#i am choosing to take it as a sign

[jagerstian]

Im living in delusion to stay sane (it's not working)

[uncanny-tranny]

One thing you learn is that the idea that people nowadays are uniquely self-absorbed isn't... really accurate. There's a reason why ancient handprints are among the first records of humans making art. There's a reason why so many people hired artist to paint their portraits. There's a reason why people take selfies. Yes, part of it may be a sense of hubris and self-admiration, but also... we want to be remembered, I think. We want to connect ourselves to the future, and that is okay. You don't have to have a reason for however you are self-absorbed - it is how we have survived.

"We two dear men, friends forever, were here. If you want to know our names, they are Gaius and Aulus." -Pompeii graffiti of two men who loved each other (yes, as friends, but still, is that not love?) that we will remember

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[hauntedtotem]

ppl when they find out teenagers act like teenagers 😱

[puppyeared]

One of these days they’ll make an update where it gives you a feedback pop up when u try to unfollow someone

[dust-and-grave]

it is beyond baffling to me how many people don't know how to mind their own business when it comes to how others live their lives. it's something that's been on my mind a lot lately (and i know i'm not alone in this). every time some nutto stands up + tries to tell people with their whole chest that they have to change (harmless) aspects of their life to pander to someone else's sensibilities, my brain overloads because i just can't comprehend the fucking audacity.

i also can't help wondering how these people even have the energy to try to micromanage other people? like bro, i barely have the energy to manage myself. how fucking exhausting.

[divinecreation]

Ok I'm just now realizing that the moon changed signs when Mello was born so depending on where and what time it was he could either have a Gemini moon or a Cancer moon hmmm much to think about

[was-sams-asmr-ad-aired]

was the asmr ad aired tonight? (c3e36)

no <3

[aliosne]

Everyone clap for me I turned my first heel tonight

[mazojo]

I’m sorry if this sounds mean but I genuinely find it baffling when people who sign up WILLINGLY to reality shows and KNOW that they are in a REALITY SHOW get pissed off when someone plays the game.

[toomanycartoonswithnotenoughlove]

Ok, so I honestly think watching American Gods was Not a great plan long or short term for my mental health, and there's probably a reason I repressed as much as I did of the book's plot after I read the book. I'm returning the discs to the library without continuing, for my mental health's sake.

[whatareyoudoingwithamaserati]

I must not change my blog theme. Changing my blog theme is the mind killer. I don’t have the rest of the quote memorized and I am not going to google it. Ice Nine Kills is forever and eternal. Red is my favourite colour(ish). I must not change my blog theme

[nkjemisin]

well ain’t this some fuckshit

Just heard about the mess that YA author Maggie Tokuda-Hall has been dealing with. tl;dr, Her publisher offered her the chance to be part of an initiative that would’ve put her work in a lot more stores and libraries. It’s an initiative specifically aimed at amplifying Asian voices... but only if she removed the word “racism” from her author’s note. On a book about the Japanese internment.

I am very glad she rejected this offer, and I 100% agree with her that this is pure cowardice. I’m appalled at Scholastic -- or any other publisher who’s doing this but whose authors can’t take the risk of speaking out. This is the kind of crap that marginalized writers have to deal with all the time -- and it is also how fascism takes root:  “just business” decisions that perpetuate injustice, systematic erasure of targeted groups from their own damn stories, institutions choosing to do what’s easy over what’s right.

(I have been very fortunate to never have a publisher do this to me. Plenty of disrespectful bs from institutions and individuals within the industry, but never from the people who signed my checks. I’m also somewhat insulated from the book ban bullshit because my work is genre and isn’t aimed at kids -- though that’s coming, of course. Fascists don’t stop until they are stopped.)

Anyway. Pop over to Maggie’s blog to read the full story -- or better yet hop on a retail site and buy her books. It’s up to readers now to support marginalized authors, since it’s clear nobody else will.

[tellafairy]

thoughts on shifting + manifesting with ease. (as someone who's shifted many times, alongside manifesting)

coming back to this side of tumblr after spending years away from it has made me realized how many do you are truly the problem, it might sound kinda harsh but really. so many of you ask the same questions over and over again.. "but HOW do i do it?" "how do i shift" "how do i manifest" JUST DO IT. stop looking for signs, stop looking for methods or "cheat codes". just do it man.

your mind is so powerful and it actually kinda irritates me how many of you doubt it, just because it "seems to easy". you don't understand how you've been manipulated by society to not see your power. how have you been on loa social media, shifting social media, for soooo long — yet still don't see it?? let me tell you..

the moment i got off social media, the moment i took time to erase everything in my head and stop overthinking everything, was the moment everything came to me. i already had it, i just needed to stop telling myself i didn't.

it took me less than two weeks to get used to convincing myself i had everything i wanted, i shifted to my desired realities, and everything worked out in my favour. AFFIRMING IS ALL YOU NEED. I AM YELLING AT YOU. JUST AFFIRM.

really, please, affirm. the routine is so simple.

1. any bad thought is instantly turned positive.

ex: "i really want her waist"

to

"am i stupid ... i have her waist.. tbh mine even looks a little better.. am i crazy?? like actually? this must be a glitch or something cause my waist is practically identical to hers.. i literally love my waist"

exaggerate, say what you need to say to erase the negativity.

2. it's yours, so act like it..

ex: talk about ur DR normally. it's your reality, not a fantasy land you made up in a dream. ITS REAL. it's a reality. for example, i'd watch videos of my s/o in this reality, and speak about our lives in my dr. "i can't wait to see __ tonight... god i love __, it's so nice hanging out with them everyday.. wow they look so pretty in this video — i'm so lucky their mine". it's natural, they're yours aren't they? exactly, so act like it.. this is used the exact same way when manifesting..

you see someone with something you want? thinking of something you wanna do? something you wanna be? ... it's urs... so can you act like it?? like whyre u feeling sad someone else got a job promotion 😹😹 you literally got a better one ...

3. that's literally it

you don't need a fancy method (although it can give u some peace of mind.. let's be real, a lot of methods set y'all back and make you overwhelmed, blocking ur beliefs and making everything seem harder). you literally just need to live. tell yourself it's done, over and over again. nothing matters. it's done, it's yours, you have it, you're happy and fulfilled. other peoples sucess should really mean nothing to you negatively. it shouldn't make you stressed, shouldn't make you feel behind.. why would it when you have everything, you can do everything, go anywhere, and you can be anything.

it'll seem like manifesting blogs and shifting blogs just repeat the same things.. which is true, they do, because i'm telling you there's nothing more to it than what you've already read. it is that easy. all it takes is your mind. decide, and tell yourself.

as i said before, it took me barely anytime to switch my mindset once i actually started focusing on myself, my journey and not every body else's results. repeating stuff to yourself WORKS. repeating is literally ALL i did. choose what i want, told myself it's mine in any way i could describe it. and there, it's mine. ive shifted to many different realities, along side gaining a better life in this one after years of convincing myself there was nothing for me. if i can break out of the cycle, trust me you can too. i cannot describe how desperate i was at the beginning, how long i took in false info and wasted time on methods all while doubting every single thing.

so why don't you believe it? you'll sit there and tell yourself over and over again that you're ugly, or broke, or friendless... but you won't tell urself that you've shifted? that you have your dream body...? girl okay i guess....

once you realize nothing besides your mind truly matters, is when you'll be free with yourself. circumstances don't matter, past feelings don't matter, doubts don't matter, your mind is all you need.

yes this is just loa explained longer, that's the point of the post because some of u still can't get it in ur heads

[yoohyeon]

Other than I feel lonely when I home alone, I hate it cause I can do anything I want and I never know what to do 😭 fjbsjdjs

[inkskinned]

"the curtains weren't blue on purpose. why should we care?"

my love! let me ask you this - did you eat breakfast today? this tiny moment in your life. just think about it. did you?

for some of you, the answer is yes and for some of you it is technically and for some of you it is does coffee count. some of you reached for cereal or gmo-free overnight oats or frozen waffles or 3-day-old pizza. sometimes we eat the same thing, every day, for weeks. i get tired of eggs randomly, only to go back to craving them desperately. i'm cuban; i take my coffee like my father showed me, very milky and sweet.

some of us ate in a hurry. some of us hate eating breakfast but if we don't we will get nauseous later. some of us took our meds first or took our meds after. some of us have a kitchen 5 feet wide and sometimes it's the biggest room in the house. some of us are confident there will be food in the pantry and some of us flinch and say well, the paycheck is coming. some of us turn on a podcast while we eat or we scroll our phones or write in our diaries.

some of us are choosing, specifically, not to eat breakfast. some of us are too busy. some of us are pretending we "just forgot," but we are ignoring the warning signs that everything feels too-heavy. some of us are so consumed with anxiety or grief that we can't eat. some of us can't stand up long enough to make our coffee. some of us have no table to sit down and eat.

i cannot tell you what an artist "meant" by their choices. but they did have to make a choice, conscious or otherwise, to give you information. to give you a little bit more light. each of these choices are little stars of data; connecting speckles for you to weave through, drawing a line.

you cannot use a mirror in a dark room. for some of us; we will not care that the curtains are blue, because that will just be a data point and not enough light to see by. for some of us, the blue curtains will be the same as our childhood bedroom. it will make us seasick. for some of us, blue will be the color of frostbite. it might look like a pixel up close; but from a distance, oh! the picture blooms.

i cannot tell you what will stick out for you. what will carry meaning. some of you will read the sentence "i didn't have breakfast today" and say "this means nothing." some of you will read that and say "oh, me neither." some of you will say "this means the character is probably a little grouchy." some of you will say "oh, i wonder if they're okay. why didn't they eat anything?" ... art is a mirror. i am holding hands with you, over space and time, and asking you to feel something with me.

i want you to read my work and find a blue pair of curtains. i want you to read my work and find things in it that i never imagined placing. i have no way of knowing what will resonate with you, that's true. and maybe i just was hungry while i wrote this, and thinking about the eggs in my fridge. but if you found meaning, that meaning is yours. it cannot be erased just because i didn't "intend" it. you created a different world by interpreting my work. it's collaborative! that's beautiful! that's stunning!

just! imagine looking at the night sky and saying - it's stupid to have a favorite constellation or a favorite star. they're just there.

because here's the thing - across centuries and cultures, we look up. we still find meaning in the stars. these beautiful, lovely scattered accidents. are you looking? they call. and we look back and say oh! of course we are!