#honestly i don't know what i'm looking at most of the time on this website

[merlinenilrem]

alright guys if i were to change my icon which one should it be to. ignore the different sizes & stuff i'm just asking about the style

[omgthatdress]

Sooooo ummmmmmm this is something that's probably going to piss a lot of people off, but I feel like I really need to say it.

If you get a message from an account claiming to be a Palestinian fundraiser, it is a bot. It is a scam. You need to report & delete the message and encourage others to do the same.

I know because I get messages on this account DAILY. I have a very high follower count and I'm pretty active and I interact with my followers a lot, and apparently that all adds up to one big bot magnet.

Bots following and messaging this account was a MASSIVE problem before Tumblr fixed its new account policies. I used to spend literally hours blocking and reporting the hundreds of bots that I would get following me each day.

I learned a lot about bots and how to identify them. The easiest way is with no avatar, "untitled" in the blog description (BTW if your avatar is still set to default PLEASE FOR THE LOVE OF GOD change it because you run a substantial risk of being accidentally blocked & reported as a bot).

One of the dead give aways of a bot was what I call "word salad" names. Three seemingly random words strung together making no sense, always adjective, adjective or noun, noun. If you reported a lot of these bots, you'd notice the same words kept showing up.

Nowadays, I am bombarded with fundraiser requests and sometimes, they don't even bother to hide the fact that they're a bot. The avatar is default, the blog title is "untitled," and the blog name is a classic randomly-generated word salad.

However MOST of the requests I get come from at least semi-legit looking accounts. There are pictures, a name, a story. Never mind that I've gotten that message three times from different accounts.

Sometimes, they claim to be vetted, but the whole vetting system essentially adds up to "trust me bro." There is no way of guaranteeing that this account isn't just lying about being vetted, claiming to be vetted by a false person, or are using the identity of a real Palestinian to scam people.

Previously, I've seen a lot of people getting attacked for raising questions about these fundraisers and getting attacked for being racist or for harming Palestinian families in danger, like Tumblr isn't a website famous for its scams and the words "The Arkh Project" "All or Nothing" or "Miss Officer and Mr. Truffles" mean nothing to you.

I personally have been scammed by people claiming to be charities on Tumblr before, specifically, The Leelah Project which used the name of a trans teenager who died by suicide to swindle people out of their money.

Luckily, there are actual, respected charities out there you can give money to if you want to help the cause:

Palestinian Children's Relief Fund

Palestine Red Crescent Society

United Nations Relief Works Agency

Islamic Relief

World Central Kitchen

Médecins Sans Frontièrs

One of the hardest things to accept about the situation in Palestine is that realistically, there is very little that your average outsider can do to change it. However, these large, well-respected and trustworthy charities are out there doing the hard work to keep people alive, and should be where the donation money is going

These scam bots feed on people's naïvety and need to believe that they are making a difference, and even worse, feed on the fear that by ignoring them, it somehow makes you a racist doing direct harm to a refugee family, when in fact they are using the suffering of Palestinians to take away money from those in need.

As far as fundraisers that don't send out random asks for donations, I honestly don't know. You'll have to do the work yourself and approach with much caution.

Be careful out there.

[fingertipsmp3]

Also forgot to mention a guy in my class today said that blogging is narcissistic. I just sat there like 🫠

[kichoukotori]

Several years ago I briefly worked in the warehouse of a nondescript extremely large e-commerce company. I had no other options for employment but desperately needed money. Turnover was like 150%. I worked from something like 7pm to 5am, my commute was 50 minutes each way and before I got paid I didn't even have the cash for enough gas to get home one night and had to bum $10 off of my kid sibling (this is all to give you an idea of my abysmal mental state while employed here.) You're not allowed to do anything besides your job, no music or anything and they track your movement on cameras so you can't even take a breather. The job is real monotonous, you get sent boxes of items of random sizes and you have to put the items into shelves of varying sizes and the shelves come to you, you don't walk to them. Because the company tracks the rate at which you put items on these shelves, many small items are desirable because you can put a lot of them in quickly. Everything about the place seems almost designed intentionally to break you mentally and turn you into a robot. So I'm about 6 or 7 hours into my shift, feeling on the verge of a mental collapse, and up comes a container with a bunch of small white boxes, bout half the size of a deck of cards. No labels. Great, I'm already happy about whatever these things are. So I go to scan them in, and it gives you the name of the item and a little picture. Sasuke Penis Costume. What? Sasuke Penis Costume. A picture of that red cloud robe from Naruto and one of the headbands with the metal plate on it. I'm thinking, there's no way. What is a penis costume? Am I hallucinating this? And there's so many of them, literally about a hundred, and I know I'm going to be spending at least an hour with Sasuke Penis Costume, there's so many and they're so small, I'm already excited about the potential efficiency of these, and then I see it's Sasuke Penis Costume? So the entire shift I'm like, trying to not put these things away too quick, because honestly I'm starting to build a kind of kinship with them. This is quite literally the most exciting thing to happen to me during my whole 2 week employment at the warehouse. I started to see Sasuke Penis Costume as a friend, some reminder of the outside world, a reminder of the humanity I was becoming so unfamiliar with, a reminder the world contained comedy, art, anime, and penis. I really couldn't tell you if I ended up putting all of them away, the last thing I remember is my desperate need to look these items up when I got home. I needed a link to send to my friends for when I told them this riveting story. I learned that the costume is called the Akatsuki cloak in my fervent search for the item, and wouldn't you know it, absolutely zero trace of these things exists online. Not on the e-commerce website, not on any specialized penis-costume websites (whose existence I was not privvy to prior to this incident) and no third-party retailer has these. Not even Google images will show me the hypothetical existence of Sasuke Penis Costume. Every few months I look it up, trying to find evidence that it can be bought, that any of this was ever real. My bond, my friendship, and dare I say even love for Sasuke Penis Costume feels as tangible as the boxes they came in, and yet the universe will give me no closure of their fate. Less and less frequently I search for them, each time becoming more and more discouraged that I will ever find them, but unlike their substance on this earth, one thing is inarguably certain. Sasuke Penis Costume exists to me, and it will live on firmly and resolutely within my memory and within my heart.

[artsekey]

I really hate how ads have taken over the internet. On one hand, I know that hosting a website costs money, right? And ad revenue is one of the simplest ways for free-to-use websites to cover their operating costs.

My question is-- and I would genuinely love an answer-- is this ever going to stop? Tumblr ran for a long time without ads. So did Youtube. I know that the cost of hosting so much media has gone up, but there are a lot of users on these websites that make the content that drives people to use the service that don't see any of the money generated by this revenue. On Youtube, there's at least a way for creators to make some money from what they do. For most, it isn't much, but the opportunity is there. On Tumblr, well... the ability to convert the visibility of my blog into any financial gain practically nonexistent, though they did at one point promise that users would be able to make money from ads run on their blogs (whatever happened to that, Staff?).

"You can pay to avoid seeing ads!" Tumblr says, as if the views on my main blog alone over the past few years have not generated more than enough ad revenue to cover the price they're asking me to pay, the person who is actively making content that brings eyes to their ads.

I'm not mad at Tumblr for hosting ads. I get that it has to happen because it's the easiest way to keep the site free, and honestly, I imagine Tumblr's staunch opposition to monetization has been a real obstacle for the team building Tumblr. But at the same time, it feels like yet another small concession in the usability of the site. I'm tired of ads that auto-play with blaring audio while I'm scrolling. I'm tired of adds that, if I touch them while trying to scroll past them, take me to an external site. Outside of tumblr, I'm tired of looking for information online only to get a webpage that's 95% ads and otherwise illegible. Hell, I recently got an ad on Discord. Was it unobtrusive? Maybe. But it was there, for the first time, and I know that won't be the end.

I know the first reply I'm going to get on this is "use adblock", and yes, that's a solution, but think about how much the landscape for media has changed in just ten years.

Popular forums are basically gone outside of reddit.

Youtube, without Red, is ad hell. You can't watch more than 3-4 minutes of video without getting sent to marketing hell.

Instagram, Tumblr, Twitter-- it's terrible. I firmly believe they've manufactured a worse experience through the implementation of ads to convince you to buy into their premium services.

Just Check out this video of Penguinz0 trying to watch a video on a third-party site.

There's discussion of putting ads into video games.

Remember when games didn't include micro-transactions? Blizzard is charging $70 for one mythic skin. You could almost buy Overwatch 1 twice-over at that price-point.

Influencers make a living by making their lives into advertisements.

Youtube has retaliated against users using ad-block on non-chrome browsers by artificially inflating the load times of it's videos.

What can we do about this? I imagine companies see it as an infinite money hack; users can't stop companies from hosting ads, and the action they could take to voice their displeasure-- leaving the site, using other competitive services-- has been all but obliterated thanks to the homogeneity of popular social media outlets. If someone is truly so incensed about ads, well-- it isn't like they have to engage with them, right? They can enroll in a cheap, auto-renewing service to get rid of ads entirely. Well, wait, the price of premium might just have to go up. Don't worry, it's auto-renewing! You won't even notice it. Oh, no, it's got to go up again, you won't even notice it.

There's no incentive for them to cap this behavior, and no way for us as users to pressure them to do so. We create these spaces; we fill them with color, art, activism, community, and the companies that ride on the tailcoat of the spaces we create tell us to give them more. What comes next?

[quasi-normalcy]

I know that this is the "Turning social problems into matters of individual virtue" website, but here's one change that you can make to yourself as an individual that I honestly think will have beneficial collective effects:

Stop Thinking You're Better Than Other People.

Do I mean that you should go through life thinking that you're the lowliest and most wretched scum who's ever lived? No. I mean that there exists no meaningful criterion by which one human being can be said to be absolutely 'better' than another. And even if there was, you don't know enough about other people's circumstances and interior thoughts to meaningfully judge them in these absolute terms. So don't even try! It's a futile endeavour.

"But what about fascists? Surely I'm better than them!"

Okay, so let me preface this by saying that fascists are dangerous, they're misguided, their acts and intentions are evil, and they need to be stopped, including through physical violence. But you're not better than them. I know that this is a difficult pill to swallow; I myself used to pat myself used to pat myself on the back because, well, at least I wouldn't have been a Nazi. But you know what? If the circumstances were right, I could have been. We all could have been, just as we all could have joined a cult at some point.

Looking at myself, for example: there was never any serious possibility that I could have been swept up into the alt-right movement. Why? Because I'm transgender, and I was raised to be a socialist. How easy it is to *not* become a fascist when you're one of their scapegoats! How much harder it would be to avoid if you're one of the people they flatter and groom, if you're raised by people who are sympathetic to fascist ideals, if you grow up in a community where such ideals are common! The fact that fascist movements can seemingly emerge amongst every nation and people--including those who have historically been victims of fascism--confirms this. What if I had lived a hundred years later, at a time when transgenderism was a complete non-issue, and they'd moved on to some new scapegoat? What if they had approached me on my absolute worst day and told me that all of my problems were caused by moochers and parasites, and that I could fight back and claim my birth right by joining them? Can I really say that I wouldn't? Can anyone?

But even beyond that, what is a fascist but the ultimate example of someone who needs to feel superior to others? What is scapegoating but the act of selecting an entire group of people and declaring them to be inferior to you? And if you just refuse to believe these things; if you refuse to accept the premise that some people are better than others, and call it out whenever it comes up; then you're cutting these movements off at knees! The ideological force of fascism comes from imagining humanity as a strict hierarchy, with the master race on top and the degenerates on the bottom. Simply refuse to believe in such a hierarchy! Refuse to even entertain it!

"But then how can I feel self-esteem? How can I feel that I matter and have value?"

You have value just by existing as a person! But if that's not enough for you, then try this: instead of trying to increase your sense of self-worth by finding people to feel superior to, increase it by being of value to others. Help them! Make their lives better! Contribute to society! Not even in a way that you can (necessarily) put a dollar value on, but in any way you can! Create art! Plant a pollinator garden! Tell a joke! Make someone happy! If nothing else, you can at least give someone love, and I guarantee you that that will be of value to them. The universe is so vast and we're all so small that any value we can ever have will only ever be to each other. And surely it beats spending your life trying to be king of the microbes.

[heavens-aesthetic-kitchen]

Why the TF2 Defense Trio deserve more recognition

The people have spoken, I have decided to create an essay disguised as a post on this godforsaken website because it's a free country goddammit! (I would have done it either way lmaooo, I have a lot of shit to say about these maniacs) To start this formal essay glorified very serious shitpost, why should you as a tf2 fan care about these 3 men? They're so "boring" and there's not much going on with them. If ya took a second, let's pause with what was being said. YOU MUST BE OUT OF YOUR GODDAMN MIND to think such thoughts, we must shake you out of cuckoo land by giving you an in-depth look into these three so that you understand where I'm coming from. Let's start in order:

Demoman:

After being in the fandom since 2019, there's always one character I always thought wasn't given much anything in the fandom at all. Even taking ships out of the equation, there's barely any fics I've that focus on Tavish Finneagan Degroot specifically that I've seen that isn't a compilation fic (I read a lot of x readers, don't judge me). Believe me, I checked ao3. I went through Demoman's tags and I tried very hard to filter a lot of the crossover and relationship tags, yet there's less of Demoman himself, than there's him just existing as a side character of a story. Which is honestly sad, I honestly think Demo is one of the more kinder mercs compared to a lot of the team. This man made friends with the BLU soldier, despite knowing that they were supposed to be killing each other. Sure, it's unclear whether or not Demo did actually go through with it and it's just a ruse, because the voicelines in WAR! don't have a set timeline. But I do think that Demo would have tried to keep his friendship with BLU soldier. He's very chill. I've never actually seen him get violent against his friends and family, despite being a drunkard. I honestly think he's one of the sweetest people in TF2, he takes good care of his mom and haunted sword lmaoooo. Jokes aside, he seems like a genuinely good man and I barely see anything that suggests he's sadistic. He's a chaotic and loud, but not bad. Not bad at all. The fact he can still do his job well, even after drinking so much that his body created a whole distillery, is even more impressive. He is damn good at what he does and works very hard. He's had multiple jobs, even as wee little lad. Despite what people think of him, the fact he's getting paid 5 million dollars a year, is proof he knows what he's doing. He loves his job and couldn't bear the thought of not working. I feel like his backstory isn't talked about enough in the fandom either. When you think about it, it's kinda fucked up that he was put in an orphanage by his biological parents until he was in the right age to be blowing people up. Not only that, his eye socket was haunted by the Bombinomicon so that every halloween a giant eye would manifest, attacking him and his friends. Even Medic couldn't help him and instead resorting to scooping the part of Demo's brain where he remembered so he would stop asking. He most likely has a lot of stories for you, I see him as the type that has a lot to say. His past is the most fleshed out and complete out of all the mercs, which I really appreciate, you can do a lot more with him. Also another thing, during Unhappy Returns, he took the time to reassure Soldier that he wouldn't think he's a civilian. He didn't brush Soldier's worries aside and instead comforted him. I wish I had a lot more to say about Demo because I am baffled that he isn't being gushed about as a potential partner. He has the excitement and like zero baggage. A thing I also wanna point out is that he seems to be insecure of the fact he's a black scottish man with only one eye during Meet The Demoman. I may be reading into things a bit too much, but it makes me wanna be like "NOOOO don't talk about yourself like that, bro. You're so cute UGHHH" Also also he's handsome. Sure looks can be subjective, but I still think Demo has a face I would kiss hehe. He looks great with his beard and his cheeky ass smile. GOD I could gush about him all day, but I have to move on rip.

Heavy:

Honestly, I'm having a hard time just finding the words to describe this amazing man without giving him the respect he deserves. But I'll sure try. Heavy has had a difficult life and I've always admired how strong he was. Not just of his muscles, but he endured one of the toughest situations and still kept moving forward with his life even though it was traumatizing. You see why I'm even having a hard time talking about him? I can't really get down into the weeds, without getting serious for a min. I feel like the fandom doesn't give him much credit for being able to deal with so much. He's the rock for his family after his father disappeared (atp I think he's dead, which is the cherry on top this depressing sundae) and I wouldn't doubt that he would be the same for his team. He's a man of few words, but that makes him all the more intriguing. Just because this man has a lot of brawn does not mean he's dumb at all. Despite how he acts in the battlefield, Heavy is observant and clever. Although, it's implied that Spy being Scout's dad is an open secret between the mercs and Miss Pauling, the fact he figured it out without saying it directly must mean he has a lot more going on. He's also educated, getting a phD in Russian Literature. It's not a STEM program, but he actually got a doctorate and went to college, that's a lot more than half of what the mercs did lmaooo. Also he has a bit of a softie side, not just for his mom and sisters, but also other creatures as well. I respect him so much for avoiding violence against those dogs during the Showdown comic. Not only shows what an absolute sweetheart he is, but also how much he's able to think quickly on his feet. Heavy is very direct and blunt, I don't see him as the type to lie about his feelings. I appreciate that he doesn't feel the need to sugarcoat anything, he'll get the job done and he ain't playing. There's no fluff, he knows what he wants and that's to rev up Sasha and ram through sons of bitches without any worries.

I feel like I wanna point out, his story seems the most unexplored in the fandom, even though it has a lot of potential for ANGST factor. I already broke down how sad it is, but I just feel like it isn't said enough. Can I just say how cuddly he looks?! GAH, I feel like he would give the warmest hugs! The way he smiled in Unhappy Returns when he finds out his family doesn't need to live in fear anymore, just melts my heart! He's so protective over his family and friends! I wish I had a lot more to say about this guy because I just can't stop finding more things about him that go unappreciated. I had to literally edit this part so many times before moving on, he just has those little details you don't notice until you take a second and have that OH MY GOD moment

Engineer:

I was getting so hyped, when it was finally our resident southern nerd's time to shine. GOD I have so much to say about this man. It's been over 5 fucking years and I have never stopped simping for this man since 2019, I think I'm gonna go insane from how much I've been repressing, I go feral when he's around. Anyways enough stalling. I don't ever think a fictional character has ever made me swoon quite like Engineer, I really mean that. I have ask and pleaded to whatever god was listening to give me a man like Engie. To me, he is everything I ever wanted and more.

First, I wanna talk about what makes him attractive to me. His accent. His southern charm, UGH he's killing me with that smooth voice and chivalry! I swear this man could make me faint just from existing. The way he smiles is so warm, his insults are so corny I love them. That five o clock shadow GAHH! I'm getting butterflies all over again. I swear I love all three of the defense bois, but Dell Conagher has my heart wrapped around his gunslinger metal finger. All those personal reasons aside, I've always thought Dell Conagher was a very interesting character in the world of TF2. He might not have much screen time or goofy shenanigans like the other mercs, but that doesn't mean you can ignore him oh no no no. This man is important within the whole story of Mann Co and TF industries, his grandfather being the catalyst of the game's events and the comics going forward. The Conaghers are the SOLE REASON why Team Fortress 2's story exists. I find it strange that the fandom hasn't done much with this fact because you can do a lot with this idea. Engineer knows a lot of shit and would be the biggest threat to Helen, if not for the fact that his family has been helping her for years.

Like his backstory, he's not seen much in the battlefield, but he has a lot more going on behind the scenes. Imagine the possibilities. He is damn intelligent and he knows it. While Dell is very sweet and has a southern charm, this is a facade to hide his God complex and sadistic tendencies. If you think this man is just your boring gentle engineer, you've got a big storm coming. It's heavily implied that he sawed off his own arm so that he could use the gunslinger. This man works on projects with Medic and doesn't question the moral implications of putting a human brain in a pumpkin. Hell, he threatened his own employer, even if he was an old man (Granted, Blutarch dug up his grandpa's grave, so he probably should have gotten something a lot worse than just Dell telling him to fuck off). Engineer is more than the texan egghead sweetie pie, he is a mercenary for a reason and I would argue that he might be as insane, if not more than, the rest of the team. No sane man would willingly work with a bunch of war criminals if he wasn't also crazy. That's the thing I really like about him. I love playing as him in the game because it represents his character very well. He technically serves a supportive role to the team with his buildings, but he is a killer with a lot of tools in his disposal, With the right amount of training, he can absolutely dominate in the battlefield.

I feel like he's one of the people that underestimate and assume that he's an easy target, but he's a lot more than that. He has a lot of layers that makes me want to learn more about him and what he has to offer.

In Conclusion:

These guys are cool. Lmaooo okay I won't just end it there. I genuinely believe that they're not getting the recognition that they deserve, they've got a lot more going for them if you pay attention. Sure they might not always be the loudest or most prominant character in the story, but what they lack in quantity, they make up for in quality TEN FOLD. They don't have to be your favourite, but you should at least give them a chance. You never know, they may surprise you.

Okay so thats enough of that, I couldn't find a divider above this message, so you're getting this grainy ass gif. Honestly, I put way too much effort on this shitpost lmaooo, but I just wanted to get my thoughts out in a more concise manner. If you want to add more stuff about these three that I didn't mention, feel free to do so. Anyways thanks for reading

[sage-nebula]

When The Owl House first came out, there was a lot of discussion surrounding how King could potentially be Bill, with the most common theory being that Bill had somehow been reincarnated into King by the Axolotl. After all, not only does Alex Hirsch voice both of them, but the voice he uses for King is very similar to the voice he uses for Bill. (Very similar, but not the exact same; apart from not having the voice distortion, King's voice is higher pitched. King's voice is basically Bill's voice before Bill hit puberty, lmao.) Apart from that, both King and Bill are demons; King had an obsession with ruling, power, and conquest; King has yellow sclera; and, well, people were desperate for connections between Gravity Falls and The Owl House, to the point where I actually did end up pretty annoyed for awhile that people weren't letting The Owl House stand on its own two feet and were instead treating it like a sequel show. (Though there are actual, canonical connections between them now, the most notable being that Eda married Stan for less than 24 hours in Vegas so that she could rob him blind, lmao. He still thinks fondly of her to this day, as he should.)

I bring this up because I never really subscribed to this theory, or thought very much of it . . . until now. It's not that I think the theory is more plausible now, but more that I think that the idea holds a sort of poetic beauty to it now, if it was true. (Which again, I don't think it necessarily is, but more that it's a nice "what if" to think about.) And the reason for that comes from information that we gained from The Book of Bill, along with additional information that we've now gained from the website, along with how King's story arc developed and played out in The Owl House. (So, spoilers for that show, the new book, and the website if you haven't kept up with any of that.)

Essentially:

It's been heavily implied for years now (to the point where, in my personal opinion, it was known, but to be safe I'm saying heavily implied) that Bill destroyed his home dimension. In the show, Bill says that he "liberated" his home dimension, and when he brings it up, there is fiery imagery around him that is similar to the rift that opens in the sky to link Gravity Falls to the Nightmare Realm during Weirdmageddon. Then, in one of the spinoff books, when Dipper asks the Axolotl about Bill, the Axolotl says, "Saw his own dimension burn [. . .] blame the arson for the fire." Considering that Bill said that he "liberated" his dimension with fire imagery, and the Axolotl says that he saw his dimension burn (and blames the arson, rather than the arsonist for the fire) . . . the conclusion can easily be drawn that Bill's "liberation" was actually "destruction." Which makes sense, when you remember what he wanted to do to Earth during Weirdmageddon.

Nonetheless, we have had that confirmed now thanks to The Book of Bill and the website. We know that when Bill tries to recant what happened to his dimension, there is a loud ringing in his ears and he blacks out; we know that he looks "more distant than [Ford] had ever seen him" when he tries to recount the story to Ford (implying dissociation; we know that he told his henchmaniacs the "liberation" story and that he freaks out when Time Baby tries to speak openly about what actually happened and who actually caused it; and we know that, during his therapy sessions in the Theraprism, when the therapist tries to turn the discussion to his parents, he shuts down discussion altogether. (And also only draws red and blue triangles during his art sessions, implying that may be what his parents looked like.)

So we know that: Bill destroyed his own dimension, that he's the sole survivor of the massacre, that he was severely traumatized by this (because he didn't intend to massacre his entire people, he honestly was trying to help them see what he could see -- the third dimension) and that he just handled his trauma in the worst possible way, particularly since he did not have anyone left to give him a support system. A billion years without a proper support system or any form of healing, sinking further and further into denial, rationalization, and detachment (outlined on Bill's page on morality as his tools of the trade), lying until his lies were no longer lies to himself, made Bill into the monster he is today.

But then the Pines family defeated him (thanks to Stan), he invoked the name of the Axolotl, and got sent to the Theraprism. He hates it there, and he is so deeply entrenched in the lies-he-no-longer-recognizes-as-lies that he is not making any progress. As Alex said at one of the Barnes & Noble Q&As, what Bill really needs is to actually be honest with himself, but it's unknown if he will ever be able to do that. Until he can do that, the hope of him actually making progress at the Theraprism is nil.

But here is the thing about the Theraprism. Well, here are the two things about the Theraprism:

The first is that we are told that the Theraprism is a place specifically devoted to reincarnation. The reason why the "King is reincarnated Bill" theory was popular before was mostly due to the reasons I mentioned above, but also because of another line in the Axolotl's poem: "A different form, a different time." People understood this to mean reincarnation, and it's easy to see why. But for me personally, I always found it a bit strange that the Axolotl would simply let Bill reincarnate simply by calling out for help. Would that really be all it took for the Axolotl? True, the Axolotl is the god of this universe, and Jesus (from how I understand it) is all about "accept me as your savior and you're immediately absolved of all sins," but I also felt that was just too easy of a Get Out of Death Free card for Bill. It was a very clean getaway, considering everything.

But The Book of Bill makes it evident that isn't the case. As it is described by the Theraprism employee in the book:

"Here at the Theraprism, we believe death can be the beginning of a new life. With good behavior, former wizards, world-eating titans, and even Mr. Cipher have many exciting options for reincarnation -- perhaps as a newt, shrimp, or a cloud of fungal spores!"

The Axolotl also made this clear to Bill (though Bill misunderstood entirely:

"You cannot regrow through denial. You'll have to face my hardest trial. See my program to the end, then you may yet live again. You're getting what you need the most; one way to absolve your crimes, to change your form will take some time."

Now, many of you are probably thinking: a baby titan from the Boiling Isles is a huge leap from newts, shrimp, and fungal spores. I would agree with you; it seems that the Theraprism does tend to pick very lowly life forms for the big bads they rehabilitate to reincarnate into. But here are the reasons why I think it would be poetic if it were King, and therefore why I like to think that it would be nice if this were the case:

Like Bill, King is the last of his kind. Unlike Bill, this is through no fault of King's own; the other titans were wiped out before King even hatched, and King's father had to hastily inscribe runes to protect him from the titan hunters (or archivists?) so that they couldn't find and kill him as well by destroying his egg. Nonetheless, King is the sole survivor of a genocide and this is something that weighs heavily on him and influences his character arc in a big way in the second half of the show. The fact that he doesn't know what he is lends struggle to him trying to discover who he is. Yes, he's in a family of misfits, but Eda and Luz know what they are and who they come from. King doesn't have that. King has no basis for what he is, or why he was abandoned -- none of it. And then when he does finally start to get answers, it's to learn that his people were massacred in a genocide; that there are people still out there who want to kill him; that he is going to grow to be a deity-like figure, that he'll outlive those he loves . . . King is a child of about eight-years-old, but he has so, so much weighing on him already.

But where Bill accidentally destroyed his dimension and killed everyone in it, and then was crushed under the weight of that trauma because he was left alone and covered in blood, King did have that family of misfits to support and love him through it all. He was still burdened by the fact that he didn't know what he was or where he came from, but Eda, Hooty, Luz, and eventually Lilith gave him unconditional love and a home and support to figure all of that out, to the point where it was King's idea to be formally adopted by Eda and change his name to King Clawthorne. And while he will eventually outlive them all, he made a friend in The Collector who is also immortal, so he'll never be truly alone.

Essentially, what I'm getting at here is: there are parallels in Bill's and King's story, now that we know Bill's backstory. They aren't the exact same, especially since King was not responsible for what happened to the other titans. But there are still parallels that can be made. But whereas things ended as badly as they could possibly end up for Bill, King's story had a much better ending. So if we imagine that Bill was reincarnated as King, then it is almost like he got a do-over. Like he was put in a similar situation, but this time he was found by a new adoptive mother who raised him with love and care, and got an adoptive big sister, and owl tube house mate, and aunt, as well as a ton of friends. He suffered trauma, but this time he didn't have to suffer it alone, and was able to handle it in a much better, much healthier way. Yes, he's an all-powerful demon (or at least, he will be someday, when he grows into an adult). But this time he isn't going to be causing any apocalypses, or delighting in any mortal suffering. This time, things are going to be different for him, because his soul completed the Axolotl's program in the Theraprism and he was able to reincarnate for that second chance.

(And if you're thinking, "But The Owl House doesn't take place that long after Gravity Falls, so how is that possible?" Well, the Theraprism exists outside of time and space, so it doesn't matter how many millennia it takes for Bill to complete the program. He literally has all the time in the multiverse.)

So I'm on board with this theory now. Again, I do not think it's canon. But it's a nice idea, and one that I think has a poetic sweetness to it. No one has to agree, of course, but that's just my take on it.

[ssavaart]

I don't know how many of you have ever read my webcomic The Dreamland Chronicles, but I wrote it for my twin boys when they were born (2003) and it's 8 books and about 2300 pages and I did the ENTIRE thing using CGI (which wasn't easy back in 2003).

And the art is wonky most of the time and I wasn't the best writer when I started it but... it's still... to this day... my FAVORITE thing I've ever written.

It's everything I ever wanted in a fantasy story. And I wrote it for my kids and... well. I would love to revisit this series again one day.

The books are all out of print now and the website has the first chapter ONLY because I had hired my friend Tracy Bailey to redo the art with her amazing amazing art and she did the first book and it's incredible... but I... honestly... ran out of money (because a great artist should be paid really well).

But look at her art!

Anyways. I was just feeling nostalgic and thought I'd post. Because, I think, that's what Tumblr is for... right? Please tell me I'm "tumbling" correctly.

[copperbadge]

Howdy! I am considering submitting manuscripts I've written to a publisher or possibly self publishing. The publisher states on their website that authors must maintain an active social media presence. I'm not normally a social media type, Tumblr is my only one. What would you reccommend for such? Is it worth it to pay someone to make a website for me? Thanks and many virtual kisses for Dot and Deebs!

Honestly, I haven't submitted to a publisher since before a lot of modern social media existed. :D

It is my understanding, but this is secondhand information, that publishers want you to have either a twitter or a tiktok, preferably both, where you're frequently active and have a high follower count, because they want you to be able to publicize your book on it. One of many reasons I don't even consider trad publishing anymore is that I don't want to spend a significant chunk of my time filming videos for the sole purpose of hawking my books.

Now, as I said, that's an inference I've drawn; you may want to speak to someone who has been trad published recently to get the inside scoop (readers if you work in publishing or have been published recently, feel free to add commentary; remember to comment or reblogs, as I don't repost asks sent in response to other asks). I do have an author website but I built my own; I don't know what the going rate is for paying someone to build one these days but most website platforms are pretty intuitive to use -- I built mine on Wordpress and I'm building a new one on Wix currently, and at this point both are very drag-and-drop oriented. I do think a website is a good thing for an author to have, but I wouldn't pay someone to build one for you until you've taken a swing at DIY and decided it's not where you want to spend your time and energy.

In terms of self-publishing, the good news is that none of the rules apply; this is also the bad news. :D Because the thing about selfpub is that you either pay or DIY for...everything. It can be very inexpensive; when I publish a book the only direct monetary cost is what I pay for an ISBN and a proof copy of the book, which I will make back in the first 10 sales or so. However, I am "paying" in man hours in terms of typesetting, cover design, uploading the PDFs to lulu.com, proofing the initial copy, correcting the proof and reuploading (which usually involves further typesetting), and of course all the publicity -- website design and redesign, copywriting, tumblr posting. And while my profit per copy sold is well above what most authors with traditional publishers will make, that's because the publisher is doing a lot of the work for you. And, because I don't have an active twitter or tiktok or a publisher, my books are not very widely publicized. Undoubtedly I sell fewer copies than I would if I had a robust twitter following, but catch me touching that rancid wasteland without inch-thick gloves on.

So -- I think it's probably pretty important to understand that I have deliberately rejected trad publishing for good but not lucrative reasons, and I'm considered at best an iconoclast and more commonly a crank for having done so. If you can go the tradpub route, I would, but I also wouldn't put any money you're not prepared to write off as a loss into that pursuit. Definitely I would see if there's anyone in the industry you can reach out to who can answer these questions with a more thorough understanding of what publishers look for in an author and how to go about achieving that than I possess.

In any case, good luck! It's a journey regardless and I hope you enjoy your time on the path wherever you end up. And I'll give the cryptids a special cuddle for ya.

[ilovetheriddler]

The Different Riddlers on a date at an amusement Park. Mini fic Scenarios.

Oh boy! That's a lot of riddle loving menaces! These are all short little mini fic scenarios centered around the idea of an amusement park date!

Word Count: 2,160.

Contents: Kissing, mentions of puking briefly, highly suggestive themes but nothing too explicit.

Gotham.

Just where had Ed wandered off to? You weren't quite sure, and it was honestly making you a bit worried. You knew how much he had been looking forward to this date, planning it months in advance to be just perfect, so the idea that he'd just leave without a word confused you.

You attempted to call his phone a few times, only to be met with his voice mail, where on earth had he run off to? You tried looking through the crowd for him and were starting to lose hope of finding him until you felt a hand grab your wrist and pull you along with them. By the time your mind fully registered that it was Edward, you were already sitting down, with a bar being lowered in front of you.

"E-Edward?! Where were you?"

"Huh? Oh! I was looking for the ferris wheel! I couldn't find anything about where it would be located on their website, so I wanted to find it as soon as we got here."

You let out a slightly surprised yelp as you felt yourself moving. As you saw the ground getting further and further away from your feet, you realized that you were on the ferris wheel. He had wandered off, found it, and dragged you to it after that. You couldn't help but chuckle.

"Ed, you could have just told me that when we first got here! Why were you so excited for the ferris wheel anyway?"

"Well... I thought it would be a pleasant experience! You know? I find the circular motion to be the perfect mixture of soothing and exciting, plus I get to be close to you... so there's that as well..."

He threw one of his arms around your shoulders and pulled you slightly closer before his lips met yours in a sweet and prolonged kiss.

Batman: The Animated Series.

Edward had been extremely pleased when he found out that there was a small arcade within the amusement park, nothing super fancy, just some older arcade cabinet games, but he was thrilled and you thought it was really sweet how clearly overjoyed he was.

He was currently on his third game, having already acquired the top scores on the previous two. They were puzzle games, which explained why the small little acarde section was practically a ghost town. Not too many people going to an amusement park were really going to play older puzzle games. But these were exactly the type of things that Edward loved.

"My dear! Look at that, I've bested yet another person's score. My skills at this are truly unrivaled."

"I can see that, I'm glad that you're having fun... I was honestly a bit worried that you might not enjoy coming here..."

"Nonsense! This is the most amusement that I've had outside of my own riddles in a long time!"

You couldn't stop yourself from giggling as he pulled you to sit on his lap as he continued playing away on the acarde games. You felt your face heat up slightly as he started kissing your neck gently.

"E-Edward! We're in public!"

"Don't worry, my dear, I'm not going to go too far, just a few kisses here and there.... and besides, there's not exactly anyone else in this specific section. Now, is there?"

His soft and just slightly mischievous laugh rang out right next to your ear as he continued his kisses on your neck and trailed them down to your shoulder.

Arkhamverse.

You had honestly thought that Edward would turn down your idea for an amusement park date, so when he did actually agree to go, you were incredibly excited..... Keyword being were... You genuinely loved Edward so much, but being slung around in a bumper car as he repeatedly slammed into other cars with enough force to almost give you whiplash wasn't exactly what you had in mind!

But you couldn't lie, seeing Eddie with that Grin on his face, cackling to the point where several people were onlooking with deep concern, was truly all it took to make it worth it. At least he was enjoying himself.

"Ahaha! These Imbecilic fools are no match for my excellent driving skills!!"

"....Eddie, your license has been revoked on several different occasions...."

"Only because of the fact that the people of Gotham city can't handle my superiority, so they try to restrict me!"

You continued to be swung around like a rag doll for another thirty minutes until the staff had received enough complaints and forcefully removed the two of you from the park. Going as far as to Ban Edward for life as a precaution. He wasn't pleased about it, not at all.

A few days later, you'd walked into his lair and found him frantically constructing his own version of the bumper cars, specifically to use in one of his traps for the caped crusader. You noticed a man tied to a chair on the other side of the room, the same man that had thrown you both out and banned him.

"Eddie...? Why exactly do you have that guy tied up?"

"It's very simple, I needed a guinea pig to test out my latest project!"

You knew that it was better to pick and choose your battles with Edward, so while you did feel sorry for the poor amusement park worker, it was late and you didn't want to argue over it, so you just went back to bed.

Telltale.

Edward had been on the fence about whether he actually wanted to join you on your trip to the amusement park. He wasn't exactly a young fellow anymore, so walking around all day didn't sound too pleasant. However, he did suppose that he should spend some time with you doing something that you wanted since you've been such a good assistant when it came to his plans.

So despite this being meant as a sort of reward for you, he didn't miss a single opportunity to complain about his joint pain and about how hot out it was, as if he hadn't willingly chosen to wear an outfit with a lot of layers. Luckily, though you didn't mind, you were used to Edward's complaints and were just glad that he was spending time with you.

Much to both your and his own surprise, he genuinely enjoyed the log flume of all rides, He could sit down and relax, and occasionally being splashed by the water made the heat slightly more bearable. He ended up going on that same ride a few times in a row before the two of you decided to take a small break on a bench nearby.

"So um... Thank you so much, Edward. I honestly didn't think that you'd even want to come here with me..."

".... I didn't originally intend to. However, I decided that you deserved a bit of my presence... as a reward for your recent work...."

You leaned against his shoulder, which seemed to throw him off slightly, before he quickly regained his composure and chuckled at the sight. He threw his arm around your shoulders and pulled you to lean in a bit closer before pressing a quick kiss onto your forehead.

2022 Batman.

Edward could hardly believe it when you told him that you wanted to take him out on a date to an amusement park. He'd never been to one before, so he was extremely excited! Not only because of the fact that he always wanted to do things like this as a child but couldn't, but because he'd be doing it with you, it'd be an actual date!

He was originally fairly nervous about the idea of how some of the rides would be, but once you both got there, he found himself having quite a pleasant time! Until you got to the Rollercoasters, then it went from a pleasant time to an amazing time! You were both screaming quite loudly while on them, but it was different for both of you. Edward had this look in his eyes, a look of unbridled gleefulness. He looked ecstatic as you both rode the Rollercoaster. In fact, he insisted on riding it another ten times!

You couldn't help but wonder if the reason why he was enjoying it so much had anything to do with the adrenaline his brain was producing as a result? Perhaps it was giving him a feeling that was somewhat similar to how his actions as the riddler made him feel? There was no way to be sure. He was overjoyed as you both got off the ride again. Unfortunately, you had to run over to the nearest trash can, feeling horribly queasy after being forced to endure a rollercoaster eleven times in a row. Edward looked extremely concerned as he approached you and started rubbing your back, attempting to help you through your nausea.

"A-are you alright, my dear? W-was that too many times? I'm so sorry if I overdid it...."

"...It's fine, Eddie. I'm just happy to see that you're enjoying yourself.... but yeah, after the seventh time, it might have been a bit much...."

Zero Year.

You were extremely skeptical and a bit cautious of wherever Edward was dragging you off to, He hadn't seemed all that interested in the amusement park a few minutes ago... what could he have possibly seen or stumbled upon to suddenly shift his mood so drastically?

You were even more confused when he stopped in front of a currently shut down maze of mirrors. You felt chills run down your spine as you glanced over at him to question what exactly he was planning, only to see that mischievous look in his eyes... whatever it was wasn't good if he had that look in his eyes, you could at least say that for certain.

He wandered inside, and you followed behind him. Just what was he planning? After walking for a few minutes, you started to grow frustrated. Perhaps he simply did this to annoy and inconvenience you. You turned around to say something but stopped dead in your tracks as you saw him unbuttoning his suit jacket before tossing it on the ground.

"E-Edward? W-what on earth are you doing?!"

He slowly stepped closer to you, a sly grin plastered on his face as he leaned in closer to you.

"Oh, come on.... there's no one around, and I'd truly be a fool not to take advantage of all of these... mirrors, wouldn't I, my dear?"

"Excuse me?! I bring you to an amusement park, and your first idea is to have sex in a shutdown maze of mirrors?!"

He disregarded his shirt on top of his suit jacket before moving on to unbuckle his belt. His breath drifted across your ear as he lowered his voice to sultry whisper.

"Precisely.... Don't lie to me and say that you aren't the least bit aroused by the idea...?"

The bad thing is that he wasn't wrong.... and that bothered you more than anything else.

Unfortunately, the two of you ended up being banned for life once a worker who was cleaning up the area stumbled upon you two in the throes of passion. Edward seemed unbearably smug, though. Even as you were both thrown out.

Young Justice.

Edward was overjoyed by your invitation to go to the amusement park together, it would be your and his first ever official date, and he was confident that it would be perfect... alright, maybe not fully confident, somewhat confident... he wasn't actually confident, that was a lie, he was deeply worried about something screwing up the entire date.

So he kept his eyes open, watching the area with a keen eye, he'd let this date be ruined over his dead body! As the date contained on there seemingly wasn't any major issues... Until he realized that there was a tunnel of love here and that you really wanted to go on it with him.

He was ultimately unable to say no, so the two of you got on the ride, sat down in those stupid little boats, and started floating along the long, dimly lit corridor. Actually.... the atmosphere would be absolutely perfect for stealing a few kisses from you. Yes, it'd be perfect!

He put his previous concerns behind him as he grabbed you suddenly and slammed his lips against yours, an intense passion behind the kiss. It lasted a few seconds before he pulled away to catch his breath, only to then reconnect them again and again. It was everything he had hoped that it would be. However, then the ride stopped suddenly, and he was sent falling off the boat and into the water, soaking his clothes.

"Damn it!! C-can't those idiots run a ride correctly?!"

"Are you alright, Eddie? That was quite a sudden fall...."

You helped him back onto the boat, but now he felt that his pride was damaged slightly, so he just sat there and sulked in his drenched suit, his favorite suit!

[lizzybeth1986]

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

[downtofragglerock]

Alright here's part 2, the one that requires more context

Daniel Lipkowitz was a lego employee when bionicle was first being developed and according to bs01 was actually a beta tester for MNOG

Lipkowitz actually made a number of bionicle mocs at this time and posted them to a personal site, The Sands of Mata Nui, which is what you did back in the early aughts internet-wise

Obviously from a fandom archeological perspective this old little website is extremely valuable both as a window into the past, but also as one of the oldest recorded instances of bionicle mocing you can find

Now why would a bunch of old mocs, even if they were made by someone who was a lego employee and involved in bionicle's early production to some extent, be important in this little series?

Because you might recognize a few of them, namely four: the Dikapi, the Mata Nui Cow, the Ranama, and the Kirikori Nui. All four of these rahi started out as mocs made by Lipkowitz that lego decided to make canon, albeit after some name changes

But what confuses me a little more is that The Sands of Mata Nui has 12 rahi mocs shown, but only four were made canon. Why only those four is a question I don't really know how answer, but let's look at the other eight, and see if we can taxonomically categorize them. Spoilers, to quite my relief, most of them are pretty easy.

The Mokonui seems to be a hadrosaur, probably a parasaurolophus

The Wehirua is another spider

The Kotonga is some carnivoran mammal of unknown specificity, its either some wolf or fox or snow leopard or something

The Make Kanohi is another crab

The Peki is an indiscernible bird of some kind

The Rarawhi is really the only rahi here that actually stumps me, mainly because its described as something in between a reptile and an insect, so I really got nothing here

The Kouroua actually gives us something interesting: It's a sloth! I'm honestly surprised there aren't any other sloth rahi

And lastly we have the Pakipaki, which seems to be a parrot large enough to ride like several other bird rahi in the mu

And there, that's it, every rahi, taxonomically organized to some extent

[welcome-to-the-neotheater]

I made one of those iceberg memes for AJR

It includes both songs and also just like fanbase stuff

Thanks to the website I made this on for putting their massive fucking watermark over the bottom

Full explanation:

Bang!: Bang! has been, in some ways the most popular AJR song. YouTube says WSV has more streams than Bang! does but I think that has more to do with the online popularity of it than anything else, as I've honestly heard more people say they've heard bang than WSV so I put it at the top.

WSV (World's Smallest Violin): WSV from Ok Orchestra has been one of songs I go to when I'm trying to see if maybe someone's heard an AJR song before and just hasn't realized it. It went pretty viral in 2022.

Weak: Weak was also a pretty massive song. It was released on the Click and according to YouTube Music has 238 million plays.

Burn The House Down: This song was released on the Deluxe version of The Click (it's not on the main one, which is surprising as it's the most popular song from the whole album). It's also one of AJR's biggest songs.

The Good Part: This was the first AJR song I'd ever heard! A lot of it's popularity was from TikTok trends that we're using the "can we skip to the good part" as a transition audio.

AJR is a band: I feel like this should go without saying and should be higher on the list, but the number of people I see referring to AJR collectively as "he" is infuriating. There are 3 of them holy shit dude look at any album cover of theirs and use some of those counting skills we should've learned in preschool. However, I do see people not involved in AJR stuff who understand how to count and say "their" when referring to them collectively so I put it above the water level on the iceberg.

Way Less Sad: This song also did pretty well. It was released on Ok Orchestra. However it's not one I think most non-AJR fans would've heard so I put it as the first "under water level" spot on the iceberg.

AJR stands for Adam Jack and Ryan: A lot of people don't know this but I think it's one of the first things you'd google if you were starting to join the fanbase. Adam Jack and Ryan are the first names of the bassist, lead singer, and keyboardist respectively.

Jack's Hat: Pretty much since I want to say 2015 (?) Jack has worn this hat during pretty much anything relating to the band.

It was his mother's hat and appears as early as Living Room overture

pssst Women's Ultrawarm Bomber Hat | Accessories at L.L.Bean (llbean.com)

They're brothers: Adam Jack and Ryan are brothers. Not much more to elaborate on here except that a lot of people didn't seem to know this.

Karma: One of the greatest songs ever made and definitely one any fan knows. It was on Neotheater

Overtures: For the albums the click, living room, and ok orchestra the album has started with a song called "Overture" (or "Ok Overture" in Ok Orchestra's case). These songs are just like a mash up of the other songs on the album.

Both Living Room and The Click's overtures display this definition at the beginning of the song as "Overture" isn't in most peoples vocabularies

I guess by Ok Overture we were expected to understand what was going on as there was no definition at the beginning of that one.

T__ M____ M__: So whether or not you know what this is will depend on how active you were in the community at the time TMM (what we now know is The Maybe Man) was being teased. Essentially we were told of the initials "TMM" and that the first word had 3 letters, the second 5, and the 3rd 3 and nothing else. There was someone selling shirts that said "AJRdle" at one point (I can't find them now), and that refers the wordle we were essentially playing with the album name.

Joe: This song was written about a guy who went to Ryan's high school that he looked up to. It's not a hugely popular song but it's one most fans would know. It appears on Ok Orchestra.

Adventure is Out There: Another less popular Ok Orchestra song. This one's great too.

I'm Ready: This song was their "first" (more on that later) song and was also their first hit. Sia shouted them out and that pretty much made the song a hit.

It was in the trailer for Trainwreck in 2015

Trainwreck (2015) - IMDb

Pitchfork Kids: Beloved by fans and considered by some as the best song on Living Room. It originally came out in the Infinity EP.

Normal: So a lot of people miss this song's existence as it was on the deluxe edition on the click but not the official one. It's kinda overlooked. Citation needed, but I believe it's the least popular song that's post living room.

Weak has an acoustic version: This title is pretty self-explanatory, but a lot of people missed the acoustic version of weak that came out in the "Weak Remixes" EP (I guess its an EP?)

City Savers: My beloved city savers. Sadly this and other AJR webisodes were taken down from the official page but there is a reupload.

AJR WEBISODE: CITY SAVERS (youtube.com)

Essentially it was just a skit they did. I'm not sure when it came out but if I had to guess it looks like it might've been around 2013.

A Day In The Life: City Savers' slightly overlooked twin. Another webisode from around this time.

Dear Winter 2.0: AJR released an alternate version of Dear Winter. All the lyrics are the same but the production is different. A lot of people don't seem to talk about this.

3 AM: Not to be confused with 3 O'clock things, 3 AM was released on the infinity EP in 2014. It's the least played AJR song that's still officially available.

AJR Covers Channel: There exists a second official AJR youtube channel thats @/AJRBrothers instead of just @/AJR

AJRBrothers - YouTube

They posted covers of songs. It hasn't been active for 11 years.

I also love how hilariously outdated their About section is.

6Foot1: This was just an alternate title for the I'm Ready EP.

Woody Allen, AfterHours, and Buy You A Rose still have their 6Foot1 versions up on AJR's youtube channel.

Jack was in The Pink Panther 2: Yeahhh

So when Jack was 11 he was in a movie called the Pink Panther 2. He played a character named Antoine. I watched the movie and he was only in like 5 minutes of it total. I wasn't paying a ton of attention to the movie but I think he was supposed to be the nephew of the main character.

If you've ever seen this:

Its from the promotion for this movie.

He was also in one called Billy Bates according to IMDB but I've never seen that one.

Anyways if for whatever reason you want to watch the Pink Panther 2 (it's terrible and absolutely earned its 12% rotten tomatoes rating) you can watch it here for free on Tubi:

Watch The Pink Panther 2 (2009) - Free Movies | Tubi (tubitv.com)

Married On A Hill: Mostly just mentioning this song cause I discovered it and became obsessed with it a couple of weeks ago but essentially it's a song of theirs from like 2014 or 2013 that was played live a couple of times and never officially released (but was released accidentally in 2020 Married On A Hill | AJR Wiki | Fandom) but there are still concert recordings of it on YouTube.

Here's one:

AJR - Married On A Hill 11/4/14 (youtube.com)

Born and Bred: Born and Bred was the first album they ever released, but it's been taken down. According to genius.com, it came out on March 8th 2010, but take this with a grain of salt because genius.com sucks balls. But, I digress.

It still exists on YouTube but I didn't tell you that.

Adam was in a The Onion video: This also has a pretty self explanatory title.

Adam appears in the Onion's "High School Tonys Nation's Drama Club Nerds" at 0:55

High School Tonys Honor Nation's Drama Club Nerds (youtube.com)

Go On Take A Chance: This was AJR's first song. It exists on YouTube and has a music video. It appears as the first track on Born and Bred and was released as a single according to genius.com on January 13th 2010. Again, take this with a grain of salt because genius.com sucks balls.

But I digress put your hands up cause I won't

Venture: Venture was the second album released by AJR and has also been taken down. There is a lot less of this album available online so it's lost media in a way. Genius.com says venture came out September 12th (yikes) 2010, but have I mentioned that I fucking hate genius.com. This album has 10 songs.

AJR - EP: And we reach the end. This EP was released after Venture and Born and Bred and had 4 songs, one of which was The World Is A Marble heart, which I'm pretty sure makes it the oldest still publicly available AJR song. I think it's the same on the AJR EP as it is on Living Room but I haven't heard the original version to confirm that. If genius.com is to be trusted (it generally is not) it came out July 17th 2012. I think most of the EP is available on YouTube.

I only put this one at the bottom because in my experience the community seems to talk about it less than Born and Bred and Venture.

[royboyfanpage]

Hello, please don't take this the wrong way but when I first started getting into comics I really disliked Ollie for how he treated/reacted to Roy and the whole drug thing but many years and more experience later (I know the characters a bit better now and stopped reading bad takes on tumblr) I'm realising that theres a lot more nuance and apparently they've got a really close relationship these days?? So I was just wondering if you might be able to explain that to me because I'd love to get into more arrow stuff (honestly mostly fanficton because lbr comics are crazy confusing and expensive) but I'm struggling to shake the assumptions I made about Ollies character when I was younger

Hi anon! Thank you soooo much for this ask, I've been looking forward to answering it for hours and now I finally have the time. Ollie's one of my favourite fictional archers, and I adore talking about him at any opportunity because he is SUCH a nuanced character. So here's-

Why Oliver Queen Doesn't Suck

Mandatory disclaimer that this is my own opinions, other people may have different interpretations which is totally fine! Ollie's been around for over 80 years, there's a lot of content to read and a lot of conflicting characterisations, so other people may see him differently than me. Also disclaimer that much of this was written from memory. I fact-checked the date of Nixon's declaration of the War on Drugs and the Denny O'Neil quote, but the rest of this was from memory. Apologies for any innaccuracies, both for comics and context.

Now that that's out of the way, lets talk Snowbirds.

In order to discuss Snowbirds Don't Fly, one of the most important things to factor in is context. I understand it can be difficult to see through the historical lense of a time period in which the majority of people on this website, myself included, were not even born let alone reading comic books. However, it's still crucially vital to discuss what was going on in the real world at the time of its publication in order to engage in a rich discussion of the comic. Snowbirds was published the year that the War on Drugs officially began following Nixon's declaration of drugs as "public enemy number one" on June 17th 1971, just under two months before the release of Snowbirds part 1 in August of that year. At the time, drug addiction was very much seen as a moral failing, and the war on drugs focused heavily on the incarceration of drug users (particularly ones that the US Government wanted an excuse to lock away such as people of colour and pacifists against the war in Vietnam, but that's not relevant to Snowbirds.) While Snowbirds was absolutely not a perfect comic, it was created to show a more humanising side of addicts than the usual demonisation seen on the news. In the words of writer Denny O'Neil, “we chose Roy [...] to show that addiction was not limited to 'bad' or 'misguided' kids.” It was created to show that addiction was not a moral failing, and that anyone could fall into it due to circumstances, even someone we've already accepted as 'one of the good guys' for the past 30 years. Roy was used as the symbol of a good kid who made a bad mistake in order to humanise real young people who'd gone through similar circumstances. And where there's a kid, there's a parent, which is where Ollie came in.

Now, I very strongly believe that Ollie was not written to be the bad guy of Snowbirds. Not only was he also an established 'good guy', but he was a symbolic stand-in for much of America at that time, including the people who would be reading it. And, while Green Arrow is very much a character who brings with him a lot of strong political takes, villainising their readerbase would be a step too far. Ollie was a stand-in for the concerned and ill-informed parent, a character who's consumed all the anti-addict propaganda being spread at the time and internalised it. That's why the fact that it was his own ward struggling with addiction was so poignant to the story. Ollie was forced to re-evaluate his worldview after seeing someone who he knows isn't what the media says addicts are struggling with addiction. Snowbirds has such an interesting character arc for Ollie, seeing him struggle to combine the ideas of what he's heard and what he's actively seeing in his mind.

Now, the most infamous part of Snowbirds is, obviously, the slap. Full disclaimer, I am not saying that Ollie is in the right for that. He was 100% undeniably in the wrong for how he responded to Roy's addiction. However, I think a key component of comic books that people tend to ignore is the component of marketing. The writers wanted this comic to sell. It was a very important story for the time, and with the amount of comics being released it was crucial to them that people actually found the comic and read it, especially since it was one of the first comics released outside of the strict rules of the Comics Code. And what would catch readers' eyes more than seeing a superhero hitting his sidekick whilst said sidekick is surrounded by drugs? I'm not trying to discredit the panel, it was obviously a very significant part of the story, but there were external factors at play too.

A lot of the development of Roy and Ollie's relationship is seen in comics released post-Snowbirds, but even in the comic itself there's clear development, particularly at the end. Snowbirds Don't Fly is a character arc for Ollie of him adjusting his worldview in order to grow and better himself after recognising his own biases. And people tend to forget that Snowbirds ends with Roy hitting Ollie back, and what does Ollie do? He listens. He lets Roy get his frustrations out, and listens to Roy's perspective, and he's proud of him by the end of it, proud of the young man he is.

Okay, now that we've gotten Snowbirds out of the way, let's talk about-

Post-Snowbirds

There's a common misconception that Roy and Ollie having a close relationship is a recent development, which just isn't true. While it could've absolutely been explored in more detail, it's clear that Roy and Ollie reconciled post-Snowbirds. The earliest example that comes to mind is 1993's Green Arrow vol 2 #75, wherein Ollie and Roy refer to each other as father and son.

Keep in mind that this was written by Grell who is, at least in my opinion, one of the best references for Ollie. While they did have some issues in the later issues of the run preceding Ollie's death (the causes of the conflict I'm unsure of, they were on rocky terms during Connor's introduction but I don't know why, if anyone has context for that please let me know but that could've just been a choice Dixon made), it's clear to see that Snowbirds was not something that permenantly damaged their relationship. Ollie put in the effort following his actions, to better himself both as a father and as a person, and Roy recognised that and forgave him. Parent/child relationships are hard anyway, let alone under the circumstances Roy and Ollie are under as heroes, and the fact that Ollie actually recognised his own flaws is far more than many parents do.

If we go later, we can see Roy talking fondly about Ollie whilst Ollie was dead in Titans (1999), fondly recalling memories with him from his youth, as well as keeping a photograph of him on his wall.

While Roy does recognise that things with Ollie weren't always perfect, he does also acknowledge the good times between him and Ollie, and it's clear from the way he speaks that he holds a lot of love for him.

Later still, when Ollie returns from the dead, the duo reunite with fondness

One thing particularly that stands out to me is that, at this point, Ollie was missing many of his memories and Snowbirds was still fresh in his mind, with him bringing up Roy's addiction multiple times throughout Quiver as if it happened within at most the span of two years. Despite this, he still embraces Roy and treats him with love, making it clear that Ollie loved Roy even near to the Snowbirds era. There are more instances I could go into in Green Arrow (2001), but I'm running out of free time, so I'd highly recommend reading it :)

Aaaand later still, Ollie openly admits to having fucked up with Roy during Snowbirds.

He admits his failings, and demonstrates that he's got Roy's best interests at heart. He's not being selfish, he's letting Roy have his moment in his initiation as Red Arrow and staying in the background because he believes that's what's best for Roy. And-

He openly states that he loves Roy.

There's more in the current continuity I could reference, but I don't have the time to go through them right now and I'm definitely more familiar with content pre-52 (particularly 1994-2004 is the ten years I'd say I know the best), so hopefully this is enough.

Roy and Ollie's relationship isn't perfect. It has clear ups and downs, which is what makes them so interesting! Oliver Queen is a very loving, yet very flawed man, and to go either way of "evil abuser" or "perfect father" discredits who he is.

Anyway, your faves don't have to be unproblematic to love them. Ollie has a really compelling character arc during and after Snowbirds, and I like him a lot :)

For further reading, check out my masterlist on my pinned post, particularly Oliver Queen's B- Parenting, Snowbirds (1), and Snowbirds (2)

[athena5898]

Given the nature of my blog at this point, i tend to shy away from posting about media stuff. Buuuuut I think there are a lot of younger people experience this slightly "political" dude bro phenomenon so I kind of want to walk them through it. So Dawntrail the most recent ff14 expansion. Is actually pretty good. Now if you listen to some aspect of the community you are going to get some other........."perspectives" on that. Dawntrail is flawed, of course it is. This is the expansion that would have been in development during mid to post 2020 AND it's the expansion that needed to come around after Enwalker to build up the new story. Endwalker that spent YEARS building up to a climatic finish. What does this have to do with the first paragraph? Well, I'll tell you.

Dawntrail focuses on the story of a coming of age of a nontraditionally feminine woman lead Wuk Lamat (who is voiced by a trans voice actor) and we, the heroes of the world, are now going to help and take a back seat to this person. Who she and the entire expansion is based on Indigenous people from various parts of "America" so you know, they should be front a center and our out-of-town asses *should* take a seat in the back (some of you will read this and immediately go "oh that's why it's getting extra hate") If you do not know and was lucky enough to not be a woman or non cis het white male in the 90s trying to play video games or enjoy nerd culture....All of what I just stated is a big problem. Dude bros as I like to call them, (aka someone who you will always be curious if they were or would be part of Gamer Gate. Also please note a dude bro doesn't have to be a man...trust me on that) hate this kind of shit. They naturally feel threatened when the media's focus is not about them. So what do they do? They take legitimate criticism of something and BLOW IT THE FUCK UP. Suddenly that thing that was kinda annoying, is now just the fucking worst. A story beat drags on a little long? Worst media ever. A character has a minor plot hole? Worst media ever. dialogue a little blah at one point? Worst media ever. etc etc etc These are the same kinda people mind you who will write a 8 page essay how (insert average mid action movie here) is the most amazing masterpiece of a film. (which I don't really care about, but it shows that these people are not exactly the most objective purveyors of media arts as they like to claim to be when it's suddenly about their misogyny and white supremacy) I'm bringing this up cause I'll notice some well meaning people being confused saving things "well...I kinda get *this* part of the criticism but...not this other stuff. Why is it a big deal" or some version of this. They don't actually care that much, they just care that an Indegenous GNC cat woman is getting more screen time then their precious gods gift to Eorza WoL. If they had made this expansion about a white guy or our WoL and it wouldn't of gotten nearly the same level of backlash. People will disagree with me, but I'm sorry this is just a fact. And because this is the reading comprehension website, no it's not bad to dislike Dawntrail. No it isn't bad to think a character is annoying. But the patterns are there and the chances of this JUST being about the real issues is just fucking zero. You dont' spend that much time complaining about ONE character as the focus if it isn't about the bullshit dude bro gamer pride. Honestly given how fucking gay this game is I have no idea how these people play this game without burning up like a vampire touching sunlight ALSO...I'm a ex wow player who played that game for the story (I was 14, give me a break) from BC all the way up to 7.2. So I kinda know what i'm talking about when it comes to toxic dipshit gamer behavior *looks back at that last paragraph* god that's so fucking sad. Oh fun fact, according to Wuk Lamat's voice actor Sena Bryer, all voice acting for the new area in Dawntrail was given to Latino/Indigenous voice actors for every single character. (from this area of course) *edit* lol yeah anyone saying i'm wrong is just a fucking grifter or liar. Found this while looking something else up. You know it's bad when the god damn director has to step in and say "yo you little assholes cut it out" https://www.pcgamesn.com/final-fantasy-xiv-a-realm-reborn/naoki-yoshida-wuk-lamat