#hybrid essay

[minecraftbookshelf]

At this point the only thing keeping me from adding other characters from mcyters into this world is the fact that it would, eventually bring me to the point of "Xornoth and Scott's little sibling, Aimsey" and at that point there is no salvaging the original storyline.

It's a whole separate au that I'll have to come back to after this one is more or less done

[asitrita]

One Piece Harry Potter AU (Hogwarts Houses) SPOILERS!

Ok ok ok, so first, I'm new to the one piece fandom. I actually have known One Piece for over a decade, and even watched the first chapters (actually, I watched till just the end of Arlong park arc, and maybe I did spoil myself the entire Doffy/Cora/Law backstories because I randomly found out about them and felt in love with the three of them immediately), and I was familiar with some characters, but I wasn't really into it till the live action, and now I'm just obsessed, lol. So just mind this is just my personal headcanon, and I do not intent to force my view of these characters on anyone. Also, SPOILERS, SPOILERS, SPOILERS. Please, refrain from reading if you're not up to date with the manga.

Thing is, I also love Harry Potter, and I was wondering what house some of the characters would be assigned to and this is more or less what I've came up with. Also, since J.K.Rowling confirmed that hybrid houses would kinda be a bit more accurate, I will assign to some characters (most, actually) a mixed house alongside the house I imagine they would be assigned to according to the classical 4 house system. Let's see:

Luffy: Slytherin. "I'm gonna be king of the pirates". Okay boy, we hear you. Also, he won't share his food. Hybrid house: Slytherpuff. I mean, going around doing unintended but still good deeds, his ability to make friends and make people follow him, plus the reciprocal support and loyalty he gives his friends. However, I'm not entirely sure Luffy needs a hybrid house, I feel he's a solid Slytherin, tbh, we know they can also be charismatic and draw people in to follow them. So take the hybrid house with a pinch of salt, I feel Slytherin fits him just right.

Zoro: Hufflepuff. Tbh, it was actually a bit hard for me to choose Zoro's house, I'm not that well acquinted with Zoro, so maybe I'm missing out on this one, but, though he does seems a little Slytherin-like to me, or even Gryffindor (the whole swordman code of honour and all that), Hufflepuff wins this over. He is hardworking and loyal, and he tries to keep things logical (iykyk). Maybe not exactly just, or empathic, but still objective and practical. I feel it does fall into Hufflepuff sense of fairness. Also, Hufflepuffs make a good companion for Slytherins, so him beign Luffy's first mate plays into it. Hybrid house: Slytherpuf. Just like Luffy. "I'm gonna be the best swordman in the world". Say no more. He sure is very hardworking and loyal, but he is also ambitious, and at least as a kid, he was pretty... intense about it XD Heck, even as a teen/young adult he is. However, just like in Luffy's case, I think Zoro would make a solid Hufflepuff.

Nami: Ravenclaw. She's kinda the brains of the group, at least at the begining, and she is quite witty and cunning. I thought about Slytherin because of her being a thief and the cunning aspect of her personality, but it was a bit too obvious for my liking, and I think her personality goes a bit in a different direction when you dig deeper. Hybrid house: Ravendor. I don't know, she just has a Griffindor vibe to me, even if she's a little bit of a "coward" (more like, she's not stupid, tbh), but she did face up to Arlong, and her ambition to save her village all by herself all those years kinda strikes me as a Griffindor; not like a Ravenclaw couldn't do the same (or a Slytherin, she sure had to do a lot of shit when she was part of Arlong's pirates, she was all for gaining her island's freedom at all costs), but there's something in Nami's personality that I find Gryffindor fitting? Hope it's not the ginger bias, lol (although it could be the live action bias). Maybe it's just me, though.

Ussop: Gryffindor. He's kinda the Neville Longbottom of One Piece. I say kinda because both characters are pretty different, but there're undeniable similarities between the two of them. Also, it was stated that you could also be assigned to the house which values you valued the most, and Ussop dream is basically to become a brave pirate captain, so, from that pov, this house fits him like a glove.

Sanji: Gryffindor. That's it. He's a noble knight in shiny armour. He's Gryffindor poster boy. His backstory, how he faces up to his family, but honestly, his entire personality and demeanor and code just scream Gryffindor to me. He's so sweet (more so in the LA) that I was tempted into making him a hybrid with Hufflepuff, but who said Gryffindors can't be sweet? He's a Gryffindor through and through.

Ace: Gryffindor. He feels like a Gryffindor to me. He's a dork, he's brave, he thinks himself a hero, carries himself as such, he's hot-headed, and in the end, that's his downfall. Whatever, I just feel his face would come up first when searching for Griffndor boy in Google.

Coby: Hufflepuff. He's a hard worker and dreams of justice, he's loyal and strong-willed. Plus, he's adorable and a loving child, he's a Hufflepuff u.u Sure, I could make him a hybrid with Gryffindor, as he is brave (he stands against his friend, Luffy, that's part of his arc), but I think most of his personality traits linger strongly on the Hufflepuff side, so I see no need to give him a hybrid house.

Helmeppo: Slytherin. This was so hard, because at the begining he seems to fit the Slytherin stereotype quite a lot, but he does change a lot. And sure, Slytherins can be decent people too (again, to me, going by classic sorting, Luffy is a Slytherin through and through), but there's something else to his character. And that's why... Hybrid house: Slytherpuff. He becomes a very hard-working, just, and loyal individual. Maybe his true nature was hidden behind all that horrible nurturing he got, who knows. He still is at least partially a Slytherin, though (btw, I love him in the la, the actor really made the character stand up).

Garp: Gryffindor. He's mad as a hatter hahahahaha but I love him. He's brave, has a strong feeling of justice, a strict but fair moral code, and he comes up as a bit impulsive. But he has this hero complex going on too, as well as hero guilt (not sure that's a thing, but I hope you get what I mean). Him backing down from becoming an admiral because he believes in freedom and doesn't want to follow orders he already knows he won't like so he can be free to follow a more morally aceptable and chivalric path strikes me as very Gryffindor coded. That sense of justice also strikes me as Hufflepuff-like, but considering the rest of his personality traits, I think Gryffindor suits him best.

Mihawk: Ravenclaw. This was a super tough one. I was so tempted to just throw him into Hufflepuff. Sure, Hufflepuff house values are loyalty, fairness, justice (Doffy knows) and hardwok, but it was said this house would also accept any student that didn't quite fit the other houses, and Jesus, Mihawk was so hard, plus he lives a calm life growing vegetables (smells like a Hufflepuff if you ask me). Problem is, he really doesn't give much of a flying f*ck about anything so... Ravenclaw XD For whatever reason, I do see people from this house being the ones more capable of living an isolated monastery-like life, and that's exactly what Mihawk does, except his life is more of a cementery-like one, plus he has a ghost daughter XD It is also the house that gives me the most "I couldn't care less about politics, you, or your family" vibe out of them all XD Plus, he's a little b*tch with Shanks, not wanting to fight him only because he lost an arm (sure, he appeals to the honour code of a swordman and whatnot, but it still smells fishy to me u.u), and that kinda gives me a Ravenclaw vibe too. Hybrid house: Ravenpuff. Again, he lives calmly, actually acts with honour, kindness and fairness, taking Zoro in and training him, even when he knows Zoro's to become his rival and most probably take his title in a near future; and he values determination, hard work, and fairness in a fight, and again, he grows vegetables, knows how to cook, and enjoys a good wine. That's a Hufflepuff.

Shanks: Gryffindor. He IS a Gryffindor. Golden boy Shanks. I know some people enjoy the idea of him being a Slytherin, and though I do see the appeal of it and it would definitely fit some aspects of his personality (the cunning rat he is), this guy could be a poster boy Gryffindor. His hero complex is also quite obvious (though, truth be told, that burden was bestowed into him since he was a child). His ambition (obvious by his conqueror haki) could play into a Slytherin personality, but it also has a very strong Gryffindor vibe to it. And I said could, yes. Hybrid house: Gryffinpuff. Have you seen him as a kid in the Oro Jackson? How Buggy teased him about being too soft and naive? Sure, Gryffindors can be soft, but kid Shanks is just so Hufflepuff to me. As an adult, his laid-back, goofy, extrovert, affable and charming demeanour also reminds me of a Hufflepuff. Again, people from all four houses can show traits of other houses, there's no clear cut, so Shanks could just be a Gryffindor. But, honestly? I feel he could even be just a Hufflepuff, I would 100% support Hufflepuff Shanks hc too, my sweet alcoholic golden boy (I just don't want his fate to be that of Cedric T_T). Seriously, he IS a Griffindor, but he IS a Hufflepuff too. And that's why I definitely believe this hybrid house suits him the best, it reunites most traits of his personality perfectly.

Buggy: Ravenclaw. I mean, it matches his pretty long hair. Ok, no, but truly, he's a Ravenclaw. He is witty, he is smart, he's creative, he's a showman. His charisma and everything about him, including his goofiness and drastic humor changes, for whatever reason, strike me as Ravenclaw-like. I can think of a charismatic character who belonged to the Ravenclaw house that used his wit and quackery to fool everyone. Plus, as a child he seems to have been more observant and perceptive than Shanks, which makes him seem "wiser" in a weird way; plus he is also very crafty (buggy balls anyone?). He also likes to avoid fighting, be it because he thinks fighting unnnecesary or suicidal, which is quite "clever" of him. True, even in the direst circumstances he gets himself into trouble for not being able to shut his big mouth, but that's just his bombastic personality and caothic nature getting the best of him, he's just a passionate guy, the boy can't help it. Despite what some may think, despite he's egocentric and semi megalomaniac personality, he's also well aware of his weaknesses (I mean, his inferiority complex is quite obvious), and he isn't fond of attention if he hasn't planned for it beforehand. This is obvious by his reaction to all the attention he was attracting after escaping Impel Down, everybody claiming how great he must have been, for he was a former memeber of Roger's crew, a "brother" to Shanks and a close acquaintance of Rayleigh. Yet, he was so shy about it, and reluctant to take in all that attention, till he thought about it and planned a way to take advantage of the situation. A bit delusional, but still a quick-thinking clever guy. Hybrid house: Slytherclaw. Yep, he is also ambitious, and even with his whole inferiority complex and obvious weakness he aspires to be pirate king. He loves treasures and shiny things (actually, this sounds a lot like a magpie, which are close relatives of ravens, and yes I know Ravenclaw's pet is a bronce eagle, but there's still a raven in the name). And again, he is very witty, but also selfish, and he is not beyond abandoning everyone and everything to save his ass. Also, Buggy loves the sea, he would probably like Slytherin common room with its underwater views of the lake and mermaids. It would remind him of the ocean, he would be so happy there (I just want the lil silly clown to be happy u.u). Slytherin is a house associated with water, and we know Buggy was a very good swimer, and he surely loves the sea and the freedom it gives him (by now we all know the real reason why Buggy holds a grudge against Shanks is not exactly sea-related, but I'm pretty sure he still regrets what happened to some extent, though he probably, and rightfully so, blames his dumb self for that). Also, loving the sea, and loving treasure maps, also adds to my Ravenclaw headcanon, because I associate Ravenclaw with the sky, constelations, astronomy, star maps, etc., and to sail you defnitely need to know how to map the sky, and I feel that's something Buggy would be pretty good at, he seems to enjoy maps a lot (same logic applies to Nami, btw, she loves money, but she certainly values map knowledge above money). So yeah, hybrid house for Buggy, definitely. I think these two houses complement each other very well in Buggy's personality and character, similar to how I really like a hybrid house for Shanks (and they would complement each other so well, being from the exact opposite houses).

Roger: Gryffindor. The King, the Hero, the Legend. I don't know, it just fits him right. He's brave, he is hot-headed, he jumps into the fight without thinking. The way he's praised as a hero, with so many followers with that last stunt he pulled off right before kicking the bucket. That's very Gryffindor of him. Whatever went down in God Valley, why Roger decided to side with the Marine, why he didn't side with Xebec against the Celestial Dragons and World Gobernment, got me thinking. We still don't know what really happened there, I feel like the reason behind Roger's actions could change my mind about his house, but as it is for now, I think Gryffindor fits him good.

Rayleigh: Hufflepuff. He's the calm guy. Sure, he fights, and he's a menace, but what he finally wished for was to live peacefully in a calm island for the rest of his life. He's so chill and also fun, and enjoys a good party. Hufflepuff for the Dark King. Hybrid house: Ravenpuff. I don't know, he just has this "wise" bive to him. Maybe it is because of how he wants to have a nice, calm life as an adult. Also his calm and softer demeanour around Roger. I feel a wise and calm partner would be a good contrast to Roger's Gryffindor personality.

Crocodile: Slytherin. He's a snake. Not a crocodile, but still a reptile. Seriously, he's ambitious, he's maffia boss level, he gotta be Slytherin. Hybrid house: Slytherclaw. He's smart, cunning, and has experience. He manages bussiness with expertise, he just has that ravenclaw vibe to him. Plus, I just find the idea of Buggy and Crocodile being in the same house hilarious. At first sight no one would even phantom these two characters to have anything in common, nor his personalities to be somewhat compatible or similar in any way or form, yet this hybrid house fits them both like a glove.

Doflamingo: Slytherin. I mean... I hope the giant fish bowl that is the common room reminds him of the fashion back home.

Corazón: Hufflepuff. The boy is all heart. He believes in justice (heck, he's a marine), he's good-hearted, golden-hearted even, basically, a cinamon roll. He's also most probably a pretty hard worker, and he risked his integrity for a kid he didn't even know all that well. Also, he's a "trickster", so to speak. He must be a Hufflepuff, no doubt. Hybrid house: Gryffinpuff. He has a lot of the traits of a Gryffindor. You can't deny he's brave. He overcomes trauma as a child, and is willing to revive it and face his brother, spying for the marine, while dealing with Doffy's crazyness, and then he makes the selfless decision to save Law no matter what, at risk of his own life. He also feels he has some type of responsability regarding his borther's actions, when he truly doesn't, but taking responsability for things you're not really responsible for due to some sort of self inflicted guilt tripping type of torture sounds pretty Gryffindor to me, plus the "I must save the world from my evil brother, and because he's my blood brother, it must be me who faces and stops him" also strikes me as very Griffyndor-like. As I said many times before, I know some traits are shared between houses, and can apppear in members of different houses, but Corazón is definitely at least partially a Gryffindor. This would also explain his betrayal, Hufflepuffs are supposed to be loyal, I'm with Doffy in this one u.u (though I guess he never truly commited treason, as he was never on Doffy's side to begin with, lol).

Law: Ravenclaw. To be honest, a friend convince me of this one, I was so unsure and conflicted about him. But yes, I think Ravenclaw suits him well. His background as the child of doctors, and wanting to follow their parents' steps works out with a Ravenclaw personality. He's knowledge starved, and he's smart and witty, even a bit manipulative. Hybrid house: Slytherclaw. There's no way to avoid Law's ambition for knowledge. He is also quite determined in his path to avenge Corazón and bring down Doflamingo's downfall no matter what. I know determination is more of a Gryffindor and Hufflepuff trait, but it also goes well with Slytherin's desires to get their way, take what they want, and achieve whatever they've set themselves to (which is why Luffy is definitely a Slytherin too).

Aaaand this is all for now, it was already quite long, I may do a second list with the remaining mugiwaras and maybe some other characters I like :)

[ickadori]

h-h-h-hybrids

[ravencromwell]

Ros Vortalis trans headcanons

There are some remarkable trans Holland fics and headcanons, but can we talk about Ros Vortalis, whom all of his friends simply call Vor? Who, even when he’s _dying Holland calls Vor, to be expected, but also Vortalis which’s so much longer than Ros.

A bit of googling informs me Ros is “protector” in German, which’s chef’s kiss one hundred/ten no notes V.E. But it’s also, more frequently, a diminutive of Rosalind. Disclaimer before I start these that I respect and love! the headcanons of Makt as fairly gender nonrestrictive, with power being more of a defining factor of treatment. My Makt, however, is more complicated, with gender and gender transitions being imperfect but still a site where joy can be created, much like the rest of White London existence. Putting the rest of these beneath a cut with that in mind because as a trans person, I know some days I can’t handle transness as careful complication to be navigated and don’t want to inflict it on anyone unprepared. (Though, I promise! there’re fluffy as fuck nsfw Vor/Holland and Vor/friends headcanons in here to cut the angst.)

Ros retains a shortened form of his given namefor business purposes within the Shal—we know Shal means “market” in Red London, and I tend to think it means the same in White, such that when Holland calls him a “thug from the Shal” he’s referring to Vor being in the merchant/smuggling business. When he transitions, he’s relatively young and honestly to flagrantly demand a name change would be seen by too many as blood in the water. His greatest focus, always, is Makt rather than his personal happiness and he’d rather be burdened with the “nickname” Ros and be capable of rising in the Shal in service of becoming king.

There’re two ways of transitioning: the easiest and least painful is utilizing a spell similar to Astrid’s with Lila and stealing a face and voice. But that spell fades with death and though Vor understands that his body is likely destined for desecration once he’s gone as Makt’s people drain its blood and magic, there’s still this stubborn demand that they destroy a body without the face that made him shudder every time his child self caught a glimpse (he is so grateful for a lack of mirrors in Makt for much of his young adulthood.)

So he chooses the harder, excruciating method: finds a bone magician to permanently reshape his body. Session after session, over months traveling abroad on a ship with only the open sea and crew to hear him scream himself hoarse.

The first time they share a bed, Holland strokes along the broadened shoulders, runs fingers along the scars on his chest—eyes fixed on Vor’s all the while— and murmurs: “If they did not believe you would hold the throne, they were fools.”

“I’m flattered.” He’s bright-eyed, with that deep, rolling-sea laugh.

“After this, very little would stop you.” Fools have marveled at the extent of spells across his body, and inwardly he howls in hysterical laughter because there is very little to dull pain in Makt, and the shipboard pain was so vast it made everything else feel like pinpricks by comparison. He’s never bedded someone who would know that as intimately as the man who had done his damndest to use that same magic in stopping Vor’s fist before it connected with his face, and the admiration uncoils something deep in his chest. “Sometimes I’m certain I can’t keep it. One moment it will be there and then not.” He manages a farse of a smile “Foolish, after all these decades, but such is the weakness of your future king, Holland.”

“Lucky you would have an Antari to put it back, then.”

By the time he returned to London, voice rumbling deep from an expanded chest, people understood quickly to use “Ros” with the proper pronouns or see just how effective the runes on his hands were. But well…Ros is an easier shirt than Rosalind to slip into, but it will never sit comfortably. As he develops allies, he finds that Vor and Vortalis fit easier. And it becomes a good gauge for trust. Those who understand implicitly how painful his given name is and respect that, are people worth keeping. It becomes easier, as fewer and fewer people survive who remember Rosalind.

There are far too many moments to count when former friends or lovers try to use “Ros” as a weapon, with a little smirk that says: “You never said we _couldn’t call you that.” And he’s deeply glad he made a relatively small name fuss and provided only a small chink in his armor. (Those sorts of people tend, inevitably, to cause the use of his knives. As though letting them close and showing kindness is an invitation for open season. But such are the risks in Makt, and he is a man who craves touch and closeness. What good to craft the ideal body only to never have it appreciated. The way Holland simply…withdrew from people after Talya is something almost unfathomable. Whether they’re the closest of friends or both king and night and! king and beloved—which’s pretty much always in my head—there’s a deep, profound ache that he could never touch Holland enough to make up for too many years alone.

It’s the dimmest flicker every time he sees the “knight” and “Antari” masks slip, when Holland leans against his shoulder or puts his head in Vor’s lap, eyes half-closing at fingers in his hair. But, simply because the task is nigh on impossible, doesn’t mean he won’t do his best. Vor touches Holland Vosijk a hundred thousand times in those two years of rule—and so, so many more if they both survive—and is so very, very grateful he could take the touches the best of his lovers and allies offered over the last thirty years. (On a slashy front, can we also just talk about how, as a couple, there’s an incomparable way arousal and awe intertwine for Vor _every time Holland reaches out and shows affection: a kiss against his temple as Vor lets their foreheads rest together; a hand moving slow and easy down his back. To be trusted enough for the most guarded man he’s ever met—it took Vor _months to convince him to kill Gorst and he’s never had to work so hard or wanted so desperately for someone to say yes in his life—to touch him is such a valuable thing that he has immense responsibility not to break.)

Also in couple’s verse: If Vor has a small regret, it’s that the bone magicians are far more skilled with outward, above-the-waist presentation—because the best of them have not only done this for trans people, but for criminals etc. seeking a disguise. Thankfully, they had no trouble cutting him open to ensure he would never be with child—he doesn’t have the vocabulary for dysphoria, but the idea of his stomach rounded and heavy is one of the few things that can make him viciously soul-deep terrified. But the below the waist equipment well, it’s not a magic Makt has the luxury of learning.

By the time he meets Holland, it’s the very faintest of regrets: he has a collection of strap-ons for when he and a lover want to indulge in that particular fantasy—and is comfortable enough in his skin it’s an indulgence and not a requirement. It’s beautiful to watch lovers slide to their knees and take them in their hands or mouths or slide inside and watch them arch with pleasure. But oh, oh he wishes he could _feel it. It’s not a complaint worth voicing, and honestly after he becomes king, there’s very little time to indulge.

But one day, Holland comes back, smelling of flowers holding a box, tells the guards to wait at the end of the hall because he has crucial business from “the other London” for the king’s ears alone, which has Vor intrigued and concerned because he hasn’t come close to asking Holand to send a message. But before the concern can swell to anything beyond a flicker, he sees a flush so faint anyone would miss it who wasn’t watching. (Even before the Danes, Holland held his feelings and desires in an iron grip; Vor learned early in sharing a bed that Holland loathed the idea of being heard by those not his lovers when losing control: not merely a discomfort that could add spice to an evening, but viscerally, the way it would take everything Vor had to turn his back on an armed opponent.) This is pleasure, not business and he flicks his fingers in a silent command before they can even turn to look.

"Go get yourselves some dinner,“ he says for good measure, "If there is a foe Holland cannot protect me from, there’s little more bodies can do.”

When he opens the box…there are the usual straps but the cock. The cock feels like _skin. “The Arnesians-” and oh, there’s still so much contempt in those words “With their infinite supply of magic have learned to transmute. From earth to bone, and then something softer. There is an illusion for the Arnesians who want to forget the straps.” There were layers upon layers beneath that statement: neither of them wished, at least then, to go begging for scraps, but to _take a little of the bounty Arnes had hoarded,

“_Yes!”

Neither of them know how the illusion works: it is as mysterious as the fireworks Holland has seen that fool his eyes into certainty dragons fly across the unbearably vivid Arnesian sky. It does not matter; in those moments when Holland’s mouth is hot on skin, Vor is utterly, entirely certain Holland is swallowing down the cock he has always had.

It’s almost too much, leaves him speechless for the first time in decades, has Holland scrambling up and onto the bed even as his eyes are still glassy from watching the king come undone to wrap himself around Vor’s back until the world comes into focus again. “Is it only good once or-” he asks, finally and Holland’s smirk is wicked.

When he’s upending the Ost table and coughing up blood—, so much, too much kajt I hope Holland can take the throne because whoever these bastards are they can’t rule, the thing he clings to: more than “Stay with me"—though he _tries—, more than the raw panic in Holland _swearing—is the name. _Vortalis, he says when the table overturns—though it would be such a forgivable mistake to use Ros. Vor, he says while chanting stay and one of his blood spells. He will die as who he made himself, not as he was born.

The three threads of coherence for Holland are the blood spell. That Vor _has to stay. And that if he cannot be enough to stop this, he _will not let Vor die hearing him use the wrong name.

In verses where Vor lives, they both know the "thank you” when he wakes is not for the healing, though to be alive is a joy.

[bluewithpurplepolkadots]

I think my New Year’s resolution is that I’m going to start applying for new jobs.

I won’t be super intense as I have a job and I do not have the mental capacity to hunt like I did when I was unemployed (honestly didn’t even then) but like… I think especially since I didn’t get the one which would have been a small promotion here means it’s maybe time to move on eventually. I know it’s nothing personal but like. I’m not feeling great about it still honestly.

I may have to get a job that lets me do a bit less physical stuff eventually anyway, sadly. I wouldn’t mind doing this kind of thing forever sometimes but… it’s probably not practical? Maybe? I mean lbr here I’m not sure what my body will be like when I’m 50 or like 60 you know? I don’t want to break myself. And by that time would I be able to leave?

God I hate job hunting. Does anyone like it though?

Anyway that’s my resolution: not that I’ll definitely get a new job but that I’ll try and see what’s out there.

NOT telling my parents though because they have an intense need to help with this kind of thing and lmao Noooo. I appreciate it but like they expect me to do nothing else with my free time when they know and I’m not doing that to myself again.

[pbo]

Dans un monde physique, sentir nos désirs est trop difficile à distinguer du désespoir.

L' aventurier ne conçoit pas l' humanité comme une race entièrement physique dans un monde physique.

Peut-être qu'après la mort, les personnes non physiques, au paradis, lui aussi non physique, peuvent observer, par hasard, le grain vert irradiant et expérimenter la moindre part de ce que nous ressentons.

[agirlnamedbone]

From South by Duffie Taylor (Groundhog Poetry Press, 2019)

[solarisgod]

Me @ the Starwake System: Babystars you are so Chimera coded like you would not fucking BELIEVE

[lyndsaywheble]

The Elements of Story

I wrote a hybrid essay about how writing techniques relate to life whilst it's being lived, which has been published over at Litro. I'd love it if you took a look.

https://www.litromagazine.com/every-saturday-litro-magazine-publishes-essays-that-reach-far-beneath-the-surface/the-elements-of-story/

[denovotech]

Exploring the Potential of In Situ Hybridization Probes: A Breakthrough Technology by Denovo Technologies

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[autoopinion]

"Apparue en novembre 1966, elle est connue aujourd’hui comme étant le véhicule le plus vendu de tous les temps dans le monde devant le Ford F-150."

Lisez le compte-rendu de l'essai ici:

[transmutationisms]

the letterboxd review, a hybrid literary genre equally born of the recipe blog personal essay and the desire to receive reddit gold,

[finishinglinepress]

ADVANCE ORDER:

https://www.finishinglinepress.com/product/what-bird-are-you-by-amy-bobeda/https://www.finishinglinepress.com/product/what-bird-are-you-by-amy-bobeda/

I’ve never seen a bird that hasn’t made me want to live. When the first humans were born of clay, what bird did they become? Some of the most beloved origin stories are rooted in the realm of clay and birds. What Bird Are You? is a murmuration of bird song mapping Ohlone lands of the Pajaro Valley, famous birds of New York’s Central and Prospect Parks, the Acoma Reservation, and daily life in Colorado’s first “Bird City” through the ancient and modern arts of pottery and birdwatching. This collection of essays and poems explores what it means to live as a writer caught between the world of potters and the world of birds. Through mythology, memory, late-capitalism, and history this collection sculpts a poet’s life out of a lump of clay and feathers.

Amy Bobeda holds an MFA from the Jack Kerouac School of Disembodied Poetics where she serves as the Director of the Naropa Writing Center. She sometimes teaches writing pedagogy and process-based art. She’s the founder of Wisdom Body Collective, a process-based artist collective and small press. She’s the author and illustrator of Red Memory (FlowerSong Press) mi sin manitos (Ethel Press) and has a forthcoming book from Spuyten Duyvil. Her work has been featured in Columbia Review, Ecotheo Review, Denver Quarterly, and elsewhere. She’s also a retired cosmetologist and costume designer who loves reclaiming and refashioning fiber arts. Raised on the Amah Mutsun land of the Pajaro Valley by two ceramicists she is often found running, walking, and following birds in landlocked places.

PRAISE FOR What Bird are You by Amy Bobeda

Dogs begin to bark. It’s the coldest night of February. The snow begins to howl. I’ve been reading Percy Bysshe Shelley, and this new collection by Amy Bobeda which displays such an implacable love for life & the biosphere. The way she speaks the syntax of myth, how she recognizes birds as inscrutable people who vanish into their own lives & deaths. Isn’t it said humans first got poetry from listening to the whistle of migratory flocks? Amy Bobeda constructs rich colloquial poems, substantial as a clay pot, multi-hued as the lyric of a songbird. She reaches back, back, back, past the trees, past the city streets—till you see things you never knew before. Shelley wrote, “If Winter comes, can Spring be far behind?“ From the canyons of howling snow, with her book in hand I look straight into the valley of birds. Read these poems—

–Andrew Schelling, The Jack Kerouac School, author of The Facts at Dog Tank Spring

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