Oh! I nearly forgot, but can I ask the significance of this panel?
It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?
(Also, I just wanted to compliment you for this panel)
(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.
The second time I saw it, I started to wonder
Because Dee himself doesn’t really look aware of what is going on behind him.
And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.
Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)
Oh!!!
(Quick test of my ability to find which chapter stuff happens in)
I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.
I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)
So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)
And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!
Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...
I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂
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broski you have invaded my brain, I was listening to will wood earlier and heard the line "disease is in the eye of the beholder" and thought of janelias/parasight-
you can't keep this up unless you start paying rent, I've already got too many freeloaders living rent free in here 😤
OMG WAIT THAT LYRIC FROM MARSHA IS LITERALLY SO THEM. how did i never even realize,,
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Uh oh, gang! (Personal life shit)
Looks like mom just realized how shitty her marriage is with my father and what a terrible partner he is!
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man. I've been reworking a lot of content involving Act II of Home Is Where You Are and like. ugh. it'd work so freaking well in novel form but I just Do Not have the dedication or the drive to start from scratch and rewrite everything that happens.
idk how else to share the updated version of that part of the story with y'all tho, considering that Khalan's journal is insanely outdated now and isn't entirely canon anymore, so I'll probably just have to accept that I likely won't ever be able to update the story for y'all in the way I wish I could. >n<;;
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I wanna thank my irl friends who follow me here and also my beloved mutuals as well as followers who still send me kind messages and try to interact with me and my stuff even if I'm bad at doing it myself.
Honestly, things haven't been that great with me lately, so... it means a lot to me. Honestly. <3
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So…Can I know where the flower is???
And hi! :D
Dropped into the void with the s5 special I presume!
And hello!!!
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It’s been a whole year since I made this TSP:UD art, so I decided to remake it.
I have… a lot of thoughts about the original art piece… thoughts I’ll put under read more
Ko-fi
I don’t have a lot of followers, nor a lot of interaction on my art. So when I made the original shitpost meme art a year ago, it was a surprise to see it suddenly gain traction and rapidly get notes. It was exciting to see honestly.
It was so exciting to see that it got to my head, and it felt like I needed to make more art relating to The Stanley Parable, and also of shitpost meme quality. That other art didn’t get as much traction as the original did. But the notes from the original art piece kept getting bigger and bigger. I guess in a way the combo of not getting traction from that other art yet the rapid increase of the original art put me in an art block of some kind. Or left me feeling stuck creatively.
I began to resent the og art, as it was still getting notes and it put me in a creative rut. I didn’t wanna draw, or really didn’t know what I should draw and post onto here. Didn’t do anymore TSP:UD art either, I just didn’t have the creative drive for it. These feelings of resentment for that art and sadness that I was only getting traction for that, lasted for a while. Even when I was doing other art for other fandoms in the next months. It may seem ridiculous that some shitpost art had that much of an impact on my art in general, and I found it ridiculous too.
But, slowly, I began to accept that the shitpost art was going to keep getting notes for a good while. It’s a little over six thousand notes now. The acceptance helped me do other art that I found enjoyable to do, as I was doing it for myself again
I’m not sure what’s the main moral of me telling this, besides that you always gotta do art that’s for yourself and to not expect to get anything out of it
Also the irony is not lost on me that when creating fanart of The Stanley Parable: Ultra Deluxe, a game that centers around the idea of what happens when we are so caught up in something because it was good/popular/made people laugh, and how it’s not healthy to just try to recapture that magic and expect it to get the same results because it’s just not possible, resulted in me having experience of making something so popular and wanting to recapture that experience again, and how future work felt more forced, and it was much harder to make, causing me to be in a rough mindset
It’s quite scary on how relatable The Narrator really is.
Anyway, onto some positive stuff, imma share a compilation of my favorite reactions to my og art.
And perhaps the best reaction/commentary that I think about constantly:
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please elaborate on your feelings regarding Aki’s healing abilities & miki…
i just feel like if something tragic happens to someone you love so much and in that moment you were too “weak” to do anything about it but then you grow up and you find out you can literally heal peoples injuries would probably make you start feeling some type of way.
i know akihiko cannot resurrect people like yukari, ken or aigis can, but even having the smallest ability that can be used to “save” people (by healing them) is huge for someone who wants to save everyone. i think akihiko is smart enough to understand that he would only be able to use it during the dark hour so it’s essentially useless anyways even if he somehow knew he had it back then, but i think there’s always some foolish hope when it comes to people you love so much. there’s always “what if”, so i do think there’d be the tiniest shred of conflict there when it comes to “would i have been able to save miki then” with even the weakest of healing abilities.
ultimately, no i do not think dia could save miki from a building thats on fire. but i also think, like i said before, knowing you have the ability to make peoples injuries magically heal would probably plant the seed for such what ifs. i do think akihiko would come to terms with the fact that it wouldnt help. it’s more so something i feel would torture him early on rather than later, since akihiko is very much against changing the past & he always faces what presently happens
i forgot to bring up about why i thought that akihiko would be proud of his healing ability. but i think it’s pretty obvious. guy who wants to protect people can finally protect people with not just his fists. save them with the power of healing magic
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I just watched s2 episode 10 in the english dub and I have to say. Nothing could have prepared me for Howard's delivery of that final scene where Xie Lian gets worked up about the truth coming out.
The just...sincerely agonized delivery of "That my words were the empty ramblings of a sad child!!" shook me to the core. The absolute self-loathing in that line, the raw emotion. The way concealing the truth was done to spare Lang Qianqiu but also at its heart was about Xie Lian's unresolved feelings of humiliation and shame, the way [redacted] did everything in his power to make Xie Lian lose faith in himself and the possibility of good prevailing in the world.
The way TGCF keeps me up at night, man...
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Woken up, wild beast
Chapters: 1/1
Fandom: KinnPorsche: The Series (TV)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: (implied) Pete Phongsakorn Saengtham/Vegas Kornwit Theerapanyakun, Macau Theerapanyakun & Vegas Kornwit Theerapanyakun, Nop (KinnPorsche: The Series) & Vegas Kornwit Theerapanyakun
Characters: Nop (KinnPorsche: The Series), Vegas Kornwit Theerapanyakun, Macau Theerapanyakun, Original Characters, Original Bodyguard Characters
Additional Tags: there's not much VegasPete here but it IS a crucial background detail, POV Outsider, POV Nop (KinnPorsche: The Series), Implied/Referenced Child Abuse, Implied/Referenced Self-Harm, Alpha/Beta/Omega Dynamics, Pack Dynamics, Alpha Vegas Kornwit Theerapanyakun, Alternate Universe - Shapeshifters, Time Travel, Angst, Pre-Canon, Hurt Vegas Kornwit Theerapanyakun, Emotional Hurt, yes beta we live like Vegas with four bulletshot wounds
Series: Part 1 of the fire inside me and you, an echo of the source - our primal souls...
Summary:
“With me.” The order came down whip-quick, as cutting as it was powerful, and Nop scrambled to follow, barely able to catch up to his new charge before the door nearly slammed shut in his face.
He’s been with Khun Vegas ever since.
Always guarding, always watching, always on the lookout for anything or anyone that could mean Khun Vegas harm — be it their enemies, the major family, Khun Gun or, on the worst days, Khun Vegas himself.
So, when one day Khun Vegas wakes up with mad, haunted eyes and a frantic, desperate energy pouring out of him heavy as a flood, Nop knows immediately — intimately — that something is horribly, terribly wrong.
-
Finally, some new writing I can share! ^^
This is super self-indulgent and hyper-specific and I might just be the sole target audience, lmao, but if anyone else stumbles upon this and gets a smile out of it, then I'm a writer fulfilled ^^ Give it a shot if you’re curious and I hope it’s gonna be a nice read 💗
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they’re gonna be ok 💙💙💙💙💙
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Sorry for being kinda mia; I’ve been burnt out and then fixated on fo4 for a week and then uh yeah stuff
I wanted to make something for holidays butttt idk if I’ll end up doing so since I can barely bring myself to open game as is….maybe something by my bday next month (ohmygod it’s next month??!??)
Anyway, I’m alive and still lurking a bit, just been out of it so (for moots) if you see me not commenting or reblogging as much, that’s why :’)
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wanted 2 draw but i am tired .... idk why since its. not even 3 yet .....
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Throughout jojos there is this narrative with jotaro about how being emotionally closed off and traumatized makes him emotionally unavailable and unable to care for his daughter and he much he regrets it before he inevitably can't do anything about it before they both die and it's so tragic and compelling but it is mostly coincidental and hangs on by a thread...
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at this point I don't even know if tag fragmentation in the general russian holmes space is worth addressing. a few years ago I successfully kept the ancient customs intact because I wrote a post so deranged and pretentious it displeased people into doing what I wanted but nowadays what's the point in making a grand return of being terminally online if yall kinda right
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