#i NEED this. genuinely and truly

[glennmillerorchestra]

you're kidding.

[egophiliac]

bring your son to work day

[p4nishers]

the way can't catch me now could easily be about sejanus too is a stroke of genius on olivia's part. because, in a way, snow was haunted by sejanus. sejanus' death was his final pushing point into cruelty. sejanus was the only good left in him, the only thing holding him to goodness, but the moment coriolanus betrayed him, he was changed. he became snow. he is haunted by sejanus in the jabberjays, the mockingjays, he sees him in katniss, in her stubbornness, in her unwillingness to be easy for others to shallow, in her bravery, in her fierceness. everywhere he looked, he saw sejanus, in the whole rebellion, in the face of his parents who basically adopted snow, in katniss honoring rue's death by surrounding her with flowers the same way sejanus honored marcus' body by sprinkling bread on him to help his journey. he caged peeta, the same way he wanted to cage lucy gray, but he couldn't cage katniss. he couldn't cage sejanus. no matter how hard he tried, sejanus remained a good person, remained true to himself till his death. he killed sejanus but he couldn't kill what he stood for, he couldn't kill the inherent goodness in people. lucy haunted him till the ends of his days, but so did sejanus.

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[wistfulwatcher]

As for myself, I gave birth to a healthy baby girl. The creature spared our lives, and in return I honored her with my absolute silence. Some things, no matter how magnificent they are, are best left alone. And as to whether I'd ever see her again, the answer is yes. But that's another story.

LILY & THE MERMAID in SHE CREATURE (2001)

[twentyfivemiceinatrenchcoat]

OK SO . notice the exact wording here 😇😇 i’m literally going insane btw . BUT. hear me out.

notice how this is the departed spirit of ”the strongest” — NOT gojo satoru. the strongest has departed, and this is the ghost of that strenght, but that doesn’t mean that gojo’s dead.

gojo lost the title of ”the strongest” when he lost against sukuna. i also think he lost (or is about to lose) his six eyes — notice how only one of his eyes is visible, and how the ending note specifically points out his eyes…… maybe it was a binding vow of some kind?? 😭 either way that would only solidify the fact that he isn’t the strongest anymore. this is going to be his final show of absolute strenght, and then the spirit of ”the strongest” will pass on.

but gojo will still be there.

AND . here’s the thing . i’m extremely normal abt this subject btw . this is the HAPPIEST ending for gojo . without question!!!!! :(((( finally he’s free from the burden of being the strongest, the loneliest. finally he’ll be able to figure out how much his strenght truly defines who he is as a person.

…. and it’s just . the perfect ending to his character arc. he died as the strongest, and came back as gojo satoru!!!! and he’ll still be so strong and so kind and so loved . he just won’t be alone at the top anymore. no one will have to bear the burden of being ”the strongest” alone, and that’s exactly the kind of future gojo was fighting so hard for :’3

i’m just . emotional . i love him. i want him to be happy. don’t let me down you evil little cat

[fantastic-nonsense]

"Athena and Poseidon never collaborated on anything except the chariot" Rick Riordan read about them killing Ajax for raping Cassandra during the Fall of Troy challenge

[moeblob]

Sorry I forgot Hanneman suggested Byleth undress after they show up with a different hair color. And I miss Hanneman. And also while swapping between Houses and Hopes and seeing Hanneman pop up to help in a Hopes paralogue is just devastating since he doesn't ever actually join you at all and I am denied my old man rights.

So I had to draw this. Thank you for understanding.

[infiniteorangethethird]

being loveless does suck sometimes but less bc of some "ohnooo I'll never be able to loooove what will I ever doooo" bs but because how the hell do you tell the ppl around you that you view all relationships as business transactions where the currency is care and support and the reward is trust? How do you tell someone "hey so I could not care less about you as a person but also I enjoy every second we spend together and I'd fight the universe for you if you asked and if you ever disappeared I probably wouldn't miss you but I'd still cry for all the things we never got to experience together" without being the asshole?

[teaitis]

Appreciation post!

[lydiaas]

JJ MAYBANK & JOHN B ROUTLEDGE in S03E06 THE DARK FOREST I don't know what to do, JJ. How the hell do we get to South America? No clue, but…

[fromtheseventhhell]

One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.

Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD) "You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)

These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.

That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.

[lunar-years]

I am having so many Roy Kent thoughts this morning. Like, just how deeply lonely has that man been, for a very long time probably but especially the past year? He doesn't seem to have...friends? Like, sure, he has his fellow coaches, and he has Jamie. But it's not exactly like Ted's been in the correct headspace for most of the season to be pal-ing around with Roy in his free time, and Beard is friends with everyone and I expect has a million and one social commitments at all times, dictated first and foremost by Jane. We get the sense in the Chelsea episode of the sort of easy rep Roy had with the staff and community there, but also that he's cut himself off largely from all those good parts of his former life; clean break since the day he left. So by now, Roy's social life is fully just work and his 10 yr old niece...and eventually, Jamie Tartt.

Before he started training with Jamie, though, I fully think Roy was isolated and depressed as all hell, probably much more than he realized or ever acknowledged. Yes, he had the Club, and sometimes Phoebe in the evenings, but the rest of the time? Come home alone to his empty house that wasn't anything like Keeley's, and try to read his book, and make his dinner. Maybe watch some footie on the telly. Yoga once a week, if he's even still going, but in a way even that's lost its charm, because it's not like he can tell the mums anything, they don't even know who he really is! Try not to think too hard about how much he misses Keeley. Rinse & repeat. And the cycle becomes so unbearable that god, does he welcome training Jamie.

But even training Jamie, at first, is just...a way to extend work, isn't it? Work, work, work so he doesn't have to think about anything else, or linger on his own encroaching loneliness with the world. We don't see him and Jamie do anything but train until Amsterdam, which is the start of the breakthrough, and then until the very end of the season. Because Roy very stringently doesn't let Jamie into other parts of his life, even though he maybe (definitely) wants to. Jamie is part of work, not part of his personal life, and he forces himself to keep those rigid boxes up even after they've begun to bleed through. It's Jamie who has to push through them, slowly force his way in past Roy's defenses. And it's a good thing Jamie is a persistent little fucker, or Roy would well and truly have had no one.

And the whole time this is happening, Roy is forced to live with the fact that he's brought this all upon himself. He left Chelsea. He left Keeley. He's cut himself off from nearly every good thing in his life, and the worst part of all is, he can't stop doing it, even knowing it's made him miserable! even knowing he can't go on like this! He still can't bring himself to consciously allow Jamie fully into his life even as he increasingly relies on Jamie and their time together to keep him afloat. They're together all of the time, but for a long while, Roy won't even call him his friend.

Just...god, Roy is the most insane blender of fierce love and arrogance and protectiveness and repression and rage and self-hatred and self-sabotage and isolation and, and!! all the things he won't allow himself to have and all the people he won't allow to love him!! We wasted so much time on Shandy and Zava this season when we should have been cracking Roy Kent's skull open like a nut and examining every inch of his brain, me thinks.

[kangals]

i think the main difference in personality so far between puppy-stellina and puppy-kepler is that kep has a lot more patience.

that brings a lot of positive qualities: he has better emotional control and is less prone to tantrums and outbursts than stellina was (i.e. if i have to stop for 10 seconds on a walk to pick up poo, stellina would yelp and pull and cry at being asked to stop). it also means he has better focus and is more forgiving of repetition in training - he doesn't give up nearly as easily when frustrated. and things that may startle or scare him he's more willing to try again or overcome (e.g. he slipped on my stairs and hurt his foot and didn't want to go back up the stairs for a few days, but eventually started trying again. and when butters slaps him he yelps and backs off, but still thinks she's Super Fun and tries to make friends). so he's a bit more methodical in his thinking.

but it does also bring some negatives too: because he has patience, he does not give up once he's decided something. if stellina was overtired and i put her in a crate, she'd fuss for a minute then pretty quickly go "hm alright then" and go to sleep. if i do the same to kep, he fights it and fights it because he doesn't want to be asleep and that's that. he's much more difficult to redirect or distract, and i have to be a lot more mindful of managing him because once he's decided something is fun or tasty or whatever it takes a lot to dissuade him, and he'll go back to it at the first chance. he's very slow to learn boundaries as a result - i have to do a lot more convincing than i'm used to.

they are still overall very similar personalities, especially as they're the same breed and from very similar lines, but i think so far this has been the biggest quality that i've needed to adjust to. puppy-stellina i had to do a lot of mental adjustments learning how to manage her short emotional threshold and sensitivity, so it's interesting to see what does and doesn't translate over to kep.

[skitskatdacat63]

Happy 5/14!!!!

Aaaaahh not sure if this is my best work 😭 I just really wanted to draw smth for vettonso day but my brain hasn't really been functioning well LOL so I kept dreading working on this, especially bcs its so important to me, y'know? I hope it's good????? I'm happy with the concept, but I was just so unsure on so many of the angles and it was killing me. I did the color thing bcs I thought it'd add something interesting to it :) since I didn't paint it as I usually would

Anyways! Process!

Now I will explain all of them:

Boy king au is where it all starts of course. I think their relationship is the most developed in this compared to the others, but at the same point, they just start from such a different point, especially affection-wise. All of these kinda have a power dynamic, except the last one, and this is the most imbalanced. Fernando is being subservient, the only part of Seb he may kiss(in public lol) is his hand.

Matador au next. They hurt themselves when they try to be affectionate, because they live in the culture of a sport of violence and death. The sword separates them, their love for the sport keeps them apart, in fear that they hurt each other. Seb, yet again, looks down upon Fernando. Seb haunts Fernando's whole career, the constant overhanging presence. Also aside from that, shame that you can't see his three musketeers look bcs of the black background 😔

2012 core!!! I think this one is pretty easy to understand. Both of them often kiss their trophies, more so than any driver. So they're both trying to claim the wdc trophy by kissing it. Maybe you guys should just get rid of the trophy altogether and claim each other! But yes, just like the sword in the matador au one, the trophy and their ambitions divides, keeps them from ever bridging the vast gap between them, at least at that point in time.

The conclusion! Aka what I wish we will get at Imola 2024- kidding kidding. But it is 2024. Finally there is no conflict between them, there's no big thing keeping them in conflict, they can finally come together. Finally they can touch, there is no gap to bridge, they can appreciate each other, and appreciate what they failed to in years past.

The thesis is basically that they always have their aspirations between them, and their aspirations happen to be basically the same thing. Until those are resolved, the gap between them is too vast for them to recognize and/or find any commonality. How do you get along with someone when you're both fighting for the same thing? How do you get along when it feels like one of you is winning more? How do you get along when there's such a vast gap?

In boy king au, it's going to take a while before they both feel settled about the issue of the throne. That's what makes that au interesting, they're trapped in this state of non-closure and they have to actually solve their issues without the matter of one of them simply removing themselves from the equation. They have to find a way to get over themselves and their aspirations, because like it or not they're stuck with each other. I think with the hand kissing, it represents how Fernando, at that point, is only willing to play along with the game if it's tradition, and he often won't budge in other ways. Yes, I will show subservience, but only in this detached, formal way that I don't connect personally to. He's still holding his own bitterness over meaningfully appreciating Seb. Though it's not like Seb isn't at fault. It takes a while for him to not hold things over Fernando, and constantly humiliate him. One day they will meaningfully show affection, and it won't be some sort of power play.

I think matador au is pretty similar to real life, and the 2010s era(it's basically just their actual plot line but in the context of bullfighting.) They're forever going to have this big elephant in the room, and it only really gets resolved when one of them leaves the sport. Once they're not fighting directly against each other, they realize what they've been missing out on and what they were not appreciating for so many years beforehand. They finally come together because they can't just rely anymore on the sport keeping them together. They actually have to make that step to be in each other's lives, rather than just taking their presence for granted.

Also the text on the comic. "We keep missing, and missing, and missing, and finally kissing." It's basically: we keep missing the point of it all, we keep failing to appreciate each other presence in our lives and in our own individual grand stories. But when we're not forced together anymore, we have to make the choice to come together again ourselves. We keep missing what we actually need to do. Missing each other in favor of our aspirations. Etc etc. One day we will finally embrace and there will be nothing keeping us apart.

[gummi-ships]

Kingdom Hearts Re:coded - Finish Commands - Spinner Ray