#how to talk like a pirate

[unboundprompts]

Pirate Terms and Phrases

-> Pirate Lingo

-> A Pirate's Glossary

Batten Down The Hatches - tie everything down and put stuff away for a coming storm.

Brig - a prison on a ship.

Bring a Spring Upon 'er - turn the ship in a different direction

Broadside - the most vulnerable angle of a ship that runs the length of the boat.

Cutlass - a thick, heavy and rather short sword blade.

Dance with Jack Ketch - to hang; death at the hands of the law (Jack Ketch was a famed English executioner).

Davy Jones's Locker - a mythical place at the bottom of the ocean where drowned sailors are said to go.

Dead Men Tell No Tales - the reason given for leaving no survivors.

Flogging - severe beating of a person.

Gangplank - removable ramp between the pier and ship.

Give No Quarter - show no mercy.

Jack - flag flown at the front of the ship to show nationality.

Jolly Roger - black pirate flag with a white skull and crossbones.

Keelhaul - a punishment where someone is dragged under the ship. They are cut by the planks and barnacles on the bottom of the ship.

Landlubber - an inexperienced or clumsy person who doesn't have any sailing skills.

Letters of Marque - government-issued letters allowing privateers the right to piracy of another ship during wartime.

Man-O-War - a pirate ship that is decked out and prepared for battle.

Maroon - to leave someone stranded on a. deserted island with no supplies, typically a punishment for any crew members who disrespected the captain.

Mutiny - a situation in which the crew chooses a new captain, sometimes by forcibly removing the old one.

No Prey, No Pay - a common pirate law that meant crew members were not paid, but rather received a share of whatever loot was taken.

Old Salt - experienced pirate or sailor.

Pillage - to steal/rob a place using violence.

Powder Monkeys - men that performed the most dangerous work on the ship. They were treated harshly, rarely paid, and were expendable.

Privateer - government-appointed pirates.

Run A Shot Across the Bow - fire a warning shot at another boat's Captain.

Scurvy - a disease caused by Vitamin C Deficiency.

Sea Legs - when a sailor adjusts his balance from riding on a boat for a long time.

Strike Colors - lower a ship's flag to indicate surrender.

Weigh Anchor and Hoist the Mizzen - an order to the crew to pull up the anchor and get the ship sailing.

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[akans-dead-at-sea]

It's alright

30 second timelapse:

[braimin]

Zoro and his lack of true connection to the ocean.

Zoro hungers for a good fight; he only see the water as a means of travel, a way to get to his dream. And Sanji longs for the sea, he chases after waters that collect fish from the whole world. Zoro was never really drawn to the ocean the way Sanji was, the way most of the crew was. When he joined, he was drawn to Luffy, his energy and the promise of something entertaining. He wasn't thinking about the ocean, he was completely indifferent to it.

But Sanji was already reaching out for the sea before he ever knew them, already wanting to find his all blue. The majority of the crew already had a connection to the ocean before they decided to join Luffy; Nami wanted to chart the waters, Usopp wanted to see the things his father did and become a warrior of the sea, Franky builds boats meant to sail the entire ocean, Brook was called by the song of the waves, Jimbe is a child of the sea herself. But Zoro didn't, he wanted to be the greatest swordsman, he didn't care about living on the ocean until Luffy asked him to join him.

Zoro's relationship to the sea is different from the others. Especially Sanji's. Sanji loves the water, he can watch the waves for hours, his interest never wains. His joy in swimming, in seeing fish, in the sound of the waves runs so deep. Even the smell of the salt water pulls Sanji in, he can find the shoreline from that alone, no matter where he is on an island. It all lights something up in Sanji that Zoro will simply never understand.

He's not upset over it, but sometimes it is weird to not get what it is about the water that pulls him in. Zoro spent the majority of his life on land, he's never felt the sea's call. Even now as he travels on it he just can't feel whatever it is that the others feel. His dream doesn't involve the water in any way, he could achieve it and never go out to sea again and it truly wouldn't effect him. But for Sanji, the ocean is his dream. There's no separating him from it without killing his ambition. It truly is like Sanji was born from the sea, his ties are unbreakable.

So when all is said and done, when Luffy becomes the pirate king, when Sanji finds his All Blue, Zoro feels lost. He's won his title and achieved his dream. So have the others, and as they move on and build the rest of their lives Zoro isn't sure how to move forward. His instinct is to fight, but Luffy's interest in adventure and exploration is different now, there aren't as many fights as there used to be. And Sanji has a home on the All Blue that he doesn't intend to leave. It's very hard for Zoro to take his mind out of the soldier mindset he's been in for years. He doesn't need to protect anyone anymore, they all can take care of themselves; they've reached their goals, there's no need for uphill battles and risking their lives. Zoro doesn't know what to do, where to go.

He didn't ever think about what'd he'd do when everything was over. He figured the fight to be the worlds greatest swordsman would be long, then he promised to help Luffy reach his dream and he assumed that would also take a long time. Zoro thought that once he reached one of those goal, he'd just move onto the next. He picked up his dreams from other people he didn't have a plan for what would come next. He doesn't know how to pick path for himself, or where to start.

He travels with Luffy for a while after. It just feels like what he's supposed to do. But something is missing. He can feel it calling out for him, but he can't tell what it is. It's frustrating. Zoro wonders if this pull is what the other's felt for the sea, and if it is, then why is he not satisfied yet? He's out sailing the ocean, why is it still calling for him?

It takes a while, but after a few years of wondering it finally clicks. Luffy decides they're going to the All Blue, he misses Sanji, and Zoro is happy to join, he misses the cook's food. As soon as he sees Sanji's restaurant there's a feeling of peace settling in his chest. When they dock and step foot on the ship it really hits him. Long waves of blonde hair, deep blue eyes, and Sanji is so happy to see them; he welcomes them as Luffy wraps around him in a hug. There's a sense of serenity that washes over him.

It's not the sea that's been drawing him in, it's Sanji. His Sanji, his All Blue. Zoro decides then and there he's not leaving, regardless of what the cook may say.

[aurum-g]

Roronoa "Stay out of it, Captain! You moron! I can't let you get close to luffy " Zoro.

Zoro in wano unleashed his first mate over-protective mode the moment he was reunited with luffy and i live for it. Zolu in wano is everything.

Note that all of the straw hats are protective of luffy but zoro's protectiveness is on another level.

[humans-are-tasty]

[cipher-zoo]

Something, I personally think, some Power Scalers fail to recognize, when they pitch Zoro and Sanji against each other, is that Sanji's Story has never been about being 'the strongest'.

I often see them going on and on about how Zoro could easily beat Sanji and, while not easily, yeah. I agree. Zoro is stronger than Sanji and Zoro could probably beat him.

[even Sanji thinks so, otherwise he wouldn't have asked Zoro that one favor!]

But these power Scalers often try to make it appear as if that is somehow a flaw in Sanji's character when it is not.

Sanji's Story at its core is about healing.

Zoro's is about protection.

You can have one without the other but it won't do you much good.

[something-about-sunflowers]

Maybe this is a controversial take (it shouldn’t be, its in the text) but.

People really need to come to terms with the fact that Edward ‘loves a good maim‘, ‘made some poor bloke eat his own toes for a laugh’, ‘thoroughly enjoyed whippies/yardies/turtle vs crab/Calico Jack’s Whole Deal’, ‘Blackbeard always wins and I don’t even have to try and I’m bored of that’, ‘first instinct is to go for the gun’, ‘gouged an eye out of some lad’s skull and called it an anecdote’, ‘set a ship on fire with people still inside and called it a technicality’, ‘capable of becoming the Kraken’ Teach enjoys violence. (No moral judgements here, violence is rarely taken seriously by the narrative and he’s literally a pirate)

On the flip side: Israel ‘flashy sword work without so much as scratching Stede’, ‘concerned about the loss of lives of the Queen Anne’s crew’, ‘offers a quick death for Stede to Edward’, ‘loser is banished from the ship’, ‘negotiated for only Stede to be killed despite the rest of the pirates on the ship’, ‘takes away rations instead of flogging for insubordination’, ‘wants Blackbeard because people don’t fight Blackbeard’ Hands does not, actually, enjoy violence. He puts on a lot of bluster but ultimately everything he does is meant to keep himself (and Edward) safe, which requires a reputation for violence but necessitates a lack of actual serious violence (for the sake of violence at least).

Ed likes violence because its enrichment for his perpetually under-stimulated ADHD mind, he is the tiger with the meat pumpkin. Izzy doesn’t like violence because he just wants to survive and its so much harder to do that if you’re getting in needless fights.

I don’t necessarily agree that Izzy is a cut and dry masochist, it might be the only way he knows how to connect (intricate rituals and all that) but I don’t think its something he’d go for first if he knew there were other options that were safe to want (its why he’s so perplexed by Lucius, who has the connections without the violence), but even if you do think he is: its a different kind of violence. Its not violence for the sake of violence. Its an exchange of trust. ‘I trust you to hurt me but not to harm me.’

Idk I feel like I’m always repeating myself in my meta posts lmao, but like. I can’t just not say something and let people continue to be wrong about fictional characters on the internet can I? lmfao That’d be awful.

[demigodofhoolemere]

I love that by the end of Jamie’s run on the show, he’s so acclimated to things of the future that he’s aghast when faced with things that he would have found very normal in his own time.

[thelastharbinger]

Tidbits of ATSV That I Enjoyed (Or Alternatively: Just Miles Being The Most Endearing Spidey Ever)

Miles patting The Spot's head after successfully webbing him (I don't see this as condescending, but rather him still engaging with the humanity of a villain like Spot) and ~very assertively~ telling/asking him not to escape.

"I'm like Robin Hood-if he gave to himself."

Miles' spidey senses going off when he arrives late to his dad's party because there's nothing more frightening than Brown parents when they're mad at you. Beware the chancla or correa!

O.k. So we all know there are different versions of the movie out there. You may already know that one of the slight differences is when Miles goes to save Inspector Singh. There's a version where you can hear Gwen's voice in the distant background yelling no! when she thinks Miles gets crushed under the rubble, and there's another where she's silent as she webs to him. Now, I have found ANOTHER version (online) where her shouting is even more at the forefront. She's practically screaming and sounds more desperate, (prolly because it's close to the same way her Peter Parker died so she's reliving trauma) and the fear in her voice is palpable. That one haunts me.

Jefferson trying to equate studying for his police exams to childbirth, which Rio quickly nips in the bud.

Ganke having a soccer poster of Son Heung Min, a famous Korean footballer who currently plays for the Premier League Tottenham Hotspur and is captain of the South Korean national team.

Miles having a Sashimi (his universe's version of Supreme, but I just like the idea that Miles loves eating sashimi. Like I know that kid has good taste in food) poster in his bedroom.

The fact that Miles kept in touch with Aunt May for long enough after the events of ITSV that he helps her move.

The Spot saying he was one of the more handsome scientists at Alchemax according to his colleagues.

Miles and Gwen having the same collectible toys, the only difference being that he keeps his in the box and she doesn't.

"Hey, don't try to wow me with big words, man," *in deep manly voice* "I do crosswords every day"- Miles after Spot points out Alchemax as "the crucible of our connection!"

Miles going, "This job is so dumb sometimes" after he tries to web Spot at the deli, but it goes through a hole and lands on his face.

"Nahhh, he seems more Dominican to me." Kinda want Miles to meet a native Dominican Spidey because that dynamic would highkey fuck hard *pun not intended*. They would repair relations between our two islands-PR&DR.

"Almost there Mami *smiley face* *cowboy* prayer hands*"

The college admissions coach at Visions Academy straight up saying, "That's your story! Now, just stick to the script..." Ma'am what???

"Calmate Mami, eso no es my fault."

"I've hit a lot of different villains with a lot of different food...I'm just trying to lighten the mood."

Miles in his angsty teen era and smart-mouthing everyone around him. Love that for him.

"He almost killed his mom as a baby, I mean, look at those shoulders." No but for real tho. Those shoulders are as wide as a truck. Kim Seokjin who??? (if you understood that reference, ily).

Miles writing a love letter to his dad in 2 cakes.

Gwen at the water tower chowing and saying how feelings make her hungry after her and Miles talked about how they can't be together cause it would end in tragedy. Like Gwen, come again?!

Also, Miles' and Gwen's talk at the Williamsburg Bank Building being lowkey the catalyst for the 2nd/3rd acts of the film. Without them both kind of silently admitting their feelings for each other, Miles probably wouldn't have chased after her the way he did. Pretty sure you know the rest.

"I bet she doesn't even speak Spanish," and Jeff going "Que barbaridad" in his very broken Spanish. Queue Rio's bombastic side eye.

Both Gwen and Miles referring to Spot as a Villain Of The Week, even though neither of them have spoken about Spot to each other.

"I was bitten by a-wouldnt you like to know? Know what I mean?" SIR. Chill. This movie is for children.

The Spot inverting himself, going from a white mass with black spots to a gaping black hole with smaller white spirals. It's giving Junji Ito.

The irony of Pavitr exclaiming, "Well that was another easy adventure for Spider-Man!" right before an incoming canon event. HIS. He was about to experience his first big loss, and his happy-go-lucky nature would've been challenged.

Miguel saying conyo! when all the Spideys start pointing at each other.

"!Cállate!" "Nosy!" Sidebar: we don't talk about Gwen's banter with bad guys enough. She's so funny!

A lot of the Peters saying hi to Gwen as she passes HQ because she is canonically the one lost love--the love interest they all would've ended up with had she not died, so they all have an affection for her.

Web-Slinger going "Giddy up!" Cause he's swinging up.

Miles offering his fresh new takes on how to deal with the Spot upon meeting Miguel, saying "He just wants to be taken seriously. Like we all do." MILES YOU BEAUTIFUL, COMPASSIONATE GOLDEN SUNFLOWER BOY I LOVE YOUUUUU.

Hobie referring to Peter B. as Humbling Reality Spider-Man, which considering how steeped in tragedy the Spidey lore is, is really saying something.

Miguel's nonono no puedo más no puedo más. His misery is very funny and delightful to me. Little bitch ass.

"You know you're the only Spider-Man who isn't funny." Yes! More Miguel slander in the next one, please! Little bitch ass.

"Snitch!"

Miles shouting out Peter's name for help whilst Miguel pins and lays into him the fact that he's an anomaly. This after he momentarily glitches back to his ITSV store-bought suit. Mimicking the way-in also the first movie-Miles shouting out Peter's name for his own rescue as Doc Ock attacks him at the research facility. Because even though he feels hurt by Peter at this point, that's still his dad mentor and he still instinctively looks to him for protection. Rip my heart out why don't you!

Gwen sneaking back into her and her dad's place just to get that printed polaroid of her and Miles, a pic she already has on her phone.

Earth-42 Miles wearing Nike while our Miles wears Jordans.

[asgardian--angels]

I honestly just think it's funny that so many people have been watching ofmd as a 'comfort show' lmao like I'm over here specifically watching for the angst. I crave pain and suffering. As soon as High On A Rocky Ledge played in the pilot I was hooked because I knew I was in for intense emotional turmoil. Red Flags is now my favorite episode of the entire series. I honestly didn't expect Izzy to survive as long as he did. His fucked up relationship with Blackbeard has fed me so well.

Of course I adore the love story, and the fact that Ed and Stede's love is an absolute, an immutable fact, of the show's premise allows me to enjoy the angst all the more. But I feel like some people need to be reminded: David Jenkins never promised you fluff. He never promised no deaths, no tragedy, no violence, no difficult topics. Personally I think including a fair deal of all of those makes the hope, the love, and the comedy shine all the brighter and have more meaning. You don't have to agree, but you can't assign expectations to a show that never made such promises. There was never false advertising. David set out to tell the story of two troubled, complicated adults navigating love and a long-term relationship in an often harsh and unfair world, finding community and making meaningful gains in self-actualization along the way. Ultimately it is a 'feel good' story but it's a rocky and winding road meant to mirror the messiness of our real world. Maybe you need to step back and re-evaluate where canon ends and your headcanons begin, and what the 'goals' of the show actually are that may differ from what you're looking for in media, and not blame Jenkins et al. for 'betraying you' when they're just telling their story the way they set out to.

[arsenicflame]

Izzy Hands deserves have a mental breakdown in season 2

[edwardbonnets]

emily’s 1k followers celebration ➥ @engli-i-ish asked: 💌 the rowboat & horse scene (+ lucius’ reaction)

[benevolentcannibal]

when i started op i thought luffy would be one of those mc's that tried to talk all the villain's down and understand them naw he just swings

[lieutenantselnia]

I was rewatching AWE the other day and got remembered of Davy's absolutely feral growl in this scene. I have no idea whether it was scripted this way or not, but I'm glad they left it in because honestly - I absolutely love it. and I kind of want more feral Davy now