#house of capulet

[filmap]

Tromeo and Juliet Lloyd Kaufman. 1996

House of Capulet 127 E 73rd St, New York, NY 10021, USA See in map

See in imdb

[r-and-j1996memes]

Tybalt: You lying, cheating, piece of-! Benvolio: Oh yeah? You’re the idiot who thinks you can get away with everything you do. WELCOME TO THE REAL WORLD! Tybalt: I’m leaving you, and I’M TAKING MERCUTIO WITH ME! Juliet, picking up the monopoly board: I think we’re gonna stop playing now.

au where no one dies and they all get along post-movie :) idk i just like it cuz i think it'd be funny

[thecomet-and-themeteor]

@montygatorguy

In which I draw Mercutio and Tybalt within the & Juliet universe based off of a mix of Alpharad's performance of and my school's performance of Romeo & Juliet

I couldn't tell who Mercutio was and who Tybalt was so I just went off of colors I associate them with, I'm sorry if I got them wrong

Reference images under the cut:

[caterpillarinacave]

Some of you weren’t obsessed with Tybalt Capulet and, boy, does it show.

[darkcrowprincess]

My favorite characters that I relate to.

[gelflinghandz]

Okay but,,, is it really that bad and cringey and toxic that i want a love like romeo and juliet's??

yeah probably tbqh

[veronabeachwherewelayourscene]

[deathbury]

shades of red, gold, brown, white and black accents are the only thing you’ll see in the capulet house

[sprachgitter]

on storytelling and repetition

“...the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again.”

— Arundhati Roy on Indian mythology and folklore, in God of Small Things (1997)

“It was only once – once – that an audience went to see Romeo and Juliet, and hoped they might live happily ever after. You can bet that the word soon went around the playhouses: they don’t get out of that tomb alive. But every time it’s been played, every night, every show, we stand with Romeo at the Capulets’ monument. We know: when he breaks into the tomb, he will see Juliet asleep, and believe she is dead. We know he will be dead himself before he knows better. But every time, we are on the edge of our seats, holding out our knowledge like a present we can’t give him.”

— Hilary Mantel on Shakespeare’s Romeo and Juliet, in “Can These Bones Live?”, Reith Lecture, 2017

“So what makes this poem mnemonic is not just repetition. Rather, it’s the fact that with repetition, the repeated phrase grows more and more questionable. I’ve remembered “Come on now, boys” because, with every new repetition, it seems to offer more exasperation than encouragement, more doubt than assertion. I remembered this refrain because it kept me wondering about what it meant, which is to say, it kept me wondering about the kind of future it predicted. What is mnemonic about this repetition is not the reader’s ability to remember it, but that the phrase itself remembers something about the people it addresses; it remembers violence. Repetition, then, is not only a demonstration of something that keeps recurring: an endless supply of new generations of cruel boys with sweaty fists. It is also about our inability to stop this repetition: the established cycles of repetition are like spells and there’s no anti-spell to stop them from happening. The more we repeat, the less power we have over the words and the more power the words have over us. Poetic repetition is about the potency of language and the impotence of its speakers. In our care, language is futile and change is impossible.”

— Valzhyna Mort on Russian poet Yevgeny Yevtushenko, in “FACE – FACE – FACE: A Poet Under the Spell of Loss”, The Poetry Society Annual Lecture, 2021

[r-and-j1996memes]

what am i doing tbh

[juuuulez]

📰 | prologue: capulet.

info: Carl Grimes-less chapter (sorry!), Negan x Daughter! Reader, pre/start of apocalypse, violence and minor gore, morally grey reader, mentions of child abuse/neglect.

summary: When the apocalypse breaks loose, you find yourself in companionship with your sport teacher, Mr. Smith.

THIS was so much fun to write!!!! Genuinely my favourite chapter I’ve done so far. Let me know what you all think, because I’d love to do more little tidbits that stray from the original story. But with that in mind, this instalment IS required to understand parts of the fic going forward. Prologue is mandatory…..I’ve just finally done it.

Chapters 1, 2, 3, and 4 are already out! 5 will return to our regularly scheduled program of Carl and (Y/N) bickering.

You valued consistency.

Doing the same thing, every day.

Even if your life was shit, at least it was consistently shit.

You always knew how to behave. What could just go unpunished. How to enter the house without making a sound. The perfect patterns to ensure your location wasn’t given away. What exactly to say to avoid being hit.

It was routine, comfortable. You permanently lived on the edge, waiting. Listening, watching. Observing those around you.

As routine, you were late. It was becoming quite the pattern, but you couldn’t help it. The bus ran late. Or, you suppose… if it ran late every day, then it was on schedule. Maybe you should start catching an earlier bus.

Whatever, it didn’t matter.

Second period, Tuesday.

Sport.

Now, you didn’t necessarily dislike sport. But you didn’t really love it, either.

The uniform always made you feel insecure. Which, at the ripe age of 13, doesn’t seem to be an emotion your peers are experiencing yet. Or maybe they are just better at hiding it than you are. It’s also incredibly performative, sport, which you hate. Being singled out, going one by one, choosing teams. All of it was terrible.

You didn’t mind your teacher.

Which, went a long way, considering you disliked most people who resided within these buildings. Teachers and students alike.

But Mr. Smith was nice. To you, at least. And to everyone. He was loud, had too much energy, but you didn’t mind. It just meant that he cared about his job.

You absentmindedly tugged at the sleeves of your shirt, the fabric wrapped around your arms to make up for the breezy garment of the girls tank top. It made you look different, set you apart. You hated that.

Regardless, you fall in line with the others.

Baseball.

Granted, you’ve never played baseball before. Sure, you’d watched it, on the small occasion that you were allowed to stay with a friend. It was a vivid memory. Watching from the hallway, over her father’s shoulder, whilst she was asleep.

You wished that your father liked sports. Or maybe cooking. Or collecting things, cleaning things, fixing things. Anything.

It’s almost the end of class, you’re standing at the back of the line. Three kids, then two, then just one. You. The others are standing on the bleachers, already collecting their equipment, preparing for break.

“Batter-up.” Mr. Smith says, though you don’t understand the colloquialism. Nonetheless, you move forward, accepting the bat from the previous student. Another is further down the field. Bowler, you presume.

The metal bat is cold between your fingers, clenched in your dominant hand. It’s heavy, but not an unmanageable amount, just enough to keep you aware of it. There’s weight to the swing, weight on your arm, shoulder. It takes a moment to find your footing.

But when you do, the other student has already thrown the ball. It’s hurdling towards you, faster than comfortable. Spinning through the air with a distinct whizz, perfectly curved, heavy. Dangerous.

It’s instinctual. Your body twists, landing a hit on the spherical object with laser accuracy, the impact ringing in your ears as it soars away, towards the end of the pitch.

Your head snaps in the opposite direction, recalling the match you’d silently observed years ago. There are beige bases in the grass, thin plates. The bat falls from your grip, hitting the ground with a thud, and you move to start running.

It only takes a few steps before reality clicks in, and you realise the feat is pointless. Nobody else is playing. There is no-one to catch your ball, to cheer and clap. Everybody has already begun to leave. They didn’t watch you, didn’t continue the game. Three seconds tick over before the bell rings, releasing the crowd of children awaiting their freedom.

Suddenly the summer breeze is too hot, the sleeves of your shirt itching, sticking to your skin. The tank is too tight. It hugs your body in the wrong way, vulnerable, at their mercy. And yet, you are unseen in a similar manner, and there’s an inkling of you that wants to be judged, simply to say you’d been recognised.

You’re collecting your things, and by that, putting your muddied sneakers into a plastic bag and slipping on new ones. There are footsteps behind you. Heavy, easily identifiable as an adult. You have impeccable hearing.

Before he can announce himself, you’ve turned. There’s always been respect in your tone when conversing with teachers, well aware of the authority they hold, despite your frequent disagreeable on their methods.

“Never mentioned you were good at baseball.” Mr. Smith quips, already packing up the equipment left behind from the lesson into a large bag. Those concrete-hard balls, the plastic bases, the metal bats.

“I’ve never played, sir.” You tell him, flashing that usual, awkward smile that doesn’t really count as a smile, but just the pursing of your lips. An attempt at civility from somebody too irreversibly damaged for their age.

“Well, we’ve got a team running,” He continues to speak whilst organising, and though he does not look at you, your attention is drawn. “Could come find you later, give you the permission slip.”

That bursts your bubble. There’s no chance in hell that you could persuade your father to sign it. There was forging the signature, but this game would run in after-school hours, an extra curricular. You wouldn’t be allowed.

“I dunno,” You shrug in premature defeat, slinging the bag over your shoulder, coming to stand at the feet of the bleachers. “Not really a team player. Wouldn’t fit in with the older girls.”

Though there’s no visible indication, it’s obvious that Mr. Smith disregards this as a valid excuse. Which, it definitely isn’t, but it’s the little statement you tell yourself in order to feel less shitty about missing an opportunity.

“How about I get you the slip, and then you’ve got the option?” It’s said as a question, but clearly isn’t, as he’s then reaching into the duffel bag and pulling out one of those heavy, metal bats.

He holds it out to you, and you have no choice but to take it.

“Get some practise in before the weekend.”

Then Mr. Smith is leaving, and you’re left standing there, on the muddy field. The second bell rings out.

You’re late.

Now, this habitual lateness may not be all so coincidental.

Tardiness was handled rather vigorously in the seventh grade, for whatever reason. You didn’t understand.

But it hasn’t taken too long into the year to crack the metaphorical code. Detention was mandated for wrongdoings, ergo, another hour before you had to be home.

You’d take detention over home any day of the week.

So it was unsurprising when you ended up there this afternoon, settling into your usual spot near the back. There were a other kids, the typical troublemakers, and a few poor souls who genuinely had misfortune befall them.

Mrs. Hagerty, the librarian, overlooked detention. She was old and slow, grey hair, grey lips. Grey… skin. Well, she looked half-dead, which was saying something. You weren’t surprised, though it was a little suspicious how she hadn’t chastised you for bringing the baseball bat into the room.

It sat propped up against your desk.

Despite your adamancy against pointless procedures, public humiliation, gossip, and assholes in charge, you were quite good at school. English, primarily, was your strong suit. Reading, writing. All of it.

The peace that you’d carefully crafted was interrupted roughly halfway into the lesson. Or, babysitting session, as Mrs. Hagerty was yet to look up from her desk. Talk about worlds easiest job.

You still remembered that day, even now. Years later.

At the time, Mr. Smith was nothing but your sport teacher, someone with authority who you detested less than most other figures. A reasonable constant in your life, so far.

Now, he was Negan. Everything to you, in a way. Alike to how you were everything to him. Though you didn’t know it then, this was the day that he’d consume an entirely different part of your mind, forging a new identity that would terrorise, ravage, and torment communities.

But in the same breath, protect you, help raise you, construct an entire empire with you as the sun. Though you’d never succumb to the hive mind, you were not Negan. But you certainly were his.

Nonetheless, it all started within that room. The detention room.

“Permission slip.” Negan announced, placing the small pink paper on the desk in front of you. He attempted to keep his voice hushed, mindful of the other students who were meant to be studying, but appeared more to be sleeping.

Now that it was out of school hours, and he was likely printing, Negan wore reading glasses. Later, you would mock him for these, making comments about him being old.

It always awarded you with that same distinct look of warning. Yet, it never made you feel threatened, but appreciated. Seen.

You slide the permission slip closer, reading the small black writing. In the same motion, you fish out a pen, jotting down cursive letters in the underlined section.

You slide it back.

“I can’t take this,” Negan points out with a sign, gazing down at the signature that is obviously not one of your parents. “You’re really making me go back, and print another one?”

This causes you to roll your eyes, “So I can take it home and do the same thing? That just wastes both of our time… our you could take it now.”

However, he won’t budge. “It’s policy. Go home, get it signed. I don’t need to know how.”

Though you feign annoyance, the insinuation made you want to smile. Turns out, Negan knew more than he was letting on. Gossip spread across faculty quickly, and it didn’t take a genius to deduct your… poor living situation.

The long sleeves, the turtle necks, the gloves. Jeans in summer. Never a parent to attention parent-teacher conferences.

He’s about to turn and leave, when there’s a slight commotion at the front of the room.

One of the younger students, Jasmin, is talking to Mrs. Hogarty in a hushed voice. Goody-two-shoes.

When she gets no response, the student only continues talking, trying to elicit a reaction from the teacher that has otherwise remained silent. In an irreversible mistake, Jasmin reaches out, gently waving her tanned hand in front of glazed over eyes.

Mrs. Hogarty lunges at her, finally in motion, chubby hands gripping at the forearm of the girl and taking a bite from plush skin. Blood spurts from the wound, Jasmin screams in horror, alike to the rest of the few misdemeanours in the room.

Everyone is in motion. Some try to help Jasmin, others flee. You’re stuck. Truth is, though you boast agility, you’ve never been in a situation like this. Your mouth gapes like a fish, open, closed, searching for something to say, to do. A reaction befitting of this complete, disgusting travesty.

“C’mon, up. Let’s go.” Negan is talking to you, you realise. It’s like everything finally clicks back into motion, the water no longer clogging your ears, making everything muffled and distant. This is reality.

You scramble from the chair, grabbing books, pencils, hastily shoving them into your little brown bag.

But there’s a hand on your shoulder, urging you forward, towards the exit sitting towards the back of the classroom. “Leave it, no time.” Negan is telling you, helping you off the floor. Before the two of you can make a break for it, your hands clasp around the metal baseball bat.

It swings at your side as you leave the building, feet padding against the concrete of the pavement. It’s strangely… desolate. There is no increasing urgency, nobody around. It almost makes you question whether what happened was real. But you’re still walking, forward, away.

“Shouldn’t we help her?” You ask, to which Negan finally stops to look back at you. His brows furrow, confused, so you clarify. “Jasmin.”

“No, no, there isn’t any helping her,” He clarifies, talking slowly to try and get the idea in your head. “I read about this shit online, it’s in other countries. Europe. They aren’t people anymore.”

You don’t quite catch on, understand the severity of his words. But it makes sense. No person would act like that. Your feet begin to move again, travelling the familiar path.

“Hey, where are you going?” Negan calls out, and it’s only now that you become aware of the distance between you. Your head snaps into the direction of the bus stop, a silent answer, and Negan seems to deduct your intentions. He nods in the opposite direction. “C’mon.”

You obey, needing to skip in order to catch up with his longer strides. The bat is still clenched in your dominant hand, cold metal occasionally making contact with the side of your leg. It’s heavy, but you’re getting used to it.

As you approach the car park, the sun beats down, warming the asphalt. A few paces away is Negan’s truck, but before that, another person you quickly identify as an older student.

Stringy hair, grey skin, dull eyes. Arms reaching out, wandering aimlessly. The animated corpse seems to have some semblance of consciousness, as it spots you, limping over.

Preemptively, you take a step back, that familiar feeling of panic flooding your system at an unavoidable danger. Luckily, Negan appears to be significantly more composed than you are, as he’s reaching back for something. Extending a hand to you.

When you don’t react, he whistles, a high-pitched noise that instantly gets your attention. You did not know it yet, but this would become a familiar constant in your life. Nonetheless, you catch onto what he meant, letting the metal bat fall into his extended hand.

“Are you gonna…?” You don’t finish your question, as you’re unsure what exactly you think may happen. There’s a small part of you that doesn’t want to know.

Luckily, Negan provided little answers. “Go around and get in the truck.” He tells you, instructs you, and you listen simply because you trust him. Which, in this day and age, is dangerous.

You busy yourself with the seatbelt in order not to watch, able to mentally fill in the blanks as to the measure that Negan was taking. It made sense, you supposed. They weren’t alive anymore, couldn’t feel. Only wanted to hurt other people. Therefore, they needed to be put down.

There’s a clang as he places the baseball bat in the back of the truck, getting into the drivers seat and starting the engine. You watch this interest, unable to remember the last time somebody drove you anywhere. Never, if you recall correctly.

Thankful, Negan opts to ignore the way you inspect his every movement, like a little bird. Or a startled cat.

“Your address?” He requests, already making a start down the street that he would presume lead towards your house. It snaps you out of the little daze, face scrunching up.

“No, gross. I can’t give you my address,” You say in a matter-of-fact tone, as if the idea of completely insane. “You could be a predator, for all I know. That’s private information.”

Negan gives you that look again, the same one when you’d forged the signature. He can’t quite understand you. “Why would I work in a school if I was a predator? Tell me, how would I get that job.”

You shrug, “Maybe because that’s exactly what you want.”

He becomes fed up with your inane accusation, rolling his eyes. Yet, despite the attitude you’ve adopted, he does not get frustrated with you. “Address, now. I’m takin’ you home.”

There’s a large part of you that doesn’t even want to go home, yet you obey, providing Negan with your address to which he turns down the proper street. Luckily, you don’t live too far from school… or, unlucky, you suppose. For it isn’t long until you’re pulling into your driveway.

You get out, footsteps cautious against the pavement. A few meters away is an older lady, half alive, clinging to the path with desperate hands despite the concave appearance of her head. Your neighbour. She groans upon noticing you, but her legs are broken, and cannot move forward.

Remembering earlier, you move backwards towards the truck, fishing out the metal bat. It’s shiny metallic end is caked with reddish blood, stringing bits of decomposing guts hanging from it.

You can only make it a step forward until Negan is holding your shoulder again, pushing you in the opposite direction, towards the house. “Nope. Just leave her, she ain’t hurting anyone.”

Usually, you would detest being controlled. Told what to do. The shadow of an adult so close behind you, watching, letting their hands intrude on your space. But you didn’t feel threatened by Negan, which was odd. You weren’t going to complain about it, that’s for sure.

You ascend up the shallow stairs, coming to a stop in front of the door. When you reach out, pressing on the doorhandle, you’re shocked to find that it simply swings open, already sitting ajar. Dread fills your body.

It’s not that fearful, sickly dread that you get when you know you’ve done something wrong, and are awaiting the inevitable consequences. No, its.. different. You’ve felt it very few times before. Concern, worry. Knowing that something is wrong, and you cannot stop it.

Nonetheless, you enter the house. It’s in its familiar state, which provides a slight comfort to you, but Negan finds himself taken aback. It’s practically a mess. Every surface has something on it, whether it be pointless junk, or the garbage of bottles and cans. A few areas remain spotless, like the kitchen counter, and the bin remains empty and carefully tucked away.

It’s clear that you upkeep the small areas which you require for your autonomy. The rest of the place? Not your problem. It’s no wonder you don’t like being there.

As you pat further down the hallway, Negan draws his attention to the entrance. There’s a large bookshelf, though the books are dusty, likely long since actually used. A few slots are unusually empty, indicating that you’ve taken some to keep elsewhere.

But it’s the top shelf that draws his attention. Two photographs, positioned around thirty centimetres apart, with two respective urns behind them. One significantly smaller. Mother and daughter, he recognises. Mother and baby, actually.

It’s apparent that this is the home of a family that’s lost half of its inhabitance. He can’t help but wonder, is this the fate that will befall him, come Lucille’s death? Hopefully not. Nothing like this.

“Dad?”

Negan regains his sense of reality, curiosity piked as you’re speaking down the hall. He moves further into the space, standing in the kitchen as he observes you, there on the porch.

You stand near the doorway, that bat still hanging from one hand. In front of you, a figure, sitting down. Next to him, a half-empty case of beers. Part of Negan becomes increasingly alert, aware, prepared to avoid letting any harm befall you. A harm that you’re likely accustomed to.

There’s no response.

“C’mon. Just say something.” You urge, sounding utterly defeated. And yet, your father gives no response, despite the impending doom blanketing the situation.

It doesn’t take a genius to understand. The vicious, red welt on your fathers neck gives it away, jagged and seeping blood that stains his already unkept shirt. It’s a matter of time, at this point. You’d like to extract at least one, genuine conversation. Absolutely anything before he disappears forever.

That isn’t seeming very likely.

Your eyes drift around the yard, welling with tears not of sadness, but frustration. This is it? You are to become an orphan, the world is ending, and your piece-of-shit father won’t even look at you? In this moment, you wished he was angry.

You wished he would yell at you.

Pin you against the wall by your neck.

Bruise you. Beat you.

Anything other than this.

“I made the baseball team.” You tell him, another futile attempt to elicit any sort of reaction. Pride, maybe. Congratulate his young daughter for her achievement. Even the smallest hint of recognition would go a long way, pull you from this spiral you’ve begun to succumb to.

And what does he do?

He scoffs.

His arm lifts, taking another swig of the near empty bottle.

Finally, you’ve gotten your sign. A signal, a hint. The divine intervention that sets everything straight, reminds you of your place in this world. Just enough attention to keep you subdued, but satisfied. Complacent.

Anger overtakes you before you’re even aware of these emotions, wielding a surprising amount of strength for a pre-pubescent girl. You want to scream and shout and hurt him.

So you do.

It’s a knee-jerk reaction, really. Unplanned, messily executed. But would you have done it again? Certainly.

You cannot feel remorse for causing pain to a man who’s soul died long ago. Died with your mother, died with your infant sister. Tried to kill yours along with it all.

It’s already happened before you can understand.

There’s a distinct soreness in your shoulder, strained from swinging the metal baseball bat with such force. There are little blisters forming on your palms from how tight you’re gripping, clawing, clenching around the handle. The movement has shifted your whole body, but you don’t look down.

You don’t acknowledge the mess you’ve made.

Blood splattered across the wooden porch, some even hitting the adjacent fence. Skull broken, concave. Oozing sticky red.

The glass bottle rolls down the steps. Clink, clink, clink. It hits the plush grass, silenced.

It was inevitable, anyway. Whether to the virus, or your own hands, your father was going to die.

It was a mercy-kill, at best.

Vengeance at worst.

But that didn’t matter anymore, because when you turned around, he was there.

Negan.

Standing in the kitchen, watching you through the open door. He didn’t appear horrified, or disgusted. Maybe unsettled, sure. There was a darkness within you that he recognised, understood. Sure, he didn’t put it there, but over the years he would cultivate it, guide you. Raise you as somebody who would never be taken advantage of again.

Untouchable.

[tequiilasunriise]

The sheer soulmatism of Lenore and Annabel fucks me up so bad everytime I think too hard about it okay sit down y’all.

The way they were immediately drawn to each other even though they had no memory of anything! No reason to immediately become so attached and protective and trusting! Not even death could part them, it’s almost like reincarnation in a way. The sins of living and the pain that comes with being alive washed away not by holy water but rather split blood, and in this new life they’re reborn into a blank, clean slate. Even in this memoryless ‘next lifetime’ they still choose each other without hesitation, without question, and I am on my knees sobbing.

The parallels of Annabel fainting! Annabel fainted when she learned that Lenore was actually alive, and Annabel also fainted when remembering how she died, and by extension, how Lenore died too (not related to soulmatism but in one scenario her lover caught her despite the injury, and in the other Lenore had no such hinderance but failed to catch Annabel regardless and that parallel kills me so softly). The soulmatism that is reacting the same exact way when you learned she lived vs remembering how she died, the soulmatism that the love is still the same. Oh how the love is still so tragically the same, crossing that threshold of death, despite the unhappy ending you shared. Annabel faints because it’s learning you have a second chance at love vs remembering how that same love was ripped away and I am no longer on my knees but laying facedown on the floor.

(The way Annabel looked at Lenore before collapsing in both scenes but with DRASTICALLY different vibes of disbelief like okay yeah sure, sure okay mhm just smash my ribs and rip my heart right out why don’t you?)

Now, NOW, the thing that truly ends me? The crazy red/blue symbolism these two carry.

Lenore is the embodiment of red. Her thoughts come in red print, as do the ribbons she was wrapped up in. Her fiery (pun intended), confident personality, her pure raging defiance rallying those around her. What’s more, Lenore’s anger and bared teeth is painted red the same way her love is, because red is not just the color of anger. Red is love, and Lenore, my god, she cares so openly about the people around her that her heart’s just painted bloody and brazen on her sleeve. Born from self-made infernos into the person she was always meant to be- flirty, quick-witted, taking what she wants when she wants- she is a young Montague wrapped up in her family’s house colors trailblazing down her own paths.

(But unlike dear Romeo who scaled a tree to look upwards towards Juliet on her balcony, Lenore was in a tree looking downwards at her counterpart, and this parallel is so important as the scene is clearly a Romeo/Juliet parallel but without the sweet sappiness but rather tension and just like, 1000x more interesting ‘can I trust you fr fr-ness’.)

Annabel is the embodiment of blue. Her thoughts come in blue print, and her ribbons are a deep blue to match. Blue is the color of calmness, and she seems so tranquil with a gentle yet firm confidence that puts people around her at ease. A natural born leader with such cool-headedness. Oh, but underneath that mask? Sadness. SO MUCH sadness, Annabel is an ocean of it, she’s a peaceful smile with a melancholic heart shot through. Young Capulet holds not pure innocence like her Juliet-counterpart but rather a deep rooted loneliness, like guys, Annabel is actually just so fucken SAD I think we really need to address this more yes she’s a total girlboss but also Annabel is the personification of hollowed out loneliness that comes with your beloved being ripped away from you.

This really got away from me, but my point?

Lenore, the embodiment of red, has blue eyes.

Annabel, the embodiment of blue, has red-adjacent eyes.

FORGET LAYING ON THE GROUND IN TEARS I AM CURRENTLY CLIPPING THROUGH THE FLOOR AND HEADING STRAIGHT GAY TO MY GRAVE IN THE BACKROOMS!!!

YOUR HONOR THEIR EYES ARE THE GODDAMNED COLORS OF THE OTHER’S MOTHERMARYFUCKING S O U L LIKE WHAT IN THE JESUS H CHRIST BUMBLEBY SOULMATISM IS T H I S S S⁉️⁉️⁉️

[museforblooms]

★⠀⠀ ⁄ ⠀⠀CURSE OF CAPULET is the fictional debut mini—album by the idol band BELLADONNA released on February 14, 2024. After their win on Superband, Belladonna would take five months to write and produce their first album with the help of Plastic Flowers SALEM and OLIVER and former Lush member DALLAS LINWOOD. Along with the songs written by the members, Salem had gifted them an old draft, RENEWAL, which was supposed to appear on Wind and Rain in 2019 but was replaced with another song. The album takes on themes of love, desperation, mortality, and the inevitability of fate with their concept changing from girlhood to medieval and renaissance imagery, often seeing the girls depicted as saints. The album had one title track, BURN ALIVE, but RENEWAL was also promoted as a b-side.

★⠀⠀ ⁄ ⠀⠀Curse of Capulet comes from the play Romeo and Juliet by Williams Shakespeare as it's themes closely resemble the overall meaning of their debut album. It is a reference to Mercutio's death in Act III, scene I in which he curses both the Capulets and Montagues with "a plague o' both your houses!", blaming both of them for his death. He wants Romeo to know that he blames the feuding families for his fate and remind Romeo that his love for Juliet was the reason for his death to Tybalt, Juliet's short tempered cousin. The album was released with TWO versions: ROMEO and JULIET, with the back cover featuring quotes from both characters alongside the tracklist.

★⠀⠀ ⁄ ⠀⠀TRACKLIST.

‘ # 001.⠀ ⠀OLIM ──── written by kwak yulli, produced by oliver song, and performed by belladonna. olim is an introduction track to belladonna's debut track and mimics catholic hymns, with the word olim itself representing the beginning of a fairytale. the translation goes as: "once, long ago God arrived in this age of brightness / He will come again" and is repeated twice. all members of belladonna referred to this as the hardest recording session that they've ever had. the idea was brought up by oliver as a joke, but yulli saw it as the perfect time to flex her old latin skills from attending catholic skills. it was almost cut completely, but the girls were able to save it at the last minute.

‘ # 002.⠀ ⠀TITLE TRACK: BURN ALIVE ──── written and produced by bae haena, performed by kwak yulli. in their debut single, belladonna comes out swinging as they depict themes of addiction, self-destruction, and the sacrifices made for love. the main imagery of the song is a toxic relationship where both parties are consumed by their vices and are unable to break the cycle of destructive patterns. because of this relationship, they are no longer who they aspired to be and desire to capitalize on their own pain, a reflection on modern society.

‘ # 003.⠀ ⠀THEATRE ──── written by ko sarang, produced by dallas linwood, performed by kwak yulli. theatre explores the desire for love and acceptance through the lens of a theatrical performance. it delves into the idea of yearning for a love that feels like it belongings in a grand gesture from a movie or performance. the narrator is willing to go through the motions by pretending and faking emotions just to fulfill this dream of being loved. they yearn to be loved and adored as a film star, swept up in a fantasy where all their desires are achieved.

‘ # 004.⠀ ⠀FORTUNATE ISLES ──── written by kim eulsun and kim wonhui, produced by dallas linwood, and performed by kwak yulli. this song is often the one that gets the most criticism as professionals and netizens alike believe it doesn't fit the sound of the album. however, the girls are always ready to double down on how much they love the song. taking it's name from the greek island where all their greatest heroes lived, fortunate isles conveys the story of a letter being delivered to an ex lover who isn't quiet over their relationship yet, asking to be reborn in spring so they can live together forever.

‘ # 005.⠀ ⠀RENEWAL ──── written and produced by salem kueakulsri, performed by kwak yulli. renewal was a gift to the members of belladonna from plastic flowers leader, salem kuekulsri. in an instagram live, she confirmed that it had intended to be a plastic flowers song, but it was cut and eventually left in her vault of music. she said that she gave it to belladonna to remind them that they always hold the power in their lives and as a way to keep them strong. it explores themes of personal growth and resilience in the face of adversity, wanting to start anew and find solace in oneself after experiencing setbacks and challenges. by "growing a new plant in your head", the narrator can reach a new sense of personal transformation and optimism, leaving anyone that doubted them behind.

‘ # 006.⠀ ⠀LOVERS ──── written by bae haena, produced by oliver song, performed by kwak yulli. haena is quickly establishing herself as the queen of heartbreaking ballads in the group and fans absolutely love it. in this slower track, yulli really shines vocally as she laments on a relationship that failed, but only just realizing how good she had it. with only two verses and a chorus, their message comes across very well as they repeat "i wish you were with me" and "me as yours, you as mine".

‘ # 007.⠀ ⠀PAGAN POETRY ──── written by kwak yulli, produced by oliver song and dallas linwood, performed by kwak yulli. this song explores the spiritual connection between two people as the singer s pedalling through the dark currents and finding an accurate copy of another's pleasure inside of her. this connection is described as a secret code carved into black lilies, something deeply romantic and spiritual. the concept of paganism is reflected in the individual's connection to the divine as deeply personal and the beauty and spiirtualiy is celebrated.

★⠀⠀ ⁄ ⠀⠀STYLING.

★⠀⠀ ⁄ ⠀⠀ERA SUMMARY.

‘ # 000.⠀ ⠀MAJOR ACHIEVEMENTS: 200,000 sales in the first week and a nomination on every major south korea music show. fans were unable to get them a win, but they would only place behind the actual winner by a few points, making it possible for the next era.

‘ # 000.⠀ ⠀belladonna's fandom name, DOVES, would be announced by the girls in a video on how to cheer for burn alive. it was chosen because doves are often seen as a symbol of peace, freedom, or love—all things their fans provided for belladonna.

‘ # 000.⠀ ⠀the budget was the talk of the town. everyone was supervised to see how lavish and beautiful their concept photos, music videos, and performance outfits were. it drove poppies mad and they demanded for equal treatment for the two.

‘ # 000.⠀ ⠀ fan wars started between DOVES and POPPIES as soon as it was confirmed salem and oliver were working on the album. many accused belladonna of not being able to write or produce their own music, which is objectively not true as seen by their superband run, and were just overall nasty towards the girls.

‘ # 000.⠀ ⠀ the OLIVER and YULLI DATING RUMORS. . . someone had posted a video of them looking a bit too close after plastic flowers' performance at cheeky's and twitter just ran with it. superbloom had to issue a statement saying they were just friends and had a close "senior—junior artist" relationship.

‘ # 000.⠀ ⠀ enough about plastic flowers! DALLAS LINWOOD was praised for his work on the album! after announcing his retirement from performing, most were excited to see him working on music again and he did not disappoint on these arrangements.

‘ # 000.⠀ ⠀ belladonna performed and WON their first time on immortal songs: singing the legends. they were on the PATTI KIM episode and sang MOTHER'S HEART IN SEOUL! it was praised by the older generation of domestic netizens and the girls will definitely be returning.

‘ # 000.⠀ ⠀all of the girls were supposed to have their natural hair colors for this promotional period, but haena had over plans. without telling superbloom, she bleached her own hair and it surprisingly came out well! when the company found out, she was forced to tone it and it remained a white color.

‘ # 000.⠀ ⠀many pre-debut fans were disappointed by their concept shift. though it was hinted at in the later rounds of superband, many wanted them to keep their "girl—rock" sound because they could relate to what they were singing about. there's a clear divide between these stans and those that enjoyed the curse of capulet.

‘ # 000.⠀ ⠀they were given a reality show called THE BELLA'S, which was filled with fun challenges and the girls getting to know each other! it's a loved series by fans and is still being uploaded even after promotions ended. they had a whole episode on haena's hair, which was an instant classic.

‘ # 000.⠀ ⠀despite knowing each other for less than a year, BELLADONNA seemed very close. they have amazing chemistry together and even showed how well they knew each other on BLOOM WITH US, with YULLI being the overall winner because she "loves her members".

‘ # 000.⠀ ⠀they also posted various covers including EDGE OF SEVENTEEN by stevie nicks, NIGHT SHIFT by lucy dacus, CHILL KILL by red velvet, THE CHAIN by plastic flowers, DITTO by newjeans, and many more.

[steinwayandhissons]

arctic monkeys and every time the word ‘love’ is mentioned

whatever people say I am that’s what I’m not

tonight there’ll be some love, tonight there’ll be a ruckus yeah regardless of what’s gone before

~ view from the afternoon

oh there ain’t no love, no montagues or capulets

~ i bet you look good on the dancefloor

all that’s left is the proof that love’s not only blind but deaf… yeah I’d love to tell you all my problem

~ fake tales of san francisco

she makes a subtle proposition, I’m sorry love I’ll have to turn you down

~ when the sun goes down

lady, where has your love gone, i was looking but can’t find it anywhere, they always offer when there’s loads of love around but when you’re short of some it’s nowhere to be found

~ no buses

well how can you wake up with someone you don’t love and not feel slightly phased by it

~ leave before the lights come on

favourite worst nightmare

it’s wrong wrong wrong but we’ll do it anyway cause we love a bit of trouble

~ balaclava

and those dreams weren’t as daft as they seem, aren’t as daft as they seem my love

~ fluorescent adolescent

there’s room for the trouble and there’s lovers to be had

~ this house is a circus

it’d be a big mistake for you to wait and let me waste your time, really love it’s fine, I said really love it’s fine

~ the bad thing

old yellow bricks, love’s a risk… houdini love you don’t know what you’re running away from

~ old yellow bricks

another roll around and another push and shove, further away from the idea of love

~ da frame 2r

the more you keep on looking the more it’s hard to take, love we’re in stalemate… you’re slacking love where have you been

~ the bakery

am I too quick to assume that the love is no longer in bloom

~ too much to ask

humbug

i had a hole in the pocket of my favourite coat and my love dropped into the lining

~ i haven’t got my strange

suck it and see

i wanna feel your love brick by brick

~ brick by brick

do you still feel love is a laserquest or do you take it all more seriously… when I’m not being honest I pretend that you were just some lover

~ love is a laserquest

your love is like a studded leather headlock

~ suck it and see

jealousy in technicolour, fear by name, love by numbers… crushing up a bundle of love

~ that’s where you’re wrong

before she showed you how to shake love’s steady hand

~ the blonde o sonic shimmer trap

your love’s not what I need, so don’t give it to me

~ evil twin

am

it’s not like I’m falling in love I just want you to do me no good… the look of love, the rush of blood

~ no.1 party anthem

love buckles under the strain of those wild nights

~ mad sounds

I heard that you fell in love, or near enough

~ snap out of it

love like locked horns, love like dominoes… love like thunder, love like falling snow

~ electricity

I know you’re nothing like mine cause she’s walking on sunshine and your love would tear us apart

~ you’re so dark

tranquility base hotel and casino

love came in a bottle with a twist off cap, let’s all have a swig and do a hot lap… but it’s alright, cause you love me

~ star treatment

when true love takes a grip it leaves you without a choice

~ golden trunks

pattern language in the mood for love

~ the world’s first ever monster truck front flip

I wanna stay with you my love, the way some science fiction does

~ science fiction

the dawn won’t stop weighing a tonne, I’ve done some things that I shouldn’t have done, but I haven’t stopped loving you once

~ the ultracheese

the car

lights out on the wonder park, your saw toothed lover boy was quick off the mark

~ jet skis on the moat

put your heavy metal to the test, there might be half a love song in it all for you

~ mr schwartz

[thearchercore]

Two houses in fair Melbourne where we lay our scene or however the Shakespeare quote goes lol

ferrari and rbr romeo and juliet coded themselves by the blue/red color combination, like you look at them and go aah yes, capulets and montagues

[ostensiblynone]

Welcome to Verona Files, where we take Shakespeare's classic play—and our attention spans—to abbreviate this story. Today, we're looking at the wild story of the Capulets and the Montagues! A plague on both their houses, if you ask me!

source: [TryGuys] Aug 5, 2023