#i am here for the neurodivergent representation

[sinemoras09]

Mirroring. From Don’t XXXX Where You Work (Let’s Separate Between Public and Private) | 공과 사를 구분하자 by Heee-n. Chapter 18.

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[lonelyshitposter]

they don't call me the funniest mf alive for nothing.

they do it for approximately $15 an hour. they wouldn't go any lower than that /:

[bratzforchris]

Five Love Languages, M. Sturniolo

Summary: The five love languages look a little different for Matt and his girlfriend, but that's always okay<3

Pairing: Matt x neurodivergent fem!reader

Warnings: Mentions of autistic burnout, this is entirely self indulgent

Word Count: 2.9k

A/N: I think we need more representation around here, especially for different neurotypes and disabilities <3 This fic is based off of this Instagram post :) I am autistic and have ADHD, and this was so much fun to write--if you'd like to see the same thing but for another boy, drop a request in my inbox!

Infodumping༘˚⋆𐙚｡⋆𖦹.✧˚

“Matt, come here! Now!” You squealed from your shared bedroom, your joy infectious as you bounced up and down on the bed happily. 

You could hear the sound of your boyfriend running up the stairs, followed by him bursting through the door, slightly out of breath. “What’s up, honey?” he asked with a smile, noting your happy stims and luminous grin. 

“Taylor’s going on tour!” You giggled, shaking your hands in small fists as a way to release all the happy, all-consuming energy that came with engaging in a special interest. 

“Oh really?” Matt asked genuinely, sitting beside you on the bed. “Tell me more, hun!” he encouraged you, kissing your cheek gently so as not to get in the way of your movements. 

“It’s going to be a tour where she goes through every era,” You smiled, happily bouncing on the bed. “We have to go.”

“We will,” Matt rubbed your knee softly. “As many dates as you want.”

“Really?” Your eyes lit up at the thought of getting to experience your special interest with your favorite person. 

“Really, honey. What album are you most excited to hear?”

Matt looked at you kindly, his eyes shining with love. He absolutely loved watching how excited you got over your special interests. You had been a huge Taylor Swift fan for over ten years now, and the brunette wished that he could bottle up your happiness whenever you engaged with her music. He would almost equate your joy to that of sunshine, baby animals, and glitter. Where some people thought you were “just a fangirl” or “too obsessed”, Matt loved listening when you infodumped about Taylor Swift. The sheer dedication someone could have to a singular topic was beyond impressive and adorable to him. 

“That’s really hard, Matt,” You whined playfully, still happily stimming and flapping your hands. “I really like Lover a lot because it reminds me of you, but I also want to hear reputation because it’s just so iconic. Like the whole snake aesthetic after the Kim and Kayne thing was just perfect. But then I also love folklore because of the love triangle thing and also because it’s just so experimental. Did you know that there was only eleven months between Lover and folklore?” You asked your boyfriend, becoming more animated as you spoke. 

“I didn’t know that!” Matt responded, clearly very invested in the conversation. “Here hun, why don’t you play with this instead? I don’t want you to hurt your wrists, sweetie.” he explained softly, passing you a fidget toy that was laying on your nightstand.

You blushed as you took the toy from him, not even realizing just how bad your wrists were hurting. “You’re the best boyfriend ever, do you know that?” You asked him, slowly crawling across the bed and into his lap. 

“I think I had an idea or two.” Matt smirked. 

You began to play with the fidget toy with one hand and Matt’s hair with the other. You still felt the need to stim, your nervous system buzzing with happiness. Whenever you felt the need to fidget, you loved to mess with your boyfriend’s hair, and he always let you. The way his soft, brown curls slid through your fingers and the way his natural highlights hit the light gave you such good sensory feelings. 

“Thank you for listening to me…I know it’s a lot sometimes.” You whispered shyly, hiding your face against his hoodie. 

Matt rubbed circles on your back as you played with his hair. “I love listening to you talk Taylor, baby. I think it’s interesting.” he grinned. 

“You do?”

“I do,” he booped your nose. “I think it’s cute too.”

“Do you think she’s gonna go era by era?” You asked, still too excited to focus on much else besides your special interest. “I hope so. That would be so much fun.”

“You’re gonna have to teach me everything,” Matt giggled. “I can’t be one of those boyfriends who goes and looks miserable.”

You squealed, untangling your hands from his hair and planting a kiss on his lips. “Oh hun, you’re gonna be the most educated boy in the stadium. You’ll know more Taylor lore than Taylor

Parallel Play ༘˚⋆𐙚｡⋆𖦹.✧˚

You sighed happily, pulling your blanket closer around yourself and taking a sip of your coffee. Thankfully, Matt had a completely free day with nothing to film, which meant you could just enjoy each other’s company. These days were few and far between, but you treasured every one because of how unmasked and free they allowed you to be. 

You sat your mug down on the coffee table and picked up the yarn and crochet hook you had set out earlier. Matt sat at the other end of the couch, feet in your lap as he focused intently on his book. You felt your heart swell with love as you took a peek at the cover, and noted that it was a memoir about understanding and aiding your partner in their unmasking journey.

Matt was by far the best boyfriend you had ever had when it came to accepting and loving you, neurodivergence and all. Finding a man who didn’t fetishize or infantilize being an autistic woman was hard, but the brunette was a diamond in the rough. Like right now for example, when he was spending his Saturday morning that he had off learning about how to understand the way your brain worked.

You blushed and picked up your crocheting, beginning to work on the blanket you had started earlier in the week. You had picked a chenille yarn in pretty pastel colors, and the rainbow of yarn, as well as its soft feel made you smile. You began to crochet, taking a peek at Matt every so often. Occasionally, your boyfriend would look up at the same time and catch your eye, sending you a soft smile before going back to reading. 

The silence wasn’t awkward, nor was it uncomfortable. Matt had a way of making you feel loved and safe, even without speaking the words out loud. Having grown up with his own mental health struggles around anxiety, your boyfriend understood the importance of “being alone together” and just existing in each other's orbit, without the need for words. 

“Thank you.” You whispered shyly after about thirty minutes of silence. 

“For what?” Matt asked you, closing the book and setting it on the pillow next to him. 

You sat down your craft as well and moved to snuggle into his arms, angling yourself so that you could hear the beat of his heart. “For just letting me be me.”

The brunette buried his nose in your hair, speaking softly against his head. “I love you.”

“You just let me be and we can do our own things without feeling awkward or weird,” You explained. “It’s comforting…and it makes me fall more in love with you.” You giggled softly, a blush creeping up your neck.

Matt held you closer to his body, arms wrapped around you protectively. “You’re perfect, baby. All of you.”

As you snuggled further into his hold, the two of you fell into companionable silence again, enjoying each other’s company. It really was the little moments like these that made you realize just how lucky you were to be in such an accepting, caring relationship. 

Support Swapping ༘˚⋆𐙚｡⋆𖦹.✧˚

Over the past year of dating Matt, you had fallen into a wonderful routine with your boyfriend, one that allowed you to distribute your spoons more easily and allowed him a slight break from his anxiety, especially socially. 

“Support Swapping” as you two called it was great help and was arguably one of the best parts of your relationship. Being autistic and having ADHD, you tended to struggle with executive functioning, always focusing on the wrong things instead of doing what you needed to maintain a healthy lifestyle. If you were hyperfixated on something, your mind could block out all reminders and signals from your body to eat, drink, rest, and use the bathroom. Once you finally realized how depleted you were, it would inevitably lead to an autistic meltdown because of the overwhelming sensory urges of hunger, exhaustion, and thirst. 

Matt, on the other hand, oftentimes struggled with parts of his job that came along with being a content creator. As much as he loved being in front of the camera and giving the fans funny content, he despised writing and sending emails. Nick could edit out anything that made him seem a little too weird or awkward; he couldn’t control how the recipient would take his email. You however, had loved writing ever since you were a little girl and actually took great pride in being able to communicate effectively through the written word. 

When you had voiced these concerns with each other and how they made both of you feel emotionally, it was clear there was only one option, and that was to support each other, just like you were on this particular day. It was nearing dinnertime by this point, the sun setting over the LA skyline as you tapped at the computer in Matt’s office. You had been hunched over the computer all day, filling out paperwork and emails for collabs that Matt had to do. You typed up all the notes for him, pasting them into a document, where he could then sign his name and send them off. Between your love of the written word and routine, writing the same thing over and over again was like a weird therapy for you. 

“Sweetheart?” You heard a soft knock at the door before Matt entered the room. 

“One sec.” You hummed, eyes still trained on the screen. “I’m almost done.”

“Babe,” Matt spun you around in the office chair so that you were facing him. “I love you and I adore you for doing this for me, but it’s almost seven. Time for dinner.” he chuckled, planting a kiss on your lips. 

“Oh,” You blushed, not realizing how much time had gone by. Just then, your stomach rumbled, making Matt give you a knowing look. “This is why we help each other and remind each other.” You snorted, facepalming yourself softly. 

Matt kissed your forehead gently, helping you out of the chair and guiding you towards the kitchen with a soft hand on the small of your back. Before you two left the office, though, he sneakily closed out your computer, making sure you would spend the rest of the evening resting. Your heart swelled when you walked into the kitchen and saw your and Matt’s small dining table completely laid with dinner and drinks. 

“You didn’t.” You smiled, turning towards your boyfriend. 

“I did,” Matt picked you up and kissed you as you wrapped your legs around his waist. “I know how distracted you can get when you’re working, sweetheart.”

You blushed as Matt sat you down at the table, knowing he was absolutely right. “You take care of me so well.” 

Matt rubbed your knuckles softly as he sat down in his own chair. “That’s what a partnership is for,” he smiled, the adorable crinkles around his eyes that you loved oh-so-much on full display. “We take care of each other.”

"Please Crush My Soul Back Into My Body" ༘˚⋆𐙚｡⋆𖦹.✧˚

You sighed, growing restless as you shifted around in the backseat of the van. The triplets were filming their weekly Friday car video, and you had decided to join on this particular day. You absolutely loved playing Over/Under, but the effects of the evening were beginning to wear on you. Between Chris frequently changing topics to almost anything that wasn’t Over/Under and Nick’s yelling, you were starting to become overstimulated. 

You shifted, trying to pull your hoodie off since it was starting to irritate you, only to loudly smack your arm on the hard, plastic door of the car. All three boys looked your way, making your cheeks burn with embarrassment. 

“Are you okay?” Matt asked with a chuckle, but his eyes held a concerned look. 

“Mhm,” You nodded, trying not to let your frustration show. “Just a little too hot.”

“We should finish up. Nick’s second timer has already gone off.” Matt turned in his seat and stretched, trying to discreetly end the video. 

Matt knew you almost as well, if not better than you knew yourself, and he could tell that you weren’t super comfortable, despite your best efforts to hide it. Even he had to admit that Chris’s frequent change of topics and Nick’s yelling was getting to be a lot, so he couldn’t even imagine how you were feeling. Luckily, his brothers seemed to take the hint, and the boys swiftly ended the video, with you whispering a little ‘bye’ in the background. 

As your boyfriend began to try towards the triplets' LA home, you shoved your earbuds into your ears, closing your eyes and leaning your head against the window. You were overstimulated and exhausted, and the next person to add to sensory overload was going to catch it if you didn’t try to calm yourself. You were so caught up in the awful feelings taking over your body and your anxiety that you didn't even notice that Matt had pulled into the garage and Nick and Chris had vacated the car until your boyfriend turned in his seat, patting your knee. 

“You okay, baby?” he asked softly. 

“No…” You mumbled, trying not to choke on tears. “Too much.”

Matt understood what you meant and gently helped you out of the car and into the house without another word. On the way to your shared bedroom, he quietly shushed Nick and Chris, mumbling a little ‘overstimulated’. Both brothers were aware of you being autistic and immediately piped down, silently feeling terrible for you. 

Your boyfriend sat you down on the edge of the bed, handing you a fidget toy from off your nightstand. Despite the discomfort you were experiencing, you felt your heart swell as you watched Matt gently take off your socks and shoes, before standing up and looking at you. 

“Do you want your headphones?” he asked you in sign language. 

You could’ve cried right then and there because of your sheer love for Matt. Ever since you two had started dating and you had explained that you used ASL to communicate when you were feeling overstimulated, the brunette had taken it upon himself to learn as much of the language as possible. He was still rather beginner level, but it was the thought behind it that made you want to squeeze him and pepper his face with kisses. 

You nodded to his question, and Matt swiftly replaced your earbuds with better quality, noise canceling headphones. You sighed softly at the relief, standing up and wrapping your arms around your boyfriend's waist. “Thank you,” You signed against his chest. “I love you.”

Matt hugged you back gently, almost like he was scared you would break. “Pajamas?” he asked again. 

You nodded once more, and your boyfriend gently helped you into soft, sensory approved pajama pants and one of his faded, soft shirts. You quietly got curled up under your weighted blanket as Matt bustled around the room, getting himself ready for bed, but the pressure wasn’t enough. You needed something more. As your boyfriend crawled into bed, you rolled over onto your side, tapping his shoulder gently. 

“Will you lay on me?” You signed. 

Matt smiled, kissing your forehead gently. He grabbed the remote and turned on your comfort show on the television, before laying his head softly on your stomach. You smiled and sighed contently at the feeling, running your fingers through his soft, brown curls. That was one of your favorite stims, and the feeling of Matt’s pressure, combined with stimming and noise canceling headphones, was slowly calming you down. 

Over the hour that followed, Matt softly laid more and more of his body weight over top of you. He knew that deep pressure therapy helped you regulate your nervous system, especially when you were overstimulated. If some extra love and cuddles would help, he wasn’t going to be the one to complain. Sure enough, by the time he looked up at you, you were fast asleep, a happy little smile on your lips. 

Penguin Pebbling ༘˚⋆𐙚｡⋆𖦹.✧˚

Matt looked over at you from his position on the couch as you giggled, happily kicking your feet. “What’s so funny?” “Check your Tiktok.” You laughed, a happy little smile taking up residence on your face as you stimmed. 

Your boyfriend smiled at whatever antics you had going on, migrating to his phone. You let out a little giggle as you watched Matt’s facial expressions change, from that of confusion, to that of happiness. 

“You really sent me one hundred and fifty different cat videos?” he asked, though his tone was playful. 

“They reminded me of you,” You whined, throwing a stuffed animal at him. “You’re the one who always sends people images of sleeping kittens and says ‘that’s me’.”

Matt chuckled as he sat watching every single video. He knew how important sharing was to you, especially when it had to do with the people you cared about. “Penguin pebbling” as it was called, was the act of unconventional gift giving as a sign of affection. Your boyfriend absolutely loved when you did this, because it was pure love. It wasn’t big, expensive gifts or luxury vacations. It was the smallest, most accessible thing in the world, yet you took time out of your day to do it. 

“Have I ever told you I love you?” the brunette asked, sliding onto the floor beside you and kissing your cheek. 

“Maybe once or twice.” You grinned. 

tags ♡: @jake-and-johnnies-slut @chrissfavwh3re @suyqa @mbsbaby @herxyz @lovingchrissposts @caffeinatedscorpio @bunny-cotton @crazychrisl0v3r @sturnioloxlver @whicked-hazlatwhore @blahbel668 @sturncakez @junnniee @biggesthat3r @sturniolowhore @mggcult @emmagirouard @athaliahxoxo @bitchydragonparadise @ilydeaky @soggyslugg169 @not-phone-guy @books0fever @stingerayyy2 @sunsetsturniolos @mimi-luvzyu @mayhem-72 @faygo-frog @oobleoob @aemrsy @billsslutt

note ♡: if you'd like to be added to my taglist, click here <3

[ladamedusoif]

able

(Joel Miller x disabled F!Reader)

Pairing: Joel Miller x Disabled F!Reader

Summary: "I just don't think she'll be able for patrol". But then it's just you, Joel, and your trusty walking stick in the middle of nowhere...

Content/warnings: Reader is disabled (she has rheumatoid disease/arthritis in addition to panic attacks, she uses a walking stick as necessary); Reader had a sister; Reader is an art teacher; strong violence; blood; description of panic attack; references to impact of chronic illness and disability; references to medication; references to disease and death; non-canon compliant; Jackson!Joel; strong language; ableist language and abusive language

Rating: Mature; 18+ MDNI

Word Count: ~3.7k

A/N: After making a plea earlier in the week for people to actually write disabled Reader fic, as opposed to forcing writers to feel they have to tag literally everything in an able-bodied Reader story, I knew I had to put my money where my mouth was as a disabled, neurodivergent writer with various mental health things going on here and there. And this one-shot is the result.

This one is a little personal. I was diagnosed with rheumatoid disease about ten years ago, and Reader’s experiences are informed by my own (though, thankfully, I haven’t had to contend with an apocalypse that meant I couldn’t access the medication that has kept me going). She’s also inspired by @agentjackdaniels, who acted as consultant extraordinaire on walking sticks and panic attacks, and suggested the Joel picture for the moodboard. Thank you, Luce, for this, for fighting the good fight for representation in fic - and for beta-ing the story. 

(A note on terminology: rheumatoid disease/arthritis are sometimes used interchangeably. ‘Arthritis’ often sounds like it’s ‘just’ osteoarthritis to people who don’t know the difference. Rheumatoid, unlike osteoarthritis (which is shitty in its own ways), is a systemic, lifelong, chronic illness and an auto-immune disorder that affects the entire body, not just bones and/or joints. So personally I use ‘rheumatoid disease’ as it conveys more of the impact of the condition. It's also often seen as an 'old person' disease but this simply isn't true - not that this stops mobility aids being modelled by people in their 80s all the time...)

Please follow my writing blog @ladameecrit and turn on notifications to stay up to date with my work.

Dividers by @saradika - moodboard by me

You weren’t supposed to make it.

Twenty-odd years in the apocalypse with your fucked-up joints and no steady supply of the meds that kept you going, pushing through the cycles of fatigue, and fighting off your own goddamned immune system as much as you were fighting clickers and raiders. 

You really weren’t supposed to make it. But you had Annie.

You were sharing an apartment when the outbreak happened, a quirk of shitty personal circumstances - she’d just broken up with her long-term boyfriend - that probably helped save your life. Annie was the all-action sister - the kind of person who thinks there’s nothing weird about spending your weekends doing triathlons and “Tough Mudder” challenges, who had a perfect bill of health your entire lives, who bounced out of bed in the mornings while you cracked and creaked and stiffly manoeuvered yourself into being. 

The good days generally outweighed the bad in the years between your diagnosis with rheumatoid disease and the initial outbreak - or maybe you had just gotten used to the aches and pains and the occasional flare-ups of fatigue. You invested in a walking stick to help on those days when mobility was particularly bad: solid, heavy, and carved in a pale yellow wood. It felt like a comfort in your hand, more a sign of strength, to you, than of weakness. 

Annie helped you through the panic attack that consumed you on outbreak day, working with you to regulate your breathing and relax your tense muscles until you could finally say what was on your mind.

“My meds. What am I going to do without my meds?”

Nothing a quick smash and grab at the local pharmacy couldn’t fix. It was the first of many, stockpiling the little yellow tablets you relied on and taking as many packs of over-the-counter painkillers as you could carry. Useful currency in the apocalypse, as it turned out.

All-Action Annie was never going to cope with life in a QZ. She got the two of you out after months of planning, nights of whispered talk about a town out west that was normal - or something close to it, anyway. She hadn’t entertained your protestations about you slowing her down, holding her back.

“You think I’m leaving behind a girl who’s so handy with a weapon?” she’d teased, pointing to your walking stick. “Be real. We’re busting out together.”

The infection took hold in her about three days from Jackson. Fuckin’ barbed wire, tearing a jagged line through Annie’s hand and leaving behind an old-fashioned kind of threat to life, the kind penicillin had mostly dealt with. But that was then. This was now. 

She died in an abandoned farmhouse in the middle of nowhere, you holding her hand until the end, talking to her about your childhoods and trying to keep smiling until she closed her beautiful eyes. 

It took all your strength to dig her grave. And then, somehow, you found more.

You weren’t supposed to make it. But you did. 

Jackson stands before you. 

He sees you for the first time in the community dining hall, talking animatedly to Maria as you hungrily devour the food set in front of you. Eyes wide, face grubby, clothes ragged. Half-wild, he thinks, like most of the new arrivals. Like him and Ellie, once upon a time. He returns to his bowl of soup and his own thoughts - at least, until he’s interrupted by Maria.

“Joel? Want to introduce a new member of the community, just arrived.”

He doesn’t quite know why he’s surprised when he realises you’re leaning on a sturdy hand-carved walking stick in a solid, light yellow wood. Maybe it’s because he knows how physically hard it is to get here. Maybe he just assumed folks who needed a stick wouldn’t have been able to manage the journey. 

For a second he can hear Sarah’s voice in his head, chiding him for focusing on what a disabled person can’t do instead of what they can. 

“Joel?”

He snaps out of his reverie and looks from Maria to you. “Uh, hi. Sorry, just…sorry. Forgot my manners.”

“I was just saying how glad we are to have someone who can offer some art education in the town, isn’t that right, Joel?”

Your eyes are warm and mischievous as you meet his gaze, silently conveying your amusement at Maria’s rather brusque manner. It’s all Joel can do not to laugh.

“Sure is. You’re an artist, then?”

You shake your head. “Not a real one. I was an art teacher, before. Long time since I created anything, though, so I hope I remember how.”

He smiles softly, his gruff exterior receding a little. “Bet it’s just like riding a bike,” he says, before his face falls as he looks at your walking stick. “Oh, shit. Sorry. I didn’t mean… Shit. Hope I didn’t offend.”

“As it happens, I can ride a bike, Joel. The apocalypse just doesn’t give me much cause to.”

You leave him with a smile and a wink as Maria ushers you to meet other townsfolk. He watches you as you walk away, the tap-tap-tapping of your stick beating out a new rhythm in the heart of Jackson.

You think of Annie every morning when you wake up in the little house you’d been assigned. Sometimes, as you potter around the kitchen, still revelling in the novelty of making yourself morning coffee for the first time in two decades, you even talk to her. You tell her about the town, the townsfolk, your work in the community vegetable garden, your art classes. 

“Honestly, An, you wouldn’t believe how popular they are,” you tell the Annie who, in an alternate universe, is sitting at the kitchen table with her own mug of coffee. “I’m setting up extra sessions to cater for demand.”

There’s something uplifting in how hungry the people of Jackson are to make art, no matter their experience or existing skill level. They’ll draw stuff from memory, they’ll dutifully work on a still life, they’ll even traipse outside with you, wooden sketching boards in hand, and make rapid-fire sketches of the goings-on on Main Street. 

Joel doesn’t join a class - but the teenage girl Maria refers to as “Joel’s kid” does, all potty-mouthed and enthusiastic and pretty damned talented, to boot. Ellie tells you how she’s pinned up the drawings she’s proudest of in their home, “like our own fuckin’ art gallery or some shit.” 

You pull up a tall stool and sit beside her, resting your stick over your thighs. “Joel’s got his guitar and those dumbass model figures he paints,” she continues, leaning around her easel and squinting at the woman who’d volunteered to act as a life model for this week’s classes. “But this shit? This is real art.” She adds a little highlight to the woman’s sweater and leans back to assess the work.

“You probably got exempt from patrols, I’m guessing. On account of the stick, an’ all.”

“Maria asked, and I signed up happily. I got all the way here, didn’t I? I’m sure I can manage patrols. And it’s the least I can do - they’ve even found me some of the medications I need.”

Ellie nods, somewhat convinced, and returns to sketching out the contours around the model’s jaw.

The day of your first patrol arrives. You bundle up and set out early for the stables, allowing extra time to get there on account of the flare-up you’d been experiencing the day before. 

You arrive early - just in time, in fact, to overhear a heated conversation between Joel and Maria.

“She’s doing enough, ain’t she? I just don’t think she’ll be able for patrol.”

“You’ve seen her out and about, Joel. She’s mobile. She’s competent. She’s good with the horses. She got all the way here, the last stretch on her own. What more proof do you need?”

“You’re seriously gonna send a woman with a walking stick out on patrol?”

“I seriously am. Sent you and your bad back out, didn’t we?”

“That ain’t the same and you know it.”

“Just saddle the horses, Joel. And, in case you’re wondering - yes, I paired you together deliberately, just until she gets settled.” You hear her footsteps recede as she leaves him.

You had misjudged how much your already-limited grip would be further impeded by the gloves you’re wearing. The stick clatters to the ground.

“Who’s there?”

You emerge from the shadows. “Me. Sorry.”

Joel rolls his eyes and gruffly points out the tack and supplies.

The first patrol passes in silence. You wonder what happened to the softer man you’d caught a glimpse of the first day you arrived.

On the second patrol, you ask him questions about himself. On the third patrol, he asks (fewer) questions about you. By the fourth, you’re having something approximating normal conversation. 

“Sarah loved to make all kinds of stuff,” he ventures, leading the way on his chestnut horse. “Those beaded bracelets, that girly Lego in the pink and purple, all of that. My girl had enough Magic Markers to supply a whole elementary school. Maybe two.”

You can hear him smile, even without seeing his face. His shoulders relax a little as he recalls the memory.

“So she was a creative kid?”

“Creative, sporty… she could do anything. Made the school soccer team, she was so proud. Just a…” He pauses. “A great kid.”

There’s a few beats of silence, punctuated only by the sound of the horses snickering and the steady rhythm of their hooves on the ground. 

“What about your sister, was she arty like you?”

You’d told him about Annie on the last patrol. This was the first time he’d asked about her explicitly.

“She was the sporty one. I think that’s why I survived so long, truth be told. She was so strong and fast and tough as fuck.”

He chuckles, the burr of his voice resonating in the cold air. “Sounds like a good balance, though.”

“It is - it was. Was.” Your voice grows quieter as you repeat the word to yourself, chest starting to tighten. The horse slows, responding to the tension of your body, as Joel continues to trot on, not realising you’ve come to a halt behind him. 

And then the tell-tale snapping of a twig, the sound of footsteps, and the realisation there’s someone else there, emerging out of the woods. Two someones. 

Raiders. 

The panic attack that has been building inside you gives way. An innate fight or flight response kicks in as you roar his name. 

Joel turns and charges back towards you, just in time to see you take out one raider with a crack shot from your pistol. He slows the horse and readies his rifle, staring at the other man who is now trying to haul you off your mount.

“Get the fuck off me, motherfucker!” You flail against him, desperately shifting your weight to the other side of the saddle to try to shake him off. 

Joel takes aim. 

You think you’ve kicked the raider off. And that’s when you hit the ground.

He can’t take the shot now, not with her half-hidden from his view and audibly fighting off the man who’s dragged her to the ground. Joel is still a little distance away, slightly too far to see exactly what’s happening. 

Why didn’t he hear her slowing? Why didn’t he realise she was further behind than she ought to be? Why did she slow in the fuckin’ first place?

Joel quickly dismounts, rifle in hand, moving closer so he can get a clearer shot at the guy who’s now standing over her. The horse’s elegant neck obscures the raider’s hands from Joel’s vision - he has no idea if he’s pointing a gun at her or not. 

He thinks he has a clear sight on the guy’s head, provided he stays in the same position. He readies the rifle. 

Suddenly, the raider disappears, letting out a primal roar before he hits the ground. 

“You fucking cunt!”

Joel can see she’s standing now, the man prone before her. As he rounds the horse he sees her lift her cane, hands securely gripping the pointed end of the stick. 

She brings the solid, weighty handle down on the raider’s leg with a sickening crunch. Even Joel recoils a little at the sight and the sound.

“F-f-fucking…c-c-cunt!”

Thwack. The other leg. 

Fuck. She knows exactly what she’s doing.

”Keep calling me that, and I’ll keep the blows coming.”

Holy fuck. Who is she?

”C-c-c-cripple.”

”Excuse me?”

The raider props himself up on his arms. “I said, cripple. Fucking crippled cunt.”

“You shut your fuckin’ mouth.” Joel cocks his rifle. 

The stranger sneers at Joel. “Awww, he’s actin’ the big man now. Weren’t too quick gettin’ back down here to save your cripple woman, were ya?”

Before Joel can react, she swings her stick over her head and brings it down on the man’s skull with a furious scream that seems to come from the very depths of her being. 

She screams and screams as she hits him, over and over, eyes wild in her blood-spattered face. Joel recognises this: in himself; hell, in Ellie. It’s the moment when the floodgates open and all those years of pain blend together and zone in on this convenient target, an avatar for everyone and everything who had forced loss and trauma upon you. 

He roars at her to stop, but knows she can’t hear him. It’s just her and the raider, now: her rage and fear and grief finding their expression through a walking stick turned cudgel.

A single shot ends it. She turns sharply, as if snapped out of a trance, and sees the smoke leaving Joel’s pistol. 

“Hey. Hey. You alright?” His broad hands grip your biceps as he looks into your eyes.

Yes, you tell him, yes. You’re fine. But Joel keeps asking. 

“Talk to me. Are you okay? I’m worried about you. Please, just talk to me.”

You are moving your mouth, but no sound is coming out. The familiar vice is tightening around your chest. You look down at your blood-stained hands and you struggle to breathe. 

“‘M dying, Joel. Can’t breathe. All the blood. So much. Why can’t I breathe?”

Oh, he realises with a pang. She gets these things too. And I know how to help.

“You’re okay, you hear?” He’s rubbing your arms gently, keeping his gaze on you. “You’re alright. Breathe along with me, okay?”

It’s difficult to find the rhythm, at first. Joel’s hands find yours and squeeze them in time with his breath.

”In through your nose, that’s it. Slow and steady. Now out through your mouth.”

He can see your muscles starting to visibly relax. A wave of relief courses over him.

”Yeah, that’s it - you got this. You got this, good girl, you’re just fine. Gonna be alright.”

When he’s confident your breathing has settled and the panic attack receded somewhat, he gently guides you away from the body of the dead raider, one hand holding your horse’s bridle and the other holding yours. 

“Why don’t you have a seat for a minute, huh?” Joel gestures to a long, low tree trunk lying near the forest’s edge and opens his saddlebags, rummaging until he finds a cloth, a battered hip flask and a bag of dried apple slices.

”Here.” He wipes the blood as best he can from your hands and proffers the flask, settling his substantial frame beside you on the log. “Have a sip or two, just to relax you a little bit more. Got a snack, here, too.”

You flinch at the taste of the liquor, but take a second sip regardless. The apple slices barely taste of anything in the afterburn of the moonshine. Joel nibbles on some jerky and stares into the middle distance. 

You take a break from patrol, agreed with Maria, and a few days off your art classes. It was tempting to keep going, to return to the light and airy studio and to your students. But you feared a relapse.

And your body needed to recover physically, too. You ached from head to toe, fingers and toes puffy and swollen and movement seriously restricted. You ration out the supply of medication you’ve secured since getting here, and use hot water bottles and plenty of rest to try to ride out the flare in your arthritis.

Three days after the incident, there’s a knock on the door. You hobble to answer it, leaning on your trusty stick for support.

”Came by to see how you were doing. Got you some things if you needed ‘em.”

Joel is standing on your front porch, holding a jute grocery bag. He pauses, as if waiting for you to give him permission to say more.

”That’s so very kind of you, Joel. Come in, won’t you? I was able to set a fire so it’s nice and cosy.”

He watches as you lead the way into the living room, noting how much slower you were today. Guilt laps at his conscience. He said she shouldn’t go on patrol. He knew.

”You want me to bring these into the kitchen for you?”

“That would be a great help. Thank you.” He’s glad to see you smile, after the trauma of the patrol. “If you want a drink, I’ve got some tea and coffee in the cupboard just to the left of the sink.”

He pops his head back into the living room. “What would you like?” 

“A tea would be perfect. Mugs are in the cupboard to the right.”

You wrap yourself back up in your blankets on the couch, making room for Joel when he returns with the drinks and a couple of cookies, sent over by Ellie as part of his care package for you. The mug feels like a comfort in your aching hands, its heat assuaging the inflammation ravaging your joints.

He sips his coffee and you sit in silence for a little bit, watching the flames dance over the firewood. 

“Have you, uh - you been okay, doing okay, since…”

Joel stares into his coffee cup and then looks at you, a little awkward. You smile, hoping to reassure him.

”I’ve been okay. Just the physical pain and exhaustion, mostly. And - well, you saw it. The panic. It can leave you drained.”

He nods and takes another swig of his drink. “I know. I - I’ve had times like that, too. Real fuckin’ scary, when you’ve never gone through it before.”

You study his face for a moment or two, noting the little scar on his temple, the lines on his face, the stern expression completely undermined by the warmth of his deep brown eyes. For an instant, he seems so vulnerable, this strong, tough man sitting on your little couch. 

“I haven’t had an attack like that in a while. But then, I hadn’t done anything like that in a while.”

This time Joel turns to look at you properly. “Not your first rodeo, huh?”

You giggle at the turn of phrase. “Not quite. Let’s just say my stick did a lot of work over the last twenty years. He wasn’t the first to feel the brunt of it.”

Joel nods, and you feel strangely relieved that he doesn’t seem surprised. “Doesn’t get easier, though, does it?”

“It does not. Which is why it’s better to avoid having to do it.”

”I agree. Gotta say, though, I - I was worried you wouldn’t be able for patrol, y’know?”

You arch an eyebrow at him. “I know. I overheard you, remember?”

He blushes. “Aw, shit. Yeah. I’m sorry about that. I just didn’t want anything happening to you, what with your - condition, and all.”

You sigh softly, not really noticing the affection in his voice. “Most of the time, I’m fine. Y’know? I’m slower, but I do okay. I get tired more easily, but I manage. I didn’t come here to be a drain on the community.”

”You aren’t.”

”I know, but I want to keep it that way. I want to pull my weight. I’m able, Joel.”

He huffs in agreement. “Not like I’m a perfect specimen these days, either. Knees, fuckin’ back, deaf in one ear…” 

You chuckle. “And you thought I wouldn’t manage patrol? Anyway, you’re not doing so bad, are you?”

He gives you a little smile, but that constant sadness still haunts his eyes. He stares at his coffee for a moment.

“You knew what you were doing, though.”

”I did. But I didn’t feel like I could stop.” You sip your tea, swallowing hard. “And I’m scared that makes me some kinda monster. You know?”

Oh, he knows. He knows it too well.

”You aren’t a monster.” Joel resists the urge to put an arm around you. “You just… something snapped, I guess. All that - well, all that hell you’ve gone through. It… it changes you. But it doesn’t make you a monster.”

He realises you’re crying before you do, spotting the fat tears that roll down your cheeks. He finds a clean handkerchief in his jeans and offers it to you. 

Fuck it. 

“Can I - can I put an arm round you? Just for some support?”

Your eyes light up, tears or no tears, and you nod enthusiastically. Joel is warm and comforting, his broad chest and strong arms a kind of anchor in the emotional storm. You nuzzle against him, and he gives you a little squeeze on the arm.

”You’re a really brave woman, you know that?”

His voice is quieter, more intentional. You look at him quizzically from under your lashes, unused to praise of this kind. For an instant you think about asking him what he means. But the safety you’ve found in the broad arm draped around you is all you need right now. 

You nuzzle a little against his chest, and watch the fire dancing for the rest of the night. 

[whataperfectwasteoftime]

Spilled Ink

Pairing: Tattoo Artist Marcus Pike x f!reader

Word Count: 7.5k

Summary: Uhhh Marcus Pike as the world's softest tattoo artist that's it that's the fic.

Warnings: Lots of tattoo talk, obviously, which includes needles, tattoo guns, pain, mention of bleeding, etc.; reader is explicitly coded as neurodivergent because I said so; yearning; lots of kissing; Marcus Pike being a goddamn menace and he fucking knows it

A/N: @kedsandtubesocks made a post about Tattoo Artist Marcus Pike (original post HERE) and then I wrote 7.5k words in 12 hours, as one does. All credit for the idea goes to the amazing Erika who entrusted me with this idea and THANK GOD SHE DID because I don't think I could have gotten it out of my stupid brain otherwise. Header pics credit go to Erin @perotovar, who made these with Tattoo Artist Marcus Pike in mind and I'm just WOOFWOOFBARKBARKBARKBARKHOWL. Thanks also to @littlebirdsbookshelf who suffers through HOURS of me sending screenshots every time I write anything. Love you <3

Additional Note on Canon: I am pretending that we never got to see Marcus Pike in short sleeves in the show despite it happening twice. He has full sleeves on both his arms in this fic that he covered up during his time working at the FBI. Because sleeves are hot and I said so.

Masterlist

It’s not unusual, these days, to wander down the sidewalk staring at your phone. Some people are texting. Some people are reading the news–because hey, this is D.C. Others, like you on this brisk morning, are watching the little blue dot on a tiny representation of the city streets, trying to find the address you had typed into the search bar.

A text box pops up, informing you of your arrival, and you finally look up.

No wonder it took you so long to find the place–it’s hardly what you expected at all. You always picture tacky neon signs, bars on the windows, undesirables milling about on the street, smoking cigarettes.

Okay, so you admittedly don’t actually know much about tattoos.

All you know is that you want one–a fact you confessed to a friend over lunch the other week: a conversation that led you here.

“Okay, so get one,” she had said bluntly.

“It’s not all that simple,” you had protested. 

“Why?”

“It’s just… it seems like a lot. Mentally. Physically. I’m not sure I have what it takes.”

“They don’t hurt that bad,” your friend had insisted.

“I’m not just talking about that, I’m talking about… y’know, just everything. The noise. New people. Strangers touching me. It just doesn’t seem like something I’ll be able to do.”

“Oh. Ohhh. Because of the… yep. Actually I might have something for you,” she said, taking out her phone and scrolling through that app that drives you crazy–it’s overstimulation in a convenient package–full of noise, chaos, and flashing lights. 

She must have seen you pull a face, because she held out her hand placatingly. 

“Just finding the name of the place, hang on. It’s a shop right here in DC that went ‘viral’ for this video of a guy with autism who wanted a tattoo to commemorate his dad, but he was only comfortable lying on the floor–so the tattoo artist just… got on the floor with him! It was really cute, and anyway I guess he caters to all sorts of people, so… I dunno. Check it out.”

And here you are. Checking it out.

The words “Government-Issued Ink” are spelled out on large windows, and the punny name–apt for its location not far from the Capitol–makes you snort. 

The shop is bright, warm, and inviting–tearing down your outdated preconceptions that tattoo places must always be run-down, dark, and dingy. It’s also empty this early in the morning, save for a lone figure in the back, seated at a well-worn desk, his head pitched forward over his work.

He’s so enveloped in whatever he’s sketching that he must not have heard the light ringing of the bell as you had entered. You watch him for a few moments–taking in the graceful movements of his hand and the way his fingers grasp the pen. He’s dressed in a plain blue button-down dress shirt, which also doesn’t fit your assumed archetype of ‘Tattoo Artist.’ You can’t see his face; his head is leaning forward too much and a few short locks of dark brown hair obscure your view.

Suddenly wondering if you’re being incredibly rude, staring at someone without announcing your presence, you open your mouth to introduce yourself.

“Um.”

While not exactly eloquent, it serves its purpose. The man startles and looks up in surprise.

“I’m so sorry,” he says, jumping to his feet and letting the pen clatter carelessly to the desk. “I didn’t hear you come in.”

“That’s okay,” you shake your head rapidly. “I was, um…” You blink a few times, your nerves getting the better of you as the man comes around his desk to approach the front of the store.

“Interested in a walk-in consultation?” he offers, holding out his hands in a gesture that could either be an open invitation or a shrug.

“I don’t know,” you confess quietly. “I was thinking about getting, uh, a tattoo, and I was told this shop was… good. With tattoos. And other stuff.”

“Other stuff?” he chuckles, smiling warmly. 

“You know… with people who… might not be good at getting tattoos.”

“What makes you think you aren’t ‘good at getting tattoos?’”

“A hunch,” you shrug, expelling a little huff of laughter through your nose. “I was told to ask for a Marcus Pike?”

The man’s smile widens. “You’re looking at him.”

Oh. You aren’t sure what you expected, but it wasn’t this. Marcus Pike is well-dressed and clean-cut, almost startlingly so. You scan up and down, looking for any sign that this man could possibly be a tattoo artist, but the only evidence you can find is a small black target inked between his thumb and forefinger on his right hand. Don’t… tattoo artists usually have more ink? Of course, with him almost completely covered from head to toe, you obviously can’t create a full picture of Marcus’s skin, but the fact that he wouldn’t look out of place in one of the nearby government buildings still takes you by surprise.

You realize you haven’t said anything in response, but Marcus doesn’t seem to be bothered by your deer-in-headlights stare. Instead, he grins again and steps sideways, extending his arm in a silent invitation to come deeper into the shop.

“Come on in. If you’d like, go ahead and sit wherever you want, and we can talk about it. No pressure,” he promises. “I’m not here to push ink on you like a used car salesman; I’m here to collaborate with you. Figure out what you really want. And, if what you want ends up being ‘nothing,’ I totally support that, too.”

There’s something innate and intrinsic about Marcus Pike that sets you completely at-ease. You cast your eyes around, taking in the eclectic seating in the shop–all mismatched, all different colors, styles, and shapes, but all looking incredibly comfortable and inviting. You settle on a giant turquoise beanbag that seems to swallow you whole when you sink down into it, and Marcus grins and sits down in the bright yellow saucer chair beside it. 

“So at the very least, you’re thinking about a tattoo,” Marcus leads. “Can you tell me about that?”

You nod, feeling encouraged by his openness. “Yeah, so… my mom, she passed away a couple of years ago, and it just seemed like I should… memorialize her in some way. Like, in a way that leaves its mark on me like she left a mark on me, and I just couldn’t stop thinking about the idea of getting some kind of permanent art that commemorates her.”

“That’s a great idea,” Marcus says softly. “Lots of people choose to do that after losing a loved one.”

“Yeah, the only problem is that I’m not good with um… noise, or people touching me, or… pain, really,” you confess. “I’m like, the worst candidate for getting a tattoo that exists.”

Marcus chuckles softly and shakes his head. “Personally, I don’t believe that. I think anyone can get a tattoo done if they want it, provided they get it done in a way that feels safe and comfortable.”

“My friend, she uh, recommended your shop because apparently you’ve done some stuff for people with autism and it went viral on TikTok…” you ramble, “and I thought maybe that meant you’d be a good fit for… for me.”

Understanding flickers in Marcus’s expression, and he nods, a small smile spreading across his face. “I hope so,” he says with quiet earnesty. 

A beat passes–just a few seconds of silence–but something small and soft and warm settles down between the two of you, and the comforting feeling sinks down into the pit of your stomach and stays there, latent and waiting.

“So, let’s talk design,” Marcus announces. “Do you have anything in mind? Any images or ideas, however vague? I can do anything from replicating designs to building something completely from scratch for you.”

“I like the idea of it being a unique piece,” you tell him.

“I prefer original designs too,” he says. “Not to sound incredibly cheesy, but there’s no one like you, you know? In–In the general sense, of course.” He chuckles sheepishly, looking down at his hands. “I like knowing each person that comes in here leaves with something unique. Something all their own—I’m rambling,” he says quickly, the tips of his ears turning slightly pink. “One thing about me is that I talk too much. Anyway–did you have any ideas you can share with me about what you’d like?”

“I don’t have a good image in my mind,” you confess anxiously. After all, how can he build a design based on the swirling, disjointed images in your brain? “I think I want it to be colorful, like she was. And… I keep getting thoughts about, I dunno, the cyclical nature of life, something corny like that.”

Marcus laughs. “Sometimes the corny stuff is what sticks with us. So, colorful and commenting on the cyclical nature of life,” he lists off on his fingers, still grinning. “Anything else?”

“I’ve looked through your galleries online,” you tell him. “You have a few that look like watercolor paintings, and I really love how they look.”

He nods thoughtfully. “I’m gonna throw out an idea—Feel free to tell me ‘no,’ because I’m just brainstorming here, but I keep thinking about a tree of life. The leaves could easily be done in watercolor and could be any combination of colors you want.” His right hand twitches–as if reaching for a phantom pen–as he speaks, and his gaze seems to be fixed on a spot on the wall, his eyes glimmering with enthusiasm as he starts to speak faster.

“You could have the leaves and the roots connecting on the sides, making a circle, maybe even having her birth date and death date embedded in the roots…” He blinks rapidly a few times, as if dispelling the image from his head. “Anyway. That’s a possibility.”

“I think that’s amazing,” you say softly, watching Marcus with something like amazement in your expression. “Actually… I really like that idea. It sounds… perfect.”

“Oh,” he intones softly, looking at you in surprise as a bright, toothy smile breaks across his face. “Oh. Well then, let’s do it, huh? One final question: where do you envision getting it?”

“I was thinking on my shoulder. Here,” you indicate, pressing your hand to the skin of your upper arm. “That way it’s visible when I want it to be, but easily hidden if for some reason it needs to be.”

“That’s perfect,” Marcus says. “Plus, the circular design will go really well there. Okay. Great. Um, some things to know about the process. We’ll exchange emails, and you can contact me at any time with any questions, concerns, ideas, changes, anything. In the meantime, I’ll get started on a design for you, and I’ll share initial sketches that you can give feedback on before I move to the final stages of the design. It’ll take a couple of weeks, maximum, depending on any changes you ask for. My only request is that you’re always honest with your feedback–don’t tell me you like something when you don’t. I promise, it won’t hurt my feelings.” He grins widely. “After that, you book an appointment on a day that works best for you. I almost always book the whole day for the appointment to factor in time for copious breaks and making sure you feel comfortable. Does that work for you?”

You nod eagerly.

“Last question,” Marcus says. “Is it okay if I get a close-up picture of your upper arm? That way I can make sure it fits the curvature of your arm, it’s the right size, stuff like that.”

“Mhmm,” you nod again, pressing your lips together and trying not to look nervous. Thank god you wore a sleeveless top under your sweater.

“Only if you’re comfortable,” he insists.

“No, no, it’s fine,” you say quickly, removing just the one arm from your outer layer and pulling it aside. 

You watch as Marcus grabs a little ‘point-and-shoot’ digital camera from his desk and comes back to your side.

“This is just used for design purposes,” he promises. “I delete them after the design is done.”

“I trust you.”

His resulting expression could light an entire room. “Thank you,” he answers quietly. “Okay. Super close-up, just your arm. Cool?”

“Cool,” you confirm, and you hear the camera click several times.

“Actually,” Marcus says, still staring thoughtfully at your bare shoulder. “Would it be okay if I made a couple of little marks–washable marker, of course–to make sure the dimensions are how you want them?”

Oh. You normally don’t like it when people touch you. You knew it was going to happen eventually, obviously, because how else was he going to get the design onto your skin? But it was something you had planned on working yourself up to, not something you had to do today. On the other hand, something about Marcus’s entire bearing makes you inexplicably ache to be touched by him. 

“‘No’ is an acceptable response,” he interrupts your dithering with a quiet reassurance.

And actually, that works to seal the deal for you, and your decision is made in an instant. 

“Yes. You can. That’s fine.” And, to your surprise, you mean it.

Marcus seems just as surprised at your answer–his eyebrows shoot upward almost comically at your response.

“Okay,” he says softly. “That’s perfect. Hang on.” He jumps up again to retrieve a black marker–from what was clearly a children’s set of washable markers. He meets your eyes, and again you take in that sincere, earnest, patient look that endeared you to this man from the moment you entered the little shop.

“Is it okay if I touch your arm?” he asks quietly, still watching you carefully as you nod.

“Tell me if that changes,” he murmurs, dropping his gaze to your shoulder again. His touch, when you feel it, is just as warm as you’d imagined. He’s gentle, cautious, and when he speaks again, his voice remains at that same, soft volume and tone. “I’m envisioning being from about here–” he makes a little black dot, “–to here. What do you think?” 

You nod. It’s the perfect size–large enough to cover your shoulder but stopping just above the point where the sleeve of a regular t-shirt would hit.

“That’s perfect.”

“Okay, so that’s–” he tsks softly, measuring the distance with his finger, “–about four inches, so that same distance across, and–” he makes two more marks on either side of your shoulder. “About like that. Is that okay?”

“Yes,” you answer, smiling with enthusiasm. 

“Great! Let me just…” Marcus draws a few short lines denoting the proposed boundary of your design, and you can’t help the soft giggle that escapes you at the cool tip of the marker on your skin. 

“Sorry,” he chuckles. “One more picture?”

At your nod, the camera clicks one last time. 

“Like I said, that’ll wash off with soap, no problem,” he promises with a smile. “Thanks for that, makes it easier to scale.” He grabs two business cards off his desk and hands them to you. “Can you write your email on this one for me? And you can keep the other one. Like I said, anything you need, just email me. And uh, barring that, you’ll be hearing from me in a week or so with a rough sketch. Okay?”

You scribble down your email and hand the card back to Marcus before pulling your sweater back over your bare arm. You slip the other card into your purse and rise to your feet. “Thanks,” you say, nodding to him.

“Hey, no–thank you,” Marcus returns. “Thanks for entrusting me with this. I mean it.”

Surprising yourself, you extend your hand toward him, and, when he takes it, you feel enveloped with warmth again.

“Thanks,” repeat, a little bit more breathlessly this time, before turning and hurrying out of the shop before you can embarrass yourself any further.

Your shoulder still tingles from his touch hours later.

Rather than it being a week before you hear from him, you receive an email from Marcus Pike just three days later.

Subject: Initial Sketch

Hello,

Please see attached. It’s just pencil for now, but I made a note of the general blocks of color I was thinking for the leaves. You’ll see what I mean when you open the file. Sorry, I know it’s a pretty rough sketch, I was just excited to get this to you. I look forward to your feedback!

Best regards,

Marcus :) 

Eagerly, you open the attachment. First of all, there’s nothing “rough” about the sketch other than the fact that it’s just penciled in. The details are already so intricate, and you find yourself smiling in amazement as you take in the design.

It’s beautiful.

Brackets, each labeled with a different color in Marcus’s neat, tidy handwriting, surround the top of the tree. Red. Orange. Yellow. Green. Blue. Violet. 

At the bottom of the image is another handwritten note: *All the colors will blend together and the result should look like a rainbow.

Tears spring, unbidden, to your eyes, as you feverishly type out your response.

Subject: Re: Initial Sketch

Marcus,

I really don’t know what to say other than it’s perfect. It’s absolutely perfect. Made me tear up. Look forward to seeing it in color.

Thanks again!

Not even five minutes go by before your phone vibrates with another email.

Subject: Re: Re: Initial Sketch

I’m sorry if I made you cry! Obviously wasn’t my intention but I’m glad the design evokes emotion :) I’ll move forward with the design as-is and you should hear from me soon with a full-color image.

Marcus :) 

You can’t wait. The next week and a half stretches out excruciatingly, but finally, on a Wednesday evening, you receive another email. 

Subject: Final Design

Hey there!

Hope you’ve been doing well. Thought you might like to see the final design of your tattoo ;) See attached and let me know if anything needs to be changed. Be critical! Don’t hold anything back! Once we agree on a final piece, we’ll get you on the calendar.

Best regards,

Marcus :) 

Your mind skims over the fact that Marcus used a winking-face emoji in your email, because you honestly aren’t equipped to process that right now, and open the attachment instead. This time, you start crying in earnest. It’s perfect. The colors are so vibrant, and they make the tree look as though it’s in a constant state of movement. Your mom’s birth and death dates are entwined seamlessly into the roots themselves, in a way that makes them not readily apparent at first glance, but seeming to just appear out of nowhere upon further inspection. 

Subject: Re: Final Design

Marcus,

If I had any critical feedback, I would share it, I promise. But I have nothing. This is everything I’d imagined and more, and it means the world to me.

Thank you so much.

After a few more messages back and forth, you settle on a date one month out. 

You can’t wait.

As excited as you’ve been for the past month, when you step foot back into Marcus’s little tattoo parlor, the air of finality makes your body thrum with anxiety.

You’re really doing this.

Marcus is at the back of the shop, busying himself with setting up his workspace when you enter. Today, he’s wearing a dark green henley that looks just as soft as he is, and seems to complement his features even more. As soon as he hears the chimes, his head snaps up, and he grins widely. 

“Hey!” he calls out excitedly. “Just getting everything ready. Do you want something to drink before we get started? I’ve got water, juice, soda…” he trails off, waving his hand in the direction of a mini-fridge in the corner. 

“I’m okay for now.”

“Sounds good, but when we take a break, you should have some juice or something else with a bit of sugar in it, okay?” You nod, and he continues. “Okay! Where do you want to sit?”

“Don’t I have to sit in the chair over there?” you ask, gesturing to the traditional chair and bench near Marcus’s work table. 

“Not at all,” he protests. “The table is mobile, I bring it to wherever you feel comfortable.”

“Oh,” you say dumbly. “I’ll go ahead and sit in the chair, though.” Of all the options, it looks like the easiest–you aren’t entirely sure how Marcus would be able to comfortably tattoo you whilst sitting on a bean bag chair. 

“Your choice,” he insists, spreading his hands out in an open and unguarded stance.

You settle in the chair and he sits down on a rolling stool beside you. 

“Okay, so I’ve got a stencil of your design here,” Marcus says, holding up a paper with an outline of the tree for you to see. “It’ll transfer onto your skin exactly how you want it to go, and I’ll just trace it. Make sense?”

“Yep,” you nod.

“Before I do that, though, I have to make sure nothing interferes with the design, including tiny little hairs.” He holds up a pink safety razor. “Are you comfortable with me doing this for you?”

At your tentative nod of consent, Marcus leans forward and gently swipes the razor up and down your shoulder until he’s satisfied. His eyes dart between your skin and your face the entire time–making sure you’re still with him. After he’s done, he talks you through the stencil–confirming its location, gently applying it to your shoulder, and then holding up a mirror for you to approve. 

“It’s great,” you whisper excitedly.

Marcus returns your smile and begins to absentmindedly roll up his sleeves in preparation to start working–-and the question about tattoos that you’d asked yourself upon first seeing the man is suddenly and unexpectedly answered.

You can’t help the soft sound of surprise that escapes from you when you catch the colorful patchwork of designs on both of his forearms, disappearing under the pushed-up henley and suggesting that they go all the way up. 

Marcus catches you staring and grins, his eyes sparkling with mirth.

“I didn’t know,” you say softly. “You keep them covered up.”

“Force of habit,” Marcus shrugs. “I had a desk job for a long time.”

“Doing what?” you ask, curiously. You can’t see the man doing anything but this.

“If I told you, I’d have to kill you,” he jokes, winking in your direction. 

Ignoring how the wink makes your heart stutter in your chest, you bark out a laugh at his answer. “What? Were you like a secret agent or something?” you tease.

“Special Agent,” he corrects, grinning. 

“Get out,” you deadpan. “I can’t imagine you as a Fed.”

Marcus shrugs, giving you another one of his boyish, crooked smiles. “Would’ve been fifteen years this year had I not finally seen the writing on the wall and run for the hills a couple of years ago.”

“What made you leave?” 

He laughs softly, shaking his head. “That’s a long story. How sensitive are you to noise?” he asks, abruptly changing the subject.

“Uh, I dunno. Kind of depends on the day and the situation,” you shrug.

“Fair. Well, I usually let newcomers listen to what the gun actually sounds like, so there are no surprises. If it’s too loud, I do have noise canceling headphones.”

And miss out on hearing Marcus’s soft-spoken reassurances? No matter how loud the tattoo gun is, you’d rather endure it just to be able to hear him talk. 

Marcus turns the instrument on, and the room is filled with a mild buzzing sound. On your worst days, admittedly, it would probably grate upon your nerves, but you’re feeling relaxed, comfortable, and excited about your new tattoo.

“It’s not bad,” you tell him truthfully. 

“Perfect,” he grins. “Are you all set to get started?”

Heart rate increasing with pleasant anticipation, you nod giddily. 

“I’m obviously gonna be touching your arm a lot,” Marcus says, “so let me know if you need a break from that, the noise, the needle, anything.” Seeing your solemn nod, he continues. “I’m gonna do a little dot right here to let you see how it feels, okay?” He gently touches his index finger to your skin to indicate where. 

“Okay.”

The gun turns on again, and Marcus presses it lightly against your skin for just a second before pulling back.

“...That’s it?”

“That’s it.”

“I thought it would hurt more,” you confess.

Marcus laughs. “Well, the same feeling over and over again in a small area can start to be pretty uncomfortable. I’ll check in regularly to make sure you’re still doing fine. Good?”

You smile widely. “I’m really excited.”

His smile softens, his gaze becoming warmer and more tender. “I’m glad.”

His other hand gently cradles your arm as Marcus leans in, a look of intense concentration settling over his features as he begins the design. Engrossed in his work, you take the time to study his forearms. They’re a hodgepodge of designs, clearly done at different times and by different artists, but you can see themes throughout. He likes classic styles, you can tell, and in between some of the more traditional works you can see beautiful references to an assortment of famous paintings. A Dali melting clock here. A sunflower clearly inspired by Van Gogh there. On his opposite bicep, you can just barely make out the side of one design that looks like it might be of a Greek statue. Tilting your head, you realize it’s Nike alighting on the bow of a warship, and you inhale sharply. That’s one of your favorite sculptures.

“Still okay?” Marcus asks, glancing up at you with concern in his eyes.

“Sorry.” You shake your head quickly. 

“Just checking,” he says softly. “Try to be just a little more still, okay?”

“Sorry,” you repeat, laughing sheepishly. 

“Don’t be, you’re doing great.”

You try to fight the way your entire body seems to grow warm at Marcus’s praise, but you can’t stop the way the feeling stampedes through you. You’re being ridiculous, you chastise yourself. He’s doing his job, and you’re getting all moony-eyed.

In order to distract yourself, you continue playing ‘Spot the Famous Artwork’ on Marcus’s sleeves–although, as distractions go, it’s not your best work. You can’t help but focus in on the way his forearm cords with muscle as he holds the tattoo gun, controlling each movement so delicately and precisely, creating a beautiful, intricate design on your shoulder.

After finding a bit of yellow patchwork that's clearly a reference to Gustav Klimt's The Kiss near his right elbow, you break your silence.

“You like art, huh?”

It seems like a stupid thing to say to a fucking tattoo artist of all people, and you immediately kick yourself internally for saying something so obvious. 

Marcus glances up, and, seeing how your eyes are focused on his own ink, smiles. “Always have,” he murmurs, returning his gaze to your shoulder. “Some of those are years-old.”

“Is that how you got into being a tattoo artist?” you ask.

“Sort of,” he answers, brow pinched in concentration as he continues working. “I uh, apprenticed for a shop in college to pay the bills before going to Quantico for training.”

“You’re really talented,” you tell him. “I was surprised to find out you haven’t been doing this your whole life.”

Marcus hums his appreciation as he carefully fills in a root. 

“Can I ask what made you join the FBI instead of opening your own place after college?”

He huffs a little laugh through his nose. “Parents would have killed me, going to college and then doing nothing with it.”

“Running a small business isn’t exactly doing nothing,” you point out.

“Well, public opinion on tattoos wasn’t what it is now,” Marcus says. “They were scandalized by my apprenticeship, but it paid the bills, so they couldn’t complain too loudly.”

“Was it them who wanted you to join the FBI?”

“Mm, not so much,” he murmurs. “It was more like ‘whatever you want to do, so long as you can make a lucrative career out of it.’ Being an artist wasn’t one of those things, so in lieu of becoming one myself, I decided I wanted to protect them instead.”

You scrunch up your nose. “Protect them how?”

Marcus grins up at you and waggles his eyebrows playfully. “Art crimes,” he answers. “Being an art detective was kind of in the limelight in the early ‘nineties after the famous Gardner Museum theft, and I got swept up in the craze.”

“So you spent the last fifteen-ish years recovering stolen art,” you fill in for him.

“Stolen, forged, looted, illegally traded or smuggled…” Marcus offers, not breaking his concentration again. He wasn’t wrong–the repeated drag of the needle across what felt like the same square centimeter of your skin was starting to wear on you. 

“Uh-huh,” you say, forcing the discomfort out of your tone.

Noticing the tightness in your voice immediately, Marcus’s movements stop. “Feeling okay?”

You shrug.

The gun switches off.

“You gotta be honest about how you’re feeling,” he reminds you. “I might be able to create designs based off of customers’ vague descriptions, but that doesn’t make me a mind-reader.”

“It’s a little uncomfortable, but I can endure it,” you insist.

“There’s no need to endure something that’s painful,” Marcus argues with an amused smile. “Even if it involves choosing to repeatedly jamming a needle into your skin.”

You can’t help but laugh, and your heart swells when he joins you.

“C’mere,” he says. “Let me show you something.”

You let him lead you to the other side of the shop, where he stops in front of a large storage cabinet that you'd assumed held various supplies. When he opens it, however, you find that isn’t the case at all.

No, the entire cabinet is filled to the brim with a collection of stuffed animals just as eclectic and varied as the furniture. There's also a couple of shoeboxes filled with every manner of fidget toy you could ever imagine. 

"You can grab one, if you want. I know it might feel kind of goofy, but I promise they help with the pain."

"Okay," you breathe. Your gaze lingers first on the IKEA shark, then on a very soft-looking cactus with an adorable grumpy expression, but when your gaze lands on the largest and arguably oddest toy in the collection, your hands can't help but move toward it. 

"The big guy, huh?" Marcus laughs, taking the giant squid off of the shelf and placing it in your arms. You have to laugh at how large and ungainly it is; its massive black eyes stare vacantly back at you, but the effect is dopey, rather than menacing. 

"Where do you get all of these?" you ask in amazement. 

"Most of them are gifts from past clients, including that one," Marcus says, indicating the squid. "But I think he originally came from the Smithsonian. I was told his name is 'Cthulhu, Lord of the Deep.'"

"Thank you," you say in a small, appreciative voice.

"'S'fine," Marcus shrugs. "Feel up to continuing?"

You nod, looking down at your partially-inked shoulder. "Guess you didn't get very far before I had to stop," you remark, somewhat self-deprecatingly. 

"It's not a race," your artist says earnestly. "We've got the whole day, and we go at your pace. You're paying me, after all." Another wink in your direction.

"Yeah," you nod, confidence growing again. "Yeah, okay." You plop down in your seat, with Cthulhu in your lap, and Marcus takes his place beside you. 

“Gonna turn this back on again,” he announces as the now-familiar buzz fills the room, “and I’m gonna touch your arm–” his fingers wrap warmly and gently around your skin, “–annnd here we go.” 

The needle scratches insistently against your skin, but it isn’t so bad–not really, not with the hilarious giant squid on your lap and Marcus’s gentle, soothing voice in your ear. He talks while he works, sometimes asking you questions about your own life–to which he listens intently and always seems to have follow-up questions–and sometimes telling you stories of his own. You discuss art, obviously, but also music, books, movies, and baseball of all things.

You find yourself wondering if he has this type of easy rapport with everyone who comes in, but you assume he must. He might be the most disarming person you’ve ever met, and it’s hardly a stretch to believe he’s like this with everyone. Still, there’s an ugly, jealous part of you that wishes the connection between you was unique, special. That he’s only this warm with you. 

Marcus was right–squeezing the stuffed toy on your lap is a perfect distraction from the discomfort of the needle, and before long, the sensation fades into the background. As the time drags on, though, the persistent drone of the tattoo gun causes an ache to creep in and settle between your eyes. You take in a deep breath through your nose, count to three, and exhale slowly through your mouth.

Marcus glances up, watching you for a split-second before cutting power to the gun and stretching his back with a satisfied sigh. 

“Break time,” he announces. “Hand’s getting a bit sore.” He shoots you a knowing glance and another one of those crooked smiles. “And you should probably have a little something to drink, maybe a snack.”

“Yeah, thanks,” you say gratefully as he walks over to the little fridge.

���Apple juice?” he asks, holding up a little juice box that looks slightly comical in his large hands. When you nod enthusiastically, he hands it to you.

His fingers brush yours.

If it were anyone else, you’d recoil, but it’s him. It might just be the forced proximity, but…

You’re developing quite the crush on Marcus Pike.

Shoving the thought aside for the moment, you stab the straw into the little hole and take a long sip. Marcus settles down beside you with his own choice–a little can of vegetable juice–and holds it up in a silent ‘cheers.’

Feeling emboldened, you ask the question that’s been burning in your mind since you started.

“So what made you leave the whole ‘helping other artists’ thing behind and start a tattoo business instead?”

Marcus presses his lips together, and for a moment, you fear you’ve crossed a boundary. Just before you’re about to apologize profusely, though, he speaks.

“Have you ever just… woken up one morning, and realized that everything you were working toward, everything you thought you wanted in life… was a lie?”

“I… I don’t know,” you confess quietly, surprised at the emotion behind his words.

“Happened to me,” he laughs softly. “I had moved to DC for what I thought was my dream job, with who I thought was–” he shakes his head, as though dispelling an unpleasant thought. “I had spent my entire life checking boxes: College degree? Check. Well-paying job? Check. House? Check. Check, check check. I spent so much time trying to get ahead, like life was some kind of game to be won. If I said all the right things, did all the right things, if I did everything right… I’d have the life I wanted.”

“What was the life you wanted?” you ask, voice barely above a whisper.

“It was bullshit, is what it was. Saw one too many rom-coms as a kid, I suppose. I thought I was after the picket fence, the dog, the wife and two-point-five kids, that sort of thing. And one morning I woke up, realized that… that relentless pursuit of something I couldn’t even hold–it was all bullshit.”

“So you just… quit?”

“I quit. I wanted to create things again. I wanted to feel inspired. After a bit of uh… frantic soul-searching before I ran out of money entirely, I sold my stupid, too-big condo that I hated and bought this shop instead.”

“Did it work?”

“Well, I’m not bankrupt yet,” Marcus says dryly.

“No, I mean… did you feel inspired again?”

“I did. I do. So very much so,” he says, his voice soft and gentle. His eyes flick up to meet yours, and that comfortable warmth that had settled in between you the first time you had met him… grows. Mutates. Until the warm, tingling feeling feels a lot more like electricity.

An unspoken moment seems to pass through you, but then Marcus clears his throat roughly, setting the empty can aside and standing again, shoving his hands in his pockets.

“Wanna keep going?”

Breathlessly, you nod. 

In no time at all, you’re settled back in the chair with one of Marcus’s warm, strong, large hands cradling your arm as the other gently wields the tattoo gun. As he starts to fill in and blend the colors, the pain starts to increase, and you worry one of the fuzzy tentacles back and forth in your hand as you grit your teeth.

“I know, I know,” Marcus soothes quietly. “The color’s the worst part, but you’re being so good for me.”

It helps you to watch him work, so you do. He’s blending in the colors now, and you watch with interest as it starts to take shape. It’s so mesmerizing that you hardly even notice the buzz of the gun or the light sting of the needle anymore.

“And you said you ‘weren’t good at tattoos,’” he teases gently, noticing your obvious interest. 

“Did I say that?” you laugh, teasing back.

“I believe your words were, ‘I’m like the worst candidate for getting a tattoo that exists.’” he reminds you. “And look at you now, huh?”

You duck your head at his praise, unable to withstand the intensity and honesty in his gaze.

“Doing okay after all, I guess,” you say with a sheepish smile.

“You’re doing amazing,” Marcus corrects, smiling warmly. “The type of client any artist dreams of.”

You don’t know how to respond to the things this man says to you. Stunned and at a loss for words, you stare awkwardly at your hand where it still wraps around Cthulhu, Lord of the Deep.

“I’m sorry.” The words are soft, concerned. “I didn’t mean to make you uncomfortable. I just meant that your enthusiasm and your curiosity is the stuff that makes me want to be an artist in the first place.”

“Are you saying I inspire you?” you try to tease, but it falls flat.

Just audibly, over the hum of the tattoo gun, you hear his whispered response. 

“Yes.” 

As Marcus wipes away the last of the stray ink on the purple bit of tree, the tattoo gun suddenly switches off. The silence is almost shocking, and you blink rapidly in confusion.

“Break time?” you ask.

Marcus chuckles, the corners of his eyes crinkling with amusement. “It’s all done.”

“It is?” you ask, although you can see the answer for yourself in the large mirrored wall to your right. 

“How’s it feel?” he asks.

“My arm kind of aches,” you confess, “but oh my God, Marcus… it’s beautiful.”

It’s his turn to preen under your praise, the tips of his ears blushing pink as he grins back at you.

“I’m glad you like it,” he says softly. “Here, let me give you a little something for the pain.” 

He squeezes a glob of light-green cooling gel and coats the angry skin with the barest of touches. “Still okay?” he asks, glancing up at you for confirmation.

After the harshness of the needle, the soft press of his fingers is more soothing than ever, and you have to resist the urge to sigh and melt into his touch. 

“Yes,” you whisper.

“You’re going to want to keep this covered for a couple of hours, up to overnight,” Marcus says as he carefully applies a dressing to your shoulder–still softly, but more businesslike than before as he walks you through all of the instructions for care. “Once you take this off tomorrow, you’ll probably see some fluid leaking from it–that’s totally normal. It’s blood, plasma, and extra ink, and it should stop after a few days before it starts to scab over.

 “You’ll want to keep it from drying out; I’d recommend scent-free, dye-free lotion if you don’t already have some,” he continues. “Wash it twice a day and put lotion on after. When it starts to scab, I can’t stress this enough: don’t pick the scabs.” He gives you a serious look. “Repeat that back to me.”

“Don’t pick the scabs.”

“If you do, you could cause it to scar, or even pull out the ink. One more time for me,” he prompts, and you get the feeling that this is always the sticking point in his speech.

“Don’t pick the scabs,” you repeat.

“It’ll take three to four months for the lower layers of skin to completely heal,” Marcus tells you. “During that time, keep it out of the sun, keep it hydrated, and you’re in the clear.”

“And don’t pick the scabs,” you say teasingly. 

Marcus winks at you. “Exactly. Any other questions for me?”

“No, just… thank you. It’s amazing,” you tell him. “You did such an incredible job.”

“Hard not to, when I have such a beautiful canvas.”

Your eyes dart up, expecting to see a teasing glint in his eyes, but all you can see is heartfelt sincerity. You swallow thickly, and he tracks the movement, his eyes dropping down, then back up to meet your eyes. Is it… not just you? Does he feel it, too? Realization slams through you and threatens to overload all of your systems. Marcus’s lips are parted slightly, and the look in his eyes… it’s desire.

“Marcus…”

“Wait,” he says urgently. “Hang on. Come… come over here for a minute, let me–” he dashes awkwardly over to the till on the counter and gives you your total. Frowning in confusion–he wants to do this now? Interrupting that electric moment that had passed between you?–you dutifully swipe your card and numbly take the receipt.

“Now you’re no longer my client,” Marcus explains softly. “I–sorry–I was about to throw caution to the wind and kiss you, and I didn’t… I didn’t want to be unethical, I–”

“Yes,” you say simply, giving your response to his un-asked question.

It’s all he needs to stride forward, gently take your face in his warm palms, and, seeing no hesitation in your eyes even as he searches your face desperately—presses his lips to yours.

The kiss is as soft and as tender as the man himself, which hardly surprises you. Your eyes slip closed as his lips move against you with aching caution. He’s careful in all things, including this–taking your cues, giving you the lead, letting you feel everything he’s giving you.

All too quickly, he pulls back–but his eyes only sweep your face again, a growing smile on his lips as he sees nothing but want reflected back at him. 

When he lowers his lips to yours again, he’s less gentle. One large hand leaves your face too hook around your waist, pulling you closer, closer–and when the proximity causes you to gasp softly, Marcus is ready. His tongue gently slips between your parted lips and you practically melt into him. When your knees buckle, his strong arms are what keep you standing upright, and still–

He can’t seem to stop kissing you. 

You break before he does–pulling back to suck in a few shaky, heaving breaths, and he smiles through his own labored breathing.

“I wanted–I–” he begins, before hastily pressing another kiss to the corner of your mouth as if he can’t help but do so. 

“I’ve thought of you,” he tries again. “I thought of you like this for the last month,” the confession finally spills out. “I wanted to–wanted to kiss you so badly all day, but I couldn’t. Couldn’t let myself.” He kisses you again. “But now,” he promises, whispering the words against your mouth. “Now I’m gonna get my fill.”

To punctuate his statement with one of your own, you slant your head and deepen the kiss, wrapping one hand around Marcus’s neck and pulling him closer still. He makes a soft noise in his throat, and the grip on your waist tightens. You lose yourself completely to the feel of his tongue sliding slowly against yours, until he suddenly pulls back.

“I’m doing this all wrong,” he whispers–although he’s still smiling. “I wanted to ask you out to dinner, first.”

“So ask me,” you say with a giggle.

“Come have dinner with me,” Marcus murmurs, shaking his head in quiet amusement as he steals another gentle kiss. “Right now. Tonight.”

“You might have to open all the doors,” you tease. “My arm hurts.”

Another kiss.

“I’m wounded that you think I wouldn’t open every door regardless.”

“Are you always such a gentleman?” you remark with a wry smile.

Another. 

“Well,” Marcus grins wolfishly. He places on last, lingering kiss on your lips and then makes a show of offering his arm. “Not always.”

[sky-chau]

Eyepatch Representation

Hi, as of the time of this post I am 30 degrees crosseyed and I've been wearing an eyepatch for six months or so. In that time I realized just how much representation matters, as unlike being gay or neurodivergent no amount of headcanons can really do eyepatch representation. It never dawned on me how often characters are crosseyed as a shorthand for being stupid. When my animal crossing character wears the "post op eyepatch" sometimes one of the villagers will say "Woah, you scared me there, I know it's just pretend but the thought of you getting hurt like that worries me!" Or something along the lines of. I don't know how to take screenshots on 3DS. And like, that's really demoralizing. The only representation I got reliably was in pirate media. And with Pirate media it's frequently the butt of a joke. Which the longer I think about it the more sad it gets. Like I feel the need to emphasize the fact that despite being an adult I'm getting this surgery in the pediatric ward. This is so common in children that when someone is crosseyed and the general surgeons don't feel comfortable the defacto experts are the pediatric eye surgeons. It's REALLY common for kids to be crosseyed and wear an eyepatch. And I'd also like to point out that eyepatches are typically accompanied by or attached to a pair of glasses. Which is where there's the largest void in representation. I can't make myself in the sims without using the pirate costume which cannot be worn with glasses. And it's just sad because unlike other forms of disability representation this would be a simple matter of adding a new accessory. (Which is not to say that wheelchair users and amputees don't deserve rep in video games like the sims, only that I understand from a developer standpoint why those features are hard to include retroactively.) I've never seen anything where the person with the eyepatch had an eye under it. Kids media could do with this. Heck, I can totally see a show like Arthur making a special episode out of it where Arthur has to wear an eyepatch for a week under his glasses. I forgot what point I was making with the drawing but here it is.

So I guess TLDR, if you're writing, especially for younger audiences, consider giving a main character an eyepatch + glasses.

[inkskinned]

it's the levels of scrutiny too.

a movie that has a largely-female cast has to be well-written, well-shot, well-acted, well-advertised. people will spend 2 hours on youtube talking about a single plot hole; about a moment of bad pacing, about a singular background character's poor scripting. if there isn't something obvious, they will say - well there's nothing specifically bad, but it wasn't specifically good either.

they will turn out another all-male movie, and it's just a movie.

a book that has queer representation in it has to defy every convention of writing while also being true to traditional plot, structure, format, and pacing. it must have no boring chapters, no missteps, no awkward dialogue. it must be able to "prove" that any queer relationship "makes sense", their sparks must fly off the page and their love must be eternal. the writing must be clear and beautiful, the storyline original and fresh, the values traditional but with an undercurrent that is modern and saucy.

they will turn out another book without queer rep, where a man and woman just-fall-in-love, and it's just a book.

i am latinx. i am queer. i am nb & neurodivergent. my father said to me once: you will need to be exceptional to be just-as-good, and you will need to be beyond exceptional before they see you as just-a-person, and not your labels.

i am not beyond exceptional. i am a human person. i am skilled because i worked my ass off to be skilled.

i am currently reading a book that's so-bad-it's-good about a girl that falls in love with a vampire. i was 64% of the way through the book before she figures out tall-dark-fanged is not natural. i like books like these, i like letting myself relax while i just enjoy the read. but i do spend a lot of time wondering - would this have been published if it was about queer people? would this have gotten past the editors if the characters weren't white and sexy?

i want to write a movie about being a woman in a male space, and i want to start that movie with a 10 minute scene where the woman is lectured with the exact same whining that occurs in the youtube comments of even the trailers for those movies: "haven't we had enough diversity?" "we've had enough girl power movies" "sorry, this is just pandering. it's boring."

here's what's fucked up: it shouldn't matter, you're right. my identity shouldn't fold after my name like a battalion of stars: a cry of what i've gone through. what we all know i had to move past and through. i should just be a writer, plain and simple, without my work being shifted through with tweezers - i know everything i make, always, i am incredibly responsible for. beholden to. i don't like knowing that if i fuck up, i am also fucking up for every person like me. every person in a community i belong to.

once, back in undergrad, i wrote a short story about a girl who had been kicked by a horse. it was my first time writing about my experience with my ocd; i felt proud of it. the story was mostly about grief and slow recovery. the queerness of the main character was not important to the plot, my main character was just-queer. there wasn't even a romantic interest in it.

i remember one of my classmates being disappointed. "i just feel like you always write about girls who like girls, and i'm bored of it," he said. "you're a beautiful writer, but i'm like - oh, at some point, it's gonna be gay again." during the workshop, he folded his hands over my story and said, "and okay, i'm just going to say it. she's ocd, she's gay, she's depressed - it's a little much for me to believe is all happening to one person."

it is a little much to be that person (and more besides). i have therapy weekly, after all.

over and over, belonging to exception.

[asgardian--angels]

Talking on the phone with my mom I finally broke down and cried thoroughly about the cancellation. I think I'd been holding it in for the last two days, or two months. And honestly I've been wondering all along why this show means so much to me. I am not queer, I am not neurodivergent, I am not POC or disabled or any of the groups that this show has been so important for in terms of representation and being treated with respect and dignity. I understand and completely empathize with all of you, and fight for this show and your rights worldwide alongside you, but it still left me wondering why I myself have latched onto Our Flag Means Death. I suppose part of it is that despite being white and cishet and the privileges that have always come with that, I have been treated like an outsider and ostracized my entire childhood and teenage years, for being ugly and having "disgusting" interests (primarily liking insects, reptiles, other creepy-crawlies - aka the thing I literally do for my career now). I was bullied relentlessly from preschool through early college and became a very lonely introverted person - I still am. Undoubtedly Our Flag Means Death gave me renewed hope that I haven't missed some key window for finding love or relationships of any kind that matter, as I sit here typing this at age 28 having never dated anyone.

But it had to be more than that. And with everything that's happened the past couple of months, and the last few days, I think it finally clicked for me.

Followers of my blog may or may not know that I am a conservation biologist, or pollinator ecologist, whichever hat fits best on a given day, they're quite close. I don't make many original posts like this anymore on here because my job is so busy. Basically, I do a variety of things - academic research, habitat management & restoration, and public outreach - to try and preserve biodiversity and ecosystems on our planet. I'm just going to say it: it's a thankless job. Nothing we do ever feels like it's enough, and burnout is common in our field because we sit with the guilt of feeling like we are the only thing between survival and utter destruction of planet Earth, and work ourselves to exhaustion. It's one of those jobs where your work is your life, and your passion is your work, and it's inseparable from who you are on a molecular level. We are often faced, on a large scale, with hostility, from people that don't believe in science and are more than happy to pull a shotgun on us, or rich old men in power who are content to watch the world burn for another penny in their bank account. There are days when sometimes it sinks in just how bad things are, and it's terrifying, and I feel like we will never be able to do enough, to change enough, before it gets catastrophic. It's paralyzing.

My ability to do my job is dependent on hope. Unwavering, unrelenting hope. Hope beyond hope. We have to believe what we're doing matters, otherwise we'd fall down and never get back up again. I'm no big-shot, I give talks to a few hundred people at a time, and make urban pollinator habitat on a local scale. Is any of that going to make a difference compared to the ramifications of a single oil mogul deciding to cut corners and cause an oil spill that kills millions of seabirds and damages ocean food chains for decades to come? If people in my field let thoughts like that linger, we'd be paralyzed to inaction. I have to hope that the people I teach choose to do something good with that knowledge, and go on to inspire others, or that the patch of habitat I make allows a declining species to maintain a foothold instead of going locally extinct. You just have to keep going.

And Our Flag Means Death got wrapped up in that for me. The Stede Bonnet effect, if you will. He set out to do pirating differently, treating his crew with respect and helping them grow. In return, they internalized that mindset, and it spread to how they interacted with others. It changed the trajectory of individual lives, and also at least began to change how the society of pirates operated as a whole. It was a beacon of hope that choosing small acts of kindness did matter, even if you yourself could not see the ripples it made. It renewed my faith that love persevered and would win. That we could all make life a little better for each other and ourselves through kindness, compassion, forgiveness, and mutual support. I think a good chunk of that is from Taika - these are running themes in his projects, and his films move me deeply for that. This show became in some, perhaps subconscious way, a source of strength for me to keep putting myself out there in my line of work to do whatever I was capable of to help the cause.

The cancellation was devastating, but the second cancellation (turbohell cancelation?) was even more so. Because now it's so clear that this is largely the work of David Zaslav and the regime he's built. It's petty, it's greedy, and more than anything, it's cruel. Indifferently, indiscriminately cruel, when one person at the top can have such power to make or break the lives of thousands, millions, beneath them, and though it would have been barely a drop in the bucket, a hand wave, to renew our show or let it pass to another streamer, he actively chose to shackle it to this sinking Titanic of a company WBD has become. I have always operated on the belief that you can do anything if you work hard enough at it, and believed deep down that there was some order, some justice in the universe, atheist though I be. We as a fandom did everything we possibly could, we loved this show harder than anything. The numbers were there, the awards nominations were there, the critic praise was there, and we were loud and loyal every single day. I felt like we could do this - how could we not win when we've done so much, and the show deserves it so much? Surely cause and effect will prevail.

This fight seemed small, though really it wasn't; we fought for the right of artists and creators to make quality, original stories and have them told to their natural end, we fought for diversity representation to be more than a token character - OFMD raised the bar so much higher on all fronts, we fought to shed light on the chaos and impending collapse of this industry silencing art and exploiting writers, actors, and all manner of production workers. It was a small fight from the outside, one that I really felt we could win. And I put my heart and soul into it, because if we could win this, if we could save this simple, kind love story about two guys on a boat, then maybe there was hope for the bigger, badder stuff too. It shouldn't seem an insurmountable task for several thousand fans to convince a streaming service that they'd turn a tidy profit to give our show one more season.

Yet we lost - through no fault of our own. I am so proud of us. But that really struck deep for me. If one peabrained CEO of a media company wouldn't budge on greenlighting a show that was in his every best interest business-wise - perhaps enough to even save Max from going under in the not-too-distant future - my god, what hope was there for changing anything bigger? The 'real' problems of the world? When no amount of ethos, logos, or pathos can penetrate these men at the top, where's that hope to fight? Lately the world seems like it's just going belly up all over. If we gave everything we could, and it still wasn't enough - if it could never be enough - what hope is there? It's like chaining yourself to a tree and the bulldozer plowing right on ahead. And I think that broke something in me. It shook me to my foundations because it broke my rules of how things are supposed to work. We believed hard enough, we worked tirelessly, and we deserved it for how important this show was to so many people. And it didn't matter. Our best wasn't enough. And that caused an avalanche of all of the horrible, scary things piled on my shoulders - we're losing the Amazon rainforest too fast to save, climate change is going to turn the corn belt into a dustbowl by mid-century, a border wall is going to devastate imperiled wildlife in Texas, deforestation and hurricanes on songbird wintering grounds could lead to entire species extinctions, saltmarshes are our lifeline and they're shrinking and we're still building stupid concrete stormwalls, invasive diseases will completely alter the composition of our forests to be unrecognizable to our children, and if you don't make every slide of this powerpoint utterly perfect and you fail to convince every single person in attendance to get rid of their lawn then you've failed and the world is doomed.

I've struggled with being a perfectionist my whole life. This didn't help.

That's where I was a couple hours ago. But I took some deep breaths. I know the world isn't fair. But I really thought if we could win this one battle, then we could win the war.

But here's what I realized. Everything we did mattered. It mattered so much. Because there's the show, and then there's everything that was birthed out of that show. The community, so many of us around the world who have been uplifted by Our Flag Means Death in a real and lasting way that we will take with us and spread to affect those around us. The Stede Bonnet effect goes global. We raised thousands and thousands of dollars for charities around the world, real people whose lives have been improved, or maybe even saved, because of us and this silly pirate show. We brought a hell of a lot of attention to WBD and their shitty practices, keeping the momentum going in a way that I think is only going to build - and I sure hope it leads to Zaslav getting deposed. We have demanded more queer stories, more BIPOC stories, more disabled and autistic and middle-aged stories, stories with exquisite costumes and award-worthy wigs, dear lord, and we are being heard. We have expressed such love and support for the cast and crew, showing them that we appreciate their hard work and that we will be behind them in their future projects. So many of them have told us how the show and its fans have changed their lives. We convinced Rhys that his career isn't winding down but winding up, and to be unapologetic about his wonderful weirdness - we've proven to everyone through this show that your weirdness is what someone out there is going to love you for, not in spite of. We rallied to help writers and actors during the strikes in a way that was taken to heart and remembered. We have been out here talking it through as a crew, and turning poison into positivity, for over two years now, and that impact is permanent. They can cancel our show, they can try and slap copyright notices on our fan merch, and spew bullshit excuses about the numbers not being there. But Our Flag Means Death sparked a movement, the biggest pirate crew the world has ever seen, using our power for good.

We may not have any more new material for our show for a while, or ever. But I maintain hope that when the dust has settled and streaming has entered its 'new era' that they'll remember us and throw us a lifeline. Because hope is a part of my genetic makeup, and even in cancellation my hope has been renewed that the fight is worth fighting, that our individual choices of kindness are having an effect, and making the world a little easier to live in bit by bit. No one can take from us what we have built out of this show. And thanks to pirating, they can't take the actual show from us either. Despite this, no matter the outcome, I am so happy we got two seasons of this wonderful series. That was more than almost anyone expected. The story belongs to all of us, and it will always live on. We did not truly lose this battle, because in the process we gained more than we could have ever imagined. And I know there's still so much more to come. That gives me the strength to keep doing what I do, every day.

To me, Our Flag Means Hope.

[am-i-the-asshole-official]

Am I the asshole for not noticing I hurt my friend's feelings?

I (24F) had a somewhat close friend (24F) whom I've known since highschool but only got closer to recently. I've had a friend crush on her forever and apparently she did too. We share a lot of interests and we're both neurodivergent (I'm diagnosed with adhd, and we're almost certain she has autism). We also sort of bonded over a shared trauma -- basically we got two-timed several years ago by a really abusive asshole.

Anyway something happened a couple of months ago and I feel our friendship has gone downhill since then. It was multiple occasions really: what would happen is that I would say something impulsively, and she would misinterpret it and get sensitive about it, we talk it out, I apologize, and we move on. But one time it was a bit too much that i burst into tears while texting her because I felt I really hurt her and I felt that all my friendships will go downhill because whenever I get comfortable with someone I just completely lose my filter and end up hurting them. What happened that day was that we were hanging out and a guy apparently told her something sexist but I didn't hear him. She came to me to complain and I sort of brushed it off because from the way she said it happened it just seemed he was vaguely pointing out something but I later understood that I was just wrong. Then her dress had a tiny hole which I pointed out to her in front of my boyfriend rather impulsively and she got really upset about that. Later on I was telling her about a book I'd read that had great autism representation that didn't have the character just be -- and here I did the dinosaur arms thing (no offense whatsoever to people who do that; I know full well it's a common thing, I was just saying the character had more to him than just that). The problem is that she didn't hear the part where I was talking about a book character because we were changing tables in a crowded cafe and I was just talking non-stop because that's what I do and she thought I just did the dinosaur arms out of nowhere and got offended but didn't say so except over text later and just looked unwell for the rest of the next half hour before she suddenly excused herself and left. That day she texted me about all of these things and we talked it out and I pretended that I was not literally having a meltdown all while apologizing (but not before I tried to plead my case a bit). This all happened on the same day, but before that there were other occasions too. One time she would be talking about something, then I change the subject, then she'd say I know you didn't mean to but I wanted you to give a reply to what I just said. Another time we had a particularly bad exam which I did okay on, but she was telling about how she botched it. I couldn't tell from her face how serious it was and I gave her what i thought was a sympathetic smile (which she later told me was a weird smile) because I really didn't know what to say and then turned away to look for my boyfriend to check on him as well. She told me that day that she felt that I brushed her off when she was having a difficult time and didn't console her enough.

It's just multiple things that made me feel that I need to be more on guard around her for her sake. She moved to another city recently and even before that we were texting less and less. I even asked her if she was upset about the cafe day and she said no since I apologized and we talked it out, but I could feel something in our relationship changed. It just felt like such a shame because I felt a great connection between us and I have massive difficulties when it comes to making friends. She was sort of my last friend that I felt close to aside from my boyfriend, and now I can't help thinking that the problem has always been me.

Sorry if the post was too long and sorry for the sob story lol

[gwenllian-in-the-abbey]

i think Helaena can be autistic but also a happy and joyful girl , autism ≠ depression. the way the portrayed the only neurodivergent character on screen as unstable, shunned depressed, and with no importance to the plot feel very ableist and weird , but then they're the ones who made the guy with a foot disability a feet fetishist 🫠

Hi OP, finally answering this because the trailer dropped and still the only Helaena shots we have are from her Jaehaerys' funeral. There is also one still photo of her. If you haven't seen it, here she is, apparently sewing the funeral shroud for her little boy:

So it seems like season 2 is going to continue on this trajectory for Helaena as a character who exists in order to suffer beautifully.

Don't get me wrong. I am glad that the show is going to wring the full emotional effect from Blood and Cheese, not just shock value. The audience will feel the real horror of a six year old child brutally murdered in his own home and the psychological torment of Helaena. It should be terrible, it should be devastating, and I hope they do not pull any punches.

What's disappointing about how the show has handled Helaena is that they didn't really put any effort into building up her character before her tragedy. It's all well and good that she likes bugs and she's touch averse, but what are her opinions? Who is she closest to? How did she react to becoming a mother so young? To what extent does she understand her visions? What does she value? She can be happy and cheerful, or she can be frustrated and angry, and hell, she can be depressed too, but I need to know why. It's telling that I can describe the basic internal motivations for each of the male children, including Luke who was a glorified plot device, but I cannot for Helaena. Aegon wants to feel loved, Jace wants to prove he's as worthy as any trueborn heir, Aemond wants what his brother has, Luke wants to be free from his family's expectations. Helaena? Fuck if I know. I guess she wants not to die horribly.

The ableism is an issue. F&B is full of women who were deemed "simple" -- Gael, Daella, Jaehaera-- without being given much else to define them, and HotD adds another (there's something, I think, to the way the "simple" Targaryens are always women and how disability kind of used as a way to remove them from the narrative and shunt them aside, often tragically). And while it's great to see an autistic person represented on screen, the show consistently has an issue with treating representation as characterization. "Autistic girl who likes bugs" is not a personality. Autistic people, (even those with horrifying prophesies I assume), do have hopes and dreams and feelings about things. The one peek we get into Helaena's life is at the in episode 8 when she roasts Aegon and even that scene is open to interpretation (and gets taken wildly out of context). Now, I can read a lot into the actor performances, but ultimately, lines that could have given a glimpse Helaena personality were cut. It's as if they're afraid that if they give her an opinion on anything she would lose that (frankly kind of infantilizing) "pure cinnamon roll too good for this world" "i would die for her" sympathy from people who are not inclined to be sympathetic for her family as a whole.

(And anon, you're right about Larys. And let me say, turning Larys' clubfoot into the punchline of an OnlyFeet joke also does not inspire confidence that they'll handle Aegon II's eventual disability with any sensitivity either, especially when Mushroom's accounts of his last few months are incredibly mean spirited. We need to start that discourse now so they get the memo).

Sadly, I don't think the show really has any intention of course correcting with Helaena in season 2. I imagine at most we'll have her try to warn Aegon and/or Aemond about Blood & Cheese but they won't understand her warning, and then this will be a vehicle to further their guilt and grief. And while we do need to see Aegon's guilt and his grief, I also want to know if Helaena blames herself, if she wishes they'd run away when they had the chance, if she thinks Aegon could have done something, if she is angry at Aemond for killing Luke, if she wants revenge. I do think, with the public funeral for Jaehaerys, they are going to show that the smallfolk are fond of Helaena, and hopefully that will be expanded upon this season and in season 3 because her death is the catalyst for the revolt that sees Rhaenyra driven from the city, and we should understand why her death has such an impact before she actually dies.

[yowlthinks]

Dead Boy Detectives: a no-spoiler review

So I have finished DBDs last night, and frankly, I would have probably finished it in one or two days if not for time limitations. So I wanted to write a review without spoilers and in a Q&A format, so here we go.

tldr: I LOVED IT!

Q: Do I need background knowledge to enjoy it?

A: No, just dive in.

So first of all, a disclaimer: I have not read the Sandman comics, I have read one volume of the DBD comic just after the show was announced, but that did jot even cover the complete case, and I have watched the Sandman on Netflix.

If you are worried that you won't get what is happening, I can assure you, you will. You will get sucked into it immediately and will not want to leave.

Characters from Sandman (it is the same universe) that appear there are a bit like easter eggs: you'll get a kick out of it if you saw Sandman first, but otherwise you just watch them in DBDs and then if you decide to watch Sandman you will get a kick out of seeing these familiar faces there.

Q: What is the general vibe of the show? Is it spooky?

A: The show can be described as a heart-felt mystic detective story. It is funny, sweet and a tiny bit spooky (at a guess, PG13). Overall mood is.. joyful and optimistic.

You know how sometimes you want to watch something exciting, but not too scary?

Dramatic, but optimistic?

Light, but also quite profound and philosophical?

Personally, to me, this show ticks all of the above. And as I watched it with interruptions, at times I felt even lucky to have these because there are just so many big topics this show touches. It was often done by one line of the dialogue, but it would stay with you for the next couple of hours, getting you into this delicious state of philosophical exploration. I feel like at a re-watch this will come forward even more.

Q: I am a GO fan, will this tickle me?

A: Oh yes, it will and despite yourself you will be searching for Clues.

Let me just say that the main characters are another throught-the-ages duo, and you will have a lot of fun comparing and contrasting them with Aziraphale and Crowley, as well as Dream and Hob (these are from the Sandman and are also adorable).

One of the two protagonists wears a bow tie.

Another one is... well, Crowley would love him, I have no doubt in that.

Q: Does it deal well with queer representation? Are there neurodivergent characters?

A: Yes and (I would say) yes

Neil Gaiman was involved, what did you expect? Personally, I think this is one of those instances where the world itself basically treats queer as normal. It is just something that exists, and the world as it is now accepts it. The characters may have inner struggles / self-discovery journeys, but the present world at large accepts them fully and without judgement.

Q: Will it pass the Bechdel test?

A: Yes, with flying colours!!

All the characters are absolutely delicious, and I am not gonna give any more details because I don't want to spoil anything, but you do have all flavours of female protagonists, and you will love them all.

Q: What else did you like?

A: The way it was filmed, the title sequence and music, the humour, the costuming, THE CHEMISTRY between the characters!!

Look, I loved this show, please go and watch it, it is amazing and we need another season of this!

Also, there is a CAT KING!!!

[fayrobertsuk]

Poetry for ALL

Some personal anecdotes and a plea follow...

As quite a few of you know, I’ve been engaged in disability awareness and rights campaigning and other work since sometime in the 90s, so when I was given an opportunity to support and host an event dedicated to making performance poetry as accessible as possible in 2018, I jumped on it.

(image description in alt text)

Poetry for All is the brainchild (and heartchild, and soulchild) of Rose Drew, who I first met through one of Richard Tyrone Jones’s Utter events in London. She’s an extraordinary writer and performer, and a powerhouse of an events host and organiser. Within about 30 seconds of watching her on stage, I knew I wanted to be like her when I grew up as an artist. When she got in touch three years later to ask if I’d like to help out with what turned out to be the inaugural event, I threw myself into providing as much support as possible with enthusiastic abandon, and we pulled together a line-up which included the extraordinary performers Raymond Antrobus and DL Williams (“DeafFirefly”), both of whom I’d performed with before and was keen to see again. 

Now, there’s a whole section on our new website about the history of the events where you can read the facts, but I want to say here that, personally, that first event in March 2018 (coincidentally on my birthday!) was an absolute eye-opener – seeing how poetry events could expand and develop the ideal of accessibility in ways I hadn’t considered. It was also extremely inspirational as I realised that, well, I was allowed to write about my disabilities. Seeing and hearing artist after artist sharing so much and so eloquently unlocked something in me that I didn’t even know I’d been repressing:

I’m allowed to be an openly disabled poet. I’m allowed to express my neurodivergence. I can tell my truth. 😱🤯

Bit of a culture-shock, but I owe so much to the poets and to Rose (and to Dave Wycherley, BSL interpreter extraordinaire – that’s a hard and physically/ mentally taxing job as it is, but to do that with poetry? on the fly?! breathtaking...) for helping me get to that starting point, knocking down the walls of my own internalised ableism.

So, apart from a paean to self-expression and why representation and finding tribe matters, and a screed of gratitude for new friends made and old friendships strengthened through the course of these events, why am I writing this? What’s with the hashtag? “Plea...?”

Well, so far, since you ask, all of our events have had local funding in York, where they’ve taken place exclusively so far. Rose applied for Arts Council England funding for this and next year for a tour comprising several venues and a host more disabled artists and BSL interpreters from various parts of the UK (all getting paid properly!), but we found out last week that we’d not got the money. Any of it. So our forthcoming event on 24th November in the gorgeous National Centre for Early Music is in jeopardy and, since the thought of Rose (herself a disabled artist on low wages) having to pay for this out of her own pocket was not to be supported, I threw myself at a plan of creating a (somewhat last-minute) Crowdfunder, so that we can at least pay for the venue, the artists’ and interpreters’ fees, the travel and accommodation expenses of those of us coming from out of town, and the costs of producing merchandise to sell. We’ll be producing an anthology in print and ebook form, as a joint publication between indie publishers Stairwell Books and Allographic Press. And, if we exceed our funding goal, there’ll be video and audio available of the event to boot!

We’ve created a frankly very exciting range of pledge rewards for people wanting to support us (all the way from £1 and £2 options, since money is tight, especially for disabled folk, right now, to more chunky ones like private mentoring, workshops, and a publishing package), and we’ve got three weeks(!) to raise our £1,500 to cover the shortfall from ticket and merch sales. Eeep! So, if you’re able to and would like to help us, we’d be ever so grateful. The campaign is here:

https://www.crowdfunder.co.uk/p/poetry-for-all-2023-fundraiser

And if you have absolutely no funds to share with us at all, we’d be incredibly grateful if you shared on social media, with friends, on blogs, all of that!

Thanks for reading all this, and have a great day!

[oneangstymotherfucker]

Another thing that bothers me is the way antis will use the word "coded". Coded is a word for groups that aren't allowed to have explicit representation to use for when authors make something that's obviously for them under the radar. Like queer coded. In kids shows there can also be stuff with coding for neurodivergent characters, and race coding can also be a thing. The idea is authors can't directly do what they want because society is being a dick (like they want to make x and x characters gay or have a Black main character) and so they code it so that people of those groups can still see themselves in it and Understand What They Mean.

So "child-coded" and "family-coded" are not things that even make sense. If the author wanted a character to be read as related or a child they would have simply written them that way! Nothing was stopping them! I respect all headcannons, but you headcannoning someone as a child or related and seeing your own evidence for it is not the same as coding.

Do you know what is coded though? Sebaciel. That ship is so heavily queer coded- in everything from the way the characters are drawn to the age gap to the campiness to the contract, the relationship-that-isn't-a-relationship-because-taboo!

These are classic queer tropes. They are all over the place in queer fiction, especially older queer fiction, to illustrate and emotionally navigate relationships that are considered by society predatory and taboo. Queers have always been painted as predatory. Because when you kicked out your teenage kid for being queer, guess where they went? They found some older queers to take them in. And support them in ways you never could, and see their strengths. And then people would say little Johnny was "seduced" or "taken advantage of" by some "degenerates" and "perverts" because they didn't want to take the blame of putting little Johnny on the streets. (Ofc sometimes im sure there were predators doing this maliciously, but that doesn't mean it was always the case. Not everyone wants to take advantage of people.)

Queer people also tend to have overlapping relationships because of social ostricization. For example, your dating history is your friend group and back in the days of Houses and mentors, your dating history might also have them in it too.

Age gaps are also a very quintessential trope in queer fiction. It makes a lot of sense when you think of how someone whose family life was suddenly cut short (or never really there in the first place) would end up wanting the sort of dynamic where someone was there to take care of them. And again- I'm sure that this was sometimes abused by a handful of people, but it as a fiction and as a desire is part of queer history and has been for hundreds of years. Most people whose parents pushed them aside or actively hurt them end up with daddy/mommy issues! Not everyone of course but a good amount! I want a daddy! I feel so much younger than I am because I am only just now getting to live my life as me!!! So of course i project myself onto and want to read stories about some little victorian boy and his op demon butler!!

Do you understand what I'm saying?

Ciel is very heavily queer coded. He was ignored by his family and then forcibly removed from it (because they died here, ofc) and the fact that he is essentially rescued from his powerlessness, aloneness, from being abused and taken advantage of by Sebastian, who is also very queer coded, ticks a lot of boxes. Then there's the whole messaging of Sebastian being seen as an abusive monster (when he is really quite caring of Ciel) and Ciel being seen as some perverted, broken, godless freak (ey what queers haven't heard those?), the religious implications of "making a pact with a demon" ("you can't be holy because of this relationship! Satan made u gay!!!!"), the victorian setting, the costume choices, the idea of being eaten, hell even the kinky undertones of the power dynamics- there are too many queer tropes to count. Even Ciel's age, when taken metaphorically- someone who hasn't been given the chance to have much experience, who isn't taken seriously, who does not have the social standing of someone who can hold their own against "grownups"- can all be read as coding for someone being descriminated against. Raise your hand if you're queer and have been called 'boy' or 'girl' derogatory/been treated like a kid for no reason!

I'd go so far as to say that most of the reason Black Butler squicks so many people is because the coding is so overt and obvious, but people still take it literally and think it just means "p3dO!1!!!1!". Probably because ya'll stay away from queer history because the Elders reclaimed slurs and that makes u angry lol.

The fact is even if Sebastian and Ciel never "get together", their relationship is still inherently queer and always will be. And quite frankly if it was cannon then it wouldn't be coded anymore it would just be gay. :)

Anyways thats how i feel about coding thanks for comin to my ted talk. x

[transmascpetewentz]

A Short Guide To Writing Gay Trans Men

So a few disclaimers before I start:

I'm not going to talk about anything sex-related here because 1) people have made other guides and google is your friend & 2) I'm not very comfortable with it.

I am just one person, and due to the fact that I am white and thin and perisex, I will definitely have blind spots. If you want more information about intersections that don't apply to me, ask someone who it does apply to!

I did get lots of messages from trans guys giving me advice on this, but nonetheless I do not speak for absolutely everyone.

There will be very little info here on how to accurately write medical transitions because that's not something I've experienced. Google is your best friend on this one.

This is not a complete post. I will keep adding to it as time goes on. If you're seeing this post reblogged by someone else, click on the original to see if I've made any additions or corrections before you send me that anon hate and/or comment telling me to kill myself.

What Not To Do

When there is a trans male character written by a cis person, especially a cis man, there's a very solid chance that he is going to check off at least 9 of the following boxes:

Thin

White

Able-bodied

Neurotypical or LSN neurodivergent

Binary

No nuance given to his identity and expression

Sexuality not specified or elaborated on

A cis person's love interest

2 dimensional transmasc stereotype

Usually small and feminine, but not actually femme

Gay transmasc characters written by cis people are very difficult to find because cis authors will often not specify the sexuality of the trans man dating a cis man or elaborate on his connection to the MLM community. This is because many cis authors believe that writing a gay trans man is just writing a woman but switching one of the genders. This is, of course, not true, and there must be more care taken to provide nuance and create a more accurate (and non-dysphoria-inducing) representation.

Moving Past The White Twink Stereotype

This is one of the most basic bars to clear for a cis person writing a gay trans man, and yet so many continue to fail at this very simple task. Ask yourself: is your gay transmasc character a white, hairless, thin person? If the answer is yes, that's not inherently a bad thing, though it may be good to reflect on why you want to create a character like this if this is the only type of transmasc representation you write.

The biggest thing you need to do here is to give him a set of defining traits. Not physical traits, not even gender expression traits. Just personality. What kind of person is he? How does he cope with the transphobia in this world (unless you're writing a fantasy universe without transphobia)? How does he act towards strangers? How does he approach people of different genders? What is his outlook on cis people? Once you have the basics, it's time to think about his physical appearance & expression and how that has impacted his life and his personality.

You also want to avoid the trope where a gay trans man's personality is undeveloped and he is treated as an object for cis men to help them advance their character arcs. It's fine for trans men to serve a purpose like that in the story, but they need to be their own individual humans.

Writing Sexuality

If your trans male characters date men, and I cannot reiterate this enough, make them be open about their homosexuality or bisexuality. Give them a sexual orientation and make them be proud of it. Of course, not every gay trans man is going to identify heavily with a masc/fem role in gay male relationships, but you should seriously consider whether or not your character would.

Additionally, don't follow the flawed line of logic of "trans man -> vagina -> bottom -> fem/femme." It's fine to make your gay trans male characters fem but please, I swear to god please give them a good reason for being so. If you do make your character femme, be very cautious to use language that doesn't trigger actual trans men's dysphoria. Don't constantly point out the character's physical features that may be associated with femininity unless you're making a point either about his dysphoria or about how society treats him or maybe about how he comes to accept his body. However, please be extremely careful with the last one as this trope has been used in so many transphobic portrayals.

Have your gay trans male character exist in gay spaces with other gay men (both cis and trans). Have him be open about being a gay man specifically. Give him cis gay male friends. Give him trans gay male friends. Don't allow your reader to ignore the fact that he is very much a gay man.

Dysphoria

For the love of all things good, please do not write your gay trans male character's dysphoria as "from the day I was born, I knew I was born in the wrong body. I have had no internalized shame or guilting into making me doubt my transness, and it was obvious that I was not a woman." That's not how anyone's dysphoria works, even if they did know from a young age that they were born in the wrong body.

For gay trans men specifically, most of us end up realizing we're trans around either age 12 or age 20. This doesn't mean he has to be exactly that age, but that's generally the safest age to have your character's egg crack. Of course, you can sprinkle in signs that he's trans since he was a young child, but I know a lot of gay trans men and I have yet to meet one who has known since birth and has had no doubt in his mind about it. However you can and should write older gay trans men, even some who find out they're trans in their 40s or older. Representation of older trans people is seriously lacking compared to how many there are.

Don't make your character the stereotype of a straight trans man who doesn't face the specific intersection of being trans and gay. Facing this intersection does affect something even as personal as dysphoria. Many of us will have self-doubt, believe that we're disgusting fetishists of gay men, or simply exist as women in gay spaces for a time. You also have to take into account gay beauty standards & your character's upbringing to figure out what they're likely to be most dysphoric about.

hi :3

That's it for now. I'll keep adding to this post as I get feedback and suggestions. If you want more advice, feel free to send me an ask. When I get enough asks about things, I'll make an FAQ post answering some of them.

[peachiime]

super good reasons why you should check out antics at akademi

it's made by a non-pedophilic non-ableist (neurodivergent!) actually decent human being (i hope) writer who knows how to handle serious topics like racism and homophobia (i am poc and queer!) unlike yonder devon who implements it as a twagic bwackstowy for a background character

representation of other ethnicities other than just japanese

neurodivergent rep and NON-VILLAINIZED DEPICTIONS OF MENTAL ILLNESS!!! done with actual research

disabled rep!!!! done with actual research!!!!

lgbtq+ rep! for the girls and the gays (and its not just gays lesbians and bis. theres people on the aro/ace spectrum, theres trans people, theres NONBINARY PEOPLE and that includes the whole umbrella, inkyu kenko musume and saki r all intersex guys)

it's a slice of life comedy!! it's an ensemble story with every single character as the protagonist!! your fav will get lots of screentime!! and they'll be super silly 24/7!!

cute redesigns!!! :D

family bonding for those who want it. wholesome genuine friendships for those who want it. fleshed out and developed romances with actual chemistry for those who want it.

and yes. the faculty gets screentime too. dont think i left those lovely ladies out (and kocho)

its intentionally silly! this story does not take itself seriously! im not including stupid anime tropes and then doing deep narration voice and expecting you to gasp and cry at it

ayano gets a character arc!!!!!! she gets to be happy!!!!!!! do you want to see mentally ill autistic bisexual girl get happy!??!??!! yes you do check out aaa!!!!

there are actual serious moments though. you get to see these characters be genuinely sad, show actual weakness, you see just how shitty their circumstances really are, and then you get to see them get better. you will see, you will get to witness how it gets better. how it gets better, by working through it and facing it head-on, by having the support of people you love, by believing. it will get better if you just try. you can make it better.

no death only happy!!!! you get to see your favs be happy!!!!

you'll be supporting a queer poc neurodivergent writer oooooooooooo ooooooooo im waving my magic wand at you oooooooooooo

epic rap battles of akademi is a plot device

SO MUCH DEPTH TO EVERY CHARACTERRRRR go on. ask me any question about any person. i'll answer.

i. i've just been working on this for 3 years. an actual audience would be very rewarding and motivating for me. hi.

follow my blog for updates on antics at akademi (and make sure to block the "not aaa related" tag if you're only here for that!)