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whorefordazai · 3 years

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“ THE SOUND OF SILENCE ,,

✿ pairing; akutagawa x gn! reader

✿ genre; fluff | university! au | violinist! akutagawa

✿ warnings; mention of hand cramps

✿ synopsis; a moment in which you steal a kiss from the gifted violin prodigy, leaving your ghost touch tainted in his mind.

✿ notes; my contribution to @tetsustation’s bsd university au collab <33

✿ wc; 1.3k

STRAY SCHOLARS COLLAB MASTERLIST

akutagawa ryunosuke is a prestigious young man.

he wakes up at the crack of dawn, earning only a measly four hours of sleep, and makes his way to the music room. sometimes when he’s feeling decent, he’ll grab a cup of tea.

he stretches his pale arms for exactly two minutes and smooths down his oversized sweater before picking up the carved wooden piece of musical instrument. his violin.

his face will lay on the chin rest while nimble cold fingers pick up the bow and play away at the strings. and there it begins. that feeling. where he can hear nothing else but the soft melody his violin plays.

the sound is an angelic blessing, but also a tiring poison that slowly eats away at his very soul.

eyes snapping back to the familiar redhead poking your shoulder, you intently glare at chuuya.

“you should probably go speak to mr. violin prodigy over there.” he whispers close to your ear, a smirk playing on his lips. your eyebrows narrow, astonished at his proposition. “huh?! i’m sure he’s busy…i wouldn’t want to bother him…”

chuuya let’s out a groaning exhale. “c’mon man. you’ve known each other for months and you still don’t have the guts to conFESS YOUR LOVE FOR—“

“SHUT—SHUT UP!” you quickly silence chuuya’s unnecessary booming words by smacking both your hands over his mouth. from the corner of your vision, you can see akutagawa’s eyes somewhat crack open at the noise. but he doesn’t stop playing. he turns his attention back to his violin.

a breath of relief escapes your lips as you scoff at chuuya, face burning hot. “what is wrong with you?!”

chuuya chuckles. “i swear, it’s getting painful watching the tension between the two of you.”

you bite your lip, fingers digging inside your palms as your eyes glance between akutagawa and the redhead in front of you. “don’t you have stocks to do or something?”

“yeah, yeah. stocks.” chuuya rolls his eyes, sighing as he waves a hand goodbye and leaves you to yourself.

you turn your attention back to akutagawa. the music room is empty, except for the two of you. the raven haired man seems to be heavily concentrated on his violin, his attention definitely not directed to your presence.

shuffling a bit to the left, you quietly take a seat on one of the cold leather cushioned chairs. a small smile forms on your lips when you look at the man in front of you.

his eyes are closed, feather-like brows slightly furrowed in concentration. posture perfectly straight and arms holding up his violin, he continues playing.

every once in a while his back will arch in exhaustion—but he’s quick to straighten it. his arms will start to fall limp before he shakes off the dozy feeling and clicks his teeth in annoyance.

after all, akutagawa ryunosuke is a man who does not give up. no matter the circumstance, nor the cost. he cannot and will not fail.

captivated by the eccentric melody his fingers playing with the bow, a sudden loud sound of a smash jolts you back into reality.

“shit…shit…” he hisses, tightly holding his hand with his face morphed into an irritated discomfort. your eyes trail down to the floor, where his violin lays in a few cracked pieces. gulping, you slowly stand up and move to the raven haired man.

“are you okay?” you cautiously ask, eyeing akutagawa.

he grits his teeth. “i’m fine.” he shortly mutters. you frown. he’s obviously not fine. akutagawa ryunosuke is never just fine. but he’s really damn good at pretending he is.

taking a seat next to his tired figure, you slowly reach out to grab his hands. pausing, you glance into his smoky eyes when a slight flinch pans out.

“you, um…” biting your lip, a sharp exhale leaves your lips. “you have a cramp.”

“well that’s obvious.” he simply states. his voice isn’t the least bit of hostile—it’s smooth and laced with curiosity. he blinks, bug eyes trained on your movements. a smile tugs at the corner of your mouth as your thumb brushes across the pink on his knuckles and the bone of his wrist.

raising a brow, you look under the table and pull out a medical kit. taking out the roll of bandages, your head quirks toward the raven haired man. he immediately scowls, already predicting what’s about to happen. “i don’t want your help. i hate being taken care of.”

your lip twitches. before you can stop yourself, the words spill from your mouth. “no, you don’t. no one hates being taken care of. you just hate it when the love isn’t genuine.”

“…you’re calling this love?”

“…i’m calling it genuine.”

he stares at you for a moment, grey eyes displaying a tiny flicker of shock. a short cough leaves lips, and you unroll the bandages. he doesn’t resist your touch this time.

a pleasant yet nervy silence envelopes the room while you gently work your way on his hand. carefully wrapping his wrist, then his palm, you tie the ends of the bandage material. your hand doesn’t leave his once you’re finished.

“thank you.” he shortly mumbles, own hand limp in yours. you chuckle, softly patting his thigh. “what are friends for, huh?”

silence.

steady eyes peer into yours. his words come out as almost a whisper. “…friends?”

your chest tightens at the two simple words. but you don’t dare look up at his face. instead, your own fingers trace the knuckles of his hand. laid on your lap, his hand twitches when you trace the center of his palm. “just friends…”

gulping, you slowly lift your gaze to his face. your heart quickens it’s pace when you realize he’s glancing down at your lips. a cold hand gently clasps your own.

when his eyes look into yours, it’s like they’re searching for something. searching for a sign of want and urge. if he was being bold, perhaps he’d even say a rush. the feeling that’s closest to what playing his violin is like.

the urge act upon so many things he would never dare to say out loud.

just as he’s about to open his mouth to speak, your soft lips are on his.

frozen from shock, akutagawa’s hands stay halted by your waist, not saying to touch. it’s only when your own hand snakes it’s way to tug at his collar, that his eyes flutter shut and he kisses back.

once, twice, and for a third time, his lips meet yours between tiny gasps of air.

you pull away, eyes amplified in shock. the fact that your lips were on his just a few seconds ago registers in your head. smacking both hands to your face, you relish the leftover sweet taste in your mouth. honey flavored cough drops and tea…

akutagawa tilts his head, taking in small breaths of air. he bites back the small quirk that appears on his mouth. looking up at your wide-eyed face, he licks his lips. “do friends…do this?”

the words get caught in your throat. “no! no…friends definitely don’t…” biting your lip and averting your eyes, you grab the bag on your left. standing up, you turn back to the raven haired man. “i have…a class! so i have to go. but…i’ll call you later, alright?”

he can only nod, brain still feeling fuzzy from what happened moments before. glassy eyes traveling your body until it disappears from sight, he trails them back to the violin still broken on the floor.

a small smile starts to tug at the corner of his lips before his face goes red and a cough forms in his throat. this is embarrassing, he thinks. but it’s also the first time he’s felt a rush of anything in months. his fingers brush over his mouth, remembering all the place your lips had been.

akutagawa ryunosuke is a prestigious young man.

he is a prestigious young man who knows nothing about love. but he’d like to learn. after all, prodigies never fail. they’re always victorious.

tag list: @viintom-exe @starglow-xx @griefgender @asthepetalsdance @pickleisrandom @its-chuuya-bitch @ijustwantfreenetflix @atsushisgf @the-wholesome-ranpo @missshrek @todorokichills @astreankitsune @spoopy-fish-writes @fyodamn @missrown @trashykawahq @scul-pted @gogolyouwhat @jessbeinme15 @bakajinko @shinys-bsd-world-2 @n1kolaiz @atsushiscocksucker @mushroomplantasia @internetkilledtheroxstar @fashionablyfailing12 @chuuyasboots @bsdparadise @alittlesimp @requiem626k @smadhuman-animebitch @bsdwhore @3-am-depression @diary-of-a-poltergeist @mars-w0rld @rirk-ke @mellosrosary @kyoks @kiyokoxd @coveringthebiconissue @hanazou @hazel0723 @mysticstrawberryballoon @colourless-cora

#bsd #bungou stray dogs #bsd x reader #bsd imagines #akutagawa ryuunosuke #akutagawa x reader #bsd ryunosuke #bsd headcanons #bsd fanfic #bsd drabble

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headheartbellarke · 4 years

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HOME | Charlie Gillespie

Requested by anon: "Hi! If request are open can you do a charlie imagine where him and the reader (she/her) met on a project a while back and have been friends for a while, but the reader kinda had a crappy home life so she gets overwhelmed by charlies family being so loving and perfect and she basically breaks down and feels like she doesn’t fit in and isn’t good enough for him? please and thank you so much, ur writing is amazing!!!"

PAIRING(s): Charlie Gillespie x fem! reader

WARNING(s): mentions of abuse, trauma, anxiety, angst, fluff

WORDS: 2,036

SUMMARY: charlie takes co-star and girlfriend y/n home for christmas but that leads to self doubt in her (im so bad at these) [note: this takes place in 2021]

As Charlie pulls out the key from the ignition, I sigh, wringing my hands nervously. He unbuckles his seatbelt and faces me, giving me a bright, happy smile.

“My family is so excited to meet you.” He says, reaching forward to tuck a strand of hair behind my ear.

“What if they hate me?” I whisper.

My boyfriend, Charlie, and I first met on the set of Charmed – we were both in the first episode, but I left it after that due to scheduling conflicts with my other show, Chilling Adventures of Sabrina. I had been a part of CAOS since its first episode – I played the role of Sabrina’s cousin, Sarah Spellman.

Back then, we were just friends. After I left Charmed, we would text and call each other occasionally. Whenever we were in the same city, we would meet up – but that was hard considering we both had quite different lives. So, we didn’t think of each other as more than friends – sure I thought that he was attractive, but that’s it.

But, in 2020, after CAOS was cancelled, I got a call from the casting director of Julie and The Phantoms: she was the one who had previously cast me in CAOS, and she believed that I’d be perfect for the role of Julie’s British cousin who joins her school after her parents relocate to LA – I also play Reggie’s love interest.

I texted Charlie immediately after my manager finalized all the details for the new role. He had been excited and when shooting started in 2021, we were pretty inseparable.

After a few weeks, I had developed a major crush on him ad the rest of the cast had also picked up on that. They were also convinced that Charlie liked me (which I didn’t believe at that time but later found out that it was, indeed, true) and they used to tease us about it all the time. Finally, a couple weeks before production ended, he asked me out on a date and it’s been really, really great so far.

We’ve been dating for about nine months now and honestly, he’s the best thing that’s ever happened to me. He’s my home – all my life I’ve always felt lost, but I feel like I truly belong with him.

Now, he laughs. “Baby. I promise you – they already love you. My mother’s been bugging me to bring you home ever since we started dating, and you’ve already met Megan, and she loves you.”

“If you say so.” I say, still not convinced.

He grins and we get out of his car and face his childhood home. I take a deep breath, shaking off my nerves. He knocks three times on the front door, and it opens immediately after.

A petite, blonde woman steps out, with a wide smile on her face. She opens her arms as Charlie yells, “Mamacita!”

“Mon chéri. Ça fait trop longtemps!”

“Je vous ai manqué!”

I have absolutely no idea what they are saying, but the scene in front of me is so heart-warming. Charlie’s mother is genuinely happy to see her son – one can tell by the way she’s holding him, almost like he’s a little child. Charlie is quite a couple inches taller than her, but he’s nestled his face into her shoulder.

I can’t stop a grin from breaking out on my face. It’s honestly rather lovely. But I also feel a slight pang in my heart knowing that no one ever greets me like this when I go home.

They separate from each other and she squeezes his shoulders, looking at him with so much love that I have to look away. I have never seen a mother look at their child like that, with such intense love. That’s dumb, I know. Mothers are supposed to love their children. But all my mother ever looks at me with is disappointment, anger, disgust, and – you get it.

She notices me next and claps her hands. “You must be Y/N!”

“Hi, Mrs. Gillespie. It’s so nice to meet you!” I extend a hand toward her.

“Aw, come here! You’re gorgeous.”

She pulls me in for a hug too, and for a moment I’m engulfed by the smell of white musk and the feeling of warmth.

We pull apart and I smile at her, genuinely. All my anxiety has washed away.

“My son is always talking about you, about how pretty you are and –”

“Let’s go inside!” Charlie quickly cuts her off, eyes widened as I laugh.

“But I wanna know what he says!”

Mrs Gillespie winks at me as Charlie turns scarlet. “I’ll tell you when he’s gone.”

***

Another roar of laughter erupts around the dinner table.

Honestly, I’ve never seen a family like this – a family so connected, so loving. All of Charlie’s siblings – from his three older brothers to his little sister are here for Christmas Eve, and all of them are teasing each other, telling childhood stories, and just having the best time. I was, too. That was until I suddenly realized how I don’t fit in here.

Everyone here grew up completely different than I did. When I was young, about two years old – my dad left my mom and I for another woman. I haven’t seen him since – although, he sends me a postcard and some money on holidays and birthdays. He’s travelling around the world with his new wife and is apparently ‘happier than he’s ever been.’

The reason he left is because kids ‘freak’ him out and he isn’t ‘ready’ for that kind of responsibility. I mean, it wasn’t like he was fifteen when he had me: he was twenty-seven, and already married to my mother for about two years then.

Naturally, my mother blames me for her divorce. I was born out of an accidental pregnancy, so my mother made sure to remind me every day that I was unwanted, and my birth was what ‘pushed’ him to leave us. Every single day, my mother told me that I shouldn’t have been born, that I was a mistake, that I was worthless, unlovable and so, so many more horrible things. She used to drink like crazy, and if I accidentally faced her in that state, she would sometimes hit me.

Years and years of abuse and all that childhood trauma led me to develop a fear of abandonment, trust issues, intimacy issues, anxiety, and depression. Throughout school, I had been closed off, unable to form relationships and friendships with other people. I had feared anything and everything – I couldn’t even maintain eye contact with people.

Of course, when I auditioned for CAOS and moved away to LA, away from that toxic environment, I got help and turned my life around. (My mother was incredibly happy to see me go since she had married another guy and now has a family with him – so I was the only thing left that reminded her of my father.) I learnt to accept, prioritize, and love myself – but I’m still working on that, of course.

But, I know, deep down, no matter how well I am, or how happy I am – there will always be a part of me that’s broken. I’ve grown to accept that, accept the fact that I’ll always carry the trauma with me.

But Charlie doesn’t. He’s lived a good life, and he deserves someone who can give him their everything – and that’s not me.

As much as I hate to say it, I’m not good enough for him.

He senses a change in my demeanour and squeezes my hand under the table. I give him a weak smile.

***

“Y/N/N, what’s wrong?”

I look up at my boyfriend. He has a look of concern on his face as he takes a seat next to me on the couch.

I sigh into the quiet. Everyone has fallen asleep, except Charlie and I – we are seated in his living room in front of the fireplace.

“Nothing. I’m just really tired.”

“That’s not true, Y/N. You were fine throughout dinner – oh my god, it’s the ice cream, isn’t it?”

“What?”

“The pistachio ice cream that Maman made. It was weirdly bitter, eh? It’s okay, you can tell me.”

I purse my lips. “No, Charlie. The ice cream was great.”

“Are you sure? You’ve been down since desert.”

“It’s not the ice cream, babe.”

“Okay, then, what is it?”

He looks at me expectantly, and I can sense that he’s feeling anxious.

“I just – I realized that I don’t fit in.”

He furrows his brows, but before he can say anything, I start speaking again. “Charlie, you have such a loving and perfect family. And you know how I grew up. What I went through. So, you know that I’m not used to this. I’m not – I’ve never seen love like this in a family, you know. And I don’t fit in here! While your mother was being so nice to me, I kept wondering when she’s going to scream at me. Or when your father was genuinely interested in me, I kept thinking that maybe he’s trying to find a way to get rid of me. It’s just – it’s just the way I grew up, and I’ll always be like this, Char. Your family is so nice, and it shocks me, honestly. And I think that maybe it’s better if you date someone who grew up the way you did, someone who’s like you. Because I have been broken my whole life, and I don’t think that I can give you everything that you need. I don’t think I’m good enough for you. You’re the best person that I’ve ever met, and I think you should be with someone who’s worthy of you.”

I whisper the last part, and feel a teardrop fall into the space between my collarbones. I look down because I’m too afraid of what he might say.

I hear him breathe out heavily and I feel him take my hands in his.

“Don’t you ever say that.”

“But it’s true –”

“Y/N. Don’t you dare doubt yourself. You are good enough. No, you’re perfect. You’re the strongest woman I know. I completely understand why you feel what you’re feeling right now.”

He scoots closer to me and cups my cheeks in his hands. “And it’s okay. It’s okay to feel that way. It’s okay to feel shocked. That doesn’t make you a bad person, nor does it make you not good enough. In fact, it makes all the stronger – you went through so much as a kid, and still, you have space in your heart for me. You know, I never doubt the fact that you love me, ever. Because you always make me feel special, make me feel good about myself and always make sure that I’m happy. You always go out of your way to take care of me, and you always make me feel at home. I don’t want anyone other than you. I love you so much and I never, ever wanna lose you.”

I think I’m fully crying now, as Charlie continues, “It’s okay to feel that way. Take your time. But I’m never leaving you. You’re my person, and you’ll always fit in with me, baby. Always.”

“Charlie…”

I look at him properly, and I can see the pain in his eyes as a tear traces along the curve of his cheek. He sniffs, saying, “I’m sorry. I just can’t imagine being with anyone other than you.”

“Why are you so good to me?” I whisper, my throat still tight from the emotions.

“Because you deserve someone good, and I can only hope that I’m good for you.”

I wrap my arms around his neck and bury my face in his shoulder as a sob escapes my body. “I’m so sorry, baby. So, so sorry.” I keep whispering that, while he rubs my back, saying ‘it’s okay.’

“I love you so much, Charlie. Honestly, thanks for being so good to me. You have no idea what you mean to me.”

I can feel him smile as he says, “I think I have a pretty good idea, yeah.”

***

jatp requests are open <3

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asphalt-cocktail · 4 years

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Hear me out..kay?

'70s John Lennon with younger female home assistant reader getting into a lil dispute because John thinks he let himself go after the Beatles broke up, but the reader believes otherwise and it ends up in the two of them having passionate/slightly rough sex because he's more or so angry with himself than anything? And the two of them are really close too, like John allows her to watch Julian and Sean when he's at the studio or on business trips?? And the two boys genuinely like her???

(a universe where he isn't married to yoko ((no hate intended)) and is single and happy that way..)

Oh my god, I love this idea! 70s john is so pretty. I love how he looks as he gets older. it’s like fine wine. Some of the ages might not add up but we’ll call this an AU for the sake of consistency!

Warnings: Some smudges of angst, smut, insecurities, language

Also it got WAY longe than I expected so i got a little carried away.

As John slept, he dreamt he sat perched on a throne made bones. It overlooked a high cliff that faced the ocean where the wind burned his face and he could hear seagulls screaming in the background.

He was alone. For once he wished he had the screaming crowds and bandmates calling his name. But only the shrieking gulls filled his ears.

The dream seemed to go on for two lifetimes and the atmosphere felt staticky as the waves repeatedly crashed against the shores and hit the rocks. At times he could feel the soft kiss of saltwater sprinkling against his face.

He blinked for the first time in what felt like ages and suddenly his throne of bones began to collapse, he grasped at them panicked as he desperately tried to prevent himself from falling. Just as his footing slipped John shot up in his bed breathing heavily. He blinked to clear the bleariness that had settled from sleep and palmed his bedside table for his glasses and crudely wiped them on his sheets to clear the fingerprints before slipping them on.

Suddenly the room was clear, and the sound of gulls was replaced with Sean’s squealing laughter. It helped John feel grounded in his brief moment of panic. He sat up and rubbed the sleep from his eyes, Christ, what did he have to do today again? John ran his fingers through is knotted hair and slipped out of his bed. Right, he had to do several interviews to promote his new album and single that was just released then he had a dinner party. He grimaced at the thought of having to sit for several hours with a group of yuppies and pretend to enjoy their conversation.

As John walked through is bedroom he slipped on a pair of slippers and his dressing gown before stopping in front of his full length mirror. He gave his belly a firm pat, he’d lost a significant amount of weight in the last five years, mostly from depression, but it was still a small victory in his eyes. Atleast he had that going for him.

The bedroom door open and John found himself lured to the kitchen by the smell of syrup and pancakes. He flashed you a tight-lipped smile, “You’re early.” He greeted you.

You shrugged your shoulders, not looking up from the batter as you poured it into the skillet, “I know I thought my exam was going to take much longer than it did.” You said sheepishly. John had been gracious enough to accept you as his assistant and sometimes nanny. He was nice and the job helped you learn a lot about public relations and management, which is what you had hoped to do after you’d graduated from university.

“Do you want some pancakes? Sean helped with them.” You said waving the ladle towards John.

He shrugged, still groggy from sleep. He really didn’t want any, but the way Sean stared at him with his big black eyes begging changed his mind. He sighed after his idle moment in thought and nodded his head, “I suppose I should see what the little chief has made for us.” He smiled and ruffled the kid’s hair.

After breakfast John rushed to get ready, “And you’re okay with taking Julian to piano lessons? Remember Sean still needs to finish that cough medicine from his cold earlier last week, and they can’t stay up past-” he rushed out his of things that he now only worried about due to having children.

You placed your hand on John’s arm and gave him a look, “John I’ve worked with you for almost three years, I think I can handle a day of babysitting. Julian will get to piano lesson on time and Sean will get his medicine; and don’t worry I won’t give them any sugar past 6pm.” John chose to ignore the little wink you gave Julian and Sean from the other side of the room.

He let out a sigh and his shoulders relaxed, “I know, I just” Worry I’m not good enough, his intrusive thoughts echoed in his mind and he shook his head before sharply inhaling, “I just worry about them, you know how it is.” You didn’t, you weren’t a parent. But you understood a little bit with where he was coming from.

You gave John a sympathetic nod and patted his shoulder, “Go on, you’re going to be late for the interview.” You said and turned him, pushing him towards the door.

A small smile settled on John’s face, it didn’t matter if he left for 8 hours or a full week, he still gave you the same reminders and the same list when Yoko or Cynthia couldn’t take the kids. John rushed out the door and you turned towards the boys and grinned at them. They were both nice, Julian had a wee bit of an attitude, but you chocked it up to him being in double digits while Sean was a curious and surprisingly even-tempered boy.

You made sure Julian got to and from piano lessons okay and wrestled with Sean to take the last dose of his medication, bribing him with some cookies. The remainder of the afternoon and evening you watched a movie with them, walked in the park, and drew pictures of the cats.

At lunch time John called to check in on the boys and to let you know it was going to be a late night, after reassuring him everything was fine you resumed your conversation with Sean about some fabulous story he was making up.

John sat at the dinner party, poking at his food and listening to his scientist friend tell them about a fancy new machine they got at work. The autoclave used immense amounts of heat and pressure to sterilize items, nothing survived the autoclave. In that moment John decided he saw some of his own likeness in the machine. As the voices turned to mumbles and John fell deep into thought he found that his own heart was harsh an inhospitable, much like the machine. That was why he was mostly alone in his 17-room apartment in New York City. His two wives couldn’t even make his home their home, and when he received a phone call from Cynthia or Yoko saying they were coming to pick the children up or to send them home on the morrows next fight he couldn’t say it struck him by surprise.

As the evening grew late you put Sean to bed and then an hour later you sent Sean to bed, much to your surprise neither of the boys fought with you tonight over why it was unfair they had different bedtimes or how they should be allowed to stay up later because it was summertime.

Infomercials from the television droned in your ears and lulled you to sleep as you sprawled out on the couch. A hand touching your shoulder caused you to jump and you blinked before John came into focus, “I’m home, you can stay the night in the guest room. It’s too late for you to go home alone.” He said kindly.

You rubbed your eyes and groggily sat up, “How did the meetings go today?” You asked after a deep yawn.

John’s face scrunched up, the way it did when he was frustrated and deep in thought, “It was alright.” He shrugged.

“What do you mean alright? You just released a new single, no one had an opinion on it?” You asked as you made your way through one of the many long hallways that made up his Dakota apartment.

John followed you, hoping for conversation and company, “I don’t know, I must have termites in me brain or something.” He frowned leaning against the door of the bathroom and watching you rummage through the cabinet for your spare toothbrush. Your movements moved on memory and you pushed aside the antacids and ibuprofen to get to the toothbrush you kept in the back of the medicine cabinet. The familiarity in your actions made John feel comforted.

“what do you mean?” You asked before you began brushing your teeth. You watched as John shifted, leaning against the door jam. He felt uncomfortable. You could tell.

He looked away from you, “I’m washed up I suppose.” He dug his shoe into the grout of the bathroom tile, “No one wants to listen to a former Beatle without the other three.” John wanted to open up to you but his body felt like an unstable bag of foam and bones and his ability to speak clearly vanished.

You spat out your toothpaste and wiped the remainder off with the towel that hung on the wall, “Oh come off it,” You scolded him, “You don’t mean that do you?”

Now it was your turn to follow John as he walked through the house, kicking his shoes off and tossing his jacket to the side, “That’s how it seems.” He chewed on the inside of his cheek, “Every time I talk to one of these hokey television people, they just rub it in me face how successful Paul or George are doing.” He frowned, “And I’m just sitting here, a one hit wonder. No songs in the last five years.” He tugged open the door to his wardrobe and pulled out sleeping cloths and tossed them onto the bed, “Paul’s got his 87 children, and his new better band. What do I have?” His cheeks started turning red and his thick brows furrowed.

You listened to him complain about his imperfections, he obviously needed to get them off his chest, “John,” You said softly interrupting his monologue, “You don’t mean that.” You bluntly said.

John looked away from you and huffed loudly, “First I get called the fat Beatle, then I get torn to shreds for saying one thing about Christianity and now I can’t even write a damn song anymore.” He angrily pulled his shirt over his head, “If I can’t even write a damn song what use am I?” He continued to mumble to himself and tug the thin and worn sleep shirt over his head and stuck his arms through the hole.

You walked forward and boldly grabbed John’s wrist as he reached for his lounge pants, “Stop it,” You said in the same tone of voice you used to scold one of the children, “I don’t want to hear you say bad things about yourself that aren’t true.” Your brows knit together as John turned to look at you.

His eyes narrowed to little slits as he studied your face. John felt as though the throne of fame he once sat upon was now crumbling, much like in his dream “You’re just an assistant, you don’t know anything.” He said coldly and shrugged you off.

You know he didn’t mean it, but the words stung, “Yeah, I’m just your assistant who watches your kids, and takes them to piano lessons, and does your laundry, and brings you take away when you are too sad to leave your room.” You shot back.

Your words hit John like a 10-ton truck, and he looked at you shocked, none of his assistants had ever been this bold before. They all cowered beneath the mighty John Lennon, but you were different. Your tongue was just as sharp as his, and he hated to admit it; but he liked the way your brows furrowed, and your eyes ignited with fire every time you argued back at him. He wanted to get a rise out of you, so he pushed you, “I pay you for it, don’t go around thinking you’re special. I could post your job in the paper and have hundreds of college kids lining up to work for me.” He hissed stepping towards you.

You were backed into a wall, literally and figuratively, you felt at a loss for words. John was right and you both knew it, what was the worst that could happen if you pushed back a bit? “Do it, I dare you.” You scoffed and moved to push past him, “Surprised anyone would like to work for a washed-up Beatle.” You mumbled under your breath knowing that he would hear you.

John brought his arm up and pushed you back into your spot between the wall and pushed his lips against yours. It was hard and messy; your teeth clicked together, and your noses knocked. It took a moment for you to realize what was happening until John roughly shoved his knee between your legs. You let out a whimper feeling him pull away and start leaving hot open-mouthed kisses along your jaw and trailing down to your neck. Your chest heaved against him and you swallowed thickly, and you desperately tried to focus as he continued to latch onto your neck, sucking and biting at the sensitive skin, “John.” You whined and ground yourself against his thigh.

He loved how you practically purred his name as you spoke. John’s hands pushed down on your hips, helping you as you slid against his thigh with wanton need. Your breathy sighs sent a shiver that crept down his spine and settled in his belly, “We can stop, just say it and I’ll stop.” He said rubbing his nose along your jaw.

You swallowed thickly, “Please don’t,” You didn’t want to go back now.

John pulled away and pulled you by your wrist before pushing you back onto the bed. You bounced back against the plush large mattress and laid against the pillows and watched as John knelt between your legs. He rubbed his hands along your thighs and kissed you’re the skin that had become exposed from your shirt riding up and pushed it up more. He sucked and left kitten licks as he exposed more of you stomach and chest, kissing between your breasts and sucking at the soft skin on the sides.

John peeled your shirt off and in one swift movement your breasts were exposed and your top and underclothes tossed aside. He dove against your neck again, deepening the marks he’d already left prior and adding new ones, nipping at the skin and inhaling your scent. You reached your fingers and laced them in his soft long hair. You’d always wondered how it felt and how it smelt. You found yourself burying your nose into the side of his head and breathing deeply. He smelled like stale smoke, the gum he always chewed as a nervous habit, and like his eucalyptus shampoo. It made your brain feel dizzy.

Your legs wrapped around John’s narrow hips and pulled him flush against you. He groaned feeling your heat against his awakening erection and ground against you. he felt like he was 18 again, sneaking home some blurry faced bird through the back door at Mimi’s after coming home too late. But this felt better, it wasn’t some random company for the night; it was you.

The assistant he hired on a whim because he needed someone to watch Sean while he flew to LA for recording, the same person who folded his laundry, the first person he told of his divorce from Yoko. Even in his dream as he stood alone on the edge of the cliff as his throne collapsed, he knew if he called your name you would come.

Now, here he was; swallowing your moans eagerly in his mouth and listening as you left ragged breathy gasps in his ear as he ground against you. His hands fumbled with the buttons on your pants before he finally gave up and pulled them open, the small button popping off and bouncing to the other side of the room. John kissed your hips and along the lower half of your stomach and it twitched.

You squirmed, looking down and seeing his intently focused face as he yanked down your underwear and jeans and carelessly tossed them aside. You suddenly became aware of your nakedness as you stared down at John, fully clothed in a loose sleep shirt and the pants he wore today. Your eyes trailed his body and you sat up, tugging at his shirt. Your movements were hesitant and less confident than his. John’s hands guided his shirt up and he tugged it off, throwing it to join the rest of your discarded cloths and you ran a hand along his chest. Admiring the freckles and imperfections that made him distinctly human. He pulled back and shrugged his pants off and resumed his spot between your legs, pushing you back down.

John kissed the sides of your knees and made his way up your thighs, “Is this okay?” He murmured.

You shivered feeling his lips moving against your legs and nodded your head, urging him to continue. The pit of nervousness that settled in your belly violently vanished as you felt John’s hot tongue swipe between your folds and lap at you, “Jesus Christ,” You gasped out.

You could feel John smirk as he hooked his arms under your legs and pulled you close. He spread you apart, groaning and rubbing your clit with his thumb, “Has anyone ever done this to you before?” He asked glancing up at you.

You swallowed thickly and shook your head, “N-no,” You choked out.

John hummed acknowledging your answer and licked at your core again, taking his time to trace lazy shapes around the bundle of nerves. It sent a tingle that rang through your whole body, from the tips of your toes to your fingers and you desperately reached for John’s hair to keep him in place.

Your toes curled and you pressed John’s face closer against you and bucked your hips, grinding against his face. He groaned and pressed back, pulling you closer against his face. The plug between your brain and mouth disconnected and your mind felt like it was swimming. The string in your stomach tightened as you continued to grind against John’s tongue as he lapped at you. Your soft breathy sighs climbed in pitch before it snapped and your hips squirmed against him. John firmly held you down and he harshly rubbed your clit. The burning sensation caused your toes to curl, your eyes to blissfully shut, and made your legs shake. Your hips tried to jerk away from his hand, but he held you down, watching you writhe, jaw hanging slightly ajar.

“St-op” You choked out and gripped his wrist, letting out a sob as he pushed you to your peak once again. Your chest heaved and your legs shook as it washed through you. You curled into yourself and your face scrunched up.

John left you no room to breathe as he pulled your face close to his and captured your mouth in an open mouth. His tongue explored your mouth and you could taste yourself. You gripped at his forearms and pulled him back down, thumbing his briefs and tugging them down. John smiled against your mouth as he wiggled out of them, twisting his legs and shifting before he finally gave up and broke your kiss for a moment to tug them the rest of the way down.

You reached to kiss him and frowned as he pulled away, settling between your legs and rubbing his cock teasingly between your wet folds before he pushed in. You gasped, feeling John stretch you as his pelvis pushed against the back of your legs. He sat there for a moment and his face reached up and cupped yours as he hovered just inches away from your face.

You brought your hand up and placed it on John’s, his thumb traced your bottom lip and he slowly moved his hip, pushing deep inside you. Your mouth fell open and you let out a soft moan. John eagerly took the opportunity to slip his thumb into your mouth and pushed harder into you as your lips wrapped around it.

John’s hands gripped your hips as his picked-up speed, pulling them against him and making your skin slap together. He fell over you and you wrapped your arms around him pulling his body close to yours. His head fell next to your shoulder and he messily kissed up your shoulder and up to the side of your mouth before you captured his. Your kiss lacked tact and was only motivated by wanton need for each other. Your teeth clanked harshly together, and you clung to John as though he would vanish from you in an instant.

John broke the kiss and latched onto your neck once again, nipping at the skin and leaving a lingering and dull pain as he continued his trail before settling near your ear. John’s grunts and soft breathy sighs were perhaps the best sound’s you’d ever heard. In that moment you didn’t care that your bodies stuck together with sweat, or that your head kept bumping against the headboard.

You found yourself reaching for John and whimpering as he pulled away and hooked his arms under your knees and brought them up, leaning onto you and pushing deeper inside you. Your back arched off the mattress as he pulled back and began to slowly rut deep inside you.

John clenched his teeth together and hissed, feeling your walls twitching around him as he continued his languid pace, “Please,” You said softly, your brows knit together and your eyes looking helplessly up at him.

His lips spread into a knowing smirk, “Please what?” His voice sounded ragged and strained as he continued to tease you.

“More please,” You barely recognized the whiny tone of your voice.

“Yeah?” He asked and harshly snapped his hips against yours, “Like that?” He asked snapping them again. The headboard lightly tapped the wall as John’s thrusts grew harder and faster while your staccato moans followed jointly. John watched you, your mouth hanging open and skin shiny from the combination of his and your sweat that coated your body. He felt more human in this moment than he’d felt in a long time.

John’s brows knit together, and his thighs clenched, he didn’t want this to end. You pulled his arms and pulled him close to you, not caring if it seemed like you were being clingy, “Come inside me,” You breathed out next to his ear.

John’s body seized up and he huffed out a shaky haggard breath before he came, holding you close against his body and riding out the high that fogged over his senses.

For a moment he laid on top of you, softening inside you but enjoying the intimate closeness the two of you shared in your post coital haze. John kissed your shoulder before pulling back and kissing your lips. He pulled back and the two of you smiled at each other.

“Hi.”

“Hey.”

You couldn’t help but turn your head and breath out a small laugh before John rolled over to your side. The two of you laid on top of his wrinkled duvet staring at each other. You pursed your lips and remembered what you said earlier, “I didn’t mean it, what I said.” You said sheepishly looking away.

John’s expression was soft as he looked at you, “I’m sorry for what I said, I didn’t mean it either.” He said his arm now resting on your shoulder. He pulled you against his bare chest and you pushed your knee between his legs, entangling your bodies together as John held you.

#john lennon x reader #smut #ac asks #anon #sin sunday #beatles x reader

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popurikat · 4 years

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Newtmas essay when?

Finally getting to this, thanks for waiting, I needed to go over a few bookmarks. (Warning, this post contains spoilers from the MAZE RUNNER book and FEVER CODE book, so if you haven’t read either or yet and want the jist of my analysis; just know that in general the fandom interpreting Newt as gay before it was revealed on a twitter post was not just a random headcanon and that Thomas in general is portrayed to have very strong unconditional love for Newt throughout the series; and it shows. To the point that even the director for the movie has stated that Newt and Thomas have a strong bond and portrays that in the movies. I will also preface that I am NOT adding personal opinion anywhere here, these are just backings from quotes and how they are thus meant to be taken/read as. My words are taken as a reader who is currently reading Scorch Trials has yet to fully read Death Cure or Crank Palace.) Anways, without further ado at 3AM today, I’ll try my best to explain how even though Dashner tries his best to make Thomas have other, female love interests; he creates a not so subtle gay subtext for Tommy boy here when in the context of interacting with Newt throughout the lore. Apologies beforehand for any grammar mistakes along the way.

To commence, I am going to start with FEVER CODE, as its supposed to act as the story’s preface to the actual events that play out later. Newt and Thomas upon meeting each other describe their presence as “familiar” and or as a “long lost friend” and they genuinely hit it off from the start to the point that Newt is okay with having Thomas see him cry over the fact that he and his sister are separated since he is doomed to be WCKD’s control analysis as he’s the only one lacking immunity from the flare itself. Once Newt is done being emotionally vulnerable we get our first instance of his personal nickname for Thomas: “That’s the way things are Tommy,’ he said his voice not quite steady. ‘The world outside’s gone to hell. Why should we expect any different here? [...] He said it as if they’d been friends for years” (ch. 14). An interesting note here is that Thomas doesn’t bother to correct him or stifle the moment by feeling that all this information was too much, he genuinely wanted to hear Newt out and is fine with seeing this side of him; if not slightly taken aback by how natural it is that they can converse about such aspects of their lives. In fact, Newt makes such an impact on Thomas that Thomas ends up that same night dreaming of him: “Throughout his shortened night, he dreamed of Newt and Sonya. Of Newt and Lizzy“(Ch. 14). The thing with Thomas though is that the idea of comfort and connection is very foreign to him as he’s been basically isolated all his life with only the adults like Ava to talk to and the one exception being Teresa as his only kid companion. So Thomas didn’t even think he could make others like him for being himself unless they were vital to the overall production of WCKD. Seeing this portion right before the end of chapter 14: “Alby, Minho, Newt, Teresa. Thomas had friends.” shows that Thomas really had to deep dive to see how he deals with personal connections and why he was excited about the notion of friendship. He could’ve been happy with just Teresa, but only fully cemented her bond to him as “friend” when his circle grew and these kids he got to hang with taught him he can be himself, a concept he didn’t realize was possible when all his life was dictated on what he was supposed to learn or do. It becomes especially clear just how controlled his life is with the aspect of sentiment when later on Teresa’s mental communication evokes physcial pain and fear in Thomas. I’ll get back to that later as its more of a small tid bit of Thomas’ view on his forced love interest, Teresa. And yes, I say forced because multiple sentences with Thomas have him even wish he could cease all communication with her. Moving on, let’s talk about mimicking for a second. As humans, we mimic as a behavioral response to become closer to the person we care about. It’s the reason why yawning or laughter is contagious and or why we copy the posture of the person we converse with face to face. Thomas is seen to do this the most with Newt’s quirks. I’ll give the example in chapter 15: “Newt has been promising them that he was saving something special, and he did that annoying zipped-lipped sign every time [...] the little light in his eyes showed he enjoyed every second of their torture” versus Thomas: “Thomas did Newt’s zipped-lipped gesture, and that got him a sharp poke in the ribs”. So, we know enough that Thomas’ mannerisms are developing as a sign that he wants to be closer to Newt and to continue this sense of playfulness they both enjoy from the other. This is the start of their budding bond and a clear indication that they hold each other at greater fondness than the rest through this unconscious copying. Through this copying, they also pick up on emotional cues the other lets up on. Newt is especially good at noticing small things like when Thomas is anxious or overthinking: “He was just shocked that with all their exploring, the others hadn’t already discovered it on their own. And there were supposed to be TWO mazes. How had Newt and his friends not stumbled upon either one of them? ‘Tommy?’ Thomas realized Newt was staring straight at him, eyebrows raised. ‘Sorry,’ he said embarrassed, ‘wandered off for a second there what did you say?’ Newt shook his head in admonishment. ‘Try to keep up, Tommy Are you ready to see the grat outdoors?” (ch. 15). Also in chapter 23: “Tommy?’ It was Newt, breaking him out of his thoughts. ‘I can see your wheels spinnin’ up there.’ He tapped the side of his head”. This furthers Newts perceptiveness on his friend and Thomas’ ability to pick out when he is being looked after. And they bounce off each other really well in that aspect. To the point that Newt can crack a joke he knows will land right on Thomas’ sense of humor: “Newt waggled his fingers in front of Thomas’ face [...] A laugh exploded out of Thomas’ mouth that sent a spray everywhere. ‘Sorry’ he said, wiping his lips on his sleeve” (ch.15). It’s enjoyable to know that at least at a surface level, they have fun together and can cheer the other up if needed or know when to ground the other to reality. It is also through these instances that as a reader I pick up that Thomas’ nervous ticks perhaps allude to an anxiety disorder he has; of which Newt is aware of and never puts Thomas down on for exhibiting. He in fact understands it and deals with it accordingly as he himself has a similar circumstance. SO, what does all this paying attention lead to? Thomas’ devotion to protect Newt. Yeah, thats right I said devotion. Thomas’ actions are influenced by his developed instinct to protect Newt at all costs. Here is the biggest example that comes to mind: “What in the world happened to Newt? -- Less then two hours later, Thomas had spliced together a series of camera clips [...] Thomas turned off the feed. He couldn’t take it anymore...Newt, Newt, Newt, Thomas thought, feeling as if the very air around him were turning black.”(ch.52). Essentially, Thomas seeing Newt plummet to his near death by falling from the maze wall as a result of Newt’s ongoing depressive state, this is the moment that makes Thomas realize WICKD isn’t as good as they seem and that he is going into the maze to save Newt. Its admirable how much self sacrifice Thomas does for someone he cares so much about, to the point that their name is like a mantra. Thats a sensible area of passion and fighting spirit for someone who is “just a friend”. Oh and, the feeling of fondness is mutual mind you if I haven’t been clear. After experiencing the horrors of cranks for the first time, realizing Newt was not immune, and watching Newt until they entered the pits it has been months since they last interacted; this is their first reunion: “What’s up Tommy?’ Newt exclaimed, his face filled with genuine happiness at the pleasant surprise that’s been sprung on him. Thomas couldn’t remember exactly how long it’d been since he’d seen Newt. ‘You look bloody fantastic for three in the morning” (ch. 23). I need to preface this that Newt DOES NOT mean that sarcastically and that out of all the people in the room (Minho, Chuck and Teresa are there in this scene), Thomas only reacts this way specifically toward seeing Newt is okay and back. The characters are also not afraid of being physically close. “Well, look who the bloody copper dragged in,’ Newt said, pulling Thomas into a big hug” (ch.31), “They shook hands, and then the two of them set off...” (ch. 31), and my favorite: “Thomas jumped at the sound, then stumbled. Newt tripped over him, and then they were both laughing, legs and arms tangled in a pile on the ground”(ch.32). I don’t think this far in the novel, Thomas has been AS (emphasis on as) comfortable with touch with anyone else other than Newt. And thats a big step forward on the aspect of trust in a relationship, being able to be comfortable with the presence of another person enough to be as intimate with them as shown here. And all this, is just fever code itself. Mind you this is not the MEAT of the novels as it came out later. But even without it, lets look at Thomas in Maze now, I’ll try to keep this segment a lot more brief. Here’s Thomas looking respectively at boys his age: “A tall kid with blond hair and a square jaw...a thick, heavy muscled Asian kid folded his arms as he studied Thomas, his tight shirtsleeves rolled up to show off his biceps [...] Newt was taller than Alby too, but looked to be a year or so younger, His hair was blond and cut long, cascading over his T-shirt. Veins stuck out of his muscled arms”(ch. 2). Thomas’ initial reaction to being surrounded by boys is to deeply analyze their rugged good looks and heavily emphasize their best physical traits. When reading this the first time, my mind immediately thought this boy at the very least is supposed to be portrayed as bi, especially when later down the line Teresa gets a similar descriptor: “...despite her paleness, she was really pretty...silky hair, flawless skin, perfect lips, long legs.” So right off the bat, we know that be it boy or girl, Thomas emphasizes how attractive someone looks in his eyes when he truly does have a sense of attraction to them. Case closed. Within the same chapter we get Thomas also immediately clinging onto Newt for a sense of grounding, it is now ingrained in him at this point that the boy is his lifeline, a person to rely on. “Thomas looked over at Newt, hoping for help.” And help he does, Newt in this chapter helps ease his worries, explain a general idea of what the glade is and even pats him on the shoulder a bit to ease tension. And Thomas doesn’t bat an eye in the same way he’s weary of literally everyone else. In fact, he’s eager to stay put with him as shown with; “If Newt went up there, then I wanna talk to him.” And if none of that seals the deal, we got early bird Newt being so touch starved he flattens himself next to Thomas to wake him up at the crack of Dawn in chapter 6: “Someone shook Thomas awake. His eyes snapped open to see a too-close face staring down at him, everything around them still shadowed by the darkness of early morning...’Shh, Greenie. Don’t wanna be waking up Chuckie, now, do we?’ It was Newt --the guy who seemed second in command; the air reeked of his morning breath. Though Thomas was surprised, any alarm melted away immediately”. This whole scene follows firstly by Thomas once again impressed by how strong Newt is and then Newt giving him a rundown of what everyone else was too afraid to show Thomas, the grievers. And you know, this scene could’ve ended well and everything as totally platonic, but then we have “Newt turned to look at him dead in the eye. The first traces of dawn had crept up on them, and Thomas could see EVERY DETAIL OF NEWT’S FACE, HIS SKIN TIGHT, HIS BROW CREASED.” Now, look me in the eye and tell me there is a hetero explanation on looking at your best bro like they are the sun reincarnated themselves. But let’s not hog all the homosexual undertones with Thomas here. Wanna know what Newt’s initial reaction to having a girl in the glade was? “It’s a girl,’ he said [...] Newt shushed them again. ‘That’s not bloody half of it,’ he said, then pointed down into the box. ‘I think she’s dead” (ch.8). It’s actually a stark contrast to the other gladers eagerly wanting to know her age, how pretty she looked, and calling dibs to date her; Newt isn’t interested in any of that, he’s more perplexed on her status and not even bothering to remark on her looks, he was the only one not to and even remarks a few other instances that girls are more Thomas’ domain. For instance, he makes a joke in fever code when Thomas remarks that the girls in the institution were going to tackle him down, Newt proceeds to point out sarcastically something along the lines of “wait, isn’t that YOUR dream though?” So Newt is pretty out spoken of his disinterest in girls, and his full admiration and attention on Thomas. Oh, and yes, Newt immediately switches over to “Tommy” the moment Thomas mentions he hates being called greenie, and once again it just becomes a thing between only the two of them. Newt is also the one to be straight forward about the whole Runners business. He warns Thomas about the dangers and doesn’t necessarily turn him down on his desire to be one, he in fact encouraged him to just wait until the right moment. “No one said you couldn’t, but give it a rest for now”(ch. 15). So once again, Newt is the voice of confidence and reason for Thomas to prosper. In turn, this time around Thomas is the one to catch when something is bothering Newt. For instance, “Newt chewed his fingernails, something he hadn’t seen the older boy do before...he was genuinely concerned -- Newt was one of the few people in the Glade he actually liked ”(ch.16). Interesting how we went from fever code “friend” to “like”. And also, when Newt explains his concern about the runners not coming back yet, Thomas pieces together how scared Newt is of the Maze without being told and goes to stand next to him as a physical presence to ground Newt as they wait near the entrance. In fact, this piece is trivial to understand why Thomas does what he does next. When everyone else had given up on the Runners still outside with 2 minutes left til closing, and Newt was escorted away from the entrance, Thomas waited. And when Thomas saw them, he yells to Newt, realizes he’s too far to do anything, and makes a decision himself. He KNEW how much Newt cared about his fellow Gladers, they were like family or “kin” as its said in the book, so what does he do? “Don’t do it Tommy! Don’t you bloody do it!’ ... Thomas knew he had no choice. He moved. Forward. He squeezed past the connecting rods at the last second and stepped into the maze”(ch.16). Yes, Thomas does this because of his empathy for the Gladers, but the chain reaction of Newt’s concern is what sets his decision in stone. And yet again, Thomas enters the maze for Newt. And that’s pretty much the constant for the rest of Maze Runner the book, Newt just sticking up for Thomas and Thomas in turn just being happy that: “He was at least relieved that Newt was there” (ch.17). And thats basically their entire dynamic. Newt just going: “If you really did help design the maze Tommy, it’s not your fault. You‘re a kid -- you can’t help what they forced you to do” to ease the survivor’s trauma Thomas has, as well as saying “I actually believe you. You just don’t have an ounce of lying in those eyes of yours. And I can’t bloody believe I’m about to say this...but I’m going back in there to convince those shanks we should go through the griever hole, just like you said”(ch.51); and I think thats the most romantic thing to hear from him. Just right out being all for supporting Thomas no matter what happens as long as he stays alive and continues to fight, he doesn’t care about what happened before. And Thomas eats that up because it fuels him even more to seek out a means to escape for the people (Newt) that deserve a life outside of running from monsters forever. So essentially, I’ll state again, it’s always been Newt the catalyst for Thomas to run head first into the Maze and seek freedom. And with all this I can clear that these two are shown to if not be romantically involved, at least have unconditional love for the other that transcends the author’s original intention. And with that in mind, here’s the thing with Teresa as a love interest. I can list here quotes of every time she mind speaks to Thomas and how that affects him, but then this would be too long. And this is a newtmas post gosh darn it. Teresa is gleeful to humiliate, control, hurt, and force Thomas to believe they’re in love. In multiple instances we get her barging into his mind unwarranted making him understand that she has full access to his inner most thoughts. Theres nothing romantic about that, and I think its why Thomas ends up being so perceptive to the smallest of gestures that allow him to think on his own and feel like his own person. Something I’ve seen Brenda do later in scorch, and something I’ve seen Newt do since the very beginning is that they allow Thomas to come to his own conclusions in order to create his own opinions on the matters at hand. Thomas’ love language revolves around words of affirmation. He likes it when people confirm his thoughts are valid and that remind him that WICKD can’t hurt him anymore now that he has the power to be his own person. This is where Newt comes in very handy. He allows Thomas to grow in ways his female love interests have yet to show, sorry Brenda but I’ve heard you were trying to unite all immunes together to the safe haven by the end and in a sense still only using Thomas to get by; I still think she was the better call than teresa of course and I have no remorse for Teresa getting smushed by a boulder. But essentially my point here is that, how do you fail to make your initial love interests clash so badly where one has no real care about the others well being so long as everything goes according to WCKD by using a form of gaslighting and manipulation? AND THOMAS HAS STATED HIS DISCOMFORT ON THIS MULTIPLE TIMES, but the narrative always erases these instances from his mind in place of pity for Teresa’s well being (as you can tell, Teresa through this becomes my least favorite character, I can rant about her some othe time though with proper backing). The narrative in turn treats it all like a joke. I understand there are scenes where Thomas is worried about her and looks out to make sure shes ok, but even then he doesn’t know how to react with mental images of her kissing his cheek or when she screams the next minute that she doesn’t know who he is or how hes speaking into her mind. And thats because they can’t properly communicate their emotions to the other, not even in fever code could Thomas give a forward answer if he loved Teresa or not, she just assumed. Come to think of it, Thomas really doesn’t show much affection to Teresa of his own accord. So then, how DOES Thomas show his affection? Thomas provides acts of service as his love language, if he cares about you enough he will risk his life for you. Why? Because Thomas values putting the people he loves foremost knowing full well they are what help him have purpose and succeed in continuing on. In a way, Newt and Thomas’ dynamic works in this instance because they balance the other out and because they have seen each other at their worst and at their best. In a way, that's why knowing the ending of the books makes it harder to accept that Thomas would just easily take the shot...when all his life clung to Newt’s survival. But that’s a story for another time where I compare the movies (of which let me make that clear, yes I prefer) over the books. For now just know that the book may have done this by accident, maybe not, but at the end of the day theres solid proof that Thomas and Newt care about each other in a way that is separately portrayed from their connection to the other glade members, and have this consistency of soft moments running through the entirety of the series. In conclusion; newtmas. Newtmas. NEWTMAS, etc.

#Newtmas #long post #Skquill #ask #The ending gets a bit ranty with Teresa I must admit #but for the most part its just me recalling the best newtmas moments from the novels I've currently read #Please add on more newtmas proof to the thread

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smaidjor · 3 years

Text

i know they're losing (chapter 2)

Hello everyone! Since the last chapter received such a positive response (well, if screaming could be called a positive response), I've decided to not make you all wait long for the second chapter of this fic. Also, I have no self-control. Anyways!

Once again obligatory disclaimer this is characters not people, don't ship real people, etc.

Chapter Title: over snow and winter's morn

Chapter Wordcount: 3203

Content warnings: more discussion of death, also quite a bit of Scott being a bit of a dick. He's going through it, besties.

AO3 Link

Chapter 1

Actual fic under the cut:

Jimmy doesn’t get a chance to return the ring any time in the next few weeks. Scott must have told Katherine that he visited, since she doesn’t come to bother him about it, and every time Jimmy tries to go to Rivendell, something gets in the way. Demon attacks, urgent business in his empire, once even Scott’s own guards turning him away. Apparently Scott is a ‘busy elf’. Jimmy doesn’t doubt he is, but he also doesn’t doubt that Scott’s actively trying to avoid him. Scott is a petty man, ultimately, and Jimmy knows this, used to love it like he loved all his husband’s flaws, all his imperfections that were perfect to Jimmy. Now, though, it just hurts that Scott’s turning that pettiness on him.

Finally, something changes. Jimmy gets an invitation (in person!) from one of his closest allies; Lizzie wants to hold a ball, and she wants as many people as possible to come. It will be fancy and formal, with dancing and politics and all the things Jimmy’s just a bit awkward with, but he is an extrovert at heart, and well...Scott will be there, as Lizzie warns him.

“I know you and him don’t really get on, so I get if you don’t want to come. I really hope you will, though, it’s going to be a fun night!”

Jimmy nods. “I’ll be there! I need to talk to Scott anyways, actually, got to return this ring to him. It’s important, I think.”

“Gotcha! See you there,” Lizzie says with a broad smile. Jimmy appreciates that she doesn’t ask any questions about the ring, especially given that it’s the one thing holding together his emotional state right now.

And that’s how he finds himself frantically searching for something fancy enough to wear to a formal ball, wishing he’d had the forethought to plan for this a bit better. Scott would have planned, he thinks, would have had an outfit laid out for each of them and the time it would take them to get there exactly calculated.

He shakes that thought off, settling for a green tunic with copper accents. It’s not the most elegant thing in the world, especially when you take into account the slime that’s dripped onto it, but it’ll have to do. It’s representative of his empire for sure, and the copper is a nod to his ally. It’s good enough, and that’s what matters, Jimmy thinks.

Lizzie greets him when he enters the ballroom, smiling widely with her new fiance by her side. “Jimmy! Glad you could make it!”

“Yeah, yeah, I did make it! Here I am!” The smile he gives her is genuine; he likes Lizzie. She's fierce and kind all at once, the best kind of ally.

Joel offers him a brief wave, which Jimmy happily returns before Lizzie drags him off to chat.

“So, heard from a little birdy you’ve actually been visiting Scott,” Lizzie says, a grin like the cat that got the bird on her face.

“As a favor to Katherine,” Jimmy quickly clarifies.

She nods. “She did say that, yes. She also said she heard about the visit from Scott himself.”

Jimmy hates himself a little for being pathetic enough to ask “What did- did she say what he said? Was he talking about me?”

“She didn’t say exactly, but he seemed ‘shaken up’, apparently...and a little wistful.”

“Oh, no. Lizzie, no.”

“Say, why did you have his ring?” She’s still grinning, a little more evil this time.

“It’s a long story!” Jimmy blurts, and flees. How’s he supposed to say ‘oh we were married on a server where we thought we were going to permanently die and then we respawned here and now Scott’s refusing to talk to me because the grief over my last death is slowly killing him’ tactfully? There’s just no way to do it! Nice one, Jimmy, now she thinks you’re in love with him or something, he thinks ruefully. Not that he isn’t- wasn’t. Wasn’t. Scott’s made it very clear that he and Jimmy are through.

Still, even with his depressing thoughts, the ball is pretty okay. No one’s gotten assassinated, there haven’t been any demonic appearances, Lizzie’s already showing off her engagement ring, and he’s pretty sure Joey’s going off about how hot demons are. It’s a decent party, by empires standards.

Scott makes an appearance some twenty minutes or so later, stepping into the ballroom with typical elven grace. He’s not a very elven elf, as he once told Jimmy, short and sarcastic with a love for mortals, but he still looks twice as elegant as everyone else in the ballroom. The shakiness in his step from a few weeks ago seems entirely gone, and for a minute, Jimmy’s heart leaps in hope. Maybe he’s getting better?

Well, only one way to find out. Jimmy swallows the complicated knot of emotion in his chest as he crosses the ballroom, coming to an ungraceful stop in front of Scott. Up close, the elf looks worryingly pale, and there are dark circles under his eyes. He looks like a strong breeze might sweep him away.

“Lord Codfather,” Scott greets.

“Elvenking,” Jimmy returns, dipping his head a little. Look, Scott, he can be formal too, alright? “Care for a dance?”

Scott stares for a long moment before giving a single nod. “I suppose I wouldn’t mind.” He takes Jimmy’s outstretched hand in his own gloved one, letting Jimmy put a hand on his waist as they start into a simple waltz.

Now, Jimmy is a terrible dancer, and he’s not too proud to admit it. He steps on Scott’s feet, gets off-rhythm once or twice, and nearly crashes them straight into Lizzie and Joel. But despite their current status as enemies(ex-spouses?), Scott says nothing about it. He’s silent, in fact, seemingly caught up in the music. There’s something wistful about his expression, something soft and gentle hidden under his icy facade. If Jimmy tries hard enough, he can almost pretend that the two of them are back in 3rd life, dancing under the stars, and Scott is looking at him like he’s the most precious thing in the world.

The illusion is shattered, however, by how heavily Scott is leaning on him by the end of the dance. He’s unsteady on his feet, grip like iron on Jimmy’s hand and shoulder. Though Jimmy can’t feel his hands though the gloves, when he brushes against Scott’s arm, it’s still a little too cold to be entirely right.

The music slows and then pauses before the next song, and they head for the edge of the dance floor.

“Thank you for the dance, Codfather,” Scott says. He steps away, face falling back into the emotionless facade so quickly it’s hard to be sure the tender expression of a moment before wasn’t a dream.

That’s the final straw for Jimmy’s fragile self-control. “Can we please stop acting like we don’t know each other?”

“What else do you want from me?” Scott snaps back.

“I- something! Anything! Just acknowledge that I exist, won’t you?”

“Acknowledging you exist doesn’t mean I’m still in love with you, you know.”

“I know,” Jimmy says, a little softer, a little bitter. “I know, trust me. I just want you to stop- to stop hurting yourself to try and avoid pain!”

“That’s not what I’m do-”

“Then what are you doing? Enlighten me, o wise elf!” They’ve kept their voices low enough, but people nearby are still starting to stare at them. Jimmy can’t bring himself to care. “You told me it would destroy you to lose me, but you’re losing me now by pushing me away!”

Scott’s expression is pained for a moment before he covers it with a glare. “I’m trying to do what’s best for the both of us, Jimmy.”

“No you’re-”

“I am an elf, and I cannot love a mortal. Humans are quick flames, burning and changing quickly. You’ll fall in love again, and you’ll forget me. There will be a mortal who loves you- I’m sure there are many already.”

“But I don’t want a mortal,” Jimmy protests. “I want you.”

“You can’t have me.”

“But why? Why, Scott?” His voice breaks, embarrassingly enough. “You said you loved me, you promised me all the time we’d be able to- to carve out, to steal from the universe.”

“I can’t give you that!” Scott snaps. “You’ll live sixty more years, maybe, a fraction of my life, a blink of an eye to an elf, and I can’t even give you that long! Not when I have to be the elvenking before anything else. Nothing I can do will ever be enough for you.”

“Enough for me? For ME? All I want is for you not to die to your own dumb plan and acknowledge my existance once in a while!”

“And all I want is for you to realize I can’t love you again!”

“Why can’t you care about me?”

“Why can’t you move on?” Scott counters.

“You’re not moving on, you’re just trying to forget!” Jimmy shouts.

In the silence that follows, he realizes that most of the ballroom must have heard the end of their little lovers’ quarrel. In fact, Lizzie’s somehow appeared next to him, laying a hand on his arm.

“Is everything alright, boys?” Her tight smile says that they will most certainly get kicked out of the ball if they continue this, and Jimmy can’t blame her.

“My apologies, Ocean Queen,” Scott says, switching to a formal tone with ease that Jimmy envies. He dips his head in respect, and only Jimmy sees how his hands tremble. “Everything is alright, but I am afraid I will have to leave early.”

She smiles again, dangerous this time. “No need to worry, Lord Smajor. Do try to avoid picking fights with my allies, next time, though.”

“It won’t happen again,” he promises, and sweeps away.

“Coward!” Jimmy shouts after him, anger making him bold. “You’re a coward, Scott!”

“Stop it,” Lizzie scolds. “You’ve already made quite the scene, and I did essentially kick him out. I’m not sure how much further you really want to carry it.”

“He is though, Lizzie, he’s a coward! Doesn’t want to face me because that means facing- well, facing everything that’s happened!”

“What do you mean, everything that’s happened?” Lizzie turns to the gathered audience of people who have been watching the spat, shooing them off as best as possible. They slowly disperse, thank goodness. “You and he are enemies, right?”

Jimmy almost winces. “It’s a bit- it’s a bit more complicated than that.”

“I can see that. Jimmy, that looked like a messy breakup!”

“It, um, well, it was. Sort of.”

“Oh, Jimmy.” Lizzie’s giving him a sympathetic look, which she follows up with a tight hug. “Next time, how about we don’t invite him?”

He nods against her shoulder, rage leaving him as quickly as it came. Instead, he just feels...tired. “Thanks, Lizzie.”

“Of course. We look after each other, yeah?’

“Yeah.”

Jimmy leaves the ball exhausted, still reeling from everything that happened. The few lingering bits of anger are what gets him home, a bitter taste in his mouth from the bitter words he spat. Coward! You’re a coward, Scott! He refuses to regret them.

Scott’s ring nearly ends up in the swamp again, but Jimmy’s cooled down enough by the time he gets back that he can’t bear to throw it away. Instead, it goes in a box which he tucks into his old storage chest, somewhere he’ll never have to see it again. Scott can go to hell if he wants the ring back after all that.

For a while, Jimmy’s plan to tuck the ring and never think about Scott again seems to be working. Lizzie visits a few times to check on him, but she never asks specifically about Scott, and Jimmy doesn’t say anything about him. He receives radio silence from Rivendell, and he tells himself that it’s good, that he doesn’t want to hear from Scott.

So yes, his plan is working, up until he gets a knock on his door and opens it to find Scott there.

The elf looks terrible, frankly, almost worse than he did at the ball. His hair, which is usually so nicely done, is a mess, cyan strands falling all across his face. His clothes are wrinkled and have swamp mud on them, his eyes have dark circles as violent as bruises, and he’s swaying a tiny bit. In short, he looks like he didn’t sleep for a week, chugged coffee, and fought god in a denny’s parking lot.

Jimmy thinks he’s kinda hot.

No, he doesn’t. Fake news, brain.

“Hi,” Scott says.

“Scott? What- why are you here?” Jimmy’s voice rises, in shock or outrage even he doesn’t know.

“I came to apologize.” Though he looks like he’s going to pass out at any second, Scott’s voice is steady. “I was scared- I am scared. I’m terrified to lose you again. But I shouldn’t have pushed you away and hurt you.”

“No, you shouldn’t have!” Jimmy snaps, but there’s little real rage behind it.

“I know. I- uh- fuck.” Scott’s hands are shaking as he pulls out a little box from some hidden pocket. “I brought a gift as an apology.”

Jimmy takes it, curious despite himself, and finds that what’s inside is a silver bracelet with little crystals embedded in it. Flowers are the predominant design; he recognizes roses, hyacinths, irises, anemone, and poppies. On the underside, there’s elven lettering, though Jimmy has no clue what it says. The whole thing is a little clumsy, not quite as professionally made as the ring Scott once gave him, and Jimmy looks up at Scott. “Did you make this yourself?”

“Mhm. I did my best, but it’s not as nice as I’d like.”

“It’s pretty,” Jimmy says.

Scott’s shoulders slump with relief. “It’s spelled, too. Protection, good fortune, that sort of thing.”

“Do the flowers mean something?”

“They do.”

Jimmy doesn’t press for details.

“I-” Scott starts again, a tremble in his voice that wasn’t there before. “I’m sorry, Jimmy, I really am. I won’t ask you to forgive me, but I needed to apologize before my time ran out.”

“Is it that- that dire?”

The barest nod. “This is what I chose to do with it. Making that, coming here. You deserved an apology.”

There’s a moment of awkward silence, Jimmy staring down at the bracelet.

Scott breaks it. “It wouldn’t be fair of me to ask you to love me. I can’t promise you eternity. I can’t promise you happiness. I can’t promise you that I won’t have to be the elvenking first and a husband second. But I am yours still, if you’ll have me.”

A part of Jimmy is very tempted to throw both Scott’s gift and his love back in his face. He can’t bring himself to stay mad, though, not when Scott’s looking at him like that, with so much raw vulnerability. So much devotion, like Jimmy’s the most precious thing he’s ever seen. It would be so, so easy to break that last strand of fragile hope in his expression; he’s offering up his heart on a silver platter, ready to shatter. Jimmy could- should- yell at him, reject his gift, tell him that he’s ruined any chance he has at Jimmy’s love.

Jimmy kisses him instead. It’s messy and it’s sudden and he very nearly drops Scott’s gift in the swamp in his haste to tangle his hands in Scott’s hair and press their lips together, but it’s real.

The little startled noise Scott makes gets cut off by Jimmy’s mouth on his. Scott’s lips are chapped and taste a little of glowberries, but Jimmy doesn’t care. He’s going to kiss his damn husband, something he thought he was never going to get to do again.

When they finally have to separate, Scott’s breathing hard, cheeks flushed. It’s a good look on him, Jimmy thinks, much more alive than his pale, rigid expression from before.

“So, I’ll take that as you want to stay married?” Scott’s voice is wry, collected, but his blush ruins the smooth effect.

“Of course I do! You absolute idiot!”

“Just checking.”

Jimmy kisses him again, just to shut him up. Scott goes with it easily, leaning into Jimmy’s embrace without complaint.

They pull apart quicker this time, and Jimmy holds the bracelet out. “Can you help me put this on?”

Scott nods. His hands are cold against the skin of Jimmy’s wrist when he fastens the clasp, but Jimmy grabs them and holds them in his own warm ones until they don’t feel quite so much like ice. It’s something. It’s a beginning.

“Come in and catch up with me?” Jimmy offers.

Scott nods again, and he doesn’t let go of Jimmy’s hand when Jimmy turns to go inside.

They talk about a lot of things. Empires, 3rd life, nightmares. Pufferfish, cake, flowers. They talk about the trials and tribulations of ruling; really, Jimmy complains that people keep attacking him and Scott nods in sympathy.

Eventually, though, the sun is starting to set.

“I need to get home,” Scott says. “You need sleep, not to stay up all night talking.” He goes to get up, and Jimmy immediately lunges, catching his sleeve.

“Don’t go! Please,” he adds, feeling his face flush at how desperate he sounds.

“Jimmy, darling, we both need to sleep.”

“We can sleep! I just….nevermind.”

“No, no.” Scott kneels back down, peering at him like Jimmy’s a puzzle that needs solving. “What’s wrong?”

“Nothing.”

“Jimmy.”

“I don’t want to be alone!” Jimmy blurts, and immediately flushes again. “It’s just, I’ve been alone for a long time, and there’s this demon thing that keeps showing up, and I’ve only just got you back, I’m not ready to let you go, and-”

“Hold on. What was that about a demon?”

“There’s this demon creature that I keep seeing, and it’s really messing with me,” he manages. “It sounds like you, sometimes, but all distorted, and I can’t handle it! You know me, I’m not brave or smart or anything, I’m just Jimmy!”

Scott’s frowning, worry wrinkling his brow. “Alright. How about you come to Rivendell for the night, then? I can protect us both easier there.”

Jimmy nods, feeling especially pitiful as Scott helps him to his feet. “Thank you.”

“Always. Do you still have the ring I gave you?”

“I do, I just….give me a moment to remember where I put it.”

“Good. It’s important.” Scott doesn’t elaborate, and Jimmy is too distracted looking for the ring to ask what he means.

Scott’s offer of protection feels flimsier when he has to lean on Jimmy as they travel back to Rivendell, but even then, it’s impossible to feel quite so afraid now that Jimmy isn’t alone anymore. And it’s even harder to fear anything that could happen when he’s safe in a warm bed, his head tucked against his husband’s chest. They’ll be okay, Jimmy thinks. They’ve been given another chance, and this time they’re going to get it right.

#scott smajor #jimmy solidarity #empires smp #my writing

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caguaydreams · 4 years

Text

A thorough analysis on why Vah Medoh’s dungeon theme makes me want to cry

Yep, that’s an accurate title. Hi there! do you have a moment to hear about Breath of The Wild soundtrack? posting for yet a third time in hopes that tumblr won't hide it. I'm so tired

What started as a quick and harmless post, pretending to simply point out a couple of things, rolled downhill, out of my grasp and turned into a massive snowball of a short essay. How and why did this happen? Well, I assume a lot of people know about this song, and know what I’m talking about when I say that it makes me tear up and sob uncontrollably with every change in key as the seconds tick by and I spiral down into a dwell of misery from where I struggle to find the exit and to later recover.

……No?…..At the VERY LEAST it makes you a little uncomfortable. And I state this with much certainty, because after reading hundreds of comments everywhere online where this song is present, I picked up on a vast majority of people who expressed to feel the same way I did when it came down to our current music subject. See, statistics don’t lie… normally. So, naturally, my intrigue got the best of me. I wanted to find out exactly why this soundtrack was mercilessly stirring up everyone’s emotions, so I caved in and we ended up with this.

Buckle in, fellas.

Out of all Divine Beasts’ dungeon themes, Vah Medoh’s is the one that I can’t sit through. Not without growing antsy and wanting to turn it off as soon as possible. I find it genuinely difficult to listen to, and it’s not only because Revali is my favorite character and the song is just, plainly put, depressing, mind you.

We’ll start from 0 terminals activated.

It opens up similar to the other three dungeon themes; the pace is slow but eerie, gives off the impression that it sounds broken somehow. Something is off here, and it’s easy to figure out what that is from the get go: you’re basically entering a majestic, ancient, mechanical mausoleum, where everything went terribly wrong a century ago. Someone is gone, someone you knew, someone who was probably close to you, but it’s impossible to be sure. You don’t remember a thing, and this entire ordeal is confusing at best, and terrifying at worst. It’s your duty to make things right again.

It’s the same for all four Divine Beasts upon entering, save for the obvious little differences that separates them from each other and make them unique. Ruta’s is played on a major key, adhering to a sense of hopefulness. Naboris’s begins with a startling smashing of the piano keys, much like thunder of a sudden lighting strike. And Rudania’s theme starts threatening, dangerous, like scalding lava.

But now, back to Vah Medoh. The tone here is… alienating. The dissonant chords are all over the place, and feel disconnected, cold. It’s almost as if someone doesn’t want us to be here, or just like the elusive key, our presence is unexpected. Fitting, for a Divine Beast that’s high above the land, impossible for most to reach, yet we somehow made it. Apart from the piano, we have the occasional hint to rito culture, in the shape of a short, synthetic version of the rolled chords at the very beginning of Rito Village. A quiet reminder of where we come from. There is also, of course, the morse code distress signal, but we’ll talk more about that later.

As soon as this formal introduction is over, we finally get to the more, say, intimate stuff. Oh, and wouldn’t you know, it’s just tragic.

One terminal activated.

There’s no better short way I can describe this passage, other than anxiety-inducing. Especially when the strings come into play, and there’s two reasons I can think of why I feel this is an important thing to point out:

1- Characters and Symbolism.

I tend to associate stringed instruments, all of those which compose the violin family, with rito culture. And Revali, most specifically. In Creating a Champion we can see the early concept art and designs for all or most major characters in the game, and Revali’s highlighted rough design might be the one that changed the most throughout proper development of the character, out of all champions. He looks quite different from our usual depiction of him, it’s fascinating. What truly catches my eye, however, is the design of his bow.

You thought bird puns were bad? Oh boy, how do you feel about Revali having a bow that looks like a violin/cello/viola??? And do you need a bow to play it also??? Like, is it even an instrument or it’s nothing more than a mere fashion statement?-

Anyway. I believe this was originally going to be a not-so-subtle wink to rito culture, being heavily musically inclined as we can see and conclude for ourselves. Perhaps Revali was going to be a musician as well, now how cool it that!

Needless to say, the idea was eventually scrapped. But one detail I am CERTAIN carried over to the character we know and love today(okay not all of us love him but seriously if you dislike him why are you still here lol): strings. The association between bows(weapon) and stringed instruments, aside from being a quite clever and creative one, goes beyond the concept art and remains strong as part of Revali’s character, settling for having a presence via score. After all, Revali is a master of archery, so in that way it makes sense to keep strings as symbolism to reinforce the idea and drive it home.

But can you guess what other thing Revali excels at? That’s right: flying. He’s the only rito we know of who successfully managed to take advantage of wind currents and bend them to his will. And do you know what musical instruments are often used to evoke the feeling of flight and gale? If you thought of bowed strings, you’re correct! Unfortunately, I couldn’t find much support on this topic online, so you’ll have to take my word for it. I am most certain that this is fact, although not something worth discussing on the Internet, by the looks of it.

Anyhow, violins/cellos/etc are ever-present whenever we’re close to Rito Village or dealing with a rito related mission. Attack on Vah Medoh, for example, features a sequence of strings that is meant to evoke the strong winds we’re fighting against in that particular moment(*). Another great example is The Final Trial, the song that plays at the shrine of resurrection nearing the end of the Champions’ Ballad. Preceding the activation of each terminal, you’ll notice that a new instrumental element joins the crowd: the first one corresponds to the tambourines, related to the zora and Mipha; the second one are strings, referencing the rito and Revali, etc. I tell you, the moment I heard this during the trial I almost started crying like a baby. And, although strings have a lot to do with Rito culture in general, they tie most strongly to Revali, since he was the champion of his people, and his legacy carried over throughout the years. His accomplishments became material of folk tale, a legend, a source of pride and inspiration for the village. And let’s not forget that, at the end of the day, Revali is the crucial and foremost connection Link has to this place. Other than appeasing Vah Medoh, Link’s responsibility here is to free his past fellow champion’s spirit from Ganon’s malice. The soundtrack is referencing Revali first, and by extension his devotion to his home.

With all that in mind, let’s move on to our next point:

2- Nowhere to Go.

You shoot the canons, land on top of the Divine Beast, do what you gotta do, activate the first terminal and the soundtrack goes off unannounced. Like some sort of surprise anxiety bomb. The rhythm turns fast, the melody erratic, incredibly desperate in its execution. There’s this sheer despair, fear, this feeling of suffocation almost, which are so well achieved in this particular piece.

And that is, partially, because a quite familiar resource is used here as well; one that we’ve heard before in songs such as Rito Village or Revali’s theme. You could even think of it as a motif: two notes are played in an semitone interval, repeatedly and in quick succession. For the sake of later convenience, we’ll call this the Flight Motif, now let me explain why. In Breath of The Wild, this semitone loop is often followed up by some form of resolution. In Rito Village, formerly known as Dragon Roost Island(**), that resolution consists of a graceful descent of the melody, from a high that was built up previously during the motif. On the other hand, if you listen to Revali’s theme, you’ll notice that the interval repeats itself for a couple of times as thought charging up, to then rise fast and determined into a triumphal reprise of Revali’s distinctive assigned melody. This juxtaposition supposes the difference that lays between common rito flight and Revali’s trademark ability; both musical sequences are speaking of flight, albeit in two different languages depending on the way to achieve it. While the rito traditionally use their wings to glide and let themselves get swayed by the air currents Buzz Lightyear style, Revali takes full advantage of his flying capabilities to somehow create an updraft of his own, rising meters above the ground whenever he likes or needs to.

So, now that I layed out my base of thought when focusing on the strings, this’ll be much easier to explain. We’ve settled what the instruments themselves are a symbolic representation of Revali, in this scenario specifically. He was the only one inside Vah Medoh, and the score is, in a way, a retelling of what we can vaguely assume went down here during the Great Calamity, as much as it is what sets the tone and ambience for Link’s mission. But what are we hearing exactly? What we talked about, the Flight Motif, is being repeated nonstop. And that’s the thing, remember how I mentioned that this sequence usually finds resolution at the end? Well. Inside Vah Medoh,… it never does. The melody picks up in numerous occasions, but it’s not nearly as graceful, or calculated, as we’ve grown used to by now. It gets tangled and lost, and then inevitably falls to the ground in disarray. The pattern repeats itself, reaching higher after a handful of failed attempts, but no matter how much it tries, the cycle never ends. What used to tell us about flying and freedom in the skies, has morphed into an almost sinister musical incarnation of a tornado, and there is no way out of this trap. What do you think it must feel like to mindlessly flap your wings against wind currents so strong and violent, that it is impossible to get anywhere nearby, let alone take off every time you lose your balance. Or every time you’re shot down. On top of that, trying to aim and fight back in whatever short breaks and opportunities you get, at an enemy that’s much more powerful and relentless, who’s using your own element as a weapon to destroy you… it’s a risk Revali surely had to take in order to put up a fight. Even knowing full well that the odds were not in his favour, that he was most likely going to lose this battle, that he was going to die. Let that sink in. I’ll skip the activation of the second terminal, since there’s barely any change registered in the theme in general. So-

Three terminals activated.

I know this post is supposed to be a breakdown of the song purely, but that doesn’t mean there’s no place for a little theorising, and the following scrutiny is also quite relevant for our discussion. Bear with me for a bit. I’ve read almost everywhere about people’s most common interpretations on the Divine Beasts SOS signals, and how everyone thinks that Revali’s coming in last (a few seconds later than the other champions) has to do with him holding on for longer. Or, also, overconfident as he was, it means that the idea of calling out for additional support didn’t cross his mind until it was too late, and that’s why the beeping sounds more frantic and panicked than the others’ when it does appear. After giving it some thought myself, I’m betting on the latter option holding more ground, and that’s not all. I want to touch upon a detail of the piece that I never acknowledged was there until very recently(after seeing myself obliged to listen to this song fully and a handful of times, suffering every minute of it for the sole purpose of this analysis. It’s okay I didn’t need my heart anyway). Soon after activating the third terminal, the SOS signal disappears, or grows distant and faint enough that we can’t make it out from the background anymore. In its place, we’re confronted by this… shrill, piercing and painfully slow tune. It sounds synthetic, artificial, devoid of life. And it’s funny, because you know what it reminds me of? I’ll tell you:

A heartbeat flatline sound.

And I want to highlight that this doesn’t happen in any of the other Divine Beasts themes. All their SOS signals carry on, but Medoh’s is no more. This abrupt stop, followed by this bone-chilling tune…. makes me believe that Revali was the first of the champions to fall. A few days ago I came across SuperZeldaGirl’s video on a similar topic, theorising that this could very much be the case. There is not much evidence to support this claim other than some visual cues that could be suggesting to it, but after I found this in the soundtrack, and if we’re to rely on it for anything, I believe Revali was either the first champion to be ambushed by Ganon, or well…. the first to be killed. It is plausible, because short after Calamity Ganon unleashes his power, Revali parts from the group and flies directly to Vah Medoh, and he very well could’ve been the first pilot to arrive.

On this note…. we’ll have to wait and see for ourselves, when Age of Calamity provides long-awaited answers to many of our questions.

Four terminals activated.

An interesting melody is being played on what, for me, would qualify as a glockenspiel or a celesta, which are keyboard based instruments that produce a sound similar to that of a music box(***). If you want to pay more attention to it, I suggest listening to Vetrom’s Instrumental Mix Cover of the theme, where they practically zoom in on this part of the song (keep in mind that it uses the All Terminals’ time signature so it’s being played faster). For some reason, this particular addition makes me feel profound empathy. The sound of this instrument could be described as cute or childlike, magical, even. It is more often than not used to represent innocence, but I highly doubt that’s specifically the intention here. Much like the leading strings’ melody, the melodic contour of this one is trapped in a loop of going up and down constantly, but the difference is that this time around it sounds more under control. And much more uniform too. It doesn’t lose focus or takes risky, fruitless leaps, but rather chooses to stay on a path of waves that consistently rises and falls without taking detours. Like a determined battle strategy, giving it your all. You fall, but get back up again, and try again, and again. It reminds me of Revali’s approach to training, being persistent to the point of overworking himself. He had discipline nailed down to a tee, which I also think served him well in combat. It’s not just about being hard on yourself, either, but being confident and having complete faith in your abilities; believing that you’ll make it. For this to appear now, that the SOS signal is almost completely gone, is significant because it means that by this point, being so close to success on Link’s behalf, the music is sparing genuine encouragement for once, in spite of the tragic outcome of the past and the danger of the current situation. But, in all honesty, this is probably just me reading too much into it. Perhaps the composer just thought this addition sounded pretty bitching and there’s not much else to it, which is completely fine. Although, intentional or not, sometimes coincidences do happen, and at the end of the day, interpretations like this are a form of appreciation for an artist’s work and for what they can unknowingly accomplish.

All terminals activated.

This is the moment when the song finally lightens up. Notice how the strings abandon the wave pattern for a more even contour. The beat quickens, the melody stabilizes. At first I thought, coming from our flight analogy, that this meant a cease in movement entirely, and it was partly one of the reasons why the song in general makes me anxious. But thinking about it now, …there is something different going on here. The strings are playing on a steady rhythm. It resembles a march, it’s like a pounding heart. It’s a lively, hopeful statement. And what’s interesting is that, up until this point, there was so much fear and helplessness present in the score, even going as far as to reach a dead end when we activate the third terminal. But that’s it, isn’t it? the music just keeps going further.

It’s saying: this isn’t over yet. Even after complete and utter defeat, there’s still hope and an underlying wish to overcome this predicament, and we started to hear this as soon as a fourth terminal is activated. The melody we previously talked about? it’s here as well, and its beat is much more daring and confident.

And I just want to say… this is so powerful. Because this sentiment is deeply tied to the game’s story and Revali’s character arc. You see, he is introduced as someone who resents Link for being the manifestation of his failure, in a way, because Revali has trained arduously his whole life to be where he is, to be recognised. And yet… this hylian gets chosen by a magic sword and some tale of divine destiny and, apparently, that’s all it takes for him to be deemed the hero that will save the land. In Revali’s eyes, Link has done nothing to prove his worth before him, so it is easy to see why he despises the silent knight so much; he is yet another individual that was born into their destiny. Meanwhile, Revali has had to build his reputation from the ground up, earning him a place among the greatest warriors of Hyrule, and even then he finds himself surrounded by people who grew up praised for being born gifted. We can see how Revali is the odd one out, and can map out the reason for him acting so antagonistic towards Link.

But once we’re on Medoh, things start to change. When Link enters the Divine Beast, Revali greets him with disdain, as per usual. Of course, Link has no recollection of whatever happened a hundred years ago, other than a small glimpse of the rito champion talking down to him, a memory that came and went in a flash. So as Link, we more than expect Revali to act cold and mocking, which he does. He provides us with as little help as needed in order to free Medoh, reluctantly, shielding his wounded pride over having to wait for Link, of all people, to come to their rescue. But you can hear him starting to open up bit by bit(I wish I could translate his dialogue directly from Japanese but I’ll make do with a couple of dubs and other numerous sources from translators online). With each little step Link takes towards success, activating the terminals, the perception Revali has of him shifts from one of resentment to one of genuine admiration and respect. By the end of it all, he is willing to not only cheer on Link during the boss battle, but to trust him with his life’s worth achievement. And once left alone, he admits defeat and lets go of his bitterness, realising that he was wrong to underestimate Link, and later wishes he could’ve had a chance to measured up to him. To take all of this into consideration and work with it in the soundtrack I think it’s genuinely splendid. And for once, I am grateful that it ends in somewhat of a positive note that puts my soul to rest. I still have a hard time listening to the first two thirds of the entire thing, but now I can look forward to a hopeful and earnestly heartening conclusion for all the pain that this composition puts me in. I must admit that it’s beautifully and brilliantly crafted, and that I am enamoured of it regardless.

That is why I wrote roughly 4k words about it! I hate myself!

If you’re as crazy as me about the soundtrack of this game, I recommend you read the published cd interview with the composers themselves! if you haven’t already. I just found it yesterday(unbelievable but it’s true) and… after writing all of this and checking it out, I felt validated. It sure is a one of a kind feeling.

Alright folks, we’ve made it to the end. Congratulations for sticking around and thanks being interested in my nonsensical rambling!

I also hope that you, like me, will now be unable to listen to bowed strings without being reminded of Revali. Good luck!

————– Annotations/Sidenotes/Whatever

(*)The Flight Motif(in point number 2) is also present in this track. We can hear it in the background right after the Rito leitmotif, as per usual. It starts with a clarinet, I think, before the strings take the lead. (**) Note that the Flight Motif only comes into play in the Breath of The Wild rendition of the song. (***)I strongly associate this instrument with Mipha, given that it is used in her theme, in every “response” to the initial melody. It can be heard in Attack On Vah Ruta, as well, it enters the scene when the notes Mi(E) and Fa(F) are played. The initial tune, Si and Do(B and C) are played on a clarinet or oboe, wind instruments just like the flute that leads Sidon’s respective theme. The celesta can also be heard inside Vah Ruta, activating the first terminal…. when the song really takes a turn just like Medoh’s. Mipha has nothing to do with the song of this analysis, however. We must understand that instruments, although they are attached to characters/various story elements in some cases, can always be used outside of that context, for that is the nature of an orchestral soundtrack. If you have this many tools at your disposal, you will make good use of them.

#Revali #Vah Medoh #botw #loz #aoc

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vaguely-concerned · 4 years

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X-men Evolution; the great 2021 rewatch liveblog

exactly what it says on the tin, about halfway through the show I had TOO MANY FEELINGS and had to start writing some of them out haha (gets quite gambit & rogue/gambit heavy in the latter half, Because of Who I Am as a Person)

- this is my childhood’s x-men, my formative experience with them, and I’m happy to report that still seems like a good thing. the little eleven year old within me gets to geek out and have a good time with the characters and the surprisingly good animation and writing, adult me gets to CACKLE at regular intervals at the fashion/technology/absolute bonkers hot garbage comic book nonsense they use to justify a storyline every now and then, it’s been a good time

- I was like ‘ah well it is super dated it probably won’t be quite the same now’ and then rogue’s HAIR did the THING in the opening and ‘it’s all coming back to me now’ started playing in the background... the little baby queer in me swooning across time and space

- such a good beast, both his design and the writing, my heart aches for him all the time. he’s just so passionate! about being a teacher! helping young humans learn the stuff they’ll need in life! the most wonderful nerd man, just let good things happen for him

- I’m going to go ahead and assume that rogue’s ‘crush’ on scott is more of a deeply complex psychological process about desiring normalcy and intimacy and trying to figure out if she’s queer and dealing with her emerging sexuality and latching on to the first and best safely unavailable and nonthreatening older boy to project these issues onto rather than actually being a real thing, because I respect her so much as a person and I cannot bring myself to imagine she’s honestly attracted to a man who has POSTERS OF CARS on his bedroom wall. (I’ll give jean a break just because she seems to have a longer deeper history with him that might counteract some of that libido-kill, and also she’s a jock so lol)

like I am very sorry but can u imagine being a teenage girl with any interest in a boy with model cars in his bedroom when gambit’s swanning around being a much, much, much worse choice on almost every possible level but in a teen girl kryptonite kind of way? inconceivable

(I drag scott quite a few times in this and it’s not because I don’t love him, it’s just his tragedy to be the most draggable man in the world)

to be fair by the time gambit shows up that whole Situation has mostly played itself out I suppose but still

- toad’s design is so ineffably brilliant, I can’t quite tell you why but that ugly cute charm has really stuck with me, he’s one of the characters I remembered the best to this day just visually

- poor evan... he truly never had a chance, did he, they just saddled him with the most 90s teen bullshit they could come up with like he’s some kind of ‘what adult writers think teens like’ frankenstein’s monster ;______; it’s not your fault honey

- poor poor POOR storm, she gets one focus episode and they were like ‘we’re going to make an episode so racist -- ‘

I’m still STUNNED at how bad it was, but undeniably I laughed hysterically to the point that my neighbours were probably worried when that dude was earnestly like ‘He [stunningly breathlessly racist caricature of a ‘witch doctor’ guy] has stolen her powers, and he’s going to use them to take over Africa!!!’ fhajsdlfhsakjldfh oh really? tell me more, like how the fUCK this could be on television within my life time fasdlfhsdkjfhsad f just... fahjksdfh

- it’s a testament to gambit’s appeal as a character that his charm can survive what they’ve done with his hair and beard choices in this one fajskfhs regrettable but true I still fuckn LOVE him and in my highly biased yet Correct opinion he should have been around much more. get you a man who manages to stay hot through sheer Vibes even with a bowl cut

- aw scott/jean is kind of sweet in this show even if it’s taking them forEVER to get there, I like it

- it’s very nice of rogue to not mention magneto’s romantic daydreams and nostalgic memories about charles xavier after touching his face that one time... or maybe her brain did her a service and repressed it, there’s some stuff you shouldn’t have to know about your father figure

- the danger room is the very definition of ‘why do we even have that lever’ and I wonder what the fuck prof x does to have enough money to replace everything that gets busted all the time

- I’d say that a lot of the writing holds up surprisingly well! (but some of it is also incredibly inexcusably racist in ways that beggar belief, so... not full marks here) the characters have distinct voices and their arcs are set up and delivered on solidly for the most part, and there’s a lot of love showing through in small moments that are just there to have a funny/interesting thing to say about the characters and how their powers work separately and in combination. listen, sometimes I get so thirsty for like. basic goddamn competency in storytelling, let me have this

- ugggggh why is there captain america in my x-men have I not suffered enough... very very funny when prof x goes ‘sounds like you knew rogers personally’ and logan is like ‘I did ;)’ *all the students ganging up on steve rogers* “did you fuck our teacher, captain america?!”

- fskadfhas WHY are you showing me hot young-ified magneto’s ass fksjahfskj charles is not even here to see it, what a tragic waste erik

- ...I was sort of kidding before but uh I think logan genuinely did fuck captain america (or at least wishes very much that he did lol)

- wanda can have a little watching the world burn. as a treat for the way every single adult in her life has fucking failed her (’aren’t they treating you well here’ professor x she’s in a straightjacket)

- poor rogue tho can you imagine finding out after your biggest crush on a girl yet that she’s your fucking MOM in disguise... I would break out in cold sweat every time I thought about a boob forever after

- well seems like they really just had all that homoerotic rivalry stuff between quicksilver and spyke in their first ep only to never do anything with that again ever?? I mean even without the gay undertone that seems like a dynamic you spent most of an episode setting up writers what the hell haha

- dslhfkasjlh GAMBIT THERE HE IS MY BOY IS ON THE SCENE THIS IS NOT A DRILL!!! I don’t even care about his awful hair situation or the fact that his eyes are wrong here (coloured contact lenses, maybe, for a watsonian explanation? though he’d probably have to get them made special, considering he needs the sclera and the iris covered up in different ways, I’ve seen some comic panels indicating he has been known to?)

(cute little detail: when he shuffles the cards the first time we see him he ends with removing the top card to show the ace of hearts beneath <3 foreshadowing baBEY he’s a... good-ish boy deep down. hey he tries okay shit gets complicated sometimes lol)

- cracking UP at gambit perched cheerily on the edge of a crate dispensing cards in the middle of the battle... he’s like ‘eh it’s a livin’ sfsajkhf remy stop working for supervillains just because you had nothing to do on a thursday afternoon and they said they’d pay you

- I’m guessing magneto must have imposed a strict order of silence on these guys or something because I cannot imagine any other reason for him to shut up, especially once he notices rogue is a QTE (or, far more likely, they hadn’t settled on any voice actors for the new characters until next season haha. it is kind of odd that they’re all keeping up near monastic silence, though, even sabertooth lol)

- WHAT an epic first meeting for us rogue/gambit fans here... first his shadow like there’s fireworks going off behind him lighting him up and then he gives her the fuckn king of hearts and she’s so enchanted by his dumb handsome face she doesn’t even notice it’s about to blow up in her hands and it all happens in heavily meaningful silence afjsdfjashjk no wonder this ship ingrained itself in my hindbrain

yeah look smug while you can remy she’s gonna have you on your knees one day and you’ll be happy about it lol

- god storm is so COOL, everything just fading out of focus when she really gets going... give her more screen time, show!!

- mystique is every person... this person... that person... that bird... that cat... that wolf... I’m not even sure she’s not also me... are you sure she’s not you?

- holy fuck I respect the hell out of the decision to just... blow up the entire status quo in a season ender, I only vaguely remembered that (actually in general I appreciate how good the continuity is -- buildings and places that get damaged in battles need to be repaired or rebuilt, it makes the consequences feel more real even when no one gets seriously hurt. where they get the money to restore scott’s car and logan’s motorbikes every time they go cablooie is still an open question tho lol is it credit card fraud, professor? is it telepathically acquired blackmail???)

- I first watched this when I was nine or so, so it’s a real experience to go from my starry eyed intrigued ‘oh my god... they’re teenagers’ to my horrified adult perspective of ‘oh my god... they’re TEENAGERS D:’

that goes double for the brotherhood boys honestly, I’m here with tears in my eyes like ‘I’m sorry the system has failed you so badly you’re all just a bunch of dumb kids whose caretakers clearly fucked up spectacularly’

like lance is always waiting for mystique to come back because she’s the closest thing he has to a safe parental figure, may we speak about how crushingly depressing that is

- rogue is so ready to throw hands at literally any moment and for that I love and treasure her immensely (I think getting to see her be so surly and unreasonable and sometimes difficult and jealous, like any teenager, meant a lot to me as a kid who was not really allowed to be any of these things, this version of the character has stayed with me so deeply. she holds on so fiercely to her right to feel what she feels and be what she is even when it’s ‘ugly’ or unreasonable, which I think plays in really interestingly with how her powers involve getting invaded by other people’s thoughts and memories to the point of overwhelming her own sense of self and the fact that she clearly has a lot of self-loathing and self-consciousness and confusion about her identity as well. I love her so much)

- oooof this is the ‘the gang experience a microaggression’ episode huh (well more like macroagressions really)

hits a bit different with adult eyes and perspective huh

- hearing jean sound almost like a child when she says ‘that’s so unfair!’ somehow has me like ;______; -- she has to be so adult and responsible all the time, and having her be reduced to the kid she still is and should get to be in front of this awful awful man she could squash like a bug with the flick of a thought... ugh I’m Big Sad (it is funny that jean seemingly plays Every Sport tho djfhaskj)

- MY BOY IS BACK!!! this time with the duster coat and his eyes the right colour, im so happy (too bad about the subdued colour scheme tho; I adore his dumb bright pink getup with my whole heart)

it’s kind of adorable that he takes the time to take the bullies aside and go ‘I know these guys can’t wreck you without getting expelled, but I think you’ll find no law set down by god or man would stop me from doing so whenever I wanted to. so piss off and leave them alone’ lol he’s looking out for them, in his own way

- in this episode: remy lebeau wrangles some kids while looking bored yet mildly amused the whole time. what the fuck does magneto have on you for you to agree to this level of babysitting duty buddy

- fun detail I noticed b/c when I get a fave I hyperfixate: he gave rogue the king of hearts before, but he ‘introduces’ himself to the brotherhood here (lol) with the jack of hearts, probably to symbolize he’s here as someone who works for magneto in this setting and not as his own man? it’s a demotion he’s given himself there, anyway, might be he’s not very pleased about his current position huh

- I like it when rogue and kitty team up, they’re not very effective together but their squabbling is so cute and non-aggressive

- pietro is what draco malfoy would be if I ever found malfoy interesting to watch for even one moment, every time quicksilver talks I’m like ‘what wonderfully insufferable thing is going to come out of your mouth this time you little shit :’)’

- a) why are scott and logan shirtless for this scene? I am not complaining on the logan side of things at least but why and b) I laughed so hard I almost fell off my couch when scott asked logan if he’d ever been in love and he was like ‘once. she was the most beautiful bike I ever saw’ falsdfhaskjfhsakjlfhasklhjfd THE BEST VERSION OF WOLVERINE EVER, ACCEPT NO SUBSTITUTES

- mystique’s sheer dedication to being a petty bitch is kind of inspirational tbh, almost makes me want to go on a completely bonkers and extra crusade of personal revenge myself

- oooh they’re doing some genuinely cool things with vision/lack of vision in this one (it’s the scott left on his own in the desert without glasses one btw) even visually, dang! I’m so sad this show didn’t get more seasons than it did, honestly, it deserved it

- hell yeah jean wreck her, go get your man with the suspiciously specific clothing damage normally done to female characters

awww :’) okay yeah they’re super sweet, I love the tiny loving animation details like how he leans his head against her and her stroking his hair away from his eyes

- nooo don’t bully evan leave my t0tally r4dical sk8er boy alone :(

- I love the running joke of people fleeing in blind panic only to reveal that what they’re running from is kitty’s cheerful well meaning little face fskfaskh

- scott and jean are already peak married after officially being together for one episode and it’s adorable, and they just stone cold threw logan under the bus, rip wolverine we hardly knew ya

fjasdlfasldfhslajdkfhsadkjlfhsdkjalfhsdakfh h jean establishing herself as the alphabitch of this relationship by throwing her man to the wolves right after dsjfhaskjfhaskjhfsakjdhfaskjhfaskdhfskjahfskdajhf get smarter or get volunteered scott

- ...eyepatch lady is so hot ngl

oh evan went to the place hank used to go to calm down ;________; (honestly he’s kind of won a place in my heart just by being a pretty normal teenage boy haha)

- jesus fucking CHRIST can you imagine being storm having to look her sister in the eye as she tells her ‘I lost your only child, he’s *vague gesture* somewhere in the sewers we think’ this poor woman

- amanda the self admitted monster fucker you are so VALID (I love her and her family’s design so much tho!)

- it’s so cool that even in his human ‘disguise’ kurt’s fingers follow the shape of his actual hand beneath it rather than moving like a five fingered hand, it’s such a lovingly consistent little detail

- magneto and mystique in a breathless race to see who can be the shittiest parent... tune in next week for yet another parental nadir (also some low-poly gambit appearances in this one, for those at home keeping score (me), he’s in the background looking like someone drew him with their eyes closed fakjldfhasd look how they massacred my boy)

- someone please teach the brotherhood boys about consent huh

- jean ‘soccer mom before her time’ grey and her SUV dfhakjlhds :’)

- im sobbing rogue baby girl i’m so sorryyyyyy, this voice actress is so good, my parental instincts suddenly kicked into overdrive hearing the crack in her voice :( (bb me was right tho rogue centric episodes ARE the best episodes. that tension between ‘do I identify witn this character or am I crushing on her?? both???’ now has the fun new addition of ‘oh god oh no you are a baby I want to shield you with my body from everything trying to hurt you’)

- mystique is like ‘so you see despite you telling me you never wanted to see me again I completely disrespected that and posed as a friend your age, manipulated you by offering you the mirage of direly needed emotional intimacy and belonging and added some sprinkles of homoerotic tension to it just to massively worsen your already existing grievous psychosexual trauma and identity issues... out of love’

god go jump in a black hole you fucking monster

- there’s some very interesting and quite subtle subtext about the people she’s morphing into and what that says about her mental state/how it shows off some of her emotional baggage with the rest of the team. it’s like she’s switching between people/powers that fit the purpose as if she’s going through cycles of fight/flight (and then bursts of freeze where she’s herself, which is... so sad)

- this whole episode is hurting my heart but rogue at full power is undeniably epic

- ‘professor x get your goddamn act together and get this poor girl some fucking tHERAPY’ challenge

- SAFE PAPA LOGAN ;_____;

- EYYYYYY opening straight on My Lad, I cannot stop winning!!!!!

fasdfhsad disintegrating the window with a smiley face... remy I do love you more than my heart can bear honestly, hello may we speak about the fact that his urge to be a little shit is so deep and strong it survives mind control (that little breathed out ‘hiah!’ as he vaults the fence too dsakfjsd)

hahaha and he does up the coat fhsalfdsaj

- magneto dismissing other telepaths like ‘puh-lease, your Meaningful Looks have got nothing on my ex-husband’s’

- :’) rogue and kurt sibling timeees

- say what you want but this pyro guy’s got job satisfaction in being a creepy arsonist with a weird recurring horse theme (well at least twice but still weird)

- I love how beast is the kindest man to ever walk the earth but also straight up savage, this man drags people so hard their ancestors wince in their graves

- gambit taking the time to complete the guard’s game of solitaire -- this episode is giving me everything I want. u little disgrace mr lebeau

and THEN he takes the spider out in the most hilariously bonkers way my heart is so FULL

(I love that when magneto moves by he looks startled and has to quickly move his head out of the way to avoid getting kicked in the temple too that’s a fun detail)

I’m so INTO how this sequence shows off that his greatest strength isn’t even his powers (which are pretty straightforward, really, he makes go boom, longer time and bigger thing bigger boom) but that he’s clever and creative and always extremely ready to be the most harebrained-bananapants-extra-in-a-deceptively-laidback-sort-of-way person in the room (I actually have some genuinely Deep Thoughts about how his whole character does a really interesting thing with having the straightforwardly destructive nature of his powers yield to what his nature as a person is, and how using the playing cards play (heh) into it, maybe I’ll write it out some day. just the fact that he could use anything, but he deliberately chose something that adds style and playfulness and corny charm to it and that also limits the damage of the explosions compared to if he habitually used something with more mass... I find it fascinating how much he’s made a story around himself with it and how deeply it shows he does have a good heart, at the end of the day, in almost a metatextual way. he doesn’t want to destroy things or people, he’s at worst (and best lol) a thief.)

- I honestly have literally no memory of white nick fury (which seems so weird now isn’t it funny) in this series from when I was a kid, he clearly did not make an impression on me lol

- mr wolverine ‘assigned canadian at birth’ x-men

- oh man I dig the androgynity of x-23′s outfit (even tho they had to compensate with the long hair, which... kind of doesn’t make sense in-universe but does on a design level because it’s a crucial thing that she’s a female clone of logan so yeah okay fine whatever have your arbitrary gender markers if you must haha)

ooooooh that’s actually really clever, they make her gender gradually more obvious as she unravels through the episode and her outfit changes -- first the mask coming off, and then her jacket opening to show her silhouette more clearly, that’s cool!

- my god what really sets this show apart is how much it invests in little character and relationship moments, it’s just so fucking GOOD! it gives laura looking in on those moments such depth and weight because it’s new to her but established to us as an audience, this is how you make found family devastating people (storm growing bonsai trees is so charming too haha)

- ooof this is honestly quite harrowing

SHE’S SO SMALL COMPARED TO HIM I’M CRYING (at least that part of his genes translated over faslkfsjdh short king, I say this with all the love and support of a fellow short monarch)

- tabitha seems to just be running around doing precisely whatever the fuck she wants and you know what I support her even if she is an asshole her father left her a bunch of trauma and no fucks left to give

- still thrilled about professor x explaining the spider key fuckup to magneto after the fact like ‘magnus you dumb bitch this is why we split up’

- awww kitty has anime and movie posters on her wall and sleeps with a stuffed toy :’)

- remy rogue

🤝

doing completely unnecessary parkour around the brotherhood living room seemingly just for the hell of it... I’m not saying soulmates but fucking soulmates

- fhsadkjlfhsakjldfhsadjkfhsdajkfh just as gambit’s soul-level need to be a little shit survived his bout of mind control, rogue’s deep and urgent desire to kiss gambit full on the mouth survived hers I can’t breathe

she looks so pleased with herself too GOOD FOR YOU GIRL at least get something out of this other than more trauma

also not only the fact that he’s smart enough to figure out what’s going on (though he’s only partially right about who’s behind it. I do so enjoy gambit/mystique deep and sincere antipathy as a constant across all universes tho lmao pure wlw/mlm hostility) but also that he keeps fending her off like he’s not trying to hurt her even though she’s in nigh on unstoppable and invulnerable terminator mode... awww

- gambit having absolutely no patience for wolverine and sabertooth’s bullshit macho-off and consistently being this little biker trio’s one brain cell is adding years to my life with every passing moment

his voice is a little different in these scenes too, a bit softer and less like he’s trying to impress someone, it’s nice

- hank: well I barely recognize any of these (completely made up) ‘ancient egyptian hieroglyphs’ but from what I can make out -- *proceeds to infodump a perfect coherent narrative* fjdhfak

listen this whole thing is such nonsense on so many levels, I’m just turning my brain off so I won’t have to think about it okay, the compulsion to put ancient aliens in egypt haunts us as a culture

- I am CACKLING about gambit in the snow after having to listen to these two chucklefucks ooze testosterone at each other for hours

he started out taking it in good cheer and is now reduced to ‘dieu would both of you just jump off this fUCKING mountain please’

- ah. a little oops-a-daisy there, we seem to have unleashed the apocalypse. please stand by (they really don’t pull their punches with the season cliffhangers in this show haha)

- opening the season on gambit’s merrily grinning face is the easiest way to gain my favour. yes good this season may commence

baby u r my

ANGELLLLLLLL

(he’s so cute here tho haha I think it shows the design isn’t unsalvagable, just get him better hair and stubble more like logan has and you’ve basically got it)

love his exasperated eyeroll when the dude gets spooked (by his eyes? or just the general weirdness?) too

he’s just trying to keep this crazy family of evil mutants together and unmurdered by one another until they’ve managed to avert the end of the world, bless him

- oh NO rogue’s LIP wobbles my hhhhhheart ;____; such a good animation detail to put in

- like... I know kurt is just a sad scared teenager with a lot of shit going on and all the adults are too busy averting the end of the world to help him... but buddy maybe don’t ask your sister to wake her abuser (who forced her to kickstart the end of the world!!!!!) when she feels utterly unsafe even with her statue version around huh

- ...wanda is good and I want only good things for her. and for her dad to be disemboweled for what he did to her both the first time around and when he forced her to forget I mean what

- magneto throwing an epic satelite-slinging tantrum b/c ‘no I am the biggest sexiest strongest mutant of the pack :(’... erik fucking get over yourself

- yes boys absolutely go along with a plan suggested by a dude who looks at you like this

nothing bad can come of this surely asdfkhsa

- lance’s quarter of a braincell always trying to go ‘hey wait, maybe... not do this???’ and it never helps lol

- in this episode: Logan Has A Bad Day

...some very specific bondage positions he’s held in here, I am sure this episode awakened something in someone once upon a time lol

- logan shielding x-23 with his body... im fine it’s okay I’m not crying don’t look at me

- afsdhlsdfjasdlk those sure are some ‘scottish’ accents flsadkjhkdsjahfsd

- scott relieved to finally be able to cede the position of ‘charles xavier’s least favourite son’ to someone else fjsaklfhsajd (poor scott it’s not your fault honey)

supremely cowardly to suggest there is an ex-wife involved rather than charles slutting his way around the british isles back in the day but okay

- kurt with a cold is the cutest thing I’ve ever seen. it’s okay kid it’ll get better soon

- ...is there an implication here that professor x is naturally blond. because I am losing my entire little mind about it (i mean he at least has to carry the gene, as does this lady?)

ETA: upon doing some research into this I can indeed confirm that charles xavier does seem to be naturally blond, and after this knowledge I will never be the same

- “listen, dracula” fskdafghasd oh scott you sweet baby angel I love you

- I know jean’s abilities are a bit ‘as strong or as weak as the plot needs right now’ at this point (so you can have the setup for what’s going to happen with them eventually and she’s basically invincible ;____;), and normally I’m cool with it but god I want her to just squash lucas like a little bug

- ewwwww please don’t ever say ‘daddy’ like that again

- ...what the fuck is even going on this episode’s a mess

like okay the split personality thing could be something but the way it’s done... what just happened lol

- MY BOY EVAN IS BACK! with a real glowup too (...though kind of weird how he suddenly looks like a grown man)

- augh scott’s eyes are so pretty oh my god ;__________________________;

- that episode in the first season where evan makes the ‘this is my new family!!’ video is so sad now (also, again, his poor poor parents)

- time for: life affirming road trip with gambit (involuntary) faskljdfhaskjd

stunt therapist remy lebeau

- I mean the way he goes about it is batshit insane and it’s very much secondary to what he’s actually up to but this is the first time rogue’s sounded genuinely hopeful and confident and like herself in like a season <3

- he is disconcertingly pleased about her nearly throwing him off the train, and may I just say I agree it’s so nice to see rogue with her old fire back

- the first time I watched this it was of course dubbed into norwegian, so I had no idea either of these characters were southern lol (though to be fair I probably wouldn’t have had much context for what it meant exactly either, I was like ten at the time and not too interested in america) I seem to dimly remember the norwegian voice actor did a little more of a ‘french’-tinged accent for gambit all over tho haha

- you know what respect where it’s due, pyro dude knows to live his life for the lols and one has to admire his sociopathic dedication to it

interesting that he, too, seems to have fucking hated magneto -- I wonder if the implication here is that he kept all the acolytes in line with blackmail or by keeping something/one hostage? (except sabertooth maybe he’d just have to say ‘you get to fuck shit up and fight wolverine’ and that’d be enough)

- fsdakfhsd he’s so focused on her he doesn’t notice that guy about to hit him fkafhsa

- fuck everything else except whatever the hell these two’ve got going on

- it’s weirdly cathartic to have rogue have a conversation with someone who was not happily adopted as well, I don’t think kurt like. gets it because his parents loved him unconditionally and still do

birds of a feather motherfucker

- fun detail: when the x-men team are on the shore and logan is sniffing around scott is stepping in something and trying to wipe it off his boots in the background

- when he wakes up after passing out from the touch he’s smiling even though she’s standing over him looking like the rage of god outlined by the moon fsajfsa well the last time he passed out like that it was from a kiss, maybe he still has some hopes and dreams in that direction lol (also he recovers from the tumble down the hill first and is checking on her before accidentally brushing her cheek with his hand, which I thought was sweet)

and it was in that moment he knew he fucked up *passes out*

- ‘I can explain’ can u remy. can u

- did it ever even occur to you to just. ask her. to help you. I mean I know it didn’t but like rogue’s always one second away from throwing hands with some bully and is stupidly ride or die, if you’d given her the puppydog eyes she would have crumbled immediately (fair enough I guess this entire episode is telling us he’s not from a background where he has much experience with people just helping him without a price haha)

- his eyes glowing when he’s angry or upset or using a lot of his power is undeniably cool as all hell. I’m just saying it would be Big Sexy if they sort of flickered with light in moments of genuine vulnerability okay

- his coat... his coat is what makes the Silhouette tm and I could not be happier about it

- another parent of the year contestant enters the running lol “hey remy have you ever considered that you’re more of a walking bomb factory than a person? that’s certainly how I think of you hahaha c’mon kid let’s go”

- the running joke of jean luc getting dollar signs in his eyes seeing the other mutant powers and gambit being like ‘nO!!!!’ and pulling him along is amazing haha

- from the way he looks when he touches rogue accidentally and the way he talks to his dad I’m sort of getting the feeling this gambit might actually be a bit younger than he looks?

here too -- idk why but it’s making the ‘wait is he baby???’ alarms go off in my head haha. very early twenties at most.

- and we’ve officially seen him with all the face cards in the heart suit folks! (yes this is the sort of thing my brain notices no I don’t know either)

- poor logan running his ass off this whole episode in a panic and then she’s like ‘nah he’s fine (in several meanings of the word ( ͡° ͜ʖ ͡°) ) please put him down’ hfaskfsda

- rogue without makeup!!! her eyes look so naked like this haha <3

- oooh here’s a really interesting thing that tickles my brain a bit in this specific part of the scene where gambit frees his dad -- the part where he’s leaning against the door frame waiting for jean luc, who’s about to suggest using the opportunity to ruin the rival gang from the inside rather than slipping away while they still can

from his expression here he knows what’s about to happen, what jean luc is about to say, and it’s clearly a ‘man who thought he’d lost all hope loses last additional bit of hope he didn’t even know he still had’ sort of situation. he KNOWS what jean luc is like, and it still hurts that he really, honestly can’t give him even this, can’t appreciate that remy’s already done all this shit for him when he extremely didn’t have to, without immediately (no really, it took him less than ten seconds to go there? jesus) demanding more.

remy tells him “I’m just here for you” and jean luc does not understand it. remy seems to be sincere in this motivation -- rogue certainly thinks so, having experienced it second hand and found enough at least emotional merit in it to decide he was worth saving even after all his bullshit (lol a bit of a running theme maybe. I think it’s very telling that after she absorbed mystique she was like ‘what the FUCK you’re a fucking monster’, and after she absorbed gambit she went ‘you did the wrong thing for the right reasons’ after she got over the first wave of outrage)

there’s also what he says as he stands there: “You don’t need me for that”, with the distinct implication that jean luc would only keep him around because he has a use for him and for no other reason -- and then jean luc shamelessly doubles down on that by specifying that it’s not even him he’s got a use for as such, just his powers. that’s some kicking puppies level of deliberately missing the point, it’s almost impressive in how cheerfully mean it is haha

this idea of using people is really important in this episode because remy’s doing basically exactly the same thing to rogue to begin with; it doesn’t really matter to his plan that it’s her that’s with him through this, just what her powers are. (I think it’s p r e t t y solidly implied that he does actually like her a lot outside of that too and maybe there is some comfort in having her around for this, but mostly he’s behind a smokescreen of lies through the whole thing sooo I doubt he’s even aware of it, honestly)

but then it does matter that it’s her when she comes back for him, even after what he did. and unlike jean luc he understands what that means, that she did that for him, and that she didn’t have to. and instead of asking her for more, in return he gives her the thing it’s been established is what he considers the most valuable thing he has; his ‘last card’, the thing he’s credited with keeping him alive many a time, basically. it’s gone from using to mutuality, a tentative place of friendship, and at the end of the day he is a different man than his adoptive father, with a capacity for selflessness and love he lacks. which is of course some of the same stuff going on with rogue and mystique too, except rogue acted from a more fragile and unstable place and did something she regrets, or at least has a LOT of doubts about now, and she found some catharsis in helping someone make a different choice in a similar situation. man there’s some Stuff going on under the surface here haha

(by the way it’s a weirdly... meaningless yet intensely meaningful thing, the gifting of a symbol? of an idea? but he’s putting something very crucial of himself into her hands, is the subtext, and he expects her to understand, which she also does seem to do. at the beginning of the episode he’s proving that he’s seen something true about her -- “You’re such an unhappy girl”, knowing where she comes from, the way she’s mourning her lost confidence and autonomy with her abilities -- and here she’s proving she’s seen something true about him. :’) I wish this show had gone on long enough for this dynamic to progress, it’s really interesting and touching)

- gambit dragging himself up onto dry land seeing someone approaching (to help?!): :D

gambit seeing that it’s logan and the look on his face: D:

- rogue using her powers so confidently and fearlessly in this episode tho!!!!

- *me crying* and then her FAMBILY comes to take her home and he says he’s looking out for her too and kurt still loves her even though they’re having a conflict thing between them and she’s finally able to use her powers without so much fear again and --

- ...did I just watch some baby lesbian love at first sight shit right now???

- okay last two episodes let’s go

- HELL YEAH STORM (I love that she’s like ‘don’t give me a dumb order like that and I won’t have to disobey it’ too sdfjsaj) her voice has such command I’m usually very much not the ‘step on me’ type butttt

- y’know I feel like apocalypse’s main fault across all versions I’ve seen of him is that he’s like an immortal superpowered god king and he’s not even sexy. like at least make him hot if he’s going to be insufferable in every other way

- also callout post for apocalypse: one time he made gambit into the Horseman of Death... and didn’t even make him sexy!!! you were handed remy lebeau, supreme bi disaster slut of the x men universe, and you couldn’t even make his brainwashed superpowered evil side hot?? a beautiful stubbled twunk with glowing red eyes and extremely charming :> face practically delivers himself into your hands and you do that to him???? I mean I’m sure apocalypse did some other bad stuff too but that was the worst one

(comics are so dumb y’all)

- having to watch jean cry is emotional terrorism!! ;___; she has such older sister/mom energy, whenever she gets sad and helpless it hurts

- oh, OH so PROFESSOR X you’ll make into a hunk and ~*strategically*~ rip his clothes to show off a nipple and a flawless pec in a way that makes me extremely uncomfortable because he’s like The Dad??? apocalypse you are rotten to the core this is unforgivable

- so wait wanda never actually gets her real memories back. what the FuCk I hope that was a dropped storyline because they ended the show tragically prematurely rather than like. the plan

- why is spyke calling storm ‘storm’ show that’s his auntie o!! >:(

- as a society we need to acknowledge that apocalypse looks like a fucking clown

- ooooh yeah I have been thinking that this show’s greatest visual weakness so far has been not having a visual way to show telepathy/battles of the minds, but this is a pretty cool way to do it! better late than never

- I’m so happy rogue gets to end this herself, since she was forced into starting it against her will, it’s just nice and neat storytelling

- YEAH FUCKING TELL HER KURT AND ROGUE I AM SO PROUD OF YOU and she has the temerity to look pissed off oh my god

the only valid thing mystique has done in her entire life is be in love with destiny. literally everything else she gets up to is a travesty. like I know objectively she’s hot but my loathing for her stops me from even appreciating it. I do enjoy loathing her tho so please don’t change her haha

(a bit odd to have kurt’s attitude to her swing so much but I’m just going to assume he and rogue had a good long conversation after ‘cajun spice’ and that he understands what’s going on better now)

- this last part is such a cruel tease faskdfhsdaj ‘here are all the cool-ass things we had planned. sucks you never get to see it huh’ im devastated

- magneto without his helmet and playing charmingly with children like charles is going ‘well at least I saved my marriage finally’ fsadkhfjsd (honestly tho I would be super interested in seeing how they’d redeem this magneto because he’s been a real bitch the whole time lol)

there’s an interesting thing here where magneto looks down at wanda as the last thing he does on screen before this epilogue part (yeah I hope it fucking haunts you forever what you did to her erik you absolute piece of hot garbage) and the last thing charles does is look at jean b/c he knows what’s going to happen to her and it breaks his heart... Dramatic Parallells

- just the hint of jean as the phoenix has me in full D:D:D: mode tho maybe I wouldn’t have survived it

- gambit in the last groupshot with his arm around rogue ;^) I mean I’m sure they’re headed for some turns and roundabouts along the way but what’s that thing she says as her wedding vow, that she’ll always find her way back? anyway that got me in my heart

- man I really wish this show had been given more seasons, we were barely even getting warmed up here :’(

#x men evolution #x men #gambit #rogue x gambit #aaah this is like therapy for me... just dumping all my emotions into a tumblr post and then let them go into the ether #I am now wondering if I'm desperate enough to go all the way back to the x-men animated series (which I've never seen before!)#like am I willing to go there for more Contente. time will tell I suppose #happy tag #...this is very long #MAN why can't I channel this dumbass energy into fiction writing I'd get so much DONE

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lemonpeter · 4 years

Text

All For Him (Perfection)

“A cute prompt where Peter wants to go to prom really badly but MJ dumped him recently and Ned is going with Betty so he feels like he can’t go. And flash makes fun of him for being a loser with no date to the prom. So Tony offers to take Peter just to fuck withFlash and they end up being the center of attention obviously and they’re having fun and suddenly they both have an ‘oh’ moment and realize they’re in love and they kiss snd it’s very sweet.”

My prompt fill for @starkerfestivals Fall event 💕 I’m actually really happy with this piece and I hope everyone else enjoys it as much as I do!

Warnings: brief alcohol mention, brief mention of after prom expectations, Peter is 18 (it’s mentioned mid-fic), it’s 99% just fluff I promise

————

Ah, prom season.

Tony couldn’t say that he really remembered his own, if he even went. He had been...what, fifteen? The only thing on his mind at that point had been finishing high school and getting to MIT. Everything he did to piss off his dad came later.

So he probably hadn’t gone. But he was sure that things were different now, anyways.

Elaborate promposals, themed dances, after-parties that rivaled his college days.

Anyways. He hadn’t thought about school formals in- god, decades, probably. Like most people with some sort of life aspirations, he hadn’t thought about it since leaving high school. But it hadn’t even mattered to him then.

But it mattered to Peter, still in school.

Freshly heartbroken, sweet, perfect Peter.

Tony couldn’t believe that anyone would break up with someone like Peter. He was the type of person that people fought over, not someone that got broken up with.

But he had been broken up with all the same. He tried not to act like it bothered him, but he wasn’t good at hiding things like that.

Tony saw the way that his fingers twitched when he grabbed his phone, wanting to text something to MJ. He noticed how Peter’s gaze lingered on a window display of suits advertising ‘It’s Almost Time’. And he saw the tears that filled Peter’s eyes when they witnessed a - incredibly cheesy, unnecessarily extravagant - promposal outside of someone’s building.

And he knew that he would have to do something about that.

———

“Mr. Stark, I can’t,” Peter told him, sighing heavily. “I just can’t. I would look so stupid if I went alone. And it’s too late to ask anyone, everyone already has their dates.”

Not that anyone would want to go with him anyways.

“What about your friend? You know, Fred,” Tony teased, like he didn’t know his name. It was an ongoing joke, so Peter knew he actually did know.

Peter sighed again, resting his forehead against the table. “He’s going with his girlfriend. Betty. I’m pretty sure I already told you this.”

“Right, right. You couldn’t just tag along with them?”

Peter’s head shot up and he made a face. “I am not about to be a third wheel. That’s so embarrassing. And lame. I don’t need extra reasons to be made fun of.”

“Extra?” The older man frowned as he watched him. “Don’t tell me that’s still going on.”

“It’s been a thing since I was in sixth grade, Mr. Stark. It’s not going to stop until graduation, apparently.” Just a few more months away. Thank god.

Tony hummed softly, tapping a finger to his chin. “Well...I mean, that’s not gonna work. You want to go. So you’re going to go. But-“

“I can’t go alone!”

“I was getting to that,” Tony chided. “Don’t interrupt me. If you can’t go alone. But none of your peers are still available. Or up to standards,” he joked lightly. Then he paused for dramatic effect before finishing his thought. “I could just go with you, Peter.”

Neither of them spoke for a moment after that, just taking the words in.

Tony felt that it had been innocent. Just an offer so that the kid would feel okay going to his dance.

But from the way Peter instantly blushed and glanced away, he wasn’t so sure it was received that way.

“What? Would you be embarrassed by me?”

Peter shook his head quickly, eyes wide. “What? No! I just...can’t imagine that you’d want to go. To a high school prom. With...me.”

Tony watched him, eyebrow raised as he listened. “I can’t say that it’s really my scene, but if I’d go with anyone I’d want it to be you. But I’m just going this so you can go and not feel weird, right? And maybe you can show that asshole Flash up.”

The young man was silent for just a moment, obviously thinking it all through.

Tony loved how he could practically see all the thoughts and outcomes swirling in Peter’s head.

Then he nodded slowly. “Okay. Yeah. You can go with me.” He smiled a bit. “We’ll need to buy you a ticket. And make sure you don’t do anything weird,” he joked lightly with him.

The older man scoffed. “Me? Weird? Oh, quit. We can either be the center of attention or we can blend in with the crowd. I can go with the flow. Whatever you want. I’m not weird...”

Peter laughed, genuine and relaxed. Definitely feeling better.

Tony was just glad that he could help. And if he got to make the kid laugh and smile at him like that? He would have done it again a million times. “So it’s a deal?”

“It’s a deal,” he agreed, nodding. “We’ll work out plans later. I’ll...text you?” He asked it as a question because he didn’t want to overstep.

Tony waved a hand. “You text me about everything else, of course you can message me about this. No biggie.”

Nodding, Peter smiled to himself. “Okay. Okay. I’ll gather all the details so we can both be completely prepared.” A pause. “Thank you, Mr. Stark. This...really means a lot to me.”

“No need to thank me. Because I just want you to be happy.”

A smile from Peter. “You’re the best.” He grabbed his backpack and slung it over his shoulder. “Thank you, Mr. Stark. I’ll text you!”

“Okay, kid.” Tony watched him leave the garage, smiling to himself. He knew that he was way more excited than he should have been.

But Peter just made him like that. He didn’t want to read too much into it. No use thinking into what he didn’t want to discover about himself.

———

He hadn’t heard from Peter for a couple of days and he was a bit worried that he finally scared the man off.

Until he got a large number of sudden texts.

‘Hi Mr. S’

‘*Stark’

‘I got the prices for tickets. It’s kinda a lot so I understand if you don’t want to go’

It was cute, Peter really seemed worried that the tickets would be too expensive for him. But he figured that the younger man just stuck in the mindset that money was always tight.

‘They’re $60 each’

‘I can cover mine, don’t worry’

‘And I still need to rent a suit since the one I have is old’

‘And depressing’

‘But I’m sure you have a suit! So you don’t need to worry about that’

‘Unless you wanna wear a dress. I wouldn’t judge’

Tony chuckled at that. That was always an option, but he figured he would go more traditional if Peter wanted to blend in.

‘But yeah. Just wanted to get back to you about that. Since it’s next week we probably need to make final plans and all’

Smiling to himself, Tony started typing a message back.

‘Ticket prices won’t be a problem, I’ll drop by your school and pick one up later today. And I can handle getting you a suit, no need to rent one that god knows how many other people have worn.’

He watched the dots that signaled Peter was typing. Then they disappeared and he was a bit worried that he overstepped some sort of unspoken boundary.

Then he got a phone call instead, Peter’s adorably awkward contact picture filling his screen.

Of course he answered instantly, putting the phone to his ear. “Yes? I thought your generation hated phone calls, why am I getting one?”

A giggle from the other side. Tony grinned at that, ignoring how his heartbeat sped up ever so slightly at the sound. It meant nothing. He probably had heart issues and should get that checked out.

“Because it’s easier to call and talk things out than to text it all,” Peter told him helpfully.

He was looking through his closet, glaring slightly at the one suit he owned. He didn’t like it, for obvious reasons.

It was his funeral suit. It was also the suit he wore to homecoming his sophomore year. Not good memories. But he knew that suits were expensive and Mr. Stark liked going overboard.

“Were you serious about getting me a suit? Because really- I can just rent one. It’ll be okay. It’s one night.”

Tony made an offended noise. “Absolutely not. I’m getting you one. No date of mine will be showing up in some overpriced, used-“

“Date of yours? It’s my school dance, Mr. Stark,” Peter said flatly. But he was obviously smiling on the other side of the call.

“So? You’ll be with me, you’ll be fitted in the finest thing possible. Come by the tower tomorrow and I’ll have someone here to fit you for a suit. Custom. It’ll be perfect.”

Peter sputtered out a weak argument, but no real words really formed. “No- I can’t- you-“

“Absolutely no arguing with me. This night is going to be perfect for you. In every way.”

A moment of silence and Tony could only imagine the pretty pink blush that was on Peter’s cheeks. No, not pretty. Just-

Yeah, pretty. Sue him.

He was thankfully torn out of his thoughts when Peter cleared his throat before speaking again. It almost sounded like he was on the verge of tears.

It definitely wasn’t out of the realm of possibility.

“Thank you, Mr. Stark. This...it means a lot to me. That you want to do this with me. And that you’re willing to make it....”

“Perfect,” Tony finished when he trailed off. “Come on, I know this is important to you. Of course I’ll do everything I can to make it good.” He smiled to himself, ignoring the fuzzy warm feeling in his stomach. Damn heartburn. (Right, that’s what it was.) “Thank you for calling. I’ll pick up tickets later, then schedule a tailor to come by tomorrow to fit your suit. Sound good?”

Yeah, that was definitely a choked sob he heard. “Sounds good,” whispered Peter before abruptly hanging up.

Weird kid.

———

Everything had gone smoothly. Tony got their tickets and immediately handed them off to Pepper so they wouldn’t get lost, Peter was fitted for his suit and it was made perfectly, a beautiful bouquet of flowers was purchased, Tony made reservations for dinner, and he had a backup travel plan if Pepper convinced Peter that going in the iron man suit was a bad idea.

And then the night finally arrived.

Peter was nervous. And excited. Mostly excited with a little dash of nervousness.

He couldn’t help it. He was finally going to go to prom, the event hyped up from the time he was in elementary school. Seen in every teen movie, show, anything. Prom was obviously important. And he was definitely one for following important life milestones.

Even if they didn’t quite go as planned.

For one, he had been dumped by his girlfriend just before he was going to ask her to go with him. So that sucked. Then he waited and found no one else to go with. Until Mr. Stark stepped in. Which was an adventure on its own.

God, he was on an emotional roller coaster, up and down and upside down and-

Actually, the roller coaster was a pretty good analogy for what he was feeling. He had a weird fluttery feeling in his stomach, but he knew he was excited and couldn’t wait for what came next.

If only he knew what it meant.

He vaguely heard May open the door and he sucked in a sharp breath, doing a quick last check in the mirror.

He thought he looked good, not to brag. The suit was way more expensive than he even cared to know, but he thought it looked amazing. Sexy, even. The awkward, ugly prom suit stereotype was something he was glad to avoid.

His hair was in its natural curls, hanging loose and slightly messy but in what May assured him was ‘a cute way.’

Maybe it was simple. But it made him extremely happy.

So with that, he made his way out to the living room, unable to help the grin stuck to his face.

May covered her mouth with one hand, the other over her heart. “Oh-“ she walked to him, quickly pressing a kiss to his forehead. “You look so good. Handsome boy.” She smiled at him, gently brushing back his hair.

Peter blushed, laughing softly. “Thanks, May.” He glanced over her shoulder, cheeks flushing even darker when he saw Tony.

The man looked great.

Not that he didn’t always.

He looked like he was going somewhere way nicer than a high school prom. He looked so dapper, perfectly put together.

Peter couldn’t believe that the man had actually put all that effort in for him. To make him happy.

Mr. Stark really must have cared about him.

Then he noticed the huge bouquet of red and white roses that the man was holding. He had no idea how he had missed it in the first place.

He slowly stepped out from May’s touch, shaking his head to make her stop playing with his curls.

She made a sound of protest, but crossed her arms and moved to stand to the side.

Tony smiled fondly at Peter, expression conveying more love than was probably appropriate. Not that he would admit to it. He held out the roses, handing them over to Peter.

“I thought you’d like these,” he murmured, biting back a grin. “And it felt like an appropriate gift, given the circumstances.”

Peter nodded weakly, seeming in awe. He really couldn’t believe any of it was happening to him. It really was looking like the perfect night. He smelled the roses, smiling to himself. “They’re...amazing. Thank you.”

May took them from him, chuckling. “I’m gonna need two or three vases to fit all these....” she sighed, smiling. “But before I do that- ground rules. You.” She pointed at Tony. “I expect him home some time tonight. I say by...three. Not that you two will be attending any sort of party afterwards, that’s still the curfew.”

Peter opened his mouth to protest but closed it again. There wasn’t a point, it wasn’t like they’d be going anywhere after the dance. It wasn’t like they were an actual couple. They were going as friends. Friends didn’t have the same sort of after-prom expectations.

“Okay,” Tony agreed. “I’ll have him home by then, no worries.”

“Good. Next, if you do anything that embarrasses him or gives him a bad reputation these last couple months, I will hunt you down and kill you myself,” she threatened.

Tony snorted to himself, but nodded. “Of course. I’m just following his lead, he’s in charge here.” He winked at Peter quickly.

Peter shivered at that. He wasn’t quite sure what the older man meant with the action. He was in change for the night? Did he just mean because it was his prom or was there some other meaning he wasn’t aware of?

He couldn’t decide. So he just laughed a little and nodded.

“Right. That brings me to my final point,” May told them (but mostly Tony.) “Remember your relationship. He’s eighteen, Stark. Don’t do anything foolish in public that will bring bad press around either of you.”

Tony nodded instantly, but he felt like he was lying to her. He didn’t like that at all. “Of course. I wouldn’t even dream of making him look bad. And Pep has dealt with enough bad press from me, I don’t want to make things tougher on her.” As though the situation didn’t already look odd. “You don’t need to worry. Everything is going to be smooth, I won’t fuck anything up.”

May huffed. “You always seem to fuck something up. So your word doesn’t mean much. But you’d better keep to that. I don’t want to wake up to tabloids with the front picture being you groping my barely-legal nephew.”

“No problem, ma’am. Things won’t go south. Have some faith in me.”

“No.”

Tony huffed a laugh. “Okay. Fine.” He watched Peter, shooting him a sly smile. “Ready to go?”

The young man nodded, beaming. He went to Tony’s side, biting his lip as the man held his arm out. So he gently held onto his arm. “Bye, May. We’ll be- well, I’ll be back later. Love you!”

The woman laughed softly. “Have fun, Peter. But not too much fun, okay? And try not to just watch MJ all night.”

Oh, that wouldn’t be a problem. Peter already knew that if he was going with Mr. Stark, he wouldn’t have to worry about pining after MJ. Even if he didn’t want to think too much into why that was.

“I won’t, don’t worry. Love you, byyyyyye!” He called, trailing the last word as he left the apartment with Tony and closed the door behind them.

And with that, their night began.

———

Dinner was just incredible. Fancier than anything Peter had ever been to, for sure. But being with Mr. Stark somehow made it feel casual.

They left the restaurant and got back into Tony’s car - Peter had vetoed just being carried while Tony flew in the iron man suit.

Being in the fancy car, going to a school dance, was a bit too reminiscent of Homecoming and wrecking Flash’s car on the way to the Vulture’s lair. At least he wasn’t driving. And he was determined that he’d actually be staying at this dance.

Tony seemed to notice how he spaced out and hummed, gently setting one hand on his leg with the other still on the wheel.

Peter’s head jerked up at the action, eyes wide. “Huh?”

The hand was pulled away and Tony smiled weakly. “Sorry. Didn’t really think that one through. Just wanted to make sure you were okay.” He cleared his throat. “Having second thoughts?”

“What? No. No second thoughts. Thinking about....” he winced, shaking his head. “Just- really glad this time there’s no chance of my date’s dad trying to kill me.”

The older man laughed at that, a bit taken by surprise. But he was glad that Peter wasn’t having second thoughts. “Yeah, absolutely no chance for that. Don’t worry.”

They rode in relative silence after that, listening to whatever Tony had playing through the speakers. Some band that Peter probably knew the name of but would purposely get it wrong anyways.

Then they arrived at the venue. Tony parked the car, raising an eyebrow when he saw the ride next to them.

Peter easily identified it as Flash’s and had to keep Tony from ‘accidentally’ denting the door when he opened his own. That wouldn’t be okay, bully or not.

So Tony refrained from causing any harm to the vehicle, going to the passenger’s side and opening the door for Peter. He then held his arm out, smiling fondly at the young man.

The night was theirs.

Peter knew that Tony would have followed his wishes to stay under the radar and blend in, but sometimes it wasn’t up to them.

They were seen as soon as they stepped into the doors, whispers erupting throughout the room.

“There is no way,” someone nearby hissed.

Peter wished that his super hearing would calm down. He didn’t want to hear everyone’s disbelief at who he was there with. But he couldn’t really control that.

Then he heard the voice he absolutely dreaded. “Hey, Penis Parker!” Called Flash.

Peter couldn’t see him, but he even sounded smug. “What do you want?” He asked tiredly.

Flash materialized, leaning his elbow on Peter’s shoulder.

The other man tried to pull back, wrinkling his nose at the alcoholic smell coming off of Flash. The night had barely begun, that was fast.

“So,” he addressed Tony. “Is this like a charity thing? Taking a poor loser to his prom? Because-“

“Excuse me?” Tony sounded genuinely offended. On Peter’s behalf? Huh. “It’s not any sort of ‘thing’ other than taking my friend and colleague to an event. Because some people, like Peter here, can actually win their dates over with incredible personality.”

Flash started sputtering an apology, moving away from Peter. “Look- I didn’t- I- it was just a joke! Me and him are friends, we can joke like that!”

Peter gave him a look, lips pressed together. “I...no. Bye, Flash. Stay mad,” he commented, grabbing Tony’s hand and pulling him away.

Tony just wrapped a gentle arm around him, leaning in close as they walked away. “Cmon, ignore everyone else. We’re here to have some fun, right? Let’s dance.” He grinned, pulling Peter out onto the floor.

Everyone already knew that they were there. Why try to hide? They were going to have fun and everyone was going to know it.

Tony grabbed Peter’s hands, doing an odd little dance with him to whatever the song was. He couldn’t recognize it, he just knew that it had a fairly danceable beat.

Relief flooded him when Peter started to relax. His eyes no longer darted around at the stares and whispers and instead he was focused on Tony.

They danced, probably looking completely silly as they wiggled and spun each other to the music. But Peter was enjoying himself. And that was all that mattered to Tony.

As the song faded out and another one started playing in, Peter laughed, the sound clear despite the loud background.

Nothing else mattered. All that mattered was their little bubble of perfection. He and Peter. No one else.

The young man’s hair was tousled, curls loose since he had decided not to gel them down. He looked like an angel, soft and happier than Tony had ever seen him. As happy as he deserved to be all the time.

Peter deserved perfection and nothing else. Tony was just glad that he could contribute.

Then a slower song started and Peter awkwardly pulled away. “We can...sit this one out. It might be weird if we did this one. Just friends and all....” he didn’t look at Tony, eyes on the floor.

The older man watched him, slowly holding his hand out. “Peter, we can do this if you want to.”

The young man’s silence, but hopeful look towards the hand told him all that he needed to know.

“Will you dance with me, Peter?”

God, Peter’s heart was beating way too fast. But he was going to dance with Mr. Stark. And not how they had been before- this was intimate. Close. Something for- for lovers. Not friends, like they were.

But something in him desperately wanted it to mean more.

So he slowly looked up again, taking his hand and allowing himself to be brought close.

Tony smiled at him, expression soft and loving and definitely going to give him away. But he found that he really didn’t care. Not anymore.

He held Peter against his chest gently, swaying to the delicate crooning of the lyrics of whatever song was playing. He didn’t care what it was. All he cared about was Peter.

It was all about Peter.

The young man looked up at him, cheeks flushed lightly. He looked so beautiful. And happy. Everything he deserved.

“Mr. Stark....” he said quietly, heartbeat picking up.

“Please, call me Tony. It makes me feel incredibly wrong if you keep calling me Mr. Stark,” he murmured, still holding onto him and watching him.

“What do you mean? Wrong?” Peter asked, confused.

Tony sighed softly. “God, Peter. I shouldn’t tell you this. I shouldn’t be- okay. Okay. I can do this.”

The younger man could hear how his heart started racing.

“You’re...perfect. In every way. And doing this with you was a bit selfish on my part,” Tony started. “I know I just wanted to make sure you could come here and have fun. But being like this with you? I like it. Too much.” He started to let go, but Peter didn’t let him.

“Tony,” Peter said softly, beaming up at him. “Oh, I’m so glad I’m not alone.”

Tony wasn’t sure how to take that. Was it about the dance? Or what?

But he didn’t get much time to ponder it before Peter was leaning in and kissing him.

Oh.

The kiss wouldn’t have been anything special, it was little more than a peck in reality. But the fact that it was with Peter. His Peter. That made it special.

They broke apart only seconds later, both smiling big before leaning in for a second kiss.

“I love you,” Peter whispered, tucking his face into Tony’s neck.

Tony smiled to himself, swaying to the song again as he kept holding Peter. His Peter. “I love you too.”

And everything was perfect.

#bri speaks #starker #peter parker #tony stark #tony x peter #peter parker x tony stark #my writing #starkerfestivalsevents #starker fic #starker fluff

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spencers-renaissance · 3 years

Text

Rain is a Chance to be Touched Ch.7

a poem begins in the lump in the throat

Chapter Six

This is the seventh chapter in my ongoing hotchreid fic! Please click here for the fic summary, full tags, trigger warnings, more information etc.

Last Chapter: Aaron went to Spencer's apartment and found him in a depressive state. Lots of cuddles and comfort ensued.

In This Chapter: Aaron and Spencer go to a museum with Jack, but it is definitely not a date. And Spencer's depression definitely does not get in the way.

TW: same as usual — as well as additional ones for a trigger scene and depictions of caring.

Word Count: 4.8k

RCT Masterlist // Main Masterlist // Read on AO3

SPENCER

A poem begins in the lump in the throat, a sense of wrong, a homesickness, a lovesickness. — Robert Frost

The day after Aaron had turned up at his flat, he’d rung Penelope who had not-so-guiltily confessed to sending him his way. He wasn’t upset though, quite the contrary. A kind, cuddly, caring Aaron showing up in the middle of a minor depressive episode was exactly what he needed, and the evening they’d spent together had burned its way onto the tissue of Spencer’s heart. It was one of the happiest moments he’d experienced in a long time, despite the weighty, persistent, downward tug on his mood.

He’s been over every day the team has been home in the two weeks since, Penelope taking over when he’s away, and as exhausting as Spencer has found human company in the past year, neither Aaron’s nor Penelope’s presence drains him in the way everyone else’s has. They accept his low mood, not blinking an eye when he doesn’t have the energy to respond to something they say or when he zones out and stares blankly at the wall for minutes at a time. He can’t even find it in him to care that both of them have seen him naked now.

Their company starts to chip away at the glacier of loneliness that had spread itself across his chest, inching its freezing border ever closer to the corners of his ribcage as he pulled away and watched everyone else do the same. Aaron and Penelope simply aren’t having it, and their determination to show him love and friendship and warmth is slowly but surely melting his isolation to a puddle on the floor, soon to dry out and be forgotten.

Penelope had come with him to his first psychiatrist appointment, though she’d sat in the waiting room this time, and it had been incredibly relieving to be able to properly let go of some of the heavy burden that had weighed so heavily on his shoulders all this time. He’d kept him on the same antidepressants Dr Reese had prescribed him, and although he hadn’t felt a huge difference yet, Dr Parker was incredibly reassuring and he was trying not to assume defeat so early in the game.

He did feel slightly better, though, as he came out of the dip in his depression that had come on the day after his day out with Penelope. Once Aaron had noticed his mood brighten and his energy levels increase slightly — evidenced largely by Spencer not immediately falling asleep on the sofa when he comes back in from work — he’d suggested getting out of his apartment and doing something.

Spencer was apprehensive at first: the idea of willingly putting himself in a position of proximity with strangers and unpredictable circumstances made his skin crawl. But then Aaron had proposed a quiet trip with him and Jack to the Natural History Museum, maybe a walk in the park if the weather was nice. Spencer had found it hard to decline.

The last few weeks had only solidified Spencer’s feelings for Aaron further, intensified by both his persistence in being close to Spencer and his relentless kindness, and he had begun to feel something like real, genuine hope stirring on the surface of his soul.

He’d caught Aaron looking at him a few times when he thought he was asleep or zoned out, and the softness on his face felt reflective of Spencer’s own expression when he looks at Aaron. He couldn’t imagine him being so insistent on taking care of anyone else on the team, and since he’d left the BAU anyway, he had no obligation to be so dutifully kind.

Yet, he shows up before and after work every day the team is in Virginia, no matter how far out of the way Spencer’s apartment is, making sure he eats, showers, has clean clothes. Making sure he knows he’s loved. (Something whispers deep in his heart that maybe that love is the kind he’s dreamed of.)

On bad nights when he was still working at the BAU, he’d hug his knees to his chest and imagine Aaron curled up behind him telling him how much he loved him, telling him that it was going to be alright. He could never look the man in the eyes the next day at work, but that didn’t stop him. It worked better than anything else he tried and now it’s a reality he can’t pinch himself out of.

Truthfully, in the weeks between quitting the BAU and Penelope forcing Aaron and herself back into his life, he’d desperately missed his time in Aaron’s apartment, playing with Jack and pretending his life wasn’t splitting at the seams. The idea of spending a whole day with them — without the added baggage of trying to box up his increasingly untameable depression — was something he actually looked forward to. It’s a nice feeling; admittedly one he hasn’t felt in a long time.

Penelope comes over the morning of the outing.

(“I’m not about to let you flush this down the drain just because you end up having a tough morning,” she’d insisted when Spencer told her she doesn’t need to. “I’ll come over and force you out of bed and into a nice little outfit if I need to. You are going on that date with Hotch. Sorry: Aaron.”

“Shut up,” Spencer had said weakly. “It’s not a date.”

“Irrelevant,” she’d sniffed and levelled him with a glare he couldn’t argue with.)

He’s pretty sure that her insistent and relentless protectiveness and aid is part of her very focused mission to make up the last year to him. In fact, he’s almost certain, considering every time she sees him he’s bombarded with yet another apology and a small present for him. He’s not sure how to get through to her that he’s already forgiven her.

“Have you eaten yet?” she asks as she walks into the living room to see Spencer curled up on the sofa with a blanket pulled over him. He had actually made it to bed last night, but the only way he could pull himself out of bed this morning was to promise himself a few minutes on the sofa, exciting day ahead of him or not.

He shakes his head. “Not hungry,” he sighs, picking at a loose thread of his blanket.

“That’s okay,” Penelope says lightly, dumping her handbag on the armchair before breezing into the kitchen and setting the orchid she’s brought with her on the windowsill. He hopes she knows she’ll be the only person around responsible enough to water it. “We’ll find you something small. How does a little bowl of cornflakes sound?”

“Fine.”

She puts the coffee machine on before bringing him a bowl of cornflakes that is decidedly not little. He hates that her tactic works and he eats the whole thing. “Why do you always have to be right?” he grumbles as he polishes off the bowl and puts it on the coffee table.

“I don’t know, baby genius,” she sighs exaggeratedly, sagging into her armchair. Spencer doesn’t know what he’d do without Penelope Garcia and her incessant dramatics. “It’s truly an affliction.”

“Mhm.” Spencer raises an eyebrow, unimpressed, but Penelope’s saved by the coffee machine beeping and she stalks into the kitchen to pour him a cup. He has no idea how early she wakes up to make it over to his house dressed to the nines with a full face of make-up on at eight am. He smiles fondly at her as he takes the proffered mug. “Thank you.”

“You’re welcome,” she says brightly, sitting back in her chair and sipping at her own cup. “So, how are we feeling about our date today?”

As much as Spencer does not appreciate her suggestive eyebrow waggling, he can’t help but smile at her antics. He also can’t help but blush. “It isn’t a date, Penelope, I’ve told you this.”

“Right, right,” she says drily. “I think I’d have an easier time believing you if you weren’t constantly sending one another heart eyes and weren’t clearly half in-love with one another already.”

Spencer decides it’s probably best to avoid mentioning that his feelings have definitely progressed past the ‘half in-love’ phase, and just looks down. “Jack will be there,” he points out instead, “and the Natural History Museum isn’t exactly a steamy date location, is it?”

“No, that’s exactly the point. It’s a Dr Spencer Reid date location.”

Spencer looks at her a little speechless for a moment. Unfortunately, she’s right. He’s privately thought about getting married in one of DC’s many museums, and science and history are two of the subjects even a casual acquaintance would know he’s fascinated by. Plus, it’s also something he’s bonded over with Jack.

All of that may be the case, but it doesn’t change the fact that he absolutely cannot let himself consider this a date.

He’s already let himself fantasise enough about Aaron returning his feelings; not letting himself think of this as anything other than platonic is the only thing he can hang onto to protect his fragile heart. Getting his hopes up only to find out he’s wrong would crush him, and he can’t risk a devastation of such proportions right now. He’s barely getting out of bed in the morning as it is.

Penelope seems to catch on to his spiralling thought process and leans over to lay a hand on his knee. “Hey, I know it’s intimidating,” she says gently, “and you don’t have to think about it as a date if you don’t want to, especially if you’re apprehensive because he hasn’t said anything explicitly. I just don’t want you to doubt yourself. I promise you he has feelings for you, too, okay? You need to trust me on this one. That man is absolutely gone for you.”

Despite himself, he finds himself smiling at her as her words warm him from the inside out. Even if he knows he has to be careful with his heart, he can’t help the optimism his head conjures up at such a promise from someone he trusts with his life. “Okay,” he whispers shyly.

“Right,” she says, putting her half-empty coffee mug down on the table and gripping Spencer’s free hand to pull him up from his pathetic sprawl across the sofa. “Come on, you. Aaron won’t be long, let’s get you looking at least half-human.”

He only agrees because she lets him bring his own coffee mug with him to the bathroom. She’s a good friend.

Penelope slips out a few minutes before Aaron is set to arrive per Spencer’s request, and he sits nervously on the sofa, waiting for the doorbell to buzz. He’d chosen his favourite shirt and tie combo and gone with a lilac sweater under his smartest navy coat. He holds his scarf in his fidgeting fingers, ready to put it on once they get outside, but he still feels naked. Suddenly, everything that’s riding on this day out fills him with a sort of dread and he feels vulnerable, scared of all the endless ways this could go so wrong.

Before he can spiral properly though, his intercom buzzes and he rushes over to answer it, even though he knows who it is. He’s glad he does, because Jack’s voice crackles its way into the quiet of his apartment. “Spencer, Spencer, come out, we’re here,” he shouts excitedly, and even though Spencer winces at the feedback his high-pitched voice elicits, a fond smile still finds its way onto his face.

“I’m on my way down, buddy,” he says back, with as much enthusiasm as he can muster, before patting his pockets to make sure he has his keys, phone, and wallet. He locks his door carefully and makes his way down to the front of his building. Apprehension balls in a pit in his stomach, but it loosens as soon as he approaches the pair waiting in the cold outside the front door.

Jack runs up to him and he crouches down to give him a big hug, wishing he had the strength and confidence to pick him up and twirl him around like he’s seen Aaron and Derek do so many times. Jack doesn’t seem bothered, though, an excited grin painted across his face as he pulls back from the hug.

“Hey,” Aaron says once Jack has let Spencer go and he stands back up straight. He presses a hand gently to the middle of Spencer’s back and the touch spreads warmth up to his shoulders as he watches the curve of Aaron’s smile. “How are you doing?”

“Rocky morning,” Spencer admits — he’s almost certain Penelope sends Aaron status reports, so lying is pointless. “Penelope helped.”

“She always does,” Aaron says warmly, keeping one hand on Spencer’s back while the other holds Jacks as they walk to the car parked a little way down the street. A little spark of excitement rushes through Spencer’s body as he briefly lets himself think about what casual passers-by might assume about the three of them. “You still up for the Natural History Museum?”

“Of course,” Spencer replies, as brightly as he can, trying to ignore the pull of sorrow still weighing his gut down. “Are you looking forward to seeing the dinosaurs, Jack?”

“Yes!” Jack shouts eagerly, letting go of Aaron’s hand to unzip his little puffer coat to reveal his long-sleeve t-shirt. A big, green t-rex stands out against the blue background, and Jack’s never looked prouder. “Dinosaur, see?”

“I do,” Spencer laughs. “It’s a great shirt, Jack.”

“Hey, let’s zip that coat back up, buddy, well done,” Aaron says gently and Jack does so obediently. “He insisted on wearing it,” he tells Spencer once Jack’s hand is back in his and he’s securely wrapped up. “He wanted to show you.”

They arrive at the car before Spencer can reply, and Aaron opens the passenger door for him to get in before strapping Jack into his car seat and setting him up with a few of his toys, including his favourite dinosaurs. It’s only a fifteen minute journey to the museum, and they pass the first half of it in a comfortable silence, but eventually, Spencer works up the courage to ask the question that’s been at the tip of his tongue the past two weeks.

“How’s work?” he asks, trying to be as innocuous as possible, though his awkward avoidance of Aaron’s eyes probably gives him away.

“It’s good.” He’s clearly treading carefully as he eyes Spencer for a brief moment before he returns his gaze to the road. “We’ve only had one major case since you left, and we muddled our way through it, got it solved. Everyone does miss you, though, Spencer. They really do.”

It’s a concept he still can’t really get his head around. He hasn’t been around for a year, not really, and they didn’t miss him then. It feels almost… convenient, to Spencer. Guilt is not remorse.

“Have you found my replacement yet?” Spencer surprises himself by not feeling any jealousy at the prospect of someone taking his position on the team. He’d long ago accepted how replaceable he is socially, and it’s not like the pool of talented, intelligent prospective agents is exactly small. He also has no desire to be around his old team; not as they were in the build-up to his resignation, not like that. He still has Aaron and Penelope, but he’s only just starting to trust that they’re not going anywhere.

“I think so,” Aaron sighs heavily. “As long as her paperwork goes through, she’ll join the team later this week.”

Spencer nods, not really knowing what to say to that. Aaron reaches his right hand across the console and rests it on top of Spencer’s clasped hands, the warm reassuring weight of not just anyone’s touch but Aaron Hotchner’s turning his insides into a melted puddle as his heart beats faster. He hooks one of his fingers over Aaron’s, a silent message to keep his hand there, and he doesn’t worry about what to say next. Nothing needs to be said.

Spencer knows the Natural History Museum like the back of his hand, so he directs them to the best parking spot before taking the lead and walking them into the gorgeous, open foyer. Jack bounces excitedly between them, so Aaron lifts him onto his shoulders to reduce the likelihood of a disaster.

“It’s not too busy for a Sunday,” Spencer observes, half trying to calm himself down in such an unfamiliar environment, “so we should be able to see everything we want to. Jack, do you want to see the dinosaurs now or later?”

“Now!” he shouts loudly, wiggling as happiness floods his little body. Spencer smiles fondly at the pair, and a little more of the apprehension he’d felt at leaving the house melts away.

“Well how could I refuse that request?” he chuckles, leading them towards the dinosaur exhibit. His breath catches when he feels the back of Aaron’s hand brush the back of his, and in a moment of bold and brash insanity, he interlocks his pinky with Aaron’s. After the moment in the car, he feels such an action is warranted, but as soon as he does it, panic sets in.

Before he can retract his finger though, Aaron takes Spencer’s hand properly. The feeling of Aaron’s big hand gripping his own in a gentle but firm hold makes his stomach dip, and goosebumps find their way up his arms and down his side. He’s never felt safer than right in this moment — never mind the crowds of people they’re passing through; the insecurity of being outside his flat; the uncertainty of what could happen — never mind all of that, because his hand is in Aaron’s and Aaron keeps him safe. He doesn’t trust much anymore, but he will always trust Aaron.

Jack babbles eagerly the whole way to the dinosaur exhibit, repeating some of the facts Spencer had taught him in his previous visits to the Hotchner household in a “did you know?” format, leaving both Aaron and Spencer chuckling fondly, trying to encourage him as much as possible.

Spencer shows them around the exhibit, acting as their tiny group’s personal tour guide, and Jack couldn’t be happier, insisting on walking instead of being carried so he can press his face up as close as possible to the displays, his breath fogging up the glass as he leaves fingerprints all over the cases. They spend nearly an hour walking around the exhibit, playing with the interactive toys and examining each and every display in a close-up fashion.

Once they wrap up their dinosaur exploring, Spencer brings Jack to a bench and asks him what his favourite thing he learned is.

“Uhh,” Jack hums, furrowing his eyebrows in a way that reminds him so much of Aaron it’s almost uncanny, “oh! They were terrible and they were stupid!”

Spencer’s confused for a moment before laughing as he manages to decode what Jack is trying to say. “Dinosaur does translate to ‘terrible lizard’, well done,” he agrees, “and you’re right, they weren’t much smarter than reptiles these days. Good job, Jack!” He raises his hand for a high-five, and Jack doesn’t waste any time in slapping his palm to Spencer’s.

“Can we get ice cream?” he asks eagerly, widening his eyes in a plea as he looks at Aaron who's been observing the unravelling scene from the pillar next to the bench.

“Go on then,” Aaron concedes, grinning at his son’s uncontainable happiness as he wiggles around next to Spencer.

They head to the museum’s cafe and all order ice cream, taking a seat in the middle of the canteen.

“This reminds me of field trips back in school,” Spencer muses, gesturing to the surrounding noise with his spoon.

“Yeah?” Aaron asks while Jack picks distractedly at a scratch on the table, licking his ice cream cone happily.

“Before I was identified as a gifted student and sent years up the grade school ladder, I was a fairly normal kid in a fairly normal school. We went on a field trip to a museum in first grade, and I loved every minute of it. I got to impress all my friends by sharing all my memorised facts about space, and we ate our packed lunches in a canteen like this. My mum was still on her meds back then, and she’d cut all my ham sandwiches into dinosaur shapes.”

Aaron’s smiling at him as he talks, and he realises that it’s probably because it’s the most he’s had to say in weeks, much less something anecdotal and personal. Spencer realises belatedly that it’s the sort of thing one might share on a date, but there’s nothing he can do about it now.

“I’m glad you have nice memories from your early childhood, Spencer,” he says, and his hand reaches across the table to find Spencer’s again. “It’s the least you deserve.”

He averts his eyes as he blushes, suddenly feeling a little overwhelmed by the attention, and focuses on his ice cream for a few minutes before he’s cooled down a bit. “What about you?” he asks, meeting Aaron’s eyes again. “Any field trip memories?”

“I made out with my ninth grade girlfriend at the planetarium once,” he admits quietly, a mirthful chuckle finding its way into his voice.

“Maybe minutely better than dinosaur shaped sandwiches,” Spencer says, a little shyly.

“Ooh, dinosaur sandwiches!” Jack chimes in, suddenly aware of the conversation the adults are having. “Can I have some?”

Spencer’s phone vibrates just as Aaron goes to appease Jack’s enthusiasm for novelty shaped lunch food, and he pulls it out curiously. These days, the only people to text him are Aaron and Penelope, and Penelope had told him she was going out with a friend today.

Hey, pretty boy — Spencer’s heart sinks as he reads the first line of the message, tears immediately springing to his eyes — I’m sorry I haven’t been in touch. Hotch said something about personal stuff going on? Anyway, I thought I’d text you to tell you just how much we miss you at the BAU. Life isn’t the same without you, and it was hard to not even get a chance to say goodbye. Any chance we could meet up at some point? We don’t have to go out if you don’t want to, we can just go grab a coffee or something. D

Aaron must read something off in his face — it’s not exactly like he’s trying to hide it — and he immediately slides closer to him on the circular canteen bench. “Hey, hey, Spencer,” he says soothingly, “you’re alright. What’s going on?” He just slides the phone over to show Aaron the message, and he immediately gets it. “I know that must be overwhelming, and we’re in public which can’t be helping.” He glances over at Jack who’s looking worryingly at Spencer, clearly confused. “Why don’t we go back to our place? Jack and I will help you feel better, won’t we, buddy?”

Jack nods at that, pressing himself into Spencer’s side and wrapping his tiny arms around him. “Yeah, we make you feel better.” He reaches up and clumsily brushes a tear away from Spencer’s cheek before kissing it. It makes his heart warm that this is how Jack treats someone sad: he must be emulating the behaviour adults have shown him in these situations, and Jack only ever deserves the absolute best. Especially after losing his mom.

“Thank you,” he whispers, pressing himself closer to Aaron. Every time he’s upset he seems to lose his inhibitions around him, but he can’t help it. He needs the comfort only Aaron can provide, and after denying his starving heart the love and reassurance it's been begging for for so long, he can’t help but indulge himself now it’s finally an option.

They make their way back to the car and Spencer’s in such a haze of confusing emotion the only thing he can really ground himself in is Aaron’s arm wrapped around his waist and Jack gripping his hand on his other side, sending him worried looks. If he had the wherewithal to feel anything other than a deep sense of grief combined with rising panic he’d feel guilty for ruining such a nice day out, but as it stands he’s spared that particular brand of misery.

The drive back to Aaron’s is a little longer than the first journey of the day, but Spencer just clings to the hand Aaron offered him as soon as they got back in the car and tries desperately not to spin completely out of control and start hyperventilating in front of the five year old strapped into his car seat behind him.

Jack is asked to play in his room for a bit once they get home and he obeys, aware of — if not entirely comprehending — the tension in the air. As Spencer sits on the sofa waiting for Aaron to get back with a glass of water, the grief and panic clear a little. He hates himself for the relentless gravity of his depression: the way it pulls down even the brightest of days, the way he can physically feel his insides being sucked downwards into the blackhole of desolation.

“Do you want to talk about it?” Aaron asks gently as he sits next to Spencer on the couch, close enough that their arms are touching. Self-loathing is the only thing preventing him from leaning into his comfort like he did at the museum, like he did in the car. Instead he pulls away and curls himself as small as possible into the corner of the sofa. When Spencer doesn’t reply, Aaron takes a risk. “Do you think you might be so upset because somewhere, deep down, you want to see Derek too?”

He snaps his head up at that, surprised Aaron would say something so blunt and, as much as Spencer doesn’t want to admit it, truthful. After a good few moments of contemplative and patient silence, his thoughts are ordered enough to voice them. “I miss them all,” he admits quietly. “I desperately want to see Derek. But the Derek I left hurt me so much I wouldn’t know where to even start in trying to reconnect with him.”

Aaron nods in understanding from his spot in the middle of the sofa. Spencer longs for this pit of self-loathing to melt away so he can feel confident enough to crawl back across the cushions and share Aaron’s personal space again.

“That makes a lot of sense, Spencer,” he says, resting a gentle hand on his ankle, and it’s such a casual, intimate touch he doesn’t know what to do with himself. He settles on not moving even an inch, lest Aaron pull his hand away. “For what it’s worth, the others have started to piece together why you left. I know they’re all regretting how everything played out, and everyone on the team misses you sorely.”

Spencer ponders that for a moment. He doesn’t know how it makes him feel: it’s nice to be missed, and a sick sort of vindication flourishes in the less savoury side of him at the idea of the others realising the crippling, world-changing pain he’s been in for the last year, right under their noses.

He misses so much about the others, but that’s not new: he’s missed JJ’s hugs and Derek’s teasing and Emily’s friendship for close to a year now. Sitting at his desk in the bullpen next to Derek and Emily’s private bantering, sharing an inside joke he didn’t understand towards the end of his career at the BAU had cut deep, reminding him just how achingly alone he was.

“I don’t know where to start,” he says hopelessly, feeling like he’s repeating himself. Tears spring to his eyes again, spilling down his cheeks relentlessly, as though the second he’d let one fall, they toppled down his face like river water desperate to escape, unsure of when the dam will close again.

Aaron scoots himself over to Spencer’s end of the sofa like he can’t help himself, and this time he lets himself fold into Aaron’s warm embrace. He cries as quietly as possible, but it’s hard when he doesn’t have the energy to do anything other than sob helplessly. He can hear himself; he knows he sounds like a broken, defeated man, but he simply doesn’t have the power to care.

As his sobs start to dry out, he sees that Aaron is crying, too. He’d noticed his wet eyes the last few times he’d cried in his presence as well, and he has no idea how to feel about it. If Aaron is seriously going to cry every time he does, though, then he’d better strap in.

“Why don’t you have a nap?” he suggests, wiping a tear from the sensitive skin under Spencer’s eye so tenderly it makes his heart clench. “Then afterwards, we can think of a way to go about this. Maybe we could start with a short text back. How does that sound?”

Spencer nods tiredly, and lets Aaron help him get into a comfortable position on the sofa. A warm, soft throw is draped over him and Aaron half closes the living room blind, but the day is dark and grey enough already anyway. As he’s falling off to sleep, a hot water bottle is tucked under the blanket and he instinctively curls up against the warmth, but he knows that the real comforting soporific is the man reading quietly in the armchair next to him.

For the first time in a long time, Spencer looks forward to waking up.

Chapter Eight

Rereading Penelope in this chapter when I came to edit it made me want to take a second to recognise all of the unofficial carers out there <3 I've been a carer for both my mum and my grandmother at various times in my childhood and teens, and it's tough going. If you're looking after a friend or a family member, please remember how amazing and wonderful you are, and also remember that it's okay if it's too much, and it's okay if you need to cry or scream or break down. You are still just as brilliant no matter your emotional reaction to what is an exceptionally difficult situation to find yourself in. I love you, and I'm always here to talk to you about this (or anything that comes up in this fic!) <3

If this chapter brought anything up for you, hotlines are in the endnotes of the AO3 version of this fic. Bigger countries are listed and a link is included if you live somewhere else in the world. I love you <3

taglist: @criminalmindsvibez @suburban--gothic @strippersenseii @takeyourleap-of-faith @makaylajadewrites @iamrenstark @hotchseyebrows @reidology @i-like-buttons @spencerspecifics @bau-gremlin @hotchedyke @tobias-hankel @goobzoop @marsjareau @garcias-bitch @marvel-ous-m @oliverbrnch @sbeno22 @aaron-hotchner187 @kuolonsyoja

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