnier to say that armand brainwashed him so hard he forgot he was gay for fifty years
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