#how to write a plot-driving character
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Ellen Brock again with another amazing video! If there's one channel you should binge-watch every video, it's Ellen's! Her experience in the industry is invaluable. This is a great video for writing a page-turning story :)
#ellen brock#plot driven#writing characters#youtube#rightwriter#writing tips#writing#author tips#author advice#writer#writer advice#writer tips#editor advice#how to write a plot-driving character#character analysis#character writing#Youtube#nanowrimo 2023#nanowrimo#preptober
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I think people tend to assume that any criticism of worldbuilding is ultimately a demand for a story to grind itself to a halt and give the reader 20 paragraphs of exposition, and like. Most of the time good-faith criticism of this nature is coming from a core aspect of the story not being grounded in the setting in a way that outright detracts from the story's quality. You fix it not by Explaining but by Showing it passively in the makeup of the world.
Like the last instance I saw this critique in was like 'you can't expect an author to stop and exposit the nuances of gender roles/Queerness in a fictional society' and it's like yeah I don't, and in fact this is actually one of the easiest things to show in the text without exposition. If a society has gender norms to begin with you'll see aspects of these norms baked into EVERYTHING. You'll see it in its stories, its religion, its taboos, its etiquette, its clothing, its family structures, its language, its insults, its labor, its leadership, etc. It will have massive impacts on how characters interact with one another and how they perceive themselves. It will help Shape your characters.
If you do this legwork to begin with for the core facets of your story, you will find very natural places for these concepts to be demonstrated without derailing the plot and with little to no exposition. THAT sort of thing is what's being asked of you.
#Extremely comprehensive worldbuilding about every facet of a society is ultimately just for fun. It's not necessary for good writing.#But if you're doing any form of speculative fiction you need to at least do the legwork for the things that drive the plot/characters#Your story won't work as well if you don't#Like if the central storyline in a spec fiction setting is a gay story arc I don't expect you to have the fucking salt economy#meticulously fleshed out to justify where and how your character got the salt offhandedly mentioned in a meal.#I DO expect you to have given more than superficial thought about gender norms.#(also for the gender norms example this Does Not just go for societies with a patriarchy or other gendered hegemony lol)
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Gaslight, Gatekeep, Girl found dead in a hidden room.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#lan xichen#jin guangyao#jiang cheng#wei wuxian#qin su#EDIT: Tumblr published an earlier draft with only half the notes I wrote so: late entry on my JGY thoughts.#Unlike the mystic powers of the stockmarket (what the OG meme is referring to) I think this situation calls for more active investigation.#qin su is such a deeply tragic character to me and I really wish we got a bit more from her.#Love everyone who sent me messages about her after the last time she appeared.#I think she needs a spin off of her being a transmigrator SO badly.#MDZS has so many interesting characters - but it sometimes fails to give them the proper room to really develop past a role in the plot.#That's just the consequence of writing a story like MDZS. Not every character in a book *needs* to have a rich inner life and backstory!#To do so would bog down the story and obliterate any notion of pacing. It's just not possible.#Jin Guangyao (nee Meng Yao) is unfortunately not free from this leeway rule. He is the culprit of this murder mystery plot#and thus NEEDS to encapsulate the themes of the book. And personally he's a 7 out of 10 at best on this front (in the AD).#MDZS is about rumours twisting reality and working towards truth. And about how people & situations are rarely ever black & white#JGY has his motivations. He's well written in regards to his actions making sense for his character.#What started as good traits (drive to succeed & improve his image) became twisted over time (do anything to maintain his image)#and it's a good parallel to WWX! He has the same arc (with different traits)! Bonus points for IGY in that regard.#but man....by the time we confront this guy for murder there's not a lot of grey morality. He's just...deep in the hole *he* dug.#There's a beautiful tragedy to it! More on JGY in later comics - this is getting pretty long already!
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don't know how people multi-fandom. dipped my toe into another one and immediately backed out bc everyone there was insufferable.
#ok i do know how ppl do it. the secret is having other moots in those fandoms#but i am an analysis and yapper girlie and reading the majority of y*ellowj*ckets takes are driving me up a WALL#[sorry y*llowj*ckets fandom rant starts here. tags contain spoilers for the s3 finale]#like i've lurked on the reddit and so many ppl there are dumb as rocks they don't even realize when a MAJOR PLOT POINT happens#but there are also some good takes on there once in a blue moon#and i enjoy how it's The Norm to call ppl out for being dumb as rocks abt things lmao. i love the argumentative nature of it#even tho i don't post there#on here tho? you get more nuanced takes but then you also get like 95% of the fandom who are blinded in various directions over their faves#and their rarepair / random ships. (and god forbid you express disliking a character. for valid reasons!)#and half of the fandom thinks everything they personally don't like / understand is Bad Writing#and another sizable part of the fandom is constantly chanting 'they're all bad! just pick ur fave and go!' whenever anyone wants to have#and nuanced discussion abt character morals / motivations or dares suggest that some of them are indeed less morally corrupt than others#a bunch of ppl are disappointed that they didn't get to see ALL the girls go feral and become 'crazy cannibals'#in the specific way they were imagining it would go from the pilot now that their time in the wilderness is pretty much up#EYE on the other hand enjoy the fact that most of the girls never truly descended to that level. never truly gave in to the wilderness#there have been moments for all of them sure. but in the end when it came down to the pit girl scene? the reality is most weren't into it#at all. the only ones who were really giving in were sh*na and l*ttie but everyone else was distraught over m*ri's death.#even with other characters using the hunt to conspire to take out sh*na l*ttie and possible t*issa like. in the end NONE of them could#go thru with it. which i think SAYS SOMETHING abt their character#sure they can plot all they want but when it came down to it m*lissa couldn't finish the job#and ahk*la realized that killing l*ttie in the caves would let IT in and change her forever so she backed down#ANYWAYS. just needed to Vent lol#maybe i will make this all a real post later lol (on my main bc that's where i post / rb yj content)
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Of Convenience – Epilogue (Part 11.1)
(all previous parts of "Of Convenience")
Adar x Celebrimbor (silverscars) political marriage AU, 11th snippet / epilogue, part 1. The fight has been won, feelings have been shared, things are well. All that is left now is for Adar and Celebrimbor to start their future together – and while shadows of the past might still haunt them for a while, they have each other to keep them at bay.
Here be intimacy (making out) that will lead to smut in the next part! This is at least T rated and will move to M rating in the next bit. Please mind the ratings!
I thought I’d give those two not just a few kisses (though they share plenty of those in chapter as well) but a lil more intimacy. As a treat. That is basically all this is. I think I made it pretty fluffy and very heartfelt, so I hope you lovely people will enjoy this as much as the rest of the fic. I originally planned for this to be a one-part final (sexy) farewell but it seems I am incapable of writing this epilogue without some more plot and character moments, and therefore had to split it up into two parts. Once again a big Thank You to @plotdesigner for helping me with some ideas for this one. I was pretty fried by the end of this fic, so thank you for your support! <3)
The immediate aftermath of the fight against Sauron was a blur of activity. Once the uruk and elven fighters had arrived, worried by Mirdania’s and Glûg’s warnings, there had been shouts for healers and then, the beginnings of loud, elated proclamations of the shared victory over the Deceiver.
Celebrimbor had witnessed all this as if through a fog; his body needed a bit of time to realize that the battle was truly over, but when it did, he felt a wave of fatigue wash over him. His friends looked much the same way, though Gil-Galad at least tried to hide it.
Adar, a steady presence by the smith's side, also seemed to finally succumb to his own exhaustion. He didn’t outwardly appear tired, but kept his arm around Celebrimbor’s waist and used the position to occassionally lean onto him. The warmth of his body, the safety of his presence, quickly turned Celebrimbor from fatigued to downright sleepy.
Which was why he used the first opportunity that presented itself to take Adar aside and drag him to the smith’s spare bedchamber in the forge tower. He’d decided to have it constructed due to his perchant for getting too immersed in his work to mind the time, and was glad when he found that it had been left completely untouched in his abscence.
The elf pulled Adar alongside him, before he simply collapsed onto the bed, uncaring whether he looked particularly graceful in the process. He beckoned the uruk to join him. "I can tell you are falling asleep on your feet, same as me. I’d like to hold you while I rest. Please?"
Adar had fought himself, albeit briefly, "The uruk-"
"Know that we have won the fight. Your lieutenants are more than capable. They’ll understand," and then Celebrimbor smirked, just a little. "If they aren’t celebrating already."
That seemed to do the trick. Adar laughed, low and warm, then trudged over to the side of the bed. When he made to take off his boots, Celebrimbor scoffed and just tugged him down on top of the covers. "We can have that cleaned tomorrow, or whenever it is we will wake up next," he decided, and then pulled the uruk close.
They ended up in an embrace, with Celebrimbor’s head tucked underneath Adar’s chin and his nose at the uruk's throat, their arms tightly woven around one another’s bodies, legs tangled. Adar soon placed a hand onto Celebrimbor's nape and carded his fingers through the elf's blond-brown locks, a touch that lulled both of them to sleep.
They awoke in much the same position the next morning, to gentle breaths and steady heartbeats, which just went to show at how much they had needed to rest after the last few weeks.
That day, too, was a blur; this time for how busy it was. Celebrimbor and Gil-Galad both had to address Eregion’s citizens and make sure to explain the situation to them, including the presence of the uruk in and around the city. Adar himself rejoined his troops to tell them in detail how the victory of their alliance had been achieved, and from what Celebrimbor had been told by Gurlak later, he’d been held up in the celebrations afterwards.
The uruk were loud in their festivities, the sound of battle songs and large drums drifting over the city walls. Celebrimbor found himself smiling as he heard it, leaning out the window of his private quarters.
He and Adar both knew that the responsibilities towards their people could not be neglected – not even for the sake of the newfound closeness between them. Despite that, the elf was already aching to see his husband again.
Which was why he was quite delighted when, come evening, Adar finally returned to Eregion. Supposedly to give Gil-Galad a report on the uruk army, but judging by the amused expressions on everyone else’s faces, they were quite aware how neither Celebrimbor nor Adar could stop staring at the other. Or how they barely followed the conversation between the rest of the elven leaders.
Eventually, Ereinion had simply rolled his eyes and shooed them off. "We will continue this tomorrow. It is clear you two need the time to discuss other matters first," he stated, but his exasperation came with a fond undertone and was accompanied by a smile.
Celebrimbor flustered, especially since Galadriel also felt emboldened to throw him a knowing smirk, but he ultimately did not object. Adar, too, might have held himself up straight and attempted to affect a scowl, but was quick to incline his head and follow Celebrimbor’s lead when the elf left the other leaders to their talks.
It was already getting late. The smith dreaded the thought of sleeping alone in his own bed after he and Adar had spent so much time together in their tent, sitting and dining and talking, their cots standing close enough to hear one another’s breaths during the night.
"Would you…" he briefly faltered, then swallowed and looked at Adar with a hopeful expression. "Would you stay?"
He hadn’t even intended it to be more than a request for company, for Adar sleep in his bed with him, but, alas-
When they had closed the doors to the elf’s quarters behind them, they had been unable to keep away from each other. It started with them holding each other close once again, and then their lips found themselves pressed together just as easily.
There was no urgency, per se. Celebrimbor felt lighter being close to the uruk, and warmth was spreading through him as they kissed. It was a slow progression from chaste pecks to something deeper when Adar’s tongue asked entrance to the elf’s mouth, which he granted with a small moan and a shiver.
Adar had his hands on Celebrimbor’s hips, while the elf had placed one hand between the uruk’s shoulderblades and moved the other to his cheek, which he cupped in his palm.
The uruk’s scars were rough under the elf’s hand. He stroked curious fingers along the raised tissue, then moved his hand into Adar’s hair. It was as soft as he remembered from their wedding kiss. The smith delighted in finally being able to card his fingers through the strands at his leisure and felt a stab of heat when his husband groaned in obvious delight.
When Adar reached for Celebrimbor’s tunic, the smith readily nodded at Adar's silent question and raised his arms to let the other shed the garment from him. It felt easy as breathing. In the candlelight of his room, the elf watched as Adar took him in, pupils already dilated as his eyes moved across Celebrimbor’s torso. His hand, when he reached out, was gentle as it moved over the elf's arms and chest.
There was a tiny frown on his face when he found the purpling bruises on Celebrimbor’s neck from the day before. The elf let the other take them in, tilted his head to the side as Adar felt around the skin of his throat.
"It’s not as bad as it looks. It’ll be gone in a day or two," the elf reassured his husband. When the other looked at him, Celebrimbor smiled and pressed Adar’s hand to his chest instead, right over his heart. "It’ll heal. I’m alright."
The uruk watched him for a moment. When the smith continued to look at him evenly, and did not flinch under his touch, he nodded and drew Celebrimbor into another deep kiss.
Their embrace felt good to the elf, but it also felt slightly cold now, without his tunic and while the chilled metal of Adar’s breastplate was digging into his chest. He slowly pulled back from the kiss and tugged at the laces that held the chest armor in place, a silent question of his own.
The uruk understood, and made quick work of his armor. Celebrimbor felt greedy as he saw his husband take off his breastplate first, then the chainmail, with practiced and easy movements. He hadn’t often seen the other without his armor before, which made him all the more eager to take in the outline of his muscles, the shape of his body underneath the heavy layers.
He put his hands on top of Adar’s tunic and let them move about, felt the hardness of his upper arms and pecs through the fabric. The elf’s breath came out in a shudder. He had no doubt his own pupils were blown wide by then as well.
Celebrimbor looked at Adar as he moved his hand down to gently tug at the hem of his top, but stopped himself when he saw the expression on his husband’s face. He’d squared his jaw and his eyebrows had furrowed.
"Adar," the smith said, quietly, and waited till the uruk would look at him. "We don’t have to. I only intended to have you sleep in the same bed as me – we can do just that. It would be more than enough."
The uruk had been very delicate when it came to ensuring Celebrimbor’s comfort, after he’d proposed the political marriage to him. And during their wedding. Perhaps this had been as much for Adar’s benefit as his own, or perhaps the uruk had made experiences in the past that made him cautious.
Celebrimbor had absolutely no objection extending the same courtesy to him – he wanted this to feel good for Adar as well. "If you only wish for us to kiss, or even just share a bed to sleep, that is alright. Truly. I do not expect anything from you."
The uruk looked at him with deep fondness, and cupped Celebrimbor’s cheek. "It is not that- at least, not precisely."
He took a deep breath. "You might already have guessed it, but my face isn’t the only part of my body that is scarred. I do not wish to frighten you."
Celebrimbor was stunned speechless for a moment, but then quickly cupped Adar’s cheeks and brought their foreheads together. He implored the other with his eyes to believe him as he said, "You could not frighten me. I take you as you are, if you will have me. I wish to learn your body just as it is, whatever it may look like."
Adar still seemed unsure, so Celebrimbor stroked his cheeks and gave him a moment. Finally, the uruk nodded, and then slightly drew back.
Without another word, he lifted up the hand with his gauntlet. Celebrimbor watched him unlace the strings that kept the gauntlet tight on his hand, and then take it off.
He knew what Adar had meant, then.
His hand had been mangled and remade multiple times, it looked like. Patches of the skin were black and hardened, the nails of his fingers short stubs. It seemed he only had limited movement to his fingers as well, which the gauntlet had either mitigated or managed to hide from Celebrimbor’s sight. Scars criss-crossed the uruk's hand, from below his sleeve, over his wrist and up to his fingertips.
Adar’s face had turned expressionless once more, a mask he wore to protect himself. Celebrimbor hated it and wanted to see it gone, so he smoothed a gentle thumb over Adar’s cheek before he reached out to take his newly uncovered hand in both of his own.
Just before touching it, he stopped, and looked at Adar. "Can I touch you here?"
The mask fell away, replaced by a look of appreciation. Adar nodded. "Yes. Of course."
"Thank you," Celebrimbor replied, and then took the hand between his own, gentle as if he were holding something fragile. In a way, he supposed he was.
He moved the pads of his own fingers over the raised, uneven skin, felt it's differences against his own. Truly, great harm had been done to this former elf, and yet compassion and kindness had survived in his heart. He’d managed to turn his pain and rage into protectiveness, even if it had been misguided at times in the past.
How could Celebrimbor revile the signs of that? Or fear them?
Carefully, slowly, he lifted the uruk’s hand to his face. He placed gentle kisses upon it, first onto Adar’s knuckles, then his fingertips. And then, he turned up the palm and pressed it to his lips. He closed Adar’s fingers over his cheek and held the other there with his own hand.
His eyes finally turned back to his husband and watched him from beneath his lashes.
Hoping, willing, the other to understand without words.
Judging by the way Adar drew a deep, sharp breath, and then tilted forward to draw Celebrimbor into an urgent kiss, he had managed.
#“there was only one bed” okay but how about “they *chose* to sleep in one bed and things just escalated” instead#also the plot and character/relationship development were not invited for this one but came along anyway *shrugs*#fun fact: the scene with the gauntlet was the first idea I had for this little epilogue and the driving factor for writing it#of convenience#adar#adar trop#adar the rings of power#celebrimbor#adar x celebrimbor#silverscars#trop#the rings of power#fanfic#my fanfic#my trop fanfic#mine#political marriage trope#marriage of convenience trope#making out#tw making out#cw making out
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“I have this scene in my head for my fic that I really love but i don’t feel like writing all of the other stuff to get to it.”
I see this comment like 5 times a day in fic writing spaces lol
a scene that you don’t want to write is a scene you don’t want to read. don’t write stuff you don’t want to read.
me, personally: wait until the scenes that get you to that first initial scene you were excited about are just as interesting as that scene too. it won’t be the first, second, or third thing you think of. if u have a scene you really want to write, write that, and keep writing only those exciting scenes that come to you. eventually you have a million interesting scenes for your fic and they become puzzle pieces for you to arrange and then eventually the strings come together and you realize you really do have an interesting way to get to that original scene, and you’re just as excited to write it, if you haven’t already written it when you were brainstorming other scenes earlier in the writing process that you didn’t even realize could carry your story like that.
#My process is 1) write the initial scene — the first one I thought of that inspired the fic#2) daydream (preferably to a custom playlist) and write ONLY THE DIALOGUE that I like from my daydreams#3) discover common threads while daydreaming and thus discover a theme#4) now that I have my theme; my favorite dialogue lines; and my inspiration scene I begin drafting#Drafting includes writing around the dialogue and filling in the gaps with action#I find that dialogue drives my plot usually but I’m trying to get better at throwing chaotic events at my characters#and forcing them to respond to circumstances beyond their control/beyond the consequences of their choices#Drafting is also the point where I start writing only the exciting stuff and stringing it all together like a lunatic#5) once you have enough scenes to string together and you’ve put the puzzle together: reread and revise#6) put it down and don’t touch it dont think about it don’t do anything to it for like at least 3 days to 1 week#7) reread with fresh eyes and revise again#8) repeat steps 6 and 7 until you have desired fic#Sometimes if I really don’t like the way a story is working though I’ll play around with scenes#like “what if I remove this scene? How does that affect things? Is this a loadbearing scene in the story or is it superfluous?”#“What if I delete chapters 5-15 and just totally rewrite everything in that space”#that one is a rough one to go through and is the reason why I have some fics that have never seen the light of day 😂#this is all coming from pre-2021 ghostlycod#back when I was in the marvel fandom and writing 100k self insert OC fanfics#14-18 year old me wrote like an Ancient Greek poet#pure genius masterpieces with masterclass articulation#and idk what happened but it’s like at 25 I’ve suddenly gone brain dead#I envy 14 year old me so much when I’m writing now#That girl was just humming along to Lorde on repeat creating multiple full length novels at the same time all written with English Premium
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the underwater episode of bojack horseman makes me so SAD ..
#he gets saddled with a baby seahorse. n on the way to bring it back to its dad bonds with it and everything#and then when it's time to give it back he just stands in the doorway and watches them#the dads obviously like. what the hell do you want. tries to invite him in to eat and then tries to give him money#n bojack refuses both. he doesn't even know what he wants he's just stuck standing there#n then you see a shot of all the seahorse babies eating and being babies#AND YOU CAN'T EVEN TELL WHICH ONE WAS THE ONE HE WAS WITH FOR THE WHOLE EPISODE.#and you see in his face that HE realizes that too#and he leaves#OWWWW#the closest thing he's felt to like Actual genuine love With no fear in who knows how long And then it's over immediately#AND NOT TO FUCKING MENTION THE MAIN PLOT OF BOJACK TRYING TO GET BACK TO SAY SORRY TO KELSEY JANNINGS FOR THE WHOLE EPISODE BUT IN THE END#once he FINALLY manages to write something sincere and honest to her the ink bleeds off the page. and she drives away#OWWWWWWW#AND THE wHOLE EPISODE IS SILENT AND THAT GETS ME EVEN MORE#IM SUCH A SUCKER FOR SILENT STORYTELLING#I adore bojack so much probably my favorite protagonist from any media ever#I don't want to write a whole essay analyzing his character so ill just say this#I love him I love him I love him#it wasn't intentional but I realized that my tiger lady oc is basically just bojack with a fresh coat of paint...
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Episode 100.. soon.
#milestone in the anime. ep written by kureha matsuzawa. rvt show up. potential friede hint. too much happening at once-#i am nervous because if we're getting something about friede we might as well get something about amethio too#we've hit the midpoint of the chapter where we should get an update about him too since the story will move further in a new direction#and something about liko and amethio constantly intertwined in their respective journeys. much to think about!#kinda drives me insane because literally everything is set up in a way to make us think that#friede and amethio went missing at the same time on their way back to rakua. hey noticed how they disappeared together. hey did you notice-#i am noticing. i am paying attention. my attention is fully on that plot point. i will keep mentioning their similar narrative positions.#what happened it's so suspicious.. are they somehow cooperating on some level. i am gonna need answers i can't live like this#this is written and crafted in a way to make our thoughts reach a specific conclusion but. i am still going to need to wait for answers#either way. i am very pleased by the parallels and writing.. it's so good.#if we get some update on friede.. i do wonder how he would have survived the fall. did a pkmn or a human help him. hm.#it's getting dire i do actually hope we'll get notable elements to think about before the end of the first cour#also now that we've reached that point in the arc. i don't really think liko will know about amethio's disappearance#current train of thought is that i can't see it being brought up around her in a natural way.#not sure what it could add either.#it's something i need to think about more. and need more specific wording to talk about#in fact it's a bit like how the events at the end of ep 65 aren't things liko needed to be aware of (amethio being banished)#that's the closest comparison i can think of. it reminds me a bit of that. not necessarily things that need to be brought up#anyway.. excited about ep 100. liko.. possibly friede.. possibly other characters?#need to hear spinel talk too. can he say something in that beautiful voice of his :/#hz100#episode notes
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personally i don’t think max being the protag of de is a problem? i understand people who think that safi would’ve made a great protagonist and i agree with that -- but i also think she works best as a non playable entity in de. while maya’s, vinh’s, and safi’s stories would be fun to explore i do not necessarily think it’s full game material? it was rather mundane seeming besides the whole book stealing shit and maya killing herself … and as for safi on her revenge tour post book canceling, i struggle to see how that would work either because safi works as an isolated party the entire time and nobody would’ve been willing to help her anyway, considering everyone’s stances on it afterwards. and safi deciding to choose peace would feel so odd because she has way more healing to do than de allows and fits better as a character who leaves the narrative after it’s wronged her repeatedly. there’s also the case of the lis protag standard which would be two love interests and with maya dead and vinh’s relationship with safi unable to ever be any sort of end game, it’s like … well who would they pick? i do think there’s more max could’ve done in the narrative and i do think it’s obvious that she was a cash cow, but i’ve never struggled with her inclusion in de the way most seem to tbh. in fact it’s her being there that helps fuck everything up and causes a climax of any kind ( safi was sort of lost without max’s investigation skills and wouldn’t have ever thought to go on stage to spill her truth without her, etc etc ) — of course, people can be creative and imagine different scenarios! it’s the fun of projects and rewrites! but also max not being there causes more of a hole than anything at this point imo
#my posts.#life is strange double exposure#max caulfield#i think max works decent in de because she’s sort of in the middle of everything rn#she wants to move on but isn’t sure of how to do that. she’s sort of a wreck that gets triggered again and again#there is a lot of like … max unsure of what she wants or what she feels which leaves room for choices and relationships#her powers are a driving force the whole game and so on so forth#meanwhile safi is a character who is so set in her own choices that playing her would be harder to swing imo#at least at the MOMENT. a prequel game or a sequel would give her more room tbh#i digress!! i do think a rewrite of de could work with safi as a protag and max removed but again#imo that’s not even close to the main problem of the game. which was the plot writing lol#and yes i know de’s final choice isn’t even really a big choice so they could’ve swung that for safi too#but like … how would safi get there anyway without max. who would be there to even try to understand her or talk her down?#who could she trust or relate to? in a way she can’t even feel with moses?#max being replaced by safi would mean the creation of a character who COULD fill that role because nobody else would be capable of it#besides MAYBE vinh … but even then their relationship is so tarnished in safi’s eyes and she’s not one to forgive a betrayal like that#idk i’m just musing because this is a very common take i see
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even for period typical ableism it still drives me nuts for karen to go oh poor matt how can he deal and get around as if he hasn't been blind most of his life at this point and living on his own by himself as an adult for his entire adult life after college and has also lived in the city his whole life like girl use your damn brain he can get around by himself just fine. good god. like take five seconds to use your brain. literally adult man who lives by himself if nothing else that should tell you he is fine and when he needs assistance has the knowledge and ability to go get it you act as if he can't even walk on the sidewalk by himself. he literally shows up to work by himself. it drives me up the wall sometimes how she sees proof of him functioning fine independently literally witnesses it on the daily and still thinks these things. like again foggy isn't great either bc again the period typical ableism (and just general ableism in the world outside of this period as this is a common attitude of viewing disabled people as helpless and unable to function even if they are people who do live independently (and im not touching on people who do need extra support and caretaking in this context. as this post is about these characters in the context of a story. so im talking about what we see there instead of any truly meaningful nuanced way) but the writing here is like. Particularly this way due to the time) he has a modicum more of understanding that matt is literally a capable grown adult man. literally told karen matt is a big boy who can handle himself and then karen went b-b-but you forget he's blind as if foggy hasn't known him for years of his life and is his best friend like PLEASE SEE HIM AS AN ADULT. I AM GOING TO GO INSANE. PLEASE RESPECT HIM IF YOU LOVE HIM SO DEARLY. AND EVEN IF YOU DIDN'T. JUST RESPECT HIM AS A PERSON!!!!!!
#i think it's particularly maddening bc we have seen characters be able to understand civillian matt is like. more than just Blind Man.#i am always highly aware of period typical writing and can remember the context etc etc but sometimes.#sometimes it truly. truly does drive me up the wall. especially when other characters have been capable of not being That Level#of infantalizing. again foggy still isn't much better in a lot of respects he is just as capable of and has been as infantilizing#and insulting as karen has been. for sure. on multiple occassions. no questions asked. but i dont think he does it to the extent karen does#as in we dont see it on page just as much. it's just a bit less. so we see karen focus on it far more. to an almost exaggerated extent#part of that is the romance plot of ohhh i cannot possibly love a blind man while foggy is matt;s best friend of many years#so of course it will be in the way of the stan lee and old romance comics schools of writing that this goes down and is written like this.#of course we see her focus on it a touch more in a different way bc she's still getting to know matt and hasnt witnessed him#for about like a decade(? they met in undergrad right?) function on his own the way foggy has. but jesus christ man. good god.#at a certain point even with the period time context it does just still leave a bad taste. at certain points it becomes less eye roll#and far more maddening and hard to push down. bc it is gross. no matter what time period it is.#again. both of them are pretty disrespectful towards matt about it at this point even if mostly in their inner monologues or dialogues#with each other and not super to matt's face about it every time. but still. sometimes karen drives me far more crazy about it than foggy.#becase at least foggy can in fact recognize every now and then. matt is a perfectly capable grown man who can function and thrive.#and is someone who lives independently but also can know how to get assistance when needed.#while karen at this point has never really once given matt the benefit of that assumption despite witnessing his capabilities.#because even with his act of trying to fit the image ppl have of him. he still functions within that! and shows he can do things!#and ask for help when he needs it! even within his act of making himself smaller and quieter for others.#he's still like. adult man who lives his life. and does stuff on his own time.#i cant really speak about matt on any more deeper level than that in regards to his disabilities. i am not disabled.#i only speak as a reader and someone watching what these characters do and have proven to be able to do and how they act.#so i can only talk about karen and foggy's behaviors and attitudes in that regard.#and also as a person with like. basic understanding of other ppl living their lives. that all ppl live their own damn lives however it is#like most ppl on planet earth.#i apologize if any of my wording here is bad or if i dont talk on it well as none of this in the real world stuff is my lived experience#and you are free to go hey. incorrect. think about that or word that differently.#ok i promise im done now it's just. EUGH. UGH!!!!!#static.soundz
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rereading IDW sonic is giving me a better picture of just how skewed tangle’s recent characterization is :(
i know continuity marches on and all but man. tangle is the only one getting THIS bent out of shape all the time and it sucks. she’s the everyman (she really shouldn’t be) and keeps getting mistaken for a different character trope by each new arc’s writers
#like. it’s complicated because unlike other comics i read (mostly webcomics - like gunnerkrigg and pnat)#idw is written a handful at a time and has no singular overarching plot or drive. they HAVE to be a little more episodic#plus they broke into new territory starting out so early installment weirdness and all applies#but they DID hit a good groove with tangle and then they walked it back!!! why??#mostly i want to point out that tangle’s characterization HAS objectively changed whether you like one or the other more#i think it goes along with tangle being portrayed with the most variation between different art styles in IDW next to maybe rough the skunk#like whisper gets to be pretty close to her design whoever’s drawing her but tangle is just all over the place and#it’s at the same time very fun and interesting and i don’t mind it but also#very much works with how tangle’s being written at the time which varies almost just as much#if you say you’re a tangle fan unfortunately you will not be a fan of the same tangle as every tangle fan#this happens with sonic and tails and mainline characters because they have YEARS of whole media + games#done across decades and different writers so it makes sense they’ve got lots of subtle permutations#tangle has been around 6 years now and is already catching up on that across all 6 of those years#we hardly knew her :’c#intentionally not tagging a whole phrase but if this shows up in search anyways due to tumblr-#-please me respectful + i dont mind hearing your opinions or contradictions + i may not change my mind even if u have a good point cause-#-personal preference. ya. if i just like tangle better a certain way thats how i like to see and write her. <3
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genuinely always so shocked to see mirei hate. like literally god forbid women do anything.
#contra.txt#y5 haters in general... does playable haruka mean nothing to you...#DOES SHINADA TATSUO MEAN NOTHING TO YOU...#for legal reasons this is a joke people are allowed to feel however they want about whatever it's just viddy games#and i fully acknowledge y5 and its litany of flaws#of which there are certainly enough for any given individual to justifiably dislike/hate its entirety but I AM A Y5 LOVER THRU AND THRU#saejima's arc is just an arguably less interesting rehash of the one he had in 4?#(jail; jailbreak; betrayed by his lil buddy guy#but now we're sans the interesting character stuff of his feelings regarding the hit. & also i miss his hair.#& that's not even to say i think saejima is boring in y5 i think there's some interesting subtext to take away from his character#unique to this entry but it's pretty hard to deny how much is literally just y4 again but now he's bald)#BUT WHO GAFS he got buffed to hell gameplay-wise and punches bears now#and also baba's a great character and he doesn't have to do a whole chase minigame if a cop sees him anymore#bloated/unfocused feeling in general to the game?#WELL THAT'S JUST MORE CONTENT BABY!!! only a real issue if you're a completionist imo#+ are u telling me you don't wanna drive a taxi? u don't wanna play a video game in which the goal is to drive as normally as possible?#and i loveeeee multiple protagonists yay <3 y0 y4 and y5 are my favs so far lol (up to y6)#kiryu's inclusion in y5 also feels way more justified than in y4. he was so tacked on there i'm trying to remember what he even really did#other than tiger dropping as a boss fight before instantly forgetting how to tiger drop the second he became playable#and losing track of yasuko and getting tag-teamed by akiyama and tanimura (cough) and beating up daigo#but in exchange akiyama becomes the protag that feels kinda tacked on in y5. way less so than kiryu in y4 tho for sure#anyway. weird/strangely justified plot beats? WELL THAT'S JUST EVERY YAKUZA GAME#an arguably strange/poor writing choice for majima especially given how he ended up being written in y0?#well honestly other than the age thing i think it makes him more interesting... he's kinda fucked up!#but i do get why people are /really/ not a fan of it. ik i just said i think it makes him more interesting but if it gets retconned#or even just never mentioned again i wouldn't be surprised tbh#but additionally he's not even a major character in y5 so it feels like it's not really a significant complaint imo#anyway anyone can do this ('this' being acknowledging the flaws of a thing and then letting how much they otherwise enjoy#said thing determine how much they let said flaws influence their overall opinion) ...such is the beauty of subjectivity... i love you.#yakuza
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#six of crows#soc#leigh bardugo#obviously they are all the main characters#but me and my friend were talking about how Kaz could feel like “the main character” since he is driving a lot of the plot#but i'm reading a book at the moment called save the cat writes a ya novel (for....reasons)#and in that book they reference inej as being “the main character” which is so INTERESETING
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Wait wait okay so Mineru's ability is she can seperate her soul from her body and put that soul in something else. I believe in game she calls it her spirit but soul is like the same thing. Also spirit sounds more 'mystical' and soul might have religious context to it? Whatever. The stones amplify the holders already present power, not giving them 'new' ones, meaning she already had some power relating to spirit magic.
Two questions.
One, what was the extent of her power BEFORE she got the stone? In the scene she describes it as the stone gave her the ability to take her soul out of her body, not like she always had the ability to do that.
Two, if she can do that, why couldn't she separate Ganon's spirit from his body as a way to stall for time or temporarily stop his rampage?
It still doesn't make sense to me that Rarau, the light guy, was able to put Ganon in a stasis when Sonia's thing was time. Thou with Ganon killing Sonia and stealing her stone that couldn't be done. But it felt like, a kinda crappy way to go about that. The whole scene felt, not planned well. It felt like a first draft they went with instead of really dissecting the possibilities and making a more compelling and imo, more 'logical makes sense' of a story. If Sonia wasn't used as a sacrificial lamb for the story, SHE could have used her time powers to stall+stasis Ganon. She could have used her time powers to stall the malice infecting Link's arm, slowing it but never fully able to stop it due to her weakened power from keeping a lock on Ganon all these years and giving us the same reason to get the orbs to purify Link's arm.
This could also serve as a mirror back to Zelda's plight from BotW, stalling the big bad (she wasn't using time powers but still) but her power waning, unable to fully end it, just slow it down. Fighting the same foe, failing, and stalling, relying on the hero to finish business.
However, I feel like part of the reason Rarau was chosen to stop Ganon and give Link his arm was that he's Zonai, he's new, and the developers wanted to push that rather than the ancient Hylians. After all they did give us *too much of the Zonai and also still not enough. Even thou Rarau ends up playing such a small part in Link's encounters and is like, never seen again after the tutorial area then once more at the very anti climatic ending for Zelda.
Incase you couldn't tell, I have NOT finished the game, I probably never will and I've only spent 45 hours on it then never picked it up. 5 of those hours was spent on the tutorial sky island (I messed up so badly my first time that I *had to start over). I have also not seen many ending scenes so maybe there was a legit reason Mineru couldn't trap Ganon's soul but with the crappy writing of this game, I wouldn't be surprised if it was some dumb reason.
#Legend of Zelda#Tears of the Kingdom#TotK#LoZ#LoZ:TotK#not ac#every day I get closer to wanting to post my Courage Lost au#which starts at BotW but extends to TotK#and would be my own personal rewrite for TotK#like my god the potential was right there but the devolpers fucked it up#im no game dev by any means but I do like to write#Ive made my own universes with an expanded timeline#dark themes that touch on real life aspects#i make sure my scenarios are plausible#I triple+ check that my chars act in charecter and if they dont then there would be a legit reason for it#like I make sure it makes sense its compelling it drives the plot and inst focused on events alone but how those characters-#forward the plot by their actions and lack of action#Im not saying Im a pro Im prob still an amatuer#but I genuinely feel like I could have done a better job with TotK's writing than a bajillion dollar company#i am not a gloating person by any means#I just font like seeing a DIRECT SEQUEL to a game I liked get such shitty treatment
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my other controversial disco s1 opinion was that Georgiou (Captain) was below the belt level cruel to Michael before she died and it's very easy to see how her evil counterpart became Emperor.
#trek shit#i Like this btw#if her alter ego is capable to goodness it stands to logic that her ~nice~ version is capable of being a straight up jerk#Because for all Michael was scapegoated by starfleet in s1 we uh.... tend to ignore#that georgiou was in fact first in line And came in with the personal attack while doing it#idk... I feel like conceptually she's very martyred in fandom which is kind of the point#of the writing#but since i object to her dying i shall object to that one dimensional look of her character also#i feel like i'm always gonna look back on this show and be irritated by the way the pain in the ass plot#from the first two eps informs every moment then on in michael's character bc fjdfjiddgofkd#it just drives me nuts#justice for michael who literally was not Nearly as much at fault as they seem to want to portray#and how that will never be critically examined in the show#it's not like she was innocent but she was sooooo not the biggest issue here like be for real
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many fics are also bad bc they don't recognize wwx is a beast
#he's too badass for 90% of the stupid bullshit I see him get involved in#very strong personality. very determined. very charismatic. very intelligent. very funny. very loving. very confident. very manipulative#a little insane. extremely hardcore. extremely passionate. 100% ready to jump to extremes and defy all authority.#he makes things happen! he drives so much of the plot! he's a character with so much agency and he uses it!#THEN I'LL BE THE PRECEDENT. do you know how many times he's threatened to kill someone#he's just not the uwu anxious insecure stupid oblivous gremlin ppl write him as!!!! he's not even that annoying as an adult either!!!!#ficblogging
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