#i am my own player

[iriemorning]

nicks and flicks

i've been called many names all throughout my life. the first of them was from my dad himself, the one who made my first name—irish, from the infamous soap irish spring, then they combined it to my birth month. though i mostly stuck to the former. it's only one word, simple and short. gender neutral too, since i had a boy classmate in kinder who also bore the same name.

it was also very befitting of the things i have grown to like with its connections to ireland and they're like, the green country. i never realized my silent fascination to this color brewing all over the years until the pandemic hit—when we all got stuck in the premise of our homes and that means practically saying bye to our yearly tradition of visiting the mountains. or seeing the nature in particular, except from the screens. that's when my love for green grew, in all its shades, forms and hues.

so, yes, being called irish is the pillar of my whole being. though it's also the most formal one. when i hear that, there's an invisible wall between you and me (dont take it to heart, sometimes a certain distance in between is good)

but when i get called by one of my nicks, it always tugs my heartstrings a certain way; gets me transported back to a particular point in my life in a split second...

ayit takes me back to my hometown, when i was my grandma and grandpa's first grandchild, and all my aunts and uncles were all doting on me. it felt really good, being treated as the only child and youngest in the hood. i was very small, and they all took care of sending me to kindergarten in the mornings, making me sleep in the afternoons even though i wanna watch cartoons, then my dad tying my hair to a ponytail at the evenings to meet my mom in the mall after she came home from work. the very small ayit was carried and passed on to several backs and shoulders until she could walk and climb the mountains on her own.

ayreng takes me back to my elementary and junior high school days; when my parents, siblings and i moved to another town where i met my childhood and lifelong friends. i played hard in the streets, ran fast with all my might and scratched my knees. to this day i still carry those scars with pride. it was also when i started to discover my hobbies and identity by getting into reading groups and writing scripts and news articles in the campus. she joined math and english quiz bees and journalism events and even made it to the student council miraculously. she's all over the place. (wish i have the same energy to do all that now) ayreng was also dubbed as 'miss author' by her batchmates, and after all this time i am still her biggest fan.

rish doesn't take me to a place, but it was something my closest circle have adopted to call me naturally. it sounds the most endearing of them all, and my most favorite. not only my best friends, but when some of my high school classmates approach me with this and they ask or request something of me, like inquiring about an assignment, i always soften up. how could i not melt with such a cute rishhhh in your message?

iris. oh dear. my online fangirl persona that was birthed in 2020. she's like a whole different person. so nice and cute, debuting with baby pink layouts and befriending the whole fandom. the attention was exhausting so it only took a few months before i deactivated the public account in the same year. but the closest friends i made along the way were still my mutuals in a more private account where i still fangirl accordingly, without worrying about likes and retweets and hostile reactions from the public. over the years, iris learned to be more comfortable and at peace in her digital footprint, while still having the freedom to support the idols that changed her life.

and now i'm here, with a new name that took years for me to create. it started all the way back to my ayreng days, when i was having all these ideas for different books. all famous authors have catchy names that also fit their style. so i made up potential usernames that perfectly encapsulate me not just as a writer, but as a whole being. so i went back home—to irish. it's like giving birth. from there, irie was born.

and upon further google inspection (circa September 2023):

Irie is a gender-neutral name of Jamaican origin. It derives from the Jamaican patois term meaning “cool, good, nice,” as in “Everything irie?” The word may also refer to a state of harmony and peace.

“Irie” is a Jamaican slang term that originated in the Rastafari movement. It's used to describe a feeling of peace, harmony, and positive vibes. When you're “irie,” you're feeling good, happy, and content with your life. It's a state of mind that's often associated with reggae music and Rastafarian culture.

and thats when im like, this is it. im sure of it. i finally found the name that will kickstart my writer persona. like a stage name of some sorts, but still undeniably screams like me.

good morning. irie morning.

from now on, i hope that whenever you see my name, it'll always remind you to have a good day.

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[gncrezan]

some old @chrysanthemumgames hermes-seph sketches!!! some of it is established-relationship daydreaming but also a peek at my dark and twisted mind (sprawling intricate spidey au)

[eviiiiiiii]

religious trauma lifesteal!zam essay //lifesteal spoilers

call it projecting but like imagine the amount of religious trauma lifesteal!princezam has (presuming theres some sort of connection of the characters between seasons) like bro has had like 80% of his teamates become gods and watched them loose their sense of self in one way or another he himself started exploiting at one point then goes on to ban himself in season five theres something to be said their having reached the heart cap and having so much power after hours and hours of constant labour to achieve what he got handed to him by a divine like entity like just to ban himself something something sacirficing your life to a higher entity . something also about watching all of his loved ones betray him die or him having to betray them for his own self of moral justice which is very lackluster to his constantly changing beliefs and morality he will never find something that he can cling to (like religion) so. yeah.

[here-there-were-dragons]

just read the new hatchling skin rules and am having Some Type Of Initial Emotional Reaction and am now writing down said Initial Emotional Reaction uncensored as i currently Strongly Feel A Type Of Way and Require Venting. i cannot word this more politely. i do not have the capability to render this rage into polite borderline corporate-speak for the sake of the damn rules that act like anything short of apologizing for being alive to make up for having even the most constructive understanding friendly criticism or even personal mild non-critical dislike of something like a color or a breed is tantamount to personal targeted hatemail. i cannot wait until i cool into calm bitterness later because if i think about this enough to write about it again i will just go right back to being furious and the fact that everyone ielse who's complaining is focusing entirely on the lolita fashion thing and not on in my opinion the far more significant and offensive part is pissing me off even more. extremely angry unedited ranting ahead

fr having it's own "female presenting nipples" moment right now, not that i'm particularly surprised, they've been a prime example of "conservative protestantism in a lefty-language veneer" for a long while now.

"don't adultify" is such a fucking vague and easily selectively interpreted rule, not to mention insulting for a number of reasons,

but putting that part aside the whole idea of "nothing that suggests that the dragon is an adult in a young body" is. look, i'm not exactly fond of the "adult who looks like an anime schoolgirl" trope myself, but i fail to see how in the absolute FUCK having it be canon in-universe that it is both possible and legal for someone to be forced to stay as a child permanently, is somehow LESS creepy than just saying eternal youth dragons have dwarfism. also, fuck you to anyone with dwarfism apparently i guess?

and "no zombie baby dragons" is just stupid. even fucking minecraft has baby zombies, and microsoft has steadily butchered that game into one of the most t for toddler babymode things on earth this side of cocomelon.

and "no scars on hatchlings" so fuck you to any kids with scars too apparently, even though that's way more common than anyone seems to realize. you hear that, kids? if you're under 18 and have scars your very existence is too obscene for public view. 13+ year olds will be irreparably traumatized if they have to know you exist at all! fuck you disabled kids and fuck you amputee kids and fuck you any kids that have suffered anything ever at all for not appearing as a perfect unspoiled image of conservative christian child-doll innocent purity. flight rising staff says your body and existence is inherently too nsfw to even be acknowledged as existing much less visually seen. everyone knows REAL children don't get damaged at all, and if they do then they're too horrifying and defective at their job of Being A Child Properly to exist in public spaces! how dare ugly things that might make us uncomfortable with their existence by contradicting out ideals about aesthetic moral purity be allowed where good respectable normal people can see them!

i don't say any of these words lightly, and i'm very much not the type to go around calling people whatever-ists and in fact find that kind of thing extremely annoying, useless, reductive, and more or less only ever see it used as a blunt cudgel to shame people into line so they don't question you, and have historically found it especially annoying when people pull out the accusations-of-ism card on fr staff over things that are far more likely just completely understandable (if dubiously competent) issues of certain things simply not occurring to someone on code and design level due to lack of sufficient exposure to the idea, and have always been of the belief of giving them the benefit of doubt (even if often that just means i think they either most likely made an understandable mistake that i would likely also make, or, when i'm feeling less kind, that they're simply not particularly competent rather than actively hostile) so understand how much it means coming from me when i say- flight rising staff, sincerely, from the bottom of my heart, fuck you, you ableist batch of pricks, so far up your own asses with your performative veneer of vaguely lefty-flavored language that you don't realize how fundamentally extremely conservative all of your actual beliefs underlying them are. for every update you make that i approve of there's another that does twice as much damage as the good update fixed (and i'm starting to wonder if you maybe know what you're doing with that too-always batching the fucked up shit on the tail end of some big thing you know people will be excited about, always hiding these controversial moderation changes under something shiny and new, to the point that now i dread any new good update that genuinely seems a step in the right direction and/or is something we've been wanting for awhile because i'm just constantly expecting the knife hidden behind the footnotes afterwards, the fucking "ban tiktok/gay marriage/strip rights from this population/end net neutrality/whatever/ect" clause stapled onto the end of a bill about something entirely unrelated functionally holding a change people want hostage until they allow the fucked up part through. i've been here most of the site's 10+ years and i've seen this sort of thing happen far, far too often.) and every year the shit that gets pulled on the management and moderation end of things makes me more and more almost glad i've never had an income to spend on this, and the fact that apparently the moderation behind every single other petsite in existence is somehow significantly worse fucking astounds me. the only reason i stay around here is because It's Free Dragon Pictures, because it's literally the only actually good petsite game i've ever played and not gotten sick of within a week or so (and really the only good low-energy game i've ever played in general, which i'm increasingly convinced is in spite of it's management), and because somehow, despite all of this shit, i still genuinely love the game itself, because unfortunately by some accident of creation it seems they apparently stumbled purely by coincidence into making an actually good game idea no one else quite has. and after all the fuckery that gets constantly pulled, i refuse to believe the game being good is anything other than, much like many of the of the incidents i think they're unfairly accused of malice and -ism over, an accident.

Disabled children too obscene to fucking exist. fuck you. good to know half the child population's existence requires a trigger warning to even be allowed to be acknowledged as existing to you. good to know if the heart surgery i had when i was 11 had left any visible external scars i would be considered inherently too obscene to exist to you. good to know if the overhealed and benignly potentially cancerous scar on my back from whatever actually happened when i was a toddler (i don't trust either of my parents to ever be accurate about something like that) was in a more visible spot you would demand i have a trigger warning to post selfies online. good to know if any of the shit that's broken me emotionally left visible physical marks you would think it was good and right for me to be forcibly hidden from good normal people's view and considered too taboo for even the slightest discussion without hiding it with makeup and lies, just so i don't make good, lucky, undamaged, normal people uncomfortable, god fucking forbid. should we hide the gays too, since they also make so many people uncomfy? i imagine it won't be long before disabled adults are too obscene for your polite societytm sensibilities too. i've had the feeling for a long time that amputee and disabled skins were living on borrowed time with your rules, kept technically not explicitly dissalowed where all other forms of injury and ""body horror"" are banned simply out of fear of the backlash it would cause to include them, and well. the doomsday clock on that one just got a little bit closer to midnight, huh?

the only reason i wasn't a (physically, visibly, externally) scarred kid was pure sheer fucking luck. the only reason you weren't a physically scarred kid too is pure sheer fucking luck. the only reason you're not some type of disfigured or ugly or amputated or visibly injured or whatnot is pure sheer fucking luck. you're lucky. nothing more. if having to contend with that fact-the fact of how easily it could have gone a different way and there is nothing they would be able to do about it- makes good normal tm people uncomfortable, then well, get the fuck used to it, other people children very much fucking included don't exist to cater to the aesthetic sensibilities of a lucky perfect few. the only thing that separates you from the damaged ones you find too obscene is a bad day and an unlucky hand. and one day, even if you were lucky enough to escape being damaged when you were young, you and i will both be just like them too.

more festival skin winners slots is good. elemental swords sound fun.

[kawakona]

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[maddymoreau]

My Thoughts on Poppy Playtime Chapter 3

Ollie is ADORABLE!!!! "No ouchies or lost body parts?" HE'S A BABY I NEED TO PROTECT!!!!!! AHHHHHH!!!!!! (¬‿¬) I have ZERO evidence for this but my theory is he’s The Prototype.

I’m REALLY happy to see the phone Ollie calls the player on is identical to the one in Project: Playtime! It’s nice seeing stuff introduced in Project: Playtime finally appear in the main series.

( ⚆_⚆ ) ESPECIALLY DR. HARLEY SAWYER!!!! WOW THE TAPE FEATURING HIM TALKING TO THE PROTOTYPE WAS DARK!!!! I knew a man like Dr. Sawyer would be a sick and twisted individual since he created the Bigger Bodies Initiative.

Despite that I was NOT prepared to hear the joy in his voice to experiment on children. It was revolting.

This exchange:

Prototype: "You stick us. Beat us. Tear at flesh. Do you feel it?"

Dr. Sawyer: "There is a secret inside you, 1006. Valuable beyond all measure. I cut and prod and burn at it, and I get closer with each session . . . So speak, or don't. Fight, or give in. Regardless, I learn something new about you every day . . . (Laughs) It excites me!"

Prototype: "Thank you."

Dr. Sawyer: "You . . . thank me?"

Prototype: "Absolutely. I learn something new about you every day."

THAT FINAL LINE WHEN THE PROTOTYPE IS MIMICKING DR. SAWYER'S VOICE AHHHHHH!!!!

＿|￣|○ I WANNA KNOW WHAT HAPPENED TO DR. SAWYER SO BADDDDD!!!!!! He wasn’t around for The Hour of Joy but I hope he suffered.

Leith Pierre: "Normally I'd have Dr. Sawyer do this but he's uhhh . . . out, let's say. So you got me until they find his replacement."

(o ´ _ ` )o The contrast between how Dr. Sawyer speaks to the experiments VS Leith Pierre the Head of Innovation at Playtime Co.

Both dehumanize the experiments in different ways.

Leith Pierre can’t even bother remembering Catnap's real name. He puts on this fake friendly facade. Referring to Catnap as his Pal and Buddy. It's so disingenuous.

Especially when he asks, "Heya Theo! How ya doin' bud?" Pierre could care less about how Catnap feels. It's only when Catnap responds, "The Prototype will save us." That gets Pierre to finally drops the corporate spiel. Admitting to what this place is. Catnap’s prison.

No wonder Catnap worshipped The Prototype after being save when this is what he’s told about his horrific situation.

Leith Pierre: "THIS is your life now. Get used to it."

I absolutely LOVED all the new features for the Grab Pack. The air jet looked SO FUN!!!! Watching people desperately shoot the flare gun against smiling critters in a cramped space WAS SO INTENSE!!! The smiling critter's small growls and whimpers made me sad.

(ʃƪ 〃’▽’〃)♡ The horror in this chapter was INCREDIBLE!!!! While I had fun playing Chapter 2 I remember feeling disappointed by the scares.

CHAPTER THREE HAD ME HORRIFIED!!!! EVERY JUMP SCARE HAD ME FLYING OUT MY CHAIR, THE ATMOSPHERE WAS AMAZING AND AHHHHH THE HOME ORPHANAGE SECTION!!!!!

It reminded me of PT ∑(; °_°) Especially with the radio informing us that in Elliot Ludwig's house it was discovered he HAD THE BODY OF A CHILD IN A DUFFLE BAG!!?!?!?!?!?!

ALSO THAT ONE RADIO'S REVERSE MESSAGE!!!

"8-8-1995 I find your presence intrusive. After all this time you return. You come in here and yet you kill and murder. You pilate and destroy. Your presence was demanded 10 years ago and yet you didn't show up . . . 8-8-1995 You were supposed to be here. Why weren't you here? You missed the event. You missed the meeting. You missed the party. You have no right to be here . . ."

AHHHHHH MOBGAMES KNEW WHAT THEY WERE DOING WITH THE LIGHTING IN THIS SCENE!!!!!

I thought I was going to see MY BOY 😭💔!!!!!!

Huggy Wuggy is completely fine.

Kissy Missy was so sad and adorable in this chapter. Seeing her stare at the picture and hug herself BROKE MY HEART ( o̴̶̷᷄ _ o̴̶̷̥᷅ )!!! She deserves the world.

Catnap acting like a child and avoiding school 😭💔

Miss Delight was a minor spoiler I knew about since people used her face in their thumbnail. However I was NOT prepared for her to act like a Coil-Head!!!!

Theodore being described as antisocial and having a peculiar relationship with an imaginary friend _(:ì」∠)_.

That “imaginary” friend being The Prototype. Who guided Theodore to help them both escape. Only for Theodore to get electrocuted since he was just a child who didn't know how to safely use a Grabpack.

The Prototype throwing away their chance to escape to save Theodore by bringing him to the staff. Showing The Prototype does care in some way.

Only for Theodore to be later turned Catnap.

THEN the player electrocutes Catnap the SAME way Theodore originally received his injuries. The Prototype comes to “save” Theodore once again but this time by making Catnap a part of him AND CATNAP ACCEPTS SO WILLINGLY (˃ ⌑ ˂ഃ )!!!!

It felt like I was watching a religious experience.

I love Poppy Playtime but I do think they show too much in their trailers. Dog day is a great example but even then his scene was *chef kiss*

All the smiling critters crawling inside Dogday as he desperately screamed in agony and for us to run away left me speechless.

I liked the detail of Dogday calling us angel. I'm excited to see all the AUs people create where we save him.

ALSO THE HOUR OF JOY WAS A BLAST TO WATCH!!!!!

I know Poppy is right that it was just senseless slaughter. How all that death didn't fix or help anyone. Especially when it didn't matter if those killed were innocent or not.

However imagining these characters being painfully experimented on and stripped of their autonomy. Going though years of hell and finally reaching their breaking point. It's hard to not feel good for them getting to release that anger. Even if I know it's wrong.

ALSO I GOT TO SEE MY SECOND FAVORITE CHARACTER BOXY BOO YAYYYYYYYYYY!!!!!!!!!!!

THERE WAS SOOOOO MUCH HUGGY WUGGY IMAGERY IN THIS CHAPTER AHHHHHHHH!!!!!!

I'M GOING TO OVER THINK IT!!!!!! I HAVE NO THEORIES I’M JUST POINTING DETAILS OUT!!!!!!

When hallucinating Huggy Wuggy's face is on the employee training video:

“Join the Innovationists, where the bounds of science are continuously pushed. Or join the Counselors of Playcare, whose diligence and care for our children will help shape a brighter future, just you see.”

“Now every one of you has your part in that future, so should you come back tomorrow feeling unhappy for where you are, or what you’ve done . . . worry not, for your supervisor is here and happy to listen! And . . . should you come back . . . years later . . . your conscience finally getting the better of you. May you descend into the dark and the dust, finding all that awaits you are incomprehensible horrors . . . each hungry for your return, each eager that they might find you. Perhaps they’d smile at you from a shadow, their smiling mouths full of teeth and meat and plastic, watching and waiting patiently for their turn at a warm welcome. Or perhaps they won’t allow you such a time to figure your place in the world you’d left. A world that’s theirs now. Welcome home.”

The video transforms into a manifestation of the player's guilt. Not only for their involvement for whatever they did while working at Playtime Co. but for being gone and returning after ten years.

This is also paired with the player's possible guilt for killing Huggy Wuggy and their fear of him.

The hallucination version being a more exaggerated version of the Chapter 1 Huggy Wuggy vent chase.

When Catnap causes the player to later hallucinate:

Poppy: “Do you even know what’s real?”

Poppy: “No you don’t.”

THEN AT THE END OF THE HALLUCINATION IT SHOWS US THE DAY OF JOY!!!! Which is very odd when you consider two things. We've been told multiple times we weren’t there and during this scene we didn't know what the Hour of Joy was.

So the player hallucinating being in front of Huggy Wuggy’s podium during The Hour of Joy with a large Prototype hand reaching for us IS ODD!!!

ALSO THE TAPE IT SHOWS THAT’S WHERE HUGGY WUGGY WAS DURING THE HOUR OF JOY!!!!!!!

WHAT DOES IT MEAN?!?!?!?!

This is just speculation but perhaps the player's memories aren't as trustworthy as we think. After all we still aren't even sure who even sent us the letter or tape in Chapter 1.

"EVERYONE THINKS THE STAFF DISSAPEARED 10 YEARS AGO WE'RE STILL HERE FIND THE FLOWER"

It’s important to point out the characters from Chapter 2 made ZERO appearance during these hallucinations. Mommy Long Legs, PJ Pug-a-Pillar, Bunzo Bunny and the Wack-a-Wuggy.

Is the Huggy Wuggy imagery used because he’s who we encounter at the start of the game?

OR SOMETHING MORE AHHHHHHH!!!!!!!!

[sprucewoodmpreg]

watcher lore dislikers are reported to be mildly scared and afraid during this season of life series

[samuraijacksoff]

HELLO i was finally able to access all 5 of the available storyboards from the season 5 dvd special features and upload them to archive.org for preservation !!!! :) LINK

[wizardnuke]

i love dnd..i love playing heavy utility/support/backfield and i love having three to six attacks in a turn and an insane ac. at heart im a support player ill get my hands on whatever we're missing in a group

[sammy431]

Seeing a lot of posts that seem very sure of how things will play out so casual reminder that the only people who currently know what Marisha wants in regards to Laudna are Marisha, Matt, and perhaps to some degree the other players at the table.

You do not know what she wants. You cannot say that she definitely wants things this way or that way. You have not heard the discussions she’s had with Matt and the table. Assuming you know what she wants or is going to do is parasocial as hell and when things don’t shake out the way you’ve decided she wants them to, you’re gonna feel mad at Matt for “being unfair” despite him saying that his first priority is his players enjoyment and that he talks to them and finds out what they want to do before anything else.

Chill and remember this is their game and their table, I beg of you.

[delightfuldevin]

Been seein some rather cold takes about Daisy lately…

I’ve seen some people say that she has no personality outside of fanon, but that’s just not true. There is a very very common misconception among the fandom (at least that I’ve noticed) that if a character doesn’t appear in a “mainline” game, then they have no personality. But I’d argue that the spinoffs actually offer waaaaay more in terms of looking into character personalities. And no, I’m not talking about the RPGs ala M&L and Paper Mario as those are obviously full of personality (and Daisy isn’t in those). I’m talking about the Party, Kart, Tennis, and other sports games.

Yes, Daisy hasn’t appeared in any mainline game since her debut, but she’s been in nearly every sports game and her traits, stats, abilities, victory/loss animations, and various other tiny details add up to her personality. The fact that she’s nearly always yelling or just speaking really loud in general (noticeably more than any other character), the fact that she constantly feels a need to say her name and make herself known, how she loves flowers and considers even a small patch of flowers worth protecting, how she’s easily bored by tasks that don’t excite her and isn’t so reliable for them. She tends to jump around a lot, and spin and dance around when she’s excited! She’s apparently a rather fast runner and that is considered her specialty! These are all traits that are displayed in the spinoffs, and there’s probably soooo many more that I just can’t remember right now.

Now, I do think her tomboyish nature is probably fanon, as I don’t really remember seeing anything to show that she acts that way in the games. I think people probably think she’s tomboyish due to how loud and energetic she is. But hey, there’s plenty of fanon for just about any character from any fandom out there. And what’s so wrong with that? Isn’t the whole point of making fanworks to expand on the framework already provided by canon? If we want to stick to what’s actually “canon” then nearly everything the fandom has created would have to be tossed, because there really isn’t much to work with. Fanworks and fandoms thrive on what fans can create based on the canon work, not just sticking to it perfectly.

It’s fine if you think the “fanon” Daisy outshines the “canon” Daisy and you dislike that. But to say that she has no personality aside from fanon interpretations just tells me that you have a very narrow idea of what counts as “canon” in an already rather simplistic world. The Mario games are very simple and straightforward without much consistent lore that actually makes sense cohesively, but the characters are what keep everything tied together despite that. The characters are nearly always consistent, and that includes Daisy. Even when the setting is completely different and some random new villain shows up with some random new power source to steal or species to torment, our same well-known lovable characters will be the center of the story and that’s what makes it fun!

[rawliverandgoronspice]

trying to assign instruments to gerudo characters for thralls' soundtrack. Nabooru is getting the sitar so far, as I think she's good at representing the gerudo side that's closer to the Wild Era in terms of long-term vision for gerudo prosperity, not to mention that it works great for a more laid-back character; though Iftaah could also get that aspect, even though her perspective is a little bit more desperate and a little less actually strategizing about diplomacy and commerce in the way that Nabooru's is... not sure I have nailed down the perfect instrument for her yet though? Maybe a duduk, for its plaintive quality and capacity for softness? But I don't know, I feel like there could be something better out there. Saeruk and flamenco guitar seem pretty great fit for the versatility of the instrument, both harsh and defiant, playful at times, but also extremely sad if needs be, and the fact that she represents more the "older" kind of gerudo works well with more hispanic/romany inspirations. And then there's Aveil, who I feel represent the best the connection of the gerudos to their land, and I'd love an instrument that really represents that. Still looking for that one.

There's a bunch of fun things for Ganondorf that can be done, but I think he'll get... bigger instruments, in general. And church organs are quite versatile too it turns out. :) I like the marimba from his first phase boss battle, but it's a little too... I don't know, I feel like it lacks the roundness and depth and imposing quality that we could get with other picks. But Ganondorf so far has about *eight billion* leitmotifs going on with what I have selected for him (him and Ganon's, as they are... not exactly separate entities in the story, but sort of, it's kind of weird), so it might be more a case of actual melody rather than instruments, or maybe on top of instruments that swap in and out depending on what we want to invoke...

Sorry, rambling, but I would really love to compensate for my lack of voice actors with a pretty meaningful stab at the soundtrack. I feel like I kind of have to honestly. ;;

[bonetrousledbones]

OH RIGHT this is somehow completely unrelated to the last post but i finally got a new desktop theme for This blog which actually works & its actually really really cool and is even compatible with the mobile browser sooooo yall should take a looksie :>