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#as much as we run away from each other
jagerstian · 11 months
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Im living in delusion to stay sane (it's not working)
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doggolol · 6 days
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(tbhk chapter 118 spoilers)
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they’re actually so gay for each other it makes me sick /pos
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like the way they look at each other the whole chapter hello???
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mars-ipan · 3 months
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some postgame doodles for pride month
#martzipan#komahina#hajime hinata#nagito komaeda#domestic kmhn likers pspspsps cmere#i never draw just fluff/domestic things bc i get too in my feelings lmao. this one was no exception#i had to take a break midway through bc i got sappy. IT'S OK THO we got it done :3#neways these tie into some headcanons of mine so i'm gonna share 'em here#mainly i hc them having little ways where they just look out for each other#komaeda is usually the only one who can convince hinata to take a goddamn break without having to forcefully drag him away from his work#bc hinata does NOT take enough breaks. and he does not listen to reason#until there is a komaeda who is tired and can't go to sleep without his human teddy bear :((( can't let him go to bed aloneeee#n i think hinata just. casually feeds komaeda ALL the time#bc he won't eat enough on his own. and if you offer him food he'll be inclined to see it as a nicety and try to reject it#but if you just. Put Food In Front Of His Mouth. he'll eat it#it's kind of a reflex like komaeda doesn't realize he's being fed most of the time#they take care of each other bc they won't take care of themselves otherwise lmao. it's a little dysfunctional but they're trying#i think once they've recovered enough to be able to just enjoy each other's company they get REALLY really giggly#they have a lot of teenage/young adult love stuff to catch up on and since they didn't really have a puppy love phase. they laugh a lot#they'll try to do something tender or sweet but then one of them will start to laugh. and then it's not long before the other breaks#komaeda usually breaks first. bc he's always in awe of just how happy he is. bc he never thought he COULD be this happy#not without hell looming just over the horizon anyways#when hinata breaks first it's bc he's thinking of how much they've both been through and put each other through#and he's just sort of like 'how the fuck did we end up here'#(btw komaeda snorts when he's trying not to laugh. this is just fact trust me)#OH AND I HAVE MANY HEADCANONS ABT THEIR SLEEP STUFFS#as stated hinata runs hot and komaeda runs cold. but ALSO#hinata's a sprawler. komaeda gets Clingy. it works out for them tho#if komaeda doesn't have hinata to hold like a body pillow he'll curl into the tightest little ball. it gives him back pain lmao#oh and yes. they absolutely wake up with their legs incredibly tangled together
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stagefoureddiediaz · 12 days
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Eddie’s arc gonna be so so so good this season
The Chris stuff is going to hurt so bad and break me but healing is coming for them both and I’m expecting a Chris-tmas episode reunion of father and son
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disastersteps · 9 months
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being sick while getting caught red-handed...!!
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randomnameless · 26 days
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Drankengard done (land 2!)
A lot of nice things in this part, so far it feels like the most FE-like land, and some characters from this land are really interesting!
l firstly love how the plot starts with "we have to rescue this midget prince from 100k soldiers" in one of the few defend maps of this game with various catapults and other engines to attack/defend against a cluster of loldiers coming at you - that was nice compared to the nigh useless ballistas and other engines in FE.
Granted, Gilbert's defining moment after being revealed is basically protecting his vassal from a gotoh-like character who's twice his size and more or less recruiting her for the defend map -
(localisation thingie : no "kisama" for eng/fr script Gilbert, sure it's kind of complicated to put it in words - like an agressive "you" - and yet it gives some nice characterisation, after Amalia rekts Leah and while Gilbert is standing seconds before being surrounded by 100k peons in front of someone who's basically stronger than anyone else around, he is still angry and pissed for his friend's sake) -
Just before being upset at asking our party - aka a foreign nation who was at war with his for the last few decades and revealing that his dad only granted asylum to the princess of said foreign nation to marry her to his heir to conquer it later on - for help.
Hopefully for him his game is no Triangle Strategy, so no one will actually tell him to eat shit because he wasn't the one who liberated the land even if he participed to instead worship the "foreign" person who led the liberation army.
Hell, idk what kind of PR campaign Gilbert and his few loyal soldiers pulled out, but some NPCs are really acting as if he liberated his kingdom single handedly lol
His relationship with his elder brother was sort of developed in the main plot - but more in the equivalent of the support convos - but as I said in another post, I really loved that part where he feels like he's still a second prince, and if his older brother returns, older brother should get the crown even if older brother feels like dirt for failing his country and his father, and became a wandering... mercenary who's busy saving priestresses from jails (and leaving them in the middle of battlefields).
Ultimately, they reunite and more or less solve their issues, and Ludwig manages to tell him that he wouldn't be half the king Gilbert is, because Gilbert is the one who led a rebellion and ultimately led Drakengard free, is loved by this people etc etc.
TBH, while it was short, this was a nice character arc -
(complete with the support/rapport convo just after the final map I unlocked where Gilbert, wanting to know how the common people live in his kingdom, gets plastered with the a random worthless bandit/merc who's freaking out from the entire situation lol)
The other major character from Drakengard is Virginia, the MC's older cousin!
We first see her being kind of pushy and overbearing, sometimes taking the initiative to do rather extreme stuff (wanting to fetch her axe instead of recruiting the earlier worthless bandit/merc), but she's still deferring to the MC, save for a certain mission - because, and kuddos to the game for going there, while Virginia's story is basically a tragic Marth's, aka, when her kingdom was invaded she had to run away to a foreign state for asylum but without any Jeigan, she believed for 10 years and never stopped believing that she was the only one who survived, and thus it was her role and duty to restore the Cornian line on the throne and take back the country from the evil Empire.
And... MC pops up, as the rightful - aka the son of the late queen as opposed to her mere niece - heir thus Virginia's hopes of becoming the Queen and the one to restore her nation vanish.
So kuddos for the game to basically have Virginia tell her cousin that while she was happy to see him and learn he was alive after all those years... she also felt jealous, because the 10 last years she spent having this dream and hope to be the one to restore the country... vanished in 10 minutes lol.
She's not going to challenge Alain's claim to the throne and instead will support him.
Granted, this moment becomes ten times more interesting if you do her own mission before - aka the one where she zerg rushes against the dude who slaughtered her retinue against the advice of Jeigan Joseph and becomes a dreaded green unit (who loses her promotion somehow???), running in a battlefield full of catapults to have her vengeance.
Remember when I said one of her first defining moments is when she asks to be handed her axe to get rid of a worthless merc instead of recruiting him? Well, her words back then were something like "your men died for you, so you can't beg for your life" or something like that, we learn in her own mission that she was basically talking about herself.
Basically, kid!Virginia was supposed to have her Jeigans and Cain/Abel/Draugs and they were supposed to escape and run away together to Drakengard... but they were slaughtered by some general of the evil empire who thought bringing her head would make a good offering to the evil emperor, so the Jeigans, Cains, Abel, Draugs etc etc laid down their lives to allow her to escape - we have a voiced FB with a few images and a battle cinematic, where the knights basically say they will die to make sure she'll be able to escape, and will slow down the evil general with their corpses if needed.
The entire platoon of knights died, and Virginia has been carrying this trauma for ten years, dreaming of having her revenge but never once confiding in anyone from Drakengard about it - not even in her (Gilbert's) vassal Leah who she seemed to be close too earlier.
Short story, the general holds a fort and is supposed to be called back to the evil empire's capital for some reason, and instead of waiting for his departure to recapture the fort, Virginia storms at the general to have her revenge (accompanied by the knights who were just squires when she had to leave, and thus couldn't be there when their senior knights were slaughtered and want revenge as much as she does!).
You have to send Joseph to talk to her to have her turn blue again (and promoted again thank gods) and the re-recruitment scene is cool for 2 things :
1/it's Joseph, not Alain who talks to her because her beef and the one who talked to her and the one whose plan is ignored is Joseph - I love it when the MC isn't at the center of everyone's universe
2/Virginia during this convo notices her friends/knights are injured (they have the injured sprite) and realises she was going to send to their death the last remaining members of that platoon, chastises herself and her next battle lines are something like "I won't let them die/bleed anymore" or something and it's fucking powerful because hey, besides some "vengeance is empty" that she will get later on herself, part of what makes her see reason is the realisation that her allies are injured and were going to die in her quest, and she can't have that anymore (nice ludonarration moment here, Virginia is a tank, if her allies are injured, it's because she wasn't tanking well enough!).
"Vengeance is empty" moment : the evil general who slaughtered her former knights doesn't even remember the people he slaughtered, or the mission where he hunted her, aka, she's been obsessing for 10 years over something her so called "nemesis" forgot.
End of the map, the realisation that her vengeance was nothing + she put her close allies' lives in danger (+ the little bit of salt when she mentions that Alain is the Cornian Royal people should follow because he is royalty) make her want to leave the army as fitting punishment - which, you know, coming from a series where some lord basically goes 1VS1 against the guy who killed his dad and who was followed by his kid sister who put herself in mortal danger but only receives a scold from his not-mom and slap on the wrist just makes me side-eye FE Tellius' writing even more.
Anyways, while I read on redshit that some people were pissed because "wah wah Virginia is a character who does foolish things and there are consequences about it she should be exiled forever or something", she obviously doesn't leave the army because, all of her close allies ask her to stay. Hell, Alain only gives one or two sentences that are dispassionate compared to the other 4 - again to show that MC privileges aren't everything at least plot wise - but the main voice is Leah's - aka her (well) Drakengard retainer!
When earlier Virginia told her that this story and her choice had nothing to do with Drakengard - because it's about Cornian knights who died during her flight from Cornia - Leah now reminds her that she became someone important for Drakengard too, and you know, the 10 years she spent here ? It's not just only background to give some fluff for a teatime line, no, it has more implication, if not only to have this moment where Leah says that Virginia's pride, bravery and hope to restore her country also influenced and inspired people (Gilbert, the second son who had to assume the role of the King when no one else was left!) around her and made the people of Drakengard also hope to liberate their country - if she leaves now, the named character from Cornia will miss her, but also "Drakengard" in general.
To cement her words, after this map we can talk to some Drakengard NPC who's all "wow Princess Virginia is so cool she defeated the bastard in charge of this fortress!" and while idk if Leah's speech + that NPC were added to make the ending where she becomes the queen of Drakengard (save for Alain marrying his cousin) more plausible, but it was a really nice addition.
Adding to that the fact that Virginia is the one who's basically telling Alain (and informing the player) about various map hazards like geysers around the land, giving some backstory about the desert along with Leah and also the one who tells the party about a sort of shortcut/secret passage and yes, we get it that she lived for 10 years in that land and knows it enough to act as a guide, but also that the people around know her.
I mean compare with a game where some dude apparently went to a school in a foreign capital but when he marches on said foreign capital or talks to people who also attended that school he never mentions it - it's like night and day.
Final "daw" moment that is both tied to her character but also, another example that Alain isn't the center of the universe... Virgnia is the one who tells Alain to talk to Aramis (the eldest prince who became a merc!) and ask him to talk to Gilbert to put his worries aside about the throne and the succession and ust, to reunite with his younger brother.
The characters concerned (Gilbert and Aramis) thank Alain for giving them the occasion and push to talk to each other - not knowing this was something Virginia planned, because while hers and Gilbert's issues are sort of similar (the not "legitimate" heir who took the mantle of restoring their country to glory and believed it so for the last decade, only for the legitimate one to return), she has a good enough read on Gilbert to know that he needs to talk to his brother to put his doubts and questions about his legitimacy aside and accept that he is the King.
Coming from a series with "avatar scissors", the bonds and links between the characters was really something I enjoyed, Alain will not pop up and tell Gilbert that he is a good king and should get over/or deal with his doubts about his brother, Alain isn't the one who gives the most meaningful speech about why Virginia is important to Drakengard and hell, we don't even see the exchange we know he had with Aramis to convince him to talk to Gilbert, because the most important scene here isn't the Alain-Aramis dialogue, but the Aramis-Gilbert one. Gilbert doesn't want to free his Kingdom because he envies Alain or Alain told him to do so, it's something he wants to do being inspired by Virginia.
In a nutshell, Drakengard's major characters were a good surprise and their stories and quests were cool.
More minor character wise...
We get the Drakengard version of the same plague we saw in Cornia, but instead of having "clerics" perform experiments on infected people to find a cure, the accent here is put on a wyvern knight who was to enforce a lockdown, to prevent the plague from spreading and well... no fines in this setting, instead she runs them through with her spear.
IDK how that game would have been received just after Covid lol
All jokes asides, just like the Cornian version of this plot heavily suggested, the plague was devised by the evil empire to cut down the forces of the rebellion and make sure this land would be able to be conquered easily.
Why are the imperials killing people? Well, it might have to do something with the fact that the totes-not-gharnef old sorcerer guy is a necromancer...
Leah's quest explored a little more the background info that "Drakengard and Cornia used to be at war" thingie, with random green units also mounting a liberation army but refusing our help, and we know how this ends with green units, we basically have to save them.
Map ends with some Drakengardians - who swore allegeance to the evil Empire? - still willing to fight us, and Alain asking Leah to please ask them, as a Drakengardian (?) to surrender because if someone from Cornia asks them they will refuse.
Also it's a bit of a character exploration, for once the usually demure + always in the back behind Virginia asks the Liberation Army to do something and insists even if people refuse, straight up saying that in that case (if they refuse) she's going to help the green NPCs herself since she's strong enough to do so and it's cool because I think at one moment Virginia sighs/laughs, but not in a derogatory way, but more in some "damn she's becoming like me" way - which is alluded to in ther rapport conversation, Leah seeks to emulate her bold and fearless (being a green unit) behaviour.
I haven't seen a lot of convos with the desert people we recruit - thank goodness we're far from Hyzante's clichés even if the "people in the desert are bandits and former prisoners" trope is still here, but given how the ones who attack us were brainwashed by the evil Empire, it's not as aggravating as, well, Nopes or Hyzante.
Gameplay wise :
Damn if promoting your units cost medals, but it's so worth it to have more than one action (at least) per turn ! It also means we can use entire new strategies because now the turns are at least longer than one round each!
Drakengard fills the Jugdral quota with the group of units coming all at once at you sometimes lol, but I loved the aesthetic difference that ultimately became gameplay difference between this area and Cornia, basically we have more mountains to less space to manoeuver the non flying units, the enemies use AoE engines to ruin you or at times, AoE map abilities from their own units to deal some annoying amount of damage.
The cities are larger so instead of fighting in a meadow with one or two small buildings here and there, at times the fight takes place in an entire city, so again, it means reduced mobility and of course, desert sucks because, just like FE, you can't move well in the sand.
Lolcalisation wise :
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Virginia "I have never been fond of court formalities" says a desert full of bandit isn't a place for "royalty like us"? When the "us" is both her and her cousin reknown for their martial abilities?
What the fuck does it mean ?
At least in FR it's "a lot of people avoid this place" and not just "royalty like us" - which doubles as ridiculous because in the "people avoid this place" it's again the trend of Virginia being a tour guide of Drankengard, telling Alain that people from Drakengard think about the desert, eluding this part is also, in part, eluding part of the knowledge Virginia has about Drakengard.
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I think the localisation took the "royal pride" that defines her and exaggerated it to "royal arrogance".
IDK if the meaning is the same in english, cretin is an insult like in french, but damn if you say to someone the are a "crétin" they will feel offended and insulted because that's way more rude than calling someone an idiot!
:/
And I also have a bone against whoever thought it was a good idea to throw "pseudo elvish" words in the localised script (sadly we followed this :'() when the japanese audio doesn't use them at all, was it to pretend the evles from Fevrith have a different language because Tolkien shall be universal, or what?
Elf land doesn't see that interesting plot wise compared to Drakengard, and I'm not saying this because of my Alcina bias lol but I'll just have to wait and see!
(poor hodrick is being slaughtered by those pesky pointy ears and their hybrid attacks, tfw armor not withstanding magic is universal, I'll have to promote Miriam asap to protect him or just bench him :/)
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deus-ex-mona · 2 months
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such is the tale of a ✨chronically online hypocrite✨
#(please forgive this old folk’s rambling for a hot min bc i need to get this off my chest somehow and in some way)#tl;dr: come and get into the hw idol series!!! we have ship discourse; more ship discourse; even more ship discourse#(yes ik people should be free to ship what they do b u t claiming a noncanon ship as canon and forcing it on everyone else is. not cool.)#yes yes friday’s mv was visually cute and ino.rin’s singing was peak b u t i feel like it has caused more harm than good in some way???#i cant b e l i e v e the jp hwtwt beef over friday’s mv is still going on mannnnnnnnn#no less than 3 separate people have made posts along the lines of#‘p l s stop using [official tags] to post about *[unnamed] non-official ships* p l s there’s a time and place for everything’#and n o n e of them even remotely run in the same circles yet they’re all banded together against a *certain* group lmfao never change hwtwt#lhy (esp yhy) shippers are always at the scene of the crime mannnnnnn#i cant see anything on their end of the naval battle (has every single lhy tag+account that i could think of blocked)#b u t it’s still really funny to witness on my twtdash against my will. i think i need to touch grass#‘kyhn isn’t canon either so why do you like it while being such a hater towards lhy—‘#great question!!!!!! it’s bc (disregarding the movie) they actually interact really well together~~~ like the honeypre event y k—#and also bc yukki treats hina really nicely all the time (even when she was being tsun and literally running from her feelings for him)#a n d hina loved him for who he truly was; even before his image change arc. and she also does her best to appeal to him and such~~~~~~~#but lhy. uh. they just bully hiyo 95% of the time and while they do look out for her bc they’re pals#they’re just pals. guys. and lxl have gone ‘uwu it must be u uwu’ to each other one too many times so shoehorning hiyo between them would.#be pretty weird ngl? esp since the ‘widely accepted’ portrayal of lhy as a trio is p much just hiyo x 2 dudes who dont even like each other#and. like. a branch of such portrayals usually seem to have aizo waft away from the ‘r/s triad’ to date mona instead which is. very weird.#some people just pick and choose aizo and mona interactions dont they. all they see is the umbrella scene and go ‘ah yes. canon’#they dont even read further to see how mona doesn’t even use the umbrella after aizo leaves (clear rejection)#a n d how aizo doesn’t even remember giving the umbrella to mona + mona’s entire existence in general after that#and that’s not even counting the grudge mona refuses to let go of even after what looks to be literal months#so for certain shippers to just casually shoo aizo out of the hiyoharem and into mona’s unwilling arms for the sake of yhy is. weird.#and like. shouldn’t he and yujiro have a say in this?? they’re more interested in each other than hiyo so just how are they being commonly#portrayed as hiyosimps in fanon? im so confused… like. wouldn’t they be equally obsessed with each other (as w/ hiyo) if they were a rstrio?#aaaaaa get this off my twtdash plsssssssss pls see this post twtapp pls let this affect your dumb algorithm im tired of the ship discourseee#as funny as the ‘lhy vs the world’ naval warfare is it’s getting. um. very annoying!!!! and now im missing nagisa more than ever s o b s#plsplsplsplsplsplsplsplspls influence the algorithm ragepost; ik big brother is 👀watching👀 so do your thing—#(pls feel free to duke it out with me too if y’all read this i need my birdsite algorithm to le a r n that i dont wanna see stuff like this)
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featherymainffins · 5 months
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Now this might be because I have issues but is it just me or does Slay The Princess feel like an allegory for a relationship?
#like i dont even mean the actual textual stuff like the two gods loving each other i mean like#while the narrator himself does say that he is not the protagonist at all the voices do in fact count him as one of them and#both the narrator and the voices are described as shattered glass pieces on the floor#and im saying that just to contextualise what im about to say because i feel like the narrator is an echo of someone who was in#a relationship with another person and is trying to 'slay' the memory of this person and defeat death not only literally but#on a metaphorical level (as in the death of a relationship). if you do slay her you destroy her memory and in that way you do not know her#at all nor do you care to#and the routes would be the perspectives held by different parts of you. shes literally a being that changes based on who perceives her#but metaphorically thats just how people work isnt it? relationships are complicated and there is a part of you who sees someone as a razor#and there is a part of you who sees them as a damsel and another who sees them as a god etc etc#its like youre a person who is trying to make sense of the situation and; which is why the construct of the princess is made up of#several vessels called perspectives. you understand the whole of what you think only when you take apart all your perspectives;#and theres a you who isnt you anymore who doesnt want to do this. hes telling you to just destroy it. it was wholly wretched and wholly bad#and it changed which is a crime in itself. theres an echo of you. and theres you; built by this echo because thats how the self works#we are each our own god and we build ourselves. the different voices are like different parts of you#much like the vessels are the equivalent of the voices. theyre the finite confined perspectives; aspects of a whole person#and slaying her in this context would obviously mean literally just destroying the memory and deciding that change and all it brings#is an awful thing. though im not yet sure what the difference between leaving with the whole and between separating yourself#and leaving with just an aspect would be.#thats probably like the only thing thats kinda ruining this interpretation lol#oh and obviously a lot of the routes have like very strong relationship symbolism. specifically a lot of them feel like#scenes from a relationship that is falling apart. for example in the adversary and then the fury when you run away the dialogue#basically mimics a partner running away from a conflict and the other one destroying themselves because of it#witch and the thorn are both heavily Esop-coded and the text itself says that its about two people hurting each other even though they love#each other but both are afraid of the other one and of being vulnerable. thorn is about finding forgiveness in one another#and deciding to be better and love each other despite the hurt youve caused each other due to your problems#etc etc#like am i insane am i mental am i projecting?
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chappellrroan · 10 months
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this house is so fun when it's just us kids and no parents
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ereborne · 7 months
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Song of the Day: February 20
“Run Away” by Sarah Jarosz
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nateserenas · 2 years
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literally to present the world with a better version of you which could mean facing your future and and forgetting past mistakes or finally settling on a brand new path while they both stare at ticket stubs from a film they saw together (literally they both kept the tickets...) and then they promptly throw away the ticket stubs as though they've just been burnt because they catch themselves doing something terrible - thinking about each other. (literally they both kept the tickets but then absolutely did not think about why they'd kept the tickets, because as if they've reached a point where they'll allow themselves to realise that maybe it's possible for them to enjoy each other's company yet. and then them throwing away the tickets is them being like nope refusing to think about why I kept this it never happened i definitely did not willingly engage in recreational activity with dan humphrey/blair waldorf and then i definitely definitely definitely did not keep the evidence it just didn't happen none of it happened i will not think about it ticket gone means no more thoughts on the matter okay case closed moving on time to go visit serena...)
#AND THEN THEY BOTH LITERALLY GO VISIT SERENA#gg voice while dan is walking out the door to see serena “ and forgetting past mistakes” blair looking at her resume blair walks into seren#but a new year doesn'#sn't wipe away old problems#dan&serena proceed to lock themselves into the same dance they've been doing since high school and it's#blair's words that are a significant part of breaking dan specifically out of it#and then blair with her resume trying to figure out where she belongs in the world and her terror at the thought of becoming her mother lea#s to her plotting and scheming for something she doesn't actually want that much#and it's in talking to dan that she starts to let herself make plans for her life based on who she is and what she actually wants to be#rather than planning her future to run from the fears that have haunted her her whole life#it's about how they've always seen each other the mistakes theyve made what they're afraid of#but also the beauty they're forced to admit exists in their enemy/frenemy (depending on the day)#so it's like now they're talking and they're showing each other how they see each other and it's so very different from how anybody else se#es them and it's these pictures that are completely different but completely accurate that help them break the patterns of their pasts#in that the newness the difference allows for the realisation of “youre not what you were” and the accuracy is like i know you we'll show e#ch other what we actually are we see each other#okay now i'm#just rambling but it's them running away from the fact that they enjoyed each other's company and then proceeding to spend the episode trap#ped in patterns they've been trapped in forever until they help each other realise that they don't have to be trapped forever and then they#end the episode beginning to actually face the future and settle on a new path when they go see another movie together#okay done now so sorry this is insanely long help
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writhe · 2 years
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night took a rough turn but i’m thankful for the smell of the dirt & the woods, holy shit
i think i would be a fundamentally different person if it weren’t for this forest
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united-under-skyfall · 10 months
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#i think one thing i really didn't prepare for w overnights is just how fucking lonely it is. like yeah 80% of the reason i took it was to#get away from customers but like. it worked. and the night shift team is v v small. there's only 4 of us and we've never been scheduled all#at once yet. and usually we're running around on completely opposite ends of the building going long periods of time without#radioing each other. and then i come home all amped up and the rest of my house is still asleep. and then when they wake up#it's just to get ready and go and we don't really have time to talk. and by the time they get back i'm sleeping#and it's my first night off and i can't fuck up my whole schedule i worked so hard to switch over to w them flipping me all over the place#so now i'm just like. sitting in the half light trying not to wake anybody up not doing anything. the only places near us open are#gas stations and i can't exactly loiter there and what would i do even if i could. and it's too cold to go for a walk or to the park#or something. and i feel like i haven't talked to another human being about something that wasn't related to work in years#and it's only been a week.#and we can listen to music or podcasts or something but our carts and machines are so loud you miss half of it. and we can't hold#super long conversations when we ARE in the same room for the same reasons. plus we all want to die so none of us feel like talking.#and just. im tired and lonely and want to sleep and im already regretting this but i'd feel bad for backing out now when they have so#few options and i volunteered for it in the first place#and then there's also like. even just doing my usual solitary thing at home feels so much more isolated bc there's not the noises#of other people existing nearby. the nearest signs of life are some coughing and then a car on the other side of the block#just. what am i even doing here.#tag ramble
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poptartmochi · 1 year
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i think that i will never be able to rid myself of Magdalena, despite my disdain for her source material, because she's just such a fun little inversion character 🤧
#not to say that im trying to actively get rid of her! but like.. i have bnha ocs that will probably never see the light of day again because#i dislike bnha 🕴️ and i dislike the reboot way more than i dislike bnha so You Would Think that maggie would have disappeared by now but#nauuur. the inversions will keep her in my brain forever babey 🍻#it's something about the way gioia and vergil knew each other for such a short amount of time and were on completely different journeys but#still managed to Get each other.. the same hatness of it all. and from that we got nero who saved both their lives#meanwhile in nightmare reboot world‚ magdalena and vergil have known each other forever + run parallel to each other basically. and you#think that the whole time they're in lockstep that they get it! they get each other! they're in lockstep so they must be in sync!#but then it turns out the goal vergil has been obsessively dedicated to all along is actually Super Contradictory to the goal magdalena has#been obsessively dedicated to. and instead of their lives being saved by their connection‚ the sudden dissonance is the root of their#downfalls. that's like my own personal fuckin percolator man 🤧🤧#it's fun that she and gioia are both driven by loss and the desire to mitigate it. they both live in these societies where you're constantly#watched and revealing your cards could spell out your doom. ignorance and guilt cause gioia to build up this marble facade of cold#nonchalance because she cannot engage in society Without revealing her cards yk. it hurts too much. so the poker face it is 🗿#meanwhile magdalena Knows Too Much and the knowledge of it all eats away at her. she's boiling with the need to act‚ so a poker face could#never work for her. so she channels the energy into this larger-than-life persona to navigate through the world#and both of these methods work! gioia's facade makes people think she's cold or uninteresting so they ultimately disengage with her.#magdalena dazzles everyone and they're too distracted by the show to notice what she's doing behind the scenes.#but wearing the mask all the time takes a toll on both of them + ultimately leads to a loss of identity‚ where they only keep themselves#grounded by their secret work. gioia's run in with vergil helps her break free of this and reestablish herself#whereas magdalena's departure(s 😐) from vergil sets her down this path... it's just so 🌋🌋🌋 to me#also. it's fun to me that gioia was meant to become a demon but never did. meanwhile maggie detests demons but was forced to become one...#gioia dodged a bullet but it traveled through dimensions and shot her anyways lol 😭🤧#there's something to be said about the flipped family dynamics between the two but ngl I'm still working on Maggie and Isaac's relationship#so. i will leave it alone for now 🕴️in the future though I hope that I can figure out how to make Isaac as relevant to Magdalena as#Benedictus is to Gioia 🤔 right now he's kind of a mystery variable 🙈#sriracha.txt#long post#💃🏻
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hiiragi7 · 1 month
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Not my usual content, but I made something I wanted to share...
Edit: Now with an ID from @a-captions-blog! Thank you for writing it!
[Art description: A Pokémon-themed comic featuring OP as a Pikachu. Long description follows.
1. The tips of Pikachu’s ears are shown with text that says, ‘I’m a Pikachu / My world is filled with lots of cool stuff. Sometimes it feels like anything is possible!’ Under this is a collage showing a Charizard, a Pidgeotto, a Nidoking, an Eevee, and an Ivysaur, all in the background as the Pikachu looks up in wonder. Text reads, ‘All sorts of types, all sorts of attacks, all sorts of Pokemon.’
2. Text says, ‘But...only two ways a Pikachu’s tail could look.’ Two boxes in the upper corners show the male and female Pikachu tails, respectively. The male has a rectangular end to his tale, and the female has a heart-shaped end to hers. Text continues, ‘So then, what am I?’ A large drawing of the narrator Pikachu is shown, with an arrow pointing to their tail, whose end is split somewhat like scissors and doesn’t match either the male or female drawing above.
3. Text says, ‘Too pointy to be [female], too much of a V-shape to be [male]. I thought there was something wrong with me.’ Under this are three cascading panels showing the Pikachu from below at an angle emphasizing their tail. The second panel shows mel further away, and in the final panel she have disappeared entirely. Text on the panels reads, ‘I felt / very, very, very / alone.’
4. Text says, ‘But then, something happened. I found others like me.’ The art shows the narrator reaching out to another Pikachu. Under this are three other Pikachu. One has a rounded tail, one has a tail that has been stitched up to be rectangular, and one has a tail with a slight spike at the tip.
5. Closeups are shown of each of the tails from the previous panel, with text that says, ‘Round tails, scarred tails, spiky tails.’ Under this is a drawing of the Pikachu all hugging with lightning coming from their cheeks. Text reads, ‘They told me nothing was wrong with me, and I wasn´t alone anymore.’
6. Text says, ‘There are many ways a Pikachu’s tail can look. I’ve heard there’s at least over 30 different variations.’ Under this are two panels. The first panel shows the narrator lying on their back on a background of male and female symbols. Text reads, ‘Some days are still hard.’ In the second panel, the Pikachu with the scarred tail is shown with text that says, ‘My friend tells me her tail used to look just like mine. It was taken from her.’
8. The narrator is shown sitting and looking upwards. Text reads, ‘Some trainers won’t accept Pikachu that aren’t [male] or [female]. They alter our tails without our consent. But things are getting better. We are making change. We’re fighting so that our tails will be left alone.’ Under this is a panel showing the four Pikachu running happily towards the right. Text reads, ‘We’re all on a spectrum. Every tail looks different; anything is possible.’
The final text reads, ‘This is a comic about intersex people.’ The watermark in the lower right says @ PostManic. \End descriptions
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paragonrobits · 8 months
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some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:
Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.
The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.
There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.
Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).
Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.
On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.
Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."
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