Tumgik
#i believe that you are a much better man than you think you are
rafecameronsslut4ever · 15 hours
Text
CASUAL — lando norris (smut, angst, nsfw)
pairing; fem!reader x lando norris summary: whatever you and lando have, it's anything but 'casual'. warnings: smut 18+, a LOT of angst, mdni, fingering, oral (f receiving), (situationship?) a/n: i lowkey want chappell roan's casual to be inserted into my brain and OMG this one is too sad
Tumblr media
"nah, nah. the two of us... it's complicated, y'know? just a casual thing, honestly."
the words echoed in your mind on the flight from london, replaying as the seatbelt sign dinged off.
casual.
the word had always carried a negative connotation, but hearing him say it made you feel so much worse. it made you feel insignificant, as if the months that had passed meant nothing to him, while it had meant so much more to you.
you were anything but casual.
all those nights, the mornings after, the kisses, the rendezvouses. they meant something, didn't they? you thought they did, at least.
the way he'd look at you when the lights dimmed and his voice would turn soft. the way he'd kiss you as if it was what he was made to do.
he knew every inch of you. every freckle, every curve. he knew you better than he knew the tracks he raced on.
but, then again, lando norris was never known for being reliable.
he was young and wild and carefree, a bachelor to be envied by all. a party boy, a flirt, a ladies' man. he was charming and he knew it.
he was good at making people believe that they were special.
everyone loved him. the oh-so charming lando norris. the young driver who had a bright future ahead of him. he was bound to get whatever he wanted, right?
the first night he touched you, the two of you had come to an agreement—no attachment. he made it clear that he didn't have time for anything serious, but that he would love to have fun with you.
you, of course, had agreed to that.
in the beginning it was nothing. 'accidentally' crashing into each other at parties, accompanying the other into hotel rooms, and then disappearing as soon as the sun rose.
but do these 'no attachments' things ever work? it wasn't even a complete month before the two of you became more and more involved and realised you weren't just having fun.
as you exited the airplane, your heart clenched at the thought. the two of you had never actually said anything, but it was there, hanging in the air, almost suffocating you.
the first time you realised it wasn't just fun, you were in the passenger seat of his mclaren. he was on his knees, big blue eyes staring into yours as he flicked his tongue in you. you were so close, you had been for a while. he could tell. his eyes were locked onto yours, a glint of smugness in them. and then, with the tip of his finger, he brought you over the edge.
after you both came, he had crawled into the driver's seat and smiled at you. his lips glistened, his chin damp, and his hair sticking up in places.
"you look beautiful." he said, a hand coming up to tuck a strand of hair behind your ear.
"i think i like you." his voice was barely a whisper, and if you hadn't been staring right into his eyes you might've missed what he said.
"yeah, me too." your voice was breathless.
and that was the only time either of you'd ever said anything about it.
was it casual?
then, that one time when you had flown to his family home in the uk and met his parents. they'd welcomed you with open arms and treated you like one of their own, and lando's face had glowed with joy the whole time.
"i still can't believe that lando has such a pretty girlfriend." his mom had said to you, giggling as the two of you shared a bottle of wine.
"mom!" lando had whined from the other room. "can't you just shut up for once?"
"oh, hush! i'm just saying it as it is." she shrugged.
you had blushed furiously at her words, looking down at your feet as you took another sip of the expensive italian wine.
you had thought he would deny the 'girlfriend' title, or at least laugh it off, but he didn't. instead, he grinned like an idiot and you wondered if the wine had gone to his head.
"yeah, guess i got lucky." he'd muttered, and his mom had smiled, nodding knowingly.
when the day ended, you had fallen asleep curled up next to him, his body warmth enveloping you like a blanket.
now, your eyes stung as you walked through the airport, a million thoughts running through your mind.
you'd spent the rest of the week there and it was the best time you'd had in a while. he'd taken you on a day-trip to oxford, but the two of you ended up staying the night at some cottage. he'd held you closer, kissed you harder. you slept together as many times as you could.
fuck, you weren't just casual.
and the time the you woke up in each other's arms, his face buried in your hair, hands wrapped around your waist. he had asked you what your plans for the future were.
"get an apartment in monaco right next to yours so that i can stalk you everyday. binoculars and everything." you had joked.
"really? not gonna say you're going to marry me and have a billion kids and we're gonna grow old together?"
you'd looked up at him, eyebrows raised. and then the two of you had burst out laughing.
"what the fuck, lando. i'm not having a billion kids with you."
he just smirked in response.
or the time when the two of you vacationed in italy with his friends, and at the pier he had introduced you as his 'hotshot pr girl'.
"he's paying me a million dollars to pretend to be his girlfriend because he doesn't like being called a virgin."
"hey!" he'd laughed, nudging you.
"shut up, loser."
and then you'd pushed him into the water.
"i'm never talking to you again." he'd pouted.
"oh yeah, find someone else to have your billion kids with. my uterus will be happy."
or the countless times he would call you in the middle of the night and tell you about his new merch drop, and you'd whine about how it was 2 in the morning and you couldn't give a flying fuck.
and when you had just gotten off the phone with his sister, "flo is such a sweetheart, i love her."
"my sister talks to you more than she talks to me. you know she likes you better, right?" he'd mumbled, looking offended.
"what can i say, i'm such a charmer." you'd said in the most british accent you could muster, and he'd rolled his eyes and shoved your face away.
december came, and cisca invited you to celebrate christmas with them.
"if he doesn't ask you to be his girlfriend, promise me you'll tell him it's over." your best friend has said, looking at you sternly.
you had just sighed in response, shaking your head.
"i'm serious. you don't deserve someone like that. not if he doesn't think you're worth the commitment."
"you're right. i know. i'm just... i'm just scared. i like him so much. i don't know what to do."
the morning of christmas, you'd landed in london and gone straight to his place. he was all dressed up, and you'd almost cried at how gorgeous he looked.
"merry christmas, darling." he'd murmured, and you'd melted at his words. he welcomed you with a kiss, the way he always did.
the day was spent exchanging gifts with his family, watching christmas movies and cuddling under blankets.
his family adored you.
"i'm glad you're here." he said.
"where else would i be?"
"anywhere else."
you smiled at him, and he returned it with a cheshire cat one.
that night, the two of you had been invited to dinner with his parents, and halfway through the meal you'd excused yourself to go to the bathroom.
as you stood there washing your hands, you'd heard the door swing open, and the familiar figure appeared next to you, locking the door behind him.
"lando."
"yeah?"
"what are you doing?"
"i need to wash my hands." he'd shrugged.
you raised a brow at him, looking at him pointedly.
he shrugged again, taking a step towards you.
"you look too good in this dress, can't help it."
you rolled your eyes as he stepped closer to you, fingers about to grasp your waist before you told him to back off.
"what?"
"wash your hands first. didn't you come here to wash your hands? there's no way in hell i'm letting greasy salmon fingers touch me."
and then the two of you had laughed before his lips found yours lips. it felt so natural, the way your body reacted to his touch or the way your lips melted into his.
"lando, we shouldn't." you protested, neck arching as he pressed kisses everwhere.
"shut up." he grabbed your waist before pushing you against the counter, his lips crashing back into yours.
"what happened to your hands? i told you to wash them."
"fuck the hands."
"technically-"
"shut the fuck up." he groaned, dipping a finger between your thighs. "you're dripping. fucking hell."
pulling his fingers out, his knee pushed your thighs apart, spreading your legs apart.
you gasped, shifting your hands as you balanced yourself against the counter. his eyes locked in yours as his finger dragged across your core.
"fuck, baby, you're so pretty." he whispered, eyes digging into yours.
"lando, please."
"please what?" he asked as he slipped two fingers inside you.
your eyes squeezed shut, head leaning against the mirror behind you. "oh, fuck."
"i asked a question."
you were quick to answer, fisting his shirt as his fingers moved inside you. "please fuck me, oh my god."
he smirked before dropping to his knees, spreading your thighs and pressing his tongue onto your clit. you yelped at the sudden feeling of his mouth sucking at your clit; eyes rolling back.
his hands grabbed your legs, swinging them over his shoulder. hand sprawled over your stomach, pushing you back against the counter.
when his tongue curled into you, brushing that spot he never failed to miss, you couldn't help but let a loud moan escape you.
lando hushed you; tapping your thigh. “gotta be quiet baby,” lando said through heavy breaths before pushing his face back into you.
biting into your lip, your fingers ran through his curls, admiring the sight of his head moving between your thighs.
your moans filled the small bathroom, the sound like music to his ears.
"lando," your voice was shaky, breath hitching as he picked up the pace, his hands pushing your hips down.
he hummed in response, the vibration sending waves throughout your body.
"oh, god, lando. right there, right there. oh fuck."
and then your body was trembling, and you were gripping his hair, his tongue still moving.
you were seeing stars, vision going white as your legs quivered around his face.
"oh, god." you sighed, chest rising and falling as he pulled his fingers out, smirking up at you.
"c'mon baby, give me one more."
it wasn't casual.
now, walking through the terminal, dragging your suitcase behind you, the tears threatened to spill from your eyes.
maybe he said 'casual' just to tell his friends he was still a player. or maybe, he was referring to the fact that the two of you were just friends who hooked up sometimes.
but whatever he meant, it wasn't the truth.
both of you knew it.
casual wasn't the way he held you close during thunderstorms, wasn't the way he'd make sure coffee was the perfect temperature, wasn't the way he'd look at you as if the world stopped turning.
the way he'd stare into your eyes as the lights turned off, the way he'd press a kiss onto your temple, the way he'd say your name.
it wasn't casual.
Tumblr media
418 notes · View notes
withahappyrefrain · 2 days
Note
for bradley and birdie! but i feel like he’s the one who doesn’t like scary movies 🤭
purposely suggesting a horror movie (even though they know they themselves hate horror movies) just so they have an excuse to cuddle up for the night
A chance to combine my love of horror movies with Bradley & Birdie? Don't have to tell me twice!
Tumblr media
"Whatcha wanna watch?" Bradley's mustache tickles your cheek, then your nose when his lips move to kiss you there.
"Is it my pick tonight?" You giggled, fingers gripping the cable knit sweater that currently adorned his body.
"Sure is, got full reign Birdie." His words give you pause. Full reign? Did that mean-
"What's that horror movie you always go on about?" Bradley confirms, as if he could read your mind. He couldn't lie, your raised eyebrows kinda gave it away.
"You mean Hereditary? You would be okay watching that?"
Bradley nuzzles against your body, his head laying against your chest, your fingers toying with his sun kissed hair as he nodded.
"If it means I get to lay like this, absolutely," Bradley's words are genuine, so you grab the remote to find the chosen movie.
"This movie isn't that scary. It's creepy, but it's not scary." Bradley has now put all his body weight on you, like a mustached weighted blanket. Your fingers were idly scratching his scalp with your nails. If Bradley was a cat, he would absolutely be purring.
You could only chuckle, having seen the film over a dozen times, "Famous last words Roo."
"Like the kid is creepy and clearly grandma is haunting Toni Collete." so he had been paying attention.
"It's a slow burn, that's all I'll say," was your final warning. If it weren't for Bradley loving wrapping his arms around you, you would have been able to adopt a more serious tone. But how could you when he kept trying to get as close to you as physically possible?
Bradley shrugged. He was active duty in the Navy. Horror movies weren't his thing, mainly because he always thought he had seen enough in his lifetime.
"Birdie, what the absolute fuck?" You simply giggle, a stark juxtaposition to the image of a decaying head on the screen.
"It only gets worse," your tone was bright and happy, not matching the words at all.
"This is your favorite? You're sick, you know that? Might have to send you away," he rests his chin on your chest, looking directly at you with a lovesick expression.
"Oh, I one hundred percent would have been sent to the sea side for hysteria in the early nineteen hundreds," you grab a piece of popcorn, popping it into your mouth, "I think we should bring that treatment back. Going to the beach would probably calm me down, especially if you're playing football there."
Bradley scoffs, mocked objection lacing his words, "You really can't stop sexualizing your old man, can you?"
"It's better than making grandpa jokes. I still can't believe you were too old during the Naked Brothers Band era," you roll your eyes, although a smittened smile remains on your face.
"And I still can't believe a prime television network named a show that. So like, how freaky does this get?" There's thinly veiled concern in his question.
"Oh, we haven't even reached the tip of the iceberg," you pause, "Just let me know if it gets too much. We can watch something else, like Airplane or-"
Bradley shooks his head, "No, this is an important movie to you, I wanna watch."
It's then you realize that Bradley isn't in it for the spooks, or those Pillsbury ghost cookies (though they are a treat). No, he was sitting through this movie to be with you, to hold you.
It almost made you want to stop the movie before it got to the fucked up part.
Almost.
79 notes · View notes
ethereal-blossom · 1 day
Text
Deep dive on Victor and his possible past + curse
This man is as attractive as he is mysterious and the curiosity is killing me, so I just need to let out some thoughts.
** I'm going to be referencing some translations and posts so I'll link them and their OP's (I'm too afraid to tag hehe but they deserve all the love and appreciation🩷)
Be aware of JP and EN spoilers
Tumblr media
First, what are some things we know and are safe to assume when it comes to Victor? He's the co-founder of Crown and the Queen's Aide. I think it's safe to assume Victor is the oldest in Crown; Harrison calls him an old goat, he acts like a mom, and I believe in the Valentine event the dynamic between Harry and Victor was labeled child-parent. Through this detailed post that @/kurishiri made we can guess that Victor is 30/32+ years, which I have to subjectively note is very hot. William was 14 when he was invited to the castle where he met Victor, meaning that Victor has been associated with the castle for at least 14 years. Was he already the Queen's Aide back then? High-likely, yes.
But how long exactly has Victor been the Queen's Aide? And how did he become one in the first place? One thing that stands out to me is this dialogue in Victor's Wicked Little Secret event:
Tumblr media Tumblr media
For context, Victor is sharing why he started doing magic tricks. He explains it's traced back to the queen and how she does them as a reminder of how difficult but precious it is to get someone to smile.
Of course, it can be that Victor simply didn't go with the queen to the slums that day or that she told him about it, but I like to think about the possibility he didn't know the queen at this point but knew about it anyways because he was a kid in the slums. It might explain why he doesn't necessarily pay attention to status and why he treats people such as the villagers and Kate as his equals despite being the most powerful man in the country. Does he stay humble due to perhaps having experienced the lack of power, money, and status to a severe degree? And is the Victorian slums the reason why he suffered enough pain for a lifetime?
Tumblr media Tumblr media
@/Reccyls translated an event in which the suitors are meant to win over Kate's heart by having her give the suitor a heart-shaped necklace. Jude, Roger, and Alfons are being very proactive while Elbert, William, and Victor are drinking tea. The nobles team points out there's no rush because it's the end of the day that matters. Victor agrees but then suggests they're also probably laid back because they are rich. It might be nothing but if you ask me, that's pretty self-aware and honest for a rich person. Not every rich person will realize having money does influence you, and not everybody loves to point out the frowned upon behavior that comes along with money, especially when it applies to yourself. So, it's a very small thing to say and I might be reading too much into it, but I think the people who know the affect of money better than anyone are the people who weren't born first class.
Victor continues to point out what makes William and Elbert rich, but right when he wants to talk about himself he cuts himself off (🖕/affectionately) . It confuses me because sir, you are the Queen's Aide. Why is it a mystery that you're rich? Elbert asks if Victor comes from nobility but we never get a yes or no answer to that. So is there still a chance he might have been born in a rich family? Yeah, but I'm not a strong believer of it. Victor is known to cook and sew, and I don't remember where or when but I believe he said somewhere that if he can do it himself he won't let the maids do it. Does that sound like the skills and the mindset of a man born in nobility during the Victorian age? Not to me, so here comes my next thought: what if queen Victoria has taken young Victor under her wing?
I don't know how it would necessarily end up like this, though. But I was thinking: it didn't go unnoticed by us that Victor and Victoria's names are scarily similar to each other (it's like yeah whatever we're a bit like Sherlock ourselves yknow💅). What if his name was quite literally inspired by the Queen's name in the story itself? Maybe Victor chose it or Victoria gave it to him.
Because @/shatcey recently made a post pointing out that William said "the man who calls himself Victor." I heavily agree with her that the phrasing is suspicious, mostly because of Victor as a character.
If he is from the slums then perhaps he's an orphan who doesn't know his actual name, or maybe he took up another name? If Victor is not his actual name, it might explain why we don't have a last name in the first place. Also, @/otomefiend translated the Black Wedding event when it came out in JP. While the official English translation uses "business smile" to describe Victor wearing a smile to bury his dark comment, I like her translation saying "Victor, the Queen's Aide' expression" much better. I genuinely could go into depth about this but I sadly digress. It makes me think back on the summary reccyls did for the first christmas event wherein Victor was wondering if he should give a "Victor-like" response.
Naturally, it can also mean he just has different persona's connected to his masks as this is a reoccurring theme and topic in his content. Victor said in the Between Villains' epilogue (translated by otomefiend) that he wants to be seen as the gentle Queen's Aide by Kate, so after showing a bit of his darker side it's natural he goes back to his gentle side that still implies distance to ease Kate. However, that doesn't make any of his masks a lie or someone he is not. Important disclaimer to put out there because this doesn't have to be proof that Victor isn't who he says he is. The phrasing just reminded me of this.
Tumblr media Tumblr media
So, it wouldn't be a deep dive if I didn't talk about the theory that Victor might be the queen. Harrison has pointed out twice that Victor lies a lot. I think it'd be so funny if Harry is going to be like "stay away from Kate you old goat >:(" in Victor's route and then William is going to be the complete opposite like "listen to your desires and get a room already :)"
I think we might have seen the queen once, but it's canon that people have cosplayed her so who says it doesn't happen all the time? Victor only has to say the Queen's safety is in danger and then someone will fill in. I think it's safe to assume Cybird is making us doubt whether the queen is alive on purpose and what does that say about the mystery? You don't create mystery when there's nothing to reveal.
In Wrapped in Wicked Romance, something broke from the Queen's tea set only for Victor to reveal that, surprise, it's his own set! During the first anniversary epilogue (talked about by shatcey here) Kate gets told the queen is waiting for her in Victor's office and surprise, it's Victor! Or how in Between Two Villains it's mentioned how Victoria doesn't seem human because of the dedication she has as queen but then the doubt of humanity is a theme in Victor's events as well. Or how in Harrison's route Jude is reading the morning's newspaper and it mentions a criminal situation and surprise, Victor shows up from behind and says the queen ordered a mission related to it... almost like he overheard the news and decided on the spot it had to be dealt with.
To be honest, I don't know what to think when it comes to the queen. If she's actually dead, I think she might have died from an illness and then the veil + private persona might have been crafted to make it easier to look like she's alive (a bit like this one thing in Ikemen Prince). Why she should give the impression of being alive? I don't know, there's a high chance I am reaching. Maybe the queen is very healthy and happily living her introverted life.
Going back to another translation by reccyls, here Victor ends on the note that even if he has feelings for Kate he can't offer anything as "I belong to her majesty/ Victor belongs to Victoria." Ignore that you can call me the wicked witch of the west with how green of envy I turned, but this stood out to me a lot.
I think it shows an incredible amount of dedication and loyalty, and I read it in two ways. If Victor was saved by Victoria, it might be that he feels like he owes her himself, or perhaps a deal/promise was made? But, in a way, I also read it as Victor belonging to England. His loyalty towards queen Victoria is loyalty towards the safety and well-being of England, a land he's passionate about keeping safe.
The relationship between Victor and Victoria is lowkey fascinating to me because if she's still alive, they have been together for so many years. Victor always talks so positively about her so even though we barely interacted with her, I became to really like and admire ikevil!Victoria. Victor is also the only one who we know speaks with the queen directly. For the tea set mentioned earlier, Victor said he replaced them with his own because he is known to break them when he and the queen are drinking tea. Victor braids the queen's hair and helps her with fashion. William even said in this event translated by @/judesmoonbeauty that the queen knows everything about Victor.
Tumblr media
We've almost reached the end but the last thing I want to talk about is Victor's birthday event translated by @/archiveikemen. Victor murders a bunch of criminals with what I assume is his curse or something in that direction. He commands them to succumb to his wickedness and the people essentially kill themselves with a peaceful expression. William makes a comment about it, saying these men look as if almost possessed by a God. Victor thinks to himself it's like saying "Her Majesty The Queen" was no God, and then he says humans can never be God. To be honest, I'm slightly confused because I feel like this can mean different things. When Will makes his comment he's speaking about the peaceful faces, so I don't think he's talking about how the criminals were unhealthily worshipping the queen but I assume he's talking about Victor's ability.
One of the reasons why I think it's a curse is because of this post Shatcey made. One of the screenshots translates to Victor saying he doesn't want Kate to end up lying at his feet with a happy face. It sounds an awful lot like what happened to the criminals in the event. Victor worrying about Kate's fate like that makes me believe it might has something to do with the fate of his possible curse. Think about it: Kate essentially gets dragged in every cursed fate of the suitors and if Victor is another cursed individual, it's high-likely his curse is related to death.
There must be something special going on, though. Is Victor's curse like any other but kept a mystery because something about Victor's identity should stay a mystery? Or is there actually something special about his curse or whatever ability he has? Because his birthday event convinced me he's not an ordinary human. However, something special must be going on for this to be a mystery.
Funny story but for a while I thought that if Victor is cursed it might be Ursula from The Little Mermaid. Sometimes you can see Easter eggs of the suitor's curses back in the outfit designs so when I looked at Victor's outfit, I saw he has scrubs on his jacket (reminding me of fish) and something that looks like knots/ropes (reminding me of sailboats), plus the deep blue and black aesthetic still reminds me of the dark sea. There is also a part in the christmas event where Victor thinks to himself he has sacrificed his human soul to death in order to get what he has now, and who has a song about doing business with poor unfortunate souls?
In this flashback translated by reccyls, I think we are witnessing the moment he's sacrificing his soul. He has a choice that'll impact him as a person greatly and I feel like it's safe to assume he's close to dying, so it'd make sense if this part of his life triggered a curse related to death. Also, his flashback says "the path of becoming the dust of history" which is another reason why I think Victor might have come from the slums, or at least not nobility. It sounds like Victor himself thought he had left no footprint on the world, which actually aligns with his character if you read the translation of Will saying Victoria knows Victor better than anyone till the end.
But I got sidetracked a lot. I think the comment Victor made about the queen in his birthday event is another micro-hint. I sometimes feel like I'm reaching like a clown trying to figure out if Victor isn't keeping up the idea the queen is still alive. It almost feels like having a gaslighting lover; am I picking up clues or am I picking up clowns makeup? Wouldn't it actually be a possibility for Harry to help Kate unreveal the mystery that is Victor? Because while they're not the most interactive dynamic, I feel like Harrison will at least have a little role in Victor's route. As I mentioned before, Harrison pointed out twice that Victor lies a lot: one time in his own route and the second time in the Christmas event. He goes a step further in the latter one, saying that if Kate takes the first step towards Victor's darkness, he'll open her eyes to the truth. Plus, Harrison already had his "when you have eliminated the impossible, whatever remains, however improbable, must be the truth" moment in his route so I think it makes sense for the Sherlock lover who is a walking lie detector to play a role in the most mysterious suitor who is a walking liar's route.
The actual last thing I want to talk about (guess I'm a liar like Victor) I notice that in events wherein Victor and Kate are together, they declare their love in an interesting way. Since death seems to be a huge part of Victor that possibly is connected to a curse, the two put focus on loving each other even after death. I'm curious if this is part of Victor's possible fate or if this is just a romantic way of thinking that fits Victor's theme. Either way, I think it's perfect to end on this note.
Tumblr media Tumblr media
So, I think this is mostly what I wanted to get out. Thank you for having read all the way through and please share any theories you have! And spread love for the people mentioned in this post because I'm eternally grateful for everything they translate and post🩷
54 notes · View notes
austinswife · 3 days
Text
ALWAYS YOUR SECOND CHOICE - ‘Buck’ Cleven
Tumblr media
PART 01 || 02
SYNOPSIS — After walking away from Gale “Buck” Cleven, leaving behind the love you thought you had, Buck is sent on another mission during the war. Though you thought your relationship was over, a letter from Buck arrives before his departure, forcing you to confront the unresolved emotions and the difficult choices you’ve made.
WARNING(S) — Themes of heartbreak, regret, and unresolved tension, emotional turmoil, reflection, potential reconciliation or heartbreak.
𝜗𝜚 ALL FEEDBACKS, IDEAS SUGGESTION — TO AUSTINSWIFE
Tumblr media
The days had dragged by since you walked away from Buck, the man you thought you would spend your life with. You had never imagined your relationship would come to this—a painful, confusing ending that left you questioning whether it had ever been real at all. The ache in your chest was constant, a dull pain that never fully went away, no matter how hard you tried to push it down.
It had taken every ounce of strength you had to leave him, to walk out the door and force yourself to believe that you deserved better, even if your heart hadn’t fully accepted it. You had convinced yourself that you were doing the right thing, that staying would only mean more heartbreak. But now that he was gone—off to war, with no guarantee that he would return—the uncertainty felt suffocating.
Every day, you found yourself wondering where he was, what he was doing. If he was safe. If he was thinking about you the way you were thinking about him. But you tried to push those thoughts aside. You had made your choice, and you had to stick to it. There was no point in holding on to false hope, not when the pain still ran so deep.
One morning, as you were finishing up chores on the farm, the mail truck arrived. You didn’t think much of it until you saw the letter, your name scrawled across the front in Buck’s familiar handwriting.
Your heart skipped a beat as you stared down at the envelope, your hands shaking as you carefully tore it open. For a moment, you weren’t sure if you could bring yourself to read it. What could he possibly have to say after everything that had happened? But curiosity—and the unresolved feelings you still harbored—won out.
You unfolded the letter, the familiar weight of his words pressing down on you as you began to read.
Y/N,
By the time you read this, I’ll be gone on another mission. I don’t know how much time I have left to write, but there are things I need to say—things I didn’t say when you stood in front of me, tears in your eyes, asking me to choose you.
I know I hurt you. I know I’ve let you down in ways I can’t even begin to explain, and I don’t blame you for leaving. You’re right—I haven’t made you feel like my first choice, and for that, I’m sorry. I’m so goddamn sorry.
When I was with you, everything was easy. You never asked for anything more than what I could give. But that’s what makes it worse, doesn’t it? You deserved so much more, and I failed to give it to you.
I don’t know how to fix what I broke, and the truth is, maybe I can’t. You told me that you wouldn’t be waiting for me when I came back, and I understand. You deserve more than the man I’ve been. But I need you to know something, Y/N. I need you to know the truth.
I love you.
Maybe I didn’t show it right, maybe I didn’t say it enough, but I love you. More than I’ve ever loved anyone. More than her. And I know what you’re thinking—why didn’t I prove it? Why did I always run to her?
I don’t have the answers that will make this right. The only thing I can say is that I’ve been a fool. I was trying to hold onto the past because it felt like something I needed to protect. But the more I held onto her, the more I realized I was losing the one thing I couldn’t live without—you.
I’ve been selfish, and I didn’t see it until it was too late. I know I may not get the chance to make this right. I don’t know what’s waiting for me out there, but I didn’t want to leave without telling you this.
If I don’t come back, I need you to know that I never stopped thinking about you. About us. About what we could’ve been if I hadn’t been such a coward.
I wish I could be there with you right now, telling you all of this face-to-face, begging for your forgiveness, but I can’t. I just hope that when this war is over, and if I’m lucky enough to come home, there’s still a chance. Even if it’s small. Even if it’s broken.
If I come back, I want to try to be the man you deserve.
But if this is the last letter you ever get from me, then I want you to know that you were the love of my life, Y/N. Always. I’m sorry I didn’t realize it sooner.
Be safe. Live your life fully, even if I’m not there to see it. You deserve that and so much more.
Yours always, Buck
You stared at the letter in your hands, Buck’s words blurring as tears welled in your eyes. You hadn’t expected this. You hadn’t expected him to say the things you had been so desperate to hear when you were still together. The apology, the confession of love—it was all there, written on the page like a final plea for your forgiveness.
But what hurt the most was knowing that he had only come to these realizations after you had left, after it was too late. After you had walked out that door, heartbroken and certain that you could never come back from the betrayal.
Your thoughts drifted back to that day, the moment when you had finally confronted him. You had stood there, spilling your heart out, telling him how much it hurt to feel like a second choice. You had reminded him about the time you were in the hospital—how sick you had been, how scared. You had asked him to come, needed him by your side more than ever, but he couldn’t.
You understood that he couldn’t leave the base. You had accepted that… until Marge called. She had needed him, and without a second thought, he dropped everything and ran to her. That had been the breaking point—the moment when you realized you couldn’t keep being the one left behind.
"It hurt so much, Buck. Too much for me to handle. I don’t even know if I’ll ever heal from this, because the more I love you, the more it hurts."
You had said those words through tears, your heart breaking even as you spoke them. And now, here you were again, crying over the same man, the same wounds.
But his letter… it was different. It wasn’t enough to erase the hurt, but it was something. It was the truth, finally. He had admitted to everything you’d been afraid of, and while that should have made it easier, it only made it more complicated.
Because despite everything, you still loved him. No matter how much he had hurt you, no matter how much you told yourself that you were done, you couldn’t stop loving him. You couldn’t turn off that part of your heart, no matter how hard you tried.
Buck had said he didn’t know if he’d come back. The thought of him not returning from the war sent a wave of panic through you, an emptiness settling in your chest. What if this was the last letter you ever got from him? What if he never came home?
You couldn’t shake the feeling of dread, the uncertainty of war hanging over both of your heads. But there was something else there too—a small, fragile flicker of hope. He had said that if he came back, he wanted to try. He wanted to be the man you deserved.
But could you give him that chance? Could you let yourself hope for a future where things would be different, where you wouldn’t always feel like second best? Or would the wounds run too deep to ever fully heal?
You didn’t have the answers. Not yet. All you had was the letter, and the words he had written—I love you. More than her.—echoing in your mind.
For now, all you could do was hope he came back safe. Hope that maybe, one day, you could have the conversation you had both been too afraid to have. And maybe, just maybe, you could find a way to rebuild what had been broken.
But for now, you would wait. Not for him, but for clarity. For a future where you could make the choice that was right for you.
It had been weeks since Buck’s last letter—weeks that felt like an eternity, stretched taut with fear and uncertainty. Every day that passed without word from him made your heart ache, the silence becoming more unbearable than anything you could’ve imagined.
The last letter from him had left you reeling. It had been filled with apologies, admissions of his failures, and confessions of love, all wrapped up in the kind of raw vulnerability you hadn’t seen from Buck in the months leading up to your breakup. And now, there was nothing but empty space where his words should’ve been.
You had told yourself you were done with him. That after everything—the constant running to her, the feeling of being second best, the hurt that had built up like a wall between you—there was no going back. You had told yourself that walking away was the right decision. But your heart… your heart didn’t seem to care.
It had been weeks of trying to distract yourself, of throwing yourself into the farm work, keeping busy, and pretending that you weren’t waiting for him. But every time you saw the mail truck drive by, your heart would skip a beat. Every time you saw the sky, clear and blue, you’d think of him up there, flying, and you’d wonder—where was he? Was he safe? Was he thinking of you?
And then, one cold afternoon, just as the sky was turning gray with winter clouds, the letter came.
You hadn’t expected it—weren’t even sure you could handle it—but when you saw the envelope with his name scrawled across it in that familiar handwriting, something inside you twisted. This wasn’t like the other letters. The paper was worn, dirt-smudged at the corners. The handwriting was different—uneven, hurried.
Your hands trembled as you tore it open, your stomach churning with both fear and hope. The moment you read the first line, your breath caught in your throat, and the world seemed to tilt on its axis.
Y/N,
I don’t know how this letter will reach you, but I hope to God it does. I’m writing from a German POW camp. My plane was shot down on our last mission, and I’ve been captured. There’s no easy way to say this, and I hate to think of you reading this, worrying about me even more than you probably already do.
I’m not hurt, not really, just tired. Tired in a way I can’t explain. But I’m alive, and that’s something, right?
I think about you every single day. Even more so now that I’m here, in a place where everything seems so far away and unreal. But you—you’re always with me. I still have your picture, the one you gave me before everything went wrong. I keep it tucked in my left jacket pocket, right over my heart. I put it there the day you left, and it hasn’t moved since.
There are nights when I pull it out and just stare at it, thinking of you, wondering if I’ll ever get the chance to see you again. I remember how it felt to hold you, how you laughed, how you’d roll your eyes at my stupid jokes. It’s what keeps me going, even here, even now.
I know you might still be angry. Hell, I’m still angry at myself. I keep thinking about what I did, about how I didn’t deserve the love you gave me. But it’s all I have now—your love. Even if you don’t forgive me, even if I never get to fix what I broke, I want you to know that carrying your love with me is the only thing getting me through this.
I’m not asking for forgiveness in this letter. I’m not asking for anything, really. I just wanted you to know that if I make it out of here alive, it’s because of you. I’m still fighting to come home to you.
I love you, Y/N. I love you more than I’ll ever be able to say.
Yours always, Buck
The letter fell from your hands as you pressed your palm to your mouth, tears filling your eyes as you let the words sink in. He was alive. He was still out there, somewhere, thinking of you, carrying your picture in his jacket—next to his heart.
He had been shot down. Captured.
Your heart pounded in your chest, fear coursing through your veins as you tried to imagine what he must be going through. A Prisoner Of War camp. The thought alone sent chills through you. You didn’t know what conditions he was in, how dangerous it was, how much time he had left. But he was alive. And that was something.
But more than that… he still loved you.
I love you more than I’ll ever be able to say.
You stared down at the letter, reading and rereading those words, your chest tight with emotion. All this time, you had tried to convince yourself that you were done, that you had moved on, that walking away from him was the right choice. But deep down, you knew the truth.
You hadn’t stopped loving him.
Buck’s words brought back memories—memories of the man you fell in love with before everything became so complicated. The man who made you laugh, who held you when the world felt too heavy. The man who could make you feel like you were the only person that mattered, even when everything else was falling apart.
But those memories were tangled up with the hurt, the betrayal, the constant running to her. You had wanted to be his first choice, but it had always felt like you were second. Even now, those wounds hadn’t healed. You didn’t know if they ever would.
But in this moment, none of that seemed to matter. All that mattered was that Buck was still out there, still fighting to come home. And if he was still fighting… maybe you could too.
You had never written him back after leaving, but now, for the first time since you’d walked away, you felt ready to speak. You pulled out a piece of paper and sat at the small wooden table, the pen feeling heavy in your hand as you began to write the first letter since you had said goodbye.
Buck,
I don’t even know where to begin. I’m sitting here, rereading your letter, and all I can think is, thank God you’re alive. Thank God you’re okay. I’ve been so afraid, Buck. I’ve been terrified that I’d never hear from you again, that I’d never get the chance to say what’s been in my heart since I left.
It’s hard for me to put into words how I’ve felt these past few months. You hurt me in ways I didn’t think were possible, and I won’t pretend that those scars have healed. But reading your letter, knowing that you still carry my picture with you, knowing that you’re fighting to come home to me… it’s brought everything into perspective.
I still love you, Buck. I never stopped, not even after I walked away. It hurt so much because I loved you so much. And that love hasn’t gone away. I can’t deny it anymore.
When you told me you were running to her because she needed you, it felt like a betrayal. Like I would always come second in your life. I needed you too, Buck, but you weren’t there. And that broke me. I won’t lie to you—it still breaks me.
But despite all of that, I’m sitting here writing to you because my heart refuses to let go of you. You’re still a part of me, even now. And I want you to know that if—when—you come back, I’ll be here. I’ll be waiting for you.
I’m not ready to say I forgive you, not yet. There’s still a lot to work through, a lot that needs to be said between us. But what I can say is this: I love you. I’ve always loved you, and I’ll keep loving you, no matter what happens.
So come back to me, Buck. Please, come back safe. We’ll figure the rest out when you’re home.
Yours, Y/N
As you finished the letter, you folded it carefully, your hands trembling with a mixture of hope and fear. The fear of losing him again was overwhelming, but the hope—the hope that maybe, just maybe, you could have a future together—was enough to keep you going.
You sealed the envelope and handed it to the postman the next day, your heart heavy with all the things left unsaid, yet lightened by the chance to say what truly mattered.
The days after sending the letter passed slowly, the uncertainty gnawing at you as you waited, hoping for some kind of word—some kind of sign that Buck was still holding on. You pictured him pulling out your photo, keeping it close as he faced each day, and it gave you the strength to keep going.
You didn’t know if he would get your letter, didn’t know if he would make it back to you. But the one thing you did know was that love—your love for Buck—was still there. And no matter how broken things had been, no matter how much hurt had passed between you, that love was still worth fighting for.
Now, all you could do was wait. Again…
38 notes · View notes
oristian · 11 hours
Note
So how come we can tell that Elain wants azriel and is attracted to azriel but Eluciens claim they need Elain's POV to confirm she doesn't want Lucien??
Idk it's almost like thoughts and acts and verbal things she has said matter?? It's almost like... we don't need everyone and their mother's POV to tell very basic information??
Y'all acting like she is a complete black box just because we don't have her POV yet 😭😭
What if I said "oh we need Lucien's POV to tell he actual feels a bond and didn't orchestrate a fake mating bond to claim an Archeron sister after she got made?"
"But he wouldn't do that"
How am I supposed to know he wouldn't!! We don't have his POV either 🤪 he could be Koschei for all we know 🤷🏻‍♀️
And nobody better fucking bring up Feyre hating Rhys or Nesta kicking Cassian in the balls. Their words differed from their actions. They might've SAID they hated their love interests at the time, but their ACTIONS differed. Anyone who genuinely thought Feyre hated Rhys or Nesta hated Cassian is literally just lying atp because come on what do you mean you didn't pick up on that?? Nesta was willing to die for Cassian and Feyre was literally thinking Rhys was the most beautiful man she had ever seen. Be so fr.
Elain's actions match her words. We don't need her POV to know that.
Good morning! This might be a long response, so hope you enjoy!
Elain Archeron is a book character. Books follow standards enacted by the stricture of narratives, and how stories are told overall—in short, the reader is being told something through a book. A story is told through settings, dialogue, characters, et cetera. While the reader may be able to create their own theories, pick up on literary devices, and generate predispositions, until the reader is fully informed by the intent of the author on page, it is speculation.
When people claim that we need Elain’s POV to understand how she is feeling towards Lucien, that is very much true. There is a plethora of reasons as to why she shifted her composure around him between ACOWAR and ACOSF. From asking if he is alright and inviting him to Velaris, to shrinking around him? Until we are in her inner monologue and seeing what she is seeing, the reader can only speculate. Is she now very horny for him, is the mating bond chafing when he’s around, did she have a vision of their future, is she wildly attracted to him, et cetera? The same way that people claim she is in love with Azriel is the same way we claim we need her POV—neither is true until Elain confirms it herself with her own thoughts, feelings, and words.
Now, I want to bring up “thoughts, actions and verbal things,” because, more often than not, it is misconstrued. The only instance where the reader might be swayed to believe that Elain feels anything for Azriel is the almost kiss in the bonus chapter. However, we only had Azriel’s POV. Compared to Wings and Embers bonus chapter with Nessian, the reader was lacking the female’s POV. With Nesta and Cassian, we read that both were feeling the pull towards each other in that chapter. In ACOSF, we were limited to just Azriel—why is that? As for the other lines of dialogue that are seemingly connected to Elriel, those are regarding Graysen. “I don’t want a male,” would also be applied to Azriel, no? “And that love would trump even a mating bond,” is about Graysen.
I have been asked before how I can confidently ship Elucien when Elain seemingly lost her “newfound boldness,” and, “shrunk in on herself,” when Lucien came during Solstice. While I do understand how some people can read that as a negative for the ship, I once again have to say that we do not know why either of those actions happened. There has been zero indication that Lucien is forcing himself on her, is bad for her, and/or is disrespecting her wishes, so why has Elain suddenly started acting like this? This is why we claim that we need her POV for all of these unanswered questions.
Essentially, Elain is a blank sheet of paper. Could she stay this newfound meek personality and live all her days in a small cottage with a garden, or will she revert back into her old personality and become the socialite that she once was? While the reader can understand some of her character, she is still more shifted towards the background and is lacking the substance that a fleshed out POV and aligned character development would offer to her. This is one of the reasons why so many people seemingly dislike her character, because she has not been able to explain her actions. This was similar to Nesta.
The example you brought up with Lucien and the bond needing clarification actually was solved very quickly in ACOMAF. When Feyre unleashed Helion���s spellcleaving magic and broke the bonds in Hybern, she would have broken any fake mating bond tied to Elain and Lucien. Feyre has also been inside of Lucien’s head while he was experiencing the tug of mating instincts. Elain has felt the tug of the bond and Lucien was able to experience her from the inside due to the bond. They both have experienced mating behavior towards each other. The reader has had a snippet of Lucien’s POV.
Feyre, Nesta and Elain are all similar in how they were reluctant to accept the bond at first—the only difference is that Elain is fully aware of the bond before she accepts it. Feyre and Nesta were stuffed into forced close proximity with both of their mates, which also differs from Elain, and her sisters also had access to their mates before they turned fae. Elain met Lucien the night she turned fae and had very little alone time with him. Feyre and Nesta both experienced firsthand the chaffing of the bond while being so close to their mates for so long, but Elain has not. Elain was in love and engaged to Graysen and was now suddenly tossed a fae male as her mate, while simultaneously losing her humanity? It is only reasonable that she would not be jumping for joy over this new revelation.
SJM is an author that uses similar patterns across her entire body of work. To say that we cannot compare how she wrote Feysand and Nessian to Elucien in the same series makes no sense to me. Now, I do believe that you have contradicted yourself in your paragraph regarding Feyre and Nesta. I agree, while they may have claimed that they wanted nothing to do with their mates, their actions showed the reader otherwise. Elain is similar with Lucien, however, she has not once said that she hated him, wanted him gone, wanted to reject the bond, et cetera. Anything she has said against wanting a fae male was because she wanted Graysen and to return to her mortal life. Her actions towards Lucien have included worriment for his safety, relief that he is alright, inviting him to Velaris, keeping all of his Solstice gifts, the half step, et cetera. Someone who planned on rejecting the bond with their mate would not have done any of the above.
If the reader does not need Elain’s POV, why would she need an entire book? If her thoughts, feelings, and actions are fully explained from another’s POV, why would she need to explain herself in her own inner monologue? She already has hobbies, friends, a lover, a home, joy, purpose, and family—what would be the point of her having a book?
I so hope I managed to answer your question. Have a good day!
50 notes · View notes
rambleonwaywardson · 2 days
Text
Clegan Astronaut AU - Part 18
Masterpost Read on AO3
AU Summary: the boys as modern day NASA astronauts. Taking place in 2025, Bucky is about to head to the moon as mission commander of Artemis III while Buck is CAPCOM at NASA. Established relationship (obnoxiously in love).
Author's Note: As an update, I am eyeing another chapter after this followed by an epilogue. A nice, even 20 parts. Thank you, as always, to everyone who reads, comments, shares, and otherwise supports this fic. I love you all so much. Now for some healing!
---
December 11 Nassau Bay, TX
A house is nothing but four walls and a roof, a place to live, a place to sleep. It doesn’t have to be anything special. It doesn’t have to mean anything at all.
A home, on the other hand, tells a story. Its walls are infused with the memories of a life lived, for better or worse, within their bounds. It’s made what it is not because of its structure, but because of the people who make it their own, all the little moments etched in time.
Growing up, Gale thought a lot about the difference between a house and a home, never quite sure which one he had. The little house he grew up in was nothing special. He doesn’t remember it fondly. He doesn’t have a particular desire to remember it at all. And yet, when he thinks about the off-white walls of that old living room, he can see himself playing on the carpet in front of the worn sofa, flying a toy F/A-18 Hornet through the make-believe sky. It had been a birthday gift from his dad, who was arguably proud of his son, if absolutely nothing else, because of his interest in aircraft. 
Gale can see his father leaning against the wall by the door, watching him. Little Gale looks up at him with an excited grin as he makes whirring little engine noises, and his father gives a barely-there half smile back – Gale had to get that facial expression from somewhere, after all.
He can also remember the day he didn’t hear his dad calling his name because he was lost in the clouds, dreaming about flying a real jet someday. He remembers the way his dad stormed into that same living room, ripped the toy jet from his tiny hand. The way he sneered at the pale, vulnerable look on his child son’s face, scolded him for daydreaming when he should have been doing his chores. Maybe it was taking out the trash. Or doing the dishes. Or sweeping the porch.
Or maybe he did nothing wrong and his dad was just drunk again. 
Either way, Gale remembers the way his dad threw that F/A-18 at the wall, the way the wing snapped right off. He remembers the way his dad shoved him when he cried, called him pathetic, said he needed to start acting like a man.
Later on, his dad repaired the wing with some super glue, but it never looked quite right again.
Gale has a lot of memories like that. A little good mixed with a lot of bad. The walls of that house told a story alright. He just doesn’t think it’s a story that ever earned it the title of home.
When he remembers the kitchen – light yellow walls, gray cabinets, a gas stove – he thinks about early days of his childhood, clinging to his mom’s bright, flowery skirt as she baked cookies that tasted like heaven. He remembers her light, comforting voice saying his name. He thinks about how she let him lick the spoon, asked him what sprinkles he wanted to use, let him help put the dough on the baking sheet with small, innocent hands. 
But then he also thinks about setting the kitchen table for dinner, his dad burning his arm with a cigarette for breaking a glass. Or maybe it was a plate. He thinks about fingers wrapped tight around his teenage throat when he came back home too late one night. He can practically feel the bruises, hear the impact of being shoved unceremoniously against the door. Next time he was late, his dad threatened, he’d spend the night in the yard with the dog. 
Other than the fact that it was nearing December and night time temperatures were below freezing, Gale couldn’t decide if that would be so bad. He got smacked for that, too. 
When he thinks of the small master bedroom, he thinks of his mother. One day there, the next day gone. He remembers the smell of her perfume filling the room. Little Gale, still too young to understand why she wasn’t coming home. Why that scent would fade away, becoming nothing but a memory, something to pop up randomly here and there in his adult life and fill him with some sense of longing. He thinks about his father cleaning out all of her clothes, chastising Gale for not wanting to get rid of any of it, for trying to sneak out a shirt or a scarf that smelled like her. 
Then there were two. Hardly a family, and far from a home.
The house on Nassau Bay couldn’t be more opposite.
He stands in the middle of the living room, looking around at the life he’s built. Warm, light beige walls decorated with artwork, prints of aircraft and spacecraft, photographs of his de facto family. Framed pictures of him and John are scattered around. In the middle of the room, across from their TV, is a coffee table, two armchairs, and a well-worn gray couch, semi-permanently occupied by Pepper and sometimes Meatball. Morning sunlight fills the room, leaving patches of light on the hardwood floor.
Gale has spent the last hour adjusting the furniture layout – spreading out the coffee table and chairs to make space, shifting the couch back so it’s under the window, putting away stray dog toys and shoes, cleaning up the blankets and pillows he’d been using to sleep out here – just to make it easier for Bucky to move around in a wheelchair or on crutches. He even rolled up the rug to keep the floor even.
He’s been obsessively doing anything and everything he can to make their home a comfortable space while Bucky heals. He bought a shower chair for the master bath and a plastic cover to put over Bucky’s cast to protect it from water. He bought an assortment of loose sweatpants, flannel pants, and shorts so Bucky has more options for what to wear over his cast. The kitchen has been stocked with his favorites of late. Soup, chicken and rice, or eggs for when he’s not feeling well. Or richer things like pastas and casseroles. There’s orange juice and smoothies and jell-o. And Marge – who rested a hand on either of Gale’s shoulders and told him to take a rest – is making chocolate chip cookies. 
As Gale stands back and studies his work in the living room, trying to decide if it looks alright, his chest feels tight in a way he can’t quite explain.
As a young adult, he never bothered with buying a house, choosing instead to rent something out wherever he was stationed with the Air Force. When he and John both got selected to the astronaut training program based in Houston, they intrinsically knew that it was the right time to take that step. A sort of settling down, even though they were preparing to quite literally launch themselves off the face of the planet. Admittedly, they didn’t spend too long looking for a house, seeing maybe two or three local listings which were all perfectly fine. Then one day, Benny, who had been accepted into the program the year before, mentioned that a house down the street from him was for sale.
Gale fell in love with it the moment he saw it. And John loved it because Gale did.
It’s a one story, ranch-style house on a quiet street just a 5 or 10 minute walk from the water. A beautiful white brick and stone exterior with a sweet little front garden that they try to plant flowers in every year – an endeavor that often includes Gale trying to find plants that match the climate and sun exposure of their yard, while Bucky insists on “experimenting.” There’s also a backyard with a large patio for entertaining and enough grass space for the dogs to run around. 
Gale remembers the day they moved in, sweating from the July heat but grinning from ear to ear with the excitement of a young couple on the verge of their future. Before they even started unloading the U-Haul, he stood in the middle of the empty, echoing house, staring at the walls, the ceiling, the windows. He couldn’t believe it was theirs. A place they could really make a life together. A place that he could call home, maybe for the first time in his entire life. Bucky found him standing, wide-eyed, in the living room. He wrapped his arms around Gale from behind, kissed him on the cheek, ducked down to rest his chin on his shoulder. 
“Welcome home, angel.”
Gale remembers dragging the couch through the door, collapsing down on it that first day. They sat, leaning against one another, surrounded by shoddily labeled, mixed up cardboard boxes full of their belongings. Exhausted, Gale said something noncommittal about getting to work unpacking. But John pulled him to his feet, kissed him silly, lead him to the bedroom where their new mattress lay on the floor, bed frame yet to be constructed. 
They lived off cereal and takeout for several days in a row, but they sure did break in every piece of furniture, every surface.
He remembers hot, desperate reunions when they each returned from their respective ISS expeditions, touching each other for the first time in six months. Their hands roamed over one another’s bodies with an insatiable desire to relearn every inch of each other. Bucky would grip his waist so hard he thought it might bruise, pressing him against the wall or the bed. Gale would twist his fingers into Bucky’s hair, kiss every place he could touch. He remembers it being rough and kind, a sense of desperation driving them to claim one another all over again as if the last time they were together was a lifetime ago.
He remembers late nights with their friends, Curt crashing on the couch, Benny or Marge in the guest room, sometimes Rosie or Alex on the floor. Midnights spent drinking and laughing, dumb jokes and good people. He remembers this house being filled with more people than it was meant to hold, buzzing with life.
He remembers the day they brought Pepper home, almost a year ago now. She was nothing more than a tiny, 10 week old ball of fluff with one ear still flopped over. He remembers the way they sat on the rug in the living room with her that evening, completely enamored with their new addition. “We’re a little family now,” Bucky said, smiling at Gale as he held the puppy up to his face. Gale scrunched his nose and closed his eyes, laughing as Pepper licked his cheek. Next thing he knew, Bucky’s lips were on his, and he felt himself melt a little inside.
Family. Home. Family. Home. 
They’re not words Gale takes lightly. They’re words that he will protect. Even though they’ve only been here a handful of years, this house tells their story, memories built on memories that he holds close to his heart in a way he never knew he was allowed to before. 
When he thinks of their kitchen, he thinks about making pancakes on Christmas morning, flour everywhere, chocolate chips and blueberries and chopped bananas spilling across the counter. Bucky singing along to the Christmas songs on the radio. He’d pull Gale close, plucking the spatula from his hand, and convince him to dance with him around the island until they were both giggling like children and the pancakes were starting to burn.  
When he looks at the front door, he thinks about all the times Bucky flung it open, yelling “honey I’m home!” as he walked inside. Sometimes he’d bring flowers for the vase in the window or pastries from Gale’s favorite bakery. He thinks about stumbling through on their wedding night, eager and drunk on nothing but love for each other. 
When he thinks about their yard, still drenched in sun and warmth in the middle of December, he thinks about the day he and Bucky stood in the middle of it, holding tight to each other's hands as they held the keys to their new home. He thinks about washing their cars in the summer, chasing each other with the hose. He thinks about Pepper and Meatball running outside to greet him. He thinks about standing in the driveway and watching Bucky teach some of the neighborhood kids how to ride a bike up and down the quiet road. 
Of course, the house holds bad memories, too. Fights they’ve had, times they’ve lost their temper, raised their voices, slammed a door or walked away. Times Gale cried alone because John was in space for months on end and he missed the closeness, the warmth, the weight of John’s head resting on his chest, the soothing sound of his heartbeat. Times John got drunk for the same reason, wanting nothing more than to hold Gale tight and kiss him in the dark. Still too fresh in Gale’s mind is the memory of collapsing to the floor, Marge rocking him in her arms because he didn’t know if his husband would come home alive. 
The walls will hold onto that memory. They won’t let him forget that the life he built here with John Egan very nearly became nothing but a flash in his mind, moments to look back on fondly, with a watery smile and a choked sob, a whispered I miss you. 
That almost might never leave. It’ll be months before Gale can wake up in the morning secure in the knowledge that his husband is here with him. It’ll be months before he stops jolting awake with tears in his eyes and a scream in his throat. It’ll be months of hard work and pain and frustration to make Bucky feel whole again. 
But it’s time to start pushing forward. 
Gale has never been a particularly religious man, but he will gladly thank whatever Gods may be listening, because his prayers were answered. Starting today, two weeks after splashdown, there will be memories of John coming home to add to all the rest.  
“Buck?”
Gale looks over to see Rosie standing in the entryway to the living room. 
“Ready to go?”
Taking one last look around, Gale starts to nod, then stops short. “The mirror.”
He didn’t replace the damn mirror in the master bath. Benny was the one to clean the bathroom, dispose of the glass fragments and scrub the tile until it was free of Gale’s blood. Gale’s barely even stepped foot in there in weeks, choosing instead to use the guest bath. 
Marge appears from the kitchen. “Benny’s on his way with a new one,” she assures him. “We’ll get it set up before you’re back.”
Gale doesn’t know what to say, so he nods dumbly as he twists his wedding ring around his finger, trying to quiet the storm of worries and hopes and needs and fears buzzing around in his head. Marge steps towards him and pulls him into a hug. “Take a breath, hon. He’s coming home.”
It’s raining, just the littlest bit. It’ll be done by the time they walk through the hospital doors, but dark clouds gather in the sky, casting shadows over the ground and darkening the hospital room. It makes Gale’s heart constrict with an unease, a sense of foreboding. He tries to shake it off, because he’s not in his bedroom on a stormy night. He’s not being jostled awake by Benny. His world isn’t crashing down with the water falling from the sky.
He leans against the doorframe of Bucky’s hospital room, hands shoved in his pockets, and he watches his husband for a moment. Bucky is looking out the window, watching the rain fall, the cars go by. He’s dressed in the same shorts and Air Force Thunderbirds t-shirt as he was the day before. A half finished plate of scrambled eggs, potatoes, and fruit sits on the tray beside him from breakfast, seemingly pushed aside and forgotten. Gale wonders if he didn’t finish because he felt sick or because he’s protesting hospital food. 
He looks healthy, despite the whole being in a hospital thing. That damn cold lingers, making him stuffy, his face sore from the pressure. His lungs protest when he breathes too deeply, or sometimes even when he doesn’t, and the cough won’t go away. Not to mention the broken leg. But he has color back in his cheeks. His eyes are clear, his face unworried. His heart beats steadily, and he’s able to breathe well enough without the cannula.
“Hey, darlin’,” Gale says at last.
Bucky turns his head, and he stares at Gale for a good second or two, uncomprehendingly. But then a grin spreads over his face. “Hey, angel.”
Gale feels his heart swell, and he takes a deep breath before stepping into the room. As he sits on the edge of the bed, Bucky grabs his hand and presses a kiss to his knuckles. 
“How ya feelin’ today?”
Bucky shrugs, looking down at their intertwined hands. He coughs once, holding his breath for a second to prevent it from getting worse. “I ain’t dead.” He squints, cocking his head like something is bugging him, but then he looks up and meets Gale’s worried gaze. “Almost went down in history for the wrong reasons, huh?”
John Egan. First astronaut to die on the moon. What a headline that would be.
Gale chuckles even though the acknowledgement of that damn almost makes him feel physically ill. “Think you’re goin’ down in history?” He forces back the flashing mental image of a tri-folded flag, a three volley salute, a missing man formation. 
Bucky’s eyes have that mischievous glint back, that look of invincibility, like he’s daring the universe to take another stab at him. “Oh yeah. The world will remember John fuckin’ Egan.”
And the thing is, Gale knows they will. 
By 1pm, Major John Egan is being discharged from the hospital. Paperwork complete, Gale carefully packs up every single get-well card, along with Bucky’s clothes and medications. Beary Egan gets carefully tucked into the top of the duffel. 
Over the past few days, Nurse Clara has kindly worked with them, teaching Gale how to help Bucky with daily tasks: things like changing clothes, safely getting in and out of the wheelchair, covering the cast with plastic to take a shower, and anything else that may be hindered by his lack of mobility. She patiently answers every question Gale has, and he has a lot. 
With the IV removed, Clara and Rosie stand by as Gale, all by himself, helps Bucky slowly get to his feet. With a few curse words, one panicked moment where Bucky nearly topples over, and a lot of strained encouragement – “we’re alright, we can do this, look at me, sweetheart” – Gale manages to help Bucky change into fresh clothes. The whole ordeal – while far more pleasant than the process of getting Bucky suited up on Starship and Orion – has Bucky swearing as he grips Gale’s hand or shoulder so hard his knuckles turn white, leaving accidental bruises on Gale’s pale skin. 
It’s a bit cold out, so the outfit of the day is black and gray plaid flannel pajama pants and a black t-shirt with an astronaut on the front. Above and below the astronaut are the words “Houston, I am the problem.”
A gift from Curt and Alex.
Finally, Gale helps Bucky shrug on a black zip-up hoodie and get settled into the wheelchair. Bucky forces a smile as he sits down, even leaning forward to kiss Gale on the cheek. “I love you,” he whispers.
They leave the hospital with a detailed rehabilitation, check-in, and physical and occupational therapy schedule. They also leave with a hefty hospital bill that Harding won’t let Gale so much as see, stating that NASA will take care of it.
Bucky doesn’t speak at all on the way home, not seeming to notice when Gale tries to ask him things like “how are you feeling?” or “excited to see Pepper?” He just stares out the window and watches the dark clouds roam across the sky, his brain too tired to do anything else. Gale has found himself wondering, in the last week, if there’s a reason why the brain fog is better on some days and worse on others. Other than night vs. day, he can’t find a rhyme or reason as to why Bucky gets confused sometimes, why he seems to fade away here and there. The doctors assure him it’s normal with the injury he had. Just like the shaking hands and fine motor control, it’ll take time. Gale hopes they’re right, but he still feels a painful worry twisting in his chest when he notices it. 
When they pull into their driveway, the word “home” pops out of Bucky’s mouth, and Gale reaches over to squeeze his hand.
It’s only when they pull to a complete stop, really taking in the sight of their house, that they notice the Christmas lights newly strung up along the roof, a strand of brightly colored bulbs joined by sparkling white icicle lights. Gale certainly didn’t have time to hang them, and it’s the middle of the day, but they’re lit up anyways, welcoming Bucky back with some holiday cheer. In the back seat, Rosie says “would you look at that,” and he reaches forward to rest a hand on Bucky’s shoulder.
Bucky focuses on those lights for a moment, and Gale watches the way they seem to ground him, waking up his brain a bit more as the blues and reds and greens reflect in his eyes. He squeezes Gale’s hand back. 
When his offer to help is declined, Rosie hauls the wheelchair out of the car, leaves it in the driveway, and heads inside to give the newlyweds some space. As Gale helps Bucky to step out of the car and sit down in the chair, though, he sees that not everyone got the message. He catches a glimpse of curly red hair on the porch of the house across from them, and he can’t help but smile. “Incoming,” he whispers to Bucky.
Bucky looks up as he settles into the chair, blinking away the fatigue, and his face brightens when he sees Maggie. Jane rushes out the door after her, grabbing her shoulder. “It’s alright,” Bucky says quietly, and Gale relays this information, shouting across the road.
Maggie immediately breaks away from her mom’s hold, barrels down the steps, checks both ways before crossing their quiet street, and she stops just short of colliding with Gale. Always so expressive around them, the little girl suddenly turns shy. Unsure what to do, she half hides behind Gale as she takes in the sight of Bucky in a wheelchair for the first time, his cast visible at the bottom of the pant leg.
Bucky’s smile doesn’t leave his face, though, and he tilts his head to peer around Gale’s legs until he’s looking Maggie in the eye. “There’s my favorite little astronaut.”
With a gentle hand on her shoulder, Gale nudges her forward. “Go on,” he insists. With a hesitant little stutter step, she moves out from behind him, looking up at him as she does so. 
“I told you he’d come home,” she says. Matter of fact. Like there was never a single doubt that John would survive.
Gale wishes he could have been that certain. He envies the way children view things like life and death, through a lens of naivete where the people they care for are invincible. He’s grateful, though, that Maggie was spared the worst. That she never knew the full story. 
She doesn’t notice the way he bites his lower lip to choke back a sharp, startled inhale, but Bucky does. He glances at Gale, eyebrow raised with a myriad of questions that he can’t ask, but then he looks back to Maggie. He grabs her small hand in his even though his fingers shake, and she grips back so he doesn’t have to focus on holding on.
“Sounds like you were very brave while I was gone,” he says to her. 
Maggie nods. She has this determined set to her eyes, a seriousness all over her face as she stands in front of him. Yet her voice is small and innocent, and Bucky hopes she’ll always stay this strong and kind. “I knew you wouldn’t leave us forever,” she tells him.
It’s Bucky’s turn to bite back tears, because, even though he knows, on some level, that it wasn’t really up to him, she’s right. He hides the thickness of his voice and the tightness of his throat with a cough that’s been tickling at his chest anyway. He directs it into his arm away from the little girl, then rubs a hand over his face. After he blinks a few times, willing away the wave of emotion that he’s sure will only get higher and higher throughout the day, he looks at Maggie again. 
“Learn to ride that bike yet?”
Maggie shakes her head. “I waited for you.” 
Gale remembers her words clearly, ringing in his ears. That awful day feels like years ago and like yesterday at the same time. The day he felt like his soul might disintegrate into the stars if he had to take one more breath without knowing if Bucky would survive. “He’ll come home. He has to. He promised he’d teach me how to ride a bike.”
“Might have to wait a bit longer. Until I get this thing off my leg.” Bucky pulls up his pant leg to better show the cast extending from knee to foot.
Maggie stares at it for a moment, unsure what to make of it, before she crouches down and runs a finger over the rough texture with a frown. She inspects the names written all over it – Curt and Rosie and Alex and Gale and more she doesn’t recognize. “Can I sign it?” 
Bucky tells her of course she can, and Gale digs around in the duffle until he finds a few colorful sharpies to offer. Maggie chooses the purple one. 
“Where’s a good spot?” Bucky asks her, leaning over to analyze the cast with her even though it hurts every single part of his body to do so. Maggie squints her eyes, analyzing her options, before she points to a spot above his ankle, right under Gale’s name. She looks at both of them for approval before uncapping the marker. 
She signs her name in big, slightly wobbly letters: MAGGIE with a carefully drawn heart at the end. 
“Perfect,” Bucky says, grinning at her as Gale takes the marker back. Then he adds, “by the way, that drawing of us? Museum quality.” He’s referring to the one that Jane brought to the hospital, of Maggie and Bucky on the moon together. Maggie rolls her eyes at his dramatics but looks pleased anyway. “You sure you wanna be an astronaut, not an artist?
The girl nods vigorously, her curly red hair bobbing against her shoulders. “I wanna be just like you,” she tells them, once again like she doesn’t have a single doubt in her mind. “I’m gonna go to space someday.”
Gale feels emotionally drained at this point, unsure how much more he can take even though everything about today is edged with hope and homecoming. He swallows thickly and puts a hand on Maggie’s shoulder as he glances back towards her house, where Jane is sitting on the porch. She waves to him. He looks back down at the girl, a little in awe at how he and Bucky have somehow managed to mean so much to her. How she has managed to mean so much to them.
“Well,” Bucky says. “If you’re so sure about that, I have something for you.” Gale takes his cue and rifles through the contents of the duffle bag until he finds Bucky’s PPK. Safely tucked into the bottom of it is a small, clear plastic envelope, which he lays in the palm of Bucky’s hand, face up so Maggie can see. 
Inside the plastic is a thick, heavy coin about two inches wide, engraved with braided edges and the Artemis III logo in the center, designed by the crew members themselves. A big red “A” with the middle line swooping out to the left, fading from red to blue as it loops around the moon and ends with the Orion capsule docked to Starship in front. Overlapping the right side leg of the A are the roman numerals III in dark gray. Printed around the edges are the names of the astronauts: Egan, Biddick, Rosenthal, Jefferson. 
“Do you know what this is?” Bucky asks Maggie. She shakes her head. “It’s a challenge coin,” he tells her, going on to explain that a challenge coin is carried by members of a special group, signifying their membership. Every big NASA mission gets its own challenge coin, and all of the crew members carry a few of them. 
Bucky kept one for himself and traded one with one of the Navy guys on the USS Portland, so this is the last one he took on board Orion. “This coin is very special,” he tells Maggie, urging her to take it. So carefully, she plucks it from his palm, holding it up close to her face so she can read the names. “I carried it with me on the moon.”
Maggie’s eyes go wide, shooting back to Bucky, who grins at her. He presses his palm to hers, the coin in between.  “Now it’s yours. Something that’s touched the stars. See? You’re on your way to being an astronaut.”
Maggie’s smile broadens, and, as she clutches the coin in her hand, she throws her arms around Bucky’s neck. It’s awkward over the chair as she tries to avoid jostling his leg, but she isn’t deterred, squealing an elated “thank you” as she holds on. Bucky wraps one arm around her in return.
When Maggie pulls back, Gale kneels down beside her, even though the pavement is still wet from the morning rain, and he wraps an arm around her. “Why don’t you flip it over?”
Maggie does so, and she runs a finger over the back of the coin, feeling the texture of the raised image. An astronaut on the moon, the Earthrise and the stars in the sky behind him. “Is that you?” She asks Bucky. 
He laughs. “Could be.” 
Gale points to the lettering along the bottom of the backside. “See that?”
“What does it say?” Maggie asks, rubbing her thumb over the italicized words. 
Bucky recites them to her, but his eyes are locked on Gale the entire time. He watches Gale silently mouth the phrase along with him, not only the mission motto, but a promise to one another. “Ad lunam. Ad astra. To the moon. To the stars.”
With Maggie safely back across the street, Gale wheels Bucky up the walk to the front door. As he turns the knob and pushes it open, Rosie appears on the other side, holding it for them. 
“Welcome home, darlin’,” Gale says as they enter the foyer.
Bucky smiles tiredly as he takes a deep breath that rattles his chest and nearly causes him to cough again, but it’s worth it to smell the scent of home. He tilts his head. “Cookies?”
Gale chuckles, but doesn’t answer, wheeling Bucky past the foyer and into the living room. The moment they’re within view, he’s met by a chorus of “Welcome home!” and the sight of his closest friends sitting around the slightly rearranged living room. 
“Astrofag!” Curt calls out from his seat in the middle of the couch. On one side of him is Marge, Benny on the other, while Alex sits in one of the armchairs. Rosie trails in behind Gale. A banner with hand-lettered words is strung across the back wall: “We’re glad you’re alive!” More space balloons float around it, and in the time that Gale and Bucky were outside, Rosie has already displayed all of the get well cards from the hospital on the side tables and tv stand.
“Did you miss me?” Bucky grins, holding his hands out to the side like a risen savior as Gale eases him to a stop in front of the coffee table, close to the empty armchair.
“Had enough of you for a lifetime,” Benny jokes, calling back to what Bucky said to him in the hospital nearly two weeks ago. He gets to his feet, though, and walks over to Bucky, leaning down to give him a side hug.
“I almost died, you have to be nice to me,” Bucky claims as he returns the hug.
“And how long does that last?”
“Until Gale quits gettin’ all nervous every time I cough or somethin’.” Every time he coughs. Every time he zones out. Every time he feels nauseous or complains about his head hurting. Every time his fingers shake and he can’t hold his own fork or move his own wheelchair.
Everyone looks at Gale, who, in the presence of his best friends, doesn’t even try to hide his blush. He secures the brake on Bucky’s wheelchair before sitting in the armchair beside him, and Benny returns to his seat while Rosie sits on the floor between the couch and the coffee table.
Bucky nods to a tray of cookies in the middle of the table. “Who made those?”
“Marge,” Alex says.
Bucky just about groans. “Thank god. They’ll be good then.”
“Hey,” Gale shoots back, offended, as Marge laughs.
Bucky waves him off. “I know you didn’t make ‘em, doll. Got my head on straight enough to know you’ve been with me all day.”
Marge gets to her feet to grab a cookie and hand one to him across the table. “I made them how you like them.”
Milk and semi-sweet chocolate chips, but not too much of either so that there’s parts of the cookie with no chocolate at all. It’s called balance, he told her once during a late night trauma-dumping/baking session.
Bucky takes the cookie, biting into it as he closes his eyes. Silently, he’s so fucking grateful that he hasn’t felt any nausea today. “Real food,” he mutters.
Gale scoffs, even though this ‘perfect cookie’ was his own recipe to begin with. “Not sure a cookie counts as real food.”
Bucky flips him off, his middle finger still not quite able to get all the way up without the others, and he takes another bite. It’s been too damn long since he had some quality snacks. It’s better than wheat chex, that’s for sure. And he’d take the wheat chex any day over the bland desserts they tried to give him in the hospital.
The guys – and Marge – stay for a bit, talking and taking comfort in being all together again, all of them alive, home, on the road to healthy. When Bucky starts to drift, going quiet as it becomes more and more difficult to focus on the conversation, everyone makes their excuses to head out, leaving the Buckies alone to rest. 
Benny returns ten minutes later with an overenthusiastic husky straining at her leash – the antithesis of rest – and he passes her off to Gale through the front door before leaving them again. The dog knows immediately, her paws tippy-tapping on the hardwood as her tail wags so hard Gale doesn’t know how it doesn’t hurt. “You’re gonna have to stay calm, baby girl,” he tells her.
“Come on, Buck,” Bucky calls from the living room. “I’ll be fine.”
When Gale finally walks Pepper into the living room, Bucky has managed to get himself turned around to face them. Gale keeps her on a tight leash as they walk forward, holding her back from flat out charging at Bucky. Her entire body is wiggling as she tries to pull away. “Easy, babe,” Gale tells her.
When they finally reach Bucky, he loosens the leash, and Pepper immediately presses her nose to Bucky’s knees, his thighs, his cast, his hands, any part of him she can as she wags her tail and pants. She looks like she’s smiling, completely overwhelmed with the excitement of her other person finally being back where he’s supposed to be. Bucky laughs and scratches behind her ears and under her chin, letting her lick and sniff and press her head against him. He grimaces when she nearly jumps on the chair, bumping his bad leg, before Gale catches her and tells her firmly to stay down. Bucky hardly cares, though, his fingers clutching weakly at her soft fur, unwilling to let go.
“Hey, Pep,” he says, his voice strained with emotion. He tilts his head as he strokes her ears, his eyes fluttering closed so that Gale can see stubborn tears clinging to his eyelashes. Bucky takes a deep, rattling breath, and he stares at the dog as she sits loyally beside his chair, watching him with the same love in her eyes. She rests her head on the armrest and licks his hand gently.
Bucky gives her a wobbly smile. “Thought I’d never see you again.” 
Gale sets a comforting hand on his shoulder, and time seems to freeze for just a moment. One perfect moment. A snapshot of their little family.
That afternoon, Pepper wolfs down all of her food, totally unprompted, for the first time in days. 
For the first time since the morning of November 19, Gale sleeps in their bed.
He’s hardly stepped foot in this room except for this morning, when he took a deep breath, told himself it was time to get his shit together, and set about changing the sheets, getting everything ready for John to come home. Sharing this bed feels so familiar, and yet so different. He finds himself holding his breath, like if he disturbs the moment, breathes too loudly, blinks too hard, then it’ll simply evaporate, and he’ll be stuck in the same Purgatory that he was nearly a month ago. He tries to ground himself in Bucky’s warmth, the familiar shape of his body, his scent – different than usual due to being in the hospital, but somehow still him. Smoky and sweet. 
It’s December. Even in Nassau Bay, Texas, the current night time temperature is near 40 degrees, and yet Bucky insists on sleeping shirtless while Gale tucks himself into an old NASA sweatshirt. At first, Gale worried about Bucky getting too cold, what with the pneumonia and the head cold and the TBI. But Bucky wouldn't hear it. “You’re gonna make me overheat,” he said. 
Now, Gale doesn’t mind so much that he can feel Bucky’s skin beneath his hands. Warm, not cold. Alive, not dying.
They don’t sleep at first. They lay awake in the dark, Gale curled up with his head on Bucky’s chest. His cheek and ear nestle against Bucky’s bare skin, and he listens to the beating of his heart. Their hands cling to one another, and Bucky plays mindlessly with Gale’s fingers. That same old habit that he’s had since they were in college.
Gale wonders when such little things will stop making his chest constrict in anxiety and relief.
“I know you broke the mirror,” Bucky says eventually, his voice cutting through the silence.
“Mmm.” Gale doesn’t deny it. 
“I ain’t dumb. It doesn’t even have the same frame.”
“Benny replaced it this morning,” Gale says passively, even though he’s staring dead ahead in the darkness, ublinking. 
“You punch it or what?” Bucky knows his husband. He knows how stoic everyone thinks he is, how calm and collected Major Buck Cleven tries to be. But he also knows that Buck – Gale – can snap.
“Mmm. The morning I found out.”
“Straight to the dramatics.”
“Benny woke me up,” Gale drawls, his voice steady, measured, even though Bucky doesn’t miss the nervous undertone in the way it shifts. “I thought you’d be dead by the time I got to JSC.” He says this matter-of-factly. He doesn’t tell Bucky that he imagined his entire funeral, word for word, breath for breath. “It was touch and go for a while there.”
“I was the one dying.”
“You were passed out those first few days.”
They’re quiet for a while. Slowly, slowly they’ll learn what the other went through. Someday, they’ll fall apart late one night or early one morning, and it’ll all spill out in a tidal wave that threatens to crush them under the weight of this aftermath. They’ll hold each other tight and try to hold back the sobs and remind each other to keep breathing, remind each other that they’re still breathing. 
But it’s not time. Not yet. It hurts too much, and they don’t have the words. Right now, they’re not sure that they’ll ever have the words. Right now, all they can do is hold on tight.
There was never anything that could break them, Marge said at their wedding. They may have come damn close, but here they are, unbroken.
So they sit in silence. Gale counts Bucky’s heartbeats. One. Two. Three. Four. Five…
When he hits thirty-two, Bucky says, out of nowhere, “It was like I could hear you.” As if he’s been thinking over something troubling for some time now. 
Gale tenses. “Mmm?”
“W-When I was, um…” Bucky takes a deep breath. He coughs once, weakly, and it jostles Gale. But he rests his free hand on the back of Gale’s head, holding him there, not wanting to lose that reassuring weight. “I guess I was unconscious. Those first days after I… after…”
Why is it that, in the dark, it feels easier to talk about the hard things, and yet it’s harder to find the right words?
“You were in a coma,” Gale says. “Completely non reactive.” That’s what Dr. Huston told him. What Curt told him. 
“I know,” Bucky agrees. He makes a breathy, frustrated sort of sound, and Gale can imagine him squeezing his eyes shut, clenching his jaw as he tries to figure out how to say what he needs to say. Gale waits patiently.
“Everything hurt so bad,” Bucky finally explains. “I could feel it. I could hear Curt sometimes, too. But I couldn’t move. I couldn’t fuckin’ think. I-I was just… I couldn’t… Fuck.” It was like he was floating, not part of the world, not part of his body, but in so much goddamn pain he wanted to scream. He doesn’t know how to tell his husband that, though. 
Instead, he pushes forward to what he needs to tell Gale now. “But it was like you were in my head. I heard your voice. It made me… it made me keep breathing, y’know?”
Gale goes completely still, eyes wide, unblinking, not breathing. Bucky’s fingers try to grip his hair, but can’t seem to close around the strands. Gale grips Bucky’s hand. He bites hard at his lower lip.
Bucky’s voice gets thick and tight, and Gale can hear his chest rattling as he breathes, threatening another coughing fit. “I-I knew I had to… I had to…” Another painful pause. “I had to get back to you.”
Gale holds back the wet little gasp that wants to tear through his gritted teeth. A tear drips off of his nose and onto Bucky’s bare chest, and he wonders if Bucky feels it. He tucks his face against the warm skin, needing to be as close as possible as he curls around Bucky’s body in a way that makes it unclear if he’s trying to hide against it or protect it from the world, make sure it can’t break any more than it already has. 
“I couldn’t leave you,” Bucky chokes out. Gale can’t see his face, but his husband’s voice alone is enough to cave his chest in with a crippling kind of sorrow. “I couldn’t do th-that to you. I had to… I needed…”
Gale can hear the tears building up in Bucky’s voice now, and he wants to make them go away. Yet he knows they both need this. They both need to feel this pain, let it drown them, just for a little bit, as they grip so tightly to each other that their fingerprints become embedded into each others’ souls. They need to face it, or they’ll never be able to move forward. 
“It’s okay,” he whispers.
“I-I think I…” Bucky takes a careful, controlled breath. He thinks about the stars he could see through Starship’s window, flickering in the darkness. He thinks about the pain burning like fire through his body and his brain. He thinks about wanting to die, near begging a god he didn’t believe in to carry him away from that damned place because death must be better than whatever he was going through. 
But in the darkness, a star shines on. A heart beats. A mind dreams. The Earth turns. And even when he couldn’t wake up, when he was consumed in agony from the inside out, Bucky thought of his husband. He heard his voice, saw his face, wanted nothing more than to hold him tight and hang on forever. And even when he wanted to give up, he fought to stay.
Bucky’s breath shudders, and he feels tears dripping down his cheeks. He closes his eyes. “You’re what kept me alive, Gale.” 
You’re the reason I had to stay alive. The reason I had to come home. 
You are my home. 
Gale is quiet for a long time, listening to Bucky’s heartbeat. He presses his lips against Bucky’s chest. “Don’t tell Curt that,” he whispers.
Bucky laughs wetly. He can feel Gale’s tears against his chest, and he strokes his husband’s hair. “I know,” he says, “But. It was you, angel. It was always you.”
It’s 1am when Bucky asks Gale if he’s still awake.
Gale, still tucked against Bucky’s side, nods sleepily. His eyes drift open, taking their sweet time adjusting to the darkness of the room. He shifts just slightly, making Pepper huff in annoyance where she lay curled up right at his feet.
He presses his lips to Bucky’s shoulder. “You okay?”
He waits so long for an answer that he wonders if Bucky actually said anything at all. But eventually it comes: “Hurts.”
“What does?”
A pause. “Everything?”
Gale nods again in understanding. Leg, head, chest, ribs. In that order. Possibly his back as well.
“I’ll get you some pain killers,” Gale says. He reluctantly pushes himself away from Bucky and crawls out of bed, his foot getting caught on the blanket as he goes. His mind flashes back to the way he scrambled out of bed on November 19th, sheets tangled around his feet as the room tilted, Benny approaching him like a wild animal.
His heart beats faster, faster, faster.
“Thanks, hon.”
Gale takes a breath. He walks to the kitchen, flicks on the lights, reaches for the little orange bottle of prescription pills sitting on the windowsill. He stares at the tiny print, remembering the doctor’s instructions. One pill every 6 hours as needed. He does some mental math, concludes that it’s been well over 6 hours since the last dose, dumps a tablet into his hand, and fills a glass with water,
When he returns to their bedroom, he finds Bucky sitting up with a pillow behind his back, looking at a too-bright phone screen – Gale’s too-bright phone screen. Gale turns on the lamp on Bucky’s bedside table. “What’re you looking at?”
Bucky sets the phone on his thigh so he can take the pill and glass of water, swallowing both down. Gale glances down at the phone, and he finds that the saved email from their wedding photographer is pulled up, the cover photo of the digital album displayed on the screen.
Bucky sets the glass down on the table, the bottom of it rattling as his hand shakes. He looks up at Gale, who is still hovering over him. “Thought we could look at them. Together.”
Gale can’t quite bring himself to smile, his brow scrunching into something pained but full of love. “Yeah,” he whispers. He walks back around to the other side of the bed, stopping to scratch Pepper on the head, and he sits back against the headboard. Tucking his legs beneath the covers, he presses himself against Bucky’s side.
Bucky offers him the phone, too tired to focus on making his fingers work right, and Gale opens the album once again.
It’s strange, really. These are the exact same photos that Gale looked at before. Some of them – especially those of John in the groom’s suite – he’s stared at and stared at, unable to look away and unable to move forward. These photos carved a hole into his chest even as he fell in love with every image, at one time thinking that if he never got to see his husband again, at least he would be left with such perfect, life-filled photographs. 
They made him sob and they made him panic. They made him chuck his phone away because they filled him with too much everything and he was overloaded with the weight of it. They made him grieve.
But here they are. The same exact pictures, and they look completely different somehow. When the gallery opens, Bucky sinks down so his head rests on Gale’s shoulder, and Gale wraps his arm around him. He balances the phone on Bucky’s chest and turns to press his nose into his hair. 
Bucky’s lips curve into the most genuine little smile the moment he sets eyes on the photographs of Gale in the bridal suite, and it hits Gale in the weirdest of ways that, even though he’s seen these specific pictures a handful of times now, Bucky hasn’t. This is the first Bucky has seen of Gale’s pre-ceremony experience. “You’re…” Bucky huffs out a disbelieving breath. “God, Gale, look at you.”
While Gale holds the phone, Bucky uses a finger to swipe from photo to photo, pointing something out here and there – how he didn’t realize Gale was so nervous, too, or how lovely Marge looks or how much he loved that white suit – or sometimes just staring with his hand poised over the screen like he’s eager to get to the next one but reluctant to move away from the one he’s on. He stops for a long time on a candid of Gale standing in front of the mirror, looking down with a nervous smile on his face as he adjusts his cufflinks. The light coming through the windows hits just right, making his suit seem brighter and his boutonniere pop. It highlights the freckles on his cheeks that Bucky sometimes likes to kiss or poke at. 
Gale thinks he hears Bucky whisper the word “wow.”
“Sorry I ain’t that pretty all the time,” Gale jokes self-deprecatingly.
Bucky turns his head, glances up at him. “You get more and more beautiful every day, love.” He reaches a hand up to grab Gale’s chin, satisfied at the way it makes him blush. Gale feels the metal of the wedding band rub against his jaw, and he motions for Bucky to keep going through the album. 
“Ah, look at that handsome man,” Bucky says when he gets to the pictures of the groom’s suite. “Whoever gets to marry him sure is lucky.”
Gale scoffs, hiding his face in Bucky’s hair. He squeezes Bucky’s hip with the hand wrapped around him and whispers, “I am.” 
“Holy shit I was nervous,” Bucky admits as they scroll through. Gale stops him every once in a while, wanting to look at certain photos for just a little longer even though he’s drilled them into his mind already. Bucky biting his lip anxiously as Rosie fixes his cufflinks, Bucky kneeling down to pet the dog, Bucky with his head thrown back in a full body laugh, looking beautiful, carefree, happy.
They reminisce over their first look, feeling like they’re there all over again, seeing each other for the first time, reaching out to touch, at a loss for words.
And then it’s on to uncharted territory, the photos that Gale never managed to get to. He takes a deep breath, and he decides right then and there that it’s okay. After everything, right now, they get to look at their wedding photos together. Just like any love-struck young couple.
One small step on the road to normal. 
“Someday I’ll thank her for holdin’ you up while I was gone,” Bucky says when they get to a picture of Marge walking them down the aisle. Gale can only nod, because nothing he could ever do could ever repay her for, well, everything.
“Were you crying?” Gale asks as he zooms in on a picture of them at the altar, holding tight to each other’s hands. Bucky is biting gently at his lower lip as he looks at Gale, and his eyes are glistening in the light. 
“I don’t know,” Bucky laughs now. “I was so focused on gettin’ my vows right. I don’t even know.”
“Wait,” Gale smirks and leans his head down, trying to get a good look at Bucky’s face. “Are you crying now?”
Bucky shakes his head, but he also scrubs at his eyes with his hand. He presses himself even closer to Gale, if that’s possible. “I have a head injury,” he says meekly.
“Yeah, sure,” Gale drawls, kissing the top of his head.
There’s a few pictures of the ring exchange, and Gale remembers how badly Bucky’s hand was shaking that day. The irony of it claws at his throat, but neither of them say a word. He remembers how fast his own heart was racing. He remembers the feeling of that cool silver band sliding over his finger. He remembers the look in Bucky’s eyes.
They spend a long time looking at the series of photos from during and after their kiss, remembering how the entire world disappeared in that moment, just them, their own universe, the greatest love story ever told. Naturally, they’ve barely kissed since Bucky returned. 
“Tomorrow I’m gonna kiss you like that,” Bucky promises.
“Why tomorrow?”
“Cause the meds are kickin’ in and I’m too comfy to move.”
That would make Gale smile, but he finds he already is. He’s barely stopped this whole time, even when the pictures bring tears to his eyes and shove a lump into his throat. He holds Bucky tighter.
After the ceremony photos – Bucky jokingly declares that the best one is the one of Meatball and Pepper crashing their kiss – there’s plenty of staged photos of the wedding party and even more of John and Gale. And then there’s the reception.
Speeches. Curt and Marge standing on a chair. The newlyweds holding hands at their table, whispering into each others’ ears, kissing sweetly like no one was watching even though everyone was watching. People dancing and laughing. Gale dancing with Bucky, with Marge, with Chick. John having a dance off with Curt and Alex. Cutting the cake – Bucky smashing a piece into Gale’s mouth. Kissing through the icing, staining their lips blue. John and Gale on the mezzanine, John kissing him on the cheek. Gale tossing the bouquet over his shoulder. All of their Air Force friends, Benny included, scrambling over each other to catch it like it was a football and they were trying to win the Superbowl. Meatball grabbing it in the chaos and running full speed through the reception hall.
Gale laughs as he sees those photos for the first time. “I didn’t even know that happened.” When he doesn’t get a response, he looks down at Bucky. “You still with me darlin’?” 
“Mhm,” comes the reply. And Gale realizes that Bucky is struggling to keep his eyes open. But he blinks and glances up at Gale. “That was the best day of my life, you know.”
Gale’s lips part, but he doesn’t have anything to say. He wants it to have been the best day of his life, too. But after everything… 
Gale doesn’t believe in miracles. But as far as he can tell, the day Bucky splashed down in the Pacific was as close to one as he’ll ever get. So after everything, is it strange that he thinks the best day of his life isn’t the day that marked the rest of his forever, but the day that kept that forever intact? The day John came home to him. 
He can’t bear to say all that, though. So he nods as he turns the phone off, and he wraps his arms more fully around his husband, feeling the warmth of his bare skin and the reassuring weight of his upper body. He finds himself feeling comfortable, safe, secure, not afraid. He almost feels like he could just nod off right here. “It was a damn good day,” he agrees. 
Within moments, Bucky is drifting off in his arms, relaxing into his embrace. Carefully, slowly, Gale eases them both down, so they’re laying more comfortably on the mattress, but he doesn’t let go. And for the first time since early October, together, in their own bed in their own home, they sleep.
December 12 Nassau Bay, TX
It’s raining.
For real this time. At least, John really hopes it’s real.
He sits on the couch and stares out the window, listens carefully. The house is filled with that eerie but comforting light of an afternoon rain storm, gray and blue and green with a daylight sort of darkness that settles over everything with hardly a shadow. 
Drops of water drip down the windowpane, and Bucky watches them. He presses his finger to the glass and traces their path as they roll down. He listens to the steady beating of raindrops on their roof. He pretends he can smell the fresh earthy scent of a storm mixing with the salty air of their home on the bay. He pretends he can feel the cool water sliding over his bare skin, plastering his hair to his forehead. 
The rain has been falling for over half an hour now, and his heart reaches out to it. He has to wonder if it’s real, or if it’s only a dream. He often wonders that – was all of it a dream? Is it all a dream? Will he wake up one day, still on Starship, and find out his trip home, his successful failure, wasn’t real? Maybe the accident never happened. Or maybe it did and he never actually woke up.
Or will he wake up one day in this very house, learn that he never went to the moon at all? Will he be shipped off to quarantine to do it all again?
But his leg throbs with his heartbeat, and sometimes his head still spins. Every cough reminds him he’s alive. He holds onto Beary Egan as he sits on the couch, Pepper at his side, and while many things are blurry or missing, there’s so much that he can recall in such detail. If he closes his eyes, he can see the surface of the moon stretched out before him. Nowhere and everywhere. But he was there.
“John?”
Bucky’s brain takes far too long to understand that someone is saying his name. When he finally tunes in, for a second he thinks it must be Curt or Rosie. Checking on him, trying to get him to eat something, telling him it’s time to do this or that thing that is going to cause him pain but is necessary anyways. 
But the voice says his name again, followed by a gentle “darling?” and a smile slips over Bucky’s face. 
He turns his head to see his husband, leaning against the doorway to the kitchen. His hair is unstyled, soft and messy. He’s wearing jeans and a black sweater. Bucky is once again wearing his own Yankees sweatshirt – if for no other reason than to make it smell like him again. For now, it smells like Gale, and it makes him feel safe. 
“You okay?” Gale asks. He raises an eyebrow in concern. He looks at Bucky like that a lot now – concerned.
The truth is, everything hurts. Everything feels icky. Everything about Bucky’s body feels wrong and out of control. But he nods. Because right now, he is actually okay. 
He woke up in his husband’s arms, his dog at his feet. Gale made him pancakes, and when he couldn’t quite stomach those, he cut up a bunch of fruit and let Bucky drink as much orange juice as he wanted. Gale told JSC he wouldn’t be in today, and they spent their morning watching a movie on the couch while Bucky scrolled through their wedding photos again. Lazy and domestic, just trying to heal.
Bucky reaches an arm out towards Gale, making a grabbing motion with his hand. Gale’s face softens and he walks across the room, settling on the couch beside Bucky. He wraps his husband in his arms, and together, they stare out the window at the water falling down onto the Earth.
Gale closes his eyes and takes a deep breath in, holding Bucky tight. He presses his nose against the dark curls at the back of Bucky’s head, where that shaved patch is finally growing back. He tries to remind himself that John is here, in his arms, safe, not going anywhere. He tries to block out the rhythm of the rain, wills it to stop.
All he can think about is that night, a storm pouring buckets over their town, when Benny woke him in the darkness. 
One single moment can change the way you see even the most fundamental parts of the world. Something that once was beautiful, now bears nothing but pain. Fear and grief. That’s the song sung by the rain.
Gale listens to its melody, wondering if it’ll ever change its tune.
“You know,” Bucky says. He presses his whole hand against the cool window glass. His eyes flick momentarily to Gale’s, then back to the view of their backyard. “The rain is one of the things I missed the most.”
Gale blinks. “Mmm?”
Bucky nods. “The moon is so… empty,” he says, frowning. “I mean, it’s amazing. It’s beautiful. I wish I could go back. But it’s quiet. Unchanging. Dry. I missed water.”
Bucky seems to drift away again after that. One moment, he looks focused, speaking purposefully. The next, his eyes go a little hazy and the expression just drops from his face. He leans his head against Gale’s shoulder, and he stares out the window. Gale half expects him to fall asleep, but just as he’s about to ask Bucky if he’s still with him, Bucky shifts, tilting his head in thought.
“I remember wanting to feel the rain. I’d pretend I could feel it running over me, soaking my hair. I pretended I could taste it on my tongue. Like when we were kids, y’know? Playin’ in the puddles.”
Gale stares thoughtfully out the window, trying to see it in the same way. His heart beats a little too fast, though, when he can’t shove away the memory of that morning. 
He tries to smile weakly, pressing his lips to the back of Bucky’s head to hide the way he wants to cry at the memory mixed with the visual of John here, in his arms where he belongs. “Come on,” he says.
Bucky looks at him questioningly, but he doesn’t have a chance to resist because Gale is already standing up, crossing the room, retrieving the wheelchair. And then he’s lifting Bucky in his arms and settling him into it.
Bucky shifts in the chair, grimacing as he tries to get his leg positioned right. “What are you doing?” 
Gale puts a finger up and walks away again, leaving Bucky alone in the middle of the living room in a chair that he’s hardly any good at maneuvering on his own. But he returns moments later with the plastic cover for Bucky’s cast.
“We’re gonna go outside.”
Bucky blinks at him, then glances out the window again. “In the rain?”
“Mmm.” Gale kneels in front of Bucky, and Bucky watches as Gale gently lifts his bad leg, slips the cover up over the cast and secures the top of it at his knee. Then he helps Bucky get his leg in a comfortable position again. “Good?”
Bucky nods. Gale pats his good leg gently before getting back to his feet and wandering over to the coat closet. He hands Bucky one of his warmer raincoats so he can pull it on over his sweatshirt. “What?” Bucky asks when he notices Gale watching him do it. “I can get my own jacket on, Buck.”
What he doesn’t realize is that every time he does some menial task on his own, Gale’s heart is working to mend itself back together. Because Bucky doesn’t know the conversations Gale had to have with Dr. Huston and Smokey. He doesn’t know how terrified Gale was that Bucky would never be able to do these things again.
But outwardly, Gale just rolls his eyes, because Bucky doesn’t need to know all that. Not right now. He pulls on his own coat, ruffles Bucky’s curls as he steps behind him, and pushes him towards the front door. Pepper, finally convinced that they’re doing something worthwhile on this tired, rainy day, gets up from the couch to follow behind them.
The last time Gale stood in the rain, he was dressed in nothing but his work clothes. He stood frozen, drenched to the bone, unable to feel anything at all. Sandra had to save him. His mind flashes to that moment as he walks out the door, pushing Bucky out in front of him. He nearly freezes when he feels the cold raindrops hitting his face. He doesn’t bother to put his hood up.
But he notices something: he can feel it now.
As Gale wheels him out to the driveway, Bucky holds out his hands and looks up, closing his eyes as he feels the fat, heavy drops splashing onto his skin, soaking into his hair. Even on the Gulf, the rain is freezing in December, but it makes Bucky feel more alive than he has since he woke up in Starship half dead. 
Gale steps out from behind him and takes his hand. “So you didn’t have this on the moon?”
Bucky laughs. “If we did we’d have colonized it by now!”
Pepper runs in circles around them, darting from one side of the driveway to the other with her face to the sky, her thick fur slowly getting matted down. They both laugh as she gets down and rolls in the grass, staining parts of herself green. Gale knows he’ll have a hell of a time giving her a bath, but it doesn’t matter. 
He watches Bucky take in the vibrant world around them. The fresh smell of the rain and the salt of the bay. The bright colors of the Earth, the sound of the raindrops pounding the ground. Their house, their street, their dog, the trees and the grass and the water streaming down the road. All of it so alive. 
When Bucky’s eyes finally reach Gale again, he stops. He raises an eyebrow, a grin brightening his face even as his hair is soaked to his head and his flannel pajama pants have no hope of ever being dry again. “What?” He asks. 
And Gale realizes he’s been staring. He knows he must look like a wet dog, but Bucky looks at him like he’s the most beautiful thing in the world. 
“I missed you,” Gale says. Like it isn’t obvious. Like those words can possibly encapsulate what he means.
Bucky reaches out his other hand and looks at Gale expectantly. “Help me up.” 
Gale looks skeptical, but he hauls Bucky to his feet – or, foot. He keeps one arm around Bucky’s waist, keeping him steady, and Bucky grabs onto his shoulder for balance. They’re getting better at it. 
“Now what?” Gale laughs. 
Bucky doesn’t say a word. Just ducks his head down and presses his lips to Gale’s. Gale freezes in surprise, but it’s not even a second before he closes his eyes and has to remind himself that he needs to be the strong one, keep himself steady, even as he melts. They grip onto one another, holding on for dear life, and Bucky kisses his husband like it’s their wedding day. 
Gale sighs into it, and he feels Bucky smile. They’re both soaked to the bone, but it doesn’t matter. Nothing matters other than the two of them together, right here and now. 
Because, finally, they’re home. 
41 notes · View notes
allzelemonz · 2 days
Text
Image: Dutch Van der Linde X Male Reader
Tumblr media
Pronouns: he/him, Reader referred to as ‘boy’ Physical Sex: AMAB Rating: T/Violence Warnings: period typical homophobia, internalized homophobia, d/s undertones, reader implied to be younger, age gap, bruises Summary: You mess up and show a little affection in public, Dutch is set off.
You weren’t thinking. It’s been so long since the gang had gone out to a saloon with all this running back West and you’d gotten so used to getting to do what you want affection wise. Dutch, however, did not forget. He was, and always is, thinking so very deeply about everything imaginable. So when you leaned over and brushed your hand against his, he noticed. He noticed like that voice itching the back of his brain said everyone else did.
So he grabbed your arm, fingers bruising at your bicep, and hauled you out and into the alley. A somewhat confused Arthur and Hosea following after and lingering just off the street as Dutch pulls you into shadow.
“The hell are you thinkin’, boy?” Dutch huffs, squeezing harshly at your arm.
“I didn’t--”
“Folks in this state get killed for that and we don’t need the goddamn heat.” His eyebrows fall downward into an angry crinkle. “Do you understand?”
You watch the twitch of his eyes, the way they scan over your face like a man that’s never seen you before. And seeing Dutch so irate with nerves makes words catch in your throat, so you settle for nodding.
“Go get on the damn horse, boy.” Dutch huffs, shoving you towards the awaiting Hosea and Arthur.
You stumble, but do as you’re told. Arthur joins you as Hosea talks to Dutch, both waving the two of you off.
Arthur turns his horse towards the south road. “You can stay in my tent tonight.” He mutters. “‘Less you wanna have Dutch yelling all night.”
So you do. You lie down on your spare bedroll under the same tent as Arthur, who snores louder than a train, utterly and completely restless without Dutch holding you. All because you forgot you can’t be such an invert outside of camp. That’s what echoes in your head until you fall asleep late into the night.
The morning isn’t much better. Grimshaw comes by, kicks your leg to wake you up and shouts at Arthur as she rattles off chores for the day. You try to lose yourself in cutting wood that morning. Hosea’s usual Dutch Damage Control, patent pending, keeps the rest of the gang from asking questions. Even Uncle keeps away while you have an axe in hand, not daring to ask for money while you’re in this state.
It isn’t until your arms ache that someone finally stops you, a hand landing on your shoulder and squeezing. You freeze, knowing it’s Dutch from the familiar rough rings digging into your skin.
“You’re overdoing it.” He mutters.
“I’m fine.”
His hand squeezes harshly, enough to make you want to squirm but Dutch trained you out of that a long time ago. “Tent, boy. Now.”
When his hand leaves your shoulder, you drop the axe without another word. The walk to his tent is silent. The whole camp is on edge as Dutch drops the flaps of his tent. You wait in the middle of the wooden platform of a floor, knowing he’ll tell you where to sit. He does, gestures to the cot.
As you sit, he stares for a moment. His eyes look over you and he adjusts his rings before he speaks. “Hosea said I was too harsh with you.”
“It was fine.”
“Shirt.”
You look up at him for a moment before taking it off. His hand comes to your arm the second it’s gone, fingers brushing the bruises that formed from his grip.
“Just needed you to understand what’s at stake.” He sighs. “I’m sorry, darlin’.”
“You’ve done worse.”
“Only when asked.” Dutch shakes his head, moving his hand to tilt your head up. “I never get carried away like that. I… I was simply worried, my dear.”
“You don’t have to explain.” You turn your head away from his hand. “Just Hosea’s words anyway…”
“Stop that.” He snaps. “You’re my boy, aren’t you?”
You take a breath, staring off into nothing for a moment before nodding lightly.
“Then believe me when I say I’m sorry.” Dutch sighs as he sits beside you, his arm wrapping around your shoulders and pulling you to lean against him. “If I’m gonna run cons in town, I need to seem respectable. That’s all.”
“I know.” You mutter.
“I’ll take you out this week, a dinner away from camp… nice hotel.” He chuckles. “But if anyone asks, you’re my nephew.”
“You don’t have to make it up to me, Dutch, just don’t go crazy like that…” You speak softly, leaning further into him until he puts his arms around you.
“Did I scare my boy?”
“Not that much of a pansy.” You mutter.
He sighs, running a hand through your hair. “I missed you last night.”
“Could take a nap.”
He hums, kissing the top of your head. “Wonderful idea, my boy.”
26 notes · View notes
thestrangesthell · 1 day
Text
Afterlife Jobs and Civil Service
Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.
This will contain spoilers for Beetlejuice Beetlejuice.
TW: This post will discuss suicide. Please only proceed if you are comfortable.
The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.
Now, for the long version (and it really is long), read on!
Tumblr media
Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.
What we as the audience do see is people working in the afterlife that could have died by suicide.
There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.
It's a weird thing to pick up on, but what about the skeleton workers?
Tumblr media
Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).
Well, that clears things up, right?
Maybe not.
For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.
Why?
Betelgeuse himself.
Tumblr media
Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.
Why is this an issue?
Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?
I have two theories for that.
Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.
Then there's my second theory, which muddies the waters quite a bit.
We didn't actually see him die after he was poisoned.
I'll let that fester for a bit...
Ready to move on?
Let's talk about *Juno!
Tumblr media
Juno, my beloved.
Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.
The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.
(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)
The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.
This is where my theory really comes into play.
Tumblr media
I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.
(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)
When looking at these new characters, here's what I theorise for each of them:
Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.
Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.
Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.
The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).
The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.
Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?
Speaking of ready to go...
All aboard The Soul Train!
Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.
Tumblr media
(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)
WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲
After all that, here's what we do know:
If you died within a certain radius of your home, you're left to haunt it for 125 years.
If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.
If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.
You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.
In summary:
Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?
Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.
Tumblr media
But hey, what do I know? I'm only living.
21 notes · View notes
cementcornfield · 1 day
Note
Ugh I can’t stand how chiefs fans are making fun of jamarr and calling him a diva (among other names) when Travis literally screamed in his coach’s face during the Super Bowl and has been ejected from a game before for disrespecting the ref.
tbh i don't mind chiefs fans shit talking ja'marr, they have every reason to hate him. he's embarrassed their team plenty and has done more than his share of shit talking. let them have their fun (although i agree it's def hypocritical after that travis moment that i guess no one ever wants to talk about!)
what upsets me SO much though is seeing our own fans turn on him. calling him selfish for the hold-in, blaming him for the contract debacle, saying he's overrated, saying we should trade him and keep tee (when they were all saying the exact opposite when tee requested a trade TWICE a few months ago 🙄). and i do understand that ja'marr was in the wrong for this penalty, but getting ridiculous penalties against the chiefs is kind of just what he does! like it cannot be emphasized enough how much that man hates the chiefs lmao.
ja'marr has been STRUGGLING these past few months and it's obvious how much of a toll this has taken on him. i'm not at all surprised things boiled over to a tipping point when he thought he was tackled in a particularly dangerous way (whether he was right or wrong, he DID believe it). right now he's taking a huge risk being out on the field at all without any real guarantees for the future. that shit is scary, it's scary betting on yourself even when you do believe in yourself 100%. people play better when they feel secure, when they feel valued, and the front office did everything they could this offseason to make him feel the opposite.
i'm really hoping he can have a big game this monday. supposedly the commanders defense is Not Good, so that should help us! (i just hope it isn't a trap game for us. but the fact that we're 0-2 i think will make the guys take it seriously.) winning helps cure all ails for competitors like ja'marr, and i believe we've got a lot of that ahead of us!
21 notes · View notes
magebastard · 2 days
Text
like dust settled on the world
rating: g
ship: solas x rome lavellan
description: fluff with nary a plot in sight
wc: 431
They stretch long fingers over the elegant curve of his fine jaw. His head tips back in soft, inquiring reply. Doesn’t think twice about baring his throat. He could very well be a hunted man—it would be far too late to turn back.
Instead of cruel teeth, Rome presses a kiss to the dip of his chin. They smile. Cold lips against colder skin. (Between the two of them—neither runs particularly warm.)
It’s dawn. It’s easier.
They share a tendency and propensity to ramble. Lore, principles of magic, politics, the fate of the world, a favorite snack, an anecdote, a strong opinion, nothing at all. It teems and mills about them as they travel. As they camp. As they fight their enemies. For two individuals who claim to withdraw—who claim a preference of being unobtrusive, they unfurl together.
Here, now there is nothing to say. Solas watches her eyes as she watches him. Warm, hearth brown. Earthen and arresting. He reaches for their hand.
Not—not where the mark—where his mark is. Not that—don’t think about that, now. Do not burden them. Do not burden them further than you have.
She twines their fingers. Lifts her marked hand to trace soft fingertips over his scalp. He wobbles at the careful touch. They both are only a facsimile of what they could be.
Solas takes a breath. Compose yourself.
“We should prepare to depart. I believe the situation in Emprise Du Lion will require the breadth of our focus.” They have come to retrieve him, after all. Better to be easily gotten.
It takes her a moment to reply, their fingers still moving, feather-soft and slow. “I suspect as much,” quiet, reverent.
Not the reverence of a disciple. The reverence of a lover. Starved whilst sated, wanting whilst content.
They kiss his brow. A parting thing. And they clear their throat and adjust to their full height. Assuming the mantle of Inquisitor once more.
(He knows it is a choice. Every time they slip into the ‘self’ of Rome Lavellan, it will be a choice again to become the Inquisitor. It is a transfiguration, a trick and a trapping. It will always be difficult, even when time eases the wrinkle of its newness. Solas knows this well.)
He stands to his own proud height. He smooths a wrinkle over the shoulder of her fine, silk shirt.
“I will be waiting at the gate for you.” I will be there. Fragmented and lying and wrong, you will have me.
She breathes deep. Nods once. “I’ll meet you, there.” I will have you.
20 notes · View notes
jujusjunk · 3 days
Note
Something is very wrong when even Nasrallah in his speech says the 4000 papers involved were all owned by Hezbollah operatives, but Lebanese civilians such as yourself are reblogging false reports about healthcare workers pagers being involved. Even Nasrallah says that is incorrect. I believe him, he has zero reason to lie about that. It would look so much worse for Israel if Nasrallah could claim hospitals were targeted, but Nasrallah is saying this is not what happened.
You can do so much better critical thinking Juju I've seen you do it before.
No need to respond to this I just want you to mull it over.
The fact that Hezbollah never said that yesterday dedicated 15 minutes of his space thanking and honoring the people hurt which included nurses, doctors, children, women, ambulance drivers, first responders of all kinds and just anyone caught up in the attack.
Also the fact that I saw a man wearing an army uniform with no leg screaming while he was on the floor is more than enough for me.
16 notes · View notes
appledotcodotuk · 9 months
Text
thinking about the speech that nine gives about saving rose and eradicating the daleks and just how grandly wrong it turns out to be. thinking about how closely it veers into Dalek (the ep. But also yeah the creature) territory. thinking about Rose sacrificing her own humanity to preserve a little bit of the doctors. saving herself. saving him. thinking about how the last act of the time war was life. thinking about the moment in the guise of rose once more preventing the doctor from doing something irreversible.
18 notes · View notes
chessb0r3d · 9 months
Text
Tumblr media
i cracked the code.
#believing dirk is the worst guy because its what dirk thinks of himself#ignoring daves bisexuality and think hes a gay man in denial even when he explained hes bisexual#believing john 'im not a homosexual' egbert is explicitly straight while he makes out with his mcconahey and cameron posters more#than he kissed women(literally only once)#believing that rose is an edgy psyhcotic little bitch when she was neglected. she speaks elegantly to cover that shes silly and a total ner#and how did people forget that rose also writes gay wizard fanfiction. reads Wikipedia. and her beautiful artstyle as a result of neglect#(and by neglect meaning having SO MUCH TIME to draw)#jake wasnt into dirk. he also told di that he didnt like how brobot getting touchy with him during strifes#but as part of the repression 4(prospit kids). he refused on changing the bot settings#what jane said about roxy being better when she was drunk. it was fucking sarcasm. its the least insane shit you could say to a best friend#all the kids have issues and of course people get mad over a girl being sarcastic.#when KARKAT said THE SAME THING to rose when she was drunk on the meteor nobody bats an eye#trolls are just grey humans that are bugs. he doesnt get an excuse for being an alien. humans were made from KARKATS BLOOD#jade isnt all silly girl and is so FULL OF HATE towards the trolls. she called karkat a fuckass (VERY FUNNY) to do her a favor#“jade would rather have punched karkat in the fact then had a pleasent conversation with him.”#“she viewed the trolls as rude mean and cruel. and even thought that nepeta was just making fun of her.#despite it being that nepeta just wanted to roleplay and have fun."#dred.loki#I HAVE YET TO ADD MORE. THESE ARE JUST NOTES#homestuck#chss
397 notes · View notes
codacheetah · 4 months
Text
Tumblr media Tumblr media
The start of the Loop segment of the Siffrin & friends twitter QNA, and the message that flipped Loop's answers from silly to dodgy and blatantly upset.
Tumblr media
Loopchat from speaking to Loop 20+ times.
Certified Loop dysphoria post
#isat loop#isat spoilers#i was gonna make a whole semisilly post abt how i think the public perception of loop as 'cunty' is kind of funny#(has bought into it before)#but to be honest it just made me start thinking more abt how loop perceives themself.#loop telling siffrin not to die too early so they have more time to go :( at siffrin's drawing. or well i guess it'd be :#man.#it does....interest me#siffrin seems to not be particularly dysphoric in like a gender sense. expresses interest in body craft but thinks#(You dont mind inhabiting this meat prison for the time being.) as well so#but by becoming a star loop kind of. simultaneously loses the freedom to Change the way they want to. no guarantee bodycraft works on stars#and loses the comfort of inhabiting their own body#congrats on the new body loop! sorry about the dysphoria#for as much as it's fun to poke at loop for being very obvious once you Know#it does. resonate something with me i guess that of all things this is one of the few things that loop isn't very good at deflecting about.#(in the sense of cutting the conversation short before it becomes capital o Obvious they are upset anyways)#i'm aware they were already transgender before becoming a star. but very transgender of you loop#oh! i guess i can say on the topic of cunty loop#it's kind of funny. like im not immune to drawing Cute Loops or making them silly and dramatic and flirty#and i think the thread of Drama they show on top of their not-typically-masculine (ig???) demeanor and flirting with siffrin#makes the perception of them as like. there has to be a better word than cunty but. cunty. somewhat understandable#once more the loop has deceived you. i mean i do think the drama is a little bit real they are a hashtag theater kid#but they have deceived you. you have fallen into their spiderweb of believing they are anything other than the world's most miserable beast#with your help we can crowdfund enough silver coins to buy loop a dysphoria hoodie. if we hit our stretch goal it can have a print on it
72 notes · View notes
screwpinecaprice · 4 months
Text
Tumblr media
I woke up feeling like I was crying to sleep when I wasn't??? And my dream was about Mei from Turning Red riding a snow sleigh. Um There's nothing sad about that??? Lol
Anyway, the warm up sketches. The colors were added in Medibang. It was pretty fun, might do that technique some other time. My body still refused to recover from being bummed out throughout the day so I did house chores instead of commissions. 😅 Will try again tomorrow.
118 notes · View notes
lloydfrontera · 13 days
Text
i don't buy that lloyd would get over his fear of the restoration of fate that quickly. he was doomed by the narrative for years and now he's supposed to shake it off in less than two weeks? absolutely not, he literally tried to kill himself in order to avoid it, ain't no fucking way he just stopped being scared about it in a couple days i don't believe it
anyway. this is my way of saying that lloyd refused to cross dimensions until he made javier swear that he would kill him with his own hands if there was even a hint of the restoration of fate starting up again. he wouldn't consider going back if it meant putting his family and home in danger again even if it meant being left behind in a place he would've rather died than stay at.
and they both know that javier would fall on his own sword before hurting lloyd but they also know lloyd would take his own life before allowing him to do that or to let his existence put his loved ones in danger again. they know lloyd doesn't really need javier to kill himself, not if he's really committed to it. he's done it before it after all.
him asking javier this is. a warning. of what he's planning to do if the restoration of fate starts again. it's his way of telling javier that he cannot promise things will be okay if he comes back. that he must be ready to lose lloyd again if necessary because lloyd won't allow anything else.
it's also maybe... an indulgence on lloyd's part. he's felt himself die so many times now. and so many of his deaths were painful or terrifying or surrounded by his enemies and sometimes all three at once.
but he remembers a sunset, a coat over his shoulders, shaky yet reliable hands holding a sword. a quick, peaceful death on his own terms, done by someone lloyd trusted with something far more important than his life.
and he knows it's selfish, he knows it's cruel, but if he has to die, for real this time, can't it be at the hands of his best friend? if he has to be killed, can't it be done by someone lloyd knows cares for him? if he has to close his eyes and never open them again, can't the last thing he ever sees be the face of the person he loves enough to die for as many times as necessary?
and javier agrees because. what else can he do. he spent so long hoping lloyd would finally trust him enough to tell him what he was planning so javier could help him in anyway he was able to and now. now lloyd is asking this of him.
he desperately doesn't want to say 'yes'. but he cannot say 'no'.
what else can he do.
what's the point of being the most powerful human on the world if he can't even protect the one person he swore to protect above all things. what's the point of him if the only thing he can do is promise to kill his best friend because he has no other way to protect everything they've worked for.
how can he promise lloyd that everything will be okay, that things will work out, that if needed javier will die for him before letting anything happen to him, when he already failed before.
what else can he do
anyway. i don't think any amount of end spoilers and confessions to the jewel of truth are enough to soothe the terrified, paranoid and utterly traumatized part inside lloyd's chest that goes tight any time anything goes even remotely wrong for a good while. it takes a couple months, maybe a few years even, before lloyd stops going cold every time there's even a hint of trouble around him. before he stops reflexively looking to javier's sword to calm himself down whenever things don't go perfectly right in every way.
it takes a while. but it does happen. and things aren't perfect, that's not how life works, but they're good and even when they aren't, lloyd can finally face them and believe they're not his fault. that his existence is not an obstacle for the happiness of the people he loves.
47 notes · View notes